Chilling Chat with Best in Blood Winner Selah Janel

Selah Janel was blessed with a giant imagination, even if it made her gullible enough to wonder if fairies lurked in the woods and vampires waited in abandoned barns outside of town as a child. As an adult, she writes in various genres, including horror and dark fantasy. Her work has been published in multiple anthologies, magazines, e-books, and a short story collection. She likes her music to rock, her vampires lethal, her faeries to play mind games, and her princesses to have adventures and hold their own.

NTK: Welcome back to Chilling Chat, Selah! Thank you for joining me today!

SJ: Thanks so much for having me again!

NTK: How did it feel to be named 2020’s Best in Blood winner?

SJ: I’d say pretty shocked is a good description for it! I was not expecting it at all!

NTK: You are very deserving! Tell us a little about “Wallpaper” your winning story.

SJ: I had originally written it as a flash story for another project, but it started going over word count, so I just kept it saved in my files for a while. It’s a pretty simple concept story of a woman at a crossroads in her own life stumbling into a haunted hotel and dealing with some particularly strange interior design. (Laughs.) Something is in the wallpaper, so it’s a short that focuses on that discovery and spirals from there.

NTK: What projects have you been working on since last we chatted?

SJ: Well, 2020 has obviously changed a lot of things and I was already doing a lot of changing and dealing with some things last year, as well, so the writing has been forced to slow down a bit. I’m starting to come back to it here and there, which is awesome and necessary. I’ve been typing a lot from my notebooks to edit, going through old files, submitting, etc. This summer I started helping the crew at Legendary Tales Magazine as a slush reader, and that really brought about a new perspective on what editors look for and how things work on that end. I’ve been going through a lot of my old shorts from anthologies and other places and hope to be putting some of those out on kindle soon as individual titles, too. There’s a lot of trial and error, and I’m rebuilding a bit and working on a few original manuscripts and ideas.

NTK: Legendary Tales Magazine is lucky to have you! You’re very involved in acting and costuming. Have these experiences inspired any of your stories?

SJ: Oh definitely, in a lot of ways. In general, I think my years of acting classes in college taught me how to approach characters a little differently, to use techniques like sense memory while writing to get more into their heads or into certain moments. And improv classes have been great for latching onto unintended plot development and rolling with it. Costume work has made me detail obsessed so a lot of my stories, especially my longer work, have several layers or little hidden details or researched bits. I live for stuff like that. I usually overthink clothing details and try to make them matter, as well. In terms of content-wise, yes and no. I think I avoided some of that trying to put distance there for a while, but enough time has passed that I’m ready to incorporate it more. There’s an old vampire story I did for the anthology The Big Bad, the title of the story is “Real Wild Childe,” and there’s a seamstress character in it who ties a lot of the plot together. Her specific backstory isn’t mine, but her frustrations at trying to get ahead and have her work be appreciated, the long hours it takes to do something well, and the sheer amount of scars from seam rippers and rotary blades and needles is pretty much from my life. I’ve set a story behind the scenes of a haunted attraction and that was a lot of fun to do—with all my life stories in that and the amusement park world, I’m pretty much looking for excuses to use those settings at this point. An old, out of print novel I’m working on re-editing dealt with a midwest small town guy becoming a rockstar and a cursed pair of shoes, so a lot of that book was looking at aspects of the entertainment lifestyle and the work involved, as well as a lot of costume detail there. I tend to not like description for description’s sake—I want to know what a character is wearing has a reason or fits the world or whatever. And I think with acting, it’s kind of the same skills involved that you’d take into scene work—only now I’m playing all the characters and responsible for all the emotional moments landing true, if that makes sense.

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NTK: Where can our readers find you in the future?

SJ: I’ve had to take a break from media while dealing with life and putting my health back together a bit, but I’m starting to get back to it again! People can look for me at my website and I’m on Twitter and on Facebook. I’m on Instagram, but haven’t had a chance to really play there and start posting yet. My historical horror/kinda vampire story Mooner is on Amazon.
I’m really hoping to have two shorts up soon. These were either done under another name or showed up in other places, but I’m still working on edits and tweaking some things. Hopefully soon for those, though!

NTK: Sounds wonderful! I’m sure the readers look forward to it. Thank you for chatting with me today, Selah. It’s always a pleasure, and congratulations on winning Best in Blood!

SJ: I always love talking to you and the rest of the Horror Addicts! Thanks so much!

I’m still shocked and touched!

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