FRIGHTENING FLIX BY KBATZ: Dark Shadows 1897

Revisiting Dark Shadows’ 1897 Storyline by Kristin Battestella

Let’s celebrate with Dark Shadows as we are so often wont to do! Though arriving in the middle of the macabre sixties soap opera, the 1897 storyline is the series’ longest time travel jaunt at 183 episodes. Its Victorian turn of the century vampires, werewolves, and panache make this plot the perfect place to sample what the eerie endurance of Dark Shadows is about as our company stock becomes all new characters for the period mayhem. Thanks to video releases and streaming options broken down into forty-episode seasonal Collections, viewers new or old can easily jump into this Dark Shadows breadth. Here’s a recap of said Collections covering the 1897 ghosts, secrets, and curses.

Collection 13

When the Ghost of Quentin Collins (David Selby) drives the entire Collins family from Collingwood, governess Maggie Evans (Kathryn Leigh Scott) and her two possessed charges (David Henesy and Denise Nickerson) flee to the Old House as Barnabas Collins (Jonathan Frid) and Dr. Julia Hoffman (Grayson Hall) search for answers to rid them of the poltergeist and stop Chris Jennings’ (Don Briscoe) werewolf transformations. When Barnabas and Professor Stokes (Thayer David) discover Quentin’s I Ching wands, Barnabas uses them to will himself to the year 1897. Once in the past, he introduces himself to Judith Collins (Joan Bennett) and investigates Quentin’s secrets. Unfortunately, Barnabas harbors a secret of his own – he has been unchained from his coffin and is once again a vampire.

Collection 13 begins with Episode 696 from February 1969, just before the nineteenth-century switch, and concludes with a wallop for Number 735. Opening narrations get the viewer up to speed on the scandals and ancestral players after the Episode 701 transition, and the paranormal tricks work well with the soap opera mysteries. We’re like the newly arrived vampire Barnabas indeed – at the mercy of unfolding mysticism, scheming gypsies, heirs at each other’s throats, and missing wills. Why is the maid Beth Chavez still on at Collingwood if her mistress Jenny Collins has left? Where is Edward Collin’s wife Laura and what does she have to do with Quentin’s banishment? Why does governess Rachel Drummond see lights in the empty Tower room? Borrowing from classic literature on Dark Shadows is apparent with this Jane Eyre symbolism, yet the familiar gothic tropes anchor the spooky changeover. Iconic Dark Shadows music accentuates the shockers, and Robert Cobert’s morose motifs and creepy cues help build character suspense. Scary shadows, fake cobwebs, spotlights, darkness, and candle effects invoke careful mood and ominous set design even as Dark Shadows remains notorious for its fly-by-night production cheapness. Thankfully, the antiques, colorful frocks, microphone shadows, and set bloopers alike set off the quality storytelling keeping us on the edge of our seats with illicit twists, fiery whodunits, and Martinique zombies. Episode 705 has a sweet, fatal climax, and plenty of red herrings and tower mysteries makes for some great undead kickers and fainting frights – especially Episode 723.

Collection 14

The mysterious Laura Collins (Diana Millay) returns to Collinwood determined to take her children Jamison (David Henesy) and Nora (Denise Nickerson) away from Reverend Trask’s (Jerry Lacey) strict boarding school. Her former lover Quentin Collins, however, has other occult plans for her. Barnabas Collins also battles Laura with the help of gypsies Magda (Grayson Hall) and Sandor (Thayer David). Unfortunately, his unraveling of Quentin’s secrets has deadly consequences, and Barnabas must help family matriarch Judith in the 1897 past to save the Collins’ 1969 future.

Dark Shadows adds even more supernatural elan with children in peril in Episode 736 and wolfy foreplay thru 775. The 1897 action interweaves bizarre dreams and eerie prophecies as the ensemble tackles several well balanced plots at once. Unlike slow soaps, something happens each episode with real-time half-hour pacing. First time viewers are treated to surprise connections and cliffhangers regarding the murders, blackmail, and poisons. Certainly, there are melodramatic hysterics, but the lycanthrope suspense, meddling witches, and phoenix – yes a phoenix – storylines remain unique. The impish Quentin is oh so suave, calculating, and full of love to hate charm as he causes trouble in every way possible. Paranormal layers populate Dark Shadows with bats, doppelgangers, Egyptian motifs, and psychic torment. Cool crypts, wolf howls, and chilling knocks at the door invoke atmosphere while the wobbly Styrofoam tombstones and visible boom mikes are drinking game-worthy. Poor Barnabas Collins, stuck in a foreign time and dealing with ghosts, wolf investigations, and vampire victims all at the same time. His flub, “My cousin, Uncle Jeremiah…” is certainly understandable! We can laugh and forgive such same day tape mistakes because Dark Shadows comes together so effectively – creating intense, ambitious daytime action with complex characters to match.

Collection 15

While werewolf Quentin Collins and Magda the gypsy who cursed him seek a cure for his lycanthropy, time-traveling cousin and vampire Barnabas Collins tries to keep their paranormal secrets from fellow family members Edward (Louis Edmunds) and the newly married Judith Collins Trask. Corrupt Reverend Trask has all but taken over the Collinwood estate and soon seeks to cleanse the family of its evils once the mysterious Count Petofi (Thayer David) and his magical cohorts come to town.

After nearing over 100 hundred episodes in the 1897 storyline, Dark Shadows lends itself a hand by adding even more vengeful ghosts, gypsy curses, and freaky talismans to the gothic storytelling. 1969 names and plots are mentioned to remind the audience of this 1897 excursion’s original purpose, but the time travel troubles, shockingly bloody vampires, and expanding werewolf yarns lead to a zany off-screen shootout and elaborate action sequences. Character shakeups and spooky developments keep the paranormal fresh; no player is superfluous as each wrench contributes to the complex immediacy amid witches, zombies, and disembodied hands. Steamy dream sequences, psychics, and undead secrets come to a head as disposable policemen, jailed werewolves, and possessions provide tension and suspense. Manipulated wives mix with supernatural causes, and the infamously inaccurate Collins Family History book means anything can happen. The Picture of Dorian Gray twists delight along with a crazy finale in Episode 816. Of course, that monkey’s paw style hand leads to some wildly bad makeup and pasty skin effects that are actually ghoulishly fitting, and the black and white kinescope versions of Episodes 797 and 813 are more disturbing thanks to chilling séances and ghostly overlays. When the panning cameras, zooms, booming screams, coffin creaks, slamming doors, fog machines, and lights out cooperate, it’s the exclamation on all the fearful gothic mood. Certainly, the gypsy material here is stereotypical and cliché. For some audiences, Dark Shadows may seem comical in its juicy horror camp. However, today many shows seem to easily unravel with less material over shorter amounts of time. There’s even been a small Victorian cum steampunk resurgence onscreen, but Dark Shadows has been doing this kind of entertainment all along.

Collection 16

Vampire Barnabas Collins is re-entombed in his coffin by the warlock Count Petofi who is intent on escaping 1897 by traveling to the future with werewolf Quentin Collins. Unfortunately, the witch Angelique (Lara Parker) has marital plans for Quentin, leaving the possessed Charity Trask (Nancy Barrett), jealous maid Beth Chavez (Terry Crawford), and painter Charles Delaware Tate’s (Roger Davis) perfect woman come to life Amanda Harris (Donna McKechnie) with brokenhearted, violent, and trigger happy threats.

1969 time travel goals lay the 1897 exit groundwork as skeletons, full moons, gunpoint confrontations, and confessions spearhead the intersecting supernatural tangents, unreliable I Ching attempts, and astral projections gone awry. The vampires, vendettas, paradoxes, and possessions are no longer secret thanks to prophetic harbingers and fatal deadlines. Hooded executioners provide suspense and vicious murders push the daytime television envelope while deceptive visions create an eerie mix of who is who, past or present, and living or dead. Vampires can’t help against unique spells during daylight nor is the werewolf available during the full moon. Characters learn of their own suicides from their future ghosts as villainous malice and emotional anchors swell with sword-wielding terror. Spectral toppers, paranormal visuals, and dark romanticism balance the traditional two-shot soap opera conversations. Although the performances are sincere and earnest, the cast tries not to laugh over crazy dialogue, infamous flubs, and teleprompter glances. Enemies sit together over brandy, waiting for who will blink first before the witch hypnotizes a man to put the pistol to his temple. That’s Twisted! Hidden letters written in 1897 are read in 1969 just in the nick of time – bringing the ominous facts full circle with bloody bright red flashbacks, cyanide, and jealous women. Redemptions and rejections lead to dying for love morose, and mystical bargains trap the afflicted via voodoo effigies, shackles, or black magic. Episode 839 would seem to resolve this fatal past with all is well second chances but the lycanthrope troubles and bodily possessions then and now linger. Stolen portraits, magic rings, late messages, and all aboard whistles add to the diabolical in Episode 850, and unknown prices must be paid. On Dark Shadows, most characters accept the fantastic rather than balk. However, no one ever really escapes from Collinsport.

Collection 17

Barnabas Collins travels from 1897 back to 1796 with Countess Kitty Soames, the reincarnation of his beloved Josette DuPres (Kathryn Leigh Scott) after seemingly defeating the vile Count Petofi – who has switched bodies with the now immortal Quentin Collins in order to travel to 1969. Unfortunately, ancient Leviathan interference and an evil antique shop run by the enthralled Megan Todd (Marcia Wallace) upset numerous events past and present for Dr. Julia Hoffman and the rest of Collinsport.

Body swaps, mistaken identity, and abused I Ching hexagrams open Episode 858 amid bitter marriages, magical portraits, and blackmail. Enemies become allies as characters must prove who they are thanks to skeleton keys, psychic visions, and mystical ruses. Inner monologues matching the real person in the wrong body curb confusion as well as garner sympathy while buried alive threats and haunted punishments result in kidnappings and failed rituals. Dubious lawyers and lookalike vampire encounters ramp up the scares in Episode 868 as suspicious relatives and antagonizing ministers plot with buried suitcases and decoy burglaries. Will power over evil, cliffside desperation, and deadly shockers in Episode 876 up the intensity before 879 adds double-crosses, stranglers, poison, and fresh cement. Climatic scandals keep the paranoia and graveyard chases on track as victims must stay awake lest spells overtake them. Green screen mistakes and innate camera flaws may make the magentas look garish, however, the distorted hues are terribly effective for gaslight ambiance and ghostly overlays. Cursed people are packing, gold diggers are making plans – there’s a sense that 1897 is a wrap and 1969 is imminent thanks to psychedelic dreams, astral interference, and time travel technicalities. Unfortunately, the fiery 1897 finale fumbles thanks to a shoehorned in 1796 detour before the much maligned leviathan storyline with its naga lockets and necronomicons. After three odd colonial episodes, the vampire brides and meddling witches are also left hanging for torches and snake altars before the return to 1969 in Episode 888. It’s a big WTF that today would have audiences immediately tuning out and complaining on Twitter. If Dark Shadows had directly taken the I Ching back to 1969 and then revealed the unusual Lovecraft-inspired leviathan abstracts as a subplot to what happens with our 1897 immortals; the ancient rituals and cult incantations might have been received differently. A lot happens on Collection 17, but Dark Shadows has plenty of juicy left to come, and the 1897 escapade remains perfect for a spooky marathon.

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For even more Dark Shadows reviews, visit my detailed analysis at I Think, Therefore I Review!

Press Release / Lovecraft: Fear of the Unknown

Directed by our friend, Frank H. Woodward, this title is now Streaming on Amazon Prime! 

The award-winning documentary Lovecraft: Fear of the Unknown is a chronicle of the life, work, and mind of author H.P. Lovecraft.  As told by luminaries of dark fantasy including Guillermo Del Toro, Neil Gaiman, and John Carpenter.

Please be sure to tell us what you think.  Rate, review, and share!

 

FRIGHTENING FLIX BY KBATZ: The Haunted Palace

The Haunted Palace is a Creepy Little Treat.

By Kristin Battestella

In all my Vincent Price, Roger Corman, AIP, and Poe celebrations, it’s been quite tough to find The Haunted Palace again.  Though this 1963 tale borrows much more from Lovecraft than it does Poe, all the creepy, freaky moods and twists are here in fine form.

In the 18th century, Arkham townsfolk burn the warlock Joseph Curwen (Price) for using the Necronomicon and local women in sadistic experiments- but Curwen vows to return and curses the village descendants. 100 years later, Charles Dexter Ward (also Price) and his wife Anne (Debra Paget) inherit Curwen’s mansion and return to the New England ruin. Dr. Willet (Frank Maxwell) informs the couple of the town’s twisted history, but the rest of the villagers fear Ward as local strange occurrences and bizarre deaths increase.  They use their deformed children to frighten Anne, and she begins to suspect the spirit of Curwen is indeed trying to take over her husband.  Unfortunately, their caretaker Simon (Lon Chaney, Jr.) knows more than he’s saying…

Writer Charles Beaumont (The Twilight Zone, Premature Burial, The Masque of the Red Death) teams with director Roger Corman (House of Usher, The Pit and the Pendulum) for this Lovecraftian adaptation that got unfortunately shoehorned into American International Picture’s Edgar Allan Poe cycle. Yes, it’s based on H.P. Lovecraft’s The Case of Charles Dexter Ward more than any reaching at Poe titles or poetry- which might automatically put off the Poe faithful or the Lovecraft purists alike. However, the spooky moods and sinister atmosphere are here from the onset, with great traditional jumpy moments and heck, it’s actually scary in some scenes.  Even if you expect the smoke and mirror twists, it’s still dang suspenseful as the sinister past increasingly takes hold.  Indeed, the Necronomicon back story and Cthulhu allusions could be better explained, and the revenge plotlines are similar to later films like The Abominable Dr. Phibes.  There’s reused fire filmmaking for the finale and the end is somewhat abrupt, too, but overall, this is an entertaining and scary little picture.

Naturally, the resemblance between Curwen and Ward is uncanny! Our Man Vincent differentiates the two men nicely to start, allowing a slow possession to brew. The naughty implications, man handlings, and great outbursts build perfectly as the Victorian gentleman Ward becomes increasing overtaken with the ruthless warlock Curwen.  The tender scenes and inner torment as Ward realizes the takeover is happening are well done, too.  Again, I don’t see any over the top acting. Price’s subtle inner conflict and physical alterations are quite the opposite in fact. The pacing on the possession is good, but I do wish the film were a bit longer, as Debra Paget (The Ten Commandments with Price) as Ward’s wife Anne does become a bit typical. She’s active, suspects, and doesn’t scream too much, but it just seems like they ran out of time in developing her suspicions on Curwen overtaking her husband. Of course, Paget looks wonderful- and looks good scared, that’s not always an easy thing to master.  The Wards also sleep in the same bed, whoa! Anne ends up the good little woman, but their tender relationship and its explosive breakdown are well done, and it adds an extra personal dimension to the twistedness at hand.

Instead of the usual stock company throwaways, the supporting village men in The Haunted Palace lift up the horror here. Lon Chaney, Jr. (The Wolf Man) is perfection as the creepy and most definitely not so innocent caretaker Simon.  Of course, he knows more about Curwen than he lets on to the Wards, and his scary introduction is great. Frank Maxwell (Our Man Higgins) does fine work as the would be voice of reason among the otherwise superstitious townsfolk, but again, I wish there were more of his Dr. Willet and town scaredy cat Elisha Cook Jr. (The Maltese Falcon, House on Haunted Hill). Leo Gordon (McLintock!) is also a lot of fun, as are the weird, deformed, and disturbed village descendants. Oh, girls with no eyes or freaky eyeless men and worse shouldn’t be so scary, but when used in full force here, it’s downright frightening.

Although the Cthulhu- like tentacles and dungeon scenery leave something to be desired, the other period styles and designs establish The Haunted Palace wonderfully. The spider web motifs over the credits will be dang freaky for arachnophobes, and the opening colonial mayhem looks on form. The fog and lightning create all the atmosphere needed, and eerie music tops off the titular mansion’s décor, red candles, and sweet candelabras.  Those dungeons, however, are a little too dark to see- even when its daylight. Of course, the video is due some restoration, and the matte paintings supposedly providing scope are fairly poor, but that is to be expected.  Thankfully, the Victorian standards, ornate frocks, and wispy nightgowns more than make up the difference.

Unfortunately, The Haunted Palace is dang tough to find. Netflix is mum and its double bill DVD release with Tower of London is downright elusive. For Price Fans, Corman completists, and old school horror fans, however, The Haunted Palace is well worth the hunt.  Catch it whenever you can or delight again on a spooky late night whenever you need that hint of Lovecraft. Or Poe for that matter, hehe.

HorrorAddicts.net 116, Kristin Battestella

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