Horror Seeker: Are You Scared? Top 5 Countdown

These days, it’s sad to say that horror has lost a few nuances in subtlety. While there are a few outliers, mostly those of the independent realm that still manage to terrify with atmosphere and story, the jump scare has no doubt taken the place of genuine creativity and effort to scare us. It is indeed a shame; while jump scares are nothing new, and when used appropriately they can be effective, it is but one tool, not the ONLY tool by any means. This over-reliance on the exhausted trope may have even left the average moviegoer numb and impatient to any sort of suspense building element a film might have to offer. So, I am here to remind you of, and hopefully share something new, the chill in your spine. That feeling that makes you check the windows twice at night, and make you second guess looking into the dark again. This is by no means a complete list, only a collection of some of my favorites. So, without further ado…

5: FRIDAY THE 13TH VIII – Jason Takes Manhattan

Arguably, the most questionable addition to this list hence why it comes in at number 5, Jason Takes Manhattan is regarded as one of the more discombobulated installments of the franchise, and for good reason. Taking Jason away from Crystal Lake might not have been the best of choices, but this deep into the story there might not have been much left to explore. So, why not give him a “proper” sendoff and bring Jason to the Big Apple? New York has always been the go to for any film/character in good standing.

Unfortunately, it didn’t really live up to the title. Spending only 36 minutes of an hour and forty run time in the big city, it was kind of a letdown, I think most would agree. It is well known that a number of scenes were cut, but it was not without its moments. One I think everyone remembers is Julius’s death – Jason’s one-punch knockout! But that was just a WOW moment, really.

I’d like to talk about one of the many times we see Jason as a boy, in this case, his ghost, played by Tim Murkovich. It is one of the many times boy-Jason makes an appearance, probably the most in any film, however, he hold a certain level of eeriness to him. Waterlogged, and soggy, Jason appears as a harbinger of doom of sorts, preceding Jason’s actual presence. Kind of like his force-ghost, if I can get away with that! But the moment that stands out is one that is thrust onto us nearly without warning. As our survivors (what’s left of them) drive madly down the alley trying to escape Jason, they, or rather our heroine Rennie, is confronted by the boy-ghost. It is not so much his presence, nor the scene, but rather the camera work/editing that sells this one.

The scene begins at a high pace as they drive off in a commandeered police cruiser after having narrowly escaped Jason’s grasp. Your heart is pumping and continues to increase as everyone in the car is screaming, panicking, lost in their own madness and terror, when suddenly Rennie barrels down the alley toward a waiting apparition, one that only she can see. The scene instantly cuts to her perspective; void of any sound except for the abusive drums as she grows closer. It then borrows a modified soundbite from Psycho, bringing us uncomfortably close to the boy’s deformed, patient stare. For that moment, he is looking at you – I mean YOU! And you can feel it. It only lasts a split second, blink and you’ll mercifully miss it, but for those who don’t, it is one of the few times you can actually feel his presence next to you. This is, of course, my experience. What’s yours?

4: CREEPSHOW II – The Hitchhiker

Creepshow, Tales from the Crypt, there’s nothing quite like it, is there? You don’t really see too much of the horror miniseries these days, but these tales are still worth their weight in blood. If you’re not familiar, I highly recommend them.

SPOILER WARNING just in case. In this particular story, our adulterous woman is in a hurry to get home to her husband, unaware of the lonely man thumbing for a ride on the side of the road; not that she’d have picked him up anyway. Her night takes a turn for the worse when she accidentally runs him down and leaves him for dead. It is here the horror truly begins, opening up what may very well be one of my worst nightmares.

While calming her nerves, she continues on, soon coming to a stop to further calm herself down. Here she notices a figure approaching; a broken stagger of a man, bloody, but alive? – it can’t be… It may have been her own eyes playing tricks on her, until the same hitchhiker then appears in her window, his mangled body leaning desperately in the car as he thanks her for the “ride”.

These films were definitely played up for exaggeration, being derived from the comics of the respective names, but it’s in this short’s persistence and focus that the horror works. The unrelenting vengeful force that just won’t die no matter what you do. No gun, or tactic, or car, in this case, will help you, as the hitchhiker is run over again, and again, and again, and again, and again, and… it goes on! Truly brutal, and in his frantic, almost spell-binding mantra we are taken for a horrifically graphic trip in its own cartoony, over the top way. Goes without saying, thanks for the ride, lady!

 

3: PUMPKINHEAD – Ed Harley meets Haggis the Witch

Haunting; if I had to put this scene in a word, it’s that. When Ed Harley’s boy is killed by some obnoxious teenagers, he seeks retribution through a local witch known for such malevolent things. We don’t know very much about Haggis (the witch), only that the locals are somewhat uneasy about her presence. They know that she’s capable of some terrifying acts; everyone has stories, some have even seen things, such as Ed Harley has when he was younger. It was the memory that had stuck with him, and the same that had brought him here.

The setting hits all the beats for what one might think of when picturing a witch’s home, minus the bubbling caldron. A lone decrepit house lost in the woods, off the grid, severely weathered. Inside, Haggis sits in front of a fire, looking as though she hasn’t moved in decades. Candles are lit all around, and numerous creatures populate the area; rats, spiders, snakes, even an owl, all of which are keeping a close eye on anyone who might enter.

The witch’s makeup and presence are one of the best I’ve ever seen on screen. It doesn’t try to reinvent the mythos; Haggis looks like any old-timey witch, but it’s the effort put into the roll that sells it so perfectly. Florence Schauffler was 68 years old at the time, but her appearance looked as though she were 680. We don’t know as her backstory is mostly left to the audience’s imagination. It is one of the few times where I clamor for a prequel. Who is this woman? Where did she come from? So many questions raised by this brief encounter.

It is a perfect depiction of the consequences when the need for revenge consumes you completely. Presenting itself almost as a fable parents might tell their kids; a cautionary tale on anger and vengeance. It is a hauntingly atmospheric scene, quiet and unnerving in the way it draws the air out of your lungs as even you are afraid to move, worried that Haggis might see.

 

2: PET SEMETARY – Zelda

This was a tough call, as this scene/character has bothered me my whole life. Anyone who has seen this movie and remembers the disturbing performance by Andrew Hubatsek who portrayed Rachel’s sister Zelda. Among many elements, I feel that the fact that Zelda was played by a man only added to the disturbing nature of the character, and the scenes she was in. Though not a monster, or demon of sorts, she is a ghoulish entity which the MicMac grounds use against Rachel, and it is terrifying!

Even to this day, I get chills when I so much as hear her (well, his) voice in my head. It’s one of two movies I have a hard time watching in the dark alone, and that’s saying something. Like many great scenes, it’s a perfect storm of performance, set up, atmosphere, and cinematography that make it work. I don’t know about anyone else, but I can never forget that twisted look; Zelda’s deformed frame writhing on the bed, misshapen and tortured by fate. Unfortunately for her, she was stricken with spinal meningitis which, in the film is exaggerated of course, but is cringing nonetheless.

Zelda is nothing but Rachel’s haunting memory of her departed sister, so she bares no harm other than what Rachel’s guilty conscious weighs on her. Once again, we as the viewer are brought uncomfortably close to her twisted form as Zelda continuously taunts Rachel with a promise of sorts. In a way, it seems like she’s hoping Rachel will suffer the same fate one day as penance for letting her die. The words are repeated again, and again – yelled in fact, like… I don’t even know what to compare it to! All I know is to this day; it still terrifies me to open a door to a bedroom I’m not familiar with. What’s in there? Is Zelda dead yet? Wondering if she’s going to run up to me screaming, “NEVER GET OUT OF BED AGAIN! NEVER GET OUT OF BED AGAIN!”

 

1: TEXAS CHAINSAW MASSACRE – Sally and Franklin

After Leatherface’s jarring debut on screen, having just killed three of Sally’s friends, she and her brother franklin are left to wait, and wonder what’s become of them. This final entry wins not for its monster, or blood and gore, but it’s prolonged suspense. The clip below is the best I could find, but the scene is another few minutes longer with Sally and Franklin desperately calling out for their friend Jerry before venturing into the darkened woods.

I go back to Alfred Hitchcock and his definition of suspense. There’s a difference between a bomb going off, and knowing the bomb will go off. Which is more suspenseful? It is the same here; we have already witnessed the horrors that befell Sally’s friends, and what awaits her and Franklin. We know they won’t escape, we know everyone’s dead, we know what is waiting in the dark – WE know! And that is the key element here. We, as the audience know what is to come, we just don’t know when, or how, and I think that is more terrifying than anything. The scare, or the pop if you will, is the catharsis of the moment, and the longer the suspense is, the more it is dragged out, the bigger the pay off. This scene accomplishes this very well!

From the beginning, we learn of Franklin’s condition. A helpless, scared invalid; burden, really, on the group that we struggle to feel sorry for. That is until we get a feel for his point of view. He feels sorry for himself, and it kind of sad to watch. Over time, you do feel bad and begin to empathize with him. Though not entirely idolized as a character, it is his fear you feel resonating from the screen. You can tell how scared he is, how desperately he just wants his friends to come back, and it only gets worse when he realizes the keys are gone, and that they can’t leave even if they wanted to.

The scene is beautifully scored with an ominous droning aura that sounds like it belongs in a cave. But it is looming horror, the pending nightmare that patiently, oh so patiently awaits them. Honk the horn all you like, scream your head off, wait until daylight if you make it that long. Hell, another thing this film does well, is it takes away the security of the light, as most of the horror happens during the day, so you don’t even have that to fall back on.

So many great moments and it bears repeating that I feel it’s a lost art. Subtlety has been forgotten in cinema, unfortunately. The sad thing is, a jump scare will always get a reaction no matter how prepared you think you are, but it’s only as scary as me screaming BOO in your ear when you’re not expecting it. Great for a laugh, but not for a scare, and certainly won’t stay with you as these scenes have done for me. What do you think? Share some of your favorites I may have overlooked! Thanks for reading!

This is The Horror Seeker

Nightmare November : Night Terrors by Daphne Strasert – Part 1

Editor’s note: Daphne Strasert is a writer of horror, science fiction and fantasy who works out of Huston, Texas.  In 2017, she placed third overall in the Horror Addicts’ Next Great Horror Writer Contest. She offered the following tale of horror for our November Nightmares feature and we thought it so suspenseful that we decided to give it to you in three weekly episodes for your reading pleasure! Enjoy!

My wife doesn’t remember the night terrors.

After all, Miela’s not even awake, not really. Her eyes are open, but unseeing. They aren’t focused on me, but on something that closes in on her from all sides. She shrieks until she chokes on her own bile, terrified tears streaming down her face. She throws punches and kicks at an invisible assailant until she tangles in the sheets, unable to do more than thrash against the bonds.

As a doctor, I’ve treated parasomnia before, but only in toddlers. Miela is decades older than any of my other patients. Medically, I know that the terrors are nothing to worry about. They’re just changes in her brain chemistry as she switches from one deep stage of sleep to another. It triggers the release of adrenaline and a fright response. They’re scary for me, but they don’t hurt her. But when she wakes with a shriek at three in the morning, that’s impossible to believe. Her few minutes of panic are agony for me as I try and fail to console her. The helplessness is the worst of all, holding her hands to keep her from clawing at her neck as if something is wrapped around it. And as abruptly as they start, she falls asleep again. When she wakes in the morning, she doesn’t remember them.

But I do.

Miela warned me, I suppose, before we got married. I was so busy finishing residency, we never had time to move in together. I could hardly ever stay the night. She told me about her troubles keeping a roommate, rounds of medications she’d tried to ease them. Maybe I thought she was exaggerating. Maybe I thought the sleepless nights at the ER had prepared me, that I could sleep through them somehow. I’m a doctor, for Christ’s sake – I’ve had more sleepless nights than I can count. I thought I’d seen sleep deprivation. I thought it couldn’t faze me. Holy hell, was I wrong.

I haven’t slept for weeks, not since our wedding night. I catch a few minutes or so, but each shift of her body jolts me awake. The creak of the house as it settles seems to be the precursor to a scream. Every sigh, every murmur heralds the coming fright. My body refuses to rest, too closely tuned to every movement of hers. Waiting. Waiting for the terrors to start.

And they always do. I can see them coming now. She doesn’t frighten all at once. It begins as a low moan, twitches of protest. She pulls away from something. Then she wakes. Or she seems to. She jolts upright, hands tearing at her clothes and hair. She rakes her nails against her skin hard enough to draw blood. And she screams. Long, unearthly sounds, nothing like what they record for horror movies. It’s worse than that, like something in the clutches of death itself.

Weeks of this. Weeks. She’s tried everything: pills, therapy, hypnosis, acupuncture. Nothing has worked.

I hold her against my body, stilling her as she shakes in my arms. Her screams rebound off the bedroom walls and rejoin to create a maniacal chorus. She struggles against me and pushes me away far enough to punch me in the nose. I let go, clutching my hands to my face. She scrambles across the bed on all fours like a wild creature and I retreat to the far corner of the room, watching her through the pain that throbs in my face. After a few minutes, she stops screaming and falls into an exhausted sleep, a peace I can’t reach.

I take deep breaths, my adrenaline coursing in response to her. The pain in my nose dulls. It’s not broken, but it will be bruised. As I go back to bed, something moves against the headboard. I think it’s my shadow, at first, but it shouldn’t cast that way. Light shifts along the paint, like the reflections of a car’s headlights against the wall, except there is no window there. I squint a little harder, but the effect is gone. All that’s left are the shadows, waiting where they should be.

 

Live Action Reviews! by Crystal Connor: Deranged Foxhole

Plotline: 3 people go to Johnny’s house looking for Jimmy … and end up dead

Complaints: I don’t want to slam this film but there was a lot for me to complain about.

The first is how disconnected the characters were to the particular scene they were in. For instance: the very 1st thing Darlene did when Johnny opened the door was to wrap her arms around him in a bear hug because she was happy to see her dad. Problem is he isn’t her father. It’s never explained why she didn’t know this man wasn’t her father (perhaps Johnny and Jimmy are twins?)

The 2nd thing is none of the characters react the way you expect them too when faced w/a certain situation. For instance: when the mother finds her daughter dead in Johnny’s bedroom she just sorta stands there and waits to be killed, I mean except for the cop, they all kinda do that.

Lastly … the zombies (created by lightning (wft) ) who come outta left field even tho no one in this movie is playing baseball.   

Overall: I didn’t ‘get it’ this one just wasn’t the one for me. 

Where I watched it: Review screener provided to Horror Addicts from Gold Production. 

 

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Master Imaginationist and Instagram photographer Crystal Connor is the Chief Imagineer working for the Department of Sleep Prevention’s Nightmare Division. A Washington State native she loves anything to do with monsters, bad guys (as in evil-geniuses & super-villains.  Not ‘those’ kind her mother warned her about), rogue scientific experiments, jewelry, sky-high high-heeled shoes & unreasonably priced handbags.

When she’s not terrorizing her fans and racking up frequent flyers miles by gallivanting all over the country attending fan conventions and writer’s conferences she reviews indie horror and science fiction films for both her personal blog and HorrorAddicts.net

She is also considering changing her professional title to dramatization specialist because it so much more theatrical than being a mere drama queen.

http://wordsmithcrystalconnor.com

http://www.facebook.com/notesfromtheauthor

Download your free copy of …And They All Lived Happily Ever After! from Podiobooks.com and see why the name Crystal Connor has become “A Trusted Name in Terror!” 

http://podiobooks.com/title/and-they-all-lived-happily-ever-after

FRIGHTENING FLIX BY KBATZ: The Frankenstein Chronicles Season 1

The Frankenstein Chronicles Debut is a Hidden Gem

by Kristin Battestella

The 2015 British series The Frankenstein Chronicles follows Thames Inspector John Marlott (Sean Bean) and his runner Joseph Nightingale (Richie Campbell) as a floater composed of other body parts leads the police to body snatchers, abducted children, street pimps, and even author Mary Shelley (Anna Maxwell Martin). Someone may be copying her novel Frankenstein, and the home secretary wants the case solved before pesky newspaper reporters like Boz (Ryan Sampson) print the sensational tale.

Capsizing dangers, muddy chases, vomiting police, and a stitched-together body reassembled from at least seven children set the 1827 London dreary for “A World Without God.” Rumors of grave robbing abound and selling the dead to medical institutions is not a crime – this is a seller’s market doing good business despite still superstitious folk fearing science, medicine, and what happens to a body after death. Our inspector goes through several protocols and technicalities to research whether this butchery was done by a man of science or some layman out to prevent the new anatomy laws, invoking a mix of morose period noir with British lone detective angst. He’s canvassing the dirty streets for a meat market kidnapper while parliament spins grandiose hot air on rights to autopsy versus personal penance. Cholera, prayers, shady men at the docks with carts full of stolen bodies – is someone murdering to procure fresh dead to sell? The hands of the deceased seem to move when touched in “Seeing Things,” and William Blake quotes death bed whispers and sing-song visions wax on the beast with the face of a man. University hospital demonstrations on bioelectricity show how to reanimate the nervous system, however, those medical seminars and the subsequent Sunday sermons are not so different from each other. Higher up officials don’t want to hear about god fearing motives and scientific suspicion coming together as unauthorized doctors run unapproved clinics with their own ideologies. Investigation leads cut too close to home, and a fireside reading with narrations from the Shelley text invoke a self-awareness meta. An open copy of Frankenstein laying on the desk steers our course as the linear tale expands into a more episodic style with incoming regular cast high and low aiding our inspector or rousing his suspicion. Ghostly winds, flickering candles, and blurry visions create eerie, a supernatural clarity that helps connect clues while books such as An Investigation into the Galvanic Response of Dead Tissue in “All the Lost Children” provide handwritten sketches with blood in the margins. Religion versus science abominations, laws of God versus tyranny and oppression, and defiance of deities to defeat death layer dialogue from the author herself along with pregnant teens, abortion debates, and gory late-stage patients who may as well be monsters with their deformities. Past baptisms, dead families, and uncanny nightmares escalate the inner turmoil while hymns, market chases, and back-alley fights add to the well balanced mystery, life and death themes, precious innocence, and making amends.

Underground tunnels and unscrupulous business transactions in “The Fortunes of War” would have young girls sold at thirty-five guineas for ‘company,’ and the disturbing abuses create frightening silhouettes and threatening villains even as the uncaring uppity argue over chapter and verse regarding bastards and police refuse extra men on a sting gone awry. Screams, gaseous brick houses, and skeletons lead to arrests that unfortunately don’t solve the initial case butchery – only will out one small piece of a larger twisted picture. The aristocracy is shocked at the Frankenstein life imitating art scandal as fact and fiction strike the press, politics, police, and the author herself for “The Frankenstein Murders.” Drunken mad science, candlelit pacts, and monstrous machines bring the eponymous inspirations full circle as blackmail and the triumphant anatomy act provide a free supply of corpses for those who will now do whatever they wish. Threats, revelations, and suspicions swept under the rug keep the underbelly dark while disastrous scientific pursuits go awry. Blue currents and electricity experiments try to conquer death as the noose tightens. Red herrings and key pieces of the mystery come together as the audience completes the puzzle along with our constables thanks to erotic clues, nasty denials, ill pleasures, and warped dissections. The detectives must use one crook to catch another with cons, betrayals, and confessions that seemingly resolve the brothel raids, set ups, and scandals. Prophetic calendars, apparent suicides, and emergency parliament sessions make room for plenty of dreadful hyperbole – grotesque body snatchers have used murder to procure and defile corpses and the dubious press thinks it’s all thanks to popular fiction! This public medicine reform may banish the body trade, but lingering questions remain in “Lost and Found.” Constables need proof that the deceased aren’t staying dead and buried, and someone has known it all along. Conflict among friends and lies will out reveal the hitherto unseen beastly in plain sight as underground discoveries, powder misfires, and final entrapments lead to tearful trials. No one’s left to believe the truth thanks to corruption and condemnation blurring the fine line between genius and blasphemy. Last rights go unadministered when one is guilty of much but denies the crime at hand, and The Frankenstein Chronicles escalates to full on horror with frightfully successful dark science abominations.

Producer Sean Bean’s former soldier turned inspector John Marlott doesn’t like crooked police and his lack of fear is said to aide his quality undercover work. His gruff silhouette contrasts the posh officials, for they dislike his methods, deduction, and research on tides or time of death – questioning where others do not think to look makes him a somewhat progressive investigator even if he doesn’t care for books, poetry, or famous names of the day. Marlott has no problem with instructions, but feigns stupidity and says his conscious is his own, playing into people’s sympathy or religion as needed despite privately lighting candles to his deceased family and carrying sentimental lockets. The Frankenstein Chronicles is upfront on Marlott’s past, telling us how his syphilis caused his wife and baby’s deaths – he knows what it is to grieve and the prescribed mercury tonics add disturbing visions to his prayers. He’s uncomfortable at white glove luncheons as well as church services and cries over his past, perpetually tormented by his late loved ones while this barbaric case puts more burdens on his shoulders. He crosses himself at seeing these ghastly sights, recoiling from the morbid even as his own sores worsen. Marlott’s reluctant to use a dead boy’s body as bait to catch grave robbers and gets rough in the alley brawls when he must, acting tough on the outside and going off the book with his investigation after he steps on powerful figures who would manipulate him for their own political gain. Despite his own fatal mistakes, Marlott is a moral man in his own way, dejected that making the city safer tomorrow doesn’t help the children already dead. Now certainly, I love me some Sharpe, and in the back of my mind, I chuckled on how The Frankenstein Chronicles could be what really happened to Sharpe post-retirement. So, when Marlott says he was in the 95th rifles and fought Bonaparte at Waterloo, wears the same boots, and dons the damn rifle green uniform in a flashback funeral, I squeed! Marlott’s not afraid of death and ready to meet his family, not stopping even when the case is officially closed – ultimately breaking out that old Sharpe sword when it really comes to it!

Reprimanded and insulted by superiors, Richie Campbell’s (Liar) Joseph Nightingale is assigned to Marlott because they don’t really care about him or the investigation. The character is initially just a sounding board, however, Marlott confides in him, laying out the procedural methods in lieu of today’s police evidence montages. Nightingale does leg work for the proof needed, following a tip and getting roughed up when tailing a body snatcher. He argues with Marlott, too, countering his witness protection strategy before earning Marlott’s apology and his blessing to marry. Sadly, both share different angers when plans go wrong and people get hurt. The Frankenstein Chronicles offers a fine ensemble of familiar names and faces also including Anna Maxwell Martin (North and South) as Mary Shelley – a sassy, outspoken writer who says outwardly genteel appearances can be deceiving. She tells Marlott her book came from a nightmare, however, she knows more than she admits. Shelley is well-informed at a time when women weren’t permitted to be as cosmopolitan as their male peers, and great one on one scenes make her an interesting antithesis to Marlott. Ryan Sampson’s (Plebs) hyper young Boz is likewise a persistent little reporter who won’t give up his own sources but wants the police scoop. He circumvents Marlott, working all the angles and exposing the bodies found. Boz belittles him for not knowing Frankenstein was all the rage but he is on Marlott’s side in bringing the truth to light – so long as it’s a fantastic story. By contrast, Charlie Creed Miles (Essex Boys) and his mutton chops match the Burke and Hare-Esque thuggery. This body snatching businessman keeps track of his livelihood, for its just honest supply and demand. Pritty’s reluctant to snitch, but Marlott’s blackmail forces him into helping, becoming a useful, if crooked character. Vanessa Kirby’s (The Crown) initially snotty Lady Hervey comes to find Marlott is surprisingly honorable, confiding in him about her family’s title but little wealth even as she wonders if he is playing her for a fool. Jemima grows closer to him yet remains committed to a loveless marriage for money if it helps her brother’s charity hospital. Unfortunately, Lady Hervey is a woman of God who is sorely mistaken when she puts her trust in all these men of science. Ed Stoppard (Upstairs, Downstairs) as Daniel Hervey speaks out against early medical laws and technicalities with disturbingly contemporary theories when not performing abortions behind his sister’s back. Being a starving, homeless prostitute burdened with a child is not life, he reasons, only more suffering. He scoffs at charlatan surgeons and the home secretary’s grandstanding but offers Marlott a new medicinal spore for his syphilis instead of the harmful mercury, doing what he can for those less fortunate whether the Anatomy Act would ruin him or not.

Rain, thunder, fog, riverboats, marshes, and bogs set the chilly, bleak tone for The Frankenstein Chronicles amid period lantern light, overcoats, and muskets. Eerie artwork and beastly designs in the opening credits parallel the gory sights with separated body parts, arms, and legs upon the table, bowls of entrails, and stuck pigs contrasting the organ music, ladies frocks, bonnets, and courtly wigs. It’s bowler hats, simple crates, and bare rooms with peeling wall plaster for lower men but parasols, pocket watches, top hats, carriages, luggage, and grand estates for the upper echelon. Stonework and authentic buildings accent the blustery outdoor scenery, cobblestone streets, and humble cemeteries. Sunlight and bright visions are few and far between amid the candlelit patinas and small pocket portraits – the only available likeness of the deceased – however, reflections, deformed glances in the mirror, and filming through the window panes accent the man versus monster themes. Wooden coffins, baby-sized caskets, plain burial shrouds, simple crosses, body bags, and tanks containing deformed fetuses create more monsters and morose amid sophisticated libraries, early medical gear, handwritten letters, signets, and wax seals. Bones, blood, electricity, ruined abbeys, and hazy, dreamlike overlays combine with late Bach cues for final horrors, but it is bemusing to see the same title page on that open copy of Frankenstein over and over again – as if we could forget our eponymous literary source! Although many scenes happen on the move, enough information is given with time for dialogue in reasonable length conversations, balancing the visual pace and investigation exposition rather than resorting to in your face editing and transitions. All six, forty-eight-minute episodes in Series One are directed by Benjamin Ross (Poppy Shakespeare), teaming with writer Barry Langford (Guilty Hearts) for one cohesive tone on this ITV hidden gem now of course branded as a Netflix Original.

While some elements may be obvious, my theory on the new spins in The Frankenstein Chronicles was totally wrong, and I again wish there were more gothic, sophisticated series like this and Penny Dreadful. The Frankenstein Chronicles isn’t outright horror – the macabre drama, dreary case, and disturbing mystery are not designed as a scare to frighten even as choice gore keeps the ghastly at hand for this easy to marathon harbinger. Instead, the British gravitas meets mad science combines for a Poe-Esque caper with literary fantastics peppering the intertwined crimes and Frankenstein what-ifs.

 

For More Frankenstein, check out Frankenstein: The True Story or for more scaries featuring Sean Bean, re-visit our reviews on Black Death and Silent Hill.

November Theme : Nightmares

Greetings Horror Addicts!

Provided you didn’t eat too much Halloween Candy or drink too much in honor of the dead, you have awakened on the first morning of November! You might be interested to know that we here at Horror Addicts.net have declared November to be Nightmare Month on the blog.

Nightmares are something that most people have, although we do understand that some people don’t dream at all or at least don’t remember their dreams. For those of us who dream in vivid color and gory detail, nightmares can be some of the most frightening events in our lives. And we can’t wait to share them with you!

Researchers say there are several nightmares which are common among human beings. Falling, losing all your teeth, and being chased seem to be the big three, followed closely by appearing naked in public or someone you love dying.

Then there are frightening superstitions about dreams, such as if – in a falling dream – you actually hit dirt…you will die. Or should you tell your fearsome dream before you eat breakfast, it will certainly come true!

This month is here at HorrorAddicts.net we hope you will join us as our writers and guests share some of their spookiest nightmares, as well as book and movie reviews which will certainly give fuel to your late night freights!

We’d love to hear from you about your most frightening nightmares as well!  Tell us just why they scared you so much! In the meantime, Stay Spooky and keep on dreaming!

Live Action Reviews! by Crystal Connor: I’ll Take Your Dead

Plotline: I’ll Take Your Dead follows William, a single father who has a simple job: he makes dead bodies disappear.

His little farmhouse in the country has become a dumping ground for the casualties of the gang-related murders in the nearby city.

But then, one day, 3 bodies are delivered – but only two turn out to be dead. William can’t let her go, because if he does the gang will come after him and his daughter.

Who would like it: Fans that are into crime dramas, shootouts, haunted houses, violence, and coming of age stories. I’ll Take Your Dead has a little something for everyone.

High Points: For me it was the diversity of the cast.

Complaints: None that I can think of

Overall: Really good genre blending of crime and horror, I really enjoyed this movie.

Stars: 5 

Where I watched it: VOD

 

***

Master Imaginationist and Instagram photographer Crystal Connor is the Chief Imagineer working for the Department of Sleep Prevention’s Nightmare Division. A Washington State native she loves anything to do with monsters, bad guys (as in evil-geniuses & super-villains.  Not ‘those’ kind her mother warned her about), rogue scientific experiments, jewelry, sky-high high-heeled shoes & unreasonably priced handbags.

When she’s not terrorizing her fans and racking up frequent flyers miles by gallivanting all over the country attending fan conventions and writer’s conferences she reviews indie horror and science fiction films for both her personal blog and HorrorAddicts.net

She is also considering changing her professional title to dramatization specialist because it so much more theatrical than being a mere drama queen.

http://wordsmithcrystalconnor.com

http://www.facebook.com/notesfromtheauthor

Download your free copy of …And They All Lived Happily Ever After! from Podiobooks.com and see why the name Crystal Connor has become “A Trusted Name in Terror!” 

http://podiobooks.com/title/and-they-all-lived-happily-ever-after

HorrorAddicts.net 176, Finale and Halloween Special

Horror Addicts Episode# 176
SEASON 14 “We’re Cursed, Again!!!”
Horror Hostess: Emerian Rich
Guests: E.M. Markoff, Ariel DaWintre, Camellia Rains

Intro Music by: Valentine Wolfe

Halloween Special and Season Finale

a.j. rome | jonathan fortin | weird kids wanted | zwaremachine

Find all articles and interviews at: http://www.horroraddicts.net

12 days till halloween

:00

*merrill’s musical musings: zwaremachine, john wick, r.l. Merrill

*drinking word: nerco! necromancy, necromancer, anything necro

*pumpkin craft: quilted pumpkin supplies – 1 styrofoam pumpkin, bunch o’ straight pins, at least 126 fabric squares 3×3 inch alternating colors- one of them being green and ironed into triangles, timble, stitch gauge, an iron

*cursed places: salem, pressed with stones, preston castle, jackson, ca, texas, abandoned victorian house, cold spots, spooky, hauntings, winchester, john muir house, dunsmuir house pool area, real camera pictures, winchester wedding

*logbook of terror: creepy castle, russell

13:40

*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, pete lutz-jay and henry, emerian rich-clara and cleo, naching t. kassa- dr. francistein, james seo-heath,  kirk warrington-fabio, theme music-valentine wolf

*ghastly games: daphne, adventure escape asylum

21:27

INTERVIEW: Jonathan Fortin, Next Great Horror Writer

writer challenge, publishing contract, clarion, lilitu, crystal lake publishing, succubus, awkward robots indigo volume, fairies, requiem in frost, norway, heavy metal ghost, helpful zombies, audiobook coming, halloween plans, edwardian ball, horror movie marathon, sleepy hollow, crimson peak, suspiria, evil dead 2, dracula, the thing

#149 Jonathan’s win reaction

Requiem in Frost
https://www.amazon.com/gp/product/B07Y43QP7Z

*pumpkin craft: first instructions

*odds and dead ends: kieran, checkmate, alexander alekhine, conspiracy, wwii, murder, wizards chess, star trek chess, 3 dimensional

*frightening flix: kbatz vid clip, gothic romance, crafting vids, tombstones, paint it black, DIY cardboard coffin, mini coffin tray, pumpkins

Kbatz Gothic Romance Vid

*live action reviews: crystal, luciferina, monestary, sex, drugs, rock and roll, occult

43:18

NEW MOVIE LINEUP end of 2019- 2020

terminator, dr. sleep, ewen mcgregor, brahms 2, maggie, walking dead, netflix, black christmas, anna and the apocalypse, the grudge (again), blumhouse untitled, uncanny annie, the turning, the turn of the screw, henry, james, the lodge, trailer on FB group, fantasy island, horror adaption, the invisible man, claude rains, tattoo, ricardo monteban, a quiet place 2, the new mutants, horror or superhero, saw (again), morbius, blade, spiderman, empty man, vampire hunters no thank you, vampire hunter d, buffy, oz, spike, angel, the woman in the window, candyman (again), escape room (again), spell, plane crash, twilight zone movie, last night in soho, halloween kills (again), micheal meyers, jamie less curtis, what is the franchise that has the most sequels, the witches, angelica huston

57: 25 

INTERVIEW: A.J. Rome, writer, director, producer, actor

a.j. Rome, the vampire diaries, re-kill, mirrored, end trip, uber, black mirror, safe tech, watch on, itunes, amazon, google play, vudu, youtube movies, tubi, (coming soon) roku, acting, film creation, duplass, creep, blumhouse, paranormal activity, blair witch, halloween plans, cookie monster briefs, universal studios, halloween horror nights

A.J. Rome Facebook

https://www.facebook.com/pg/AaronJayRome

*pumpkin craft: next instructions

*the big foot files: lionel, stomping ground

1:14:37 

BEST BAND ANNOUNCEMENT

Audio from best band and new music from them. Listen to find out who won!

*dead mail: 

***pam: objects that will kill you, monk, weight lifting magnets, vincent price, smothering decapitating frog mask, dead again, giant scissors, 

***william: night’s knights, severina, day’s children, julien, markham, branson from downton abbey

***haley: lamest candy handouts, candy corn, honey, matrix metal, monkeys, sweetums, sweet tarts, valentine’s hearts, peeps, unicef pennies, candy sacrifice

***larry: thank you and happy halloween
halloween carol special

***pumpkin special with emz and kbatz coming in november

email us: horroraddicts@gmail.com

*pumpkin craft: more instructions

1:31:16 – NEWS

***Meant to Be…SPOOKED Promo

***trick or treat in little toyko

***jesse orr, my darling dead, finale, rat people, willard, ben

***garden party massacre, amazon prime, carnivorous plants from target, haunted mansion funko pop toys, bill rude

***dark divinations, sub before october 31st

***the witch path, terror films

***resonance, terror films, the forest

*halloween plans, guatemala, visit family, cemetery, marigolds,  little mermaid ears, mermaid tail, octo hat, sea creature photo shoot, day of the dead, katrina, cooking, altar, honoring the dead, anniversary, lunch

1:44:31

BEST IN BLOOD ANNOUNCEMENT

*tara vanflower interview

Tara VanFlower Amazon
https://www.amazon.com/Tara-Vanflower/e/B007MMUS5Q

Lycia Music
https://lycia.bandcamp.com/

*book review: the book of broken things, linda addison, alessandro manzetti, reviewed by voodoo lynn

1:50:40

INTERVIEW Weird Kids Wanted Podcast

Zoe, miyuki, shutter island, bliss, one among the missing, american psycho, it

Weird Kids Wanted Podcast
https://www.weirdkidswanted.com/

*chilling chat: naching, jonathan fortin, a.j. rome, weird kids wanted

————————————-

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc…

horroraddicts@gmail.com

h o s t e s s

Emerian Rich

h e a d  o f p u b l i s h i n g

Naching T. Kassa

p u b l i s h i n g  p. a.

Cedar George

b l o g  e d i t o r

Nox

s t a f f

KBatz (Kristin Battestella), Daphne Strasert, Jesse Orr, Russell Holbrook, Lionel Green, Keiran Judge, Crystal Connor, Nightshade, Courtney Mroch, R.L. Merrill

Want to be a part of the HA staff? Email horroraddicts@gmail.com

b l o g  / c o n t a c t / s h o w . n o t e s

http://www.horroraddicts.net

t h e  b e l f r y  a p p 

https://play.google.com/store/apps/details?id=tv.wizzard.android.belfry&hl=en_US