Geneve Flynn is a freelance editor from Australia who specialises in speculative fiction. Her horror short stories have been published in various markets, including Flame Tree Publishing, Things in the Well, and the Tales to Terrify podcast. She loves tales that unsettle, all things writerly, and B-grade action movies; if that sounds like you, check out her website at
What’s your lens?
By Geneve Flynn
There are rules of craft and objective reasons why a story works and why it doesn’t. Without interrogating which lenses we see through, it can be easy to assume that what makes a story good is universal.
However, writing and editing is very much subjective. There are stories that resonate with me that ring false for you. So much of the reading experience isn’t just the text on the page, but all the stuff you bring to it as a reader. What you’ll imagine will be different from what I imagine, simply because your life experiences, your lenses, are different from mine.
For avid readers, a good chunk of our experiences are based on what we read. The problem is that much of what’s been published historically has been limited in diversity. When we only see stories that show the world through a monolithic lens, we can start to think that’s the only way to read and write.
That can be particularly harmful for a writer, even more so for an editor. There’s a risk of guiding and limiting a narrative to characters, settings, and storylines that are familiar.
When award-winning author and editor Lee Murray and I got chatting at the biennial Genrecon convention in Brisbane, we realized that there were few stories that truly reflected our experiences. We’re both of Asian descent, both women, both writing horror—where were those stories? There was an absence of perspective that we wanted to answer.
We went digging and unearthed a wealth of fiercely talented Southeast Asian horror writers, and set about putting together an anthology. Black Cranes: Tales of Unquiet Women was published this September through Omnium Gatherum, and to our great delight, the reviews showed that the anthology was doing exactly what we hoped.
One of the benefits of fiction from diverse perspectives is that it makes us acutely aware of our own perceptions. It helps us examine how we experience a story. There’s an opportunity to become cognizant of the lenses we carry within us, and to magnify them, or switch them out for something new.
Black Cranes and other publications like it, written by and centering diverse voices, are holding up lenses that show readers, writers, and editors new ways to see. They’re expanding the boundaries of what’s possible, and that can only be a good thing.
Here’s a list of the authors who contributed to Black Cranes. Check them out if you’d like more brilliant dark fiction.
Nadia Bulkin: https://nadiabulkin.wordpress.com
Grace Chan: https://gracechanwrites.com
Rin Chupeco: https://www.rinchupeco.com
Elaine Cuyegkeng: https://twitter.com/layangabi?lang=en
Gabriela Lee: https://sundialgirl.com
Rena Mason: https://www.renamason.ink
Lee Murray: https://www.leemurray.info
Angela Yuriko Smith: http://angelaysmith.com
Christina Sng: http://www.christinasng.com
Alma Katsu: https://www.almakatsubooks.com