The Last Stop – by CM Lucas

Dust devils encircle a dingy blue Pontiac Sun fire as the summer sun’s rays reflect off the few exposed areas of clean finish. The looming shadow of The Last Stop diner begins to overtake the Pontiac. The antiquated eatery bakes in the scorching New Mexico heat, while inside hungry patrons fair no better.

The buzzing of a single osculating fan blows hot, dry air in customers’ faces; perspiration dripping from every inch of exposed skin, relief from the heat only coming from tepid ice tea and warm root beer.

Swaying back and forth on his stool sits a man fidgeting with his paper napkin. Sitting at the center of the counter, the man periodically peers up from his napkin, glancing at the various customers, peering over at the entrance and back to his napkin. The man wipes the excessive perspiration from his brow and runs his trembling hand along the scruff that adorns his scarred chin.

“You ready, darlin’?” asks the waitress with a large, comforting smile.

“Uh, y-yea, Um… I-I’ll have the s-strawberry sundae,” says the man, briefly making eye contact before returning his gaze to his crumpled napkin.

“Ran out about two hours ago. Ice cream’s a hot commodity in heat like this, darlin’. Anything else?” asks the waitress as she fans her freckled skin with a menu. The man shrugs his shoulders and continues to fiddle with his napkin.

“You ok, darlin’? You seem a little nervous,” asks the waitress, flashing her comforting smile the man’s way. The man rises from his stand, reaching into his pants to retrieve a large pistol.

“Everybody, get the fuck down. Now!” yells the man, waving his pistol wildly in every direction. The customers begin to scream with fear. An elderly couple freezes in place, the businessman within the far corner drops to the floor, and the newly-wed couple close to the window embraces as the man jerks violently within the diner.

“You. G-get your hand up w-where I can see them,” says the man; his hands trembling. pointing at the register, the man aims his pistol at the cowering waitress.

“Start emptying t-the register,” demands the man. The waitress, wide-eyed and frozen in place, struggles to respond.

“Do it! Now!” yells the man as his pistol gets closer to her face. Tears begin to stream down the waitress’ face as she empties the contents of the register into a plastic bag. The man twists around to survey the diner. Spotting the businessman with a cell phone in his hand, The man rushes over; his pistol now directly in the businessman’s face.

“Put that fucking thing down!” screams the man. The businessman drops his phone and begins to cower in his chair. The man turns his attention to the newly-wed couple as the young bride begins to wince in pain. the man moves toward the woman with a furrowed brow. The young bride drops to the floor, revealing her enlarged stomach. She clenches her stomach as her husband rushes over to his bride.

“Hey, hey, hey! Get back to your-” the husband throws his arms in the air.

“Please, My wife’s pregnant,” says the husband, cradling his wife’s head as she moves to her back, panting and moaning.

“Oh, God. I think she’s going into labour!” Yells the waitress.

“E-everybody, shut up,” says the man, moving around frantically.

“You have to do something,” says the waitress. The man continues to tremble.

“W-what?” asks the man.

“To help her. You have to help her,” screams the waitress. The diner’s begin to panic as the young bride’s contractions being to worsen.

“Shut up! Everybody, s-shut up!” shouts the man as he makes his way over to the pregnant bride. As the man’s heart pounds within his chest, he glaces down at the bride, moaning in pain. The man kneels to the floor.

“What d-do I have to d-do. I’m not a fucking doctor. You do something,” says the man, pointing at the husband. The husband begins to move toward his bride’s legs, but his wife firmly grasps his arms.

“No, John! Stay… Ah! Stay h… Ah,” says the bride as her contractions worsen.

“You have to help her,” screams the waitress. The man wipes the sweat from his brow and moves toward the bride’s legs.

“W-what do I do?” asks the man as he trembles in place.

“Talk to her. Make sure the baby doesn’t fall to the floor,” says the businessman.

“… You’re going to b-be ok. Y-you’re doing good,” says the man softly. The bride begins to wince and gyrate; his screams echo through the diner as the man positions his hand beneath the bride’s legs. The young bride continues to moan as the contraction worsens.

“T-that’s It. Y-you’re ok,” asserts the man; his hands trembling. The bride gives a final push as the newborn’s head emerges. The rest of the body begins to show with the final push until the newborn is within the man’s shaky arms. The bride begins to sob with joy, as does her husband. A collective sigh of relief washes over the diner as they temporarily forget the situation they are in.

The man hands the newborn baby over to its parents. He rises to his feet and begins to weep uncontrollably. Suddenly, the police burst into the diner. With their weapons drawn, The man puts up no resistance, placing his hands behind his back as the police place him in handcuffs. The man is placed in the back of the squad car. As the squad car begins to pull away, the man glances at the diner. Paramedics being to arrive at the scene, escorting the newlyweds out of the diner.

The bride glances at the man in the back of the squad car. She smiles and mouths ‘thank you’ at the man before the police car pulls away. The man begins to well up before he smiles back and nods.

No. Don’t you do it, you fuck. You can resist, the man thinks to himself as his pulse begins to race. Suddenly, the man begins to sweat profusely, his heart smashes against his chest. The man closes his eyes tightly as he struggles to conceal his pronounced canine teeth. A deluge of perspiration pours down his forehead as the narrow slits that are his pupils dilate as the man focuses on the diner. The man breaks free of his restraints, reaching through the cage that separates him from the officers in the front of the police car. The flesh on the man’s arms rips and tear as his talon-like fingernails plunge into the neck of the officer driving the police car. Blood sprays across the windshield as the police car collides with a telephone pole. The fire from the exploding squad car gains the attention of the patrons within the diner.

The new mother grips her child as she rushes toward the diner’s window. Her eyes well up as she glances into the vertical pupil eyes and panting tongue of the man who minutes ago helped bring her newborn baby into the world.

End

Free Fiction: Cherry Hill By CM Lucas

One last beam of sunlight peeks out from the horizon and reflects off the curves of a spotless Dodge Ram as it hurdles along a dusty service road.                                                                                        

“Where the hell is… Ah! There she is,” says the man as he scratches his salt & pepper beard and attempts to steer while adjusting the collar of his security uniform. His name is Clive Queenan, and he’s running a bit late. Hunching over the steering wheel while adjusting his legs, Clive squint’s as he reaches his destination atop Cherry Hill.

As Clive pulls into the parking lot, he exits his truck, stretches out, and glances at Cherry Hill Psychiatric Hospital. An imposing structure; its cracked bricks glow red in the setting sunlight; its glass-less windows creak while dangling shingles bob in the breeze. Long, slender branches from maple trees surround the building like elongated fingers.

“Christ, this place looks like it went to hell and back,” Clive says, glancing up as his hand rests atop his brow, blocking out the setting sun. 

Clive makes his way to the front door. Flaking paint floats to the ground as he grips the doorknob and enters the dilapidated building.

“Hello?” Clive says, pulling out his cell to check for any missed calls.

“Service sucks out here,” Clive says.

“Hm. Where is this dude?” Clive asks, looking about the foyer. The missing floor tiles and cobweb-draped ceiling are accompanied by an undisturbed layer of dust. 

This place is a tomb… A goddamn creepy tomb, Clive thinks, leaving a trail of footprints in the floor dust.

“Quite the shit pit, am I right?” the booming voice echoes through the foyer and bounces in Clive’s ears as he twists around and peers up at the man standing atop the staircase. The man smiles as he limps down the stairs. The smallest beam of light from the retreating sun peeks through the glass-less windows and reflects off the man’s hairless head. 

“Shit!” Clive says, clutching his chest.

“I scare ya there, buddy?” asks the man as he adjusts his glasses.

“I’m good. You must be, Darren. Sorry I’m late,” Clive says. The man reaches the foyer and hobbles over to Clive with a smirk on his crimson mustached face.

“What the hell’d you do to wind up watchin’ this toilet bowl?” asks the man as he peers up and extends his hand toward Clive for a handshake.

“I volunteered. Double time and a half to watch this place,” Clive says, glancing down, shaking the man’s hand vigorously.

“Skip. Everybody calls me Skip… no clue why, but It seems to suit me,” Skip says.

“Gotta love nicknames, huh? I’m Clive,” Clive says, looking about the area. Skip furrows his brow.

“Clive? You don’t run into too many Clives in Cherry Hill,” Skip says with a smirk on his face.

“No doubt. My mother’s from England. Every time I got my ass kicked in school because of my name, I always remembered to thank her,” Clive says, chuckling. Clive follows Skip as the duo walk through the foyer.

“So, what’d they tell ya about this place?” asks Skip, adjusting his glasses.

“Not much. Just that this place gets ransacked almost nightly,” Clive says, fiddling with his belt.  “Kids trying to hot wire the bulldozers and excavators. All that good stuff.” Clive continues, “not sure why they need two guards for this type of thing, but hey, double-time and a half, who cares,” Clive says as the duo enter a lengthy corridor. Clive glances at the hallway’s calcium and lime-covered concrete walls. The sun-bleached doors and glass-less windows seemingly stretch to infinity.

“When’s this place set to be torn down?” asks Clive as the pair head down the corridor. Skip snickers.

“What? What’s so funny?” asks Clive.

“They tell ya anything else?” asks Skip. Clive furrows his brow.

“No. Like what?” asks Clive.

“Place is supposed to be haunted,” Skip says. Clive stops. Skip twists around to face Clive.

“What do you mean? We’re talking little spooky friends, here?” Clive asks, flashing a smirk.

“Hey, that’s what they say,” Skip says, glancing up at Clive. Skip continues, “Look, I don’t believe in all that ghost tripe. I only believe what I see with these peepers of mine, ya know?” 

“I hear ya. I read about the shit that went on here before it closed down. Way scarier than poltergeists and all that, huh?” Clive says as the pair exit the corridor and enter the basement. Skip hits the light switch and the duo make their way down the creaking stairs.

“Alright, you’re down here. Other than those lil’ bastards tryin’ to take joyrides in the bulldozers, we also find these shits down here screwin’ and smokin’ up,” Skip says.

“I’m watching out for that? Sweet,” Clive says sarcastically.

“The perks, right?” Skip says. “I’ll be up on block A watchin’ paint crack. Have fun,” Skip says, heading upstairs.

“Hey, Skip! Around what time should I-” Clive is interrupted by the slamming of the basement door. 

“Alright, then,” Clive says, sitting down on a small stool. As Clive plays around with his cell, he hears a shuffling in the darkness. Peering up, Clive pays it no mind. The shuffling returns with increased volume. 

“What the hell is that?” Clive asks. Pointing his cell toward the darkness.

“Don’t be that guy, Queenan. Get your shit together,” Clive says. The shuffling, now sounding like erratic footsteps, draws closer. The sound of metal dragging along the ground now accompanying the shuffling.

“Skip?” Clive says softly. A loud crash brings Clive to his feet.

“You’re a funny lil’ bastard, Skippy,” Clive says. Venturing up the stairs, Clive attempts to open the door, only to find it locked. 

“Hey, Ha-ha! Joke’s over. Come on, open the-” the shuffling gets louder. Clive begins to pound on the door.

“Skip… Skip! Open the goddamn door!” Clive says as the noises get louder. 

“Skip!” Clive yells, pounding on the door. He begins to slam into the door as the noises get closer. Clive presses up against the door; he fumbles for his cell and points it down the staircase. The light from the cell illuminates a rat scurrying up the stairs grasping a soup can in its mouth.

“… Fuck me,” Clive says, chuckling. Clive wipes away perspiration from his brow and sinks to the top step as the door opens.

“Fucking hell, Skip. Sorry about that. Wait till I-” Clive stops as he peers up to face Skip.

“… Who are you?” asks Clive.

“I’m Darren. Sorry, I’m so late. I tried to call you, but the reception up here is the shits,” Darren continues, “are you alright? You sounded like you were freaking out down here. What happened?” asks Darren. Clive furrows his brow while staring at Darren.

“Darren? You’re Darren? … Where’s Skip? And why-” Clive asks before Darren interrupts.

“Skip? Who the hell’s Skip?” asks Darren.

“I…,” Clive pauses. 

“Look, man, I get it. No need to be embarrassed or whatever,  the place is fucking spooky. It’s supposedly haunted too,” Darren says,  “Oooo!… Sorry, man. I, uh, I’m not much of a believer in that silly shit, you know?” 

End.

Legend of Horror : George A. Romero: Hail To The Zombie King by CM Lucas

 Hail To The Zombie King

Growing up in New York in the early 40s was no small feat. The realities of organized crime and World War Two were enough to shape the mindset of an aspiring filmmaker from the Bronx to that of a doomed future for humanity. George A. Romero’s bleak worldview became glaringly apparent on October 1, 1968, when he let loose upon the world, Night of the Living Dead, a terrifying story of the reanimated dead attacking and consuming a group of survivors hiding within a small farmhouse. 

On the surface, Romero’s vision of a world plagued by the flesh-eating living dead is simply a visceral creature feature (nothing wrong with that). But, the subtextual coverage of social issues and identity politics is where it truly terrifies. Using a zombie apocalypse allegorically to showcase the true plague that continues to ravage humanity. Intolerance, tribalism, and humanity’s inhumanity toward man are all subjects broached within the horror masterpiece. 

Within Romero’s storied career, he has often attempted to infuse his films with social awareness. Not satisfied with simply scaring an audience with supernatural spectacle, Romero forces his audience to peer into the societal underbelly and reflect on humanity’s current, past, and future atrocities with only the slightest shimmer of hope. Much more terrifying than zombie-infested streets is when human beings are subjected to the realization that the true enemy is glaring back at them every time we look into a mirror.

However, there’s more to this dread-filled visionary than doom and gloom nihilism. Romero’s cheeky, whimsical side is often on display within his films. Whether it’s a zombie experiencing an unfortunate “haircut” from the blades of a helicopter in Dawn of the Dead, or the lovable “Bub” giving a final salute to the deplorable Captain Rhodes before his gruesome death. 

With the recent release of Zack Snyder’s Army of the Dead, the living dead are more prominent than ever. And while George Romero may have passed, but his legacy continues to live on in the form of the modern zombie. Paving the way for such properties as The Walking Dead, 28 Days Later and even Shaun of the Dead, Romero fought the battle of the indie filmmaker and won the hearts of millions of devoted fans who watched in awe as his decaying, putrid creations ravaged the world of cinema.

Free Fiction : The Photo by CM Lucas

As snow began to fall on that frigid winter morning, Miles Beringer made his way up the rickety staircase into the attic. Every snowfall, he found himself retreating into the dusty, insulation-filled space.

Jam-packed with items collected over the years, Miles would wade through the vast assortment of antiquated nostalgia, sometimes tidying up along the way, but often watching the snow collect on the roof. Miles had come to find that on a winter’s day, nothing was quite like his attic.

“Wow. It’s like somebody comes up here after I clean and ransacks the place,” said Miles as he glanced about the attic.

“Maybe it’s the ghosts,” said Miles, “Nothing better to do!?”

Miles snatched a basketball from a dusty box and began to dribble.

“Beringer makes his way down the court. He fakes right; he shoots… Nothing but net, ladies and gentlemen,” shouted Miles with his arms raised. Miles glanced at a box tucked in a far corner.

Hm. And what secrets might you be hiding within your shadowy, cavernous walls? Glad I don’t talk like that out loud.

Miles made his way over to the old cardboard box. He opened it and began to rummage through its contents.

“I can’t believe it,” said Miles, pulling out an old photo album. Miles opened the old album.

This is crazy. How the hell did I end up with it? Miles thought, peeling back the first page.

Polaroids! Man, I miss them. Damn, I was chunky.‘Just a little baby fat,’ sure, Dad. Oh, no. Shirley, what were you thinking with that hair? Eighties or not, that was just bad.

Miles turned the pages, reliving treasured memories. He comes to the final page and smiles.

“Good times,” said Miles, rising to his feet. A Polaroid falls from the back of the album, landing on the floor. Miles reaches down to retrieve the old photo. As he flipped the picture around, Miles furrowed his brow. Glaring at the Polaroid, he noticed himself in the picture, at his current age.

What the hell is this? I don’t remember this. Of course, I don’t. It’s a frigging Polaroid, genius. They don’t even make those anymore, do they? Where did this come from? This is recent. How? And why would it be up-

A knock at the door forced Miles out of his pondering. He makes his way downstairs and opens the door, revealing a familiar face.

“Hey, Shirl,” said Miles as his dejected expression concerned his guest.

“Hey, Miley… I come at a bad time, or what?” asked Shirley, breathing into her hands and rubbing them vigorously. Shirley makes her way inside. Flipping off her snow-covered boots as she heads into the living room.

“You rearranged the living room. Looks nice. Roomier,” said Shirley, looking about the room. Shirley then returns her gaze to Miles.

“Uh, hello, Little bro! What’s with you?” she asked. Miles peers over at his older sister. Holding up the Polaroid, he hands it to Shirley.

“Do you remember when this was taken?” he asked. Shirley furrows her brow. She then raises her eyebrow and smirks.

“Nice. The Polaroid thing’s a bit much, but it’s nice work. Where’d you get this done?” asked Shirley.

“That’s the thing. I didn’t get it done. I found it up in my attic. It was with one of our old family albums. It was lodged in the back,” he said. Miles pauses, then peers at his older sister.

“Wait, I’m an idiot,” said Miles.

“That’s not breaking news, Miley,” Shirley said with a grin.

“New Year’s Eve. You and Jack were up in the attic. You had this done and put it up there!” said Miles. Shirley glared at Miles, “Ya, Miley. I spend my time having fake pics done up and then plant them in people’s attics during parties.”

“Ok, then what the hell were you two doing up there?” he asked. Shirley continues to view the picture.

“We were…,” Shirley paused. Miles glared at his sister.

“Really? How old are you two?” he said with disgust in his voice.

Shirley remained quiet, squinting as she looked at the Polaroid.

“… Ok, seriously, what is this? Is this one of those holograms that change in the light or whatever?” Miles peered up at Shirley, perplexed. He made his way over as she held the picture up.

“… What the hell? You weren’t in this earlier,” said Miles, his eyes wide.

“What am I doing?” asked Shirley as she continued to squint.

“You look terrified. I-it looks like we’re in the kitchen in this thing,” he said as the pair huddled together.

“This is like one of those ARG deals. And it has Jack written all over it. He loves this shit,” said Shirley, scratching her chin.

“Ok, your husband’s home invasion and privacy issues aside, what do we do?” asked Miles.

“Well, when we did one of these before, we just followed any clues we could find,” Shirley continued, “let’s move into the kitchen.” Miles and Shirley made their way into the kitchen. Miles glances at the photo.

“Look, it changed again. Wait, Why am I?…” Miles paused. Shirley glanced at the Polaroid.

“Is that blood? Looks like you’re being shot or… Shit, Jack! Getting a bit-” Shirley, suddenly startled by the ruckus within the kitchen, peers into the kitchen.

“Ok, get behind me, Shirl. Watch this,” said Miles, grabbing a large glass and filling it with water.

“What are you doing?” she asked.

“It’s Jack. He’s in the basement,” said Miles, making his way toward the basement door. Miles pulls open the door.

“Ah-ha! Game’s ov-” a shotgun blast rings in Shirley’s ears as she falls to the ground. A second blast rips through the siblings as a masked man exits the house.

Ten minutes pass as knocks on the door go unanswered. The door opens as a man enters the house.

“Hey, Miles, Shirley! It’s Jack! You guys here? It’s really coming down out there. Jack glances down at the old photo at his feet. The Polaroid reveals a shocked Jack as he beholds his wife and brother-in-law slain on the kitchen floor.

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CM “Spookas” Lucas is a is an aspiring Horror/Science Fiction writer, a free lance writer of articles and reviews. He has recently joined the HorrorAddicts.net staff of writers. Check out his recent article

Ghastly Games: Top Five Horror Related Video Games By CM Lucas

Top Five Horror Related Video Games  by CM Lucas 

Since the beginning of the modern video game revolution (or generation 1), the genre of horror has always been present to varying degrees. Unlike its Hollywood counterparts, horror within the gaming industry has been met with acclaim and admiration. From the early days of the Atari 2600 to the powerhouses that are modern consoles and computers alike, horror video games have captured the imaginations and instilled fear in a way film is simply incapable of doing. From the slight jump scares to the titles that delve into the dark void of the subconscious, here are the top 5 horror video games of all time. 

Silent Hill 1 (PS1) 

Emerging from the foreboding shadow left by Resident Evil, Silent Hill cast off the shackles of its predecessor and took players into a visceral, psychological direction. Harry Mason searches for his daughter within the endless mist of Silent Hill. As his search progresses, the town begins to transform into a twisted version of itself. 

At the center of the chaos, a demonic cult wishing to bring about the birth of “God” with the sacrifice of Harry’s eight-year-old daughter. 

With crucified, mangled bodies adorning walls, and demonic apparitions on your heels, this nightmare come to life will leave you with an uneasiness hours after you’ve finished playing. 

Limbo (PS4, Xbox, PC, Nintendo Switch, ios)

Set within a child’s nightmare, we follow a nameless boy as he travels through a silhouetted forest en route to finding his sister. The terror comes from empathy with the nameless child. The terrified but brave boy is forced to endure the hellish landscape filled with frightening imagery, dangerous pitfalls, and a giant spider, all while trying to find his sister, makes for a horrific and somber experience. 

Uninvited (NES, Macintosh, Commodore 64) 

Perhaps one of the best examples of music and atmosphere compensating for limited graphical capability. The oldest entry on this list, Uninvited, places the player in immediate danger as you wake up within a mangled wreck, seconds from erupting in flames. After exiting the wreck, the player finds themselves at the doorstep of a Victorian mansion. Upon entry, the atmosphere is thick with impending doom, as the empty foyer hints at the house’s evil secrets. 

Immersing the player deeper into the experience by placing you in first-person perspective. Adding to the uneasy nature is the game’s limited, point and click controls; there is no free roaming, giving the player a feeling of helplessness when encountering one of many hair-raising specters. Although visually antiquated, Uninvited has the ability to frighten by setting mood and instilling “nail-biting” dread as you prepare to enter a room or speak to a proper southern belle, waiting within a cavernous hallway. 

P.T. (PS4)

Impending, palpable dread is the immediate feeling you get within the opening moments of this 2014 classic. Appearing mysteriously on the PlayStation Network, P.T. was an enigmatic demo that had players scratching their heads as well as sweating profusely (is sweating the right word?) Much like Uninvited, P.T. places the player in first-person, allowing for a more immersive experience. 

The player wakes within a darkened room, focusing on a face peering in from a slightly opened door. We then enter a sprawling hallway that sets the player in a never-ending-ending loop. As the player traverses the loop, your interaction with the environment brings you closer to solving the puzzle. With haunting audio, foreboding atmosphere, and the feeling that there’s always something behind you, the tension rises as you turn the corner upon each consecutive loop until the inevitable and unwelcome encounter with the ghoulish “Lisa.” 

Silent Hill 2 (PS2, Xbox, PC) 

Not only one of the most psychologically scarring experiences in gaming, but in any medium. Silent Hill 2 is an unsettling journey into subconscious self-torment brought to life. James Sunderland is a man who finds himself in the unenviable position of being in the foggy, desolate town of Silent Hill. After receiving a letter from his late wife, James searches for answers, encountering subtextual creatures hell-bent on him suffer. 

As James traverses the small town, he plunges deeper into the nonsensical, nightmarish underbelly of Silent Hill. Coming face to face with issues of incestuous rape, sexual frustration, bullying, and euthanasia; Sunderland must come to grips with his past sins or suffer in a self-imposed purgatory

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CM “Spokkas” Lucas is a freelance writer who enjoys writing Horror/Science Fiction and works as a freelance writerof articles and reviews. He watches movies and plays video games of the horror genre. Look for more articles to come from hin here on HorrorAddicts.net