Movie Quiz: Fright Night with Jessica Robinson

fright_night_one-sheet_6

Answer ONE of the following questions in the comments and be entered into the drawing to win Jessica Robinson’s book.

  1. Name the actor that was in all three Fright Night movies?
  2. Who was originally considered for the role of Peter Vincent?
  3. How does Peter Vincent discover that Jerry is really a vampire?
  4. What two horror actor names were used for the name Peter Vincent.
  5. What is the last line of the movie and who said it?
  6. What does Peter Vincent need to defeat Jerry Dandridge?
  7. William Ragsdale who played Charlie and Amanda Bearse who played Amy were both on sitcoms that aired on the Fox network in the early 90’s on sunday night. Name the shows that they were on.

Answer  ONE of the following questions in the comments and be entered into the drawing to win Jessica’s book.

Horror and slasher films are often dismissed for their apparent lack of sophistication and dearth of redeemable values. However, despite criticism from film snobs who turn up their noses and moralists who look down upon the genre, slasher films are more than just movies filled with gory mayhem. Such films can actually serve a purpose and offer their audiences something more than split skulls and severed heads. In Life Lessons from Slasher Films, Jessica Robinson looks at representative works that have been scaring audiences for decades—from Alfred Hitchcock’s seminal shocker, Psycho, to the cult classic Black Christmas and iconic thrillers like The Texas Chainsaw Massacre, Halloween, Friday the 13th, and Scream. In this book, Robinson examines common themes that have emerged in these films, their various sequels, and countless imitators—a maniacal and seemingly indestructible executioner, sexual encounters that invariably lead to death, increasingly gruesome ways to slaughter helpless victims, and a lone female survivor who finds a way to vanquish the killer—and looks beyond such tropes for what these films can teach us about life. From practical advice (listen to your elders) to moral platitudes (teens never learn), each chapter considers a different “lesson” that these films teach. Robinson discusses how the events portrayed in slasher films can resonate with viewers and perhaps offer constructive advice on how to conduct our lives. A fun read for fans and scholars alike, Life Lessons from Slasher Films offers an entertaining and persuasive look at how life can imitate art, and what art can say about life.

When Terror Takes Hold – Laurel Anne Hill

Nothing squeezes my gut worse than facing big-time adversity beyond any hope of my control. I’ve dangled forty feet in the air from the broken cross-bar of a rotten clothes-line pole, and sixty feet up while clinging to a busted ladder on the side of a building. On one SCUBA diving adventure, my air supply malfunctioned thirty feet beneath the ocean’s surface. And white-water rapids once sucked me under and pinned me against a boulder. Yet in all of these situations, I focused on survival and took action. Terror never had a chance to catch me and take hold.

Photo by Amanda Norman

Thus, one of my scariest experiences occurred before my “take action” survival response had yet developed. I was young, perhaps only eight or nine years old.

My childhood home was a third floor rental flat in San Francisco, one of those units with a long hallway leading to the bedrooms and bath. Railroad flats, they’re sometimes called. An enclosed service porch, containing our wringer washer, laundry tubs, a work table and a closet full of home-canned fruits and vegetables stood adjacent to the kitchen. Mother kept the back door to the flat locked, but the business end of a skeleton key often resided in the keyhole. A fire safety measure. The door led to a wooden staircase, the staircase to an alleyway between buildings. One end of the alleyway opened into the back yard. At the opposite end was a door to Fourteenth Street.

The street-side alleyway door was never locked.

Three generations lived in our two-bedroom flat. You do the math. I had no room of my own for a haven. Sometimes I liked to stand on the porch at night and feel the darkness enfold me.

Even in those days, I “wrote” stories in my head or jotted them on paper. The ambiance of a lightless or shadowy room stirred my imagination. Still, I had not yet acquired the skills to translate emotions into sentences. The best stories lived inside of my mind.

One night, my mother and older sister were reading in the living room. My father was away on a business trip. Grandma and Grandpa had retired to bed. My baby brother slept. I stood on the porch by the washing machine, doors to both kitchen and outside stairs shut. Moonlight glowed through a side window.

An inner voice told me I shouldn’t be there.

But the voice was only my conscience, wasn’t it? I should return to the living room, lie on the rug in front of our little gas heater or curl up on the overstuffed rose sofa with a book. I should share time with my family.

I heard a noise from outside. A creaking of wood.

The first feeling to stir within me was not one of alarm, but the warmth of embarrassment. I was here, successfully becoming lost in imagination, and Mother wanted my company. We had no television and took pleasure in the presence of each other at day’s end.

Another creak followed, and another. Those were footsteps. Slow, heavy footsteps.

No one ever climbed our back stairs at night.

The footsteps now reached from beyond my imagination. I’d learned to separate reality from fantasy. Whoever approached my back door was real.

If the intruder heard me, he or she might break down the door and grab me. Maybe I should remain quiet. But Mother needed to know so she could call the police. No matter. Neither my arms nor legs would have obeyed any command to move. I could barely even breathe.

The doorknob rattled.

What if Mother had forgotten to lock the door? Or if the person at the door–surely a man–knew how to probe the keyhole with wire and make the skeleton key turn? I ought to get Mother. Why couldn’t I move?

The doorknob turned.

All warmth left me. My heart thudded faster and faster. Yet the terror provided a certain perverse pleasure, something to tuck away inside of my mind for future recollection.

The door didn’t open. A wooden board creaked. Footsteps receded. Whoever had stood on the other side of the barrier had retreated down the stairs.

I remained immobile for at least five minutes. The intruder did not return. My world was safe again.

How wonderful to open the door leading into the kitchen, to see Grandma’s stove with its big, black pipe in the shadowy room. I headed to the living room and told my mother and older sister what had happened. They laughed.

Neither one believed me, that is, until I repeated my story to them many years later.

As for the terror I experienced, I keep the memory tucked inside my brain. I draw upon the details when giving characters in my stories a frightful time. The memory also spurs me to be sure I’ve locked my doors and activated the alarm system before bedtime.

With or without a skeleton key, I prefer to stay in control.

LAUREL ANNE HILL grew up in San Francisco, with more dreams of adventure than good sense or money. Her close brushes with death, love of family, respect for honor and belief in a higher power continue to influence her writing and her life. ForeWord Magazine selected Laurel�s debut parable, Heroes Arise, for a Book of the Year Award for 2007 (bronze, science fiction category). Laurel�s shorter works span the genres of science fiction, fantasy, horror and creative nonfiction. http://www.laurelannehill.com