Breaking Conventions with Jane Lisa Lane
I didn’t set out to write anything extreme, but the story had different ideas. Jane’s nasty past was determined to haunt her in terrible ways no matter how hard I worked to keep the work subtle. Her world was forged in loss and betrayal, the circumstance leading her into the arms of a monster. It became dark—really dark. I realized, though, that this balance between supernatural drama and extreme horror could say a lot collectively about Jane’s character.
Tragedy and horror spawn both villains and heroes. An antagonist isn’t usually born the antagonist. The bad guy feels justified in his or her crimes, no matter how heinous, because other terrible events have often led the person to that point. However, the same events might lead a person of greater character down a more altruistic road. Jane is that person of greater character. Instead of inflicting the kind of pain she’s suffered, she goes out of her way to extend kindness. She’s a tortured soul in the truest sense, but she sees it as her mission to do right by all living things—which includes, in good hippie fashion, refraining from using animal products of all kinds.
Still, I have to admit that even I was surprised by how graphic Jane’s flashback was in Hair… and then Flower Power was a creature all its own. I knew the vampire that turned Jane had been a sadistic psychopath, but I fell down a disturbing road when I decided to answer the question: How horrific might the torture get if the subject were very, very difficult to kill, and the thing inflicting it happened to be exceptionally evil?
Jane really is a character of unexpected extremes. Despite her desire to do only good, she does sometimes kill people in violent ways. She gets to a point, after a couple weeks without any fresh blood, when she loses all sense of what she’s doing and simply sees prey. The peace-lover she is, she tries her best at playing vigilante to get by, but good people do sometimes end up going down in her wake. She ends up putting herself in an endless cycle in her quest for redemption: she has deluded herself into believing she might eventually reverse her curse if she performs enough good deeds—but by merely staying alive, she puts those around her regularly at risk. As guilty as she feels about it, she does often downplay the significance of the deaths that result when she “goes red.”
Her most recent adventure, Dazed and Confused, exemplifies that downplaying, while also going back to the milder, somewhat less graphic roots of Love Beads and Flashbacks. The balance of darkness is still there but on a much subtle level. Take Jane’s “hangover.” Then, by placing her in a horror survival situation, the episode’s antagonist being the undead of a wholly different kind, the coin is able to flip, revealing the humanity Jane does still possess—as well as her vulnerabilities.
Because of all Jane encompasses, I’m overjoyed that the Vampire Tours of San Francisco invited me to join them on their 50th anniversary of the Summer of Love tour. The tour will include a hippie vampire costume contest, and I’ve been told there will be prizes. For more information on the Vampire Tours of San Francisco, go to http://www.sfvampiretour.com.
In anticipation of the 50th anniversary of the Summer of Love, Jane the Hippie Vampire is going old school. For the first time ever, Love Beads, Flashbacks, Hair, and Dazed and Confused are available individually in trade paperback.
Love Beads https://www.amazon.com/dp/1521217467
Dazed and Confused https://www.amazon.com/dp/1521219931
For more info and updates, go to my blog: http://www.cerebralwriter.com/blog.