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Posts Tagged ‘interview’

A Sneak Peek at Inkubus starring Robert Englund, William Forysthe

Posted by knightmist on October 27, 2011

When people are asked to name some of the most prolific actors in Horror, the name that will come to many lists is that of Robert Englund. To many he will be best known for his role as Freddy Krueger.  However, Englund has stepped beyond this role and has been in many films since the Nightmare on Elm Street film series.  In the film Inkubus, he’s back to play the key character in the film.  Along side Englund is Horror icon, William Forysthe.

The rest of the cast is composed of individuals such as Joey Fatone, Jonathan Silverman, Michelle Ray Smith, and others.  Horror Addicts had that ability and fortune to speak with actor Tom DeNucci, actress Dyan Kane, and director Glenn Ciano.  In the interviews you will get to hear the passion they all have for their film and some of how the film was made.  Listen to these interviews on Episode #71 of HorrorAddicts.net.

Horror Addicts would like to thank those at Woodhaven Production Company for giving us the opportunity to speak with those in the movie and it’s director.  I hope fans will enjoy the discussions, but more importantly find a way to see the movie.

Inkubus will be in select theaters from Oct 28th-Nov. 3rd.

1. Providence Place Mall Cinema, RI
2. Warwick Cinema, RI
3. Showcase Revere, MA
4. Showcase Bridgeport, CT
5. Island 16: Cinema De Lux, Holtsville, NY
6. Multiplex Cinemas at Town Center Plaza, East Windsor, NJ
7. Springdale 18: Cinema De Lux, Springdale, OH
8. Valley Art, Tempe, AZ
9. Magic Lantern, Spokane, WA
10. The Dark Room Theater, San Fran, CA
11. The Times Cinema, Milwaukee, WI
12. Sanibel Island Cinema, Sanibel, FL

More information can be found at their Facebook page:

http://www.facebook.com/InkubusMovie?sk=info

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Monster Mash with Plasticoma

Posted by Dan Shaurette on July 4, 2011

“I think I am decay
I am evil
My thoughts are never pure”
– From the song “Champagne and Razorblades” by Plasticoma

Our featured band this week is Plasticoma, a dark electronic trio based out of Johannesburg, South Africa, also known as Jozi. Plasticoma was founded by vocalist and writer Jaco Brewis. Rounding out the group are guitarist Shawn van Staden and bassist Derik Nel. Their song we are featuring this episode is “Champagne and Razorblades”. Much like the song from our previous episode, this song also embraces the theme of insanity. (Both songs really speak to the Malkavian in me.) However this is where the similarities end, as ”Champagne and Razorblades” is a much darker, heavier track.

In Jaco’s own words, ”I thought it was a good track to go with the theme of horror. I came up with the idea at work one day when I was feeling really sad and depressed but happy at the same time, so I thought this is ‘Champagne and Razorblades’. So that was the concept — happiness in darkness but slightly more psychotic. When we were recording the track Shawn had this idea to take the concept further and make it like a mental institution song, where in the verses we would talk like background voices of me the patient and Shawn the shrink. We also recorded some throwing of chairs and things. It was a lot of fun and it come out the way we wanted to.”

Plasticoma got its name when Jaco recorded a song for a gothic compilation album and then realized he needed a name for the then solo act back in 2006. His girlfriend Emma had suggested “Plasticoma” among others. He said, “I immediately liked it as I pictured someone in a coma but wrapped in plastic, kinda like a plastic morgue. Also I liked the name as it sounded fresh and it was the direction I wanted to go in, full electronic dark music.”

He described their music as “experimental in a lot of ways, as we are fusing heavy guitars and a lot of synths. It is still electronic music but also alternative and sometimes even rock electro if there is such a thing.” About his band mates he added, “we work well as a team. Shawn is a bit of perfectionist and I tend to quickly just write riffs and chord progressions. After that, me and Shawn will normally put a lot more work in, finer details and textures will be put in. Derik adds some solid bass lines that makes the sound fatter.”

Their album, Frei, and its title track comes from the German word for “Free”, and was written as Jaco puts it, “when the first member of the band and I parted ways, and I was well let’s just say very p* off. So I wrote the song to make me free of all B.S. But I never write songs about singular events so it became my break away song from all that bothers me in life, to make me free from this pain, make me free from this flesh, and so on.”

Jaco has some great advice for new bands, ”Keep going! Write the music, don’t judge the music. It’s easy to be over-critical, keep your dream alive. See where you’re going and you’ll get there.”

For fans of the band in Johannesburg, you can find them most of the time playing gigs in nearby Pretoria at Full Moon Lounge under V.A.M.P. parties. Their record company, Koffin Kidz Records (how can you not love that name), books all of their shows and also owns the club. Jaco added, “we haven’t played Cape Town yet, and as a goth cliché, I’m going to say we would love to play in Germany, like a tour. That would be amazing I think.”

You can find the band online at http://www.plasticoma.co.za/, as well as on ReverbNationMySpace, and on Facebook.

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A Discussion with Ned the Dead

Posted by knightmist on March 1, 2011

Greetings HorrorAddicts.net fans and friends.  I want to take a moment and give you all a sneak peek into the mind of a Northeast Wisconsin Television performer that has graced the small screen for over twenty years.

This individual is simply named, Ned the Dead, and has been sharing his love of horror films with television viewers in some form or another for decades.   I was fortunate enough to get an opportunity to sit down and interview Ned the Dead for Horror Addicts.

This interview will be upcoming and shared with the rest of you as you will get to hear the over thirty minute conversation that I had with Ned.

Ned is a unique gentleman of over fifty years old and gives insight into the background of his show, the future of Ned and his thoughts on Horror films.

You will also get a glance into the man’s unique humor as he crack  quips that will have any listener laughing as they here this discussion.  You will get to learn secrets into the man’s life and also the man known as Steve who is behind Ned the Dead.

As  you listen to the interview I’ll make sure to ask Ned to explain why he must keep hitting a board on set, which has become part of the normal behavior.  Ned will then explain that this action is called “spanking the plank” and of course you will need to listen to the interview for the purpose behind the spanking.

Most importantly Horror Addicts you will hear an interview from a gentleman that simply loves the job he is doing.  You should hear this coming from the near glee in his voice as he explains his show and those around him.  We cover everything from the beginning of his career, to thoughts on other hosts and his ideal movie cast if he could make a film.

I hope  you will all take time and listen to this interview when it becomes available in the HorrorAddicts.net feed and please share your comments here.  Most of all those who take time to listen to the interview will get to find out how Ned will be able to reach viewers outside of Northeast Wisconsin in what could be only a few months.

~~Knightmist

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Inside Horror Music with Claus Larsen & Leaether Strip

Posted by SinDelle Morte on December 20, 2010

Unless you have been living under a rock since the 80′s, you have no doubt heard of Leaether Strip. HorrorAddicts had a chance to catch up with Claus Larsen, the man behind the machine and speak with him about his newest project “Dark Passages” and some other things as well.

SM: First, let me say that I am actually a big fan of Leaether Strip. Thank you for taking the time to speak with me. And Happy Birthday! I know it’s a little late. Let’s jump right in: “Dark Passages” is your first foray into writing soundtracks, etc. How did you like this experience? Would you do it again?

CL: Thanks so much. It has actually been a dream of mine to compose music for films, even before Leæther Strip was started back in 1988.  John Carpenter’s soundtracks made me start to collect soundtracks, and his music has been a big inspiration for me. So getting the “job” to write music for “Dark Passages” was a dream come true, and I hope that it will open doors to that world of films. I would do it again for sure if I got the offer.

SM: How did it come about that you collaborated with director Cesar Cruz to do “Dark Passages?” Did he approach you? Had you worked together before?

CL:  I had never heard of  Cesar before. He asked me about 2 years ago if  I would be interested in writing the title theme song for his movie- I needed to read the script first to see if it inspired me of course. It was a very intense story and I said yes right away. Problem was that I was so full of ideas that one song wouldn’t do it for me, so a few months after I began I had over 60 minutes of music. Normally composers only get a few weeks to complete a soundtrack, so having all the time in the world, plus, only to have the script to inspire me was amazing for me. I bet all soundtrack composers would kill to have that amount of time and freedom.

SM: Was it in any way easier to write music based around a defined plot or subject matter? Was it in any way more difficult? How would you say it is different from the way you normally write songs, if at all?

CL: I approached this project in the same way I do with my “normal” work.. I read the script 2 times. Placed it in a drawer and then started on the title song. It was in a way kind of relaxing to do cause normally my lyrics are very personal and its not always easy to turn yourself inside out and being as honest as I am.  You would think that it was easier to write about other peoples stories, but  it’s not.. As soon as I started I was right there with the people in the story and the whole process quickly became as personal as a “normal” Leæther Strip song.

SM: What would you say is the overall theme or tone of the album?

CL: I think it’s the darkest album I have ever done. I might not be as harsh sounding, but I really moved around in the darkest places of my thoughts while writing this. I had some really “fun” nightmares while recording it too. I was also told that the actors in the movie listened to the soundtrack to get prepared to act the scenes out. I am very happy with the result, and I hope this is the start of something for me, and for Cesar, because he’s a huge talent, both visually and as a writer. He’s going places and I hope he’ll take me with him.

SM: Who would you say are the biggest influences in your work?

CL: There are many, but to pick the most important ones I would have to name Fad Gadget, Depeche Mode, Soft Cell, John Carpenter , Gary Numan and Skinny Puppy.

SM: If you had to pick a favorite piece of your own work, could you do it and if so, what would it be?

CL:  The album that have had the biggest impact on my life is “Solitary Confinement” from 1992. It was my breakthrough and it has opened many doors for me and I still get messages and questions from listeners concerning that album. But for me they are all favorites.

SM: You have played live MANY places. What has been your favorite live show so far?

CL: Yes, after my stage “come back” I have been really lucky to get to play a lot of shows. It’s been amazing to get out there to meet the people again, and I never thought that would happen again after my back problem started to get nasty in 93. The most fun gigs I played were in Dessau, Budapest , Philadelphia and London, and that doesn’t mean that the others were bad. I have actually been lucky so there haven’t really been any negative gigs.  I have met open arms and kindness at every show so far. I like the club gigs best because I get to play my full 90 minute set and there is time for the sound check and not so much stress before and after the shows. Another show that also meant the world to me, was the concert I played with Skinny Puppy last summer here in Denmark.

SM: What remix are you the most proud of or do you think turned out the best?

CL:  For me the best one is a new on that’s not released yet, but will be out soon I hope. An old 80s Song by Wang Chung called “To live and die in LA”, from the movie with the same title. The original  is one of best songs ever written if you ask me. They asked me to remix a new song of theirs and I did that, and took a chance to ask if  they would let me fiddle with that old song.  I was also just asked by Frontline Assembly to remix a song for them so I cant wait to get started on that.

SM: As a fellow musician, I know that sometimes it can be difficult to smash your music into a category or genre. That being said, what genre would you say YOU think Leaether Strip fits into, if any?

CL: I think that Dark Electro fit’s my sound pretty much, but for me personally its still “just” songs.

SM: Are there any artists you would like to work with that you have not had a chance to work with yet?

CL: I love working with other people so sure, there are many. It’s very inspiring for me to remix for others or having guest’s on one of  my songs. Dirk Ivens just said yes to do a guest vocal for a song on my coming Klutæ album. And I plan to ask Gary Numan, Ogre, Marc Almond and Darrin Huss in the near future for a guest vocal, but they don’t know it yet. After I asked and got a “yes” from Andy Sex Gang for the guest vocal on “What have I done” from the “Mental Slavery” album, I found the guts to ask some more. If I get a no then at least I asked.

SM: What direction do you see Leaether Strip going in as you move forward? Has this changed at all since you started?

CL: I have no idea. I always just go where the music is taking me. Evolution doesn’t happen when we think about it, it usually comes like a thief in the night.. Also, the devoted listeners knows that I move around in all sorts of genres, so they are hard to shock. I do have a wish to maybe record a 2nd Serenade for the dead. But right now my time is devoted fully to the new Klutæ album “Electro Punks Unite”.

SM: What would be the main thing you hope to achieve or get across to people with your music?

CL: The same as we all dream about. To have an impact on other peoples life’s. If I can help one person somewhere with my music as much it has helped myself, then nothing has been in vain.

SM:  What is next for Leaether Strip and you?

CL: I already got a lot of bookings for concerts for next year, and I expect to have the coming Klutæ album ready for release next spring. Then I start working on “Retention no4”, which will be for “Underneath the Laughter”.  I also got some new Leæther Strip songs in the works.  I also made my first Christmas song ever, for a compilation titled “Black Snow 2”.  It’s a tragic song about John Blacksmith titled “It happened on Christmas Day.”

(read about the release here:

http://emmo.jgs-media.de/(mmrzkqbak0bo0aejhvacff55)/content/shop/details.aspx?ProduktID=15872&KategorieID=32&keyword=black%20snow

You can check the confirmed concert dates on my Myspace site or my Facebook site.

www.myspace.com/leaetherstrip

www.facebook.com/leaetherstrip.clauslarsen

Claus is very excited about his newest projects and we are too! We are definitely looking forward to what this awesome band brings to the table. They always deliver. Can’t wait to see what the future holds!

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Inside Horror Music with Saints of Ruin

Posted by SinDelle Morte on September 13, 2010

Saints Of Ruin

Saints of Ruin has taken the Goth/dark rock world by storm. Already popular internationally, the release of their first full-length album “Nightmare” has garnered them some very well-earned respect and praise in the United States. I had a chance to speak with Ruby Ruin, lead vocalist for SOR and ask her some questions about Saints of Ruin and what drives their music.

SM: First of all, your music is awesome. The fans here at HorrorAddicts dig you guys BIG TIME. The first thing that really hits me about the bio on your website is that Tommy Dark, singer and bass player for what became Saints of Ruin journeyed to California from New York when he found you. What is the story behind that? How did you guys meet across a country and what were you doing before that?

RR: Oh, it is a great story: Tommy Dark was in a band on tour here in San Francisco and played a show with my band. We became big fans of each other’s talents (and were mutually attracted as well). It took three years for us to finally come together and he moved to SF in 2006. We started the band, got married and the rest is history. Funny how love at first sight can work out.

SM: How has Saints of Ruin evolved over time, sound-wise and as a whole band?

RR: I think the sound has not changed dramatically except in that our writing has changed as we get to know our market (audience) better. We have learned what our fans like and strive to do more of the same rather than just to write and preform whatever comes out. Also, our lineup has changed and now the synth sound and harmony vocals have evolved to be more cohesive with the material.

SM: The Industrial and Goth genres are full of A LOT of subcategories and as a fellow Industrial musician, I know it can be difficult sometimes to decide where you should place your music to get the best reception from listeners, especially when you don‘t really WANT to categorize and label your stuff. Which niche or category do you think Saints of Ruin fit in the best and why?

RR: Our record label categorizes us as “Classic Goth Rock” but I think we have very little “Classic Goth” in our sound. We are rarely “new-wavey” and not death-rock but more epic like European bands such as HIM, Lacuna Coil and Tiamat. However we do have a touch of Cult, Sisters of Mercy and Concrete Blond in our sound. We are really a dark rock band in Goth clothing with a touch of horror-slash-vampy sexuality.

SM: Which Saints of Ruin album would you say is your favorite so far (if you had to choose) and why?

RR: We only have our debut 5-song EP “Fairytale” and our first full-length CD “Nightmare” so far, so it would have to be “Nightmare” because it is a maturing of our concepts and writing skills. It also showcases our diversity while sticking with a theme.

SM: What do you think is the biggest inspiration for the music for you personally (as in, what inspires you to write a song)?

RR: In my case it is actually dreams. I often wake with a hook in my head and get up in a daze to write it down. When Tommy writes he is usually practicing when he stumbles upon something catchy. Then we flesh our the ideas together.

SM: The SOR song “Halloween” is the theme on HorrorAddicts right now. What is the story behind that one?

RR: That is an anomaly of our writing style. I told Tommy that I wanted to write a song that embraces the concept of Goth culture. He wrote the lyrics in an hour while the rest of the music took a month. It came out reminiscent of Voltaire’s
cabaret style. It is fun to perform and anthemic.

SM: I saw video of SOR playing The New Orleans Vampire Lestat Ball last October and you guys were great! How was it?

RR: The whole experience was epic! That was probably my favorite show we have ever played: a Thousand decked-out Vampire fans at a gorgeous venue all centered in the mysterious City of the Night. New Orleans is crawling with Vampire freaks throughout Halloween weekend. This year the whole thing is being called Undead-Con filled with music and costume events, book signings, vendors, etc. We will be playing again this year and the theme is “Memnoch’s Resurrection.” Check out Anne Rice’s Vampire Lestat Fan Club, or ARVLFC and Endless Night. It is an unforgettable experience.

SM: Who would you name as SOR biggest inspirations musically (as far as sound)?

RR: We don’t necessarily sound like them, but some of our favorites are Rammstein, Type O Negative, Depeche Mode, Nick Cave, Sex Pistols, Black Sabbath, Alice in Chains and Led Zeppelin.

SM: Who would you name as your own personal musical inspirations, like vocalists you admire, etc.?

RR: My favorite vocalists are PJ Harvey, Robert Plant, Amanda Palmer and recently Mona Mur. We just got back from a partial tour with Slick Idiot (original members of KMFDM) and Mona Mur has been collaborating and performing with EN Esch for quite some time. She is amazing. My new heroine.

SM: I see that you guys are passionate about animal welfare and animal rights ['Murder of Crows']. As a HUGE advocate of animal rights myself, I commend you for that. Would you say there is any one message you want to get across to people with your music, or a message you want to come across the strongest?

RR: No, there is not one message, Tommy is particularly sensitive towards animals, though we are all animal lovers. I think we all just recognize that humans are pretty fucked up. There is a lot of injustice in the world and suffering is a part of the human experience. I think we will always write songs that touch on depressing subjects to some extent. That said, we do write love songs and violent songs as well.

SM: You guys have gotten a lot of recognition lately. Has that changed anything in your lives?

RR: Not so much except that we are sometimes recognized in public. And we were recently asked to endorse a cosmetics company. Not only are they using a photo of me advertising Black Magic Mascara in Gothic Beauty Mag next month, they also have created our own line of dark nail lacquers after Saints Of Ruin. I even have my own color named after me! That is pretty cool. We don’t quite make a living off of our music yet but we hope to tour Europe next summer. It is great that our name recognition is taking root in both the horror and Goth communities.

SM: What’s next for Saints of Ruin?

RR: We are just finishing our summer shows here in California and plan to get working on all of the new material that is in the pipeline. We will begin tracking new songs this fall and will hopefully release a new album at the beginning of 2011. We will play a few shows around Halloween here in San Fran and in New Orleans. We are shooting our first video next month so check our website in early September: www.saintsofruin.com. We plan to have a few new bone-chilling tunes ready for horror fans real soon.

So there you have it: Inside Horror Music with Saints of Ruin. Thank you to Ruby for being so gracious and forthcoming. We are looking forward to their new album!

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To introduce myself…

Posted by SinDelle Morte on July 15, 2010

My name is SinDelle Morte. I am the newest staff member here at the ALWAYS darkly-fabulous HorrorAddicts. I will be handling music interviews. If there is a band you would like to see interviewed, please don’t hesitate to let me know! And of course, you can always make your request to our Horror Hostess, the beautiful Emz.  

Cruelly Yours,

Sin

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13 Questions with Laurel Anne Hill

Posted by Sapphire Neal on January 9, 2010

For my first article and to kick off the New Year, I interviewed award winning author Laurel Anne Hill.

Laurel is most noted for her debut parable, Heroes Arise. Hill is the featured author of Horror Addicts episode 33. She was asked by our very own Horror Addicts Hostess, Emerian Rich, to submit a story for the Vampire themed episode.

When asked about the request, Hill stated, “I’m delighted that Emerian invited me to submit a story and elated that she liked the one I created for the occasion.”

The story she wrote for all the Horror Addicts out there is titled, Wings of Revenge. Here’s a sneak-peek into Hill’s thoughts and inspiration for Wings of Revenge. “…I strove to create a scary vampire tale minus most of the traditional clichés. In other words, no garlic or crucifixes. No handsome dead guys with pale skin. No fainting ladies. In fact, Carlotta, my human main character, is self-confident and used to taking risks. Additionally, I selected the “our vampires are different” trope to flavor Wings of Revenge with a measure of unpredictability.”

Hill has already written two short vampire themed stories, Eternal Poetry and Real Vampires Don’t Snore. “However, [the] vampires in Wings of Revenge aren’t sympathetic. They’re evil. [Hill] wrote Wings of Revenge to confirm that [she] could write a scary vampire tale.”

She was asked her opinion on how the “classic” Bram Stoker vampire compares to “modern day” vampires created by authors such as Anne Rice and Stephenie Meyer. Hill replied, “As I read novels by Anne Rice, I felt her vampires’ humanity and separation from humanity. Above all, I felt their sensuality and sexuality. To a far lesser degree, these types of feelings arose when I read Stephenie Meyer’s Twilight. Bram Stoker never brought me that close to Count Dracula. Stoker even distanced me from his mortal, first-person point-of-view characters. Bram Stoker’s Dracula was published in 1897, and Anne Rice’s Interview with a Vampire, over 75 years afterward. Stephenie Meyer’s Twilight was published in 2005. Writing and life styles changed during that span of time. Vampires in modern literature reflect such changes.”

Laurel Anne Hill has been on Horror Addicts before as a judge for the Wicked Women Writer’s Challenge. Mrs. Hill stated, “I loved serving as a judge for the [WWWC]. What an honor! The quality of the podcasts impressed and inspired me.”

She believes that “many factors contribute to making a good writer. Some of the most important include passion, determination, and attention to craft–breathing life into stories instead of sucking all the life out of them.”

Mrs. Hill, herself, worked in the pharmaceuticals/health care industry for 40 years. But, she has been writing stories pretty much all her life. “Actually, I first wrote stories before I learned how to read. I told my stories to my older sister and she wrote down the words. I continued to write until graduation from college, when marriage and a demanding career led me down a different path. Then, in 1991, a mysterious illness hit me. My back muscles went into near-continuous spasms for six weeks. Prescription drugs helped make the agony bearable but generated hallucinations. When the Grim Reaper appeared and taunted me for not writing, I reorganized my priorities.”

Heroes Arise, Mrs. Hill’s most notable work, was published in 2007. When asked how it felt to have her parable traditionally published, Hill replied, “Having a book published by a traditional publishing house felt different than having short pieces appear in newspapers or zines. The first time I held the hard-cover edition of Heroes Arise in my hands, all I could do was say, “Ohhhh.” The reality of being an author hit me at that point.”

Hill enjoys writing, her favorite genre happens to be fantasy. “I love world building, especially when the world I’m creating has room for magic.” Her husband, David, is usually the person to do the first read of her completed work. But “occasionally, [her] writing group does the first read.”

Mentioned on her website as her current project is Plague of Flies, a historical novel set in California 1846. When asked about it Hill replied, “[Plague of Flies], was my current project until earlier [2009].  The story wasn’t coming to life on the page. I switched to doing a rewrite of my earlier novel manuscript, A Light from the Mountain….In the meanwhile, I attended various science fiction/fantasy presentations given by publishers at conventions. I learned that a futuristic science fiction/fantasy work from a non-bestselling author probably wouldn’t be publishable in the current market. My agent (who loved A Light from the Mountain) had passed away a couple of years ago….As a result, I’ve rethought both A Light from the Mountain and Plague of Flies. I’m reworking A Light from the Mountain as steampunk/fantasy set in the late 1800s. Plague of Flies will remain set in 1846 but I’ll develop the novel as alternate history/magical realism.”

Look for Hill’s Thar be Magic; a “pirates and magic short story, [which] is scheduled to appear in the Rum and Runestones anthology (Dragon Moon Press) in 2010.”

You can learn more about Mrs. Hill at her Red Room and Vox blogs. Where you can find “announcements regarding events, podcasts, and slide shows.” Hill also started a podcast in August of 2009 titled Welcome to my Bedroom Closet. Her podcasts usually contain “readings of her work” or “advice about writing”. Look forward to many podcasts from her as she mentioned she “prepare[s] flyers about Welcome to my Bedroom Closet and distribute[s] them at conferences and other events. My podcast is a long term project to increase my platform as an author.”

You can find Laurel Anne Hill’s blogs at these links: http://www.redroom.com/author/laurel-anne-hill and http://laurelannehill.vox.com.
You can also find her postcasts and listen to Eternal Poetry and Real Vampires Don’t Snore at http://laurelannehill.libsyn.com.
Heroes Arise is available on Amazon.com in both print and Kindle format.

Episode #33 of Horror Addicts will go live January 14th, 2010 at http://www.horroraddicts.net

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