The Crimson Rush by Pamela K. Kinney
Delicate fingers tremble
To lift a handle of purest gold
Hold high this Chinese cup
Where blood red bats fly
A porcelain rim
And dance through tangled filigree
Sealed in a painted grave
Sip the scented liquid
Jasmine trapped in amber tea
Chosen flower of the evening
Left upon an altar
Before the setting sun
Curated by Daphne Strasert, Bloodthirsty (2020)
Indie music artist Grey is struggling. Not just with writing her latest album or connecting with her long-time girlfriend, but with her identity. She’s been experiencing hallucinations, frightening images of turning into a violent, uncontrollable animal. Not even the medications her psychiatrist prescribes seem to help.
Delicate fingers tremble
To lift a handle of purest gold
Hold high this Chinese cup
Where blood red bats fly
A porcelain rim
And dance through tangled filigree
Sealed in a painted grave
Sip the scented liquid
Jasmine trapped in amber tea
Chosen flower of the evening
Left upon an altar
Before the setting sun
The offering to prisoners of the moon
A slender collared throat
Bejeweled to gleam as daylight fades
One last sip from that painted cup…Read more in Bloody Tea.
Curated by Mark Orr, The Bloody Dead of Night (1945)
This 1945 masterpiece from Ealing Studios was the first great anthology film, setting five spooky yarns in the middle of an afternoon of tea and crumpets and horrific deaths. An architect played by Mervyn Johns (of 1963’s The Day of the Triffids) arrives at a remote country cottage he’s been hired to renovate just at teatime.
Curated by D.J. Pitsiladis, Tasseography
Have you ever wanted to forecast your future? Nowadays, there are plenty of methods to divine what awaits you, such as tarot cards, palm reading, astrology, or scrying. One still frequently used involves a refreshing beverage and a little meditation. For this issue’s Nightmare Fuel, we look at tasseography. Tasseography is a divination method where someone sees a person’s future, fate, or destiny by reading the dregs of a person’s cup or glass.
Curated by Kieran Judge, The Bloody Countess, Elizabeth Bathory
When we hear about serial killers, most of us think of one of two things. It’s either the slasher movie type-Michael Myers, Jason Vorhees, Freddy Krueger, Norman Bates-or documentaries and Netflix limited series about the modern monsters like Ed Gein, Jeffery Dahmer, Ted Bundy, and John Wayne Gacy. Some might even go to those mythical killers who have transcended their stories and become myth and legend thanks to their mystery and intrigue like Jack the Ripper, the Zodiacs, or the Texarkana Moonlight Murderer. But perhaps the most prolific real life serial killer of them all, whose name is a true blurring of myth and monster, is Countess Elizabeth Bathory of Hungary.
Vision Video / Inked in Red
With jangly guitars, bouncy bass lines, and silky synthesizers reminiscent of Joy Division, New Order, and The Smiths, Vision Video has created an album full of delicious tracks. The Athens, Georgia quartet delivers a solid album that Horror Addicts will love, especially after watching the killer video for “Comfort in the Grave.” Keyboardist Emily Fredock does a fantastic job with this moody track, taking the listener with her on a homicidal journey. Vocals from frontman Dusty Gannon give me a modern Killers-esque vibe and the lyrics are inventive and poetic in a refreshing way. Tracks “Static Drone,” “Run,” and “In My Side” are some of my favorites on first listen, but all of the tracks have the potential for repeat plays.
While heavy topics like trauma and terror are covered in the tunes, there’s also a danceability and hopefulness that makes this album special. It’s a rare band that can bring nostalgia along with that fresh feeling of finding a new favorite...READ more Horror Curated NOW!
There is No Death There are No Dead
Edited by Aaron J. French &
Jess Landry
Crystal Lake Press
The spirits of the dead exist and they want to communicate.
Spiritualism—the belief that the soul continues on after death and that those souls try to communicate with the living—originated in the 1800s. It reached a fever pitch with mediums traveling all over the world, practicing their craft.
There is No Death, There are No Dead is an anthology of horror stories focused on spiritualism. Whether telling the story of a spirit, a medium, a haunting, or a hoax, communication with the dead takes center stage in each of these tales.
The stories are diverse and unique, but with a carefully crafted thread that connects them into a cohesive collection. The author might explore the origins of spiritualism in the foggy streets of Victorian London or a modern-day medium wrestling with hauntings that are all too human…READ more Horror Curated NOW!
Multimedia artist Lynne Hansen specializes in horror book covers for some of today’s most popular authors and publishers in the genre. Inspired by the horror novels she reads, Hansen seeks to tell a story with a single image, hoping to convey the symbolic heart of a character or novel like early twentieth-century surrealists M.C. Escher, Salvador Dali, and more modern iconic artists like Alan Clark and Jill Bauman. Hansen tries to capture the beauty in even the most twisted nightmare images.
A resident of Chattanooga, Tennessee, Hansen is married to Bram Stoker Award-winning horror author Jeff Strand. In her interview with Horror Curated, Hansen explains how she collaborates with authors and shares her favorite ghostly encounter…READ more Horror Curated NOW!
It’s impossible to say you haven’t heard the music of brilliant composers, Midnight Syndicate. Even if you don’t know them by name, you’ve heard them pumped through ratty speakers in pop-up Halloween stores, haunted attractions, or amusement parks during the spooky season.
Edward Douglas and Gavin Goszka have been composing and producing music together since the late nineties. They have 20+ albums, have been featured on film soundtracks, and even host a live show at Cedar Point, an amusement park in Ohio.
Edward has a background in film and theatre and has always had a strong love of instrumental music and sound effects because of their ability to transport the listener to a world or movie of their own creation. Gavin, on the other hand, grew up playing keyboards and drums in various rock and pop bands, but began studying music in a much more formal way when he was accepted into a Conservatory of Music during college. There, he learned the basics of orchestration as well as structured composition.
The combination of musical sounds from these two gentlemen can only be described as magical. From their first collaboration on the album Born of the Night, to their newest release—a 25th-anniversary celebration album called Legions of the Night—these guys are truly the real deal when it comes to atmospheric and gothic soundtracks to our soul…READ more Horror Curated NOW!
The creators of A Winter’s Tale, Cliff Biggers, Charles R. Rutledge, and James R. Tuck, were inspired to create their anthology of Yuletide Horror because they enjoyed reading the super Valancourt collections of Victorian Christmas ghost stories. They called on some of the talented writers they know to contribute and bring the tradition back. I got to discuss the book, his favorite horror esthetic, and Edgar Allan Poe with Cliff, one of the editors and the author of our featured story this month, “Who Wouldn’t Go.”
Cliff Biggers has been a writer of comics, Fantasy, Horror, and nonfiction for almost fifty years, beginning with his work with Jim Steranko’s Mediascene in the 1970s. His Horror fiction has appeared in a number of anthologies and magazines.
Why should readers pick up A Winter’s Tale?
We have outstanding stories from so many writers, each of them in a different style, evoking a different mood. Just like the Victorian Christmas ghost stories that inspired us, these stories aren’t all built around a holiday theme, so this is more than just a Christmas collection. Our book design and cover artist, Lynne Hansen, conveys that feeling perfectly with her cover image, which is a cold, lonely, somber piece that has no Christmas cheer anywhere to be seen, but it conveys the cold of the season as well as the chill of the ghostly tales.
What is your favorite horror aesthetic?
I am much more a fan of the disquieting, evocative Horror tale than the in-your-face splatterpunk Horror approach. I want a good Horror tale to haunt, not to shock…READ more Horror Curated NOW!
Japan is not known for holding back when it comes to throwing around buckets of blood on screen. Not just limited to horror, the country’s samurai and revenge films are some of the bloodiest on record, and because there are often swords involved, it’s not just limited to splashes of red from bullet-wounds either. Lady Snowblood (Toshya Fujita) is a perfect example of this, featuring copious amounts of the red stuff gushing in geysers from slashes and stabs. But the film is much more than just a blood-fest, and is an interesting window onto Japanese society in the beginning of the Meiji Era, when the country was beginning to examine western ideas, moving from the feudalistic, pre-industrial country of old, into a nation that had changed almost indescribably by the era’s end.
The story is one that has been told times before. Yuki, born in the first years of the Meiji Era, is raised to be an assassin who will one day track down her mother’s four abusers. The film follows the now named “Lady Snowblood,” as she follows the four trails, taking out each one in turn, until the final bloody climax. Based off a manga of the same name, it spawned a sequel, a spinoff, and had its legacy largely cemented in western culture when Quentin Tarantino used it as primary inspiration for Kill Bill (2003). It’s a kind of narrative we’re still seeing today, with a female assassin raised from birth for the sole purpose of murder, and anyone who hasn’t seen the
stylish 2017 film The Villainess (Jung Byung-gil, South Korea), which in turn was inspired by the Luc Besson film La Femme Nikita (France, 1990), would do well to check it out for a fun, modern example of the narrative.
Lady Snowblood has enough filmmaking technique going for it to make it a good watch on its own, and attention to the use of color as part of its thematic expression is just part of it. Red is obviously a large feature in the film, and not just because of the severed hands and blood-splattered faces. After several flashbacks to Yuki’s birth, red light spills into the night, coloring the snow crimson. The women in the prison at her birth are all dressed in red, the floor of the palace in the finale is red, the kimono of the daughter of one of her targets is red; the symbolism is obvious. She is born to blood, which is said as much “poor child, you were born to vengeance,” and it is in red where the story ends. She can never escape it…READ more Horror Curated NOW!
When horror fans think of movies set in Hell frozen over here on earth, one of the movies that will make most lists is John Carpenter’s iconic movie, The Thing, and all the other movies that have been inspired by it.
Tom Shankland’s 2008 The Children and Mark A. Lewis’s 2009 Thaw—starring Val Kilmer—are a couple movies that nod to Carpenter that I love, but my all-time favorite movie that took its cue from The Thing is Marvin Kren’s 2013 Blutgletscher (Blood Glacier).
While R.J. MacReady and his team were in Antarctica, Janek and his team are in the Austrian Alps studying global warming. Blutgletscher is set sometime in the future as the melt rate in the movie is much further than it is today.
Blutgletscher allows us to assume that the extremely hostile shape-shifting extraterrestrial organism that terrorized in The Thing not only survived but migrated 9,743 miles to where this movie is set.
But more about that in a second.
Janek and his dog Tinni, unlike MacReady in Antarctica, are long-term residents of the station in the Alps.
He is employed as a technician to keep all the equipment running and he has seen his fair share of scientific teams and quite frankly doesn’t really care for them. I didn’t blame him, the members of the current team are pretentious and treat him like shit despite the fact they wouldn’t be able to conduct research up there if it weren’t for him, which is highlighted in the opening scene…READ more Horror Curated NOW!
‘Twas the night before Creepmas, and all through the tomb,
Not a creature was stirring, to seal your doom.
The corpses were hung by the chimney with care,
In hopes that the Krampus, soon would be there.
The ghouls were all nestled snug in their caskets.
They dreamt of severed heads in bright-colored baskets.
Cobwebs and dust covered the room,
And added a sparkle to the impending doom.
When out in the graveyard arose such a clatter,
Awoken by screams and incessant chatter,
I climbed from my coffin upset and dismayed,
And thought to myself, “There’s hell to be paid.”
The moon shone brightly on freshly fallen snow,
Which was good, because I had just lost a toe.
When what to my eyes should suddenly appear,
But a big fat old man and a couple of deer.
READ more Horror Curated NOW!
I’m sure that everyone in the world is familiar with Santa Claus. He is the embodiment of the giving nature of the holidays. As some of you may also know from pop culture, there is an opposite to the jolly old elf. For this issue’s Nightmare Fuel, we look at the anti-Santa Claus, Krampus.
According to central European legend, Krampus is a half-goat and half-demon with a long tongue who carries a switch or whip and a basket on his back. He whips the wicked children, sometimes carrying them away in his basket for more punishment or to be eaten later.
Some depictions have him wearing lederhosen, but is usually naked except for his fur or wearing chains. Sometimes he accompanies Santa, other times he makes the run before him. One thing included in any description is how evil and scary the Christmas demon looks.
The roots of Krampus’ legend stretch back to 12th Century pagan celebrations in Germany and Austria…READ more Horror Curated NOW!
Santa Claus is just a ghost I’ve waited every year.
I stay up every Christmas Eve and shed a little tear.
He never comes to our house, I’d know if he had been.
I see him in my mind sometimes it must have been a dream.
The spirits placed my presents around the Christmas tree,
Or it’s my imagination playing tricks on me.
by Emerian Rich
Haunted ornament maker Nikolette Jones is an artist, illustrator, and educator who uses all sorts of media to create all sorts of art pieces that range from cute to scary. She alternates from making actual things like ornaments and bookmarks, to painting on massive canvases, to illustrating and designing book covers for various authors. Her day job is being a French immersion and art teacher. If it’s fun and creative, she’s all in.
I was introduced to Nikolette by a good friend (thanks Tim) who said we’d hit it off because we, “Have the same dark humor.” When I heard she was reimagining old dolls into undead babies and repurposing dollhouses into haunted houses, I knew I had to share her awesome work with you fine adorers of all that’s spooky and macabre.
Nikolette says she’s been a maker as far back as she can remember. “I was constantly reworking my toys or hoarding weird supplies to make more toys or scenes for my toys. This progressed and I added painting and drawing to the mix. I honestly can’t remember a time where I wasn’t making something or thinking about making something.”
Her art is inspired by everything around her. Pop Culture, music, literature, the macabre, everyday life, and found objects, she always has a project going on in her head before they see the light of day.
“Lately I’ve been watching a lot of horror movies from the past and the present and have been inspired to mix my love for pop culture with my love for the scary and macabre to create interesting pieces.” READ more Horror Curated NOW!
by Mark Orr
I’d be amazed if there is anyone reading this expository essay who is unfamiliar with the 1843 Charles Dickens novella, A Christmas Carol. The classic tale of Ebenezer Scrooge and that memorable Christmas Eve when he was visited by a series of ectoplasmic entities in order to adjust his attitude toward a more compassionate perspective has permeated the culture, having been adapted to stage, screen, radio, television, and other media hundreds of times over the past almost one hundred and eighty years since publication. It is by far the ghost story of any kind that has been the most adapted, with the runner-up, Aleksandr Pushkins’ “Queen of Hearts,” coming across the finish line as a distant second.
While I am resolute in my insistence that the best film version is the 1951 production starring Alastair Sim, I have to say that my favorite is, even after sixty years, the first one I saw—Mr. Magoo’s Christmas Carol. The very first animated Christmas special, it aired on NBC in 1962, and for many years afterwards. I still sing along with all the songs whenever I watch it. The Christmas pleasures of one’s childhood never quite lose their sparkle. Christmas is all about watching Mr. Magoo as Scrooge and imbibing numerous tall glasses of homemade eggnog heavily laced with intoxicating liquors for this Auld Phart at Christmas time. And yeah, the grandchildren, of course. Sure, them, too.
One might think that Mr. Dickens would have been satisfied with a single great and grand Christmas ghost story. One would be mistaken. Legendary British anthologist and editor Peter Haining’s 1992 collection, Charles Dickens’ Christmas Ghost Stories, contains no fewer than ten, including the aforementioned novella. Nor was Dickens alone in his fervor to link the Holy Ghost with more earthly spirits. Once he opened the floodgates, the entire Victorian spooky story writing community jumped all over the notion as if it were a loose football in the end zone. To list them all would eat up my allotted word count pretty quickly. READ more Horror Curated NOW!
by Courtney Mroch
Evergreen Cemetery * Owego, NY
In this cemetery, you’ll find the grave of Sa-Sa-Na Loft, a Mohawk Indian maiden who was killed in a train crash in the area. During her life, she had converted to Christianity and enthusiastically spread the gospel in the area. The people were so saddened by her tragic death that they raised the money for her obelisk, wanting to not only erect something in her honor and memory but also to bury her in their cemetery. However, Sa-Sa-Na’s family wanted to bring her home with them. But the people of Owego won out and Sa-Sa-Na was buried there. Some said that shortly after her internment, soft voices chanting Mohawk songs floated out from the woods. Was it her ancestors come to comfort her, or family members quietly grieving unseen and sheltered by the trees? READ more Horror Curated NOW!
HorrorAddicts.net 