THE BIGFOOT FILES/Chapter Thirty-Seven: Something in the Woods

Something in the Woods is an old-school creature feature that ramps up the woodsy horror and delivers a satisfying climax to The Beast of Fallow Pines trilogy. While the first two books in the series featured solemn adults dealing with their grief alone, Something in the Woods lets loose with young adults drinking beer, smoking pot, and having sex.

If you haven’t read the first two books in the series, here are my reviews of Book 1 (The Darkness in the Pines) and Book 2 (The Beast of Fallow Pines). Click on the book titles for the links.

Written by Harlan Graves, Something in the Woods instills the vibe of a Friday the 13th film as four campers battle for their lives against a force of nature hellbent on horrific violence.

The story opens with two couples, Will and Laney and Bryce and Brittany, pumping gas at one of those rundown stations you see in most hillbilly cannibal movies. They encounter a strange, old man (wearing ragged flannel and patched jeans, of course) who warns the group to stay away from Fallow Pines.

“There’s something in the woods,” he says. “Sometimes hikers go up into those pines and never come back down again.”

Naturally, the campers go up into those pines, and we’ll get to see if any of them ever come back down again. Why are dire warnings from old-timers always ignored by young adults in horror fiction? Nobody likes a party pooper, I guess.

By page 6 of the 35-page story, the author Graves rewards readers of the first two books with a familiar sight that leads to more clues and eventually another intense battle with the Beast of Fallow Pines. As I stated in my previous review, Graves masterfully writes riveting fight scenes between humans and the Beast, which is the strength of all three tales.

Like Book 2, Something in the Woods finishes on an ominous note. The final sentence blends doom with a shred of hope, signaling the end of a trilogy worth reading for fans of cryptid horror.

NEXT UP: Chapter Thirty-Eight: Letters from the Big Man. I review the 2011 film directed by Christopher Munch.

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