The Other Woman by Jesse Orr Episode One: Jill the Ripper

 

Episode 1: Jill the Ripper

The moon was a bright smear in the cloudy sky, casting a dim light on the city’s uneasy rest. In the lower east side, streetlights flickered and sirens wailed. Occasionally a shot rang out. Across the city, on the west hill, a gated community slumbered behind its fences, secure in the protection of a drowsy rent-a-cop at a booth by the gate.

Under the irregular pulses of the streetlights came a figure, wrapped in a long brown coat, its collar turned up. Its face was shrouded by a scarf and was cast in shadow by a black peaked cap with a wide brim. A police car went howling past, sending it cringing into the darkness. The figure let out a breath and hurried on.

Several blocks down, it stopped at an old brown town car with a cracked windshield and dented bumper. Fumbling in its pockets with slick red fingers, it dropped a key chain on the ground with a muffled squeak and a jingle. Stooping to pick it up, a lock of long blond hair fell forward from the hat. They finally managed to unlock the car and the figure hurtled itself inside, slamming the door behind it and banging down the lock.

Starting the engine, the figure guided the car down the street and turned right, toward the hills. Behind it, more police cars screamed through the night. Flashing red and blue lights lit the low-hanging fog that shrouded the east side. The figure cracked its window and lit a cigarette with its crimson fingers as the car made its way farther from the sounds of emergencies.

By the time the cigarette had burned down to its filter, the car was turning into the narrow road which led to the gated community known as WestCrest Estates. As the car approached the gate, a sensor was triggered and the gate swung open with a tiny creak. The security guard noted the vehicle on his clipboard and waved. The vague figure inside the vehicle waved back as it passed. The gate swung shut, latching itself with a snap as the guard returned to his game of solitaire.

The town car made its way through the tidy streets, slipping past large multistory homes in the steady glow of the streetlights. Slowing before a large three-story house, it turned into the driveway as one of three garage doors began to open, exposing an empty spot beside a shiny black Camaro. The beat-up town car slid into the empty slot and the garage door closed behind it, sealing it off from the world.

The figure killed the engine and for a moment just sat in the driver’s seat, staring at itself in the mirror. Its eyes were brown, its lashes accented by falsies applied with the same expert touch which had applied the eyeliner and eye shadow. This careful work had been splattered by a red mist and a splotch of red across the middle of one well-lined eyebrow.

Pulling off the hat, a cascade of blonde hair came tumbling down past the figure’s shoulders. The hair was also streaked and splattered with red, the tips appeared to be soaked with it. Unwrapping the scarf from its face revealed red painted lips and a complexion too smooth and flawless to be anything but high-powered cosmetics. It too had been splattered with red. The red lips turned down in a frown at the sight, but then curved up, remembering how it had come about. The lips parted in a giggle, and the figure opened the door and stepped out. The brown coat flapped around its feet, also stained with red in the dim garage light.

Kicking off its shoes, the figure mounted the stairs which led to the rest of the house, tossing the bloody coat in the direction of the washing machine in the corner of the garage. The coat missed and slid to the floor.

It was dark in the kitchen, but the figure moved with surefooted ease. Making its way around the kitchen island and opening the refrigerator door, it selected a carton of juice, opened it and took a long drink. As it did so, the kitchen lights came on in a blazing display. The figure blinked, still holding the carton.

“Welcome back, Princess,” said a voice. It came from the tall girl with long dark hair in a black bathrobe who had turned the lights on and was looking at the figure with weary but unmistakable disdain.

Princess flashed the girl a smile. “Missy, you didn’t need to wait up for me. I’m fine.”

“I don’t have a choice,” Missy snapped, moving to the bar in the corner of the kitchen and dropping chunks of ice into a glass and splashing vodka over them. “I can’t sleep until you’re back here. You know that.”

Rolling her eyes, Princess swept across the kitchen and plucked the glass from Missy’s hand, draining it and handing it back to her. “That doesn’t sound like my problem. If you could just mind your own business you’d be a lot happier.”

Missy refilled the glass and swallowed half of it. “You silly bitch, if the police show up here looking for you, that is absolutely my business.”

Princess scoffed, pulling the scarf from around her neck and tossing it onto the counter. “The police don’t know anything. Quit being such a drama queen.”

“They will,” Missy snapped. “Look at your face. Covered in blood. Look at this scarf!” She picked it up and shook it. Red drops fell to the counter. “You’re not being careful. Don’t be such a fucking idiot!”

“Missy,” Princess said with great delicacy. “Go to bed. We can talk about it tomorrow. I’m tired.”

Draining the rest of her glass and grabbing the bottle, Missy glared at Princess as she left the room. “Sleep well, Your Fucking Highness.”

“Good night, Missy,” Princess said, unruffled. Missy snarled something but Princess tuned her out. It was easy. Missy had been around all her life, and Princess was used to tuning her out.

Leaving the kitchen, Princess padded down the hallway and up the stairs to her master bedroom and bathroom. Shutting the door behind her, she crossed the room to the bathroom and its giant jacuzzi tub. Turning the water on full hot, she left the tub to fill as she took stock of herself in the mirror.

The black dress and long black gloves she had donned at the beginning of the night had mostly dried by now to a reddish crust that chafed her skin. Missy was right about the blood on her face. Peeling the stiff gloves from her arms, Princess went to work with makeup remover and soap.

Across town, in the east side, a pimp who had adopted the colorful moniker of Bitch Slap opened his car door and got out. Two hours ago, he had watched his bitch take a trick into her hotel room, and unless the bitch had found the next Ron Jeremy, everything should have been settled some time ago. Bitch Slap’s rings glittered as he pounded on his bitch’s door, employing his considerable vocabulary to suggest the young lady inside present herself immediately at the front door. When no answer from within was forthcoming, Bitch Slap grabbed the doorknob and turned. It was not locked.

The scene which greeted Bitch Slap upon opening the door was nothing he could have imagined in his nightmares. His bitch(he could vaguely recall her name being something like Macy) was leaning against the headboard, her legs, or what was left of them, splayed wide. One leg had been partially amputated, the other had been flayed down to the grisly white bone. Both of the girl’s breasts had been severed and were laying in her lap, along with several of her fingers. As Bitch Slap’s bulging eyes took in the scene, they stopped at her face, which was laying on the side table.

In the house in WestCrest Estates, Princess stepped out of the jacuzzi, toweling her hair dry and wrapping another towel around herself. As Bitch Slap leaped into his Cadillac and sped away, Missy finished the bottle of vodka and lit another cigarette. She went to the window, cracked it a fraction and watched the smoke streaming out. Her eyes dropped to her reflection in the glass. The towel Princess had wrapped around herself was wrapped around Missy. The cigarette Missy had lit was in Princess’s hand. Princess’s face looked back at Missy in the window.

“I hate you,” Missy told the face.

“I know,” it replied, and smiled.

Press Release: Music: Urn Releases Official Music Video

 

Displaying “Garden Party Massacre” 1st OFFICIAL FULL TRAILER.

Kidnapped! The Revival of the Psychological Horror Film by Sumiko Saulson

The Revival of the Psychological Horror Film

Many believed 2016 was hexed. A strange rise in celebrity deaths and rampant international terrorism reinforced the impression. There were viable explanations for the trends, such as Baby Boomers entering their golden years. Nonetheless, the superstition persisted.

The media responded with excessive coverage of real-life brutality. It often included graphic video imagery, such as ISIS executions. News footage became more violent than the latest episode of The Walking Dead or Game of Thrones. To worsen matters, with the popularity of social media, people were getting instant updates on the world’s latest tragedies twenty-four seven. Oversaturated by non-stop coverage, our appetite for bloodthirsty gore-centered horror began to taper off. In theaters, we saw a resurgence of the psychological horror film in theaters. Torture porn like Purge: Election Year became harder to find. Creepy, suspenseful horror movies like as Lights Out and The Boy abounded.

Psychological horror relies on suspense and character development. It preys upon primitive fear of the unknown. Classic psychological horror films include Rosemary’s Baby, Psycho and Jacob’s Ladder. While not completely free of the gore and nerve-shattering jump cuts splatter films rely upon, these movies use mystery and dramatic tension to weave a sense of dread.

The VVitch, one of the most successful films of 2016, fits into this subgenre. It creates a chilling atmosphere by introducing supernatural elements gradually to build anticipation. It doesn’t rely on special effects for its punch. Using character behavior to convey danger, like The Shining and The Amityville Horror before it, the movie creates a portentous atmosphere before any real danger comes into play. Ouija: Origin of Evil is another psychological horror film which combines the suspense of psychological horror with more traditional creature makeup, special effects and sound effects. This is similar to classic supernatural thrillers such as The Exorcist, and The Omen

Not all psychological horror films are supernatural. Jordan Peele’s debut horror film Get Out combines science-fiction elements with horror, akin to The Stepford Wives and Invasion of the Body Snatchers before it. Like many films in this subgenre, it involves mystery, placing a skeptical protagonist in an unnatural setting that prompts his investigation. In this film, a black man, Chris Washington, goes to meet his white girlfriend’s parents, who live in a gated community. As the audience follows the protagonist through this seemingly ordinary town, a series of surreal, strange events ensue. He notices something is very wrong with the people of the town, and the fabric of reality begins to unwind around him.

While some psychological horror movies such as The Forest and The Conjuring 2 are not very good, award-winning non-comedy horror tends to fall into this subgenre. Only 14 horror movies have ever won Academy Awards. Oscar-winning psychological horror films include Sleepy Hollow, Bram Stoker’s Dracula, Misery, and Black Swan. They use careful plotting, excellent writing, and convincing acting to engage audiences instead of cheap thrills, gimmicks, and special effects.

 

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 About the Author: Sumiko Saulson is Sumiko Saulson is a horror, sci-fi and dark fantasy writer, winner of the StokerCon Scholarship from Hell and 2nd Place Carry the Light Sci-Fi Short Story Award. Born to African-American and Russian-Jewish parents, she is a native Californian and has spent most of her adult life in the Bay Area. She ranked 6th place in the Next Great Horror Writer Contest.

Kidnapped! The Rise of Count Slackula by Sumiko Saulson

The Rise of Count Slackula

Come here, one and all! Read for the first time anywhere the true and mysterious origins of the spooky supernatural mouse heroes known as the Mauskavelians. Here the amazing story of the undead superhero mouse Count Slackula.

Once upon a time, there were three laboratory mice. Their names were Mauskaveli, Petricio, and Rogue. The three lived together in a cage for so long that it became quite natural for them to snuggle up at night in a cuddle puddle. They were friends, and lovers, being three mice trapped together in a single cage. The only downside to their carefree life was the presence of annoying genetic research scientists who experimented on them day and night.

They experimented on Mauskaveli to see if they could give her super intelligence. She is now one of the smartest mice in the world. They worked on making Petricio highly sexually attractive and seductive – to other mice, that is. It’s a good thing they’re polyamorous because Petricio is a regular mouse Cassanova. Rumor has it scientists intended to use his musk for human perfumes someday. He didn’t look forward to being dissected. Rogue was originally a test subject for curing male pattern baldness, but the injections they gave him to try to regrow his hair had no effect on his bald spot. However, they did give him strange regenerative powers. His wounds began to heal on their own.

One day, the scientist’s formulas spilled into the bottom of the cage, causing a transmutation process in the uncleaned poop in the tray below. That process leads to the creation of a small, feces-based life form named Dooky. Dooky calls himself a cat-batz and insists that cat poop, not mouse poop, is his true origin.In their free time, the mice and their flying pet poop Dooky played games and pretended to be superheroes. But superheroes didn’t live in cages.

Mauskaveli knew they had to escape.

The three of them busted out of their cage one night and moved into a nice, warm storage room at a print factory. That’s where Mauskaveli formulated her plans to organize a rodent rebellion against the oppressive humans. They snuck in at night to print tiny comic books to educate other mice about the dangers of eugenics scientists and other anti-mouse forces.

Their little team of three was happy, listening to the radio, throwing dance parties for other mice, and loving each other. They called their band of mice Micki Menage. Soon after the escape, they found out that Mauskaveli was pregnant. They weren’t sure which one of them was the father, but they suspected Rogue-9 because the baby was born with the power of necromancy. They named their spawn DeathAngel, because he was a MauzReaper.

Unfortunately, Rogue-9 had a tragic mousetrap accident when DeathAngel was just a pup. The baby mouse shocked the grieving Mauskaveli and Petricio by resurrecting Rogue-9 from the dead. That’s how they found out he was a mouse necromancer.

I am Count Slackula,” Rogue-9 cried as he rose from the grave, “enemy of Nazi scientists and friend to the poor and disenfranchised.” From that day forward, he was known as Count Slackula.

Perhaps you would like to know more about Count Slackula, Mauskaveli, Petricio, DeathAngel the MauzReaper, Dooky the CatzBatz and friends you haven’t met yet like Tumimaus and Joe. Come one, come all, and read the Mauskaveli comic book. Color the Mauskaveli coloring book!

                                                                     Mauskaveli Online 

                                                                 Mauskaveli Facebook 

                                                                 Mauskaveli Comic Book (Print) 

                                    Mauskaveli Coloring Book (Print)

 

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  About the Author: Sumiko Saulson is Sumiko Saulson is a horror, sci-fi and dark fantasy writer, winner of the StokerCon Scholarship from Hell and 2nd Place Carry the Light Sci-Fi Short Story Award. Born to African-American and Russian-Jewish parents, she is a native Californian and has spent most of her adult life in the Bay Area. She ranked 6th place in the Next Great Horror Writer Contest.

Kidnapped! The Ride of Herne and Hespeth by Sumiko Saulson


This story was originally written for the Next Great Horror Writer contest’s campfire story contest. An excerpt ran on the Horror Addicts Podcast Episode 145, but this is the first print of the entire story. The story has since been edited to improve the transitions between the teacher’s storytelling and the student interruptions.

The Ride of Herne and Hespeth

What kind of mother sends her preteen to Halloween Camp? That’s what Denise wanted to know. She could have been trick or treating with friends. Instead, she was listening to spooky stories and having cook-outs. She gazed drowsily into the campfire. The marshmallow on the end of her stick was finally melted. She smashed it onto the square of chocolate atop the graham cracker in her hand. She was about to eat the S’more when Miss Foster’s shrill voice interrupted her reverie.

Children, gather round!” Miss Foster cried. “Pull close to the fire. Watch the sun end his nightly dance with the moon. Can you feel the chill night air rising around you, fog, cloaking your neck? Gather closer to the fire, and keep warm.”

There had been four children gathered round the fire before her rousing speech. Denise winced as a dozen more rowdy kids from Camp Mather crowded around the bonfire, bringing their hot dogs and body odor with them.

The story I am about to tell you is strange but true!” Miss Foster shouted. “The slaughterhouse down the road… did you know was haunted?

Almost on cue, a spine-chilling lowing sound pierced the bushes behind them. It sounded like a wounded man moaning in the distance. Lucy, the girl sitting next to her, jumped, knocking Denise’s S’more into the fire.

Damn it, Lucy!” Denise cried.

The groaning rose to a crescendo before dissipating in the wind. Towards the end, it became distinctly bovine. Could you hear the cows from the slaughterhouse a mile away?”

Sit still, Lucy! Don’t swear, Denise!” Miss Foster barked. “Why are you children always so unruly? Anyway, on with the story… where was I?

It’s haunted by ghosts, but not the ordinary kind. These are meaty ghosts, the skeletal remains of the dead cattle prepared for sale at your local delis and grocery outlets. The tattered bits of flesh that remain on the bone after the carving process begins to stink as the cow carcasses await burial in their mass graves. Have you ever smelled five day old hamburger? Naturally, the meat attracts maggots. The fervent breeding of insects causes the dead cow’s ribcage to rise and fall, almost as if breathing.”

Gross!” Wide-eyed Daniel squealed, quickly spitting out his hamburger.

Gross indeed,” Miss Foster approved. “And an affront to the vegan witch Hespeth. She walked by and saw the cow corpses writhing. Thinking a young calf survived, she ran into the deep pit full of rotting animals. But it was no calf! It was maggots! Some evolved into flies and few into her face. She was quite put off, and immediately hexed the place. She’d been meaning to for a while. Vegan witches hate slaughterhouses, don’t you know.”

If she loves animals so much, why doesn’t she love flies?” Lucy asked.

What she said,” Denise seconded. “Circle of life and all that. Doesn’t she respect it?”

She would respect you becoming part of the circle of life, meat eater!” Miss Foster hissed, pointing an accusatory finger at Daniel’s burger and Lucy’s hot dog.

That’s why she cast the spell… to put humans into their proper place on the food chain. The accursed skeletons lurched forth from their graves. The stink of rotting meat was cloying. A cloud of green malodorous E.coli bacterial surrounded them. Soon, the maggots began to hatch, sending out waves of hungry, carnivorous flies. The angry mob of dead cattle marched towards Camp Mather, looking for filthy meat eaters upon which to enact their revenge.

What’s wrong, Lucy! Are you having trouble eating your hot dog? You keep looking away as I tell this story, almost as if you feel guilty. There are some vegan marshmallow substitutes to roast if you’d prefer vegetarian S’mores…”

Lucy rolled her eyes and kept eating her hotdog.

Fixing her with an accusatory glare, Miss Foster continued. “Frothing at the mouth, hungry jaws snapping … Herne, the head of the heard, moved at preternatural speed towards Camp Mather.

Their first victim was Charlie, a hitchhiker eating a dollar menu hamburger. The herd charged towards him, hooves pounding the dust below. Herne snapped into Charlie’s flesh… angry molars munching his fingers like fresh cud. Green slime oozed from Herne’s open maw and dripping nostrils, mixing with Charlie’s blood as the fingers snapped one by one. The cannibal cow even ate the burger in his hand!

Why are you doing this to me?” Charlie screamed. But he got no answer. Cows can’t speak, you know. They lowed and mooed in laughter. Herne’s accomplices began with the man’s other arm. Soon, they’d ground him between their teeth into a human hamburger. Leaving the blood puddle that had recently been Charlie behind, the hungry pack of roving skeletal cows continued its rapid descent upon Camp Mather.

Am I making you nervous, Denise? Why did you stop eating your beef jerky?”

I’m not afraid of imaginary cow monsters,” Denise smirked.

You should be,” Miss Foster warned. “With no digestive tract to speak of, the herd had no way to digest the well-chewed bits of Charlie. Chunks of Charles fell out of their ribcages and down to the ground, trodden below angry hooves.

The stampede rushed into the side of a Safeway delivery truck, butting against it repeatedly until it toppled over. The driver’s blood-curdling screams were so ear-piercing they were heard by our camp director, Gwen Littleton. If you don’t believe my story is true, just ask Gwen!

Herne himself leaped into the cabin of the eighteen-wheeler and tore his blood-soaked teeth into the tattooed bicep of the driver, Daryl. The driver yelled, “What are you? Friggen zombie cows?” Irritated, Herne bit into the man’s juicy tongue, and yanking his foul-smelling head back, ripped it from his jaw.”

Miss Foster cast an irritated look towards Lucy once more. “Have you ever eaten cow tongue, Lucy? I see you’re eating an all-beef corndog. Do you think Herne would approve?”

Lucy shrugged, stuck her tongue out, and slathered ketchup and mustard on her corndog. Denise rolled her eyes.

Unlike Hespeth,” Miss Foster continued, “Herne was far from vegan. His large, square teeth sunk deep into the man’s lower lip, pulling at it rending flesh from bone. Blood spewed over the steering wheel as another stampeding cow slid it’s incisors into the driver’s jugular vein. The gushing maroon fountain pitched its moist payload with every breath, every heartbeat, and the smell of iron invading the cabin as the windshield was painted in clotted crimson.

The green bile and mossy rot of the original moldering cow flesh combined with fresh human blood and carnage as they tore in. One of Daryl’s extruded eyeballs detached from his head and plastered itself to the center of Herne’s skull. The feast was done. Like a festering wounded cyclops, Herne climbed out of the cabin and headed this way.

Herne’s spectral eyes glowed like goals in the dark. The moment his formed so did like eyes appear in the cattle behind him. Herne, the sole bull in the stampede, was an oddity for a slaughterhouse. Where did he come from?

Some have associated him with Herne the Hunter, the stag antlered aspect of Cernunnos, the Horned God. Others have associated him with Baphomet, the goat antlered god the idolatrous Templars worshipped. Still, others say he descended from the Golden Calf the Jews worshipped coming out of captivity in Egypt. But who cares? I mean, really? If a molding dead cow skeleton is eating you, do you really need to know its backstory?

Like the world’s worst case of acid reflux, the beef from the local slaughterhouse kept coming back up towards Camp Firestone. I suppose it’s because we order so many hamburger patties to keep you kids happy during summer camp. I would, if I were you, consider a vegan lifestyle.”

Suddenly, Miss Foster stood and raised her arms to the sky. There was a gleam in her eye. The gleam quickly rose into a flash, and that flash turned bright red. The hidden moon rose from behind a cloud, round and full, and in its warm glow, the camp counselor began to transform. She stretched out, growing taller and leaner. Bones exploded from below her flesh, upon her skull, a headdress of bovine teeth.

It is I, children. It is Hespeth!”

Looking back over her shoulder, Denise saw two glowing eyes in the dark forest behind her. They were accompanied by a smell… rank, like the meat that went off in the refrigerator last month after the blackout. The electricity had been out for two days. The stench was heavy, cloying. Before she knew it the creature was before her… beside her… hungry.

Denise stared in shock as the zombie bull Herne chomped down on little Lucy’s skull. Jaw agape, tongue dangling, eyes bulging, arm hanging loose to one side, Lucy dropped the half-eaten beef hotdog into the dirt before crumpling to the ground.

 

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About the Author: Sumiko Saulson is Sumiko Saulson is a horror, sci-fi and dark fantasy writer, winner of the StokerCon Scholarship from Hell and 2nd Place Carry the Light Sci-Fi Short Story Award. Born to African-American and Russian-Jewish parents, she is a native Californian, and has spent most of her adult life in the Bay Area. She ranked 6th place in the Next Great Horror Writer Contest.

 

 

Kidnapped! Trick by Selah Janel

I don’t mind quiet Halloweens at home, but they’re not everyone’s thing. I wouldn’t have liked it as a teen, and I think sometimes it’s hard to make that transition from kid to an adult, especially if things feel out of your control. Especially when things are most definitely out of your control.

Trick

Tandy hated staying home on Halloween, but there was no point going out. She hadn’t been invited to any of the good parties, and she sure as hell wasn’t going with her parents to their couples club…thing. She was too old to trick or treat, not old enough to hit the bars, so horror movies and candy duty were the only options left.

Which was why she was curled up on the couch with Baxter the dachshund. Even he looked bored with the B movie on TV. “It isn’t fair. Halloween used to mean magic, like anything, could happen. Now it just means making sure the house doesn’t get egged and pretending to care about whatever the hell the kids are supposed to be,” she grumbled. “Or maybe I just fail at this growing up thing. I seem to fail at everything else,” she sighed, cringing at the memory of failing her Algebra test and how well her parents had taken that. Or her midterm grades. Or losing the money she’d been given for volleyball fees. She dug through the candy bowl to fish out the good chocolate to make herself feel better.

The doorbell rang and she sighed. “I can’t believe this is my life,” she grumbled and opened the door.

And stared at herself. She wasn’t wearing a costume, unless Tandy, herself, was suddenly it costume option this year. No, the girl in front of her had the same long dark hair, the same pajama pants, the same hoodie she was wearing.

She even had her freakin’ face, down to the very same acne scars. It was freaky as sin to see every detail up close in something that wasn’t a mirror. But it wasn’t staring at herself that was the worst thing. No, the small, wicked little smile that had never appeared on her own face was worse. The fact that Baxter went right to her and didn’t growl or even acknowledge the fact that she, herself, was the real Tandy was worse. The words she spoke in her own voice before she stepped inside and raised the knife were the worst of all.

Good, because it’s my life now.”

***

Selah Janel writes weird stuff, both short and long. She has stories in several anthologies and magazines and co-wrote the collection Lost in the Shadows. Her fantasy/cross-genre novel Olde School combines a lot of fantasy and horror elements together (along with fairy tales and the just plain strange), and her shorter e-book only titles explore a range of genres and ideas. Catch up with her and see a full list of her titles at http://www.selahjanel.wordpress.com http://www.facebook.com/authorSJ or follow her on Twitter @SelahJanel

Press Release: Cinema SF: Nosferatu Double Feature at the Vogue Theater

This Halloween the Vogue Theatre will celebrate with two scary, old-fashioned vampire movies.

7:00 PM:        Nosferatu(1922)

Based on the novel “Dracula,” this is the first vampire movie and was shot in FW Murnau’s classic German Expressionist style.  It stars Max Shrek as Count Orlock and Greta Schröder as his unlucky sweetheart Ellen.  This title is unrated and has a running time of 1 hour and 22 minutes.

9:00 PM:        The Shadow of the Vampire(2000)

This historical making-of drama recounts the legend of the filming of FW Murnau’s classic Nosferatu.  Set in 1922, the story follows Murnau, played by John Malcovich, as he directs a very enthusiastic Max Shrek played by Willem Dafoe.  This title is rated R and has a running time of 1 hour and 32 minutes.

Tickets are on sale now and may be purchased for individual shows at regular price of $12 General Admission and $9 for Seniors, Children, and Students.  Additionally, tickets may be purchased for both titles as a Double Feature for the price of $19.75.  All ticket options are available for purchase on our website at the following link: http://www.cinemasf.com/vogue/buy-tickets/

And tickets may also be purchased at the Vogue Theatre in person during our regular business hours.

The Vogue Theatre is a classic Art Deco non-profit cinema in Lower Pacific Heights, built in 1912.  Check out www.sfntf.org and www.cinemasf.com for more information, exact schedule times, and other upcoming events.  Contact the Vogue Theater directly by calling (415) 346-2228.

Vogue Theatre 3290 Sacramento Street
San Francisco, CA 94115

Guest Blog: The Most Haunted Cemetery in the World by Loren Rhoads

 

The Most Haunted Cemetery in the World

by Loren Rhoads

In 1447, Franciscan monks (the so-called Gray Friars) built their friary at the north end of the Grassmarket on a slope with a lovely view of Edinburgh Castle. The Franciscans, a medical order, served the poor there until they were chased out of Scotland in 1558 by the Reformation.

Their friary yard was claimed by Queen Mary in 1562 for a public burial ground. Just in time, too. The graveyard was used “extensively” during the Black Plague of 1568.

At the foot of the cemetery’s east walk stands the Covenanters’ Monument, which remembers Scottish Presbyterians who died for their faith rather than convert to the Anglican Church founded by Henry VIII in England.

The scourge of the Covenanters was Sir George Mackenzie. He was a highly educated member of the Scottish Parliament, a lawyer, and a member of the Privy Council of Scotland. In 1677, he became Lord Advocate in the service of King Charles II of England, in charge of punishing anyone who refused to swear loyalty to King Charles or rejected the Church of England.

Four hundred Covenanters were imprisoned in Greyfriar’s Kirkyard in 1679. The guards abused them. They suffered from the weather, lack of shelter, and starvation. Many ended up buried anonymously in a mass grave in the Kirkyard. In all, Mackenzie is blamed for the deaths of nearly 18,000 people during the eight years dubbed “the Killing Time.”

Mackenzie himself died and was buried in the Kirkyard in 1691. His tomb stood quietly until 1998 when a homeless man broke into it. When the thief ransacked the coffins, the floor collapsed beneath him, spilling him into a plague pit full of bones beneath the mausoleum. The man managed to haul himself out, then ran screaming into the night.

Something had been unleashed.

For the past twenty years, Greyfriars Kirkyard has been considered one of the most haunted graveyards in the world. Visitors have been scratched, bruised, and bitten near Mackenzie’s mausoleum. Blasts of cold air chase some visitors away. Others become nauseous and disoriented or are struck with splitting headaches. One woman was found unconscious near the mausoleum with bruises like finger-marks around her neck.

In 2000, spiritualist minister Colin Grant attempted to exorcise the mausoleum. He felt the presence of hundreds of souls in torment and a presence of overwhelming evil. He fled the Kirkyard, but it was too late. He died unexpectedly of a heart attack several weeks later.

YouTube is full of videos of people showing off bite marks and bruises received while touring Greyfriars Kirkyard. Enter at your own risk.

Greyfriars Kirkyard is one of the 199 Cemeteries to See Before You Die by Loren Rhoads. She is also the author of Wish You Were Here: Adventures in Cemetery Travel and writes about graveyards for the Horror Writers Association. She blogs about cemeteries as vacation destinations at cemeterytravel.com.

 

199 Cemeteries to See Before You Die

Amazon: http://amzn.to/2xFsas3

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Indiebound: https://www.indiebound.org/book/9780316438438

 

 

 

 

Wish You Were Here: Adventures in Cemetery Travel

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Kidnapped! Siren’s Call Wicked Deeds: Witches, Warlocks, Demons & Other Evil Doers

Wicked Deeds:

Witches, Warlocks, Demons, & Other Evil Doers

Sometimes wicked people do wicked things simply because they can…

The twelve stories in Wicked Deeds tell tales of witches and warlocks with ill intent, devilish demons bent on destruction, and other doers of evil who make the world a terrifying place. What is a mother to do when her daughter is gifted but lives under the thumb of her fanatical preacher husband who will brook no talk of the supernatural? What of a demon so desperate to free himself of a trap that he will force another to repeat his atrocities and condemn a young boy to his demonic fate? Or maybe the story of a crotchety old witch with a score to settle against the town she lives in is more to your liking – what evil will the seemingly harmless town-crazy call upon when faced with an ultimatum?

If you’re looking for wicked people with supernatural abilities doing wicked things, this is the collection for you!

*This book is a collection of similarly themed yet varying fictitious short stories from multiple authors.

Table of Contents

A Hundred Crimson Candles — B. David Spicer

Buyers and Cellars — Devin Darcy

Ghostville! — Darren French

The Devil’s in the Details — David O’Hanlon

Shiv — Jennifer Melzer

Puppy Farm — Josie Dorans

The Bone Thief of Belheim City — Kevin Holton

Broomstick and a Pointed Hat — Jonathan D. Nichols

Inquire Within — Mark Christopher Lane

Witches on Salem — Brian D. Mazur

Wicked Deeds: Witches, Warlocks, Demons, & Other Evil Doers is available on:

Amazon: US | UK

Amazon Print: US | UK

CreateSpace (Print) | Smashwords

The Scarlett Dahlia Episode 11: Night of Torches by Jesse Orr

 

 

“You foolish man,” Scarlett hissed, bending Carly’s head back to stare upside-down at Fenton Hayes. His eyes bulged and the derringer swung from her, back to Hans, back to her.

“Carly? What the…” Fenton’s eyes were locked on her even as the gun moved. “Your face!”

Scarlett’s rage flashed across Carly’s decaying features. “Yes, I’m not as pretty as once I was I’m afraid.” She grinned, her upside-down smile half gone. “I bet you still want to fuck me though, don’t you, Mr. Hayes?”

Fenton spluttered, struggling to form words as the thing in the tub which resembled Carly rose, water dripping from its scabrous curves over which he had lusted since her accursed sister had walked into their son’s life and led them all to this point in space and time. One of her breasts had lost a nipple, the other was split open. Gray flesh peeked out like stuffing from a pillow. As Fenton and Claudia watched in horror, the Carly-thing reached a torn finger into its mouth and pulled out a tooth.

“I bet you’d like me better without any teeth,” she leered, “the better to please you with, my dear.”

Fenton’s wife let out a moan, pawing at her husband’s shoulder, mewling inarticulate prayers. “Please, God, please, God, please, God…”

The Carly-thing lifted itself from the water and stepped onto the floor, leaving large bits of skin and hair floating on the surface of the tub. Her feet flattened out like a thick batter. “Don’t talk to me about God,” she rasped, walking toward Fenton and his wife. As she walked, layers of skin remained on the floor and it occurred to Claudia that if enough layers of skin were peeled from those feet, they would begin to hear the sound of bone walking on the tile, and if that happened, she would surely go mad. “God is content to let us die. I have made it closer to immortality than any before me, and I will not be put off by a drunken fool!”

“Get back!” Fenton shouted, jostling Claudia backward. “I swear to Christ I’ll shoot!”

“No,” whispered the Carly-thing. “You’d never shoot me.” It smiled. “You still want to fuck me.” A piece of Carly’s cheek fell to the floor with a wet plop.

A hand, purple and waterlogged, reached up and touched the barrel of the derringer.

“No!” Fenton screamed. He jerked the little pistol to the side and fired.

At the tub, Hans grunted and Don splashed into the tub, bobbing as Hans released him. Hans raised a hand to the side of his head and felt the small hole there, circling it with his fingertips even as his knees gave way beneath him.

“Miss–”

Hans crumpled to the floor, eyes staring at the Carly-thing as they glazed over. A twitch of the arm, then, nothing.

Fenton stared at the body of the man he had just killed with his little derringer, the only time it had ever been fired. Before he could dig too deeply into the ramifications, a horrible sound filled the air. His flesh crawled as he realized it was the Carly-thing trying to scream through decaying vocal cords. It coughed and reddish black chunks came spewing from its mouth. It lurched forward, the tips of those squishy fingers reaching, clawing, clutching. It was still screaming, inarticulate expressions of hate that sprayed across Fenton’s face as Claudia screamed behind him and the world bloomed into giant gray roses which turned black and silent.

The fire burned bright, red light bathing the slaves as they gathered around Janis, who stood silhouetted against the flames in the night. Only her eyes showed, twin specks of fury.

“The Dahlia and her slaves are evil!” cried Janis. “She uses us like cattle! We nothing but livestock for them in the house!”

“You watch your fuckin mouth,” shouted a tall bald man with skin the color of coal. “My cousin Mary work in the manor and she ain’t no evil thing.”

“Mary?” spluttered Janis, so taken aback she could scarcely form words for a moment. “Mary has sucked down the blood of more of us than anyone else, you numb shithead! Mary and Charles SELL US our own after they’ve done with them!”

“Bull shit!” the man shouted back, beginning to elbow his way to the front of the crowd. “Mary wouldn’t do dat!”

“Mary wouldn’t do that?” Janis flung her arms wide, looking at one and all. “Who here bought blood from that bitch?”

Mary’s cousin looked around, seeing hands in the air. Half. More than half. He felt sick. His eyes dropped.

“And for what?” Janis yelled, looking at all of them. “Why you niggas buyin each other’s blood?” She glared around, demanding an answer.

One of the men whose hand had been up said something. “What?” Janis snapped. “You got somethin to say say it.”

“I say Charles told me!” the man cried. “Charles told me it be the best cure for a limp dick and he right!”

“He right, is he,” Janis said, her voice low. “You know your sister never come back from the Manor when she went. But that didn’t stop you at all, did it.”

The man’s eyes filled with tears and he stared at the ground.

“That dick was more important than your own sister!” Janis screamed at him, her shadow dancing in the firelight. “You drank your sister’s blood and got a pretty good bone on, didn’t you, you sicko? Was it worth it? You think your mom and dad had that in mind when they looked at the two of you? Huh?”

The man was crying now, curling in on himself as everyone looked somewhere else.

“You high when you drink they blood because you drinkin they lives!” Janis looked around at the hushed slaves. “This ain’t normal and you know it! THEY doin this!” Janis pointed to the manor. “This all started when Scarlett Dahlia came here! It never stop while she lives!”

“Murderers!” screamed the prone form on the ground. The crowd took up the chant. “Murderers! Murderers!”

Mary stood in the servant’s kitchen, her shaking hands poised over a small stew pot. In her right hand, she held a paring knife. Her left was balled up into a fist and her eyes were screwed tight shut as the knife kissed her wrist. She was about to cut when the door from the parlor burst open and Charles blew in, eyes wide, face pale.

“They gon’ be comin soon! The ones from the pen by the river comin tonight with torches and they mad about the blood and the Dahlia and– ” His eyes fell from hers, which had popped open, to the knife in her hand. “What you doin?”

“Do you have any?” Mary’s voice jerked and quavered. “I need some.”

“Girl what the hell is wrong with you? Now ain’t the time to be getting high, the slaves is comin and they–”

“I don’t care!” Mary screamed, raising the knife to eye level between them. “I need it and if you don’t got any I’ll do what I have to!”

“Bitch, you crazy!” Charles armed sweat from his forehead and stepped out of knife range. “What I got’s up in my room but–”

Mary pushed him aside and scrambled for the stairs. She registered what Charles had said about the slaves from the river, but it was unimportant. All she knew is that the entire world would fall apart if she didn’t get more blood and there might be some in his room upstairs.

“Mary!” Charles stood, rocking from foot to foot, his unease building. “You let the slaves rip you apart if you want, I’m the fuck out!”

She heard neither this proclamation nor the sound of the door slamming behind him, because Scarlett Dahlia, hearing the commotion, had emerged from her chambers and now held Mary by the throat.

“Mistress,” Mary gasped, her hands clawing at Scarlett’s iron grip. “Please. Blood. I need it.”

“Of course you do, you little junkie slut,” Scarlett snarled into Mary’s face, “once you start sucking down the lives of others in any quantity you need more and more, but if you don’t tell me what that other fool was yelling about I’ll crack you open and feed you your own heart.”

Mary was ashamed to admit, even to herself, in this moment, how desirable it sounded to be fed her own heart by this beautiful creature. “He says,” she managed to choke out, “that the slaves—they know—about the blood—they’re coming–”

Scarlett’s eyes widened, but only for a moment. “Little junkie slut,” she muttered and released her hold on Mary’s throat. “Go find your medicine.” She turned and strode back into her chamber.

“Thank you, mistress,” Mary sobbed, tearing great ragged breaths from the air as she staggered down the hall to the tiny room Charles occupied just off the Dahlia’s suites. Later, after the slaves had stormed the manor, her cousin found her. Mary was nearly gray, cold as the air around her, and dead. Charles had had no blood, and her mouth was stained red from the gash on her wrist where she had cut herself to drink her own.

The fat old overseer had seen the flickering lights on the tops of the trees and thought the idiot slaves had set their compound on fire. As fast as he could go, he made his way down the path to the creek, almost hoping to see them running around with their heads on fire, screaming. He grinned at the thought. The grin vanished when he rounded the final bend and saw the gathering around the bonfire. All at once, it seemed, they turned to meet his eyes.

As one, the slaves stood and rushed the fence that made up the pen. There were stout posts laced with a tangle of barbed and razor wire and the ferocity of the guards coupled with the sharp edges had been sufficient to discourage much freedom-seeking. Those who had succeeded had always been fetched back swiftly and the horrific fates meted out upon runaways were second only to the rumors about the Dahlia. Now, as the fat old overseer stood, seemingly rooted to the spot, he watched what seemed to be all the slaves falling with a savagery on the poles which held the wire in place. An ominous cracking sound filled the night, and before he could even consider moving, most of his important internal organs had been crushed by one of the main support beams. There were enough vital parts remaining, however, for the fat old guard to have time to relive most of his life at Scarlett Dahlia Manor and to weep at the waste of it all.

Charles knew all too well that the treatment the Dahlia would receive at the hands of her slaves would be gentle compared to what awaited him. She had only used them. He had betrayed them. He saw the light from the torches coming up the path, and his stomach tightened in a grip of horror when he realized there was nowhere to go. The overseers all clustered around the front of the manor at night to gamble and drink and a lone guard patrolled the backgrounds, but the only way out was through the slave pens and down the river.

He would have to hide until the slaves had gone to the manor. Casting about, he spied a small corner of darkness at the edge of the grounds which seemed blacker than all the rest. Making for it as fast as he could, he threw himself behind a stone which jutted straight up from the smooth ground. Peering around its base, he watched as a crowd of yelling slaves strode up the path and across the grounds of the manor. He heard the thud as they pounded the door leading to the servant’s kitchen, and could even from this distance hear the cracking wood. It wouldn’t last long.

A hand fell on his shoulder and he screamed. He couldn’t help it. The handspun him, hard, and he fell to the ground, hitting his head upon the stone. A lantern bloomed and Charles saw Hans in the flickering yellow light. A large hand produced a knife and before Charles could react, he was reeling from the slash which opened his throat almost to the spine. As he fell to the ground, he saw his blood spray across what he could now recognize in the light as a headstone. Before the light faded from his eyes, he saw the headstone soaking up the blood.

“Fenton.”

Someone was splashing him with water. He didn’t like it.

A stinging slap to the side of his face. His eyes flew open.

“Jesus, Claudia–”

His wife was leaning down in front of him, arm poised for another slap. “Are you awake now?”

“Yes… yes I’m awake, what the fuck–?” He tried to push himself up but found his hands would not move. They were bound tight together by a strip of light blue fabric he recognized as the tie he had put on that day.

“I want to talk to you, Mr. Hayes, and I’d rather your hands be stationary while I do so.” Claudia knelt before him, legs folded under her, hands clasped before her. She looked at him, her face cold and expectant. “Are you listening?”

Fenton was not listening, in fact, his attention was drawn by the wasted rotting body which lay on the floor beside him. It bore no more resemblance to Carly than a side of beef.

Another stinging slap and his eyes whipped around.

“Are you listening to me?” Claudia’s eyes glinted dangerously. “I have had a long day and I have no more patience for games.”

“Claudia, what the fuck are you talking about?” Fenton tugged at his wrists. “Let me go.”

“I told you, we are going to talk.” She leaned back onto Claudia’s heels. “First, let’s introduce each other. I am Scarlett Dahlia.”

Fenton snorted. “Claudia quit fucking around and–”

“STOP CALLING ME THAT!” Scarlett shrieked. Claudia’s eyes were huge and mad, her cheeks flushed as Scarlett leaned forward, grasping Fenton by his collar and screaming “Your wife is gone, you stupid blind fatcat, and unless you do exactly as I say she will never come back!”

Fenton recoiled in horror, slamming his head into the wall. The face was Claudia’s, but the voice…

And the look on her face…

“Will you do as I say?” Scarlett raised a nail to her cheek and sliced a thin gash in Claudia’s smooth pale skin. “Or would you rather watch her decay before your eyes until she looks like that one?” She waved a hand at the pile of what once had been Carly.

“What do you want?” Fenton’s voice shook as he watched the blood dripping down the cheek he had caressed times without measure.

Claudia’s head jerked toward the tub and Don’s lifeless body lolling in the water. “You need to cut his throat. The blood will seal this body and then your wife will stay as you remember her.”

“Except for you. You’ll be in her.”

“Well, yes. Except for that.” Claudia’s face curled into that predatory grin. Fenton felt his balls contracting as chills ran down his spine.

“You can’t make me slit that kid’s throat,” Fenton said, struggling to keep his voice from shaking any further. “That’s murder.”

“The boy was dead when you arrived and slitting his throat will not make him any deader.” Claudia’s eyes bored into his. “What is your answer? Will you see her rot before you, or save what is left? Perhaps you would like her more with one eye.” Scarlett raised Claudia’s hand, perfectly manicured fingernails filed to points (Fenton remembered with horrid clarity the argument they had had about the cost of those fingernails just last week) moving toward her left eye.

“No!” cried Fenton, moving forward. “Don’t hurt her. Just leave her be.” He swallowed. “I’ll do what you want.”

Claudia’s face broke into a large smile. “I’m glad to hear that. Everybody wins if you say that.” She untied Fenton’s hands.

“Except the kids you’ve already murdered,” Fenton couldn’t help adding.

Scarlett was unmoved as she began undressing for the tub. “You’ll find, Fenton, being with me is not without its benefits.” Scarlett surveyed Claudia’s body with an appraising look. “You’ll find I can convince people of just about anything, and it shouldn’t be too hard to explain away your drugged-out son and daughter-in-law. The ones in here,” she gestured to the remains of Carly, Don, and Hans, “clearly were doing something very strange. But by the time anybody thinks to ask us any further questions, we’ll be so far away they won’t even bother looking for us.”

Fenton gaped at her.

“What if I refuse? You’ll kill me I suppose.”

Scarlett smiled at him, and nearly looked like her old self for a moment. “Of course not. If you fail to cooperate completely in any way, your wife will begin to lose parts of her body in most interesting ways. First a finger, maybe, then pieces of skin.” The smile warped from the Claudia he knew to this new horror that now faced him, for the foreseeable future.

“It all depends on you,” Scarlett whispered, “but rest assured, my dear Fenton, if anything happens to this body, you will pay for it for the remainder of your days.”

Scarlett lowered herself into the water for the second time that night, her eyes never leaving Fenton’s. She reached below the surface and brought up the knife Hans had dropped upon being shot. She held it out to Fenton.

“Do it now,” she intoned, “and your life can be whole again.”

Fenton stumbled forward and took the knife from her. His thumb felt along the edge, testing its sharpness as he looked at the body slumped over the edge of the tub. Scarlett reclined, running Claudia’s arms along the edge of the tub and keeping her eyes on Fenton as he reached below the water and pulled Don’s lifeless head up from its depths. Pressing the knife to Don’s throat, he stopped. Wavered.

“Do it,” snarled Scarlett, clenching Claudia’s fingers on the edge of the tub until her knuckles turned white. “Now!”

Squeezing his eyes tight together, he reached beneath Don’s chin and cut.

Blood poured from the cut, turning the water pink, and Scarlett moaned at the sight, hands reflexively flying forward to bathe in it. Then she screamed as Fenton seized Claudia’s wrist and dragged what had once been his wife toward him. Scarlett attempted to push back but the bloody water in the tub splashed all over, leaving her no traction. Don’s body bobbed between them, still leaking blood into the water, turning it from pink to a dark red.

“I love you, Claudia,” Fenton sobbed and plunged the knife into his wife’s throat. Scarlett’s scream sprayed into his face, words becoming more and more unintelligible the more Fenton twisted the knife. Her hands fought his at her throat at first, then fell away. He let go, and it stayed in her throat for a few seconds, then with a horrid slimy sound, it slipped from the wound and clattered to the floor.

Sobbing, Fenton slid to the floor and pushed himself across the room away from Claudia’s body, only stopping when he hit the wall. She had landed slumped over the edge of the tub and her eyes stayed on him, blank, glassy, accusing. Claudia’s eyes.

Scarlett’s words spun in his head.

If anything happens to this body. You will pay for the remainder of your days.

The remainder of your days.

Fenton pushed himself back across the room toward the knife. Once he had opened both his forearms from wrist to elbow to his satisfaction, he took his wife’s hand and leaned his head against hers, which is how they were eventually found.

Scarlett Dahlia stood before her resting place and admired it.

Set back from the side of the manor, it was neatly tucked away between the grass and the trees. A circle had been cleared of all foliage and scraped clean. The hole Hans had dug stood in the shadow of the dirt which had filled it, six feet deep and six feet long.

The stone for which she had waited so long was finally in place, casting a shadow over the hole dug at its base. She stroked its smooth surface with a pale hand. It was as tall as she, its surface a glossy onyx with shades of white and gray quartz. It tapered from the ground up to a plateau. On the flat surface was etched what appeared to be a sideways number eight, and a dripping flower. Scarlett’s fingers found the chiseled marks and ran across them dreamily.

The night before, out in the yard, she had carved them into the rock herself. Blood dripped from gashes in her wrists down her hands onto the carvings. The world had shrunk around her until there was nothing but the stone and the blade of the chisel. Even the hammer was gone as she swung it until the last line had been carved. As she struck the final blow, the headstone inhaled the drops of blood pooled on its surface and the world exploded around her in a rush.

Now as she touched the headstone, she could feel its power radiating like heat from its smooth surface. The power, waiting to be harnessed, instructed and flung into the ether to do her bidding. She smiled.

“Come,” she said, beckoning him forward. “One thing more must be done if you are to join me.”

Hans joined her by the stone. “Shall I do it, or would you like to, madam?”

Scarlett extended her hand. In it lay a small silver knife, its handle facing Hans. “It works better if you do.”

Hans took the knife, his face betraying his trepidation as he inspected its edge.

“Don’t worry,” Scarlett soothed. “It will be over in no time, and before you know it you’ll be somewhere else. It will be strange, but I will be there.” She looked over her shoulder at the creek where almost inaudible shouts could be heard. “Our time here is nearly done.”

Hans raised the blade to his eyes, looking along its length. Looking at Scarlett, his hand shook only once before he plunged the blade into his throat, dragging it from ear to ear and opening a wide gaping red grin below his jawline.

By reflex, Scarlett’s hand shot forward, bathing in the blood pouring from Hans’ neck. The fiendish light came into her eyes again as she brought her hand back to her mouth, sucking his blood from her fingers. She stared at him as she took the knife from his hand and his face drained of color. Her other hand came up to caress his cheek, paper-white beneath the smudges of dirt. He looked back at her, his knees weakening but refusing to go down. Bringing her lips to his, she kissed him, leaving a smear of his blood across his mouth. She stepped back and pushed.

Hans leaned back, caught between two worlds as he teetered on the brink, his body fighting to remain upright. She looked at him and mouthed the words “let go.”

The shouts of the approaching slaves were blotted out by the deepening black spiral as Hans let go. He was dead before he reached the bottom of the grave he had dug.

The slaves burst into the manor, streaming through the servant’s kitchen. Many of them had never gone beyond the threshold of the manor and some got lost in its many rooms as they searched, but the Dahlia and her manservant were nowhere to be found. Reasoning that they could not have gone far, Janis and several of the more quick-witted slaves hurried down the stairs as the rest of their companions continued ransacking the manor for any sign of the evil ones. As soon as she set foot out of the manor, Janis was the first to spy the Dahlia standing by the headstone, one of two silhouettes against the lantern light.

“Over there!” she yelled, waving her torch, and took off across the grounds. Those who had followed her broke into a run, adding their shouts to the din of the night.

“Murderers!”

“Death to the Dahlia!”

“Back to hell where you belong!”

As Janis ran and yelled, she saw one of the silhouettes, the tall wide one, fall to the ground and disappear. She ran faster, thinking insanely that they were escaping through tunnels, and let out a bloodcurdling scream as she prepared to chase the woman who fed upon them as though they were cattle.

Scarlett Dahlia watched them approach, carrying torches, some carrying whatever crude weapons they had managed to find. She stood, calm and erect, hands clasped behind her. The slaves slowed, then stopped several yards from her, uncertainty creeping across their features. They had expected her to run, to chase, to bring her down and make her scream before wiping her from the face of the earth. Instead, she stood before them, smiling.

Janis raised her torch, pointing it at Scarlett. “Devil woman, this your night to die.”

Scarlett nodded. “Oh yes. Perhaps yours as well.”

One of the slaves screamed laughter, an unbalanced sound. “Bitch, you outnumbered! Say yo’ prayers.”

“I have said my prayers,” Scarlett said and laughed. “Did you ever wonder why your little hocus-pocus had no effect?” She looked at Janis, who cowered back. “That sad ritual you performed with your cute little doll was nothing to me! My aunt has left me the secrets of which you could only dream, you insignificant weed.

“However,” she said, and now her face held a hint of regret, “the lot of you will soon have to explain the murder of your owner to whoever comes looking for me. I imagine they will take a dim view of you slitting my wrists and leaving me to die in my own grave.”

“We ain’t gon’ slit your wrists, bitch, that be too good for the likes of you,” Janis said, and spat.

“But I’ve done it for you,” said Scarlett, and held out her hands. Blood dripped from her fingers in steady streams, and as the slaves stared in horror she staggered a little.

“If I were you I would start running,” she said, waving her hands in a dismissive gesture, and laughed. “I feel tired.”

They scattered.

Scarlett Dahlia stood before her resting place, watching the night grow darker as the light from the torches faded and the light faded from her eyes. She admired the darkness as it slipped forward to seduce her, and as it folded her in its embrace, she fell back, landing atop Hans at the bottom of the grave, a smile on her face.

Epilogue

The slaves escape, most of them, after beating most of the remaining overseers to death. One survives and eventually makes it to the nearest people, where he gasps out that the slaves have revolted and killed everyone, before expiring on the floor. Upon investigating, neighbors find exactly that. They bury Scarlett Dahlia and Hans where they have fallen, and for years the manor has a revolving door of ownership.

Some say it is haunted.

Fenton and Claudia are discovered when Mr. and Mrs. Darren Smith is taking a look around the manor to see if they want to use it for their upcoming nuptials. They might not have ventured so far into it, had it not been for the smell. By then, Carly and Maurice the unfortunate landscaper are so badly decomposed they are only identifiable by their dental records. Don, partially submerged in the tub still, along with Claudia, has turned a slimy white. The lack of clear answers adds to the mystique of the Manor, and needless to say, Mr. and Mrs. Darren Smith decline to rent the facility.

Had they done so, their wedding would have been without parallel, their guests in awe of the grounds on which the ceremony would be performed, the parlor in which the reception could be held, and the bedrooms which could be rented (for an additional fee) for overnight use by inebriated guests. It would have been a beautiful and joyous occasion, because of the simple fact that Mr. or Mrs. Darren Smith share no blood with Scarlett Dahlia’s line.

But at this moment, three states away, two little girls named Beth and Nancy are asleep in their beds. Beth and Nancy are different because they were born to a girl named Carly when Carly was not yet a sophomore. Both were whisked away by Carly’s adoptive parents at the moment of their birth, and have no idea that they were the only two in existence with the power to awaken Scarlett Dahlia. Of course, three states lie between Beth and Nancy and Scarlett Dahlia Manor. But as the bloodline spreads, like a river flowing from the ocean to thousands of smaller tributaries, eventually, one of those will reach the Manor.

After all, eternity is plenty of time to wait.

Press Release: Demon with a Comb-Over

Press Release: Demon with a Comb-Over

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Excerpt :

“Talk about a tough crowd.
Take Charlie Broadmoor’s life. Please. Charlie sucks at stand-up comedy. He gets by, though. Things are okay. His life is decent. Until the night he makes fun of a demon’s comb-over. Big mistake. What kind of demon wears a comb-over? The sensitive kind. The kind who’s not going to let an insult slide. A demon who’s going to take Charlie down. As in down to Hell. And he intends on dragging everyone Charlie cares about along for the ride.”
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Press Release : A Tricky Treat

PRESS RELEASE: A TRICKY TREAT

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This shocking tale of the unexpected presents the story of a man (Leonard Waldner) who is kidnapped by a very strange family, and his fate is held in the hands of two kids. The family members are played by Steve Brewster, Andrea Fletcher, Keira McCarthy and newcomer Marco Reilly.

A TRICKY TREAT is the first collaboration of creative duo Patricia Chica (director) and Kamal John Iskander (writer) who have been called the “Twosome Gruesome” by Ray Schillaci of the Movie Guys film critics American website. The film was shot in Los Angeles, executive produced by Tara Kurtz (Los Angeles), produced by Patricia Chica (Montréal), Grace Santos (Los Angeles) and Byron A. Martin (Toronto). Co-Executive producers are Adonai Interiano of HNI Productions (Los Angeles) and Morris Umali (Australia).

Patricia Chica is a multiple award-winning director whose previous films La Promesse (2000), Rockabilly 514 (2008), Day Before Yesterday (2010), Ceramic Tango (2013), Serpent’s Lullaby (2014), A Tricky Treat (2015), and Crimson Dance (2016) have won numerous awards and have been screened in over 200 film festivals worldwide. She is also an avid social media guru with over 10K+ real followers on her various online platforms.

Patricia Chica’s main purpose as a director is to use the language of cinema to open conversations about material often silenced as taboo or controversial. Through her speaking and filmmaking, Patricia has helped bring awareness and discourse to social issues like HIV-AIDS, Blood Donation, Depression, Suicide Prevention, and Homelessness, as well as LGBTQ, Aboriginal, and Human Rights.

Patricia Chica is presently preparing her next film entitled Morning After and will be filming it in Montreal, Canada during the summer of 2016.

To know more about the Patricia Chica’s work, visit her sites:

Website: www.PatriciaChica.com

YouTube: www.Youtube.com/user/Chicatronica

Facebook: www.facebook.com/Patricia-Chica-185993898124050/?fref=ts

Twitter: @PatriciaChica

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2016 Wicked Womens Writer Challenge – Who Will Be Most Wicked? LAST DAY TO ENTER!

We all know and love them. We’ve been obsessed all our lives and can’t get enough of them. As children they frightened us to death. Every country, region, and town has their own urban legends and we’re featuring the best from all over the world to frighten the bejeezus out of you.

Wicked Women Writer’s Challenge 2016 is now open for registration! TODAY IS THE LAST DAY TO ENTER!

Who Will Be … MOST WICKED?

THEME: This year’s theme is “Twisted Urban Legends.”

 

With the outstanding success and quality we had in last year’s challenges, we are continuing the audiodrama as part of the challenge. This year we’re pushing the challenge to the next level by asking participants to write an audiodrama revolving around one of the urban legends.

The key is to take the urban legend and give it new slant to make it twisted.  Remember the couple making out in the woods? Perhaps it’s no longer the boyfriend’s sneaker squeaking on the roof of the car, but they are the girl’s father’s shoes who followed the young couple into the woods.  Take the legends we love and twist them up a bit to create surprise endings for your audience.

It’s all up to you!

This year’s hostess with the mostest is Killion Slade and she’ll be randomly assigning the following to each contestant.

*An urban legend

*A setting

*An obscure item

And every audio must include:

*At least two different reader voices in their production.

 

To register now, simply fill out the registration form here:

Register now!

You will receive your specialized contest items to create a fantastical, horror-filled, terrifying audiodrama for the listeners of HorrorAddicts.net to enjoy.

DEADLINE: Sign up by May 1st, 2016. The sooner you sign up, the more time you have to prepare.

*Note: The Wicked Women Writer’s Challenge and the Master of Macabre Contest share a theme this year “Twisted Urban Legends Audiodrama”, but they will still be aired and judged separately.

~~~~~~~~~~~~~~~FURTHER DETAILS~~~~~~~~~~~~~~~~

SPECS:

As a contestant, you will write and record a horror story, fitting the theme and incorporating your extra elements. The style should be decidedly audiodrama, meaning music, sound effects, and two or more voices should be incorporated.

Audio mp3 and text will be due to horroraddictscontest@gmail.com by June 4th, 2016, 11:59 pm PST. Contestants will then be narrowed down to 5 semi-finalists. Those 5 authors will go on to compete for the final prize of being “Most Wicked 2016”.

The audio can be no longer than 10 minutes. This is strictly adhered to.

The text can be no longer than 3000 words, but may be submitted either in story or screenplay script format. Usually 1000 words=10 mins, we are giving you 2000 extra words for stage direction.

You may have someone else record your story for you, but it must still include 2 voices and none of the HorrorAddicts.net staff or previous Wicked winners may help you.

You may not compete if you have won the “Master of Macabre” or “Most Wicked” awards before. You CAN compete if you have submitted in the past but did not win the final award.

HOW ARE THE VOTES SET UP? There will be a 3-part voting system.

1/3 of the vote will still be the voters emailing in.

1/3 of the vote will be judged on podcast quality and will be judged by seasoned podcasters.

1/3 of the vote will be judged on writing quality and will be judged by seasoned writers.

These 3 sections will be added together for a final score

The winner will be honored with the coveted title, “Most Wicked 2016”.

Dates to know in 2016:

May 1st – Registration closes

June 4th – Audio and text are due.

July 9th – finalists will be announced

July 23rd – Audio airs (text will begin posting near this date)

July 23rd – Voting starts

August 20th – Voting ends

September 17th – Winners will be announced on the HorrorAddicts.net show.

Got QUESTIONS?

Questions should be addressed to Killion Slade at: horroraddictscontest@gmail.com with the subject 2016 WWW CONTEST QUESTION.

How Do I Enter?

1) Please click on the survey monkey link and it will take you to a page to fill your information.  This signs you up for the contest and we can provide you writing prompts for your audio drama.

survey monkey link

2) Please go to the Facebook group Wicked Women Writers and ask to join the group.  Join the Facebook Group!

The group is where Killion will communicate the most to you and be able to easily answer any questions you may have.

And that’s it!

We look forward to hearing from you and find out if YOU will be Most Wicked 2016!

 

 

2016 Masters of the Macabre – Who Will Become The Master? LAST DAY TO ENTER!

We all know and love them. We’ve been obsessed all our lives and can’t get enough of them. As children they frightened us to death. Every country, region, and town has their own urban legends and we’re featuring the best from all over the world to frighten the bejeezus out of you.

Master of the Macabre Challenge 2016 is now open for registration! TODAY IS THE LAST DAY TO ENTER!

Who Will Become THE MASTER 2016?

THEME: This year’s theme is “Twisted Urban Legends.”

 

With the outstanding success and quality we had in last year’s challenges, we are continuing the audiodrama as part of the challenge. This year we’re pushing the challenge to the next level by asking participants to write an audiodrama revolving around one of the urban legends.

The key is to take the urban legend and give it new slant and make it twisted.  Remember the couple making out in the woods? Perhaps it’s no longer the boyfriend’s sneaker squeaking on the roof of the car, but the shoes are the girl’s father’s who followed the young couple into the woods.  Take the legends we love and twist them up a bit to create surprise endings for your audience.

It’s all up to you!

This year’s hostess with the mostest is Killion Slade and she’ll be randomly assigning the following to each contestant.

*An urban legend

*A setting

*An obscure item

And every audio must include:

*At least two different reader voices in their production.

 

To register now, fill out the registration form here:

https://www.surveymonkey.com/r/FPFPZ6D

You will receive your specialized contest items and being to create a fantastical, horror-filled, terrifying audiodrama for the listeners of HorrorAddicts.net to enjoy.

DEADLINE: Sign up by May 1st, 2016. The sooner you sign up, the more time you have to prepare.

*Note: The Wicked Women Writer’s Challenge and the Master of Macabre Contest share a theme this year “Twisted Urban Legends Audiodrama”, but they will still be aired and judged separately.

~~~~~~~~~~~~~~~FURTHER DETAILS~~~~~~~~~~~~~~~~

SPECS:

As a contestant, you will write and record a horror story, fitting the theme and incorporating your extra elements. The style should be decidedly audiodrama, meaning music, sound effects, and two or more voices should be incorporated.

Audio mp3 and text will be due to horroraddictscontest@gmail.com by June 4th, 2016, 11:59 pm PST. Contestants will then be narrowed down to 5 semi-finalists. Those 5 authors will go on to compete for the final prize of being “The Master of The Macabre 2016”.

The audio can be no longer than 10 minutes. This is strictly adhered to.

The text can be no longer than 3000 words, but may be submitted either in story or script format. Usually 1000 words=10 mins, we are giving you 2000 extra words for stage direction.

You may have someone else record your story for you, but it must still include 2 voices and none of the HorrorAddicts.net staff or previous winners may help you.

You may not compete if you have won the “Master of Macabre” or “Most Wicked” awards before. You CAN compete if you have submitted in the past but did not win the final award.

HOW ARE THE VOTES SET UP? There will be a 3-part voting system.

1/3 of the vote will still be the voters emailing in.

1/3 of the vote will be judged on podcast quality and will be judged by seasoned podcasters.

1/3 of the vote will be judged on writing quality and will be judged by seasoned writers.

These 3 sections will be added together for a final score

The winner will be honored with the coveted title, “Master of the Macabre 2016”.

Dates to know in 2016:

May 1st – Registration closes

June 4th – Audio and text are due.

July 9th – finalists will be announced

July 23rd – Audio airs (text will begin posting near this date)

July 23rd – Voting starts

August 20th – Voting ends

September 17th – Winners will be announced on the HorrorAddicts.net show.

Got QUESTIONS?

Questions should be addressed to Killion Slade at: horroraddictscontest@gmail.com with the subject MM 2016 CONTEST QUESTION.

How Do I Enter?

1) Please click on the survey monkey link and it will take you to a page to fill your information.  This signs you up for the contest and we can provide your writing prompts for your audio drama.

https://www.surveymonkey.com/r/FPFPZ6D

2) Please go the Master of the Macabre Facebook Group and ask to join.  Here is where Killion will conduct most of the communication with the contestants.

And that’s it!

We look forward to hearing from you and find out if YOU will become THE MASTER 2016!

 

 

 

Press Release : Chiral Mad 3

Press Release : Chiral Mad 3

chiral-mad-coverThe first Dark Regions Press book to contain a story by Stephen King, Chiral Mad 3 is here on both DarkRegions.com and Amazon in ebook, trade paperback and deluxe signed hardcover formats!

The third act in the critically-acclaimed series by Written Backwards is a symmetrically-structured anthology of psychological horror by Bram Stoker Award nominated editor Michael Bailey, whose previous anthologies include The Library of the Dead, Qualia Nous and Pellucid Lunacy. The anthology contains 45 illustrations by Glenn Chadbourne, over 20 stories by the likes of Stephen King, Jack Ketchum, Ramsey Campbell, Gary A. Braunbeck, Mort Castle, Josh Malerman, Scott Edelman, Richard Thomas, Richard Chizmar and Gene O’Neill,  and with 20 intertwined poems by the likes of Elizabeth Massie, Marge Simon, Bruce Boston, Erik T. Johnson, Stephanie M. Wytovich, and also includes an introduction by the extraordinary Chuck Palahniuk.

Read more about Chiral Mad 3 on the Dark Regions Press website at: Dark Regions Press Official

Press Release: Kevin Lucia’s Devourer of Souls from Crystal Lake Publishing

Press Release: Kevin Lucia’s Devourer of Souls from Crystal Lake Publishing

 

Kevin Lucias third installment of the Clifton Height Saga

Welcome back to Clifton Heights.

 

In Kevin Lucias latest installment of his growing Clifton Heights
mythos, Sheriff Chris Baker and Father Ward meet for
a Saturday morning breakfast at The Skylark Dinner to once again
commiserate over the weird and terrifying secrets surrounding their
town. Sheriff Baker shares with Father Ward the story of a journal
discovered in the ruins of what was once an elaborate koi pond and
flower garden, which regales a tale of regret, buried pain, and
unfulfilled debt. Father Ward reveals the story of a tortured man
from the nearby town of Tahawus, who visited his
confessionalseeking solace froma cosmic horror he can never
outrun.
souls 1Sophan Jake Burns has always been a bit…off. Rude, awkward,
sometimes brutish, he’s tolerated by Nate Slocum and his friends
because he hits a mean line drive, and because they all know but
don’t discuss the abuse he faces at the hands of his troubled father, a Vietnam veteran consumed by his demons. But Jake is suffering something far worse than domestic abuse, and when Nate discovers what, he faces an impossible choice: help Jake and put himself in the path of evil, or abandon him, only to damn himself in the process.
The Man in Yellow Stuart Michael Evans has suffered from
cerebral palsy all his life, but he’s made due. Sure, his preacher dad
is always yammering about the healing grace of God” and “God’s
will,” saying all he needs is faith and someday he’ll be healed, but
Stuart mostly ignores him. Life isn’t perfect, but it isn’t awful either,
so Stuart figures he doesn’t need God to heal him, or do anything,
for that matter. Everything changes, however, when a renowned
faith healer Reverend Alistair McIlvian pays avisit to
Tahawus annual Summer Vacation Bible School. Revival sweeps
the town as Reverend McIlvian’s healing touch makes believers out
Devourer of Souls by Kevin Lucia
ISBN: 978194478243-6 (PB);
978-1-944782-89-4 (Kindle)
$13.99 (PB), $3.99 (Kindle)
Page count: 228
Release date: April 1st, 2016
 souls2
Devourer of Souls further cements Kevin Lucia as a
distinctive voice in horror and the fantastic, and its as good a
place as any for new readers to jump in. Recommended. Josh Black,Hellnotes

The author handles the small town horror subgenre as well as anybody currently writing, and his fictional Clifton Heights sits comfortably among the many other such places on the literary horror reader’s tourist map.” Richard Wright
This is quiet horror at its best, subtle and unsettling. It lingers in your waking hours, and
transports you back to Clifton Heights in your nightmares.
Kevin Lucia is, without a doubt, the heir apparent to the legacy of the late Charles L. Grant.....a master at weaving tales of whispers and shadows...the chill touch of night fog and the sound of the wind in the eaves. John Recluse
The “Stand By Me vibe leads into the “True Detectiveone with ease, and each story is unique and will keep you guessing until the next twist. Highly recommended!”
Armand Rosamilia
““The Man in the Yellow” is some of the best small town Horror I’ve read. Nice conflict in a young man with Cerebral Palsy who sees how his dad looks at him in shame. When the Man in Yellow comes to town and brainwashes people with promises of healing, things get incredibly creepy. Goodreads review
WOW! its real easy to see why this book has so many 5 star reviews. As far as creepy
Lovcraftian/King style horror goes, it is flawless.” Goodreads review
Quality writing and superb storytelling. For fans of Charles L. Grant and H.P. Lovecraft.
Devourer of Souls is quite horror at its finest!” Goodreads review
Stephen King and Robert McCammon are arguably the two kings of the hill when it comes to comingofage horror stories. Well, if Devourer of Souls is any indication, Kevin Lucia is scratching and clawing his way to join them at that mountaintop.”
Goodreads review
The parallels being made by reviewers to Stephen King’s goldenera tales are genuine. There is a mastery of the genre blooming here. Readers take heed. With “Devourer of Souls” Kevin Lucia has earned a permanent and honored place on my shelf. I can’t wait to see what he offers up next. Goodreads review
Devourer of Souls is two short, wonderfully written tales of subtle horror, cleverly packaged within another story that seems to promise more weird tales from the town of Clifton Heights. Loved it! Slow burn horror done right, with a satisfying, creepy conclusion.” Goodreads review
Available on Amazon: Devourer of Souls

Press Release: Highway 7: 4 Dark Tales

Press Release: Double-Barrel Horror eBooks

DBH all six

Pint Bottle Press has recently released a new round of eBooks. Each author serves up two creepy tales for twice the terror and a dual dose of fun. The latest in the series features Amanda Hard, K. Trap Jones, and Matthew Weber.

Fast-paced, frightening and priced under a buck, each of these double releases delivers pulp horror fiction in digestible doses, although fair warning to the reader: Graphic story content may cause stomach distress. Aimed at horror-fiction fans who enjoy midnight movies with pizza and beer, Double-Barrel Horror is here to deliver.

Collect all six books, including the first three releases by J.C. Michael (Books of the Dead Press), Vic Kerry (Samhain Publishing), and “The Sisters of Slaughter”—the twin sister writing team of Michelle Garza and Melissa Lason (Sinister Grin Press).

All six eBooks are currently available for Amazon Kindle at http://www.amazon.com/. Learn more about the series at http://www.pintbottlepress.com/.

 

Press Release: Shamed Series

DEBUT AUTHOR LIV HADDEN RELEASES FIRST INSTALLMENT IN THE SHAMED SERIES

In the Mind of Revenge an intimate look into the heart of vengeance

 

AUSTIN, TX —  Are you ready for a tale of hate, lies and murder? Liv Hadden’s debut novel In the Mind of Revenge (March 5, 2016) is a  blunt, fantastically gruesome look at retribution. Raw, vivid, honest, fast-paced and beautifully vulgar, this  thrilling suspense is sure to have you emotionally twisted from beginning to end.

 

In the first installment of The Shamed Series, Hadden takes a close look into how monsters are born.  Set in a society that glorifies ‘normal’ and demonizes different, this dark tale follows ‘Shame’ on an emotionally wild ride of vengeance and desperation.  Hadden sheds light on heavier issues like bullying,  gender fluidity and sexuality and although dark in nature, the message of the book is clear; that revenge isn’t simple or worth it, and pain and hurt can only be healed when a person is ready to address those feelings.

 

The vulnerable, first-person narrative of the story has a big part in the delivery. “I chose to write the book this way specifically so it really would be a dive into the mind of revenge,” said Hadden.  “Because we have such an intimate look at the deepest, darkest places of Shame’s mind, it’s hard to decide from page to page whether you hate or have empathy for Shame.”

 

And Hadden keeps you guessing. Along with Shame’s angsty and somewhat pompous ego, the most masterful part of Hadden’s main character is the surrounding ambiguity. Shame lacks a clear identity, ethnicity and gender, which encourages the reader to step uncomfortably into Shame’s shoes and really see and feel everything as the character does.

Hadden started writing at an early age and has kept her craft sharp through ghostwriting, marketing and working on her novels into the wee hours of the morning. Born in Burlington, Vermont, she has since settled in Austin, TX with her husband and two dogs, Madison and Samuel.

PRESS RELEASE: BEAUTY IN THE SUFFERING

Beauty in the Suffering Release Full ‘The Crazies’ EP in Digital & Physical Copy

March Press Release

Chicago, IL – After releasing individual singles, including their electro-rock cover of The Outfield’s “Your Love”, BEAUTY IN THE SUFFERING has released their debut full EP, The Crazies, on digital download and Individually Signed, Physical CD’s!

The progression between the Zombie Trilogy and “Your Love” foreshadows the updated sound we were able to achieve in our Cleveland mix sessions last year. That evolution will continue with the next EP, which is finished; we’re just working on the new videos and artwork. Hoping to have it out at the turn of the year! – DieTrich Thrall

Listen to full The Crazies EP Online:

 

Order Individually Signed, Physical CDs HERE and digital download on Beauty in the SufferingsBandcamp and iTunes.

March Press Release II

Connect with BEAUTY IN THE SUFFERING

BEAUTY IN THE SUFFERING Official

Facebook | Twitter | YouTube | Instagram | Bandcamp

Duane Jones Contribution to Horror

Duane Jones Contribution to Horror

by Stacy

 

duane jones HA

Born on February 2, how fitting to think of Duane Jones in this month. Not just to remember his life, but to remember his impact in the African American community of horror. He holds the first main stream lead role for any African American in a horror movie. His role of Ben in Night of the Living Dead acknowledges Duane’s talent to play a strong lead in what would become an iconic movie.

George Romero went on to direct Dawn of the Dead and Day of the Dead, both movies Dr. Duane Jones never watched prior to his early death at the age of 51. Duane devoted his life and talent to teaching the art of acting and acting himself. At the time of his death, he was head of the Theater Department at the State University of New York at Old Westbury. He was never married, and didn’t have children. He was married to acting and his students were his children.

In 1987, Dr Jones gave a rare interview to a journalist at Fangoria, Tim Ferrante, quoted as saying:

“The thing that used to bother me the most was that interviewers just assumed that we were a bunch of amateur actors. It was an interesting mix of amateurs and professional actors, which was even more clever on George’s part.”

This gave us the idea that Jones had respect for George Romero and his fellow actors, further solidifying the journalist’s observation:

“The moment he spoke you just knew he was a special human being. He was gracious, fiercely intelligent, funny, charming, respectful…it was impossible not to like him. It was his practice to not draw attention to himself. He wasn’t going to live in a world that forever identified ‘Duane Jones’ as the star of “Night of the Living Dead” and nothing else. “Night” was a mere sliver of his life”

Duane Jone’s role of Ben in Night of the Living Dead opened eyes that African Americans can hold strong, level headed roles in movies. He also, by way of teaching in theater, equipped his student actors with the inspiration needed in order to be successful in their own goals and talents. His life may have been shorten by a fatal heart attack, but his legacy lives today through his students and beyond through the impact of his iconic role.

 

For further reading and sources used :

 

IMBD

Rotten Tomatoes

www.thewrap.com

 

 

 

The Herd Short by Ed Pope

   Ed Pope, a veteran writer for HorrorAddicts.net, wrote a terrifying tale about the cow industry, and brilliantly turn it into a voice for feminism.

   This is worth the 15 mins. Alot of message conveyed and very little dialogue, but alot of action. Take the next 20 mins and watch this video. I promise you will finish it with a different outlook of where our meat comes from.
The Herd poster

WARNING: Parental Guidance is strongly advised for graphic gore and abuse situations.

Trailer: The Herd Trailer

The Short: The Herd

To like and follow on Facebook: The Herd Facebook Link

Interview with Ed Pope and Melanie Light:The Herd Interview