Chilling Chat: Dark Divinations – Michael Fassbender


Michael Fassbender is a part-time writer in the Chicago area. His first literary love is supernatural horror. Poe and Lovecraft inspired him to begin writing in high school, but M. Fassbender2016 marked his first appearance in print media apart from a few college journals. His story “Inmate” appeared in Sanitarium Magazine, and “The Cold Girl” appeared in Hypnos Magazine. A number of non-fiction articles are now available on his website, and there is also a short story in the tradition of Poe on the fiction page.

How did you become interested in the Victorian era?

There are two separate answers to this question. As an historian, I think I found the most interest in the realm of military history. If we frame it in terms of the Crimean War to the outbreak of World War I, we are looking at a period of profound technological and organizational changes. We see the widespread adoption of rifles, the development of smokeless powder and repeating firearms, the emergence of the machine gun, and the advancement of artillery from a line-of-sight threat to a more distant danger. Armies are growing larger and employ more sophisticated logistics, and enhancements to the lethality of Victorian weapons inspires a more defensive mindset. The trench warfare that characterizes World War I has its antecedents in the Crimea.

Then we have my reactions as a horror maven. The look of the Victorian era is wonderful in horror, whether we have a haunted house tale or a vampire story. No matter how bright and cozy (or should I write, cosy) they may be by day, by night those houses look like a proper haunt. The characteristic funerary culture of the period is wonderful for horror fans, and I made substantial use of this in my story “Tisiphone.” And finally, it is in the Victorian era that the occult ceased to be a matter for locked rooms and became activity for parlors. While I am not a practitioner of the occult myself, it is a major feature of horror fiction, and this brings a unique flavor to Victorian horror stories.

Both of these elements contributed substantially to my story, “Miroir de Vaugnac.”

What is your favorite Victorian horror story?

If we include Poe, then it would have to be “The Masque of the Red Death” (1842).

Should we set that master aside, I would probably pick J. Sheridan Le Fanu’s Carmilla right now. For me, I think it’s the questions that this story suggested that make it stand out. Specifically, the last time I read the story, I found myself wondering about the long-term effects of the vampire’s attention after it was destroyed. Would the human victim be relieved, or would she perceive it as a kind of loss? Those questions inspired a flash fiction story of my own.

Do you have a favorite Victorian horror movie? What attracted you to this film?

This proved harder than I expected. So many of the classic Victorian stories have been updated to a more contemporary timeframe when they are adapted for film. Oddly enough, the film I’d choose had the reverse effect: the filmmakers of the 2009 adaptation of The Wolfman grounded that version in the nineteenth century, and I thought it was a successful adaptation. I think it reinvigorated a story that had become a bit formulaic, and I always enjoy seeing Sir Anthony Hopkins in a horror film, whether he’s the monster or the monster-hunter.

Are your characters based on real people?

None of the main characters are real, but I did incorporate two historical figures to ground the story further in reality. I draw reference to Col. Arthur Fremantle of the Coldstream Guards, who undertook a private trip to observe the American Civil War from the vantage point of the Army of Northern Virginia. He is most famous for observing day three of the Battle of Gettysburg from the headquarters of Pickett’s command. Agnes is really his mother’s name, and I thought it reasonable that she might know Beatrice because of their shared experience of being Army wives. It is Agnes’ concern for her son that gives Beatrice her first chance to use the Miroir, and at the same time, the use of a known historical figure allows me to present an accurate reading without having to state that the reading was accurate. After all, Beatrice had no way of cross-checking what she’d learned.

Do you use an outline to write? Or do you write by the seat of your pants?

I usually err on the side of spontaneity. I begin a story with a general idea of where it is meant to go, but as I write and come to know my characters better, the course they take will often shift, and once in a while I revise my plans for the story substantially by the time I reach the end.

Do your characters have free will? Or do you decide their fate?

I try to give my characters a sense of agency, even if the final scene was actually the first thing that I planned. The choices they make need to be consistent with who they’ve shown themselves to be all along. Sometimes this means that I need to tweak the character to fit the result better, other times I tweak the result to better reflect the character I’ve created.

What are you most afraid of?

This would probably involve catching some highly lethal disease, like rabies, or else contracting a really nasty form of cancer.

What is your favorite form of divination?

I don’t practice any forms of divination, so I have no practical preferences. From an outsider’s perspective, I find Tarot cards to be much more picturesque than astrology or numerology. What I liked about scrying is that it offered me the opportunity to describe scenes. I thought that would be more rewarding for me as a writer, and more entertaining for the reader.

Who is your favorite horror author?

For the number one slot, I’d still need to name my aged grandsire from Providence. H.P. Lovecraft is the reason why I began writing when I was in high school. As a writer, I’ve tried to grow past his limitations, but I’m still working on learning from his strengths.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I have a couple of other stories nearing publication. In one case, the final list of authors is not yet public, but for the other, I can say that my short story “Old Growth” will appear in the volume Scary Stuff, published by Oddity Prodigies.


Dark Divinations Watch Party & Facebook Party


Horror Addicts, in honor of the new book release, Dark Divinations, cordially invites you to:


Followed by


Join us for an hour of charming videos celebrating the release of DARK DIVINATIONS. Then, stay with us for a Facebook Party of epic proportions. There will be virtual refreshments, games, and prizes!

The Watch Party will begin at 1 pm on May 23rd. The Facebook Party follows at 2 pm.


When: May 23rd

Time: Watch Party – 1:00 PM PST

Time: Facebook Party – 2:00 PM PST

How: Watch Party

Facebook Party


Stay Spooky!

Dark Divinations 3d

Dark Divinations – They Wound Like Worms


The Inspiration Behind “They Wound Like Worms.”

By Naching T. Kassa

Inspiration is the spark which ignites the fire of imagination. It comes in a myriad of forms and from many different places. The inspiration for “They Wound Like Worms,” came in two forms, one from a book and the other from a BBC documentary. The book is Dracula by Bram Stoker. The documentary is The Diary of Jack the Ripper.

Dracula is written in Epistolary Style. This means every chapter is a letter or journal entry written by one of the characters. When I first read Dracula, I’d never seen anything like it. The reader sees Dracula, the other characters, and the scenes in the story from many points of view and attitudes. This got me thinking. What if I wrote a story from my main character’s point of view? What if I wrote it through letters he had written his sister? The idea was an intriguing one and I decided to go for it.

Now that I had my main character and style, I began to wonder who the story would be about. Who could make such a story interesting? The journal entries in Dracula led me to think of diaries and a documentary I’d seen as a teen. The Diary of Jack the Ripper was narrated by Tom Baker—of Dr. Who fame—and concerned the controversial book by Shirley Harris. The show claimed the diary of the Ripper had been discovered in 1992. It also claimed the author was James Maybrick, a cotton merchant from Liverpool. True or untrue, it was a fascinating take on the Ripper legend.

A second spark lit my imagination. I decided to create my own Ripper, someone with a different motivation for killing. My Ripper doesn’t kill for pleasure. He kills women because he needs to read their entrails and see the future.

And so, two sparks became an inferno and a fun story entered the world. I hope you enjoy “They Wound Like Worms,” and all the stories in Dark Divinations.

Nachingwriterpic2019Naching T. Kassa is a wife, mother, and horror writer. She’s created short stories, novellas, poems, and co-created three children. She lives in Eastern Washington State with Dan Kassa, her husband and biggest supporter. Naching is a member of the Horror Writers Association, Head of Publishing and Interviewer for, and an assistant at Crystal Lake Publishing.

Chilling Chat: Episode #180 – Paul Lubaczewski


Before deciding to take writing seriously Paul Lubaczewski had done many things–printer, caving, the SCA, Brew-master, punk singer, music critic etc. Since then he has appeared in95410396_1224073921261535_933279110472400896_n numerous science fiction, and horror magazines and anthologies. Born in Philadelphia, Pennsylvania, he moved to Appalachia in his 30s. He has three children, two who live in his native Pennsylvania, and one at home. Married to his lovely wife Leslie for twenty years, they live in a fairy tale town nestled in a valley by a river. Author of over 50 published stories, his Amazon Best Seller debut novel, I Never Eat…Cheesesteak, is available from Barnes and Noble, Amazon, and fine stores everywhere. 

Paul is a man of wit and imagination. We spoke of horror, writing, and the fine art of Kaiju comedy.
NTK: Welcome to Chilling Chat, Paul! Thank you for joining me tonight.

PL: Thanks for having me. 

NTK: How old were you when you discovered horror?

PL: Very young. When I was a little kid, for Halloween every year, my Mom would read the original Washington Irving “Legend of Sleepy Hollow” and we’d watch the Lugosi version of Dracula.

NTK:  Did this inspire you to write?

PL: I’ve read like a sponge, more or less, all my life. So, creating my own worlds was only a matter of time I suppose.

NTK: Do you have a favorite horror novel? Or short story?

PL: As of this exact moment, right now, today, I really loved Jeff Strand’s Pressure. Short will probably always be a tie between Lovecraft’s “The Rats in The Wall” and Poe’s “The Tell-Tale Heart.”

NTK: Who is your favorite horror writer?

PL: I think Horror is such a many faceted thing, it’s hard to pick one. Right now, I’m on a McCammon tear, all time would probably still be Poe. I had a copy of Tales of Mystery and Imagination when I was a kid. My next tattoo is going to be Arthur Rackham’s illustration for “Metzengerstein.”

NTK: Do you have many horror inspired tattoos?

PL: That’s the first piece I’ve gotten that’s directly tied to something, but I’ve wanted it for a very long time.

NTK: Do you enjoy comedy and horror?

PL: I’d better, I write it. Horror-Comedy is probably one of the most popular but most poorly served by the industry. Maybe it’s because it’s hard to write, and it is, but it seems to sell well, so people enjoy reading it. I tend to think it’s lack of enthusiasm on the industries part, they don’t know where to pigeon hole it, and that makes bean counters nervous.

NTK: You said it’s hard to write. Which is more difficult? Scaring people or making them laugh?

PL: Knowing when to turn on one fountain and when to turn on the other. You have to have some horror, but if you turn it on too hard, well nothing seems particularly funny now. And if you play everything for yucks, it makes it hard to slide back in to scary. It’s a balancing act. I find that generally it’s better to stay towards funny but have your scenes where you crack the coffin open wide.

NTK: What did you think of the old Roger Corman movies, particularly the ones with Vincent Price and Peter Lorre? Did they tread that fine line between horror and comedy for you?

PL: Well it helped that he had some absolute hams working for him and gave them a ton of free reign. Price was really a master of playing for yucks in the middle of a horror movie. The end scenes in House of Long Shadows are classic funny. I think my favorite from that era was Fearless Vampire Killers, I even have one of the original theater posters, which is huge.

NTK: What inspired Wild Witches of West Bygod?

PL: Witches is just a “where you live” book. Granny Witches are popular lore here.

NTK: Can you tell us a little about Cult of the Gator God? And what is Kaiju comedy? Are we talking about Kong and Godzilla here?

PL: Cult of the Gator God is a fish out of water comedy mixed with giant creatures who are also worshipped as gods by the locals. But yes, full-blown, old school kaiju in America, with jokes. I lived in Florida for a year, so, being from the North East, I could readily empathize with my main character Bob.

NTK:  Do you outline your plots or fly by the seat of your pants?

PL: Total pantser. It’s like the line from the Dark Tower books where King is yelled at by a fan for killing off a character and he says something along the lines of, “Lady, you found out it was going to happen right after I did.”

NTK: Do your characters have free will, then? Do they often take over your story?

PL: Let me put it this way, I have an upcoming collection, there’s a novelette in there called “The Lost Saga” It was supposed to be a gag piece at around 3000 words, after I had been worked over by the characters it was an eleven-thousand word, proper Norse Saga, with a full blown horror ending because…hey what do I know, I’m only the writer here.

NTK: Do you have a favorite horror movie? 

PL: You’d have to narrow that down to genre. I was the kid in school who took out all the tabletop books about horror movies out from the school library and the town library. I can go anything from silent, Caligari, to Hammer, Dracula Prince of Darkness, to slasher, currently Terrifier. Horror gets a bad rap, but it has WAY more range and depth as a film genre than anyone gives it credit for. 

NTK: Let’s narrow it down to scariest.

PL: I rarely get officially scared. I think the last one that made me really freaked out, like “We have to watch something really light so I can sleep tonight.” was probably Henry Portrait of a Serial Killer. The director knew all the rules of a movie, how things are supposed to go, and played them all against the audience.

NTK: Do you have a favorite horror TV show?

PL: If you’re including the Kolchak movies, them hands down. Night Gallery is something I’ve seen creep in to my short story writing though. That whole, “Your main character is scum, and he/she is going to get theirs all right” vibe. At this point I’m still watching the Walking Dead out of obstinance to see how it ends. 

NTK: What’s your favorite curse?

PL: Well my least favorite is definitely “May you live in interesting times” since we seem to be doing it, and it’s no fun. But let’s go back to The Wolf Man and it being treated like a curse, with it’s own cool couplet and everything, “Even a man whose pure of heart…”

NTK: What’s your favorite curse word?

PL: The f-bomb is the most versatile, you can use it from adjective to noun in any way shape and form. But gosh, I sure do say prick a LOT

NTK: (Laughs.) Paul, what does the future hold for you? Do we have more Kaiju to look forward to? What’s next on the book release agenda?

PL: Next off will be a collection with Dreaming Big Publications called A Spoonful of Sugar. After that, I’ll probably have something short again with St. Rooster. Wild Witches of West Bygod is all written and just waiting to be put into a release schedule so probably next year. There’s more after that, but a lot of it I’m still writing and editing.

NTK: Thank you for chatting with me, Paul! It’s been fun!

PL: Thank you, and it has been fun, thanks for that!

Addicts, you can find Paul on Facebook and Twitter.


Chilling Chat: Dark Divinations – Naching T. Kassa


Naching T. Kassa is a wife, mother, and horror writer. She’s created short stories, novellas, poems, and co-created three children. She lives in Eastern Washington State with Dan Nachingwriterpic2019Kassa, her husband and biggest supporter. Naching is a member of the Horror Writers Association, Head of Publishing and Interviewer for, and an assistant at Crystal Lake Publishing.

How did you become interested in the Victorian era?

My interest began in 1985 with the Granada TV series, The Adventures of Sherlock Holmes for the BBC. I’d seen westerns and other period dramas, and I had always loved mysteries, but this was the first one which resonated with me. I became obsessed with Sherlock Holmes and all things Victorian.

What is your favorite Victorian horror story?

My favorite is The Hound of the Baskervilles. And even though Sherlock Holmes doesn’t appear in most of the story, it’s still a masterful tale. I love how Sir Arthur Conan Doyle took a legend he’d heard from one of his friends and turned it into a great horror story. 

Do you have a favorite Victorian horror movie? What attracted you to this film?

Bram Stoker’s Dracula directed by Francis Ford Coppola is my favorite. Not only are the visuals sumptuous and beautiful, but the script is also close to the book. No other movie or television show I’m aware of has adopted the epistolary style. You also see Dracula as an old man with hairy palms, the scarring of Mina with the sacred host, and the ship Demeter which brings Dracula to England. Some liberties are taken with the story, and some of the actors are a bit wooden, but it is a fairly faithful adaptation of the story.

Are your characters based on real people?

My character, Jacob, is based on a real person. There have been many theories as to this person’s true identity, but I don’t think anyone really knows who he is.

What are you most afraid of?

Horrible things happening to those I love.

Dark Divinations is the first anthology you’ve every edited for What part of the process did you find the most difficult?

The hardest part of editing this anthology was choosing from all the wonderful submissions we had. There were so many good ones, so many I wish we could’ve included. Unfortunately, a major reason why these stories didn’t make the grade was failure to include all three elements of the theme. There had to be an element of horror, a method of divination, and it had to take place in the Victorian era. If a story contained these elements, it made it to the next phase where I checked to see if the voice was true to the period. I also checked for historical accuracy.

It was difficult letting some of these stories go and I want to thank all the authors who subbed and didn’t make it. Your stories were good. They just didn’t fit the vision of the anthology. I think this is something we authors fail to take into account. We automatically assume we’re no good when we receive a rejection. And that’s not the case at all.

What’s the best part of editing an anthology?

Showcasing wonderful talents. The people who’ve written stories for this anthology are terrific writers, and their takes on the theme were diverse and imaginative. I loved that they did their research and came up with such exciting methods of divination. We have tea leaf reading, dreaming, scrying, stichomancy, entrail reading, crystal balls, seances, throwing the bones, and even arachnomancy. (Arachnomancy is the use of a spider to tell the future, in this case, the spider’s web.) These writers are so creative! I hope the readers will enjoy their work as much as I have.

You’ve mentioned all the elements you looked for in the story. Was there anything else which served as the deciding factor in your choices?

Yes, the story had to be fun. I don’t know about how others read, but I tend to cherry-pick the anthologies I read. I don’t read them in order from first to last. I pick what looks most interesting to me and go from there. All the stories in here are fun to read, no matter what order you decide to read them in.

What is your favorite form of divination?

The Ouija board! I’ve had some weird experiences with that particular divination device. It’s predicted some things which actually came true. Several had to do with stories I would write and jobs I would hold.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I have a Sherlock Holmes story called, “The Adventure of Marylebone Manor,” coming out this year. It’s in Sherlock Holmes and the Occult Detectives, edited by John Linwood Grant and published by Belanger Books. And on April 3, my story, “The Darker Side of Grief,” was published in Arterial Bloom. The anthology was edited by Mercedes M. Yardley and published by Crystal Lake Publishing. I’m really excited about this story.

I’m also a staff writer for Crystal Lake Publishing’s new fiction series, Still Water Bay. The series debuted April 27th.

Addicts, you can find Naching on Twitter and Facebook.




Chilling Chat: Dark Divinations – Emerian Rich


Emerian Rich is the author of the vampire book series, Night’s Knights, and writes romance under the name Emmy Z. Madrigal. Her romance/horror cross over, Artistic License, is emz1smallabout a woman who inherits a house where anything she paints on the walls comes alive. She’s been published in a handful of anthologies by publishers such as Dragon Moon Press, Hidden Thoughts Press, Hazardous Press, and White Wolf Press. She is the podcast Horror Hostess of 

How did you become interested in the Victorian era?

My first love of the Victorian Era started with the fashion and decor. Beautifully gilded and over the top, I just love their eclectic design and the colors they put together that shouldn’t work, but do.

What is your favorite Victorian horror story?

Either The Turn of the Screw by Henry James or The Woman in White by Wilkie Collins.

Do you have a favorite Victorian horror movie? What attracted you to this film?

The Woman in Black is so creepy, scary, and has the classic mood I enjoy in films. I also read the book and loved the creepy almost Cthulu-like draw the house and bogs have in it that was missing a bit from the movie. 

Are your characters based on real people?

Only as they exist in my imagination, which can be more real than reality sometimes.

Do you use an outline to write? Or do you write by the seat of your pants?

Pantser all the way, baby!

Do your characters have free will? Or do you decide their fate?

They always tell me which way they are going, whether I like it or not.

What are you most afraid of?

Monkeys freak me the hell out. They aren’t cute or cuddly. They are terrifying, scratch your face off and juggle your eyeballs monsters.

What is your favorite form of divination?

I used to read tarot cards for clients, but I never read for myself. I’d rather leave the future up to fate.

Who is your favorite horror author?

Anne Rice, Andrew Neiderman, Wilkie Collins

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I am currently working on the third book in my vampire series, Night’s Knights. It’s titled Day’s Children and although I do have a cover, the book is as of yet unfinished.

Dark Divinations: Damnation in Venice


The Inspiration Behind “Damnation in Venice”

By Joe L. Murr

I saw the call for submissions for Dark Divinations a week or so after I read Thomas Mann’s Death in Venice. So I had Venice on my mind. I had the character of Gustav von Aschenbach – the sickly, doomed writer and his unrequited passion, a self-portrait of Mann – on my mind. Then images from Nicolas Roeg’s film Don’t Look Now – the foggy passageways of Venice leading to a death foretold – flashed into my mind. And all of that suggested a story and characters. The final story evolved into something very different from what I originally had in mind – but that was the moment the seed was planted.

joelmurr-photoJoe L. Murr has lived on every continent except Antarctica and now divides his time between Finland and the Netherlands. His short fiction has been published in magazines such as Beneath Ceaseless Skies, Chizine and Noir Nation, and most recently in the anthology The Summer of Lovecraft.