New Theme Song Band: Cancer Killing Gemini

So many bands entered this contest and had awesome tracks,
that it was a super hard task to choose our new theme song band.
Some of the bands were so good, we asked them to be featured next season
and they will be reaching your earbuds soon.

However, the HorrorAddicts.net staff narrowed it down to
the song we thought best emulated the show’s spirit.

HorrorAddicts.net is proud to announce our newest theme song band:
Cancer Killing Gemini!

Listeners will find out more about these blokes on the
premiere of HorrorAddicts.net, Season 7
beginning in April 2012.

Until then, check out their site where you can hear a new song monthly
and listen to the new HorrorAddicts.net theme, “Horror Movie Song”.

http://www.cancerkillinggemini.com/wp/

Hug A Goth Day

Hey Horror Addicts, Wednesday, August 24th is Hug A Goth Day. So if you know a goth or see a goth walking down the street, make sure that you give them a hug.  Hug a Goth Day is meant to pay homage to Sophie Lancaster who was brutally killed after being attacked by strangers for being goth in the United Kingdom.

On August 11th 2007, Sophie Lancaster and her boyfriend Rob Maltby we’re walking home when they we’re brutally attacked by thugs just because they we’re different. Rob tried to stop the attackers but they overpowered him. Sophie cradled her boyfriend’s head and begged their attackers to stop, but instead of stopping they kicked her until she was unconscious.

Both Rob and Sophie we’re beaten into comas. Two weeks later, Rob came out of his coma but Sophie did not. Sadly Sophie died on August 27th when her family decided to take her off of life support. The teenagers who participated in the attack bragged to some other teenagers saying that they did “something good.” There we’re also other kids who witnessed the attack.

Thanks to the witnesses, two of the attackers we’re sentenced to life imprisonment and three others were sentenced to prison terms for the attack.  A police detective said that the attack was one of the most violent murders that he had ever come across and the attackers did not feel the least bit guilty and joked with their parents about what they had done.

Though Sophie Lancaster’s life ended in a very tragic way, she will never be forgotten. Her boyfriend Robert Maltby put on a display of his art that was inspired by Sophie to honor her memory. Also on October 6th 2007, a concert was held in Sophie’s honor featuring 10 bands. Also a fund was set up in her honor called: S.O.P.H.I.E.(Stamp Out Prejudice, Hatred and Intolerance Everywhere).

So in honor of Sophie Lancaster hug a goth on August 24th and think of all the people who have been discriminated against just because they were different.

For More information on Sophie Lancaster and Hug A Goth Day, check these websites out:

http://en.wikipedia.org/wiki/Murder_of_Sophie_Lancaster

http://www.facebook.com/event.php?eid=125094830909524

http://www.youtube.com/watch?v=vzAj4WsF3VE&feature=related

Horror Fashion: Steampunk / Fetish Swimwear

This isn’t exactly promoted as swimwear,
but any addict could be proud going to the beach in one of these beauties.

If you’d rather not go out in leather,
this will give you some nice inspiration to make your cotton and
spandex into unique outfits that are more Horror Addict
friendly than your regular old beach wear.

‘Course, if your tastes lean towards hanging out in an old
steam-powered factory, you’ll know just what to wear!

Monster Mash with Plasticoma

“I think I am decay
I am evil
My thoughts are never pure”
– From the song “Champagne and Razorblades” by Plasticoma

Our featured band this week is Plasticoma, a dark electronic trio based out of Johannesburg, South Africa, also known as Jozi. Plasticoma was founded by vocalist and writer Jaco Brewis. Rounding out the group are guitarist Shawn van Staden and bassist Derik Nel. Their song we are featuring this episode is “Champagne and Razorblades”. Much like the song from our previous episode, this song also embraces the theme of insanity. (Both songs really speak to the Malkavian in me.) However this is where the similarities end, as ”Champagne and Razorblades” is a much darker, heavier track.

In Jaco’s own words, ”I thought it was a good track to go with the theme of horror. I came up with the idea at work one day when I was feeling really sad and depressed but happy at the same time, so I thought this is ‘Champagne and Razorblades’. So that was the concept — happiness in darkness but slightly more psychotic. When we were recording the track Shawn had this idea to take the concept further and make it like a mental institution song, where in the verses we would talk like background voices of me the patient and Shawn the shrink. We also recorded some throwing of chairs and things. It was a lot of fun and it come out the way we wanted to.”

Plasticoma got its name when Jaco recorded a song for a gothic compilation album and then realized he needed a name for the then solo act back in 2006. His girlfriend Emma had suggested “Plasticoma” among others. He said, “I immediately liked it as I pictured someone in a coma but wrapped in plastic, kinda like a plastic morgue. Also I liked the name as it sounded fresh and it was the direction I wanted to go in, full electronic dark music.”

He described their music as “experimental in a lot of ways, as we are fusing heavy guitars and a lot of synths. It is still electronic music but also alternative and sometimes even rock electro if there is such a thing.” About his band mates he added, “we work well as a team. Shawn is a bit of perfectionist and I tend to quickly just write riffs and chord progressions. After that, me and Shawn will normally put a lot more work in, finer details and textures will be put in. Derik adds some solid bass lines that makes the sound fatter.”

Their album, Frei, and its title track comes from the German word for “Free”, and was written as Jaco puts it, “when the first member of the band and I parted ways, and I was well let’s just say very p* off. So I wrote the song to make me free of all B.S. But I never write songs about singular events so it became my break away song from all that bothers me in life, to make me free from this pain, make me free from this flesh, and so on.”

Jaco has some great advice for new bands, ”Keep going! Write the music, don’t judge the music. It’s easy to be over-critical, keep your dream alive. See where you’re going and you’ll get there.”

For fans of the band in Johannesburg, you can find them most of the time playing gigs in nearby Pretoria at Full Moon Lounge under V.A.M.P. parties. Their record company, Koffin Kidz Records (how can you not love that name), books all of their shows and also owns the club. Jaco added, “we haven’t played Cape Town yet, and as a goth cliché, I’m going to say we would love to play in Germany, like a tour. That would be amazing I think.”

You can find the band online at http://www.plasticoma.co.za/, as well as on ReverbNation, MySpace, and on Facebook.

Horror Fashion: Goth Makeup Tutorial

A lot of people ask me how I do my makeup. Well, this isn’t me, but this is a pretty good example of a toned down goth makeup look that you can wear in public and to most workplaces.

To find out more about this makeup artist, check out her site at:  http://www.klairedelys.com/

Press Release: Veronique Chevalier Update

Veronique Chevalier Update

* * * Veronique Announces Partnership with SJS Promotions * * *
Ms. Susan Soares, Founder of SJS, shall now be conscientiously bombarding vous with all news Veroniquey. We are most honoured to welcome her & look forward to a lovely working relationship, as we pick up greater eSteam!

* * * PDX Gear Con & Back to The Pacific NW! * * *
Excitement is at hand, as well as a-foot! The event producer of Portland’s first-ever Steampunk Festival – PDX Gear Con, July 23rd-25th, (who happens also to be the producer of the acclaimed Rose City Steampunk Film Festival), had the excellent taste to include La Moi as one of his first invited Honoured Guest Perv-ormers! Also appearing are Erica UnWoman Mulkey, Vernian Process, Wanderlust Circus & Vagabond Opera, among many others!

Visit the Official PDX Gear Con Website for further info:

http://pdxgearcon.com/category/performers/

Well, that’s enough excess “braggage” for this round. Please feel free to send moi an Aetheric Telegram with any questions/comments/kudos! (Complaints shall be duly ignored- forewarned is four-armed.

With great affectation, er, affection & eSTEAM,

MADemoiselle Veronique
The Original Mad Sonictist

Demona Mortiss

An awesome band I just heard about. Great sound and style.

Check out the Demona Mortiss Facebook page for more music and pics.
http://www.facebook.com/pages/Demona-Mortiss/183520568347804?sk=app_2405167945

Monster Mash with Witness the Apotheosis

“They say I suffer from insanity
Just between friends
I’m not suffering at all
I kinda like it here”
– From the song “Asylum” by Witness the Apotheosis

Witness the Apotheosis is a darkwave/industrial duo from Athens, Georgia and consists of Terance Schmidt and Zak Vaudo. Both provide vocals, electronic programming and compose the music. Zak also plays cello while Terance plays other instruments. In describing their synergy, Terance said, “Zak is certainly better with beats then I am, I tend to get things started, then Zak will bring a lot to the rhythm. I tend to do pretty well with creating melody – basslines, arpeggios, that sort of thing. Zak has much more experience with the genre of music that we make; he’ll pull us back in that direction when I go too far towards my rock roots.”

The song they shared with us is “Asylum” from their debut album Monomyth. The voices inside my head that scream at me from behind my eyeballs totally love this song. Apparently I’m in good company. Zak told me that “aside from being a fan-favourite, ‘Asylum’ has always just jumped out as one of the more unique songs in our lineup; it showcases our blend of style backgrounds better than any of our other works.” Terance added, “it’s the song that we have the most fun with on stage. My favorite memory playing that song was one time we completely freaked out our audience with it. After the song they just stood there, silently. I looked back at them and said ‘your silence is all the applause I ever wanted.’”

Both Terance and Zak were originally from Queens, NY, but met in Athens, GA. Terance is a fan of the music from Athens. He said, “I enjoy the B-52s, REM and Pylon especially. Music Hates You is also an influence. The bass in Pylon and REM is something I think I may draw from somewhat.” Zak noted that there isn’t a lot of electronic music in Athens to draw from, saying, “the last one that had any influence on me was Unavox. I let Terance pull the rock elements; electronic music tends to resonate the most with me.”

Myself, I love the little references to Greek myth in their band name, album titles, and such. Terance mentioned the time he sought advice from an oracle, in this case, a tarot deck. “I did a tarot reading to get some idea of how things might work out with Zak and I doing a band. It came up with the World card, which is the best card in the deck to draw. In the explanation book for my deck, one of the lines was that ‘they will all come to witness the apotheosis’, so that was a good sign. Apotheosis means becoming god-like. I like to say that when you get up on the stage and do your thing, you transcend ordinary humanity and become something more, so the name really makes sense to me.”

Even though they enjoy playing gigs, they both agreed that creating new music was more fun. Inspiration has come from many places. For Terance it has even come from just walking down the street. “Asylum started out with the line ‘I really like the flowers but what did they do with my mind?’ I was walking down Washington Street in Athens to Hot Corner Coffee when it came to me. I started writing lyrics for it and thought it would be funny. Then it got more serious, and yet still funny. It’s rare that I sit down and say, ‘Now I’m going to write a song about X.’ Instead it’s usually things that come out spontaneously and then we’ll build on them; that seems to work best.” Zak added that “the album Monomyth draws its inspiration from Joseph Campbell’s Hero with a Thousand Faces, as does the band’s name (the Apotheosis is one of the many steps on the Hero’s Journey). The Monomyth is the singular idea, the foundation of the myth. This debut EP is our foundation.”

After Monomyth, they created and released When the Night Comes. As Terance puts it, “Monomyth was a ‘gotta have something done for Frolicon,’ a convention we played. I was literally finishing it up just in time to burn it and go.  When the Night Comes was more of a remix album of the title song. It was really cool to hear what other artists did with this song that we wrote. The track I find most interesting on it is “Modern Prometheus”, which is some very out-of-genre music for us that I started playing with late one night and Zak reading a poem over it. I never imagined I’d like it as much as I do.” Zak added, “for me, I really wanted to create a single that showcased one of our favourite songs and the transition it had undergone (with the ‘New Wave Cut’ being the first draft and the ‘Album Version’ being its reinvention). It was imperative to me that any remixes of the track were strikingly different from anything else on the single; I hate remixes that sound like they’ve been added in as filler. The Dark Clan and Creation bring extremely unique sounds to the track, giving the song new and engaging faces.”

To check out the band, visit their Bandcamp site at witnesstheapotheosis.bandcamp.com. You can also find them at ReverbNation, MySpace, Facebook, and in all the dark corners of Athens, Georgia.

Do Goths Have To Work Harder Than Norms To Get Respect In The Workplace?

Do goth or alternative lifestyle employees have to work harder than the norms?

I am a gloom cookie, a mistress of the dark, a “goth” as the norms call us. I wear black clothes, color my hair, and sport elaborate makeup. I’ve worked for employers that don’t care what I wear and ones that have dress codes that make me alter or tone down my look, but at the core I am still me and I will be me whether they like it or not. Those of us who live alternative lives… whether you be a goth, lolita, punk, gay, or have an uncommon religion, are different. We see things differently. We process things differently and have different answers to mainstream questions. Some of us hide or disguise our differences so that we can have a simpler life, but in the end, we are different and you have to be a pretty good magician to hide it at all times, even in the workplace.

I don’t have to tell you that the “norm” perception of us is bad. Apparently we are evil, devil worshiping, spell casting, curse making, sexually perverse, murderous fiends who will stop at nothing to “turn” them     (fill in the blank- goth, gay, evil)   . God forbid you fall into two or three of these different alternative categories. To them, a gay male, goth, pagan, has one intent: To corrupt their way of life and turn their sons into flaming voodoo priests! I’m not going to tackle how we change that impression in this post… that is so much bigger than ourselves. However, given that the impression of the general public is this, do we have to work harder in the workplace to prove our usefulness? To earn respect, do we have to be better, faster, and sharper than the “norms”?

I think we do. Because not only do they think we are “weird”, they also believe that we spend our work hours thinking “weird” things. It doesn’t matter that your cube mate is obsessed with her pet tabby cat and has pictures of the feline plastering her side of the cube wearing sweater sets. No, that is an acceptable hobby. Yet if we mention just once about a concert, book, or a movie we like, they instantly place us in the antagonist position. I can hear the conversations by the water cooler. “Omg… she said she just LOVES the Saw movies. What do you think her house looks like? Do you think she has meat hooks and table saws? Do you think she’s going to kill us all?”

Something that goes along with their perception of us is that we are lazy or try to get out of work. You know, because we need time to plot our destruction of their lives. Do you feel like, as a goth in the workplace, you are treated unfairly or held to a higher standard? Or perhaps judged more harshly because of your outward appearance or special interests? Do you find that you have to work harder for respect when your “norm” co-worker is constantly late and plays Farmville on Facebook all day but earns kudos easily? Do you think the way you dress or things you enjoy on your off-time hinder you from getting raises, promotions, or special incentives?

I once worked for a company where I was the token goth. I was the person they liked to put on the forefront to show others how diverse they were, but even known as the diversity proof, the stereotypes didn’t end. The fact is, unless you are willing to abandon your look or personality completely, you will be discriminated against. Until our general populace starts to really accept people’s differences in truth- not just in word, we will have to continue to wear down the prejudices that plague people of our kind.

I’ve worked with people who thought my dress code had something to do with my religion and they were shocked when I handed out holiday candy. Hum… do all Catholics wear pink? Not really… so why would all people who wear black be Satanists? It’s a color people! Just saying. A lot of these stereotypes are not even logical.

I’ve been blamed for bad business deals because I like the number thirteen and good friends (or not so good friends it turns out) have accused me of putting curses on them. I’m sorry, but I don’t have time to plot against you. If I had the ability to cast voodoo magic, I would definitely use that power to improve MY situation in life… not bring yours down. Here’s an interesting thought: If the majority of norm public doesn’t believe magic or spell casting is real, why do they assume we can wield it against them?

I’ve worked for good people too. Ones that understood or at least try to allow for my way of life, but these are not common. Why? What’s going to happen if you get close to a goth? I have to admit, there is a slim chance of getting black eyeliner on you, but beyond that, we are good people. Sure, there are the bad apples, just like any set of people, but for the most part we are kind, imaginative, interesting people and you are missing out on some terrific friendships.

I pride myself on being good at my job. No matter what the task is, I take time management and execution very seriously. I am a perfectionist and list maker and I rarely slack off. I work hard and I expect to be treated kindly and respected by my co-workers and managers. For these reasons, I have been able to earn respect at several companies by showing what I can do, but it wasn’t easy. If I was the cookie cutter worker, would I have more opportunity for advancement sooner? Who knows. It feels like it. Being a goth in the workplace almost feels like being on probation from day one. Guilty until proven innocent.

Because we are constantly trying to break down the stereotypes and work harder to prove we are not flakes or idiots, do alternative lifestyle people in the mainstream workforce have more stress in their lives? Do you find yourself getting sick more than others do or feeling exhausted at keeping up the charade? How long is the life expectancy of a goth in the modern office? I bet that’s one they haven’t tested! Why? Because we may melt in the light of day?

I’ve been very sarcastic in this post, but I really want to know. I’m interested in your view on this subject. How do you feel you are discriminated against in your office? How have you dealt with the hurdles you’ve faced? If you are not a goth, and are scared to get to know us, why? What fears can we break down for you? What makes you so scared?

THE EDWARDIAN BALL 2011

The original, turn-of-the-century extravaganza returns with a two-city celebration of music, dance, circus, Gorey & more!

SAN FRANCISCO :: Friday & Saturday Jan 21-22
at The Regency Ballroom, 1300 Van Ness, San Francisco
Doors & Show 8pm-2am both nights, all ages welcome
Plus — FREE daytime shopping Sat Jan 22, 12-6pm

LOS ANGELES :: Saturday Jan 29
at The Music Box @ Fonda, 6126 Hollywood Blvd, Los Angeles
Doors & Show 8pm-2am, all ages welcome

FRI 1/21… THE EDWARDIAN WORLD’S FAIRE (SF)

Exposition of Technology by KSW * The Edwardian Midway * Dark Garden Corsetry * DJ GlobalRuckus (PDX) * Flynn Creek Circus * Vima Vice Squad * City Circus * Vernian Process * Shovelman & more.

Tickets $28-38 + very limited $75 VIP, all ages welcome, doors/show 8pm.

SAT 1/22… 11TH ANNUAL EDWARDIAN BALL (SF)
Featuring a live, original performance of Edward Gorey’s “The Eleventh Episode” by Co-Hosts Rosin Coven & Vau de Vire Society * “Belle of the Ball” Jill Tracy * Miz Margo * Fou Fou HA! * Delachaux *
The Gomorran Social Aid & Pleasure Club * Portrait Studio & more. Tickets $38-48 (VIP sold out!) All ages welcome, doors/show 8pm.

BOTH NIGHTS (SF)…

Steam Powered Tea Garden by KSW * Cabinets of Wonder * Hall of Fine Arts * Sideshow Oddities * Ballroom Dancing * Vendor Bazaar * Gaming Parlour and much more!

AND… FREE DAYTIME SHOPPING SAT 1/22! (SF)

Find that perfect outfit, accessory, trick or treat for The Ball, or for anytime! Free daytime shopping hours in between the Friday and Saturday nighttime events. Changing rooms available. Full bar for 21+ with ID. Entrance at 1270 Sutter Street, lower level of event only. FREE, OPEN TO THE PUBLIC, NO TICKETS REQUIRED!

SAT 1/29… EDWARDIAN BALL 2011 LOS ANGELES
Featuring a live, original performance of Edward Gorey’s “The Eleventh Episode” by Co-Hosts Rosin Coven & Vau de Vire Society * “Belle of the Ball” Jill Tracy * DJ Xian (LADEAD) * Miz Margo * Fou Fou HA! * Delachaux * Dark Garden Corsetry * Ballroom Dancing * Vendor Bazaar * Parlour Games & Special LA guests!
Tickets $28-35 + VIP Packages * 21 & up w/ID, all ages ok with adult chaperon.

THE EDWARDIAN BALL is an elegant and whimsical celebration of art, music, theatre, fashion, technology, circus, and the beloved creations of the late, great author Edward Gorey. Set in “Edwardian” times, this multi-media festival has grown over the past decade from a small underground club night into an internationally recognized event, even earning the blessing of The Edward Gorey Charitable Trust.

The Edwardian Ball has been called “the quintessential must-never-miss event of the year,” “a defining annual San Francisco tradition,” and “a literary circus of the highest caliber” for good reasons… come see for yourself!

Tickets & Info: www.edwardianball.com

Edwardian Vendor Bazaar Daytime Hours
A leisurely day of shopping & gaming – FREE -12-6pm

Find that perfect outfit, accessory, trick or treat for The Ball, or for anytime! Free daytime shopping hours in between Friday and Saturday nighttime events. Changing rooms available. Full bar for 21+ with ID. Entrance at 1270 Sutter Street, lower level of event only. FREE, OPEN TO THE PUBLIC, NO TICKETS REQUIRED!

We have just a few vending spots still available for both San Francisco and Los Angeles but they are going fast – more information here or contact Anna the Vending Queen anna@edwardianball.com.

Learn to Dance for The Ball!
Vima Dance offers group & private lessons to all

Step out in style and learn to dance for the Edwardian Ball!

Vima Dance Studio is once again hosting ballroom dance classes for the aspiring Edwardian. Classes run from November through January, at a very special rate for Edwardian Ball-goers, including:

FREE Intro to Ballroom Classes. Learn the basic step in six partner dances. This is a great class if you are not sure what you want to learn and want to sample a bit of everything. Early Bird Special – Free Classes in November and December. Drop-ins are welcome!

$8 Salon and Variety classes. These group classes will offer a more in-depth look at some of the classic ballroom dances: Viennese Waltz, Tango, Slow Waltz, Fox Trot and even some Rumba! (Group Package 16 classes for $128)

Edwardian Intro Package: 1 private lesson for $30 (single or couple). One on one introduction to ballroom dancing, or refine dances that you already know.

For schedule of classes visit www.edwardianball.com/dance

Vima Dance Studio

560 Third Street, San Francisco, CA 94107

415-977-0203

www.vimadance.com

www.facebook.com/vimadance

Inside Horror Music with Claus Larsen & Leaether Strip

Unless you have been living under a rock since the 80′s, you have no doubt heard of Leaether Strip. HorrorAddicts had a chance to catch up with Claus Larsen, the man behind the machine and speak with him about his newest project “Dark Passages” and some other things as well.

SM: First, let me say that I am actually a big fan of Leaether Strip. Thank you for taking the time to speak with me. And Happy Birthday! I know it’s a little late. Let’s jump right in: “Dark Passages” is your first foray into writing soundtracks, etc. How did you like this experience? Would you do it again?

CL: Thanks so much. It has actually been a dream of mine to compose music for films, even before Leæther Strip was started back in 1988.  John Carpenter’s soundtracks made me start to collect soundtracks, and his music has been a big inspiration for me. So getting the “job” to write music for “Dark Passages” was a dream come true, and I hope that it will open doors to that world of films. I would do it again for sure if I got the offer.

SM: How did it come about that you collaborated with director Cesar Cruz to do “Dark Passages?” Did he approach you? Had you worked together before?

CL:  I had never heard of  Cesar before. He asked me about 2 years ago if  I would be interested in writing the title theme song for his movie- I needed to read the script first to see if it inspired me of course. It was a very intense story and I said yes right away. Problem was that I was so full of ideas that one song wouldn’t do it for me, so a few months after I began I had over 60 minutes of music. Normally composers only get a few weeks to complete a soundtrack, so having all the time in the world, plus, only to have the script to inspire me was amazing for me. I bet all soundtrack composers would kill to have that amount of time and freedom.

SM: Was it in any way easier to write music based around a defined plot or subject matter? Was it in any way more difficult? How would you say it is different from the way you normally write songs, if at all?

CL: I approached this project in the same way I do with my “normal” work.. I read the script 2 times. Placed it in a drawer and then started on the title song. It was in a way kind of relaxing to do cause normally my lyrics are very personal and its not always easy to turn yourself inside out and being as honest as I am.  You would think that it was easier to write about other peoples stories, but  it’s not.. As soon as I started I was right there with the people in the story and the whole process quickly became as personal as a “normal” Leæther Strip song.

SM: What would you say is the overall theme or tone of the album?

CL: I think it’s the darkest album I have ever done. I might not be as harsh sounding, but I really moved around in the darkest places of my thoughts while writing this. I had some really “fun” nightmares while recording it too. I was also told that the actors in the movie listened to the soundtrack to get prepared to act the scenes out. I am very happy with the result, and I hope this is the start of something for me, and for Cesar, because he’s a huge talent, both visually and as a writer. He’s going places and I hope he’ll take me with him.

SM: Who would you say are the biggest influences in your work?

CL: There are many, but to pick the most important ones I would have to name Fad Gadget, Depeche Mode, Soft Cell, John Carpenter , Gary Numan and Skinny Puppy.

SM: If you had to pick a favorite piece of your own work, could you do it and if so, what would it be?

CL:  The album that have had the biggest impact on my life is “Solitary Confinement” from 1992. It was my breakthrough and it has opened many doors for me and I still get messages and questions from listeners concerning that album. But for me they are all favorites.

SM: You have played live MANY places. What has been your favorite live show so far?

CL: Yes, after my stage “come back” I have been really lucky to get to play a lot of shows. It’s been amazing to get out there to meet the people again, and I never thought that would happen again after my back problem started to get nasty in 93. The most fun gigs I played were in Dessau, Budapest , Philadelphia and London, and that doesn’t mean that the others were bad. I have actually been lucky so there haven’t really been any negative gigs.  I have met open arms and kindness at every show so far. I like the club gigs best because I get to play my full 90 minute set and there is time for the sound check and not so much stress before and after the shows. Another show that also meant the world to me, was the concert I played with Skinny Puppy last summer here in Denmark.

SM: What remix are you the most proud of or do you think turned out the best?

CL:  For me the best one is a new on that’s not released yet, but will be out soon I hope. An old 80s Song by Wang Chung called “To live and die in LA”, from the movie with the same title. The original  is one of best songs ever written if you ask me. They asked me to remix a new song of theirs and I did that, and took a chance to ask if  they would let me fiddle with that old song.  I was also just asked by Frontline Assembly to remix a song for them so I cant wait to get started on that.

SM: As a fellow musician, I know that sometimes it can be difficult to smash your music into a category or genre. That being said, what genre would you say YOU think Leaether Strip fits into, if any?

CL: I think that Dark Electro fit’s my sound pretty much, but for me personally its still “just” songs.

SM: Are there any artists you would like to work with that you have not had a chance to work with yet?

CL: I love working with other people so sure, there are many. It’s very inspiring for me to remix for others or having guest’s on one of  my songs. Dirk Ivens just said yes to do a guest vocal for a song on my coming Klutæ album. And I plan to ask Gary Numan, Ogre, Marc Almond and Darrin Huss in the near future for a guest vocal, but they don’t know it yet. After I asked and got a “yes” from Andy Sex Gang for the guest vocal on “What have I done” from the “Mental Slavery” album, I found the guts to ask some more. If I get a no then at least I asked.

SM: What direction do you see Leaether Strip going in as you move forward? Has this changed at all since you started?

CL: I have no idea. I always just go where the music is taking me. Evolution doesn’t happen when we think about it, it usually comes like a thief in the night.. Also, the devoted listeners knows that I move around in all sorts of genres, so they are hard to shock. I do have a wish to maybe record a 2^nd Serenade for the dead. But right now my time is devoted fully to the new Klutæ album “Electro Punks Unite”.

SM: What would be the main thing you hope to achieve or get across to people with your music?

CL: The same as we all dream about. To have an impact on other peoples life’s. If I can help one person somewhere with my music as much it has helped myself, then nothing has been in vain.

SM:  What is next for Leaether Strip and you?

CL: I already got a lot of bookings for concerts for next year, and I expect to have the coming Klutæ album ready for release next spring. Then I start working on “Retention no4”, which will be for “Underneath the Laughter”.  I also got some new Leæther Strip songs in the works.  I also made my first Christmas song ever, for a compilation titled “Black Snow 2”.  It’s a tragic song about John Blacksmith titled “It happened on Christmas Day.”

(read about the release here:

http://emmo.jgs-media.de/(mmrzkqbak0bo0aejhvacff55)/content/shop/details.aspx?ProduktID=15872&KategorieID=32&keyword=black%20snow

You can check the confirmed concert dates on my Myspace site or my Facebook site.

www.myspace.com/leaetherstrip

www.facebook.com/leaetherstrip.clauslarsen

Claus is very excited about his newest projects and we are too! We are definitely looking forward to what this awesome band brings to the table. They always deliver. Can’t wait to see what the future holds!

Inside Horror Music With Robbie Quine

If “glam goth” could be personified into one band, self-proclaimed “intergalactic space sluts” Robbie Quine & The Barbarellatones are definitely it. With their very catchy gothabilly sound and humorous lyrics, they definitely poke fun at themselves and the goth scene. However, their list of accolades reminds the listener that The Barbarellatones are no joke. In addition to receiving radio play and glowing reviews from many scene magazines, their song “Fire of Love” was used in the “Luxury Lounge” episode of The Sopranos.

In the end, The Barbarellatones really must be seen to be experienced fully. According to Robbie, they feel strongly that rock music should be sleazy and glamorous. And baby, they bring it. What else can you say about a band that covers “Time Warp” from Rocky Horror Picture Show that well? All the way to the hilariously catchy and almost anthemic “Grab Your Ankles,” The Barbarellatones deliver.

Inside Horror Music with Saints of Ruin

Saints of Ruin has taken the Goth/dark rock world by storm. Already popular internationally, the release of their first full-length album “Nightmare” has garnered them some very well-earned respect and praise in the United States. I had a chance to speak with Ruby Ruin, lead vocalist for SOR and ask her some questions about Saints of Ruin and what drives their music.

SM: First of all, your music is awesome. The fans here at HorrorAddicts dig you guys BIG TIME. The first thing that really hits me about the bio on your website is that Tommy Dark, singer and bass player for what became Saints of Ruin journeyed to California from New York when he found you. What is the story behind that? How did you guys meet across a country and what were you doing before that?

RR: Oh, it is a great story: Tommy Dark was in a band on tour here in San Francisco and played a show with my band. We became big fans of each other’s talents (and were mutually attracted as well). It took three years for us to finally come together and he moved to SF in 2006. We started the band, got married and the rest is history. Funny how love at first sight can work out.

SM: How has Saints of Ruin evolved over time, sound-wise and as a whole band?

RR: I think the sound has not changed dramatically except in that our writing has changed as we get to know our market (audience) better. We have learned what our fans like and strive to do more of the same rather than just to write and preform whatever comes out. Also, our lineup has changed and now the synth sound and harmony vocals have evolved to be more cohesive with the material.

SM: The Industrial and Goth genres are full of A LOT of subcategories and as a fellow Industrial musician, I know it can be difficult sometimes to decide where you should place your music to get the best reception from listeners, especially when you don‘t really WANT to categorize and label your stuff. Which niche or category do you think Saints of Ruin fit in the best and why?

RR: Our record label categorizes us as “Classic Goth Rock” but I think we have very little “Classic Goth” in our sound. We are rarely “new-wavey” and not death-rock but more epic like European bands such as HIM, Lacuna Coil and Tiamat. However we do have a touch of Cult, Sisters of Mercy and Concrete Blond in our sound. We are really a dark rock band in Goth clothing with a touch of horror-slash-vampy sexuality.

SM: Which Saints of Ruin album would you say is your favorite so far (if you had to choose) and why?

RR: We only have our debut 5-song EP “Fairytale” and our first full-length CD “Nightmare” so far, so it would have to be “Nightmare” because it is a maturing of our concepts and writing skills. It also showcases our diversity while sticking with a theme.

SM: What do you think is the biggest inspiration for the music for you personally (as in, what inspires you to write a song)?

RR: In my case it is actually dreams. I often wake with a hook in my head and get up in a daze to write it down. When Tommy writes he is usually practicing when he stumbles upon something catchy. Then we flesh our the ideas together.

SM: The SOR song “Halloween” is the theme on HorrorAddicts right now. What is the story behind that one?

RR: That is an anomaly of our writing style. I told Tommy that I wanted to write a song that embraces the concept of Goth culture. He wrote the lyrics in an hour while the rest of the music took a month. It came out reminiscent of Voltaire’s
cabaret style. It is fun to perform and anthemic.

SM: I saw video of SOR playing The New Orleans Vampire Lestat Ball last October and you guys were great! How was it?

RR: The whole experience was epic! That was probably my favorite show we have ever played: a Thousand decked-out Vampire fans at a gorgeous venue all centered in the mysterious City of the Night. New Orleans is crawling with Vampire freaks throughout Halloween weekend. This year the whole thing is being called Undead-Con filled with music and costume events, book signings, vendors, etc. We will be playing again this year and the theme is “Memnoch’s Resurrection.” Check out Anne Rice’s Vampire Lestat Fan Club, or ARVLFC and Endless Night. It is an unforgettable experience.

SM: Who would you name as SOR biggest inspirations musically (as far as sound)?

RR: We don’t necessarily sound like them, but some of our favorites are Rammstein, Type O Negative, Depeche Mode, Nick Cave, Sex Pistols, Black Sabbath, Alice in Chains and Led Zeppelin.

SM: Who would you name as your own personal musical inspirations, like vocalists you admire, etc.?

RR: My favorite vocalists are PJ Harvey, Robert Plant, Amanda Palmer and recently Mona Mur. We just got back from a partial tour with Slick Idiot (original members of KMFDM) and Mona Mur has been collaborating and performing with EN Esch for quite some time. She is amazing. My new heroine.

SM: I see that you guys are passionate about animal welfare and animal rights ['Murder of Crows']. As a HUGE advocate of animal rights myself, I commend you for that. Would you say there is any one message you want to get across to people with your music, or a message you want to come across the strongest?

RR: No, there is not one message, Tommy is particularly sensitive towards animals, though we are all animal lovers. I think we all just recognize that humans are pretty fucked up. There is a lot of injustice in the world and suffering is a part of the human experience. I think we will always write songs that touch on depressing subjects to some extent. That said, we do write love songs and violent songs as well.

SM: You guys have gotten a lot of recognition lately. Has that changed anything in your lives?

RR: Not so much except that we are sometimes recognized in public. And we were recently asked to endorse a cosmetics company. Not only are they using a photo of me advertising Black Magic Mascara in Gothic Beauty Mag next month, they also have created our own line of dark nail lacquers after Saints Of Ruin. I even have my own color named after me! That is pretty cool. We don’t quite make a living off of our music yet but we hope to tour Europe next summer. It is great that our name recognition is taking root in both the horror and Goth communities.

SM: What’s next for Saints of Ruin?

RR: We are just finishing our summer shows here in California and plan to get working on all of the new material that is in the pipeline. We will begin tracking new songs this fall and will hopefully release a new album at the beginning of 2011. We will play a few shows around Halloween here in San Fran and in New Orleans. We are shooting our first video next month so check our website in early September: www.saintsofruin.com. We plan to have a few new bone-chilling tunes ready for horror fans real soon.

So there you have it: Inside Horror Music with Saints of Ruin. Thank you to Ruby for being so gracious and forthcoming. We are looking forward to their new album!