Kidnapped Blog: The Need for Vampire Variety by Selah Janel

halogokidnappednotdateThe Need for Vampire Variety

By Selah Janel

One of the things that typically comes out when I talk writing, horror, or urban fantasy is my love of the vampire genre. It’s interesting to me how much people jump to conclusions about why I love it and why I’ve fallen into writing it off and on. Somehow, whether it’s because I’m a gal or because we’ve fallen into a genre trap, people assume that when I talk vampires, I mean vampire romance. I mean, sure, yeah, I’m not against some smexy undeadness, and that’s probably a good portion of why the genre is successful (even going back to Dracula), but that’s not all it is.

Vampires fascinate me because they basically upset the food chain in an unsettling way. You’ve got creatures that are more powerful than humans and are somewhat animalistic, but they look pretty much like people. Depending on the sub-genre, they use that to their advantage in different ways.

In a lot of ways, I think we’ve gotten distracted by assuming that vampires either have to be mindless creatures (a la 30 Days of Night or I Am Legend) or pretty and angsty. While the attractiveness factor definitely works to their advantage (presuming they use fang), we don’t really see that played out all too often, except as the token “this person is walking home with so-and-so on a date OMG VAMPIRE!!)

Yeah, you can tell I grew up in the eighties. Oh, well.

I think we forget that anyone could essentially be a vampire, and stories that do that well can provide some legitimate creep factors. There’s a magnificent scene in American Vampire in the 1950s arc where a slayer is dating a suburban girl and you think her family is being a pain because they look like the typical upright couple and he’s a greaser…and then you find out they’re vampires and using the girl as bait. The Moth Diaries works because you can’t quite tell if the new girl at a boarding school is something nonhuman or if the narrator is unreliable, and part of the disbelief comes from the fact that it just seems so atypical to see a 1950s-60s schoolgirl as a horror staple. It’s not just the bait and switch that makes it interesting – it’s that their covers are so far removed from what we’re used to seeing these days that makes those scenes unsettling. It’s why kid vampires were big for a while – the implications of that kind of transformation are pretty awful to consider once you start to think about it, and there’s a lot you can do with that.

We also tend to think of vampires these days in the modern Twilight, Vampire Diaries, True Blood, and even Buffy sense that they’re running around in the here and now. While the modern vampire is awesome – I love writing deranged teen vampires, don’t get me wrong – there’s a whole other world out there. Part of the power of Anne Rice’s characters is that they have epic backstories that take the reader to another time and place. It’s interesting to see how these characters not only coped with the changing of time, but also how they survived in the eras they came from. Tom Holland’s Lord of the Dead grabbed me by the throat because he makes a hell of a case for Lord Byron as a vampire; you’re totally immersed in the time period and that makes everything so much more interesting. American Vampire thrives on putting the undead in unusual, historical situations (admittedly with more success with some situations than others, but they’re always interesting concepts and provide a lot of great obstacles for the characters). One of my first pieces that I had published was Mooner, which involved contemplating what settlers and loggers in 1800s America would do if confronted with vampirism, and it’s a concept that I want to revisit because it’s so rich in material and possible tension. Guns and weapons weren’t the same then, plus it was that much harder to make a living and protect a family – never mind whether that family is human or not.

Like a lot of horror subgenres, vampires work well when played straight. I think that’s my basic plea for authors and filmmakers these days. Let’s get away from the typical and go back to using the archetype for something interesting.  Know your characters, put them in certain situations, and see what happens. Don’t try to force a relationship because they’re hot, but play with the odd things that could come from actually trying to date Dracula. See your set-ups through, people. Don’t make the whole story some weird slayer/undead war vendetta, but see what happens when you throw clashing personalities together during a time period that may make things harder for them, anyway. Here’s the thing: the archetype of the vampire has hung in there for so long because it’s an enduring metaphor. It’s versatile and open to a lot of different things. Despite what people say, the vampire genre isn’t going to go away any time soon, so we might as well celebrate it and do some interesting things with it.

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MoonercoverLike many young men at the end of the 1800s, Bill signed on to work in a logging camp. The work is brutal, but it promised a fast paycheck with which he can start his life. Unfortunately, his role model is Big John. Not only is he the camp’s hero, but he’s known for spending his pay as fast as he makes it. On a cold Saturday night they enter Red’s Saloon to forget the work that takes the sweat and lives of so many men their age. Red may have plans for their whiskey money, but something else lurks in the shadows. It watches and badly wants a drink that has nothing to do with alcohol. Can Bill make it back out the shabby door, or does someone else have their own plans for his future?

Kindle: http://www.amazon.com/Mooner-Selah-Janel-ebook/dp/B00JSVJEU4/ref=sr_1_2?ie=UTF8&qid=1403494482&sr=8-2&keywords=selah+janel

Nook: http://www.barnesandnoble.com/w/mooner-selah-janel/1108368128?ean=9781312118119

 

Selah Janel is the author of horror, urban fantasy, fantasy, and cross genre fiction. Also a costume designer and seamstress, she lives for weird. Check her out in the following places:

Blog – http://www.selahjanel.wordpress.com

Facebook – http://www.facebook.com/authorSJ

Twitter – http://www.twitter.com/SelahJanel

1920’s Horror Books

In the 1920s women who were in to jazz and wore short skirts were called flappers. So because the theme here is horror of the 1920’s I found a book combining horror and flapper girls called Lucille and the Healers by Anthony Burns. The story takes place in 1929 London England and follows a woman named Lucy Kitson, a 16 year old flapper who is trying to help her widowed mother make ends meat. Her world changes when she meets and falls in love with a writer from New York who is concealing a secret that makes him a marked man and endangers all that befriend him. The man is part of a cult called the healers and now Lucy is pulled into their supernatural world and must find a way to stop them before they take possession of more souls in London.

Another book I found written in 1929 is The Magic Island by William Seabrook. According to Time magazine this is the book that introduced the word zombie to the American public. The story follows a narrator as he explores ancient 16th century ruins in Hati. While he travels through the dark and mysterious jungle he hears the sound of voodoo drums and finds a group of mindless zombies roaming the island.

This book is written as a travelogue with the narrator describing what he sees in Hati. In addition to the zombies he also talks about seeing natives performing witchcraft, sex dances and sacrifices. Some of the reviews I looked at for this book called it dated and a little slow but its worth reading because it’s the first work of fiction that referred to zombies as mindless walking corpses. Previous to that the word zombie described a voodoo snake god.

Next on my list I want to talk about Moonshine by Alaya Johnson. This book takes place in 1927 in an alternate reality New York City where vampires, faeries and genies exist and a woman named Zephyr Hollis fights for equal rights for them all. One review I read for this book calls it True Blood meets Gangs of New York.

Zephyr Hollis comes from a family of demon hunters but felt her calling was in helping supernatural creatures and not hunting them. This book takes place during prohibition and the vampires, demons and other creatures represent the different immigration populations of the time. The story unfolds through the eyes of Zephyr and gives her point of view on life in the 20’s and tells what vampires have to endure to be considered equal with the living and fight the negative stereotypes associated with being a blood drinker.

Staying in New York in the 1920’s is Out Of Time by Monique Martin. The story follows a man named Simon Cross and his assistant Elizabeth West who have spent their lives searching for evidence of vampires. A freak accident happens and the couple is transported back in time where they find evidence that the undead are walking the earth. Now the name of the game is to survive the mob of vampires that want to kill them and make it back to the present.

The last title  I found was American Vampire which is a DC vertigo comic created by Scott Snyder. This is an ongoing series which is co written by Stephen King. It is set in 1925 and stars an actress named Pearl Jones who believes that she is about to get her big break into acting but instead is left for dead in the desert. Another main character is Skinner Sweet an outlaw in 1880’s Colorado who is on his way to be executed. Both characters become afflicted with a vampiric curse and the comic follows the two  as they deal with being vampires.