Movie Review: Tales From the Hood 2

Tales from the Hood 2
by James Goodridge

Tales from the Hood 2 (TFTH2) is the long-awaited sequel to Rusty Cundieff’s original movie which was a milestone in the sub-genre of Black Horror. Films such as Son of Ingagi and Abby preceded it. Produced in association with Universal, Spike Lee’s 40 Mule Company, and Netflix, it was showcased on Netflix in 2018.

TFTH2 is an anthology broken up into five stories.

“Good Golly” directed by Cundieff is what I would call a cautionary tale aimed at millennials to not forget the past within context. Audrey (Alexandra De Berry) is in mindless rapture in a hunt for a gollywog—a jet black stereotyped image of—a doll. In England, these things even found their way onto television as a kids show. Bringing back fond memories for her of the one Grandma use to let her play with, Audrey tries to work the mysterious curator of the “Museum of Negrosity” into selling the doll. Rebuffed her, her friend Zoe (Jasmine Akakpoo) who as a young black woman is totally devoid of or has rescinded what little black consciousness she has, returns later at night to steal the doll with the help of her boyfriend Phillip (Andy Cohen). All hell breaks loose when Zoe and Phillip engage in a little slave master/slave, joking around, enraging an evil force in the museum, which in this writer’s opinion you can’t blame it. Not to give the punch line or ending away for those who haven’t seen it, all I can say is otherworldly bulk cases of Similac are to be had. A nice Easter egg is a doll from the original TFTH can be seen at times.

“The Medium” directed by Darin Scott takes aim (in a supernatural way) the struggle to rise above the negatives by doing the right thing. Redemption. Three would be thugs kidnap a reformed pimp, Cliff Bettis (Creighton Thomas), demanding he turn over his fortune, which he pleads is going to go back into the community. Killing the tenacious Bettis, the crew come up with a plan B which is to kidnap television psychic, John Lloyd (Byan Batt), a knock off of John Edwards. The end game is a séance scene that’s funny yet creepy.

“Date Night” also directed by Scott is predictable, you see the end coming half way through. Quick paced, it’s like the old horror 800 numbers from the 80’s you would (I’m showing my age) dial to listen to a flash fiction story.

“The Sacrifice” directed by Cundieff is—I confess the first time—a horror movie that brought tears to my eyes. Mainly B-horror movies are like comfort food for me but this short pulled at my heart. A combination of horror and the horror of the American experience for Black folks historically is what Cundieff had the fortitude to film. I give him a nod and a fist bump. Henry Bradley (Kendrick Cross), a black Republican of means in a red state throws his support behind a white populist mayor William Cotton (Cotton Yancey), who’s making a run for the state house and looking like KFC’s Col. Sanders which is a little over the top. Interpose this with flashbacks to the night Emmit Till (Chirstopher Paul Horne) was murdered. Creepy and visceral are how I feel towards Horne in that he reminds me of my youngest son in looks. Till’s haunting is taking a toll on Bradley’s pregnant white wife Emily (Jillian Batherson) and throwing Bradley into an alternate reality. The climax has Till, the four little girl victims of the 16th Street church bombing in ’63, Medger Evers, Chaney, Goodman & Schwerner, and Dr. King confront Bradley with a choice.

“Robo Hell” which opens and closes the movie, segwaying the stories, has Portifoy Simms (the iconic Keith David) locking horns with tycoon and MAGA 45 wannabe Dumas Beach (Bill Martin Willaims). Dumas’s company has invented a Robo Cop type robot.

All in all TFTH2 is watchable and let’s hope it’s not cursed as the urban legend tale making rounds, happened to the original Tales from the Hood.


aiuthor pix 3Born and raised in the Bronx, New York James is new to writing speculative fiction. After ten years as an artist representative and paralegal, James decided in 2013 to make a better commitment to writing. Currently writing a series of short Twilight Zone-inspired stories from the world of art (An occult detective short story, The E.E. Just Affair) with the goal of producing compelling stories. His work has appeared in BlackSciencefictionSociety.com, Genesis Winter 2015 Issue, AfroPhantoms.com, Horroraddicts.net, and a non-fiction essay in Apairy Magazine #8 2016 a Metro Philadelphia arts and literature magazine. You can also hear an interview with Mr. Goodridge on Genesis Science Fiction Radio air date 12/2/16 on YouTube.

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