(Editor’s note: This review contains major spoilers.)
The 2014 independent Bigfoot film Stomping Ground is more romantic melodrama than Bigfoot creature feature, yet I found myself enjoying the movie more than I expected.
Directed by Dan Riesser, Stomping Ground uses the Boojum legend of Haywood County, North Carolina, as the backdrop for a story about a modern-day couple taking a major step in their relationship. The Boojum, by the way, is a voyeuristic Southern Bigfoot who fell in love with a human woman named Annie.
The couple in Stomping Ground features Ben, a city slicker from Chicago, and Annie, a Southern transplant living in the Windy City. John Bobek portrays the sometimes condescending Ben as a nerdy fish out of water in the rural South. Tarah DeSpain portrays the feisty Annie as a Southern girl with daddy issues related to a childhood incident involving Bigfoot.
While Ben visits Annie’s hometown in the South for a nostalgic Thanksgiving visit, he learns from Annie’s friends that she hunted Bigfoot in her younger days. It’s not long before Ben, who thinks the Bigfoot legend is nonsense, follows Annie and two of her childhood friends into the woods on a Bigfoot hunt.
The two friends include Annie’s former high school boyfriend Paul, who still carries a torch for Annie, and lovable lug Jed, a Bigfoot enthusiast. Jeramy Blackford plays macho jerk Paul to a T, and Justin Giddings is genuinely likable as redneck Jed.
Ben is jealous of Paul’s subtle attempts to win back Annie, while Annie is initially content to ignore the men’s posturing. It’s an interesting enough dynamic that fuels the film’s tension, overshadowing the Bigfoot hunt for most of the movie. Still, the most compelling scenes are the ones where Annie reveals a couple of family secrets to Ben, which explain her belief in Bigfoot and why she moved to Chicago.
Once in the woods, the usual Bigfoot horror tropes start. On the first night of camping, Ben steps to the edge of the camp to relieve himself and has a rock thrown at him from the darkness followed by a menacing grunt. The next day, the hunters find a tree structure and a familiar footprint. It all seems too convenient, making the possibility of Paul pulling a prank to spook Ben plausible. When Bigfoot attacks the cabin where Ben, Annie, Paul, and Jed are hiding, the true natures of the characters are revealed.
The Bigfoot creature is well done, looking quite prehistoric. The film’s banjo-inflected musical score is notable and complements the movie perfectly.
Of course, I’d like to see more Bigfoot than what Stomping Ground briefly shows, but the film is a fun romp through the woods.
NEXT UP: Chapter Ten: Chasing Bigfoot: The Quest for Truth. I review the 2015 documentary series Chasing Bigfoot.
Pingback: THE BIGFOOT FILES | Chapter Sixteen: Something in the Woods | HorrorAddicts.net
Pingback: THE BIGFOOT FILES | Chapter Eighteen: The Man Who Killed Hitler and Then the Bigfoot | HorrorAddicts.net
Pingback: THE BIGFOOT FILES/Chapter Thirty-Eight: Letters from the Big Man | HorrorAddicts.net