THE BIGFOOT FILES : Chapter Nineteen/ Sasquatch

Released in 2014, Sasquatch by K.T. Tomb is Book 1 in her five-book Sasquatch Series. It’s a throwback adventure story about a motley crew of investigators hired by a wealthy cryptozoologist to find the legendary creature.

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The team is led by a conflicted but strong female character named Lux Branson. Lux is a professional tracker who’s talented but broke and needs the money offered for the job. Her task is to guide a group of four people, including an anthropologist and a biologist, deep into the Piney Woods of Texas and return with proof of Sasquatch.

Lux is not a believer in cryptids, but once in the forest, she starts to see proof of something lurking in the woods. However, she can’t shake the feeling the trip may be a hoax even as the evidence piles up.

When the team’s anthropologist commits an overzealous act in the name of science, Lux must face the shocking truth and rely on her instincts to survive.

Lux is the heart of the story, and I liked her. She was tough but not invincible, and she showed the fear of a normal human. Lux reminded me of a less tech version of Sanaa Lathan’s guide character Alexa Woods in the 2004 film Alien Vs. Predator.

With a couple of surprising encounters in the second half, including a stunner near the end, Sasquatch is a memorable series opener sure to please readers of Bigfoot fiction.

NEXT UP: Chapter Twenty: Track: Search for Australia’s Bigfoot. I review the 2020 documentary.


OTHER BOOK REVIEWS FROM THE BIGFOOT FILES

THE BIGFOOT FILES | Chapter Seventeen: Bigfoot Trail

THE BIGFOOT FILES | Chapter Fifteen: Night of the Sasquatch

THE BIGFOOT FILES | Chapter Five: Wood Ape

THE BIGFOOT FILES | Chapter Four: ‘The Road Best Not Taken’

THE BIGFOOT FILES | Chapter Three: Swamp Monster Massacre

THE BIGFOOT FILES | Chapter Two: Dweller

THE BIGFOOT FILES | Chapter Eighteen: The Man Who Killed Hitler and Then the Bigfoot

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(Editor’s note: This review contains major spoilers.)

I don’t know if a movie could live up to a title like The Man Who Killed Hitler and Then the Bigfoot, so I wasn’t too disappointed when it fell short. I expected an epic action film based on the trailer, but what I watched was a dramatic character study about an aging man grappling with his past.

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The 2018 movie was written and directed by Robert D. Krzykowski and starred Sam Elliott as the man of the title. Elliott plays the world-weary Calvin Barr, an honest but lonely codger when we meet him in the 1980s.

We learn in flashbacks how young Calvin (played by Aidan Turner) assassinated Hitler, and we meet a woman named Maxine who Calvin loved way back then. The flashbacks are efficient but lack emotional heft.

As an old man, Calvin lives a solitary existence with his dog and his regrets. Maxine’s absence is never really explained. Calvin visits his younger brother, a barber named Ed played by the affable Larry Miller. As a child, Ed gave Calvin his favorite toy dinosaur when Calvin left for military service. So, while the brothers aren’t close, we can tell Ed loves and respects Calvin.

The story picks up the pace when government agents appear at Calvin’s door one night. A Bigfoot is on the loose in Canada and carrying a “nightmare plague” with the potential to wipe out humanity. The agents explain that Calvin’s experience tracking Hitler and his immunity to the virus make him the only viable option to hunt and kill the Bigfoot.

The best part of the film is Calvin’s too-brief Bigfoot hunt. The Bigfoot is savage and one of the more realistic ones on film thanks to an awesome job by the costume designers and makeup department. I wanted a lot more Bigfoot, hoping for a twist of some kind. But no, the story is as straightforward as Calvin’s demeanor.

The movie maintained my interest through the end, but it felt incomplete. We learn about young Calvin as Hitler’s assassin and the woman he loved, and we experience old Calvin as the crusty, old-school Bigfoot hunter. And that’s it.

What’s missing is the middle to Calvin’s story, and I need the middle like I need the crème filling between my two Oreo wafers.  I would still recommend the film just like I would still eat the Oreo wafers minus the filling. It’s just not as sweet.

In his room, Calvin keeps a box under his bed that’s vitally important to him, but the contents are never revealed. Maybe it represents the part of someone that we never really know, the part that truly defines a person. After all, Calvin was not just the man who killed Hitler and Bigfoot. He was more, but we’re barely allowed a glimpse of that part.

For example, when Calvin returned Ed’s toy dinosaur to him near the end, the gesture let Ed know that his taciturn brother always loved him. It resonated emotionally. I needed more of those kinds of scenes.

In a film with Hitler and Bigfoot in the title, I thought how odd that the most powerful moment featured a tiny toy dinosaur.

 

NEXT UP: Chapter Nineteen: Sasquatch. I review the 2014 novel by K.T. Tomb.


Lionel Ray Green is a horror and fantasy writer, an award-winning newspaper journalist, and a U.S. Army gulf war veteran living in Alabama. His short stories have appeared in more than two dozen anthologies, magazines, and ezines, including The Best of Iron Faerie Publishing 2019; America’s Emerging Science Fiction and Fantasy Writers: Deep South; and Alabama’s Emerging Writers. His short story “Scarecrow Road” won the WriterWriter 2018 International Halloween Themed Writing Competition, All Hallows’ Prose. Drop by https://lionelraygreen.com/ and say hello.


MORE BIGFOOT MOVIE REVIEWS …

THE BIGFOOT FILES | Chapter Nine: Stomping Ground

THE BIGFOOT FILES | Chapter Eight: Abominable

THE BIGFOOT FILES | Chapter Seven: Willow Creek

THE BIGFOOT FILES | Chapter Six: Big Legend