In a post-apocalyptic world, what remains of the human race clings to life in a vast, desert wasteland. A rampant slave trade, gangs of cybernetic bandits, and sinister warlords plague the land. Rhyous (Brendan Guy Murphy), a lone fighter, searches for Eden, where the remnants of civilization are rumored to remain. Taunted by incomplete memories of pre-war society, Rhyous fights the urge to succumb to savagery and greed, even as he must fight to stay alive.
Wastelander follows Rhyous in his search for Eden and takes us through the last dregs of humanity. The movie is an action filled romp, a la Mad Max. The overarching theme about finding humanity—whether by returning to the old or blazing a new way—ties rival groups together and pushes them apart. Greed and survival fuel ganglands style wars where the price of any misstep is death. Still, slivers of humanity peek through scenes of violence, as Rhyous shows the kind of compassion that seems to have gone extinct.
Rhyous is paired with tough-as-nails Neve (Carol Cardenas), a former slave who doesn’t back down in the face of a fight. Neve humanizes Rhyous in a surprising way, bringing out a protective quality, when Neve isn’t exactly a damsel in distress.
The fight scenes are creative and well choreographed, blending seamlessly into the violent landscape. A mixture of weapon types and fighting styles ensure that no battle is quite like the others.
Creators designed a full and engaging world for Wastelander . Pop culture advertisements linger in the most unlikely places long after the end of the world had come and gone, giving a fascinating look into the time before the wastes. The story has some creative high points when examining what it might mean for humanity to lose all knowledge of the world from before (“What’s ‘years’?”). The costumes offer a glimpse of how humanity would make the best of what resources were left. The film had a clear aesthetic style with regard to post-apocalyptic fashion. Creators merged functional items with a unique style that set the stage without saying a word. They did a lot with seemingly very little, using details to distinguish from the everyday.
The cinematography in Wastelander fits well with the grim world it portrays. The desert landscape and lighting create a vision of stark lights and darks, much like the ‘rule or be ruled’ morality of the world portrayed. Any escape from the environment brings danger because if any resource is available, survivors can bet that someone else found it first. The film makes creative use of sets and props to find interesting ways to show characters interacting with their world.
Wastelander is a great blend of the action and science fiction genres, with elements of horror throughout. It has a violent edge, so it may not be for all viewers, but the concept and world building are worth experiencing.