HorrorAddicts.net 214, Dana Hammer, Mechanical Horror

halogoHorror Addicts Episode #214 | SEASON 17
Horror Hostess: Emerian Rich
Intro Music by: Valentine Wolfe

214 | Dana Hammer | Zwaremachine | Mechanical Horror

Find all articles and interviews at: http://www.horroraddicts.net

58 days till Halloween

Theme: #MechanicalHorror #TechHorror 

#KillSwitch

https://www.amazon.com/Kill-Switch-Dan-Shaurette/dp/1096451468

#Terminator #MaximumOverdrive #AIHorror #Midjourney #Travels #WildPalms #ImGonnaKillYa

Music: “Parasol” #Zwaremachine

Catchup: #Halloween #Decor #HalloweenStores #DecorEnvy #MrsCutting #MatildaandHenry #ShopforHalloween #FallGals #HorrorCurated #Haunted Holidays #DigitalMagazine #MidnightSyndicate #LynneHansen #NikoletteJones #AWintersTale #CliffBiggers #November 

Historian of Horror: #MarkOrr #ChopingMall #1986 #TheFly #Aliens #Manhunter #Poltergiest #Fridaythe13th #SecurityRobots #KelliMoroney

Dead Mail: #HorrorFan

CINDY: #HalloweenCostume #Nadja #WhatWeDointheShadows #NadjaDoll

JEFF: #AbneyPark

Abney Park Edwardian Ball 2009 Pics

https://www.facebook.com/media/set/?set=a.64787042600&type=3

MARTIN:  #MaryShelley #HusbandsHeart

https://historycollection.com/rumor-has-it-that-mary-shelley-kept-her-dead-husbands-heart-in-her-desk-for-30-years/2/

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc… Also, send show theme ideas!

horroraddicts@gmail.com

NEWS: 

#CurseMackey #ImmoralEmporium

#ManorofFrights #SubmissionCall

https://horroraddicts.wordpress.com/2022/06/29/submission-call-manor-of-frights/

#DJPitsiladis #BastionsBridgeGhostTrain

 #JesseOrr #ShadowsLove

#RLMerrill #Zwaremachine

#MarkOrdd #RepublicRobotsRunningRampant

#LionelRayGreen #Bigfoot #SixShortBigFootCampireStories #RustyWilson

#CrystalConnor #PortlandHorrorFilm

#VeronicaMcCollum #BookReview #Falling #DrewTurney

#CMLucas #TheHole

#RussellHolbrook #FluffyLoversYou

#JosiePace #WilliamZimmerman 

#Events 

#SecretsUnearthed #125YearsofDracula Sept 23-25

https://www.themenagerieodditiesmarket.com/

#SinisterCreatureCon #Sacarmento Oct 22

https://www.sinistercreaturecon.com/

#NevadaCity #MinersFoundry Nov 5th

https://www.themenagerieodditiesmarket.com/

BayCon Jun-July 2023

Http://www.baycon.org

Feat Author: #DanaHammer #Mowbot #KillSwitch

Voices by #EmerianRich #RishOutfield

https://www.amazon.com/Kill-Switch-Dan-Shaurette/dp/1096451468

#ChillingChat #NachingTKassa

————————————-

h o s t e s s

Emerian Rich

b l o g  e d i t o r

Kate Nox

r e v i e w  c o o r d i n a t o r 

Daphne Strasert

s t a f f

Naching T. Kassa, Jesse Orr, Lionel Green, Kieran Judge, Crystal Connor, Nightshade, R.L. Merrill, Mark Orr, DJ Pitsiladis, Russell Holbrook, Renata Pavrey, CM “Spookas” Lucas, JS O’Connor
————————————-

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HorrorAddicts.net 213, Jonathan Fortin, Heavy Metal

halogoHorror Addicts Episode #213 | SEASON 17
Horror Hostess: Emerian Rich
Intro Music by: Valentine Wolfe

213 | Jonathan Fortin | Against I | Heavy Metal

Find all articles and interviews at: http://www.horroraddicts.net

72 days till Halloween

Theme: #HeavyMetal #RequiemInFrost #JonathanFortin

https://www.amazon.com/Horror-Bites-Requiem-Jonathan-Fortin-ebook/dp/B07Y43QP7Z

#MostMetalMovies #HeavyMetalMovies

https://www.amazon.com/Horror-Addicts-Guide-Life-2/dp/B09YNF5QM3

#IronMaiden #SkeletalDudeDoingStuff

Music: “Scum” #AgainstI

Catchup: #SchoolBackinSesh #NefariousDeeds #CreaturesCon #RickLucey #MercyHollow #MissMisery

#110 Miss Misery interview http://horroraddicts.libsyn.com/horroraddictsnet-110-season-finale-halloween-special

#HorrorCurated #Haunted Holidays

Historian of Horror: #MarkOrr #BlackSabbath #MarioBava

Dead Mail: #HorrorFan

PAMELA #SpiritStoreMovie 

MARTIN #HorrorJokes #HorrorMemes #VladDracul #FuneralBlack #FuneralBoquet #EmzWilHauntYou #HalloweenDecor

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc… Also, send show theme ideas!

horroraddicts@gmail.com

Nightmare Fuel: #DJPitsiladis #Mothman

NEWS: 

#DanielOuellette “El Salon”

#ManorofFrights #SubmissionCall

https://horroraddicts.wordpress.com/2022/06/29/submission-call-manor-of-frights/

#JesseOrr #ShadowsLove

#RLMerrill #AFittingRevenge

#LionelRayGreen #Bigfoot #KIamichiBeastExpedition2

#CrystalConnor #PortlandHorrorFilm

#DJPitsiladis #TwentyTearsDead #RichardFarrenBarber

#JSOConnor #BarnardPark #FremontNebraska 

#CMLucas #TheHole

#RussellHolbrook #ABitOFlesh

#Events 

#SecretsUnearthed #125YearsofDracula Sept 23-25

https://www.themenagerieodditiesmarket.com/

#SinisterCreatureCon #Sacarmento Oct 22

https://www.sinistercreaturecon.com/

#NevadaCity #MInersFoundry Nov 5th

https://www.themenagerieodditiesmarket.com/

Feat Author: #JonathanFortin #RequiemInFrost #HeavyMetal
https://www.amazon.com/Horror-Bites-Requiem-Jonathan-Fortin-ebook/dp/B07Y43QP7Z

Voices by #JonathanFortin #KadirahWade #EmerianRich

#ChillingChat #NachingTKassa

#Lilitu
https://www.amazon.com/Lilitu-Memoirs-Succubus-Jonathan-Fortin/dp/1646693124

————————————-

h o s t e s s

Emerian Rich

b l o g  e d i t o r

Kate Nox

r e v i e w  c o o r d i n a t o r 

Daphne Strasert

s t a f f

Naching T. Kassa, Jesse Orr, Lionel Green, Kieran Judge, Crystal Connor, Nightshade, R.L. Merrill, Mark Orr, DJ Pitsiladis, Russell Holbrook, Renata Pavrey, CM “Spookas” Lucas, JS O’Connor
————————————-

Want to be a part of the HA staff? Email horroraddicts@gmail.com

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Historian of Horror : It Ain’t Heavy, it’s My Metal

I have a confession to make before the populace – other than the earliest bands that were instrumental in transforming the psychedelic music of the late 1960s into what became known as heavy metal, I am not a fan of the genre. At all. I love Mountain, Steppenwolf, Uriah Heep, even some early Black Sabbath, but what came afterward sounds to me, not unlike stray cats and scrap iron rolling down a steep hill in a steel drum. Not that I object to others indulging their preference for such sonic pleasures, although it would be all right with me if they’d roll up their car windows while doing so. 

Ergo, it was with some trepidation that I reviewed the topics for this season and discovered Heavy Metal on the list, for I am incapable of speaking with any authority on that musical subject, and even a polymath should recognize his limitations.

That said, the term does not apply only to musical endeavors. As regards its other uses, I do have some insight. 

Being involved in science-fiction fandom in the 1970s, I occasionally received information via post on upcoming events of interest in regards to that genre. I wish I still had the mailer I received in late 1976 or early 1977, alerting me to the imminent publication of an American version of the French magazine, Métal hurlant. Heavy Metal was to be a glossy, full-color magazine featuring the best speculative fiction comics from Europe and America. And so it was. I began accumulating issues almost immediately, and devoutly wish I still had them, for it was a beautiful publication.

I will no doubt wax rhapsodic over it one of these fine days in this space, but in the current edition, I am scheduled to talk about movies rather than magazines. And while I am obliged to admit that it is true that a foolish consistency is the hobgoblin of little minds, I really wanted to talk about the 1981 animated film that was based on some of the characters and stories and artwork from the magazine, and not the magazine, itself. 

Specifically, I wanted to discuss the one segment of the film that truly is horror, for horror is what we are all gathered together in this place to consider, n’est pas? The other parts of the film are science-fiction and fantasy, for the most part. While there is some crossover between all the component genres of what we generally refer to as speculative fiction, there is only one part of Heavy Metal that is decidedly neither science-fictional nor fantastical. It is horror, pure horror, and I do love it best of all.

The film has a framing sequence that introduces a floating, green, glowing sphere called the Loc-Nar that interacts with the characters and initiates the action of each separate story. In the segment entitled, “B-17”, a World War II bomber encounters the Loc-Nar, resulting in the dead crew being animated and attacking the surviving co-pilot. The pilot parachutes away after the co-pilot is killed, but lands on an island filled with wrecked airplanes of all ages, from which more zombies emerge and surround him.

And that’s it – my entire entry for today reduced to less than seven minutes of animation. Seven minutes of horror. I hope that’s enough, because if all you’re looking for is horror, and horror alone, that’s all I got this time out.

But, if you don’t mind sitting through some killer animation, and hearing some terrific music, by all means, take in that seven-minute piece within its entire contextual ninety-minute framework. No, the movie doesn’t make much sense. Yes, it is juvenile and sexist, and there are multiple scenes that probably ought to have been reconsidered. It is, however, an artifact of its time, place, and origins. Historians, even of Horror, have a responsibility to paint the past wie es eigently gewesen war – as it actually was, as dictated by the great German historian Leopold von Ranke, and that’s not always pretty. But sometimes, just sometimes, it’s also beautiful.

Watch it, or avoid it; embrace it, or reject it, as you wish. I will make no judgments, either way. Just as the musical genre is not my cuppa tea, the movie might not be yours. And that’s okay. But please do at least consider those seven minutes of terror. I suspect you might enjoy them.

Next time, we will be looking at a lost medium, a form of entertainment that died during the Eisenhower administration, and a variety of mechanical horrors that infested it. I look forward to hosting you again for the next chapter in the History of Horror. Until then, my dear hungerers after the horrific…

Be afraid…

Be very afraid.

Merrill’s Musical Musings : Heavy Metal / A Fitting Revenge

 

Greetings Horror Addicts! I hope this bit of Musical Musing finds you in a good place. I’ve come up with a theory, want to hear it? Yeah. Good. See, my kid’s school starts in early August now. I decided that means it’s fall, and therefore time to bust out the spookies! Right? With this declaration, I put on one of my Halloween necklaces and I treated myself to some new décor this past weekend. Emz and I represented HorrorAddicts.net at Creatures Con in Concord, met some cool fellow horror peeps, and shared info on the podcast and HorrorAddicts.net Press. I even ran into a few music fans, including a dude in a Slipknot jumpsuit, a young’un sporting a Pierce the Veil shirt, and a gal wearing a homemade, hand-painted System of a Down shirt. I was in heaven chatting with folks about music and horror, and how much we all miss getting together in person! I came home fired up, jammed out to some Ghost, and finished a novella I was writing featuring vampires, witches, and Shifters. Life is good. 

Let’s get to the meat of my Musings and talk about Heavy Metal. I got to chat with our very own Historian of Horror Mark Orr about my favorite genre of music this week and I’m sure I geeked out on him quite a bit. I highly recommend watching Metal Evolution, a ten-part docuseries that features all of the subgenres of heavy music. Check it out and tell me what you think!

Ro’s Reviews

We’ve got a few musical offerings to fit the theme. Melodic death metal outfit A Fitting Revenge from Rochester, New York, launch into punishing yet technically sound riffs from the beginning of their newly released album Omnipresence. Horror Addicts who love to get lost in an album with superior musicianship will enjoy tracks like “The Infinite” and “The Inquisition,” the latter of which takes the listener on an epic sonic journey. Fans of Killswitch Engage, Angelmaker, and Enterprise Earth will dig this sci-fi-infused offering. 

Shout Outs

She 1 Him 2 has put out a couple of singles this year that are worth checking out, including a cover of the Bowie classic “Fame” and “Stuck Inside” a situation many of us can relate to after the past couple of years. Artist CARV.R released the single “Iris,” which has melodic vocals over an excellent hypnotic dance track. And Sirens of Light shared with us a delightful cover of “Revolver” from Mission of Burma. I hope to hear more from these sirens.

Ro’s Recs

I would be remiss if I didn’t inform you that Texas band Space Cadet reunited recently for some shows and released a brand-new album titled 11 that is, quite simply, fire. It harkens back to the early days of grunge but with a modern-day vibe that invokes nostalgia at the same time that it fits with current hard rock/metal radio offerings. I hope this is the beginning of the second half of their career as I’m absolutely sold. Tracks like “All Over But The Dying Now” and “Like a Ghost” definitely go to eleven.

Another must-listen is the all-female Mexican hard rock band The Warning. Their video for “Disciple” has some creepy, mind-control visuals that are a little too close for comfort these days. Check them out!

Check out the tunes above on my YouTube Music Playlist and Stay Tuned for more

 

Logbook of Terror – A Bit of Flesh / Russell Holbrook

 

 

  The pictures didn’t fit together in Tommy’s mind. He looked around his workstation, the clamor of industry engulfing him, and wondered, Am I really here? Something felt off, something inside and outside of him. 

    He felt the tips of his fingers. Solid flesh. Mortal. Alive. That was real. He focused on his breathing, trying to steady himself at the sheet metal cutter. A bead of sweat fell into his eye. He squinted and rubbed his forearm over his mop of black curls and his wet forehead, wiping away the perspiration. 

    Tommy shook his head and took a deep breath. Gotta work, the foreman will be making his rounds… 

    He slid the sheet metal into the cutter and when the circling blade dug into the metal and the grinding of metal on metal and the showering of sparks began, the harsh factory world around him came to a dead and sudden halt. Tommy stared at the sheet of metal and the machinery and saw that it was at a standstill, frozen in an angry,  sparking moment. In between fractions of a second, between thoughts, he stood, unable to breathe until he remembered that he could. And then, an ancient, cloaked figure appeared to him in that in-between space of maybe or possibly or what if and said, “Would you like to make a deal?” 

  “A deal for what?” Tommy returned, question for question. 

  “Your dreams,” the figure replied, rolling out an open, skeletal hand. 

  A vision of Tommy, on stage, playing his guitar in front of thousands of adoring fans, rose from the creature’s palm, flickering luminescent like an ancient film reel. 

  Tommy was transfixed by the vision of himself. 

  “Give me a bit of flesh and a splash of blood and I will grant your dreams to you. For a small sacrifice, all can be yours, unless you prefer…this,” the figure said, sweeping his arm out toward the factory floor. 

  “A bit of my flesh?” Tommy repeated. 

    The figure nodded.    

“Yes…” 

    Tommy considered the offer. He gulped down the lump in his throat and muttered, “Alright.” 

    In an instant, the cloaked merchant of destiny was gone, the machines were roaring all around Tommy, and his left hand was being pulled under the hungry blade. As if in a dream, he watched the blade shred off the tips of his first and forefinger. Blood spurted over the gleaming metal, then his world went black. 

           15 Years Later

    People milled around the backstage area of the heavy metal concert, laughing, drinking, and smoking. Tommy had his guitar slung over his shoulder, waiting to go on, feeling the anticipation inside him building. He wandered past a trio of chattering women and stopped next to a man who was dressed in simple athletic attire and was missing his left arm, leaving a vacant spot in the left sleeve of his t-shirt. Tommy looked at the prosthetic fingertips on his left hand, the professionally manufactured ones that had replaced the tips he’d made himself out of wax and leather so many years ago. 

  The one-armed man turned to Tommy. He held a pair of drum sticks in his right hand. Catching Tommy gazing at his fingers, he said, “A bit of flesh, a splash of blood, eh?” 

  Tommy met the drummer’s eyes and recognized a familiar pain. 

  “There’s always a sacrifice,” Tommy said. 

  “Indeed, there always is, and some have to give more than others,” the drummer said with a sideways grin before he excused himself and crossed the room, leaving Tommy alone to wonder who among artists and poets, writers, or musicians, had met the cloaked figure and what they’d given to get what they wanted. An ear, an eye, their voice, their life? Everyone eventually got their turn at the crossroads, he supposed. 

  The roar of the stadium crowd seeped through the backstage area walls. Again Tommy looked at his disfigurement, smiled, and thought, Well, what’s a bit of flesh anyway?

Guest Blog: What’s your Jam? by Michael Fassbender

What’s Your Jam? By Michael Fassbender

Recently, I was browsing on Stuart Conover’s site, The Horror Tree, and I saw an interview with a publisher who got his start with a Punk magazine. While he’s branched out to the realm of fiction, the punk sensibility has never left him. Indeed, “punk” is the second adjective in the list of qualities he’s looking for in prospective stories. For those who have been a part of that scene, the punk sensibility remains an enduring part of their character. 

It’s a sensibility that resonates with many writers, as attested by the gamut of subgenres from Splatterpunk to Steampunk. It’s not one that resonates with me, however. I identify with a competing scene, Heavy Metal, and have done since I was in high school. Superficially, there are certain similarities: music that is played loud and features distorted guitars, and wardrobes that boast a lot of black T-shirts, but there aren’t too many common threads beyond these. 

As art forms, Punk and Metal are created very differently. In Punk, the medium is secondary to the message, and Punk Rock songs tend to be fast, energetic, and haphazard. The band is reminding you that they don’t take anything seriously, including themselves and their music. Metal bands are quite different; they may take nothing else in the world seriously, but they are fiercely earnest in their dedication to their craft. They are perfectionists in their technique, and for those unfamiliar with the genre, surprisingly sophisticated in their composition. Much of the Metal scene has been converging with classical music at least since Randy Rhoads recorded “Blizzard of Ozz” with Ozzy Osbourne in the early eighties. Doubters are urged to listen to string quartet or piano arrangements of Metal songs, such as Apocalyptica’s first two albums.

Both genres relish horror imagery. It just manifests itself differently. Punk horror art takes on a pop culture veneer, almost an Andy Warhol approach. Metal horror art favors the look of medieval woodcuts, Hieronymous Bosch paintings and Grand Guignol-style performance stills. Contrast the imagery of The Misfits and Mercyful Fate, and you’ll see what I mean. Each of these bands exemplifies the horror aesthetics of its team.

We generally don’t hear about a Metal sensibility in horror fiction. We don’t have Occultmetal or Possessionmetal subgenres in the community, but upon examination of my own habits as a writer, I see common threads with the musicians I champion. I share their perfectionist tendencies in terms of technique. Typos and faulty grammar vex me, unless they’re meant to appear in the story as a function of characterization. I was mortified recently when I discovered a continuity error in a story that had reached the final proofing stage. For the most part, I like to think that my stories are in good editorial shape when I present them to editors. Whether or not they resonate with the editor is another matter entirely.

It’s not just about the technique, either. I do take myself and my art seriously. I’d rather give my readers the chills than make them laugh — or score points in an imaginary debate. In terms of horror styles, I have a marked preference for supernatural horror, although this encompasses a number of subcategories, such as Lovecraftian, occult and mythological themes. The same preoccupations reign among many Metal acts, from Scandinavian Black Metal through retro acts like Blood Ceremony and Brimstone Coven. And in execution, I prefer to write my stories in earnest, not with irony. One annoyance I’ve had with the Lovecraftian community is the prevalence of tongue-in-cheek content. Overtly jokey stories and poems only serve to lighten the mood.

Metal and Punk are not the only musical in-groups with substantial linkage to horror. Goth is a third, and it carries its own sensibility to the same literary well. Of the three groups, the Goths probably feel the greatest affection for classic tropes like vampires and ghosts. The differences with Metal are more in the realm of nuance: Metalheads are more likely to present monsters as menacing, and Goths more as misunderstood. Goths are more likely to bask in the melancholy side of the spectrum, and Metalheads incline more to the macabre side. Nor should these three musical genres feel that they control horror imagery in music; other bands have swum the same waters, either intermittently or chronically. Stephen King is famous for interjecting his classic rock obsessions into his fiction.

Herein lies the significance of the exercise. Readers in general, and writers in particular, are likely to discern common threads in the literature that drives them, the films that excite them, and the music that drives them. While the linkage between books and movies is obvious, given the number of stories that came to the screen after success on the page, the relevance of musical taste can be just as significant, at least if the musical interest is a strong one. Horror writers can learn a great deal about themselves and what drives them if they stop to consider their musical tastes and examine their parallels in the fiction they love and the stories they produce.

__________________________________________________________________________________________________________________________________________

Michael Fassbender is a part-time writer in the Chicago area. His story “Inmate” appeared in Sanitarium Magazine in 2016; “The Cold Girl” appeared in Hypnos Magazine in 2016 and has resurfaced in October 2019 in a volume entitled Re-Haunts. “But Together We Are Strong” has appeared in the February 2020 issue of Horror Magazine, “Miroir de Vaugnac” found its place in Dark Divinations on May Day, and “Schattenlenker’s Hidden Treasure” was revealed in The Nightside Codex in August. This Halloween, “Old Growth” began spreading in Scary Stuff. You can read about more of his work on his website, michaeltfassbender.com.

Terror Trax: Cadaveria

TerrorTrax

Hello HorrorAddicts, recently we had the pleasure to interview Cadaveria. They are best described as a Horror Metal band with a blend of Black, Death, and Gothic Metal.

How did the band Cadaveria come together?

cadaveria-2016I founded the band with drummer Marçelo Santos in 2001. The band represents a virtual space where we can freely express ourselves through music and visual arts, since we care also about the band image, artworks and music videos. In these 15 years we have released five full length albums and a double DVD. Recently we entered the studios with legendary thrash metal act Necrodeath to give life to Mondoscuro EP.

What did you do before Cadaveria ?

For nine years (1992-2001) I have been the singer of pagan black metal band mondoscuroOpera IX.

What bands influenced you?

I grew up listening to rock music and I discovered heavy metal in 1990. Mercyful Fate, Holy Moses, My Dying Bride and the old school Norwegian black metal were my first passions.

What inspires you?

Everything can inspire me: my life, the experiences I do, people I meet, movies, art exhibitions, the book I read, the countries I visit. I write about my thoughts, my dreams and nightmares.

How would you best describe your music?

cadaveria-pic01Our music is a strange mix of black metal, gothic metal with doom and death metal influences. After the release of our previous album entitled The Shadows’ Madame fans and critics started to label our style as horror metal, for the sinister and gloomy atmospheres evoked by our songs. Basically this definition means all and nothing, that’s why we like it and we chose it as the title of our fourth record. The truth is that we play what we like and feel without following any trend.

What is the creative process like when you write music?

The lyrics come quite spontaneously. I’m used to write down short phrases that come to my mind, sensations, my believes, my mental flow. Then I reorganize them in a proper lyric and I merge this with music. Guitarist Dick Laurent is the main responsible for creating the riffs. We work together to create the songs structure, then other band members add their own touch.

Could you tell us about your latest EP Mondoscuro?

Cadaveria and Necrodeath share two band members (Flegias, their vocalist is our drummer Marçelo Santos – GL is the bassist of both the bands, even if in Cadaveria he uses peter Dayton as nickname) and have been in close contact for many years. A cooperation between us was in our thoughts since long time but we never made it for one reason or another. Finally last year Marçelo Santos came up with the idea to release something together. In the beginning it was supposed to be a simple split, but while the production was going on we enriched the track list with two songs composed and played together and we also covered each other. Mondoscuro was released on September the 2nd on CD via Black Tears lavel; a vinyl edition will see the light by the end of this year via Sleaszy Rider records. The EP features six songs: Mater Tenebrarum (by Necrodeath) performed by Cadaveria (guesting Lindsay Schoolcraft from Cradle of Filth), Spell (one of our hits) covered by Necrodeath, two new tracks composed together (Dominion of Pain and Rise Above), Cadaveria’s cover of Christian Woman (Type O Negative) and Necrodeath’s cover of Helter Skelter (The Beatles). The EP title refers to the cinematographic genre “Mondo film” of explicit documentaries, born in the 60s and depicting sensational, bloody and shocking scenes. Mondoscuro also clearly recalls Mondocane project, the legendary collaboration of Necrodeath and Schizo from which the album “Mondocane: Project One” was born in 1989. As the explicit artwork suggests, Mondoscuro is meant as a unique chapter in the bands’ careers, a birth and a death at the same time. A release that will soon become a rarity and collectible for our fans.

Where can people find out more about Cadaveria?

These are our channels:

Cadaveria.com

facebook.com/cadaveria

twitter.com/_cadaveria_

You can also check my page and instagram:

facebook.com/OfficialCadaveriaHerself

instagram.com/cadaveriaofficial