MUSIC REVIEW – Ein

Today we’re taking a look at the upcoming release “Lethargic Breakthrough” by French progressive black metal band Ein. Ein is a one-man band fronted by Nox, featuring multiple guest vocalists and a violinist to create their debut release. Taking a unique approach to the genre, Nox’s black metal release implicates elements of death metal, atmospheric ambience, noise, and syncopated rhythms and time signatures. These elements make this a standout release worth of any extreme metal fan’s catalogue.

While the release features non-traditional elements of melody and rhythm, it doesn’t make the music any less accessible. The guitar lines are memorable, abrasive but beautiful, and an overtone of melancholy hinges on the outskirts of this release’s horizons. In fact, a culminating, if not obligatory traditional French-style post-black metal and shoegaze song carries this album to a triumphant conclusion with the track “Momentum”. Nearly an Alcest shoutout, this track should ring strong to any newcomers to the genre and is strongly reminiscent of the iconic French black metal sound. The stark contrast between crushing heaviness, melancholic riffing, and even ambient electronic breaks keeps this release interesting and driving forwards without sinking into the trap of monotony that many amateur black metal musicians do.

Lethargic Breakthrough is available via Mourning Light Records on Halloween 2018.

For HorrorAddicts.net, this is Jeffrey Kohld Kelly

Ein online:

https://www.facebook.com/EinBlackMetal

Purchase Lethargic Breakthrough:

https://mourninglightrecords.com/shop?olsPage=products%2Fein-lethargic-breakthrough

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MUSIC REVIEW – Empathy Test

By Jeffrey Kohld Kelly

After just completing a successful UK tour, it seems all to right to take a look at London synthpop artist Empathy Test’s remastered album “Losing Touch”. Empathy Test is not a newcomer to the electronic scene by any means, but their novel mainstream recognition within various electronic subcultures arguably happened overnight. The nostalgic and dreamy synth lines have gathered fierce attention from ravers and industrial rivetheads alike, each respectively identifying with some captivating aspect of this band’s truly panoramic discography.

To pin this band to a singular genre would be a disservice to the musicians and fans alike; drawing noted influence from post-punk and new wave artists, Empathy Test stands tall in a classification of their own, standing out proudly against other bands who simply fall into the category of new wave revival. Not a revival band in the slightest, Empathy Test’s music is charged with bright innovation, markedly with vocalist Isaac Howlett’s gentle, songbird-style vocals. A complex, yet effective atmosphere compliments all of their songs, begging to not be confined to the restriction of headphones alone. Indeed, this music is something that deserves to be experienced to its full capacity live if at all possible.

I’ve been lucky enough to have a chance to hear the yet unreleased “Incubation Song” from Empathy Test’s upcoming EP at their live performance in Manchester England, and while I can’t share that song with you today I can promise you that you’ll love it. Building on their own musical concepts, Empath Test continues to innovate and reach to broader horizons with this upcoming release, and we can see nothing but the best for them.

You can pre-order Empath Test’s upcoming EP “Holy Rivers | Incubation Song” featuring remixes by The New Division and Man Without Country on their Bandcamp profile. The EP will be released worldwide on Halloween, 2018.

For HorrorAddicts.net, this is Jeffrey Kohld Kelly

Holy Rivers | Incubation Song on Bandcamp:

https://empathy-test.bandcamp.com/album/holy-rivers-incubation-song

Empathy Test online:

https://www.empathytest.com/

https://www.facebook.com/empathytest/

 

MUSIC REVIEW – Live show: Freakangel + Neonsol + Advance

Hello and welcome to HorrorAddicts.net music reviews! This is Jeffrey Kohld Kelly.

Today we are going to do something a little bit different; rather than reviewing a new release I’m going to do a review of the Manchester date of the Freakangel & Neonsol show featuring Advance. This tour was courtesy of Beat:Cancer, a UK-based nonprofit organization doing their part to help find a cure through means of concert tours and compilation CDs, with additional support from Analoguetrash and DWA Records. As a newcomer to the UK, this was my first Beat:Cancer performance, and I was floored by the immense support the audience and musicians had for the cause and for each other. But more on Beat:Cancer later; for now I’ll get to the bands.

The first performer of the night was Advance, a Scotland-based “Dystopian Electronica” band with a beautiful combination of both intelligent and danceable synth lines. Their music was nearly reminiscent of genre veterans CHROM and Neuroticfish, but with a wholly unique approach. Their live sound was even more full and professional sounding than their recorded material, which may be in part due to the fact that their most recent album was released 3 years ago and they’ve grown more as producers over the years. Their live show, while somewhat lacking in energy on stage, seemed to provoke the most energy in the crowd. Between industrial dancing and singing along to more than half of the songs, it was clear that Advance had already made quite an impact in the Manchester area previously. Tom’s vocals exceeded his skill demonstrated in the album while live synthesizers provided by his accomplice Kimberley added just enough push to the mix to drive forwards and deliver more to the live show than could be accomplished in a studio record. Advance’s charismatic and dynamic live performance was actually my favourite of the night, and I would highly recommend everybody else to be sitting on the edge of their seats just as much as me to catch their highly anticipated and long-time-coming new album.

The first co-headliner was the Danish/Canadian synthpop act Neonsol, a band iconic for their songbird-style female vocals paired with the deep and brooding vocals of their male vocalist and live synth player. Despite the high number of Neonsol shirts circulating the audience, they didn’t immediately receive quite the same positive response as Advance. I can’t help but feel that most of this initial hesitation held by the audience and myself was due in part to the performance of their live drummer. While they may have had reasons for having him along, I found him to be almost an extraneous member as he only played a midi snare drum, and hit less than half of the songs’ snare strikes. What made me most concerned was the fact that throughout more than the first half of their set he was playing severely out of time with the backing tracks and sampled drum beats, causing the entire live show to feel out of time and sit awkwardly. These tempo issues may have been in part due to live stage monitor levels being a bit low; any band will tell you how frustrating and common this issue is. But whatever the case, I felt it took far longer than necessary for me to be able to properly sink into their performance and experience it how it was meant to be. However, when the band found the pocket they were looking for, the performance quality increased drastically and created the dark and moody swaying pulse they’re known for. Their song Manipulation was, of course, the show-seller accentuated live by the rumbling voice of their male vocalist’s backing vocals. The stark contrast in sounds is and was implemented in a lovely way, and any fan of synth-driven music should find Neonsol at the top of their record collection.

Finally Freakangel took the stage. The Estonian industrial metal band has gone through quite a bit of genre evolution over the years, moving from harsh aggrotech to a significantly more metal-driven and hardcore or even metalcore-influenced combination. The live show delivered far more on the metal front than the studio albums, Art’s guitars receiving significantly more of a central focus, topped by an incredible and energetic performance by their new Amazon warrior of a live drummer. The vocal performance did seem to suffer somewhat compared to the album versions of songs, Dmitri mumbling or moaning the lyrics between guttural screams rather than a powerful vocal delivery throughout; while he may have been trying to convey a certain vibe to the audience through this type of performance, I can’t help but think that the show itself would have been stronger as a whole had all members shown just as much energy. Curiously enough, despite being the main headliner of the night, a surprising amount of the audience moved to the back for their performance. This may have been in part because of the stiff genre divide in the night, starting with synthpop and ending in death growls. It’s possible that most of the people who came simply weren’t metalheads and had come to see Advance and Neonsol. Whatever the case, those of us who stayed at the front had a fantastic time and I hope that Freakangel will continue to deliver such high energy performances throughout the rest of their career.

For those of you who would like to know more about Beat:Cancer you can find information at the link provided below. Even if you’re not based in the UK you can support the cause by ordering merchandise or a copy of their latest compilation CD featuring the artists who performed at this show as well as many others. For those in the UK you can catch the next Beat:Cancer tour featuring Sirus throughout the UK this October!

For HorrorAddicts.net this is Jeffrey Kohld Kelly.

Advance:

https://www.facebook.com/advanceaudio/

Neonsol:

https://www.facebook.com/Neonsol/

Freakangel:

https://www.facebook.com/freakangelofficial/

Beat:Cancer:

http://beatcancer.info/

MUSIC REVIEW: Night Club

Night Club 

Scary World

Review by Jeffrey Kohld Kelly

I’ve had the pleasure of gaining early access to the remarkable electropop and industrial influenced upcoming album Scary World by the LA-based duo “Night Club”. Scary World is slotted to be released worldwide on the 24th of August 2018 featuring the single “Your Addiction”.

Night Club’s production value is incredibly professional, masterfully compressed drums and seamlessly arpeggiated basslines building a strong and driving foundation for the music. Emphasizing electro synth wails and sirens accentuate energy and drive when necessary, but are used sparingly enough that they deliver a strong enough punch each time that it never gets old. Their vocalist’s gentle and almost tantalizing voice offers a beautiful contrast to the instrumentals, offering chiming innocence during moments of tension, and an extra dose of adrenaline when the synths take a back seat.

The album immediately sets its own stage and carries the theme unadultered from beginning to end. Yet, despite using relatively similar thick and minimalistic synth sounds and stylistic techniques throughout, each song proudly speaks for itself and never falls into the easy trap of becoming a parody of itself. The album climaxes with my personal favourite on the album, Survive, easily leaving me wanting more from them.

Night Club is currently on tour with Combichrist and Wednesday 13 across Europe and the United Kingdom on the “Everybody Still Hates You” tour, and I personally will be sure to catch their Sheffield date on the 10th of August. I would highly recommend for anyone else along the tour route to be sure to pick up tickets for a show near them soon as well!

If you would like to hear more from Night Club and order a copy of their new album Scary World then you can visit them online at NightClubBand.com or follow them on all major social media platforms.

 

Links:

https://nightclubband.com/

https://www.facebook.com/nightclubband/

https://twitter.com/nightclubband

https://www.instagram.com/nightclubband/

https://www.youtube.com/user/nightclubband/videos

 

Horror Movie Cliches I’m Tired of Seeing – A Frightening Flix Editorial

Horror Movies Cliches I’m Tired of Seeing

by Kristin Battestella

Year round I watch a lot of horror – and I mean a lot. Unfortunately, there are numerous cliché and trite elements I’m tired of seeing in scary movies, and I suspect you are, too. Here’s a list of ten such lame things horror needs to ixnay toot sweet.

1. A Prologue – Pre-credits scenes that ultimately don’t have anything to do with what happens later in the movie set the audience off on the wrong foot. Here at the beginning, viewers don’t know this unrelated ghost encounter, past horror, or cool death may only earn a meager mention henceforth if anything. We get to know somebody only for them to die ten minutes later, forcing the picture to start twice while disrupting audience immersion. How did this become such an oft copied, opening shock obligation?

2. Time Wasting Opening Credits – Most recent pictures begin with little more than a title card and save the cool credits for the exit music, but horror for some reason, makes sure to have cool title sequences that do nothing. Maybe they are trying to be stylish within the movie’s theme. However the audience can’t appreciate the ephemera because we don’t yet know what the horror entails. What we do notice is that the picture is going to be five minutes shorter in actual screen time thanks to this slow filler.

3. Driving to the Horrors Scary movies apparently have a mandatory “Are we there yet?” ride to the horrors complete with loud, hip of the minute music, and childhood friends who share irrelevant backstory each already knows just for the audience’s benefit. It’s a cheap way to create faux character development and an in-camera journey when we already know the destination is a scary experience. The aerial shots, zooms around the bend, and scenic views are just that – the delaying route again wasting precious time an eighty minute movie doesn’t have.

4. Stereotypical White People – I hope this is changing in recent independent horror, for much too often it’s the rich and usually blonde driving from the big city to the country scares and claiming they can’t leave their haunted house because their money is tied. Of course, they nonetheless maintain unrealistic means – especially if the movie goes out of its way to mention a fancy profession yet never shows one at work. What prevents the family facing the horrors from being not well to do, African-American, Hispanic, Asian, interracial, LGBTQ, or anything else? N-O-T-H-I-N-G!

5. Bathroom Mirror Shocks You know what I mean. Our blonde in the towel wipes the steamy mirror, opens the medicine cabinet, and then closes it for a jump scare behind her that wasn’t there ten seconds ago. There’s also the dozed off in the bathtub dream fake out, irrelevant sexy glass showers, or hearing something that’s nothing and leaving the water to overflow. Sometimes that’s used for another drip aesthetic and other times it’s forgotten. Either way, you’ve totally pictured what I just described because we’ve all seen it so many times.

6. Generic Jump Scares – Rather than spending time building a taut, simmering atmosphere that keeps viewers on edge, so many just for cool graphics and creative horror scenes are wasted on hollow fakes and false moments. That creepy noise in the basement is just the cat! Once or twice, such silly safeties can alleviate audience tension or save a bigger surprise for later. Unfortunately, more often than not these jump scares are only for show with one right after another never giving us a chance to breath. It’s a tired excuse deflecting on a loosely strung together plot, and it’s insulting that we aren’t supposed to notice.

7. Modern Teens and Cool Technology – The latest barely there fashions, hip lingo, and rad gadgets of right now are obvious grabs appealing to today’s young instant audience. Unfortunately, such fluff is as immediately dated as the with the quickness it represents. Instead of being down with the latest swag, why not spend time developing an atmospheric location and characters not identified by their high school clique? The instantly forgettable dumb cheerleader, black best friend, and Asian nerd are not relatable just because you have the same smartphone – especially when none of it leads to long lasting, memorable chills.

8. Contrived Research Montages – Once, there was something investigative in scary movies– the library, traveling to a spooky location, speaking to the first hand horror folk. Though clichés in themselves, progressive action and character effort provide audience investment. Unlike the up close shot of the Google search bar, unrealistic newspaper clipping pop ups, a crappy Geocities website, or a Youtube video. Today’s ease of access wastes no run time as characters literally and conveniently pull a resolution out of thin air. Blink and you miss critical details that deserve more attention on and off screen. What’s next, asking Alexa?

9. Formulaic Slashers as the Face of Horror– Audiences are accustomed to an October released slasher – we all love them and studios bank on the box office of predictably bad scares trying to wink at the genre by playing into the very things that make them cliché. However, this dulls us into thinking it’s how horror should be, confusing spoon fed viewers into disowning a scary movie when it breaks the mold. Such acclaimed pieces are not marketed as horror, but thriller, suspense, or now elevated horror a.k.a. drama with fear. Which, anyone who has been watching horror for the last eighty years, can tell you is nothing new at all.

10. Pulling Out the Rug – Audiences have certain expectations once we’re halfway into a movie. So it’s not cool when filmmakers think they are shrewd with a so-called twist that plays the viewer. If it’s completely illogical to what we have seen already and has nothing to do with all that’s happened, it’s not a great twist. Such shocks make us aware of the movie making try hard rather than actually scaring us – cheating the viewer out of the suspension of disbelief critical to our flight or fight immersion. It isn’t clever when we’re looking for nonsensical answers, just a bait and switch that leaves the audience aghast for all the wrong reasons.

What clichés in horror movies are YOU tired of seeing?

 

My Melancholy Life: CONTROVERSY ISN’T BEAUTIFUL

MyMelancholyLife

So…CONTROVERSY.

Does it seem like some kind of fussing is just everywhere this summer? I mean more than usual even?

It’s the hottest part of the summer here and people are bored so they talk. (and talk and talk). Online, at the coffee shop, in line at the store, at the PokéStop.

controversyoutline2

When the temperatures climb, it seems tempers get shorter and among the wonderments that the internet has brought us in its bag of the cheaper techno-tricks is much more immediate and free access to global gossip.

A 24 hour Entertainment Weekly style of gossip-mongering inundates YouTube and everyone will agree at least to an extent that Tumblr is a mess. Kat von D (and others) called out Jeffree Star who had called out Kylie Jenner earlier in the month. It’s really been a smorgasbord at the Celebrity Circus this July (even leaving OUT the politics!)…

Shots are fired with call-outs, then everyone responds, and then replies to the responses. I have not seen this much kerfuffle since the Lime Crime/Doe Deere scandals.

Behavior, makeup quality, CONTROVERSY! I follow some beauty vloggers but most of the people I like are too busy hauling new products, reviewing summer goodies and anticipating the fall and holiday 2016 collections to get involved in the gossip. My current faves are Lisa Eldridge (professionalism and technique), Tarababyz (for epic hauls). But there are ALSO the entire channels that have popped up to just dish the gossip, spill the tea, read people so harshly and throw a bunch of shade in every direction in the form of ‘having an opinion’.

When did that happen and why are we watching them? Epic views for nothing really more than…mean gossip dished daily? No, I draw the line at this. Maybe you will too after you think about it.

It hit the Gothic community too this month, over a video “40 Years of Goth Style (in under 4 minutes)”, and the responses and replies to replies. Yes, I also have my opinion about it but no, I really don’t think it merits a video response for people to watch me reacting to it. I’d rather people formed their own opinions from the source, and then discuss them with me. I have toyed with starting a makeup review and alt lifestyle YouTube channel but I really question the content when videos are actually reactions to the source of anything and nothing more than opinion. Possibly helpful when choosing a lipstick or a salad recipe, deadly when forming our actual opinions, views and outlooks about anything very important simply because it IS second hand news, filtered through the reaction of another person first. I can’t get behind that.

If there is anything I have personally learned from seeing these controversies, opinions and reactions come and go is that what I sometimes take away from it has an effect on me. On my mood, on my outlook and on my general way of seeing things. Garbage in, garbage out, so they say.

I DO think it is important to be informed about many things, including being a well-informed consumer and supporting (or not) those people and businesses whose belief and values align with our own to a certain extent but I also feel there is a point when watching this ‘window on the world’ has become just another time-wasting bad habit to somehow get sucked into. It can seem too vivid and sometimes commands too much attention that it really doesn’t deserve when the things in our own lives really can benefit more from our attention. So I say, “Watch but watch wisely and in a limited and aware fashion, be choosey and think for yourself”. Do not just give your attention to these ‘controversies’ for the sake of the latest little tidbit of juicy gossip. It can steal your time and focus!

Mimielle sig, orange

**Some final words of caution for my fellow makeup mavens: Cheap Chinese products, the Ali Express and Ebay “dupes” for more expensive makeup like the Lime Crime Velvetines, many higher end eye shadow and face palettes and popular items like the Kylie Jenner Lip Kits can be tempting, it’s true. But they may or may NOT even be safe to use at all and there is really no way to tell since they are not governed by any cosmetic review board or agencies like the FDA in the US or the European Commission so please be cautious rather than sorry and search for your less expensive dupes at the drugstore or from trusted online companies. Indie brands and lesser known companies like Sugarpill, Notoriously Morbid, Violet Voss and Makeup Monster are amazing lately and Colorpop is fast becoming a trusted budget brand as well, with many great reviews on Temptalia.com.  NYX is a favorite around here, and they have amazing colors and good sales at Ulta. Ingredient labels on products from Ali Express and similar selling agencies may or may NOT even be truthful since they just copy a photo of the packaging so there is no guarantee those cosmetic copy ingredients are even safe to use on your skin, especially on your lips and eyes. Not worth the risk.

 

Mimielle on Fashion: When We go Out, People Gonna Shout?

Mimielle at the Museum

Mimi on the loose!

Hello Addicts! Here is a topic your fashionably frightful fellow Addict, Mimielle has been mulling over:

When you go out dressed unusually, do you get comments about it? I’d love to hear your experiences with this because when discussing fashion, it’s often one of the more common reasons people give me for being a little hesitant to fully realize their fashion sense, the reactions or fear of the reactions making them uncomfortable. And not just teens or twenty-somethings. It’s unfortunately a fact that many people of every age feel unable to wear the fashions they’d like to in public for fear of reactions.

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Mimielle haunted New Orleans

Since obviously, I roam the streets dressed like this…

I currently live in a smaller metropolitan area in a southern state so in hopes of encouraging you to be brave and deal gracefully on your own terms with people who are rude enough to publicly and sometimes even confrontationally question your fashion, I’ll share the 2 most common reactions I get wearing Gothic Lolita fairly regularly and my thoughts about them. I leave kid’s reactions out because mostly they are great, either asking me something completely outlandish like “Are you Lady Gaga?” or whispering to their parent “Wow look, a princess!” Plus you can’t actually punch a kid, not that I’m suggesting it or anything – where is your sense of the ridiculous?

  1. People wanting to take my picture. Oddly, this doesn’t bother me if they just stealthily take a snap or 3 but when they come up to me, it makes me self-conscious at times. Like when I am in Walmart on a Tuesday morning, holding a package of bacon. True story, Morning Glory. I totally expect to end up on People of Walmart one of these days but I’m still not sure if I’d leave the photo up or ask them to remove it. There are a couple of people already posted on there that have Lolita-related outfits, dating back 4 years or so but they aren’t very good representations of the fashion. There is one nicely dressed Texas Lolita posted there with a Little Miss Muffet caption, she actually got several nice comments though and left her photo up so obviously opinions vary!
    People-Of-Walmart
  2. People wanting to have my fashion ‘explained’ to them. I can usually spot these people before they come up to me and they are the worst. Let me preface this by saying that even in the Lolita community, I am not the person who loves to explain or define anything and will most often defer to the nearest other handy Lolita or online, point people to the nearest decent resource. There are so many people who DO enjoy teaching about and talking about the fashion and do a really good job of it that aside from here with you darling ghoulies and goblins on Horror Addicts, I don’t really talk much about my fashion – much less divulge any secrets! That’s how you know I love you!! So anyway, these women who come up to me (and 99% are women, very few men will talk to me at all)…Most often, they are women over 25 or so, and I can often tell that they already do not LIKE what I am wearing, and can also divine by their scowl or stinkface that this is the most ‘polite’ way they can justify sort of demanding an accounting for why a grown woman is wearing dark frilly dresses with Gothic jewelry and such ‘interesting’ shoes in the daylight on Tuesday at THEIR Hobby Lobby. It would be comical (and often is afterwards) if they weren’t so serious about it. Or if they actually listened to my reply instead of having their word filter on High trying to pick out something deviant or weird in my explanation to justify their pre-judgement of disapproval. If they are with their daughter, it is also a little embarrassing to watch HER embarrassment as her mother is rude and judgmental to another woman who just smiles in return.Hamsa, avoid the evil eye

Yes, both situations make me uncomfortable, obviously the latter more than the former since it gets me so wound up! I can carry a phone and pretend to talk on it because people will grudgingly walk past, still staring, but refrain from actually disturbing me and I also usually have the advantage of a very grouchy looking fiancé nearby to run interference if I give him ‘the look’ (which often looks like ‘deer caught in the headlights’).

I got curious and searched ‘Goth’ on People of Walmart and turned up 14 results. Frankly, I expected more but you’ll have to go and see for yourself what I found because descriptive words escape me to define just what I saw. After that, I was afraid to search “fashion”.

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If you were photographed and posted on People of Walmart or on a similar site, would you leave the photo up or ask them to remove it? We want to know! Please vote in the poll and don’t be shy to elaborate in the comments if you have some thoughts on this, I’d really love to read them.

Mimielle sig, orange

                               

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