Crescendo of Darkness from HorrorAddicts.net Press.
“Circe’s Music Shop” by A. Craig Newman
A music store owner, who won’t be bullied into submission, teaches two hitmen the meaning of pain.
A. Craig Newman shares his thoughts about his story with us below.
When I wrote “Circe’s Music Shop”, I did not plan to publish it. In all honesty, in my head, I wasn’t writing. I was practicing.
Practice makes perfect, or so we’re always told. And I want to be a great writer so I figure the only way is to write a lot. But the results of practice are usually riddled with mistakes. A painter practicing the challenge of rendering eyes or hands will fill sketch pads with dozens of aborted attempts to get it right. A cook perfecting a recipe will throw away countless full and aborted attempts before hitting on the exact combination of ingredients and time and technique that gives the correct results. So, I figured, and still do, that most things a writer writes should not be published but should be considered practice.
With this in mind, I give myself challenges to practice with. One challenge was to go to my friends and ask them what type of character they’d want to be they could be anyone at all in a story. My best friend, Tamisha, said she wanted to be a sorceress. Because I have a love of classics and myths, I immediately thought of Circe from “The Odyssey“. I don’t remember how turning men to pigs became turning men to instruments. I do remember that I wrote the story quickly because I wasn’t stressing myself over a practice piece.
Since writing this story, several have come and gone where I would consider myself having done some “real writing”. Ideas I mulled over and cultivated into complete premises. Pieces I wrote and rewrote trying to infuse the work with everything I’ve learned about symbolism and artistry. Real writing took real work and countless hours of time and effort and frustration.
There are two things I learned from writing “Circe’s Music Shop”. First, a writer can never tell where a good idea will come from. Second, for me, “underwriting” is not a bad thing. Those other pieces that I mulled over and reworked about a dozen times have yet to become anything. This piece that I just had fun with and tossed onto the paper has gained me more attention, praise, and success as a writer than anything else.
So, what does this all mean? How do I apply this in a practical sense? I have no idea. I’m still trying to figure that out. I’ll let you know when I do.
A. Craig Newman
Author and Instructor
Edited by Jeremiah Donaldson
Cover by Carmen Masloski
Let music unlock your fear within.