Historian of Horror: The Answer, My Friend, is Bowen in the Wind

The Answer, My Friend, is Bowen in the Wind…

by Mark Orr

A strange title, you might think, but it’s one born of long hours of contemplation of a writer whose works I’ve read for decades, and yet have had a hard time getting a handle on for this contribution to my little corner of the Horror Addicts realm. Her ghostly yarns written under this pen name have been anthologized extensively, but have impacted the popular culture outside of the confines of literature remarkably little. Two of her historical romances were made into silent films with significant casts. A handful of her suspense novels, all written under one of her other several pseudonyms, Joseph Shearing, were filmed either as theatrical releases or for television in the late 1940s and early 1950s. Only three of her many spooky short stories appear to have been adapted into other media, either during her lifetime or in the decade after her demise. And other than the occasional podcast, Libravox recording, or other internet-based venues, nothing since.

Nor is there any single work so inextricably linked to her name that to mention one invokes the other. Lady Cynthia Asquith has her “God Grante That She Lye Still”, Charlotte Perkins Gilpin her “The Yellow Wallpaper”, Edward Lucas White his “Lukundoo”. She was praised by no less a literary giant than Grahame Greene, although she was dismissed as a writer of “bad adventure stories” by the somewhat-less-impressive-but-not-totally-to-be-sneered-at Colin Wilson. Speculative fiction luminary Fritz Leiber considered her 1909 novel of Medieval witchcraft, Black Magic, to be brilliant. Weird fiction aficionado Sheldon Jaffery compared her work favorably to that of Mary Wilkins-Freeman, Edith Wharton, and the aforementioned Lady Asquith. So, why so small a footprint on the culture at large?

She was born Margaret Gabrielle Vere Campbell on a small island off the southern coast of England on the first of November in 1885. Her father was an alcoholic who died in a London street. She was raised by an emotionally detached mother in genteel poverty. She married twice, her first husband dying of tuberculosis three years into the marriage, and bore three sons and a daughter. The girl died in infancy. Bowen wrote her first novel, the violent historical epic, The Viper of Milan when she was only sixteen, and eventually produced over one hundred and fifty volumes of historical romances, biographies, popular histories, and supernatural yarns before her death from a concussion in 1952 at the age of sixty-seven.

Perhaps it is the plethora of pennames spread over several genres that have diffused her influence, for there is nothing inherently inferior in the work itself. Her short horror stories, frequently revolving around bad marriages or rakehell ‘gentlemen’ using ladies of quality but poorly, most certainly do compare favorably with her peers. So, the question remains: why so few adaptations of those tales?

Alfred Hitchcock himself took a run at her twice. The first was his 1949 historical epic, Under Capricorn, which starred Ingrid Bergman, who had played the wife but poorly used by her own nefarious husband in the 1944 Hollywood version of Gaslight. The second was for the seventh season of his television series Alfred Hitchcock Presents. “The Silk Petticoat” aired on January 2, 1962, and was the thirteenth episode of the season. Appropriate, n’est pas? It was based on Bowen’s short tale, “The Scoured Silk”, written in 1918 and included in her collection, The Bishop of Hell and Other Stories. Michael Rennie, who had been the visitor from another world in The Day the Earth Stood Still in 1951 and Jean Valjean in Les Miserables the next year, starred as the not-quite-as-nice-as-he-seems husband who takes a second wife without being quite done with the first.

Of the other theatrical adaptations of Bowen’s works, a couple do have genre connections without being themselves horror films. Blanche Fury (1948) starred Valerie Hobson as the unhappy bride of Michael Gough and doomed lover of Stewart Granger. She had previously wed a mad scientist in Bride of Frankenstein and a lycanthrope in Werewolf of London, both in 1935, and later became engaged to a serial killer in the delightful black comedy, Kind Hearts, and Coronets, in 1949. In real life, her second husband was an English politician turned sex fiend and alleged Russian spy John Profumo. Perhaps she ought to have avoided marriage altogether.

Gough had a long career as a movie villain, in Horrors of the Black Museum (1959), the kaiju gorilla picture Konga (1961), the 1962 Hammer version of The Phantom of the Opera with Herbert Lom as the Phantom, the caged-animals-gone-wild movie Black Zoo (1963) and the Amicus anthology film Dr. Terror’s House of Horrors (1965), before reforming himself enough to appear four times as Batman’s butler, Alfred Pennyworth. He did play a more sympathetic role in Hammer’s Horror of Dracula in 1958, but that was an anomaly. Granger went on from this picture to replace Errol Flynn as the hero of big-budget swashbuckling adventure movies in the 1950s such as King Solomon’s Mines, Beau Brummell, Scaramouche and The Prisoner of Zenda, and played Sherlock Holmes in a 1972 television version of The House of the Baskervilles to something less than general acclaim.

So Evil My Love was made as a feature film in 1948 and for television in 1955 for the Lux Video Theatre series. The movie starred Ray Milland, star of genre films The Premature Burial in 1962, the only one of Roger Corman’s Edgar Allen Poe adaptation for American International Pictures that didn’t star Vincent Price; X: The Man With X-Ray Eyes in 1963; and the exceedingly cheesy Frogs in 1972. The television version starred James Mason, who as Captain Nemo wrestled with a giant squid in the 1954 Disney film, 20,000 Leagues Under the Sea, and who as Professor Lindenbrook in 1959’s Journey to the Center of the Earth encountered several monstrous denizens of that region. He also played Dr. Watson in the Sherlock Holmes vs Jack the Ripper film, Murder by Decree, in 1979, with the late Christopher Plummer as Holmes.

Moss Rose is the closest any of the feature films based on Bowen’s novels came to being possibly considered a horror picture. Made in 1947, it starred Victor Mature, caveman hero of One Million Years B.C. (1940); Ethel Barrymore, helpless old lady in the 1944 classic, The Spiral Staircase; frequent villain in myriad second feature horror movies George Zucco as the butler; and Vincent Price, playing against type as the police inspector tasked with unraveling the mystery and preventing the untimely demise of leading lady Peggy Cummings at the hands of a serial asphyxiast. Set in the Victorian era, it stylistically and thematically resembles the aforementioned Gaslight and Spiral Staircase, as well as other horrific thrillers like Hangover Square or The Lodger. So, yeah, maybe it is a horror picture, even if it is so very unlike Bowen’s ghost stories. I refuse to reveal whether or not the butler did it, by the way.

As for the other two television adaptations of her spooky yarns, I have so far been unable to track down videos of either “Avenging of Anne Leete”, the 166th episode (!) of the second season of the NBC series Matinee Theatre, aired May 23rd, 1957, or “They Found My Grave” from the Canadian series Shoestring Theater, aired February 12, 1961. The former starred future Simon Templar and James Bond Roger Moore, future Avenger John Steed Patrick McNee, and future mother to Richie Cunningham Marion Ross. The latter starred Kay Trembley, who had a bit part in Veronica Lake’s last movie, the abominable Flesh Feast, in 1970. Both tales are among Bowen’s best, and one could wish for a more accessible adaptation for each. But one must not hold one’s breath, apparently.

Her horror novels have pretty much gone out of print apart from the occasional independent or micro-press electronic editions, although her short stories do still pop up in anthologies assembled by the true cognoscenti of the genre, as they have since at least 1929 when mystery maven and creator of Lord Peter Wimsey Dorothy L. Sayers selected “The Avenging of Anne Leete” for the horror section of her landmark collection, The Omnibus of Crime. Dennis Wheatley included Black Magic in his “Library of the Occult” series of paperbacks in 1974 for Sphere, who also published The Spectral Bride the previous year, but if there’s been a dead tree version of any of the supernatural novels since, I haven’t found any evidence of such an endeavor. 

Since Marjorie Bowen passed on more than twenty-seven years before Sonny Bono, on behalf of Disney Studios, got Congress to push the copyright laws back into the antediluvian era in which Mickey Mouse was born, her entire oeuvre seems to currently be in the public domain. Many of her works, including most if not all of her shorts, are available from 

Project Gutenberg https://www.gutenberg.org/ebooks/author/41727 

Project Gutenberg Australia http://gutenberg.net.au/plusfifty-a-m.html#bowen 

Open Library https://openlibrary.org/authors/OL27801A/Marjorie_Bowen 

Ray Glashon’s Library http://freeread.com.au/@RGLibrary/MarjorieBowen/MarjorieBowen.html 

Libravox https://librivox.org/author/12478

and the Internet Archive https://archive.org/search.php?query=%28%28subject%3A%22Bowen%2C%20Marjorie

An online biography by Jessica Amanda Salmonson (much more in depth than the one I provided above) can be found here: https://web.archive.org/web/20081204234335/http://www.violetbooks.com/bowen.html and information on a new print biography, The Furies of Marjorie Bowen, by University of Kansas associate professor of film and media studies John C. Tibbetts here: https://news.ku.edu/2019/12/06/book-aims-revive-interest-forgotten-weird-fiction-writer 

I don’t know about any of y’all, but I’m saving up for that one. 

I also want to point out that Valancourt Books has a new edition of The Bishop of Hell and Other Stories coming out in March of 2021. I would encourage the populace to support that very worthy publisher by purchasing a copy from them rather than scooping it up for free from the internet, despite its contents being public domain. I intend to do so. Valancourt is an invaluable resource for rare and wonderful horrors from years gone by. They did not pay me to say that, nor would I accept money from them to do so. I value them that much.

https://www.valancourtbooks.com/the-bishop-of-hell-and-other-stories-1949.html

Regardless of where they are to be found, I do hope the frequenters of this space give Marjorie Bowen’s stories a look. They deserve better than to be forgotten. And, as always, be afraid. Be very afraid.

HOW CON: Overlooked Elements of Promotion

Overlooked Elements of Promotion
by Loren Rhoads

You’ve completed your grand opus. You’ve decided to self-publish. You’ve got your first book edited, formatted, and ready to go. What next? Let’s talk about the overlooked elements of promotion.

Promotion is a huge subject and each of these headings should be an essay on its own. Because of that, I’ll just do a link roundup and we can discuss each topic more in the comments.

1. A Good Author Bio

The #1 thing you can do to boost your promotion is to write a good author bio. The bio should do three things: name you, name your book, and demonstrate your credentials to have written that book.

Some exercises on the subject:

lorenrhoads.com/2016/09/15/writing-an-author-bio/

Bad author bios:

scribewriting.com/how-to-write-your-author-bio-and-why-it-matters/

2. A Good Headshot

Amazon wants an author photograph. Goodreads wants an author photograph. If you guest post or are interviewed anywhere, they’ll want a photo of you. If you’re using your Facebook page to connect with people at conventions, they’ll want to know who to look for.

Theodora Goss had a great post about how to fake being photogenic:

theodoragoss.com/2014/01/19/being-photogenic/

There’s also this, if you need more inspiration:

venuscomb.tumblr.com/post/42145730399

3. A One-Sheet
/Media Kit

When I worked for a record label, we wrote one-sheets to go with every new release. You should write one for every book you publish. It will go in every paperback copy of your book that you send out to reviewers. You can use it as the book’s homepage online. Your one-sheet should include your book cover image, the book’s description, blurbs, and information on release date, publisher, and a list of where it will be for sale: bookstores, Amazon, Indiebound, your website, etc. It should also include contact information, in case the recipient has questions.

Most crucially, it should be no longer than a single printed page.

This is the one-sheet I wrote for my space opera trilogy, even though those books were published by a traditional publisher:

lorenrhoads.com/writing/the-dangerous-type/one-sheet-for-the-dangerous-type/

4. An Author Website

Now that you have the basics nailed down, you need an author website to display them. This is your home on the web, where interested readers will come to find out what you are doing next. It’s also where interviewers and podcasters will come to see if you’re worth their time. It needs to look absolutely clean and professional.

I used to have a designer-created website, but it was frustrating because I couldn’t update the pages myself. This is the easiest list of how to set up your own site: en.support.wordpress.com/five-step-website-setup/

Elements every author’s website needs:

janefriedman.com/author-website-components/

5. An Amazon Author Page

Every author needs an Amazon page. Amazon doesn’t make them easy to find, but you can set up a page at authorcentral.amazon.com. You will need your photo, bio, and website info handy. If your book is sold on Amazon already, you can claim it as yours and Amazon will add it to your author page.

Personally, I think Amazon’s design is kind of busy, but it allows you to link your blog and add all the books you have stories in. Here’s my author page, as an example: amzn.to/2GXj7I2.

6. A Social Media Strategy

You can’t do it all. Seems like a new social media site pops up every month. Usually it’s not worth being an early adapter, unless you want to stake your name, because it isn’t worth wasting time calling into a ghost town.

There are many theories about when you should post on social media. This one made sense to me: blog.kissmetrics.com/science-of-social-timing-3/.

7. An Author Blog

Blogging is a great way to draw people to your work. There are many blogging platforms, from the abovementioned WordPress to Blogger to Blogspot for text, Instagram and Tumblr for images. There are more blogging sites all the time. (See above: shouting into a void.)

I’ve heard that Google’s algorithm prioritizes sites that update frequently, but you risk chasing readers away if you post too often. People unsubscribe if they can’t keep up with you. I’m an advocate of blogging once or twice a week with text, but daily on Instagram or Tumblr.

WordPress has a free online course for beginning bloggers: dailypost.wordpress.com/blogging-university/blogging-fundamentals/.

8. Guest Blogging

I am a huge proponent of blogging for other people’s sites. I know there’s a long list of reasons why working for exposure will kill you, but your work isn’t going to magically sell itself to people you don’t know. You need to get it out in front of strangers. Either you can spend money on ads, or you can spend time writing a guest post. You tell me: which one is more likely to sway you to buy a book?

This site has annoying popups, but the information on how to pitch a guest post is on point: www.convinceandconvert.com/content-marketing/9-tips-to-perfectly-pitch-your-guest-blog-post/.

9. Goodreads

Too often, writers make the mistake of joining writers’ groups, then trying to sell their books to other writers. If you want to connect with readers, go where readers are. I lean toward Goodreads over LibraryThing because I like the way it is set up. At the very least, if your books don’t have a listing, you should add them. Beyond that, you should have an author page. Review books that are similar to your own as a way to draw readers’ attention. You can also review books that inspired or influenced your own work.

How to use Goodreads’ author program: www.goodreads.com/author/how_to

My Goodreads Author page: www.goodreads.com/author/show/976431.Loren_Rhoads

10. Step Away from the Computer

After you’ve done everything you can online, it’s time to think about doing live events. I encourage everyone to do readings. If there isn’t a reading series where you live, set up an event at your local library, bookstore, or coffee shop.

The #1 thing people forget when they’re going to read in public – whether you set the event up yourself or you are appearing as part of someone else’s show – is to ADVERTISE it. Let people know. Invite your friends. It’s awful to stand in front of an empty room.

I don’t necessarily advocate solo book signings. Unless you can count on all your friends’ support – or you have mad selling skillz and can seduce strangers out of their hard-earned cash – signings can be frustrating. With a reading, they’re getting a free taste of the work you want to sell them. Do it right and they’ll be in the mood to treat themselves.

Here’s the distillation of my knowledge on giving readings:

lorenrhoads.com/2016/09/19/reading-your-own-work/

So. Whew. That’s the quick list of ten things you should be doing to sell your books right now. Have you tried any or all of them? What worked for you? What would you like to try next?

WOMEN WRITING HORROR: A Listicle of Women to Read

WOMEN WRITING HORROR by Renata Pavrey

Horror is my favorite genre in fiction and I read across all of its sub-genres including true crime, psychological horror, comedy horror, from novels to short story collections, dark poetry and anthologies. A random search for horror books throws up the usual fare from Stephen King, Joe Hill, Josh Malerman, Kealan Patrick Burke. While I have loved books by all these writers, women authors in the genre don’t show up as easily, with the exception of Shirley Jackson and Mary Shelley for their classic works. I thought back to all the books I’ve read and the ones in my to-read list and came up with this listicle of horror stories from women writers. These include translated books as well as original language ones, novellas, novels, collections, prose and poetry, fiction and non-fiction by writers, translators, editors, and publishers who create terror through words. From historical fiction, science fiction, young adult, satire, to mythology, folklore, speculative fiction, re-telling of true events, and dark verses – take your pick. Since February is coming up, I compiled a list of twenty-eight women in horror – one book recommendation for each day of the month.

  1. Agustina Maria Bazterrica – Tender is the Flesh

A virus has eradicated animals, and humanity turns to cannibalism for its source of meat as humans are domesticated, mass produced, and slaughtered. Translated from the Spanish, a nauseating and provocative satire that blends science fiction with horror.

       2. Ally Blue – Down

An underwater, paranormal suspense fest surrounding the discovery of a rock-like sphere that causes humans to mutate and turn into horror versions of themselves.

       3. Alma Katsu – The Deep

Historical fiction horror set around the events of the Titanic and its sister ship the Britannic. The maritime disaster and World War I are caught in sinister happenings in this supernatural thriller.

       4. Cassandra Khaw – Rupert Wong, Cannibal Chef

A novella about the dual life of a sorcerer and soldier, combining horror and comedy with Malaysian and Chinese mythology.

       5. Christina Henry – The Ghost Tree

YA horror about missing people and terrifying visions of monsters dragging remains. Ghostly trees, creepy children, witches and curses – almost like watching a horror movie.

       6. Christina Sng – Dreamscapes

Horror, fantasy, and science fiction come together in this poetry collection that addresses the darkness within. Verses that serve to unsettle and terrify, proving how poetry can be more impactful than prose.

       7. Elizabeth Kostova – The Historian

A historical fiction Dracula story moving across time and place with shifting narrator perspectives. A debut vampire novel that interweaves history with folklore and makes for a riveting read.

       8. Fernanda Melchor – Hurricane Season

Mythology and terror from Spanish literature, with the English translation maintaining the grim, intense and graphic prose of its original source in this portrait of a Mexican village and its witch.

       9. Francine Toon – Pine

A haunting tale in the Scottish highlands, filled with intrigue and eeriness, alternating between terrifying and heart wrenching, spooky and suspenseful in equal measures.

       10. Gemma Amor – Dear Laura

A novella of lifelong obsession, this dark, twisted tale about penpals stands out for its brilliantly atmospheric writing.

       11.Jennifer Hillier – Wonderland

Psychological thriller, amusement park, serial killer – gruesome and wicked as you set out to solve crimes.

       12. Jennifer McMahon – Winter People

Historical fiction meets fantasy in this chilling story of missing people and secrets galore.

       13. Joyce Carol Oates – The Doll Master

A collection of short stories that borrows its title from an obsession over dolls, and leads into an unsettling world of abominations and mystery.

       14. Kaaron Warren – Into Bones Like Oil

A haunted house novella with an unconventional narrative and storyline, and an interesting take on the ghost story.

        15. Kathe Koja – The Cipher

Winner of the Bram Stoker award for Best Debut Novel, The Funhole does not live up to its name. A black hole that calls out and launches a journey of obsession, darkness, and blinding terror of classic horror in spectacular prose.

        16. Laura Purcell – The Silent Companions

There’s nothing like historical fiction for a dose of gothic horror. An asylum, a haunted mansion, intriguing journals, hidden secrets – a creepy ghost story that grabs the attention from beginning to end.

        17.  Laurel Hightower – Crossroads

An exceptional novella dealing with the horrors of heartbreak and grief, and things coming back from the dead. An emotional and devastating read that shows you just how diverse the horror genre can be.

        18. Lee Murray – Grotesque

A collection of monster stories that range from mythology to legend and science fiction offering a dip into Maori folklore and French history, zombie attacks and adventures. Packed with action and gore, the stories are a delight for monster fans.

        19. Lisa Kröger – Monster, She Wrote

Why read one horror story when you can read about them all? A non-fiction horror book about women who pioneered the genres of horror and speculative fiction; writers who defied convention and crafted some stellar spooky tales. From ghost stories to psychological horror, intriguing trivia and reading recommendations, a book about books not to be missed.

        20. Lucy A. Snyder – Sparks and Shadows

A dark fantasy collection of short stories, poems, and essays. Twisted tales in myriad settings, witty and diverse, horrifying, amusing, and thought provoking.

        21. Mariana Enriquez – Things We Lost in the Fire

A short story collection of the macabre, mixing magical realism with gothic fiction in this astonishing treat from Spanish literature brought to us in English by translator Megan McDowell.

        22. Mariko Koike – The Graveyard Apartment

Detective fiction and horror writing come together in this translation from Japanese literature of psychological horror set around a graveyard. Deborah Boehm brings this to us in English.

        23. Michelle Paver – Thin Air

A historical fiction ghost story set in the Himalayas. Nature can be brutal enough, but what if it isn’t the only thing you’re battling? Subtle supernatural elements, more psychological rather than physical, can be more horrific at times.

        24. Nalo Hopkinson – Skin Folk

A short story collection of magical realism, science fiction, fantasy, and speculative fiction interweaved with horror. Storytelling at its best.

        25. Samanta Schweblin – Fever Dream

Some more magical realism from Spanish literature is this surreal nightmare of an otherworldly story. Menacing, unsettling, and thoroughly absorbing in its usage of horror to explore current world issues.

        26. Taeko Kono – Toddler Hunting

An exceptional collection of Japanese short stories that explore the dark side of human nature and antisocial behavior. Lucy North translates to English to bring us a startling and disquieting world.

        27. Yoko Ogawa – Revenge

Another dark treat from Japanese literature in an experimental format of seemingly unrelated short stories coming together to form a larger novel. Bland settings and ordinary people up the ante of terrors lurking in everyday life.

        28. Yrsa Sigurdardottir – I Remember You

Scandinavian Nordic noir of isolation and remoteness; horror based on true events. Translated from the Icelandic, a ghost story that proffers the chills.

~Three bonus books for the women who lead the way as editors and publishers~

  1. Lee Murray and Geneve Flynn – Black Cranes

A collection of short stories by Asian writers, highlighting the dual themes of women in horror and Asian women writers. A smorgasbord of mythology, legend, folklore, science fiction, comedy horror, satire, dark fantasy.

       2. Aiki Flinthart – Relics, Wrecks, and Ruins

A collection of science fiction and fantasy with horror to showcase the remnants of humanity and celebrate a legacy. 

        3. Tricia Reeks – Meerkat Press

The publishing house comes out with some very different but very good books, in equal parts weird, unique, and dark.

______________________________________________________________________________________

Renata Parvey is a Nutritionist by profession; marathon runner and Odissi dancer by passion. Driven by sports, music, animals, plants, literature and more. Reads across several genres and languages, and loves the world of horror – in both, books and movies.

URL:

Meet the Author: Brian Craddock

Brian Craddock is widely published in horror anthologies, establishing a lead in character Richard Dalziel to navigate the majority of his short fiction. Collected, these stories are The Dalziel Files, set around the globe. Of these, “Ismail’s Expulsion”, set in Pakistan, won the Long Fiction Award at the 2018 Australian Shadows Awards. Brian has two novels available: Chuwa: The Rat People of Lahore (set in Pakistan) and Eucalyptus Goth (set in Australia).
CHUWA: THE RAT PEOPLE OF LAHORE
This novel is set in Pakistan, about a woman caught up in conflict between mafia and monsters. The book was shortlisted in the 2019 Aurealis Awards.
I have a sequel in development.
THE CEMETERY CHILDREN
This horror/sci-fi short-story is set in Indonesia, in the future. I was inspired after meeting a group of children in Jakarta who use their local cemetery as a playground, due to lack of public parks to play in. They would put “makeup” on the angel statues, using chalk and crayons.
THE DALZIEL FILES
My collection of horror short stories (free to read on Kindle Unlimited), nominated as a finalist for Collected Works in the 2018 Australian Shadow Awards. Several stories are set in Asia:
  • Ismail’s Expulsion is set in Pakistan (inspired by alleged true-life vampires told to me by a local when I first visited Lahore)
  • Ikiryo is set in Japan (about the Japanese legend of the Ikiryo, the living-dead)
  • Masala Nightmares is set in India (demons and body-snatching)
ATISHFISHAN
A short story, using Lovecraft’s mythos, set in the southern deserts of Pakistan, included in the Lovecraft tribute magazine The Arkham Diaries.

Slay: In Egypt’s Shadows by Vonnie Winslow Crist

In Egypt’s Shadows by Vonnie Winslow Crist

When I saw the submission call for SLAY: Stories of the Vampire Noire edited by Nicole Smith, my thoughts went instantly to Egypt! Since my teens, I’ve been a fan of Ancient Egypt. I’m sure I was initially attracted to the pyramids, glyphs, art, and desert locale—but later, the longevity of the Egyptian culture was inspiring as well. Myths and legends which last across thousands of years must speak to something at the core of our humanity.

So when writing about vampires, who can live millennia, what better place to set a story than Ancient Egypt? Thus, In Egypt’s Shadows was born.

Of course I wanted my vampire to be handsome, strong, and desirable, but vampirism is often too romanticized. When you think of the bonuses of living forever, you tend to forget the negative. You’ll see your friends and family die. You’ll have to keep moving and changing identities to prevent discovery. Unless you’re in love with another vampire, you’ll endure countless heartbreaks.

The countless heartbreaks part of vampirism also inspired me to write ‘In Egypt’s Shadows.’ I thought, “What if your true love is human, she refuses to change, and you just can’t forget her?” Now, that’s a story I wanted to tell.

My protagonist, Akhon longs for Kebi, his former human life’s love interest. He watches her, dreams of her, and imagines her children could be his. His vampire maker, Nawa, discovers him spying on Kebi again and again. Finally, Nawa convinces him he must leave and begin a new life farther up the Nile. Akhon only agrees with her terms, if she’ll send him a message when Kebi is near death so he can return to Giza.

Lest the reader forget exactly who and what Akhon is, I included him spotting, killing, and feeding on a meal. When done, he coldly disposes of the bloodless body while honoring a crocodile-headed deity:

“Here’s a gift for you, sons and daughters of Sobek,” he said. Whistling softly, he slipped the corpse into the lapping water. Akhon didn’t move as the crocodiles approached, studied him with their yellow eyes, then ripped the unlucky traveler’s carcass into bite-sized chunks and swallowed him.

Quiet as a tomb, Akhon stood on the banks of the Nile, admiring the crocodiles’ efficiency. He smiled as within a few minutes, the children of Sobek finished their meal and there was nothing left on the surface of the water at Akhon’s feet but moonlight.”

The mention of Sobek and his sacred creatures was a way of including Ancient Egyptian culture. I tried to include other small details as well, while not overwhelming the story with too much historical information. But I sure did have fun reading the research material—almost all of which is not in the story!

If you want to discover how Akhon resolves his dilemma, and if he is finally able to be with his true love, Kebi, you can check out In Egypt’s Shadows in the SLAY: Stories of the Vampire Noire anthology. The collection is filled with wonderfully horrific stories of vampires from the African diaspora.

Vonnie Winslow Crist, HWA, SFWA, is author of The Enchanted Dagger, Owl Light, The Greener Forest, Murder on Marawa Prime, and other award-winning books. Her stories appear in Chilling Ghost Short Stories, Cast of Wonders, Amazing Stories, Killing It Softly 2, Blood & Beetles, Horror for Hire: First Shift, Creep, Mother Ghost’s Grimm 1 & 2, Devolution Z, Monsters, Scary Snippets: Halloween, Re-Terrify, Samhain Secrets, Forest of Fear, Re-Haunt, Coffins & Dragons, and elsewhere. Still believing the world is filled with mystery, miracles, and magic, Vonnie strives to celebrate the power of myth in her writing. For more information: www.vonniewinslowcrist.com

Buy link for SLAY: Stories of the Vampire Noire: https://www.amazon.com/SLAY-Stories-Nicole-Givens-Kurtz-ebook/dp/B08FM3MC3L/ 

Slay : Inspiration for The Retiree by Steven Van Patten

Inspiration for ‘The Retiree’, a short story by Steven Van Patten to be featured in Slay: Tales of the Vampire Noir.

Most of my short horror stories start with an idea—sometimes inspired, other times flat out ridiculous– that refuses to stay contained. And if you have a parent who refuses to give up their right to share an opinion whether you asked for it or not, or if you are the child of such a person, this is one for you.

The trick is that while the story’s hero is grumpy and probably a little too honest for his own good, he’s also a hero in a few ways that his daughter and the rest of their family never expect. He’s a curmudgeon to the core, right out of an episode of Sanford & Son and yet he’s also self-sacrificing and probably the smartest guy in the room he walks into. That’s old Gideon Hastings for you, a man’s man, facing his end with the same grizzled defiance that he stared down a treacherous life.

Book Review: 324 Abercorn Street by Mark Allan Gunnells

 

Review by Stephanie Ellis

Rating: 4/5 stars

Synopsis: ‘Brad Storm doesn’t believe in ghosts, but moving into the house at 324 Abercorn just may change his mind.

Best-selling author Bradley Storm finally has enough money to buy and restore his dream home. Despite 324 Abercorn’s reputation as one of the most haunted houses in America, Bradley isn’t worried. He doesn’t believe in the supernatural. Then strange things begin to happen. Objects no longer where he left them. Phantom noises heard from empty rooms. Shadows glimpsed from the corner of his eye.

Is his house truly haunted, or is there something more sinister happening on the property?

With the help of Bradley’s new boyfriend and a few friends who are just as intrigued with the seemingly inexplicable occurrences surrounding the infamous house, they set out to find the truth of what stalks the halls at 324 Abercorn.

A feel-good haunted house story. Can there be such a thing? I never thought so until Crystal Lake Publishing produced this little gem.

When novelist Bradley Storm hits the big time, he finally buys his dream home, the reputedly haunted 324 Abercorn in Savannah. With a strong disbelief in the supernatural, he dismisses the little occurrences going on around him. Television turned on, door open – all can be explained away by logic. The ‘haunted’ element of his house is easily pushed to the back of his mind as he embarks on a relationship with artist and student, Tobias.

As their relationship develops against the warm Savannah backdrop, it feels nothing bad can happen – until it does. Strange visions start to affect him, changing his mind about the supernatural and causing him to doubt his own sanity. Yet he has good friends around him and they join in his search for the truth behind the house.

And this was where the story fell down a little for me. There was no tension between any of the main characters. The quartet of Brad, Tobias, Neisha from the Heritage Centre and Howard, Tobias’s housemate was a perfect circle of friendship, no undercurrent of conflict or hints at a hidden agenda. The reveal was clearly sign-posted very early on and the wrap-up at the end was too swift. This created a lack of tension and weakened any sense of horror, there was no sense of dread. It was this missing chill factor, which made it feel more like a romance with a touch of horror thrown in, that stopped me giving it the full 5 stars.

For me, this was very much a feel-good story, one to be read on a warm summer evening, sat on a terrace with a glass of wine in hand.

New Book: A new wave of horror in Sacrifices Incarnate

Sacrifices Incarnate is an horror anthology, and author Christopher M. Fink’s first publication.

His early years of writing were nothing short of what you’d expect from a seven-year-old; much of those stories read today like bullet points for a developing concept. In those days, they were untouchable gems of literature (at least in his eyes, as well as his grandparents)! Their support was genuine, but the skills needed work, and so began the journey of honing the craft, and molding it into something much more terrifying! Interestingly enough, one of those very gems entitled “The Evil Leprechaun”—yes, it is every bit as corny as you’re thinking—became the basis for one of the very shorts contained in this book.

This much anticipated anthology is more than a simple book, but the vessel which fear is held and guarded. For those brave enough to venture, it is sure to excite the demons in us all! Sacrifices Incarnate is the culmination of many years, and many fumbling’s of several short stories that manifested themselves simply from a number of captivating locations seen in his travels. The first story created is one entitled “No Fracking”, which was based on an old rundown nameless motel in upstate New York he had visited some years back. It was nothing remarkable, but the seclusion and relative dilapidation of the place had its own unique haunting kitsch that was ripe for a tale of terror!

Other story elements have developed into full elaborations of some genuine fears; many of which most others share. From being buried alive, to confrontations with unseen creatures (Restless, “untitled” & The Quiet Ones respectively), and unassuming relationships (Pen Pal). This book is to grant people the chance to face those fears from the comfort of their own homes, knowing that they can’t be hurt in any way. But if these things did happen upon you, how would it make you feel? That’s the question that begs to be answered!

“I love my craft, and even more, the process by which I create the world and the characters therein. There is nothing more engaging and rewarding! And, like many authors, I suspect, we would all like to be able to make even half a living on our work. Regardless, I will never stop writing. It has become, in many ways, a salvation for me, and a vacation I look forward to everyday!”

“It has since become more than my first publication. It is a tremendous milestone in my career, and has afforded me the privilege of meeting some amazing people in the process.”

If you want to enjoy some genuine terror this Halloween season, as we know our plans and events may very well be up in the air, then look no further! No one said we can’t share a scare, so pick up your copy of Sacrifices Incarnate, now available on Amazon!

As always, I want to thank all my readers, and especially the staff here at Horror Addicts! It’s been so much fun thus far, and I’m looking forward to all that the future holds! From The Horror Seeker, happy reading, and if it gets to be too much, just remember, they’re only stories. None of it is… real.

Right?

Need a break from the New Normal? Offerings from A. Craig Newman

From the Author:

I am declaring August 3 to August 10 to be a week-long “Horrific Break From Reality”.

From August 3 to August 7, two of my books will be available for free download from Amazon.com.

Wages of Sin” – The story of two women punished for the crime of loving each other. One is forced to grow extra limbs she can’t control. She was the lucky one.

Burn – A man’s pain sets the world around him on fire.  Taking the wrong drug makes everything freeze to ice.  The pain never goes away.  After committing murder, his pain only grows stronger.

Also available on Amazon.com, “Modern Myths and Fairy Tales” will be on sale for $0.99 from August 3 until August 10, before returning to its normal price of $2.99.

On August 8 at 7 PM, I will be hosting Serial Killer Trivia: Fact and Fiction. There will be 3 fun yet creepy rounds of questions and answers with the highest scoring player of the night winning a $25 Amazon Gift Card. Have a drink, enjoy a little dark humor, investigate some of the lurking monsters who look like your next-door neighbor. Visit Yaymaker.com to purchase tickets for $10

The following excerpt is from my story “Communion Day”.  I hope you enjoy my story.

The doors at the rear of the sanctuary opened. Two large men entered with Monty between them, ankles shackled together, and wrists bound to his waist.  The larger men walked with a slow but steady gait, dragging him between them. 

“What’s going on?” he screamed. “What the hell is wrong with you people?” 

“There is no hope for us without sacrifice,” the pastor said and closed his book. 

“A sacrifice of blood. A sacrifice of flesh,” the congregation responded, finishing the Recounting. 

“What?” Monty screamed.  “Let me go! Let me go!”  He saw Celeste seated in her pew as he passed by.  “Celeste? Celeste! Help me!” The trio stopped at the front of the sanctuary before the pulpit and the great statue.  “Celeste!” Monty called over his shoulder. “Celeste!” 

“Celeste,” the pastor said, “your husband calls to you.” 

“Yes, pastor,” Celeste said before struggling to her feet. She waddled over to Monty and his guards. “Yes, honey?” she asked when she stood before him, her back to the statue. 

“What-what-what the hell is going on? What is this place? Who are these people?” 

“It’s Communion Day,” she said in the calm, even tone of a teacher.  “This is my church and this is my family.” 

“Church?” he repeated. “Like God and stuff, right?” 

“No,” Celeste said. “The Father and The Son,” she said, gesturing to the icons behind her. 

Monty’s face clouded with confusion. “What are you talking about? That’s not God! And that’s not Jesus! Why is he upside down?” 

“That’s The Son. And that was how he was sacrificed.” 

Monty shivered as if he were cold. He looked about quickly. “Honey-honey, what’s going on? Get me out of here. We’ve got to get out of here.” 

“It’s Communion Day,” she said, placing a hand on his cheek.  She kissed him. “We must all make sacrifices,” she said after their lips parted. “You are mine.” 

Ushers came to the front and moved the pulpit out of the way.  A pneumatic lift whirled to life and the great statue of Father started to rise.  Beneath it was a grate and a basin. The grate slid out towards Monty.  His guards carefully lifted his struggling figure and laid him on the grate, attaching his binds to it.  The grate slid back under the statue.  While the bulk of his body was under the statue, his head stuck out to one side. 

“Celeste! Celeste!” he screamed repeatedly. 

She moved to be closer to him, placing a hand on his cheek and kissing him again.  The pneumatic lift whirled to life again and the statue lowered.  Celeste kept her lips to his as the statue made contact and began to press on his body.  His screams into her mouth could be heard in the first rows as the statue continued its slow descent.  His screams turned to choking noises.  When she broke her kiss with Monty, he atomized blood, spraying it over his face and hers.  Monty watched Celeste wipe some of his blood from her face and lick her fingers clean before his pupils dilated and he stopped moving. 

The ushers unlocked and removed a panel at the front of the statue.  The congregation could see the filling basin.  An usher opened a spout and let the blood flow into a goblet.  Pastor Johnson held the cup and ushers stood on either side of him holding loaves of bread.  Approaching in lines, each member of the congregation tore a piece of bread from a loaf and dipped in the goblet of blood held by the pastor. 

“There is no hope without sacrifice,” the minister said to each member. “May your harvest be plentiful.”  They then ate the bread, crossed themselves, and returned to their seats for quiet meditation.

The complete text for “Communion Day” and a selection of my work can be found at www.acraignewman.com.

Check These Out : Available from A. Craig Newman

Our friend A. Craig Newman invites Horroraddicts.net readers to enjoy these books:

Modern Myths and Fairy Tales https://www.amazon.com/dp/B0864X2V64/ref=cm_sw_r_cp_api_i_L15GEbNQX7CKN

Four stories of sex, madness, magic, and murder:

CIrce’s Music Shop – Sorceress makes music with a mobster.
Randall’s Visit – A ghost interrupts a patient’s visit to his therapist.
Archer Nash – Archer says to the dead what he can’t seem to say to the living.
Dierste Hamelin and the Pied Piper – DIerste thought she was playing The Piper until it was time to pay him.

Wages of Sin

https://www.amazon.com/dp/B0848T49V4/ref=cm_sw_r_cp_api_i_X25GEb6NCGGNB

Anne Marie Thomas and Tonya Jacobs are lovers who were caught in the act, a crime under the law of this warped future. Each will face unspeakable punishments designed to correct their errant behavior and adopt ways that will conform with society. Neither will ever be the same.

Burn

https://www.amazon.com/dp/B084G7NYVL/ref=cm_sw_r_cp_api_i_n35GEbF1BGMR0

A lonely, heartbroken man’s world is afire. With the right drug, it freezes solid. In this drug-addled state, he goes home to confront the man who has taken his life.

______________________________________________________________________________________________

A. Craig Newman ~ Writer of short stories, screenplays, and poetry. Genres include horror, sci-fi, fantasy, action, comedy, and erotica. 

My Darling Dead: Bastards Episode 3/ Council Rules

Orteg’s favored tavern was situated in the forest proper. A small dirt road led from the stone-paved thoroughfare to its front doors, the road flanked by huge trees older than time itself. A bird familiar with cartography would see the tavern at the center of a hundred little paths wending their way towards it through the forest, like the center of a spider’s web. It was down one of these paths that Zavier and Orteg now walked, away from the main thoroughfare. 

Orteg gaped. “Who are you? How do you know of all this?”

“I am the son of the counsel to King Wendell, the wizard Sapius was my father and shared with me your entire pathetic history,” Zavier said, waving a hand impatiently. “I have long been searching for you to tell you this, and to tell you: you must be made king!

“When the princess Alasin, your half-sister, was born, she was the recipient of a dreadful curse by a fairy at her christening ceremony. As revenge against the king for two-timing the fairy, the princess was doomed to continually suffer the loss of the one she loved most, which, at the time, was the king. He died as a result and the steps the queen took to preserve her own life ultimately drove the princess mad, though she was none too stable, to begin with. 

“Alasin took a love potion before looking in the mirror beside her mother, and, falling in love with both of them, sealed their fate. The curse dispatched them that night but was never broken by her dying a natural death. Which is the plague, the rat creatures, rampant filth, all the side effects of the curse, are going to continue on and on until a new king is christened, properly. You are that king!”

Zavier halted, breathing heavily, staring at Orteg with hot, unblinking eyes.

“So…what am I supposed to do?” asked Orteg, feeling foolish. 

“You must get to the castle. The council which has attempted to govern in light of a real king will be gathered. In their presence, I will perform a spell which shall reveal your lineage. They will have no choice but to crown you king!” Zavier cried, spittle flying from his mouth in his ardor. “The entire kingdom will fall under your rule, with your divine right as Wendell’s heir a new era will come to the kingdom, one of lawful productivity rather than the dark squalor of insanity, a strong, new…”

They continued down the path, Zavier extolling the upcoming Orteg Era of the kingdom as its namesake listened in a daze, only catching half of what was being said. As the wizard’s voice began to fade, in the foliage of one of the branches looming over the forest path, what had once been a human female crawled from a tree limb. Her eyes glowed with a crazed fire and her matted hair was crusted with dirt and sticks. She had long ago lost the power of speech, but her subconscious retained enough of the language skills she had learned as a child to understand it. She knew the information she had heard would be worth something to the council, and that meant food. After waiting for the sound of footsteps to die away, she slithered headfirst down the tree and set off in the direction of the castle, giving the two men a wide berth. 

The Honorable Prefect Mosh Barris sat at the head of the long council table in the courtroom of the castle, pulled up to the table as close as his ample stomach would allow. Three of his six chins wobbled as he chewed the mouthful of roast oxen with relish. Six men sat to his left and six women sat to his right, making up the government of the kingdom. All were well-fed, though none so well-fed as Barris himself, all were wearing wigs and all were staring down their noses at the little man cringing before them, wringing a filthy hat in his equally filthy hands.

“Farmer Ellis,” Barris rumbled after swallowing, taking care to keep the smile from his meaty features, “The effects of the rat creatures upon your farm is not the concern of this council. The pestilence is your responsibility to control to the best of your ability and is not to interfere with your tithings. Therefore, your request for an extension on your land tax is denied.” 

“But… Your Honor, my entire family has been taken by the pox or the rat plague. It is only me to care for them all and to maintain the farm.” Tears were coursing down his gaunt cheeks as he fell to his knees, beseeching each member of the council in turn. “I beg of you, have mercy.”

“Exceptions cannot be made,” said the woman immediately to Barris’s right. “Any exception would result in the same request being made a thousandfold.”

“Quite right, Agathas,” said Barris, favoring her with a thick-lipped smile. “At any rate, the kingdom needs taxes, not excuses. You may go, Ellis.”

The farmer got to his feet and jammed his hat on his head. Turning to go, he was halfway to the door, before he spun around and threw his hat to the ground.

“Barris! You and your council of toads are nothing but bloated bags of gas feeding on the misfortunes of others! May you one day face the same mercy you have shown!” Ellis shouted, his voice shrill. “There will be others, and before long, you will be buried by them! Selfish pigs—”

“BAILIFF!” screamed Barris, crashing to his feet, his own large features turning a dark purple. “Take this man away and execute him for treason! To speak against the governing faction of the kingdom is to speak against the kingdom itself.” He slumped back in his chair, breathing heavily. 

Before Ellis could react, his arms had been pinioned behind his back by a hulking man in a gray smock who had been standing unnoticed in the corner. The hulking man gave a sharp jerk upward and a wet popping sound filled the room as the farmer’s arm was broken from its socket. Ellis screamed still louder. The woman Agathas watched with rising color of her own, her tongue moistening her lips. Barris could feel himself getting aroused. 

“On second thought, bailiff,” Barris said with a grin, watching Agathas. “Execute him here, for our amusement.”

Ellis began to blubber through his tears and screams, begging and pleading, words about his family, sick and dying without him. The hulking man stunned him with a rap to the back of the head. “As you wish, sir. Would you like it to be quick, or slow?”

Barris looked at Agathas and raised his eyebrows inquisitively. 

“Slowly,” she said. Her hand was already between her legs and her breathing ragged. “But not too slowly.” 

 

 

HOW Con: New 2020 Workshops!

If you can’t take time out to be part of the Live Shout Box Events happening at the HorrorAddicts.net Online Writers Conference Feb 25-27 never fear! Our forum based conference has numerous workshop for your Publishing, Writing, and yes, Horror inspirations!

In addition to our Previous Articles and Video Panels from last year that attendees can still access, New Workshops for our 2020 Conference include:

Speculative Author Diane Arrelle Interview

Using the Imagination Game to Inspire Ideas by Emerian Rich

How to World and Character Build in Horror by Charles F. French

What to do When Real Life Interferes with Writing by Kristin Battestella

Back to Basics: Writing Prompts Like We’re 10 Video Exercise

10 Things to Remember when Planning a Writing Event

How to Plan Workshops and Oral Presentations

And MORE!

Remember to Sign up and Log in so you can experience all HOW has to offer! 

#HOWCon 2020: Live Shout Box Events!

It’s that time of year again! Time for the HorrorAddicts.net Online Writers Conference! Take a little winter time out with us February 25-27 at http://horroraddictswriters.freeforums.net/ to focus on YOUR writing thanks to our writing articles, author interviews, and publisher how-tos. Browse at your leisure regardless of time zone or pajamas, or join HOW for our Live Shout Box Chats featuring noted editors and horror authors!

 

Here’s the Schedule for our Live Shout Box Events:

Tuesday, February 25 8 p.m. est/ 5 p.m. pst HOW Shout Box Welcome Party

Tuesday, February 25 9 p.m. est/ 6 p.m pst NGHW Winner Jonathan Fortin.  Jonathan is a winner of The Next Great Horror Writer Contest. His LILITU: THE MEMOIRS OF A SUCCUBUS will be available on March 27th, 2020, on both Paperback and Kindle. It’s being published by the award-winning horror publisher Crystal Lake Publishing. Visit www.facebook.com/pg/JonathanFortinAuthor for more!

Wednesday, February 26 12 noon to 1 p.m. est / 9 a.m. pst Horror Author Charles F. French. Charles is a college professor and the author of Maledicus: The Investigative Paranormal Society, Book 1; Gallows Hill: The Investigative Paranormal Society, Book 2; The Investigative Paranormal Society Cookbook; and French On English: A Guide To Writing Better Essays. For more information about Charles visit
www.charlesfrenchonwordsreadingandwriting.wordpress.com

Wednesday, February 26 9 p.m. est/ 6 p.m. pst Naching T. Kassa Chilling Chat Hostess and HorrorAddicts.net Publishing Editor

Thursday, 2 p.m. est 11 a.m. pst Horror Author Nancy Kilpatrick. Nancy has been a 4 time Bram Stoker Award finalist, a 7 time Aurora Award finalist, a 2 time Paris Book Festival winner for anthologies, the ForeWord Reviewers Award silver winner for collections, the winner of the Murder, Mayhem & the Macabre award; The Standing Stone short fiction winner award; Interzon winner; and winner of the Arthur Ellis Award for best mystery story. For more information, visit nancykilpatrick.com/

Thursday, 12 est 9 p.m. pst Shout Box Late Night Finale Party

See you at #HOWCON2020!

Mocha Memoirs Press : Tell Your Story Regardless

Telling Your Story Regardless
by Nuzo Onoh

A while ago, a lovely literary agent had this to say about my manuscript when I contacted him for representation. It is impressively wrought and fully realized. I am sorry to say that I don’t have a clear vision for how to break it out in a very crowded and challenging market for fiction.

Ouch! Needless to say, I was gutted by the rejection. Without him telling me, I knew without vanity that my story was indeed impressively wrought and fully realised, but just like several other agents before him had stated, they all lacked the courage to take on something so different from the current market trend, that it was simply easier to pass.

Did I sit down and fold my hands and cry, chuck my manuscript into a drawer and leave it to collect dust and wallow in hopeless despair? Hell no! What I’ve done is take control of my writing and my destiny. I knew I had a story to tell, a rich African culture to share with a wider audience through the medium of horror.

Growing up, my earliest African horror influence was a book by Amos Tutuola titled, The Palmwine Drinkard. The book was a brilliant narrative of folklore, told in the authentic pidgin English of the average uneducated Nigerian, and it resonated so much with me that I knew I wanted to write and tell my own story, one laced with African lore but embodying all the modern elements of a good horror story. I wanted to write African ghost stories, supernatural narratives that will induce feelings of dread, suspense, terror, revulsion and shock, stories that are unsettling and unexpected, yet showcasing African culture and lore.

In time, as I started discovering other works of regional horror, from Japanese horror to Scandinavian horror, I realised there was no market for African horror in the literary field, even though there were a few results for African horror film, thanks mainly to the Nigerian Nollywood industry and the South African horror film fest. It wasn’t because Africans weren’t writing horror; rather, it was simply because no African writer had opted to market their work under that genre. Worse, the popular press had already cannibalised the phrase so negatively, that a google search for African Horror inevitably came up with negative results about the African continent, covering stories about wars, famine, Aids and every other evil they could report. Needless to say, similar or worse events taking place in Europe and America were never covered under the heading of American Horror, British Horror or Spanish Horror etc.

So, when I started writing my stories, I decided to reclaim that heading and turn the phrase, “African Horror” into something horrifically positive. Firstly, I set up my own publishing company, Canaan-Star Publishing, UK. I had no idea about publishing. It wasn’t one of the things we were taught during my masters degree programme in Writing. But I was determined to tell my story nonetheless and so, spent endless hours poring over internet articles on publishing and marketing.

My first African Horror book, The Reluctant Dead, was finally published in 2014 and I undertook a vigorous marketing strategy using the phrase, African Horror” for my book’s category. It worked. By the time I’d published my third book, The Sleepless, in 2016, not only was my name coming up in google searches, but other African writers were now using the same category to market their work! I have since been invited several times to either give talks, deliver lectures or contribute to anthologies by people who googled the phrase, African Horror and discovered my name.

My journey is not over yet. My story is not done yet. I still have many characters begging me to tell their stories, to bring them to life in the pages of a book. My stories may not be commercially viable for agents to represent, but as long as I have a story to tell, I will continue writing. The good news for me is that today, almost 6 years since I first wrote and published my first African Horror book, and despite the fact that I’ve not carried out any promotions or published a book in two years due to some health problems, my books continue to sell and my desire to share my unique story remains as strong as ever. This just shows that a good story will always connect with someone, somewhere, somehow.

So, if you have a story to tell, if you hear the voices of those characters who won’t give you any rest till you tell their stories, then just write. Just write regardless of rejections, regardless of financial constraints, regardless of self-doubt and regardless of the commercial market. Just write because if you don’t, you’ll never know what could have happened if you’d taken the risk and followed your dream.


Nuzo Onoh is a British Writer of African descent. Popularly known as The Queen of African Horror, Nuzo is the writer of horror fiction from the African continent. Her works have featured in multiple anthologies and magazines, promoting her unique genre, African Horror. Nuzo holds both a law degree and a Masters Degree in Writing from The University of Warwick, England. She lives in Coventry, from where she runs her own publishing company, Canaan-Star Publishing. Now recognised as the front-runner of African Horror, Nuzo is the author of the bestseller, Unhallowed Graves, a collection of African ghost stories, amongst other works. Her books are available from Amazon.

February Theme : Black Horror/Women in Horror/ Horror Online Writers Conference

February promises to be a full month here at HorrorAddics.net!

First, for Black Horror History Month, we have special guests, Mocha Memoirs Press.

Mocha Memoirs Press is a publisher whose mission statement reads: We believe representation in speculative fiction (science fiction, horror, fantasy) is not only important but a necessity. We publish engaging stories that amplify diverse experiences with vivid storytelling, robust protagonists, and fearless voices.

We here at HorrorAddicts.net enjoy bringing diverse voices to you, but this month, we reach further to find out more about black history that maybe you did not know. Not only will we have articles from some of the authors of Mocha Memoirs Press, but we’ll also have historical pieces by returning authors.

Second, as you may know, February is also Women in Horror Month. We’ll be exploring some of the women horror writers that you’ve come to enjoy, as well as some you may not have encountered before.

To round out the month, our very own Kbatz has created the HorrorAddicts.net Online Writer’s Conference (HOWcon) from Feb 25th-27th. To find out more, got to: http://horroraddictswriters.freeforums.net

We hope you have a very spooky Valentine’s Day and enjoy our February month exploration.

~Nox

Blog Editor

It Came From the Vault: Traditions by Stephen Kozeniewski

vault

TRADITIONS

by Stephen Kozeniewski 

Granny clattered on the counter with a wooden spoon until the children stopped squabbling. When they finally turned to pay attention, she smiled, baring each and every bright white denture with joy.

“All right, little nuggets,” she said, “Now granny is going to show you what to do. Come up here.”

She lifted two-year-old Benji and planted him on the counter beside the sheer metal stockpot that was almost as tall as him.

“Now, Benji, this wax is very hot so don’t put your fingers in it and don’t splash.”

“Yes, grandma.”

“Now start to feed the coil in slowly and let me know when you run out of length.”

Giggling, Benji did as he was told.

“Granny, why do we wax the decorations?” little Suzie asked, her pinky hooked into the corner of her mouth.

“So that they last, my dear.”

“And why do we want them to last?”

Granny crouched down to Suzie’s level, even though it pained her ankles.

“Because it’s a tradition, my dear.”

Little Suzie’s eyes lit up with the wonder of excitement and recognition.

“A t’adition?”

Granny nodded.

“Like when we invite a homeless person in for Christmas?”

“That’s right.”

“All done!” Benji announced, clinging to the last link of this year’s holiday visitor’s small intestine.

Together, as they did every year, they draped the wax-dipped organ around their tree of horrors. The attic was starting to overflow with their collection of decorations.

“God bless us every one,” Benji said joyously.

******************

Kozeniewski Author PhotoStephen Kozeniewski (pronounced “causin’ ooze key”) lives with his wife and two cats in Pennsylvania, the birthplace of the modern zombie. During his time as a Field Artillery officer, he served for three years in Oklahoma and one in Iraq, where due to what he assumes was a clerical error, he was awarded the Bronze Star. He is also a classically trained linguist, which sounds much more impressive than saying his bachelor’s degree is in German. Find out more at: www.amazon.com/author/kozeniewski

My Darling Dead: Episode 12/The Fairy’s Return

For years, Hespa had been plagued by stories of the rat people. She had forbidden their mention in her court, but updates and rumors still flew through the castle in spite of (or perhaps because of) her edict. She knew, for example, that the rat people were taking over her kingdom at an astonishing rate, replacing her subjects with feral monstrosities which fed on death and decay and were eager to spread their disease. She knew that the rat people now outnumbered those not so afflicted and that within weeks if not sooner she would be the head of a kingdom consisting of nothing but rat people. Already several had been found inside the walls of the castle, one of them only a few floors down from her private chambers. Hespa shuddered and drained the wine from the glass she held. She extended her arm and immediately the empty glass was replaced with a full one by her handmaiden. 

“Leave me,” the queen snapped. The handmaiden was happy to do so.

Hespa also knew that the humans still under her rule were muttering and that their mutterings had grown loud enough to be heard clearly by spies and castle guards. The word “rebellion” had not yet been uttered, but any fool could tell that it was on the minds of many. Hespa had witnessed castle guardsmen holding her eye contact longer than was proper, staring back at her insolently until she was forced to drop her own eyes, hating herself as she did so. She had never felt so vulnerable as these past months, surrounded by inhuman things and resented by those in whose hands she placed her life. 

The mid-morning sun reflected from the armor of the guard on duty at the front gate of the castle. He belched and squinted into the sun, straining to discern mirage from reality as a figure approached the castle gate. Or was it two figures? No, just one. 

No…

His eyes widened. 

“Halt and be–”

Esemli raised her left hand and the guard was thrown into the nearest wall with such force that his breaking bones were heard hundreds of feet away. He screamed and she winced. 

“No,” she said, and waved her hand again. The guard continued screaming but no noise came out, eyes bulging as he attempted to cradle his broken parts and give voice to his hurts. The other guards stampeded each other trying to get out of Esemli’s way. She swept through the gate and past them without a look. In her right hand she held a leash and to her leash was attached one of the rat people, a woman who had perhaps once been plump but now appeared emaciated to the point of death. 

Her skin was caked with filth and blood was smeared around her mouth. Her clothes were rags, held together mostly by luck. Her eyes darted this way and that and she never seemed to stop licking her lips. Part of her bottom lip was gone from a time when the woman had been so desperate for meat that she had begun eating her own face. Half of her teeth grinned through her cheek at anybody who looked at her. On all fours, she scuttled behind Esemli like a dog which has been beaten often enough to fear its master but not often enough to attempt escape. 

Esemli did not appear even to notice the creature in her wake. She mounted the stairs to the queen’s chamber with the rat woman at her heels. Raising her left hand, the queen’s chamber door slammed open with such force that the metal handle cracked the stone wall. Hespa whirled as Esemli let the leash go and snapped a word in a strange language that meant nothing to the queen, but the rat woman clearly understood. Still on all fours, she made straight for the queen, a horrifying grin etched on what remained of her features as she snapped her teeth. 

Hespa was frozen only for a moment before countless hours on self defense spent with Bortix the Captain of the Guard leapt to the forefront of her mind. The queen whirled, seizing a long metal spike from beside her window and as the rat woman leaped, Hespa extended her arm and set her feet. The rat woman collided with the spike, the force of her attack impaling her upon the spike through one of her crazed rolling eyes. 

The fairy laughed. “Well done, Queen Hespa. Perhaps you should be standing guard over your castle rather than the bumbling fools currently there.” 

Hespa did not hear. Her eyes were locked on the rat woman’s face, overcome with horror as the woman’s eye ran down her hollow cheek. She had heard of the rat people, yes, but she had never seen one, much less this close. The humanity she could still detect beneath the dirt and waste was worst of all. Now that the woman was dead, Hespa could see the peasant woman who had once resided behind those eyes. Her face was relaxed, her eyes no longer rolling. But for the spike through her eye and half her lip being gone, she could have been asleep. 

Esemli closed the door behind her. “Queen Hespa, you forget your manners. I have brought you a gift, the least you could do is offer me some of your wine.”

This time, the words sunk in. Hespa tore her eyes from the rat woman with an effort and dropped the spike. “Fairy, your presence here is less welcome than the plague. I would sooner spit in your face than offer you wine.” Pasting a sneer on her face, Hespa moved to where her goblet stood and drained it before refilling it from the crystal decanter. 

A flicker of annoyance flashed across Esemli’s face and she moved her left hand, ever so slightly. The decanter overbalanced and splashed wine all over the queen. Hespa swore and drained what was left in the decanter before throwing it out the window in a blind fury that abated as she heard the crystal smash on the stones far below. She did not look at the fairy, sipping her wine from the goblet as she wrestled back control. 

“Decades I have been gone from your eye,” Esemli said, her voice quiet but with an intensity Hespa could hear across the room. “But I have not been gone from this realm. I have watched your daughter grow from innocent child to petulant woman, never able to love her mother because you have made it impossible. I have witnessed your subjects regress and devolve until the wisest of them is merely a few steps above yonder wretch.” She gestured at the rat woman’s body which lay in a puddle of her own blood, eyes still open, one staring at the spike which had impaled its mate. “Your husband’s disrespect was not forgotten and as your daughter was cursed, so was the entire kingdom, to descend slowly into bestial madness. The suffering of the monarchy and the collapse of the kingdom have been a pleasure to behold for all of my kind.” The fairy laughed. 

“Why did you bring that…creature, Esemli?” Hespa asked, staring at her kingdom. 

“Bringing you what hath been wrought, Your Highness,” the fairy said, and sank into a deep and mocking curtsey which was wasted on the impassive queen. “This is one of your subjects with all the trappings of décor stripped away, exposed for what they are. Nothing but a pathetic, slavering, mewling–”

The door slammed open behind Esemli. Her eyes widened and she was halfway through turning toward the door before Princess Alasin’s poisoned dagger buried itself in the fairy’s throat. The blood which spurted from the wound was not precisely red but nearly purple and seemed almost to glow. 

The queen turned just in time to see her daughter lunge through the door. The goblet of wine fell from Hespa’s numb fingers. Her feet seemed rooted to the spot. Her glass shattered on the stone floor as the fairy fell, her throat gushing strange blood.

Esemli sank to her knees, one hand reaching to the handle in her throat. The glowing purple blood coated her fingers and she grimaced as she touched the blade. 

“Guh…” she said and wrapped her fingers around the handle sticking out of her throat. She pulled, the sound of the blade sliding through her flesh sending the queen’s skin crawling as fresh gouts of blood poured from her mouth. “Guh…” she said again, her hand dropping from the handle with the blade still buried in her throat. 

“Isss… too…toooooo…” she said, her words obscured by the blood which flowed, faster now, out of her mouth. The color was draining from her face. “Toooooo…” she moaned and fell forward. She landed on the handle of the dagger and with a horrid squelching sound the point of the blade stabbed out the opposite side of her neck. 

My Darling Dead: Episode 5 – The Suitor

Prince Heyworth had come from the kingdom of Duyuwan, over a hundred leagues away, in troll country. He had grown into a tall strong man and had made quite a name for himself in his home kingdom thumping trolls before turning his attention to a far more unwinnable prize: the princess Alasin of Dandoich. Over a dozen suitors had left the kingdom with their hearts in tatters after attempting to tame the princess. Heyworth had been at the task for a week and was unable to admit, even to himself, that his goal was likely to be a doomed one.

The first night, he had arrived to a feast in his honor. The queen had seated Heyworth and Alasin together and, installing herself on his other side, proceeded with an interview clearly meant to highlight his virtues to the sullen princess to his right who was doodling on a scrap of parchment with a quill she had brought to the table. The queen continued in this vein for some time, making it difficult for Heyworth to consume any amount of food set before him, he was so occupied with his narrative. By the end of the feast, the princess had met his eyes once, and she retired early to her bedchamber without inviting him to join her. Each night had ended thus, and he felt as though he had spent the week trying to woo a brick wall.

Now it was approaching the evening meal and he had not laid eyes upon his target since that morning when, in response to his inquiry, she had curtly told him she was going out and would be back later. He had spent the day wandering the castle, yet again. He had gathered some knowledge from questioning the farrier as to the shoeing preferences of the castle’s horses, admired the swords in the armory and endured a highly uncomfortable tea with the queen, at which she had hinted extensively that any prince worth his salt should have her daughter smitten by now. He was just about to go up to the tallest tower and start counting the trees he could see through the gathering dusk in the distant forest when he heard the lookout’s shout.

“Princess Alasin returns! Have open the gates!”

An unconscious set to his jaw, Heyworth strode to the battlements overlooking the gate, watching the princess’s litter draw closer up the roadway leading to the castle. He tapped his fingers, glancing to the sunset. Nine hours she had been gone.

If he was to win her, he would have to instill respect.

He started down from the battlements as the drawbridge clanked down, the gate clanked up, then the process reversed itself as the litter came to a stop in its accustomed place near the stable. Without delay, the litter bearers dispersed, eager to put as much distance between themselves and its inhabitant as possible. As Heyworth stood there, waiting for the princess to emerge, he could hear a loud sniffing sound, as though one were sampling the fragrance of a good meal. No sooner had the sound dissipated than the Princess Alasin emerged, eyes streaming and a manic grin on her face that only fell slightly when she beheld him.

“Hey…it’s you…Haystack, am I right?” Alasin giggled, nearly losing her balance as she stepped down from the litter.

Heyworth reached out a hand to steady her. “Princess…please allow me to assist you.” He stepped forward, intending to put an arm about her waist. She pushed him away.

“No touching! Seriously, Haystack, I require no assistance. Please leave me.”

He caught her by the upper arm, tightening his grip so she could not pull away. “Well, my lady, I would like an explanation where you have been lo these many hours with no word of your whereabouts to your mother or suitor.” His grip tightened further.

Alasin snorted, her gaze sharpening. “I’m not sure who you think you are, by the gods, but I owe my mother nothing, and you less than that. Unhand me this instant!”

Heyworth felt a minor explosion in his chest as rage flooded through him. He grabbed her other arm. “That is all the disrespect I will tolerate from you, princess or no!” Digging his meaty fingers in, he pulled her toward the door leading to the castle’s sleeping quarters he was currently occupying. Alasin scratched and bit but Heyworth’s muscles had grown up fighting trolls and she was dragged, cursing, up the stairs toward his bedchamber. Fight though she did, the thought of screaming never entered her mind.

Slamming his chamber door behind them, Heyworth threw her from him, sending her flying across the room and knocking her head into one of the four poster bed’s pillar. She sat down hard, swaying. The world swam before her as the rug beneath the bed came into focus. She could see clumps of dust clinging to the fibers and she thought dazedly, must remember to thrash the cleaners for that.

She heard the sound of panting, like a dog’s. He was breathing fast as his hands worked his belt buckle and there was an ugly glint to his eyes. “Need a lesson in manners,” he muttered as he jerked the belt from his pant loops and adjusted himself. “Respect. Deference. You WILL give them to me.” Snapping the belt between his balled fists, he started toward her. “Princess, I regret that you’ve made me do this, but if you just–”

He stopped, mid-stride, narrowed eyes taking in the small blade poised to throw in Alasin’s hand from where she crouched on the floor beside the bed frame. Now she rose to her feet, keeping the blade leveled at him.

“Listen, cretin,” she said flatly, her breathing rapid, “the only reason you are not dead where you stand is that the fact of your death would benefit me less than your survival. Depart from here immediately and never darken the land near me for the remainder of your days. I am the princess of the realm and I have spoken. Now depart, before I am forced to end you regardless of the ramifications.”

Heyworth licked his lips, feeling the blood drain a little from his loins. The belt drooped. He attempted a sneer. “You’re just a princess. You haven’t got what it takes.” He stood a little taller to enhance his stature. “I have single-handedly slain more trolls and enemies than I can recall if–”

“Listen to me Heyworth,” Alasin said, stepping closer to him, her teeth bared. “You have no idea of who I am, nor what I am capable of. I suggest you leave, before I show you. You have no more warnings.” Her eyes never left his.

In other circumstances, this may have worked. But Heyworth’s trollish pride had been wounded, and the ugly look returned to his head. A grin that may have been a leer appeared on his face. He raised the belt and took a step closer as well. “Listen here, brat, wave that knife of yours in my face and your mother–”

Quicker than the eye could follow, an expression of fury flashed across Alasin’s face and letting out a scream, her arm flicked out and she cut his throat as deeply as she could, scraping her knife on his vertebrae. Blood spurted across her face and she wiped it from her eyes as Heyworth sank to the floor, dropping his belt and clawing at his throat as though he could mend the damage she had done. Alasin smirked as she sank to her knees, her eyes following those of the dying Prince Heyworth, waving the blade in front of his face as it drained of color.

“I told you, pig,” she hissed, wiping the knife on Heyworth’s cheek, leaving a bloody smear and a fresh gash as the keen blade kissed his cheek. “I owe my mother nothing.”

She pushed him and he fell backward, striking his head hard against the stone floor. Dazed and struggling for breath, he sank back, his view of the ceiling impeded by the large dark circles that had begun to spin in the forefront of his vision. He remembered hearing rumors throughout the kingdom that the princess carried a poison blade. He had discounted it as just the rumors of common folk. Now as the dark circles claimed him, for the first time, he wondered if he could have been wrong…

“Princess! Princess Alasin!”

The door crashed open. Alasin looked up to see three of the castle guards struggling to be the first through the door. The first guard came forward, uncertainty on his features. “Lady, the wizard bade us come to aid with the greatest of speed. Do you require assistance?”

She rose to her feet, looking disdainfully down at the dead prince. “Yes,” Alasin said, and prodded Heyworth’s corpse with her foot. “Remove this from the castle and inform the queen that her latest suitor is rejected.” She felt the bottle hanging between her breasts and her pulse quickened in anticipation as she hurried out the door.

The three guards looked at each other and at the body on the floor of the bedchamber. Together, the two older guards looked at the youngest. The eldest guard gestured at the corpse as they took their hasty leave of the room.

“Mind you soak up the blood after you move him.”

Guest Blog: From Beast to Man and Back Again

From Beast To Man And Back Again by John C. Adams

Evolutionary impulses drag us back to when we came. Whether we like it or not, they’re always there. There’s only so much we can do to fight against them. We both hope and fear that the natural human impulse to regress will take over. Even worse, in horror fiction, modern science seems to be getting in on the act.

In the 1984 film The Company of Wolves (dir: Neil Jordan), the childhood tale of Little Red Riding Hood is given a modern makeover. Red drifts into the forest and meets a handsome stranger, whereupon Granny’s advice goes right out the window. Well, sexual appetite does that to you. It’s a shame that Red can’t remember the cautionary element of Granny’s werewolf tale, as Angela Lansbury is quick to point out: not to trust a man who’s too proud to piss into a chamber pot. Let’s just say that in Granny’s tale the young bride’s new husband answers the Call of Nature in more sense than one.

The prime mover of sexual appetite is as good a reason to junk steady adult advice as any.

Fairy stories and folk tales abound with examples of spontaneous changes in shape from man to beast and back again. Those old tales are so central to our cultural identity, developed over hundreds of years in writing and for much longer before that via the oral tradition, that it’s no surprise that they are still cropping up in films and TV today.

If it’s natural for us to long to return to our genetic origins, it’s no surprise that modern science isn’t slow in embracing the opportunities to engineer this for us. And big business being what it is, the profit motive lies right at the heart of it.

In Graham Masterton’s novel Flesh and Blood, the Spellman Institute of Genetics is conducting experiments to implant human genetic material into pigs. Animal rights activists have plenty to say on that subject and are lobbying for a US-wide law banning testing on animals. The pig research (Masterton says his wife always called this book ‘the pig novel’) becomes a cause celebre for them. The pig, Captain Black, is as terrifying as you’d expect:

“His body was awesome enough, but his face made Nathan swallow in discomfort. It was more like the face of a giant werewolf than a hog: it was covered all over in thick glossy black hair, with a hideously flattened snout. Two curved incisors rose from his lower jaw, and strings of drool swung with every step he took.”

Mankind just can’t seem to help themselves from meddling in the mix of human and animal DNA when there’s a commercial excuse for it. But in the 2009 film Splice (dir: Vincenzo Natali) the insanity of experimentation mixing human with animal DNA reaches new heights when two leading scientists splice the DNA of a bird with that of a human. Yikes!

As a species, we are so prone to egotism that we want to be the ones to push the boundaries of creation. Like modern-day Dr. Frankensteins, it’s all about power over the hideous monstrosities we generate.

Like any form of meddling, the best lesson of all is just to leave well enough alone. If only it were that simple…

John C Adams is a horror and fantasy writer. ‘Souls For The Master‘ is available on Amazon and Smashwords.

http://johncadams.wix.com/johnadamssf

Short Bio

John C Adams is a Contributing Editor for the Aeon Award and Albedo One Magazine, and a Reviewer with Schlock! Webzine.

You can read John’s short fiction in anthologies from Horrified Press, Lycan Valley Press, and many others. 

A non-binary gendered writer, John has also had fiction published in The Horror Zine, Devolution Z magazine and many other smaller magazines.

John’s fantasy novel ‘Aspatria’ and futuristic horror novel Souls for the Master are both available on Kindle and via Smashwords.

John lives in rural Northumberland, UK, and is a non-practising solicitor.

Irish Horror Writers Interview With Sean Murray

Irish Horror Writers Month – An Interview with Sean Murray

Tell us a bit about yourself? Name, State or country?

Hello, my name is Sean Murray and I am from New York.

What is your connection to Irish Heritage?

My family is from Cork.   I live far away in the US.  I haven’t visited yet, but I plan on it!

 

How and when did you start writing?

I started writing at the age of 14, short stories and lyrics. The themes usually leaned heavily toward the macabre.  After writing many songs for bands such as HERSISTER and Black Cat Sessions, I switched gears and began writing screenplays.

Why write Horror?

I’ve been a fan of the genre since I was a kid. In all forms:  movies, books, magazines and beyond.  I write other stuff as well, but horror is my usual output.  I’ve always been drawn to explore the darkness.

What inspires you to write?

Ideas flow through my head all the time, I’m not sure what it is that makes me write, but just being alive is inspiring. I don’t know why I feel the need to write stuff out,  I just do it.

Does being Irish inspire any part of your writing?

I feel that is connected in ways that are really hard to explain, but yeah. Certain characters and settings are based on my personal cultural experiences.

What scares you?

What scares me most is the fragility of life. How any one of us can go at any given time.  Life can change in the course of a second, and to me that is terrifying.

Who is your favorite author?

Mary Shelley. Frankenstein was emotionally brutal.  For me that’s where horror works best-when it’s emotionally driven.

What is your creative process like? What happens before you sit down to write?

I write everyday, usually at night. I get ideas all the time, and I let them spin throughout my mind over the course of the day.  When I hit the keyboard in the evening, I refine those ideas.  For me the process is pretty smooth, as I’ve already worked the idea out in my head.

Tell us about your current projects.

Interment – a horror film, currently in post production, which will be released later in the year. This film is also my directorial debut.

Unto Decease – currently filming.

What have you written and where can our readers find it?

Interment , which will be released in April, 2019. This is a horror film which was                                                   produced by MDMN Films. https://www.imdb.com/title/tt865664

 

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Sean Murray is an actor/writer-director from upstate NY.  Early roles in horror films such as “Sociopathia”, and When Blackbirds Fly” led to a desire to work behind the camera as well as in front of it.  After serving as assistant director on the films “A Line Between All Things”, and “Crush”, Sean focused on directing.  The feature film “Interment” is Sean’s directorial debut, and will be released later this year!

Chilling Chat: 4 Quick Questions with Naching T. Kassa, Daphne Strasert, and Jess Landry

chillingchat

Naching T. Kassa is a wife, mother, and horror writer. She also serves as Head of Publishing for HorrorAddicts.net and as an intern for Crystal Lake Publishing. She lives in Eastern Washington with Dan Kassa, her husband and biggest supporter. Naching is a member of the Horror Writers Association.

Daphne Strasert is a horror, dark fantasy, and speculative fiction writer from Houston, Texas. She has been published in several anthologies including Crescendo of Darkness and Postcards from the Void. 

Jess Landry’s fiction has appeared in several anthologies, including Fantastic Tales of Terror, Monsters of Any Kind, Lost Highways: Dark Fictions from the Road, and the forthcoming Twice-Told: A Collection of Doubles, among others.

1) What did you learn from participating in the contest?IMG_1979

NTK: I learned so much from the contest. Most of which is detailed in my little op-ed in the book. But, if I had to pick one thing it would be learning how to submit a novel for a publisher’s consideration.

DS: The Next Great Horror Writer Contest was my first time making short stories. I learned about keeping my writing tight and making sure that my stories had no extra fluff that they didn’t need–especially for a short story that really needs to keep the tension high.  I learned how to proof my writing (especially on a deadline) and make sure that I was submitting my absolute best work.

JL: As cheesy as it sounds, I learned that if I put my mind into something, I can do it. It was daunting at first—we basically had 1-2 weeks per assignment to whip out a smorgasbord of different stories…albeit not all at once, but still. My brain can pretty much only concentrate on one idea at a time, so the struggle was real, y’all.

2) Would you do it again? What would you do differently?

NTK: I wish I could. I loved the challenges and I miss them. Receiving an assignment from Emz was like the prelude to a writing adventure. Unfortunately, I won’t participate in another #NGHW contest. As a staff member of HorrorAddicts.net, I’d have to recuse myself from it. But, even if I weren’t part of HA, I couldn’t do it. I had my chance. It’s time to step aside and let others step up. I’d love to be a judge though.

As to what I’d do differently, researching more comes to mind. Some of my work suffered because I didn’t know what to write. I’d never written a full blog piece before. If I’d been smart, I’d have gone to the HorrorAddicts.net website and studied the pieces they’d accepted in the past. This is a big mistake we writers make. We submit to magazines, anthologies, and publishers without studying what they produce.

Daphne StrasertDS: I would do the contest again in a heartbeat, if HorrorAddicts.net would let me (though I’m sure they’d rather have a whole new batch of newbies!). Maybe if the contest runs again, I could act as a judge or a writing mentor.

For what I would do differently, I would spend more time prepping my novel through the duration of the contest. When I was lucky enough to present to Crystal Lake, I wished that I’d had more time. Even if I hadn’t been in the top three, the work on the novel never would have gone to waste.

JL: Heck yes. It was a great all-around experience, and – most importantly – it got me writing. A lot of the work I created during the contest has gone on to find wonderful homes, so I couldn’t be happier with how everything turned out.

3) What inspired your piece?

NTK: Like most of my ideas, it came out of the blue while I washed dishes. Dishes are boring. So boring, I have to distract myself with stories to get through them.

I think I was washing a big pot with spaghetti noodles stuck to the bottom when Father Lopez’s character came to me. But, I could be wrong. It might’ve been macaroni.

DS: “Audio Addict” was inspired, in part, by the Crescendo of Darkness prompt itself Jess Landrywhere it mentioned “the lack of music”. That inspired the idea of a world in which there was no music, or at least, not pervasive the way it is in our world. Once I hit on the idea of music as an illicit commodity, the structure of “Audio Addict” was almost fully formed.

JL: Wesley Snipes. In particular an interview with Patton Oswalt where he said that during the filming of Blade: Trinity, that Mr. Snipes stayed in character the whole time, even signing notes he had for the director of the film as ‘Blade.’ I thought, hell, if he’s that in character, does he keep his teeth in when he goes to sleep? Or when he goes out to get gelato? Wouldn’t he want something with a little…sparkle? From that train of thought, FangBlingz was born.

4) What does the future hold for you? What do we have to look forward to?

NTK: I’m editing an anthology called, Dark Divinations, for HorrorAddicts.net. We’re accepting submissions until Halloween. Each story must be set in the Victorian age (1837-1901) and involve some element of divination.

I have a few stories coming out too. My story, “War Beads,” will appear in the Dead Light Publishing anthology, Not Just a Pretty Face. “Phantom Caller” will appear in Kill Switch. And, “Second Strike,” will be published in the anthology Dark Transitions by Thirteen O’clock Press.

nghwedpsmDS: I have a few stories slated to come out in 2019, including one for the HorrorAddicts.net anthology Kill Switch. I will also be completing a mystery novel and submitting to publishers.

JL: The future is full of deadlines, glorious deadlines. I have several new stories scheduled for some awesome anthologies coming out later this year (my lips are sealed on the specific details!), and one of my short stories, “Mutter” (from Crystal Lake Publishing’s Fantastic Tales of Terror), has been nominated for a Bram Stoker Award in the Short Fiction category, which is exciting (beyond exciting, really. I’m just trying to contain myself).

You can find Naching on Facebook and Twitter.

Jess can be found on Facebook.

Irish Horror Author : Emerian Rich

 

 Irish Horror Writers Month – Interview with Emerian Rich

Tell us a bit about yourself? Name, State or country?

I am Emerian Rich and I live in the beautiful San Francisco Bay Area. I write Horror, Romance, and ever so often SciFi. I’m the Horror Hostess for HorrorAddicts.net and am also an artist, graphic designer, and book designer.

What is your connection to Irish Heritage?

I am 5 generations from the cross-over, but it’s a part of our heritage we’ve kept pretty close with it.

 

Do you know what part of Ireland your ancestors came from?

County Down in Northern Ireland.

Do you live close to where they lived? Have you visited there?

No and no. It’s one of my live goals to travel there.

How and when did you start writing?

I started writing stories when I was in Middle School. I had received a journal for Christmas. I started writing about my own life, but by half-way through I was so bored of my own life, I decided to write how I wished my life would be. This new me got to go on adventures, solve crime, and experience things I could only dream of. My first novel was when I was 13. 89 pages of big, bubbly cursive in pencil on white, lined notebook paper. However, I didn’t know I wanted to be a writer until in my 20’s.

Why write Horror?

There’s something special about a story when it can horrify you and make you feel safe at the same time. I enjoy creating stories and characters that people can experience horrific situations through without leaving the comfort of their reading nook. Most people’s lives are nice and safe—which we want them to be—but there isn’t much excitement in living our daily lives. We need to escape every once in a while and dream the impossible. Sometimes the trauma the characters go through can help us work through our own.

What inspires you to write?

Beautiful locations, interesting history facts, and most of all, my dreams. Day dreams of what I wish I could do and sleeping dreams where my subconscious goes off the rails.

Does being Irish inspire any part of your writing?

As far as it being part of who I am, it’s all in my writing. My heritage did inspire one particular character most of all. The Irishman, Markham O’Leary, in my Night’s Knights Vampire Series is a direct inspiration from my own family heritage. I patterned him loosely off of my grandfather and his family.

What scares you?

What scares me in a good way is Classic Horror or Horror with a classic slant. Movies like The Woman in Black, Crimson Peak, and Ghostship have the mysterious darkness to them that I have enjoyed all my life.

What scares me in a bad way is the real-life trauma our world is going through right now. Hate crimes, domestic violence, mass murder, and the simple fact that a large part of the population no longer has respect for life in general.

Who is your favorite author?

I can never name just one. Anne Rice has been a favorite for a long time along with Andrew Neiderman and Jane Austen, but recently I’ve been delving into horror classics like The Turn of the Screw by Henry James, The Grey Woman by Elizabeth Gaskell, and The Willows by Algernon Blackwood.

What is your creative process like? What happens before you sit down to write?

I generally have so many ideas I can’t possibly write them all down fast enough. My novels are big, enormous ideas that simmer in my head for quite a while before I actually start writing them. If I’m writing a short story, I usually get the email from the publisher or see the call and get inspired by the idea or the cover. Then I think about it for a few days. In a day or two I’ll think of something awesome I want to do. I usually get the beginning and the end and write it down (long hand) as much as I can. When I have a pretty solid first draft, I read it into my phone and email it to myself. Once it’s on my computer I make it pretty, flesh out the descriptive parts, sure up the dialogue and fill in the missing bits. Then it’s ready to send to my betas.

Tell us about your current projects.

I have just finished a modern rewrite of Jane Austen’s Northanger Abbey. It’s sort of a Clueless-meets-Lydia Deetz-from-Beetlejuice YA Romance about a Horror Addict who falls in love over winter break in New York City.

I am writing my third vampire novel, Day’s Children, and have a few other short Horror stories coming out in anthologies this year.

What have you written and where can our readers find it?

Readers can find out about my vampire series, Night’s Knights, and all the other fun stuff I do at: emzbox.com

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Emerian Rich is the author of the vampire book series, Night’s Knights. She’s been published in a handful of anthologies by publishers such as Dragon Moon Press, Hidden Thoughts Press, Hazardous Press, and White Wolf Press. She is the podcast Horror Hostess of HorrorAddicts.net. You can connect with her at emzbox.com.

#HOWConference – Last chance to chat?

 

Join us tonight
Thursday, February 28
for our LAST CHANCE CHAT
Live on ShoutBox Chat
9 pm pacific / 12 mid eastern

You can still chat with HorrorAddicts.net year-round by…

Joining our FB group

Women Writer’s Group

Following us on Twitter

Subscribing to our blog

Listen to our podcast on iTunes

Hope to see you tonight!

And if you’ve missed any of our awesome articles/panel discussions, check out:

Scare Yourself and Your Readers – Dina Leacock

How to Make Your Horror Tourniquet Tight – Laura Perkins

The Embodiment of YA Horror – Laura Perkins

Gary Frank Author Interview

Overlooked Elements of Promotion – Loren Rhoads

Christine Norris Author Interview

Brainstorming 101 – Laura Kaighn

Brian McKinley Author Interview

Importance of Networking – Ilene Schneider

Of course, our HorrorAddicts.net staff has come through with several horror articles and general writing tips, too:

Submitting Your Short Story – Naching Kassa

Self-Publishing Checklist for Newbies – Emerian Rich

How Not to End a Sentence with a Preposition – Kristin Battestella

Getting Out and Staying Out of the Slushpile – Emerian Rich

Vampires versus Vampires – Kristin Battestella

Baby Steps for New Authors – Emerian Rich

There’s just so much to see and do out HOW! We’ve already decided to keep using the Forum and the ShoutBox Chat for more HorrorAddicts.net perks and events! Browse our Online Conference today, tomorrow, at your own pace anytime – and be sure to tell us What You Think of HOW!

#HOWConference – Welcome Our Guest Authors!

 

 

The HorrorAddicts.net Online Writers Conference has several workshops, videos, and inspirations from locals near and far! Here’s a list featuring some of our Guest Authors:

 

Scare Yourself and Your Readers – Dina Leacock

How to Make Your Horror Tourniquet Tight – Laura Perkins

The Embodiment of YA Horror – Laura Perkins

Gary Frank Author Interview

Overlooked Elements of Promotion – Loren Rhoads

Christine Norris Author Interview

Brainstorming 101 – Laura Kaighn

Brian McKinley Author Interview

Importance of Networking – Ilene Schneider

 

Of course, our HorrorAddicts.net staff has come through with several horror articles and general writing tips, too:

 

Submitting Your Short Story – Naching Kassa

Self-Publishing Checklist for Newbies – Emerian Rich

How Not to End a Sentence with a Preposition – Kristin Battestella

Getting Out and Staying Out of the Slushpile – Emerian Rich

Vampires versus Vampires – Kristin Battestella

Baby Steps for New Authors – Emerian Rich

 

There’s just so much to see and do out HOW! We’ve already decided to keep using the Forum and the ShoutBox Chat for more HorrorAddicts.net perks and events! Browse our Online Conference today, tomorrow, at your own pace anytime – and be sure to tell us What You Think of HOW!

 

 

HorrorAddicts.net Online Writers Conference: Chat Transcripts!

 

Did you ever want to start a podcast but don’t know how?

Do you want to submit material but don’t know what the editor wants?

Never fear! At The HorrorAddicts.net Online Writers Conference, our Podcast Hostess Emerian Rich and our Head of Publishing Naching T. Kassa have answered your questions in two live chat sessions via our HOW Forum.

 

Missed the chats, did you say? HOW Con has you covered once again with our chat transcripts! Emerian discusses podcasting, publishing, and the changing trends in horror while Naching, editor of the upcoming Dark Divinations anthology, shares insights on the submission process and the Next Great Horror Writer Contest.

Both transcripts can be found in HOW’s Horror Workshop section alongside more articles and tips from authors including Dina Leacock and Mercy Hollow and video interviews with witch author J.L. Brown and vampire writer Brian McKinley. There’s so much to see and read at HOW!

 

 

HOWConference: Live Chats!

The HorrorAddicts.net Online Writers Conference is offering Several Live Chat Events with our Publishers, Editors, and Staff. Join us at HOW to ask Your Questions!

Sunday, February 24
CHAT with AN EDITOR!

Sunday February 24 4 p.m. Pacific/ 7 p.m. Eastern Naching T. Kassa, Horror Addicts.net Publisher and Dark Divinations anthology Editor will be chatting with HOW!
Naching is a wife, mother, horror writer, and Head of HorrorAddicts.net Publishing. She’s created 17 short stories, two novellas, a poem, and co-created two children. She lives in Eastern Washington State with Dan Kassa, her husband and biggest supporter. Naching is a member of the Horror Writers Association and a contributor to the Demonic Visions series. She took second place in Horroraddicts.net’s Next Great Horror Writer Contest and one of her poems was included in The Horror Writers Association’s Poetry Showcase Vol. IV.

 

To chat with Naching, join us in the Shoutbox at the bottom of the #HOWConference Front page. If you have a question for Naching, post a “?” comment during the chat hour and the moderator will call on you.

Monday February 25 we are having not
One but TWO Live Chats at HOW!

First on Monday February 25 10 a.m. Pacific / 1 p.m. Eastern join Emerian Rich, HorrorAddicts.net Publisher & Podcast Hostess for Publishing 101

Creator and Horror Hostess of HorrorAddicts.net Publishing Emerian Rich created HorrorAddicts.net as a place for horror addicts, by horror addicts, glorifying every aspect of the horror lifestyle. Emerian is the author of Night’s Knights Vampire Series, the Sweet Dreams Novel Series, and has been involved in dozens of podcast and story projects. She was the editor of the horror ‘zine DarkLives for ten years starting in the mid-nineties. To find out more about Emerian, visit her site at: emzbox.com

Next we are having an Evening Welcome Party!

Monday February 25 8 p.m. Eastern / 5 p.m. Pacific it’s a Shout Box Welcome Night Party with Kristin Battestella, Dark Fantasy author and HorrorAddicts.net Staff Writer. Yes, Yours Truly!

When other kids were playing with dolls and teddy bears, this South Jersey born and bred addict KBatz was watching Price, Lee, Hitchcock, Dark Shadows, Alien, anything and everything in analysis of what was scary and why. Be it vamps, scares, or weres, you name it-freaky or macabre and she is there-regardless of how you pronounce macabre. For more bent paranormal fiction and horror film, television, and literature reviews, find Kbatz’ insanity on the web at: vampfam.blogspot.com

Can’t Wait to See You at HOW!

 

Horror Addicts Online Writers Conference – A HOW How-to Video!

 

Kristin Battestella aka Kbatz answers Your Questions about the HorrorAddicts.net Online Writers Conference and explains some of the Forum Technology and Live Events happening at HOW.

 

 

Join us February 24-28 for Writing Workshops, Author Videos, Publisher Chats, and More. It’s Free to sign up and So Easy you can do it in your Purple Peter Cushing PJs – say that Three Times Fast!

 

See YOU at the Conference!

 

HorrorAddicts.net Online Writers Conference: http://horroraddictswriters.freeforums.net/

HOW Facebook Event Page

Horror Addicts.net Online Writers Conference Be a Panelist!

Authors, Presenters:
Want to panel at HOW Con? Participate in 4 easy steps.

Step1: Join the free forum.
http://horroraddictswriters.freeforums.net/

 

Step 2: Figure out what you want to do.

What kind of workshops are we looking for at HOW, you ask?
~ Interactive forum based workshops, worksheets, writing exercises or prompts in any genre or writing skill level.

~ Articles and essays with writing tips, experiences, or references, again in all genres or on technical tips, formatting, grammar, etc.

~ Editor, Agent, and Publisher essays, experiences, or feedback If you are an author, editor, agent, or publisher and would like to do a Q&A, chat, or live audio/visual event.

~ Articles and tips on marketing, networking, promotion, and social media for authors.

~Genre-specific essays, tips, trends on world building, characters, genre perimeters, etc.

 

Step 3: Submit ideas /worksheets, etc to our email.

“Don’t forget if you are interested in presenting a workshop as part of the HOW Conference, you should submit your materials to horroraddicts@gmail.com.”

Step 4: Wait for peeps to go and read your stuff during the con and answer the participate in forum discussion.

FRIGHTENING FLIX: Revisiting Poe Video Review

Kristin Battestella aka Kbatz (and a special feline guest) discusses new appreciations in revisiting the short fiction of Edgar Allan Poe including The Fall of the House of Usher and The Tell Tale Heart in addition to comparing and contrasting the Vincent Price and Roger Corman Poe Film Adaptations.

 

 

Thank you for being part of Horror Addicts.net and enjoying our video, podcast, and media coverage!

Horror Addicts.net – By Addicts, for Addicts!

 

Get involved: https://www.facebook.com/groups/208379245861499/

HorrorAddicts.net Online Writers Conference: http://horroraddictswriters.freeforums.net/

Horror Addicts.net Online Writers Conference Feb 24-28, 2019

Attention Literary Horror Addicts, Wicked Women Writers, Masters of the Macabre, and any fellow demented author folk!

HorrorAddicts.net is having our very own Online Writing Conference in February 2019!

Authors, Editors, Agents, Publishers, Readers, and Writers are invited to take part in the Horror Addicts.net Online Writers Conference and learn HOW to hone their literary craft thanks to interactive online forums, live chats, writing exercises, and more FREE opportunities to sharpen your skills wherever you are and whatever you write. Yes, the HOW Conference is open to any genre and general writing topics, not just horror!

What kind of workshops are we looking for at HOW, you ask?
  • Interactive forum based workshops, worksheets, writing exercises or prompts in any genre or writing skill level
  • Articles and essays with writing tips, experiences, or references, again in all genres or on technical tips, formatting, grammar, etc
  • Editor, Agent, and Publisher essays, experiences, or feedback
  • If you are an author, editor, agent, or publisher and would like to do a Q&A, chat, or live audio/visual event
  • Articles and tips on marketing, networking, promotion, and social media for authors
  • Genre-specific essays, tips, trends on world building, characters, genre perimeters, etc
Have an idea? Don’t hesitate to ask! If it is technologically possible, we want to do it at HOW!

Register now on our Free Forum at http://horroraddictswriters.freeforums.net for more Information or to chat RIGHT NOW in our open Pre-Conference area with your fellow writers!

To participate in HOW,  you must register at our Online Writers Conference Forum. Don’t worry, it’s free and Easy! During the week of the conference February 24-28 2019, the Workshop boards will be open. Each board will contain the workshop threads, conveniently sorted by genre so our experts can present their tips, worksheets, brainstorming, and more. All you have to do interact – host your workshop, browse the forum, participate in one, two events or as many aspects as possible and get inspired with HOW!

Workshop Applicants should submit their workshop proposal no later than February 1 to horroraddicts@gmail.com. Please use the subject heading Horror Addicts Online Conference Query so we recognize your message.
A general outline of your workshop should be included in the body of the email, along with details about any worksheets or technical materials you may need or will be using. If you would also like to schedule a Shout Box chat as part of your workshop or any other kind of live or daily event rather than or in addition to a stagnant forum workshop, let us know.
Of course, please include your contact information so we can respond with any questions about your workshop or confirm your approval as part of HOW.  Please allow up to a week to reply to your application query. If you don’t hear from us by February 7, please contact us again or join the Pre-Conference area of the HOW forum for the latest information.
Thank you for your participation and we look forward to seeing you at the Horror Addicts.net Online Writers Conference!

Horror Addicts.net Online Writers Conference Feb 24-28, 2019

Attention Literary Horror Addicts, Wicked Women Writers, Masters of the Macabre, and any fellow demented author folk!

HorrorAddicts.net is having our very own Online Writing Conference in February 2019!

Authors, Editors, Agents, Publishers, Readers, and Writers are invited to take part in the Horror Addicts.net Online Writers Conference and learn HOW to hone their literary craft thanks to interactive online forums, live chats, writing exercises, and more FREE opportunities to sharpen your skills wherever you are and whatever you write. Yes, the HOW Conference is open to any genre and general writing topics, not just horror!

What kind of workshops are we looking for at HOW, you ask?
  • Interactive forum based workshops, worksheets, writing exercises or prompts in any genre or writing skill level
  • Articles and essays with writing tips, experiences, or references, again in all genres or on technical tips, formatting, grammar, etc
  • Editor, Agent, and Publisher essays, experiences, or feedback
  • If you are an author, editor, agent, or publisher and would like to do a Q&A, chat, or live audio/visual event
  • Articles and tips on marketing, networking, promotion, and social media for authors
  • Genre-specific essays, tips, trends on world building, characters, genre perimeters, etc
Have an idea? Don’t hesitate to ask! If it is technologically possible, we want to do it at HOW!

Register now on our Free Forum at http://horroraddictswriters.freeforums.net for more Information or to chat RIGHT NOW in our open Pre-Conference area with your fellow writers!

To participate in HOW,  you must register at our Online Writers Conference Forum. Don’t worry, it’s free and Easy! During the week of the conference February 24-28 2019, the Workshop boards will be open. Each board will contain the workshop threads, conveniently sorted by genre so our experts can present their tips, worksheets, brainstorming, and more. All you have to do interact – host your workshop, browse the forum, participate in one, two events or as many aspects as possible and get inspired with HOW!

Workshop Applicants should submit their workshop proposal no later than February 1 to horroraddicts@gmail.com. Please use the subject heading Horror Addicts Online Conference Query so we recognize your message.
A general outline of your workshop should be included in the body of the email, along with details about any worksheets or technical materials you may need or will be using. If you would also like to schedule a Shout Box chat as part of your workshop or any other kind of live or daily event rather than or in addition to a stagnant forum workshop, let us know.
Of course, please include your contact information so we can respond with any questions about your workshop or confirm your approval as part of HOW.  Please allow up to a week to reply to your application query. If you don’t hear from us by February 7, please contact us again or join the Pre-Conference area of the HOW forum for the latest information.
Thank you for your participation and we look forward to seeing you at the Horror Addicts.net Online Writers Conference!

Horror Addicts.net Online Writers Conference Feb 24-28, 2019

Attention Literary Horror Addicts, Wicked Women Writers, Masters of the Macabre, and any fellow demented author folk!

HorrorAddicts.net is having our very own Online Writing Conference in February 2019!

Authors, Editors, Agents, Publishers, Readers, and Writers are invited to take part in the Horror Addicts.net Online Writers Conference and learn HOW to hone their literary craft thanks to interactive online forums, live chats, writing exercises, and more FREE opportunities to sharpen your skills wherever you are and whatever you write. Yes, the HOW Conference is open to any genre and general writing topics, not just horror!

What kind of workshops are we looking for at HOW, you ask?
  • Interactive forum based workshops, worksheets, writing exercises or prompts in any genre or writing skill level
  • Articles and essays with writing tips, experiences, or references, again in all genres or on technical tips, formatting, grammar, etc
  • Editor, Agent, and Publisher essays, experiences, or feedback
  • If you are an author, editor, agent, or publisher and would like to do a Q&A, chat, or live audio/visual event
  • Articles and tips on marketing, networking, promotion, and social media for authors
  • Genre-specific essays, tips, trends on world building, characters, genre perimeters, etc
Have an idea? Don’t hesitate to ask! If it is technologically possible, we want to do it at HOW!

Register now on our Free Forum at http://horroraddictswriters.freeforums.net for more Information or to chat RIGHT NOW in our open Pre-Conference area with your fellow writers!

To participate in HOW,  you must register at our Online Writers Conference Forum. Don’t worry, it’s free and Easy! During the week of the conference February 24-28 2019, the Workshop boards will be open. Each board will contain the workshop threads, conveniently sorted by genre so our experts can present their tips, worksheets, brainstorming, and more. All you have to do interact – host your workshop, browse the forum, participate in one, two events or as many aspects as possible and get inspired with HOW!

Workshop Applicants should submit their workshop proposal no later than February 1 to horroraddicts@gmail.com. Please use the subject heading Horror Addicts Online Conference Query so we recognize your message.
A general outline of your workshop should be included in the body of the email, along with details about any worksheets or technical materials you may need or will be using. If you would also like to schedule a Shout Box chat as part of your workshop or any other kind of live or daily event rather than or in addition to a stagnant forum workshop, let us know.
Of course, please include your contact information so we can respond with any questions about your workshop or confirm your approval as part of HOW.  Please allow up to a week to reply to your application query. If you don’t hear from us by February 7, please contact us again or join the Pre-Conference area of the HOW forum for the latest information.
Thank you for your participation and we look forward to seeing you at the Horror Addicts.net Online Writers Conference!

Paranormal and Horror Author Panel – South Jersey Writers Conference

Moderator Brian McKinley joins authors William Gold, Christine Norris, J.P. Simmons, and J.L. Brown to discuss vampires, science fiction, young adult, paranormal, steampunk, urban fantasy, witches, and much much more on the writing process, world building, social media marketing, and author brands at the South Jersey Writers Conference November 10.

 

 

Videos also available from the South Jersey Writers Conference include Networking Night with mystery author Ilene Schneider and the NaNoWriMo address from speculative writer K.A. Magrowski.

For more information, visit https://www.facebook.com/groups/southjerseywritersconference/

Fiction and Genre Panel – 3rd Indie Author Day Event

Moderator and horror author Brian McKinley is joined by science fiction writer William Gold, humorist Loretta Wish, mystery and thriller author J. Lauryl Jennings, dark fantasy author Kristin Battestella (yes that’s me! Your trusty Kbatz!), and urban fantasy storyteller Laura Kaighn for the Fiction and Genre Panel at the 3rd Indie Author Day hosted at the Heggan Library in Sewell, NJ.

You can see the entire 7 part video below or also view the Childrens and Non-Fiction Panel from the Indie Author Day.  For more photos and author events, visit the South Jersey Writers Conference, Facebook Page.

 

 

 

Classic Horror Summer Reading – A Video Recommendation

 

Hello, Horror Addicts! Kristin Battestella aka Kbatz here again on video, braving the sunshine poolside to chat about why you should be revisiting some Classic Horror Reads this Summer!

 

Press play for some thoughts on Dracula, Anne Rice, Shakespeare, Stephen King, The Bronte Sisters, and more!

Don’t forget you can be part of the conversation – By Horror Addicts, for Horror Addicts! – on our Facebook Group. Tell us what kind of videos, media, and Horror coverage you’d like to see and what scary stories you’re reading!

Author Interviews at the Mount Holly Book Fair Part 2

 

Witches, Time Travel, and Shapeshifters!

 

Kristin Battestella aka Kbatz was on the windy scene April 29, 2018 at the Mount Holly Book Fair to interview several Local Horror Authors…

 

Author JL Brown talks about her book The Burning Arbor, witches, tarot, and magic on and off the page. For more visit https://www.facebook.com/AuthorJLBrown/

 

 

Author Gary Frank talks about his book Forever will you Suffer, short fiction versus novels, time travel, the business of writing, and horror. For more visit http://authorgaryfrank.com/

 

 

Native American Storyteller Laura Kaign chats about her Earth Child series, science fiction, natural versus supernatural, dreams, YA, and storytelling. For more visit http://ladyhawkestorytelling.com

 

 

Special Thanks to the Mill Race Arts & Preservation for hosting The Mount Holly Book Fair.

 

Stayed tuned to HorrorAddicts.net for more Author Interviews and let us know what kind of video/media content you would like to see!

Author Interviews at The Mount Holly Book Fair Part 1

Vampires, Magic, and Steampunk!

 

Kristin Battestella aka Kbatz was on the windy scene April 29, 2018 at the Mount Holly Book Fair to interview several Local Horror Authors…

 

Author Brian McKinley chats about his Ancient Blood series, vampires past and present, psychological horror, thrillers, Hitchcock, and zombies. For more visit http://www.brianmckinleyauthor.com/

 

 

Author Char Webster talks about her Gifted Series and The Runes Universe, paranormal, magic powers, and marketing. For more visit http://www.charwebsterauthor.com/

 

 

Author Christine Norris talks about her Athena series, Middle Grade Fantasy, mythology, Young Adult versus New Adult, Magic, and Steampunk. For more visit https://www.facebook.com/AuthorChristineNorris

 

Special Thanks to the Mill Race Arts & Preservation for hosting The Mount Holly Book Fair.

 

Stayed tuned to HorrorAddicts.net for more Author Interviews and let us know what kind of video/media content you would like to see!

Follow Crystal Lake Publishing!

Crystal Lake Publishing is the sponsor of our Next Great Horror Writer contest and we’d like to share their vision with you.

With unmatched success since 2012, Crystal Lake Publishing has quickly become one of the world’s leading indie book publishers of Horror, Mystery, Thriller, Dark & Speculative Fiction, and Suspense books with a Dark Fiction edge. Crystal Lake Publishing puts integrity, honor, and respect at the forefront of their publishing operations.

They strive for each book and outreach program that’s launched to not only entertain and touch or comment on issues that affect their readers, but also to strengthen and support the Dark Fiction field and its authors.

Not only do they publish authors who are destined to be legends in the field, but they also look for men and women who care about their readers and fellow human beings. They only publish the very best Dark Fiction and look forward to launching many new careers.

Crystal Lake Publishing is and will always be a beacon of what passion and dedication, combined with overwhelming teamwork and respect, can accomplish: unique fiction you can’t find anywhere else.

They do not just publish books, they present to you worlds within your world, doors within your mind, from talented authors who sacrifice so much for a moment of your time. You, the reader, is what it’s all about.

Crystal Lake Publishing is one of the best small presses out there. So how can you support Crystal Lake?

Support their Patreon page: https://www.patreon.com/CLP

Purchase some of their books: http://www.crystallakepub.com/book-table/

Subscribe to their YouTube channel: https://www.youtube.com/c/CrystalLakePublishing

Subscribe to their newsletter: http://eepurl.com/xfuKP

Follow them on Twitter: https://twitter.com/crystallakepub

Follow them on Facebook: https://www.facebook.com/Crystallakepublishing/

Thank you for supporting Indie Publishing.

Author Interview: Lily Luchesi

 

Who doesn’t love a good vampire novel? If you enjoy reading horror stories with strong female characters, lots of action and maybe a little romance, then you should check out the books of Lily Luchesi. If you’re not convinced then check out our interview with Lily:

When did you start writing?

I started writing with the goal of making it my career when I was eight years old. I had a teacher who inspired me and made me want to pursue it. I’ve always been creative, though. When I was little I used to draw quite a bit, and act out scenes with my “imaginary friends”. As I got older, I just started writing them down instead!

What are your favorite topics to write about?

Well, I will always love writing about monsters and creatures. They’ve been an obsession for me since I was a toddler and saw a vampire on an old Scooby-Doo rerun on the Cartoon Network. But I write about many deeper subjects, disguising them in between horror and action. I write about unconditional love, xenophobia, racism, LGBT+ issues, women’s rights, and the growing violence in America (particularly in my home city of Chicago).

I like strong female leads who don’t look like Victoria’s Secret models, and male co-stars who support and encourage them. Real people are flawed in many ways, so I believe characters should be as well.

What do you like best about vampires?

You know, that’s harder than you might think for me to answer. I don’t know what initially attracted me to vampires, but now that they’ve evolved so much, I think it’s an unnatural allure for danger. Even if a vamp is sexy, they’re still deadly. They might be the deadliest creature of them all, yet humans are undeniably attracted to them. I love that power they have over the human heart.

What was the first horror movie or horror novel you read?

The first horror movie I watched could be considered the cartoon version of Ray Bradbury’s The Halloween Tree, or possibly Hayao Miyazaki’s Spirited Away. Non-animated, that would be Carrie (the original version) when I was twelve.

My first horror novel was YA horror when I was ten, and that was The Cirque Du Freak Series by Darren Shan (also about vampires, you can see where my tastes ran). Adult horror was also Stephen King, I got a used copy of Rose Madder for free and fell madly in love with his writing.

What are some of your influences?

Stephen King is definitely a big influence. I love how so many of his books are interconnected (like with towns, characters, even plots) and that he can bring fear over seemingly innocuous things like those wind-up monkeys with the cymbals, or a painting, or even your own grandmother. It takes great talent to be able to do that.

Other horror authors who have influenced me are Edgar Allan Poe, Mary Shelley, Thomas Harris, and Darren Shan.

What do you find fascinating about the horror genre?

The fact that there are so many ways to scare people! And that fear doesn’t just come from gore and violence. It comes from the shadow outside your window at three in the morning, or the scraping sound you hear inside your walls when it’s quiet, or a strange car following you down a deserted road. Fear is the core of humanity, because fear fuels every emotion. Fear spiders? Kill them. Fear losing someone? Hold them. Fear failure? Work harder. Fear is everything and to be able to bring it, even a little, is power.

What are some of the works you have available?

I am the author of the Paranormal Detectives Series published by indie horror/UF great Vamptasy Publishing. The story follows mortal detective Danny Mancini as he discovers that monsters exist and are everywhere. In the first book, Stake-Out, he finds a vampire murdering a human and it sends his life into a tailspin. Angelica Cross, my female lead, recruits him to help the FBI apprehend the offending vampire and the series goes from there.

It’s not strict horror: there is a romantic subplot that plays a big part that readers discover slowly as they go through to book five, Last Rites. It deals with destiny and humanity and the true meaning of what constitutes a monster.

There are four books: Stake-Out, Miranda’s Rights, Life Sentence, Right To Silence, and Last Rites. The series is complete as it is, with book five being the “end of an era”, so when the series picks up again next year with book six, Skin Deep, it will be set further into the future after book five ends and won’t affect those original five books.

What are you currently working on?

Well, I just released my fifth book, Last Rites, on June 14th, and am now working on editing my December WWII urban fantasy release Never Again, which is a standalone spin-off of the Paranormal Detectives Series. It follows male siren Sean Wireman (whom you’ll meet in Last Rites) as he discovers his powers, and moves on from 16th century Israel, traveling over Europe, and eventually fighting for America in WWII, where he finds terrifying monsters being controlled by Nazis. It will feature some cameos of other PDS characters, too, for faithful readers, but will hopefully appeal to an entirely deeper demographic.

Where can we find you online?

You can find my books at http://smarturl.it/LilyLuchesiAmazon (I have plenty of other stories in anthologies, all of them horror)

You can find me on social media or my official site:

http://lilyluchesibooks.wix.com/lilyluchesi

http://facebook.com/lilyluchesi

http://twitter.com/LilyLuchesi

http://instagram.com/lilyluchesi

http://www.goodreads.com/author/show/7369101.Lily_Luchesi

It Came From the Vault: Traditions by Stephen Kozeniewski

vault

TRADITIONS

by Stephen Kozeniewski 

Granny clattered on the counter with a wooden spoon until the children stopped squabbling. When they finally turned to pay attention, she smiled, baring each and every bright white denture with joy.

“All right, little nuggets,” she said, “Now granny is going to show you what to do. Come up here.”

She lifted two-year-old Benji and planted him on the counter beside the sheer metal stockpot that was almost as tall as him.

“Now, Benji, this wax is very hot so don’t put your fingers in it and don’t splash.”

“Yes, grandma.”

“Now start to feed the coil in slowly and let me know when you run out of length.”

Giggling, Benji did as he was told.

“Granny, why do we wax the decorations?” little Suzie asked, her pinky hooked into the corner of her mouth.

“So that they last, my dear.”

“And why do we want them to last?”

Granny crouched down to Suzie’s level, even though it pained her ankles.

“Because it’s a tradition, my dear.”

Little Suzie’s eyes lit up with the wonder of excitement and recognition.

“A t’adition?”

Granny nodded.

“Like when we invite a homeless person in for Christmas?”

“That’s right.”

“All done!” Benji announced, clinging to the last link of this year’s holiday visitor’s small intestine.

Together, as they did every year, they draped the wax-dipped organ around their tree of horrors. The attic was starting to overflow with their collection of decorations.

“God bless us every one,” Benji said joyously.

******************

Kozeniewski Author PhotoStephen Kozeniewski (pronounced “causin’ ooze key”) lives with his wife and two cats in Pennsylvania, the birthplace of the modern zombie. During his time as a Field Artillery officer, he served for three years in Oklahoma and one in Iraq, where due to what he assumes was a clerical error, he was awarded the Bronze Star. He is also a classically trained linguist, which sounds much more impressive than saying his bachelor’s degree is in German. Find out more at: www.amazon.com/author/kozeniewski

Guest Blog: The Box Jumper Review

guestblog2

Guest Blog : The Box Jumper Review

by Theresa Braun

Plot: This story takes place in the mind and memory of Leona, Harry Houdini’s onstage assistant, or box jumper. The protagonist’s dreams and memories also jump through the span of the magician’s career in America during the early 20th Century. It is worth mentioning that Mannetti’s thorough research of Houdini and his world is beautifully evident in the narrative.

Hypnotizing images and emotions are expressed by Leona as she recounts her bittersweet connection with Houdini that transcends the conventional relationship. As the novella progresses, I became immersed in the passion that plummets into a haunting possession, and even heart-breaking madness. Without realizing it, I found myself unable to put the story down because I was so emotionally invested in Leona’s journey.

Houdini passionately wants to debunk spiritualists swiftly acquiring notoriety for their outrageous séances. He uncovers all sorts of hidden secrets behind their chicanery, all with Leona’s help. Together, they navigate social scandal to uncover the charlatans in their midst. We are left wondering if he will escape from his enemies as easily as escaping from one of his illusionist stunts. In addition, Leona begins to wonder if there are dark supernatural forces at work, leading to the tale’s shocking conclusion. It was one of the best endings I’ve experienced in a long while.

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My Favorite Character: Although my first reaction would be to reiterate Leona’s likeability as a character, I have to say that Mannetti’s love for Harry Houdini and the compassion for him as a person is wonderfully portrayed through the eyes of Leona. We really get a sense of how complex he was as a person.

Favorite Scene: By far my favorite was the final one. It kind of snuck up on me. I felt like I was following Leona off a cliff. Before I knew it, I was dangling in mid-air, about to drop to my death. And then she was gone. I can’t say anything else without giving it away, but the conclusion delivered.

Best line: “The shadow shot filthy black tendrils that swept the very air aside, sinking downward like corpses hurled into the sea—and, stunned, with my mouth gaping, I felt the stinging vine-shape hurtling down my throat and anchoring deep inside me.”

What did you like best as a reader: Mannetti’s writing is mesmerizing. Her sentences are powerful and gripping. Part of what kept me flipping the page were her descriptions and words choice. She is a must read for that very reason.

What did you like least as a reader: The novella’s narrative construction is not for everyone. It’s told in a stream of consciousness, which always left me asking if it was the past, present, or future. Then, I began to wonder what was real, a dream, or if the memories Leona shared were mere fabrications. That is precisely the author’s intent, since Leona is an unreliable narrator. I will tell you that if you stick with the story and just keep reading, things fall into place. The pieces will make sense. Just be warned that you will be giving your brain a workout.

Rating : 4 out of 5 here. There is definitely a dark tone throughout much of the story, woven into this historical fiction. For me, it’s the descent into madness and the flirtation with the spiritual realm earn this “scare score.” Although the extreme terror doesn’t hit until the final portion of the story, I feel the build-up is definitely worth the wait. It’s a satisfying read that will leave you deliciously disturbed.

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Theresa Braun

Theresa Braun was born in St. Paul, Minnesota and has carried some of that hardiness with her to South Florida where she currently resides. She enjoys delving into creative writing, painting, photography and even bouts of ghost hunting. Perhaps growing up in a haunted house in Winona, Minnesota is to blame. Traveling as often as possible is one of her passions—in fact, her latest adventure took her to Romania for a horror writers’ workshop where she followed in the steps of Vlad the Impaler. She writes horror fiction and her latest short story “Shout at the Devil” appears in Under the Bed Magazine.

Contact info: Twitter: @tbraun_author  Facebook

An Interview with Valarie Kinney

Our Featured author for episode 131 of the HorrorAddicts.net podcast is Valarie Kinney. Valarie is a writer, fiber artist and Renaissance Festival junkie with a wicked caffeine addiction.  Recently she talked to us about her work:

What will you be reading for episode 131?

25848622I will be reading an excerpt from my novel SlitherSlither follows the story of Zari, who is on the run from her family of snake-god worshipers. She has run away, gotten married, started a business, and thinks she is safe. Suddenly, her family and Slither are back in her life, threatening to harm her husband if she doesn’t submit to their will.
Zari’s husband, Emmett, has a past as dark as her own. He is ready and willing to stand between Zari and Slither, but first she has to be honest about the threat that is coming for them.

When did you start writing?

I wrote a lot in junior high and high school, took a pause for a time while raising a family, and came back to it about six years ago.

What are your favorite topics to write about?

My favorite things to write about are difficult topics, such as pain, addiction, struggle, and heartbreak. I really enjoy digging down beneath the surface to find the reason people act the way they do in a given situation.

Could you tell us a little about your book Kapow?28176119

KAPOW (Kick Ass Powerfully Original Women) is a collection of stories about super chicks presented in literary form. This is the first book in a dual anthology, and shows us the “bad girls” who get into some trouble. KAPOW 2 is when the “good girls” come in to save the day (we hope.) My bad girl super chick is Copper, a nearly seven-foot-tall redhead with a talent for breathing golden lightning. One thing you don’t want to do is make her mad. All the authors for these collections are female.

What is Dragons of Faith?

Dragons of Faith is a collection of short stories revolving around dragons who all have different belief systems. When the fate of the world is at risk, they must learn to work together to save the world. I didn’t write a story for Dragons, but I wrote the poetry at the beginning of each story.

Who or what inspires you?

I am often inspired by authors who write about difficult or uncomfortable topics. Neil Gaiman, Stephen King, and Diana Gabaldon all come to mind.

What fascinates you about the horror genre?

28495292My favorite thing about writing horror is that it is such a departure from my everyday life. In real life, I work from home, have four kids, and spend a lot of time washing dishes and doing laundry. When I write horror, I can live in a world where evil, talking snakes are real; where I can murder a character and describe the scene in detail; where the creepiest of monsters might be your next door neighbor. Often, the stories I write are just plain weird and often gross, and that’s what I enjoy writing the most. It’s fun.

What are some of the other books you have available?

My first book, Just Hold On, is a drama/romance.

https://www.amazon.com/Just-Hold-Valarie-Savage-Kinney-ebook/dp/B00JLUHRD8?ie=UTF8&ref_=asap_bc

My latest release, Heckled, is a psychological thriller.

https://www.amazon.com/Heckled-Valarie-Kinney-ebook/dp/B01ADXRSCQ?ie=UTF8&ref_=asap_bc

Where can we find you online?

On Twitter and Instagram @kinneychaos

My blog https://organizingchaosandothermisadventures.wordpress.com/

FB https://www.facebook.com/ValarieSavageKinney/

http://www.amazon.com/Valarie-Savage-Kinney/e/B00KIQE17E

I’m also on Wattpad and Pinterest

 

 

 

 

Find What Works For You

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Finding what works for you as an author is the first step in also finding your voice. It takes experience, time, exploration, and trying different techniques that will keep you motivated to write.

The Ritual:
This is something that successful writers create for themselves. A ritual gets your mind ready to switch into “creative work mode”. This is similar to a bedtime or waking ritual. If you need to work with a cleared space, you could start there. Clean your workspace, or wipe down your desk. Add some music, or turn everything off. Whatever it is, do it religiously. This will trick your mind into getting ready for your word count.

Aromatherapy:
Believe it or not, this ties in with ritual…and not in the witchy-burn-small-animals-at-the-stake kind either (unless that’s your thing, which I hope it isn’t). Having the same thing to drink (coffee, tea…whiskey *cough*), keeping a snack, and even lighting a candle will tell your brain, “Hey! It’s time to work. Let’s get down to business.”

Goals:
Man, do you know how many times I have talked to authors that don’t have goals before they sit down at the laptop? While this may work most of the time, it won’t always. Having a finish line keeps you focused. Again, most successful authors know this. They set either a timer, or a word count goal. Definitely put this on your “I should try that” list if you haven’t incorporated it, yet.

Outline: (Optional)
Some authors find that an outline helps them organize their thoughts. It doesn’t work as well for me, but if I start to drift or lose the story, I do try to outline it so I can stay on track. An outline isn’t set in concrete. You can move things around if they don’t work, or delete them. It’s up to you (and your editor).

Force it:
Yeah, I said it. Force yourself to write. You don’t have to force yourself to write your current work in progress, but find something else to rinse your palate. Do a writer challenge, find an interesting picture and tell the story you see, rewrite an old short story, or just blog about how you don’t feel like writing.

And last but not least…

Do not give up. No one sits down all the time and writes. Even Shakespeare took some personal time (hello? muses?). Just make sure that you come back to it and don’t stop. The more you write, the more your brain fires up, and the better you get at your craft. Whatever it is that works for you? Do it.

What things do you include in your writing ritual to get you in the mood? If you listen to music, what music is your “go to” when you write? How do you get over the writer’s blues when you fall into the pit?

You Have To Make Up Your Mind

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As a publisher, I see this every day. People making excuses for not writing.

“I’m very busy.”
“I have kids.”
“I have a full-time job and go to school.

Stop.

No, seriously. Stop. If you have time to post status updates, and catch up on DVR’ed shows and/or movies, you have time to write. I challenge you today to find out how many minutes you spend posting, typing statuses and how many words you’ve typed in the Facebook (or other social media) vortex.

Is that number over ten? You have time.

Are you watching at least one show a night? You have time to write.

Are you vegging out doing nothing for thirty minutes a night? You have time to write.

The real question is, “Is writing a priority to you?”  That’s where you need to make up your mind. Writing takes hard work, dedication, and commitment. There’s no boss over your head most of the time making sure you’re not slacking off. You have to be in it, every spare moment that you have. If you can DVR a show and catch up with it at night or for a few hours on the weekend, you have time to commit, you just aren’t doing so.

If you sit down to write and someone can talk you out of it, you’re not committed to it. They don’t believe it’s a priority because you haven’t set the standard or the boundaries.

Writers that are serious about their craft do not allow interruptions. Friends and family will learn that it’s “Do Not Disturb” time and eventually, you will have time to write.

Recently, with my publishing company we held a meeting and discussed what our slogan for the month would be. We chose, “Are you all in?”

Well, are you?

Serial Scribbler Series: Master Your Craft

 

SerialScribbler

 

In this world of indie publishing, creating a book is as easy as point and click. This convenience has led to an overwhelming issue that all “indies” are facing these days. Something I like to call complacency.

We all know that it’s hard to find someone to show us the ropes when we first start out. Some indie authors who have found a measure of success are very tight lipped about how they’ve done it. Whether they feel that revealing their how-to methods will create competition or they just aren’t sure, themselves.

Being an independently published author comes with some major perks, like getting to keep your royalties for one. But that perk can quickly turn out to be your demise. This is why you hear so many traditionally published authors looking down on the “indies”.

In my last article, I spoke about book covers and the importance of them. In this article I’d like to continue with Mastering Your Craft.

What does that mean, exactly?

You’re a published author now! So what. Yeah, I said it. So what. I want to know what you plan to do next. And if you haven’t answered this question – or let’s be frank – if you haven’t asked yourself this question yet… you have much to learn.

You owe it to yourself and to your readers, to get better. No one’s first book is perfect. If they tell you it is, they’re lying. Your first book is where you cut your teeth in this industry. Anyone can write stories. Yep, I said that, too! ANYone can write a story. Will you like it? That depends. Some people have this amazing ability to weave words and tell a tale that sucks you in and makes you want to know more. But is everyone an author?

Here’s the distinction:

A writer, writes. Maybe it’s their job. Maybe it’s something they do as a hobby.

An author is someone that considers this his/her trade, craft, passion, career.  If they’re not writing, and perfecting each story than they aren’t really happy with it. These people want to hear more than, “Oh this is really good!” They want to hear in-depth critique, suggestions, questions, and to discuss their work.

In their head, these worlds are real and they mean something to them because when they wrote it, they put something of themselves into it.

There are writing groups, guilds, Facebook groups, Meet-Up groups, etc. Go to them. Get your work critiqued by someone you trust to be brutally honest with you. This is something else you owe to yourself, and your readers.

Being an author is hard. If this is something you want to do outside of a hobby, you need to constantly evolve. In my next article, we’ll discuss other ways to do that.

For now, keep the horror in the story, not in your end product.

 

KIDNAPPED BLOG: Lovecraft’s Legacy: A Chat with Ashley Dioses and K.A. Opperman by Alex S. Johnson

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ADAshley Dioses and K.A. Opperman are a young couple making waves in the contemporary Weird Fiction scene. I recently sat down with the two for a chat via Facebook Messenger to pick their brains. Gently, of course.

Alex S. Johnson: My first question is how you two first became involved with weird fiction–who were the authors that did it for you?

Ashley Dioses: Actually Kyle got me into weird fiction. I have always been a horror and fantasy fan but I didn’t know there was a weird genre and when he first introduced me to it, I knew that I was greatly missing out.

KAOK.A. Opperman: H. P. Lovecraft and Clark Ashton Smith are my two foremost influences. Lovecraft came first, and solidified my desire to become a horror writer. I think he’s had a greater impact on me than any other writer. Smith, however, first fostered my love for poetry, specifically–but that’d be a long conversation!

ASJ: Right, the complete CAS poetry collection is what, 800 bucks and five volumes or something. Where would you recommend starting with Smith’s poetry?

KAO: Haha, not that bad. It’s $75, three volumes in paperback.

AD: Hippocampus has three volumes and the third is translations he did. The Last Oblivion is where I started with CAS poetry and I was mesmerized by it. I’m just now working through the first two volumes of the rest of his poetry volumes.

KAO: Those new to CAS will want to seek out Penguin’s breakthrough volume The Dark Eidolon and Other Phantasies. The Last Oblivion (Hippocampus Press) is an excellent intro for his poetry, specifically.

ASJ: Do you think there’s a resurgence in weird fiction fandom, and if so, to what or whom do you attribute it?

KAO: There is certainly a growing interest in Weird fiction, in part due to the Internet and increased networking. The flourishing of small press publishers like Hippocampus Press, which focuses on Lovecraft and all things related, has something to do with it.

lastoblivinAD: I think there’s a resurgence because I believe a lot more people, even younger people like ourselves are starting to discover CAS. Possibly HPL because of how you can find references to his work through other venues such as games, movies, and other written work. By learning about HPL, you would learn about CAS, which are two great weird fiction writers right there.

KAO: There is also the stalwart efforts of luminaries like S. T. Joshi, who continue to edit excellent Weird volumes, which subsequently reach a wider and wider audience.

ASJ: you were both involved with a new documentary on CAS. Wow did that come about, and when do we see it?

KAO: Darin Coelho Spring contacted me out of the blue. He ultimately chose Ashley and I due to our relatively young ages (I’m 28), as he wanted to touch on CAS’ ability to reach successive generations.

ASJ: Why did he choose you?

AD: He had heard about us from Spectral Realms and when he found out how young we are, and poets ourselves, he wanted to touch on that type of audience. He wanted to cover that every generation finds CAS and loves him even though he’s so obscure.

KAO: He has seen (correctly) that we are fast working our way into the Weird Circles, and are students and burgeoning scholars/writers/enthusiasts of the Weird. We’ve made some great connections, and are authors ourselves. He also wanted our poetic expertise–I am primarily a poet for the nonce.

ASJ: How does one work their way into Weird Circles?

KAO: You have to be really Weird…. One must be bold, and unafraid to meet such formidable persons as populate the field–gigantic minds, scholars of the first rate, connoisseurs of the outré, savants of the first rate. And then, once you’ve befriended the right people, you have to have the skills to hang! Haha.

AD: Just people to know, I suppose. Spectral Realms was something I only knew about through other people, same with Weird Fiction Review by Centipede Press. The more people you know involved with the Weird world, the more opportunities you get, whether it’s being invited to submit somewhere or being invited to check out local places of note that involved authors or places stories took place.

ASJ: Are there initiation rites one should know about?

KAO: Blood was drawn, sacrifices were made, Cthulhu was raised for a brief time–I can say no more….

ASJ: who are some other authors of the Weird that may be more obscure to fandom but merit another look?

AD: Wilum Pugmire for sure! Ann K. Schwader is another good one, for poetry as well.

KAO: Wilum Pugmire deserves FAR more recognition. He’s a Weird Lovecraftian writer of the first rate. I also want to mention poet D. L. Myers, whose verse is somehow redolent of Lovecraft, yet somehow even more twisted in it’s sheer ghoulish energy. Adam Bolivar, too, writes some darkly strange Fairytale Weird material, and is a first rate balladier of the macabre.

ASJ: What do you make of Bizarro fiction and its being hybridized with Weird?

KAO: I think Weird and bizarro are kissing cousins…who am I to stand in the way of such amor?

AD: I actually don’t know much about Bizarro to be able to compare the two.

ASJ: I think there was a panel at Necronomicon called the Future of Weird Fiction that addressed this question, is why I’m asking.Kanyeweird

KAO: I think there’s plenty of overlap. Some of what you find in Smith is, I think, Bizarro worthy. “Empire of the Necromancers,” for instance, and so much more….

AD: I heard of that panel but have not been able to find video of it.

ASJ: Kanye West, Reanimator is one of the titles I was thinking of.

AD: That sounds a bit too silly for my tastes.

KAO: One of Smith’s chief attributes was his vast imagination. He thought up scenarios and images almost impossible for the average person to fathom. Such is the nebulous borderland verging on the shadowed land of Bizarro….

ASJ: I’ve heard several commentators say Smith is difficult. Maybe he uses some recondite vocabulary, but his prose is clear and even gripping. thoughts?

AD: Other than his vocabulary, I don’t think Smith is difficult to read at all. I found HPL far more difficult to read than Smith.

KAO: He IS difficult–that is beyond doubt. His vocabulary is a real test even for some of the academic elite. BUT–it was all for *effect*–the sounds of words, the sonorous rhythms, the bewitchment factor. Some enchantment is too high for average person to fully grasp. And so it is sought by savants, poets, and devotees of the strange and fantastic–though even they, at times, perish on the purple paths of lamia-haunted Averoigne….

ASJ: How long have you two been writing, and what have you had published? crimsontome

KAO: I’ve been writing since my early 20’s, so–6-7 years, perhaps. My crowning achievement, to date, is The Crimson Tome (out now from Hippocampus Press). It is full of rhyming, metrical poetry heavily influenced by CAS and HPL, all covering the many shades of horror and dark fantasy. Weird poetry is the technical term–the same meaning as with Weird fiction. I’ve a scattering of other publications, fiction and poetry, but none equal the release of The Crimson Tome!

AD: I started writing since I was in middle school, but I didn’t get published until the end of 2010, I believe. I was first published in the Horror Zine with two poems. It wasn’t really, until last year that I got on a roll and started getting published in more places: Spectral Realms No. 1-3 from Hippocampus Press, Weird Fiction Review from Centipede Press, Weirdbook issues 32 and 33 from Wildside Press, Xnoybis 2 from Dunhams Manor Press, Gothic Blue Book Vol 5 from Burial Day Books, and Necronomicum Issue 4 from Martian Migraine Press, among others.Necronomicum_title

KAO: Look for Ashley and me in Spectral Realms, Necronomicum: The Magazine of Weird Erotica, Weirdbook 31, Ashley in Weird Fiction Review 5, me upcoming in Nameless Magazine and Weird Fiction Review 6, and the both of us in the upcoming Gothic Bluebook. I’ll also add that I wrote an article for this month’s HWA newsletter, on my poetry and it’s Gothic elements. Oh–and we have articles in Hippocampus’ new edition of the infamous Book of Jade–mine’s on necrophilic imagery and it’s symbolic importance! Lovecraft praised The Book of Jade as a Decadent/macabre volume of unusual morbidity and merit. Personally, it is one of my top favorite books of poetry–once I have lovingly read several times.

KIDNAPPED BLOG: Echoes in Purgatory by Alex S. Johnson

halogokidnappednotdate

Echoes in Purgatory

by Alex S. Johnson

Her face swims in front of him. Curly red hair, green eyes, a concerned expression. In the next second she will touch his hand and it will all come back.

Every scarlet detail.

He wonders if she’s actually there with him, or just a projection of his subconscious. Whatever that might refer to here, in this unstable realm.

Shane knows what the priest would have called it, in Catechism classes. Purgatory. Limbo. The place in between.

Or just some extremely fucked up remake of Groundhog Day.

It amazes him that he’s held on to his sense of humor. But Shane’s ability to laugh at things that should, by all accounts, pin him to his mattress in the iron grip of depression, or catatonic shock, continues into the afterlife. This hinterland, where the only constants are frustration and despair.

She touches him. He glances up, looks into her eyes. She’s about to ask him what’s on his mind.

Honey,  you have no idea.

They’ve been friends since the previous semester, when she rescued him from an awkward moment with his Psychology professor. Which was around the same time he’d seen the flyer on a bulletin board at the Student Union.

Test Subjects Wanted For Clinical Trial.

And there was money attached, not a lot, but sufficient to cover his tuition. They hadn’t renewed his scholarship after his grades slipped at the end of Freshman year. Too much partying and not enough diligence in the library. Since then it had been touch and go, living off credit cards and dreading the prospect of spending the remainder of his professional life paying off the interest. Never mind the principal.

“What’s wrong, Shane?”

“Nothing.”

“Look, we’ve known each other for a while now, and something’s bothering you. Is it the money? Because I can always…”

He headed that one off at the pass. “I can’t, I just can’t. Just be my friend.”

“Of course. That’s a given. But honestly, I can afford it. And it would just be a loan. You can pay me back when you’re able to. I know you will. I trust you.”

The way he’d trusted the men and women in sterile whites. At first he’d been given to understand that the trials were for some kind of new drug, an anti-anxiety medication. But as the weeks passed, the little white paper cups with the tiny red pills gave way to tests. Tests that strained his nerves to the breaking point, induced anxiety rather than dialing it down. They assured him that everything was proper, in order, that they were following strict scientific protocols. But he left the lab feeling like a toy that had been hammered to bits. Or a lab rat that had pressed the wrong lever one too many times. The smell of scorched flesh in his nostrils. His own.

Shane never remembered the sequence of slaughter until he’d been engaged. That was one of the terms they’d used, one of the words that floated around in his head like a dead leaf in a pond. Engaged, or cut into the narrative.

They might just as well have called it being possessed, like the film he’d seen in Cultural Anthropology of the Voodoo Priestess ridden by the Loa. That was what it felt like, a dark imp pressing against his back and shoulders. Razor sharp claws scratching at his skin.

After waving goodbye to Lara he’d dashed across the quad, total tunnel vision, focused on breaking out the weapons cache in the utility cabinet in back of the gym.

Even now he wasn’t sure what the weapons were, just that they fit his hand and he knew how to fire them.

“I trust you too.” He trusted that she would never fully understand why he’d snapped. Neither did he. All he knew was that he’d slung the machine gun around his neck and started in with the pump-action rifle, picking off members of the varsity basketball team before charging into the cafeteria. Then he’d opened up with the machine gun. Shane was just as shocked as the onlookers as the bodies slammed to the floor. As he looked down at his hands, which had never handled anything more dangerous than a slingshot as a kid, briskly slamming off rounds like a professional mercenary.

It was like watching a silent movie after awhile. Deadly quiet, only the noise of his breathing and his thundering heart. Scraps of dialog fluttering by him, around him. The pools of blood spreading on the yellow tile. Sirens. His own voice breaking through, ordering them face-down on the ground. Knowing they would never rise again.

The warmth of her fingers cut him out. He started.

“I’m really worried about you,” Lara said. “You look absolutely exhausted. You really need to start taking better care of yourself.”

In a moment he would jump to his feet and plead some inane excuse. He picked up a single French fry and dabbed it in the ketchup cup. Feeling the surge come on him, fighting it back, hoping somehow that with all his prayers, this moment would be different. With God’s help, he might cut himself out of the narrative entirely. All a bad dream. Waking up in his student apartment with the Bowie posters on the ceiling and the metallic balloons, half-deflated, that bumped about the ten foot square space as a reminder of his drunken homage to Andy Warhol.

“I’ve got to get to my tutorial,” he burst out, looking at his watch as though it were a prop. He slicked his fingers through coal-black hair and regarded Lara with warm brown eyes that now looked black.

“I thought your tutorial was Friday,” she said.

“They changed it around. Look, I’m an absolute idiot at math and I really need to pass this course.”

As he ran across the quad, he looked back and saw her gazing at him through the cafeteria window. Her last sight of him alive.

And he was cut back in. Game on. Behind the walls he saw the green gridlines as they’d flashed to him through the Google glasses, over and over, until they haunted his dreams. Yet until some internal switch clicked, and the clock was running, the grid existed only as a faint flicker at the corners of his eyes, detached from the physical environment of the school, from the trials, from the before and after of his tenure as a lab rat.

Because there was a before and this was definitely an after. It started like a sickness, with Lara’s look of concern, her offer of financial help, wiping off the grease of the meal with a napkin, wadding up the napkin and pushing it into the cup of ketchup, dumping out the red plastic baskets into the trash, Lara half getting up, then sitting back down again, his forcing a smile and a wave as if everything was actually going to be ok, this time.

Shane’s glasses have misted up, but they’re another prop. That morning he’d put on contacts, automatic pilot, as though he wore them every day.

He sheds his t-shirt and dons the bullet-proof vest, puts on the black trenchcoat, slams shut the cabinet door and heads for the gym. His progress is inexorable, his will not his own.

And thus it runs until it stops and begins again, like a tape loop, a film, a memory of the future that slips relentlessly into the past as the past melts into the present.

There would always be echoes in Purgatory.

Always.

An interview with Chantal Noordeloos

Our featured author for episode 120 of the Horror Addicts podcast is Chantal Noordeloos. Chantal is a member of the Horror Writers Association and one of her hobbies is board games which you can read about here. Recently Chantal answerd a few questions about her writing:

When did you start writing?

deeplytwistedThat’s one of those ‘tricksy hobbitses’ questions. I can’t tell you when exactly I started. I’ve been making up stories since I was a kid, and even wrote some of them down when I was six or seven (much to the frustration of my mother, who was trying to get me to keep a journal of our holidays) I was also partial to essay writing at school, but I remember in my teens that I thought writing was a bother. I didn’t realize I wanted to be a writer until I turned fifteen, and my English teacher, Bob Harrison, made us do a lot of creative writing. That’s when I knew that this was my passion above all others.

Now, had you asked me “When did you start getting your work published?” I would have had a more straight forward answer *cheeky grin*. My first short story was published in 2012 (unless you count the stories I used to write for my school newspaper) My first novella came out in 2013, and my first novel in 2014.

 

What do you like to write about?

I like to write about ALL THE THINGS *insert little comic meme here* Sorry, I couldn’t control myself there for a second. Ehm… I’m a genre floozy (I don’t just write one genre) and a slipstream Sally (I mix genres) to boot, so I could go in very many directions with this question. I do have some preferences, I guess. I am a big fan of ‘epic stories’. I like to write about angels and demons and the apocalypse. Go big or go home… (not really because I enjoy small stories too, it just felt appropriate to randomly write that) Most of the time I incorporate some sort of mythology or fairytale into my work. Sometimes it’s obvious, sometimes it’s very subtle. That’s just a little thing I do.

In truth, it sometimes feels like the story finds me, rather than me finding the story. Sometimes a thought just hits 23456349me out of the blue, and if it clicks… it’ll become a novel. For me it’s important that I have some sort of connection with my characters. If that works, I enjoy writing.

 

Who are some of your influences?

My main influences are the brothers Grimm, Hans Christiaan Andersen, and all those people who have written down old myths. That’s where my passion started. More contemporary influences are Neil Gaiman, Terry Pratchett and Joss Whedon, though I am more influenced by my environment than I am by other writers. I think writers are more of a stimulant to each other, than they are an influence. I could never write like any of my heroes, their voices are their own… as is mine.

 

What do you find fascinating about the horror genre?

Horror has a macabre beauty to it. Death is the biggest mystery of them all, because no-one ever lived to tell the tale *grin*. There’s something elegant about horror, even about the gory part of it (though I believe horror is so much more than just gore). To me, as a writer, it’s a challenge to find out what frightens people. There’s something very intriguing about fear. There are also a lot of taboos in the world that are broken by the horror genre, which in a way feels very liberating.

 

What will you be reading for episode 120 of the podcast?

I’m going to read a story called ‘Little Death’. It’s a story I wrote after I saw a real item on the news about a mysterious illness.

 

Where can you we find you online?

*whispers* I’m everywhere…

*serious face* I’m really not, though I do spend a lot of time on facebook, and I’m trying to figure out how to do this twitter thing (does that make me a twit?). So you can find me: https://www.facebook.com/ChantalNoordeloosStoryteller

Or on twitter: https://twitter.com/C_Noordeloos

My website can be found here: www.chantalnoordeloos.info

And of course my favorite hang out is here: http://amzn.to/1NLVtZt

 

Thanks for having me on your show! It’s been a hoot!

 

Meet our Judges for the WWW and MMM Contests

On the next episode, 119, we’ll be announcing the winners of the Wicked Women Writer’s Challenge and Masters of Macabre Contest. But first, we want to introduce you to the judges.

Audio Judges:

evo (2)Evo Terra is the founder and president of Podiobooks.com. Since 2005, Podiobooks.com has made available the best serialized audiobooks in the world, all of them available for free. He’s one of the original group of podcasters and has been deeply involved with independent authors of genre fiction since the early 2000s. He’s a published non-fiction author, penning titles in a variety of topics, including social media, craft beer, and two books in the “for Dummies” series. These days, he’s traveling the world as a digital nomad, telling the story of his travels on The Opportunistic Travelers.

willoWillo Clare Hausman is a director of both stage and screen, with a special emphasis on gothic fairy tales, haunting ghost tales, spiritual quests and intriguing mystical beings.  4 creative endeavors are currently in active development, including a sitcom set in an occult shop, a play called Grimm and 2 feature films, one revolving around a clan of modern day witches, the other set in Barnum’s wild American Museum circa NYC 1846. Find out more about Willo at: www.gryphonpictures.com

tinyDanDan Shaurette is a goth-geek and a fan of horror, especially vampires, ever since seeing Bela Lugosi’s “Dracula” as a young child. While vampires are his horror addiction of choice, Dan does not limit his preternatural proclivities to them. He is a fan of most sub-genres but prefers those that have a dark tale to tell versus pure shock-schlock. Not that there’s anything wrong with that. You can find him online at http://www.DanShaurette.com.

Text Judges:

head shot2014Dario Ciriello is a professional author and freelance editor. His nonfiction book, Aegean Dream, was a UK travel bestseller in 2012. His first novel, Sutherland’s Rules, a crime caper/thriller, was published in 2013. Free Verse and Other Stories, a collection of Dario’s short Science Fiction work, was released in June 2014. He is currently working on his second novel, another thriller. Dario, who has also edited and copyedited over a dozen novels, as well as three critically-acclaimed novella anthologies, also offers freelance copyediting, critique, and author mentoring services. He lives with his wife in the Los Angeles Area. For more information on Dario, go to: https://dariospeaks.wordpress.com

pic of meLucy Blue has been writing and publishing gothic horror-flavored romances since 1998 when she co-authored These Our Revels, the last tie-in novel for the vampire TV series Forever Knight. She amassed her dazzling fortune (hahaha) as sole author of the Bound in Darkness vampire series for Pocket Books/Simon & Schuster. She is currently an author/publisher for Little Red Hen Romance, which publishes short, relationship-centered e-books in a wide range of genres, including horror, urban fantasy, steampunk, and science fiction. For more information on Lucy, go to: lucybluecastle.wordpress.com

BioPicSandra Saidak graduated San Francisco State University in 1985 with a B.A. in English. She is a high school English teacher by day, author by night. Her hobbies include reading, dancing, attending science fiction conventions, researching prehistory, and maintaining an active fantasy life (but she warns that this last one could lead to dangerous habits such as writing). Sandra lives in San Jose with her husband Tom, daughters Heather and Melissa, and two cats. Her first novel, Daughter of the Goddess Lands, an epic set in the late Neolithic Age, was published in November, 2011 by Uffington Horse Press. http://www.sandrasaidak.com

And YOU,  The Horror Addict

Although we’ve added professional judges this year, that doesn’t mean you don’t get your say! 1/3 of the vote was decided by listeners and readers like you!

Thank you to all our participants and judges.

Tune in to episode #119, premiering August 22nd, for the winners announcement!

Meet Artist Bill Rude and Author Emerian Rich

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Meet author Emerian Rich and artist Bill Rude

HalloweenThis weekend, ScareLA, the first Los Angeles convention dedicated to celebrating Halloween (and from my knowledge the only one in California) will commence. On August 8th and 9th at the Pasadena Convention Center, the event will feature top attraction designers and operators, manufacturers, artists, filmmakers and more. The weekend-long Halloween season teaser will celebrate California’s hottest scary faire with attraction unveils, workshops and classes, top industry panels, haunt experiences, screenings and activities.

FinalFrontCoverBill Rude is allowing me to sit at his table for awhile to promote the HorrorAddicts.net Press book, Horror Addicts Guide to Life. Bill was interviewed in the book and I wrote several parts, so you will get signatures of two contributors if you stop by the booth between 1p-2p, August 8th.

Not only will I be meeting all of you fine folks during the con, but I am excited to check out this huge Halloween-inspired convention! I am also looking forward to seeing Bill’s Ho-Ho-Horrifying Holiday Cards in person. 🙂 And he has buttons! I know I won’t be able to resist grabbing a few.

Come share the SCARE with me and my Halloween-inspired friends.

See you there!

ScareLa
August 8th
1pm-2pm @ booth 213
Meet Bill and Emerian
Mention code: Boo2015
to get a discount on the
Horror Addicts Guide to Life book.

7 Hells (booth 213) is ready to go all out to make it the best one yet!

scare la– The EXCLUSIVE vendor of official ScareLA t-shirts and prints featuring the illustration by Bill Rude!

– More featured 7 Hells artwork in Evil Twin Studios’ ‘VAULT OF DARKNESS’!

– Celebrate the The Hatbox Ghost’s return with original Haunted Mansion art and prints!

– NEW: 7 Hells buttons, including original Krampus and Haunted Mansion artwork!

– Vintage movie posters that never were!

– Terrifying Monster T-Shirts!

– Gallery of Original Artwork!

– And ALWAYS your #1 stop for original Ho-Ho-Horrifying Holiday Cards!