Sandra Becerril was born in Mexico City and is a writer, author and director. Her books include The Street of the Witches (2004 ), Blue Whisper (2007 ), The Name of the Clouds ( 2011), Before Me, After (2012 ), The Night Pirates (2013 ), Who Are You Thinking of Killing (2014 ), Love Me More (2015), the thriller bestseller Valley of Fire (2018) with Random House Mondadori, (winner of the international Best Noir Novel in Spain), Your Corpse in the Snow (2019), and The Silence of All Dead—which has been translated into more than 10 languages—(2021).
Sandra is the translator and anthologist of Nightmares (in Spanish 2019) and the first Mexican to write for Masters of Horror in Hollywood. She directed the films, The Hideout, They are Here, and the documentary War and Compassion. She has written several documentaries and TV series and has directed and written dramas of terror. She is recognized as the most prolific and important Mexican horror writer of her generation.
NTK: How old were you when you discovered horror? What got you involved in it?
SB: I was five-six years old. My parents told me not to see The Exorcist, so, of course, I saw it. And they were right. I got traumatized but enchanted with the story. I discovered that I wanted to take the sleep of people as The Exorcist did to me. I started to write stories since then.
NTK: What inspires your writing?
SB: Everything inspires me. I love scaring people; I love writing stories. And I write all the time.
Maybe it’s because I find the dark side of everything, but I’m inspired by atmospheres, people, certain situations, everything.
NTK: What inspired El Silencio de Todos Los Muertos (The Silence of All the Dead)?
SB: During my childhood, I lived in a house that terrified me. And not just me, it scared children and adults so much that people stopped visiting us.
I had to take that inspiration and create a novel.
The voices of the characters are from the point of view of when they are children because under that gaze, we believe that everything can be true, we see terror with innocence, we do not seek further explanation.
NTK: Do your characters have free will? Or do you control their every move?
SB: They have a will of their own as long as they are within the world that creates them.
I try to model them well, to know them better than anyone else so that they act with logic in the midst of the situations they are experiencing.
I try not to help them.
I like to make them suffer and see what they will do next, what they are made of.
NTK: As a person of color, what has your experience been like in the horror community?
SB: As a Latina, it has suddenly been difficult to open the doors of my own country to get out of there with my stories to the outside world.
Once outside it is easier.
The first time that a producer in Spain or the United States trusted my stories, it was easier. The complicated thing is the first time.
And yet, I have suffered discrimination, for being a woman, for being a Latina, for being a single mother, even for writing terror, and for not dedicating myself to a more “serious” genre.
So, I would say that it has been a good experience and sometimes a bad one. It all depends on how you look at it. Everything is learning to move forward.
NTK: Are any of your stories based on personal experience?
SB: I am not my characters although many think I am.
However, the construction of my stories and the characters that act in them are based on real places, or on situations (not mine) that I have heard or investigated. This is because I like people to believe that this can happen, it is the magic of terror, breaking the barrier of credulity. And for that, you need to feel that they can be real, even if they are fantasy.
NTK: What is your favorite horror movie?
SB: Nosferatu (1922) and Macario (1960).
NTK: What is your favorite horror novel?
SB: I Am Legend.
NTK: What is your favorite horror television show?
SB: It used to be The Twilight Zone and now also Dexter.
NTK: You are the first Mexican to write for Masters of Horror. Could you tell us about that experience?
SB: It was wonderful.
Writing for directors who scared me when I was little is a great experience and every day, I learned something new.
There are a couple of them who are the men from my nightmares (they know it).
That showed me that any dream can come true, no matter if it’s about creating monsters and scaring people. Any dream is valid.
I also felt nervous, that is, those figures of terror that I admire so much were reading and directing my stories.
It was something surprising that I didn’t quite believe until I went to the set and said: this is true.
NTK: You’re also a director. Tell us a bit about your films. Do you enjoy directing? How is it different from writing? How is it the same?
I started directing for fun. First, it was a feature film that I did not love how it turned out, but it was in festivals. Then another feature film (They’re Here), where I already had more experience and also knew the story very well, and then several television series. In each experience I have learned a lot, everything I should do and not do. And they have been wonderful experiences.
I really like directing but I like writing more. This is because directing takes a lot of time, a lot of patience. And in that time, let’s say two years when you prepare a project, I can write maybe six scripts. I feel like writing is a more personal job. A film does not only belong to the director or the scriptwriter, it belongs to a whole team, the art team, the costumes, the makeup, the casting, etc. It’s very different. Writing is lonely and your story is only your responsibility.
NTK: What does the future hold for you? What works do Horror Addicts have to look forward to?
SB: My new novel, The Loneliness of the Birds, will be released in Spain in September. It is a horror-thriller.
Also in September, the anthology Nightmares will be available in the US by Gauntlet Press, where I brought together Mick Garris, Richard Christian Matheson and Lawrence Connelly. The cover is by David Slade and also includes a text of mine with a foreword by John Skipp. The anthology is collectible, signed, and for horror collectors. This same anthology will be translated into Italian by the Independent Legions and will be out in January and it will be in Spain in February.
I’m also writing a thriller series for HBO and adapting The Silence of All the Dead into a feature film; it’s almost going into pre-production.
I am a jury member of several international festivals such as Feratum and Espanto, so I have to see many films.
NTK: Thank you, Sandra!
SB: This was fun! Thank you!