Penny Dreadful’s Sembene: The Stereotypical Death  

Penny Dreadful’s Sembene: The Stereotypical Death  By Alicia McCalla

 

          One of my favorite shows to watch is the dark, suspenseful Penny Dreadful. The show fills me with foreboding—sometimes my stomach lurches with the twisty tentacles of fear and trepidation. The heroine, Vanessa Isles, is a dark fantasy protagonist at it’s best—the tortured soul with ambiguous morals, shades of gray, that make you think about the decision, is it right or evil? Watching her descent into Hell just creeps me out but like the kid who peeks through open fingers, you’ve just got to keep watching the train wreck. 

         Penny Dreadful is so marvelous, though, because all of the main characters sit on the edge. The monsters’ point of view gives rise to all sorts of questions that we REALLY don’t want to think about. Frankenstein and his monster, the uncontrollable Werewolf, the Hunter, and then there’s Sembene.  For the most part, he is a moral compass. He takes care of the monsters, gives them advice, and is always ready for the supernatural battle.  At some point, we find out that he was previously a slaver and sold his own people into slavery but we never go to much into who he really is… Penny_dreadful_sembene_01

        Herein lies the problem. With such depth and character development of the others, why don’t we learn more about Sembene, for most of the first episodes, I assumed that he was a powerful Okomfo, Shaman, or Witch Doctor but that idea never quite materialized. Then, I thought he was perhaps and ancient warrior or hunter who was the mystical teacher or mentor of Sir Malcolm Murray, in one episode his voice calls and returns the man from being lost in the valley of death but that story line didn’t develop either.        

    Finally, I just became aggravated when at the end of the last season, Sembene had been mentoring Mr. Chandler who in the end, eats him and well, Sembene graciously accepts his death. 

      What? I screamed at the TV screen.  Of all the characters that I’d connected with, Sembene’s character had been the most intriguing to me and then he was gone. Disappointment. Why do Black folks always have to die like this in horror shows?  

      Stereotypical. Sigh. 

Well, for a little while I had high hopes.  

If you enjoy Dark Fantasy stories with People of Color as the protagonist, come check out my work.  I try to keep the tension high and unexpected characters get murdered, too.

***********

Alicia McCalla RiseAlicia McCalla is a native of Detroit, Michigan, who currently resides in Atlanta, Georgia. She works as a school librarian and enjoys traveling as well as spending time with her husband and son. Visit Alicia at: www.aliciamccalla.com to receive your free eBook boxed set and sign-up for e-updates, giveaways, and sneak peeks of her upcoming novels. Alicia McCalla

 

Advertisements

Intro to Celebrating Black Horror History

HorrorAddicts Black History Month

Intro to Celebrating Black Horror History

By Sumiko Saulson

60-black-women-in-horrorI’m proud to be the host of “Celebrating Black Horror History” during the month of February 2016. I would like to invite you, dear reader, to join us for an entire month of guest blogs, interviews, and offerings from the usual delightful staff here at HorrorAddicts.net that honor, highlight and celebrate the current and historical contributions members of the African Diaspora have made to the horror genre. I am excited to have so many talented guest contributors who are themselves, quite accomplished.  They include bestselling author Balogun Ojetade, Bram Stoker award winner Linda D. Addison, the prolific Crystal Connor and Kai Leaks, award-winning author Valjeanne Jeffers,  and many others.

As the author of 60 Black Women in Horror, I am no stranger to the subject of where black people stand in relation to the horror genre.  In fact, I first came into contact with HorrorAddicts back in 2013, when I was working on that very project as an ambassador for Women in Horror Month. David Watson’s 2012 article on African American horror writers was one of my reference materials when I was doing research for 60 Black Women in Horror.

This month, we will be looking at not only at authors, but black contributors to all aspects of the horror genre. We will cover topics as diverse as Lori Titus’ exploration of Black Women in Horror Comics, Eden Royce’s look at Southern Conjure Magic’s Contribution to Horror – the Realities versus the Fictitious, and James Goodridge’s  take on Real World Zombies.

We will look at the black presence (and sometimes, lack thereof) in horror films with Balogun Ojetade’s article on Early Black Horror Films of the 40s and 50s, Alicia McCalla’s perspective on Sembene in Penny Dreadful, Joslyn Corvis’s treatise on Tales from the Hood, James Goodridge’s personal perspective essay On the Dearth of Black Characters in Horror Movies, my piece From Producer to Actor: Wesley Snipes’ contribution to the Blade Franchise, Paula Ashe’s Sister My Sister: An Open Love Letter to Abby and Jenny Mills from Sleepy Hollow, and my look at Horror Legend Tony Todd.

The black presence in horror writing will also be a topic of discussion from both the author and the sumiko-blog-photocharacter points of view, with Linda D Addison’s Genesis: The First Black Horror Writers,  Kai Leaks’ essay on Author L.A. Banks’ Contribution to Horror, Bret Alexander Sweet’s Magical Realism in Toni Morrison (Beloved, Sulu, Song of Solomon), Kenesha Williams’s piece on Author Tananarive Due’s Contribution to Horror, Valjeanne Jeffers’s piece on Author Octavia Butler’s Contribution to Horror, Crystal Connor’s piece on The Inclusion of Black History in Speculative Fiction, and Nicole Kurtz ‘s article on The Representation of Black Women in The Dark Tower.

I hope you will enjoy the upcoming month of black history in horror features. Thank you for joining us.

********

Sumiko Saulson’s blog “Things That Go Bump In My Head” focuses on horror fiction writing and features author interviews, writing advice, short stories and editorial pieces. She is the author of two novels in the science fiction and horror genres, “Solitude,” and “Warmth”, and a Young Adult dark fantasy series, “The Moon Cried Blood”, which was originally a novel.  Her fourth novel “Happiness and Other Diseases” will be released October 18, 2014.  She is also the author of a short story anthology “Things That Go Bump In My Head”.  She writes for the Oakland Art Scene for the Examiner.com. A published poet and writer of short stories and editorials, she was once profiled in a San Francisco Chronicle article about up-and-coming poets in the beatnik tradition. The child of African American and Russian-Jewish American parents, she is a native Californian, and was born and spent her early childhood in Los Angeles, moving to Hawaii, where she spent her teen years, at the age of 12. She has spent most of her adult life living in the San Francisco Bay Area. http://sumikosaulson.com/

Kbatz: Penny Dreadful Season 2

Penny Dreadful Season 2 is Again a Macabre Good Time

by Kristin Battestella

penny 2Penny Dreadful’s sophomore year opens with a recap of the the Showtime series’ debut before picking up the Gothic sophistication right where we left off – this time with ten episodes of scorpions, witches, monsters, and devils.

Vanessa Ives (Eva Green) is attacked by a group of Nightcomer witches led by Madame Kali (Helen McCrory), but ex-gunslinger Ethan Chandler (Josh Hartnett) protects Vanessa along with Sir Malcolm Murray (Timothy Dalton) – whom Madame Kali pursues romantically. Egyptologist Ferdinand Lyle (Simon Russell Beale) helps translate a mysterious demonic tale written on a monk’s relics alongside Dr. Victor Frankenstein (Harry Treadaway), but Frankenstein is distracted by his work on the late Brona Croft (Billie Piper) – now resurrected as Lily Frankenstein at the request of the Creature Caliban (Rory Kinnear), himself going by the name John Clare for his new job at a waxworks museum. Unfortunately, Lily eventually sets her sights on the decadent Dorian Gray (Reeve Carney) instead.

White snow, demonic language, and dangerous carriage attacks waste no time starting “Fresh Hell” alongside excellent tender moments and graves dug from last season. Where Year One was about meeting the team and facing a largely unseen evil, now Penny Dreadful puts a more human face on our company’s threats with evil women and meddling inspectors. It’s a delightful step to share the gruesome aftermath while we get to know this enemy – a little demon family to mirror our flawed fighters. Monstrosity is just everywhere in Londontown!These naked witch ladies should be alluring but they are not, and new biblical threads arise in “Verbis Diablo.” Even prayers are no longer sacred amid pity projects, cholera ills, and enchanting deceptions. New character interactions infuse Penny Dreadful, anchoring the stories of possessed holy men, titular puzzles, disturbing infant abductions, and unique voodoo uses. That’s one diabolic arts and crafts room! There’s sup
erb war room plotting in both our houses – and a mole between them – so it is perhaps unusual to have an all Vanessa flashback episode so soon in “The Nightcomers.” However, the Victorian meets Baba Yaga magic, symbols, and protection motifs are excellent thanks to critical past information that will be important later and sublime guest star Patti LuPone
(Life Goes On). This well paced character drama fills in history from the First Season and serves it with quaint do no harm and brutal persecution.

The demonic riddles and unique character confrontations continue in “Evil Spirits in Heavenly Places.” Deception always wears such a pretty face yet Penny Dreadful makes time for our darkly clad band to enjoy some lighthearted social moments before a creepy chameleon siege upon Sir Malcolm’s house that has the viewer studying each frame for clues. While padding time and unnecessarily stretched out scenes are apparent in this longer season, the final moments here are an appropriately simmering, silent unease. “Above the Vaulted Sky” has some fine true horror as extensions of our family pay a terrible price, and recalled Apache atrocities parallel the montages of faith and battle preparations. Are steel doors, guns, prayers, and totems enough to face the devil? It’s pleasing to have time dedicated to the turmoil and lying in wait for harm to come as evil and the authorities close in on our company. Penny Dreadful has touching poetic moments before major ghosts encounters and hefty scares. However, the sex scene finale here is very poorly edited with intercut frightening erroneously mixed with what should be tender bedroom moments. The morning after in “Glorious Horrors” is non too peachy either as influences are asserted and bloody fatalities become as simple as replacing the carpet. Can one be oblivious to threats when everything is connected and nothing is happenstance? Funeral talk and awkward balls shape a deliciously off kilter splendor, and Penny Dreadful puts all its players together in a twisted little bloodbath with intriguing character asides, jealous pairs old and new, superb revelations, and gruesome showdowns.

 

Little Scorpion” is a shorter Penny Dreadful episode at only 49 minutes, but this Ethan and Vanessa-centric block has lovely one on one character moments questioning solitude and the growing distrust among our eponymous team. The tormented have some small, delightful comforts away from the inescapable monsters and demons at their backs, making for some dangerous tension and steaming dancing in the dark storms. Superior hours where not all the cast appears suggests Penny Dreadful creator John Logan may be juggling too many storylines or characters, but “Memento Mori” trades deadly toppers for swift interrogation filming. Askew up close shots, intercut tension, and lies contrast softer fireside conversations and waxing regrets. Can you look at yourself inthe mirror when you do what has to be done in the fight against evil? The ongoing demon incarnate puzzle solving ties together pieces from Season One as mirrors and dual camera tricks heighten the character heavies. Although the evil plans seem too wishy wasy at times with back and forth possessions and reversed enchantments, this episode allows its three plotlines to play out as uninterrupted acts, bucking the A, B, C standard television story structure to elevate its scary revelations.

Monster does catch monster, and even the authorities consider otherworldly and superstitious possibilities in “And Hell Itself My Only Foe.” Upticked violence and hauntings find our team, and the witty dialogue and intelligent scripting add to the surprises. The subtle Talbot name drop is worth all the wolf mishandling in the First Season, and more self-awareness comes in the ugly waxworks entertainment. Evil is beautiful and seductive with temptations from Lucifer to display one’s inner beast. That internal made manifest leads to some stunning confrontations, indeed. $%#%(*&! The excellent multi-layered horrors and battle of wills continue in the “And They Were Enemies” finale as Penny Dreadful’s not so merry band is tested in enemy territory. Devils on the shoulder present a most convincing case – be it death, our darkest desires, or the brightest dream too good to be true. Once you cross the line toward darkness, what must you do to come back to the light? Can you save yourself at all? Granted, moments with the effigy puppetry and lookalike demonic language arguing become hokey quickly, a jarringly laughable moment amid the utmost heavy. After a hefty but quality slow build and some unnecessary treading tires and stalling plots, the final evil confrontation also feels too rushed by comparison. There are some wild surprises and a character denouement with time for reflection is a welcome change from an action finale. However, maybe the pacing should have been tightened to have an all battle second to last hour and then an entire sigh of relief end instead of a finale that feels too half and half. Fortunately, Penny Dreadful concludes with plenty of creepy nonetheless. Are our players moving forward stronger after these paranormal events? Their ships may be sailing their separate ways, but Year Three of Penny Dreadful looks to promise plenty! %%$%#$@#*@!

 

Evil just won’t let go of Vanessa Ives so easily, will it? Her strength to fight against demons inside and out glues the team together as much as it puts them in peril, and Vanessa needs them as much as they need her. She talks about what must be done and what she is capable of doing, and even when some of that is just delayed exposition issues, we believe her wrath because we’ve see her pain. For all the good she does and her ongoing struggles to keep this delicate balance, her ties to Amunet leave nothing but badness in her wake. How do you cling to faith when there is so much wicked? Vanessa endeavors to embrace her power within – but does that mean you abandon your belief in a higher power? Having religion doesn’t necessarily make you good, and Vanessa admits she and God are on challenging terms. Can we just be who we are or is that too much responsibility for one soul? Vanessa’s therapy is in her support of the boys about her – she is a confessor for each of them in different ways. Will solace be found in like tormented persons? She can soothe others but not herself, and Vanessa has some deliciously intellectual conversations with John Clare, adding a new damned soul to her repertoire – which looks quite cloudy for next season.

Likewise, Ethan Chandler is beginning to suspect his wolfy connections as more dastardly carnage comes to light. He’s perpetually trying to leave town thanks to his fear of admitting what he is capable of doing, which is beautifully foreshadowed in “Verbis Diablo” before the tenth hour finale. Ethan’s charming banter with Lyle deflects his inner lupus with Latin research, and Hartnett very nearly steals the show in his witty battles with Douglas Hodge (Red Cap) as the persistently not stupid Inspector Rusk. Like Vanessa, Ethan pegs people for who they really are, and his coy comes in handy as his pursuers mount. Even if he can face his affliction and its monthly consequences, he tries to protect Vanessa from his wild in a wonderfully unconventional romance – if it can even be called that. We don’t see the wolf outs for flash in the pan cool, but rather as choice visuals to emphasize the tormented monstrosity now fully realized on Penny Dreadful as it should have been all along. Danny Sapani as manservant Sembene also has more to do now that he helps Ethan bind his lycanthrope tendencies, adding to the fine moments he has with Sir Malcolm. This stalwart and strong but humble workhorse character provides a shaman wisdom while doing the dishes, baking, and waxing on how Ethan should see his moonlit changes as a blessing not a curse. Sembene shares his own past sins and guards his household kin with unwavering duty and respect, but by golly, audiences will be understandably angry at the treatment of the character. He still deserves more, #$%D#&*%!

 

New bewitching temptations and continued family losses grip Sir Malcolm once again on Penny Dreadful, but the in control, noble gentleman on the outside can’t use his suave to hide his pain. Sir Malcolm must face the questions and consequences regarding his daughter Mina’s death from Last Season, and he’s ready to trade his life and accept his punishment to spare his newfound family further torment. His internal demons provide ghostly experiences both positive and wicked. Dalton is charming in his unknowingly deceptive courting with Mrs. Poole, but the shaving of his beard is a surprising character development. It’s just so odd seeing the ex-007 sans scruff again, but the change is a perfect reflection of the evil influences at work. Despite some strong advice from Sir Malcolm and an interesting science versus faith intellectual pairing with Lyle, young Victor Frankenstein is also blinded by his wrong doings, chiding John Clare’s pressure on Lily while Victor himself is slowly but surely shaping his perfect woman. Frankenstein’s muddled monster making motives become increasingly creepy science for fetish alongside his now not secret drug addictions. He’s a little nasty, too, but bonds with Vanessa, trusting her to help him with his awkward shopping experience. Slowly Victor becomes aware of his mistakes, even admitting his addiction is affecting his freaky science, but by time he wants to escape his creations, it’s too late. Ironically, Dr. F. doesn’t believe in witchcraft, but evil knows what he has spawned and uses his deeds against him in smashing fashion.

Those wonderfully macabre waxworks and layered Victorian deceptions elevate the Caliban aka John Clare plots this season, and his scenes with Vanessa are refreshingly honest and mature. Clare speaks his mind without malice instead of his usual mine mine mine childish wants. Why are these Frankenstein men so pressed and gushing over every woman they meet? Clare’s friendship with Vanessa is his first genuine and healthy relationship. Kinnear has room to shine in the poetic recitings and quiet moments with Green, but the well read doesn’t do Clare any good if he won’t learn from his to err is human. Once again, he misuses his chance to do right, can’t catch a break, and ultimately must flee. When Clare finally looks past Lily’s beauty and his desperate need for companionship, he sees a worse ruthlessness and rightfully realizes that Pandora’s Box contains a mirror. Was Lily’s creation worth it? Though the short blonde hair doesn’t fit the period and it is unusual that Vanessa doesn’t recognizer her, Billie Piper is much better this year as Lily Frankenstein compared to the dead end and bad accent that was Brona Croft. It’s perfectly acceptable on Penny Dreadful when the resurrection of a character can fix all that was dislikable, and Lily smartly questions why women wear corsets and are meant to be controlled and appealing to a man. She seems innocent, but soon proves the dastardly of her rebirth and wrongfully remodeled by Victor is not for anything angelic. Lily learns how to lie, finds her deadly instincts, and grows tempted by Dorian thanks to elegant white frocks, gruesome blood stains, and a man-made monster superiority complex. We should like Lily – we don’t blame her for remembering the abuses of her previous oldest prostitution profession and using her strength for revenge. However, her twisted and wrong doing companionship with Dorian is anything but empowering to anyone but herself.

 

Unfortunately, I did not miss the absent Dorian Gray in “Fresh Hell,” and his brothel shenanigans feel more like interfering annoyances during the first half of Penny Dreadful this season. I’m all for more penis on television, but compared to the more serious, self aware, and better developed star roles, the character seems like an excuse for depravity mixed with would be modern social commentary. Dorian doesn’t even interact with any other main character until “Glorious Horrors” – or anyone else but Jonny Beauchamp (Stonewall) as Angelique for that matter. These scenes become shoehorned in titillation or sensationalism, a cruel and cliché storyline serving no purpose in the overall season arc. Angelique’s gender struggles in Victorian society and finally finding a tender relationship should be touching, but by slicing their aforementioned consummation scene with evil seduction and paranormal death scenes, are you saying gay sex is as bad as casting demonic spells on a man and using voodoo to kill his wife?!?! #$%$^$@*&! We know this tryst is fun and games for Dorian, but this is no fling to Angelique, and those consequences also unfairly stereotype Angelique as a nosy, jealous beotch when Dorian moves on to his next fancy. The about dang time reveal of his eponymous portrait and his blasé attitude toward it proves how ugly his true self really is, but we already knew that from his toying with Angelique. This entire unnecessary and unjust plot further proves Dorian Gray is a tug and pull supporting player who should only be recurring as needed – and Angelique should have been the gosh darn regular joining our dreadful company instead!

Thankfully, Simon Russell Beale is deliciously good fun as our team’s flamboyant Egyptologist Ferdinand Lyle. Despite the sophistication and heavy work at hand, Beale provides a covert humor and positive gravitas with his flirtations:

“American! I am undone!”

“Well, I do have a gun belt.”

“Stop!…Will you bring your gun belt?”

“Both guns.”

Underneath this fluttery chemistry, Lyle is unsure where his allegiance lies, and by admitting his conflicting circumstances and burdens to bear, he fits right in with the Penny Dreadful gang. The homoerotic undertones match the main story instead of being uncomfortably apart from it, adding flair to a character largely saddled with fantastic exposition. In addition to the already established Catholic iconography, Lyle adds more conversations on faith, reflection, and recompense thanks to all he has witnessed from Helen McCrory as that sometime Madame Kali and always evil Mrs. Evelyn Poole. Her enemy house not only has a medieval ossuary bent, but Sarah Greene (Vikings) as the ruthless but cool Hecate is ready to step out of her mother’s much older than she looks shadow. Madame Kali is in a powerful tit for tat with her demonic master, and she intends to gain new praise by delivering Vanessa to him – with Sir Malcolm as a dark bonus for herself. Her ambitions, Hecate’s rival desires, and their evil foil, however, do get stretched thin at times. These are formidable ladies cutting out hearts and invoking killer puppetry with more provocative tricks – The Pooles shouldn’t have to hurry up and wait to harm our dreadfuls. Nonetheless, such evil planning talks make for some juicy scene chewing for McCrory and other returning guest stars. Just because you’re dead doesn’t mean you can’t reappear as Madame Kali sees fit!

 

Iffy CGI cityscapes, animated scorpions, and more sweeping scene transitions don’t always look right on Penny Dreadful, but the up close London streets alive with horses, waxworks, and period mechanization look the ghastly Victorian needed. The below the British Museum dusty, piles, statues, and maze-like clutter for good or ill is simply begging for some Mummy plots! More Universal Horror nods including the one armed inspector and swan style gowns layer the lush alongside a haunting score. The witch designs look of the past, with evil sprites coming out of the walls or mirrors and matching a colorful scheme of orange for evil firesides and gruesome greens for the dead. Candlelit patinas contrast the all gray and white ghostly while coffins, shrouds, gargoyles, and dungeon traps keep the macabre personal rather than today’s hollow torture porn gore – often with 55 minutes plus for full morbid effect. Sharp language uses mix old staples, making for a twisted new tongue where eerie terms like lupus and Lucifer stand out and force the audience to pay attention upon first viewing Penny Dreadful. The fashions are again scrumptious, and it’s lame of Hot Topic to go with scorpion tee shirts when this kind of long skirt and button up lace is on the runaway and ripe for a comeback. Penny Dreadful has an excellent attention to detail, and I’m surprised this uber sophisticated design isn’t receiving more technical awards.

Watching Penny Dreadful can also be tough thanks to cumbersome Showtime Anytime and Xfinity interfaces, loading and log in troubles, and expiring episode rushes but there are Amazon streaming and DVD options in addition to Showtime reruns. Ironically, the show’s premium channel home allows it to be top tier scandalous yet also makes Penny Dreadful difficult for viewers to find. Nonetheless, the series remains must see for Gothic horror fans. The sensationally spooky material and often outlandishly wicked are treated intelligently, and we’ve been waiting for Penny Dreadful’s kind of sophisticated, top drawer horror for too long.

 

Happy New Year from HorrorAddicts.net!

FinalFrontCoverHappy New year horror addicts. 2015 was a pretty good year for horror fans and here are five reasons why:

Horroraddicts.net publishing released its third anthology called Horror Addicts Guide To Life.  This book is full of articles by people who look at horror as a lifestyle and includes recipes, tips on fashion, info on your favorite books and movies,  instructions for some great party games and so much more. If you live the horror lifestyle this is a great book to pick up.

If you’re going to talk about what horror in 2015 you have to mention Ash Versus Evil Dead. Evil Dead is one of the most popular horror franchises there is and the new TV show based on it is a perfect mix of horror and comedy. Each episode is a reminder of how fun horror can be and what surprised me about this series was how they managed to make Ash into a deep character. In the first episode you see him as a 57-year-old teenager but as the series moves along we get more into what makes Ash who he is and you see him as much more than just a looser  with a chainsaw arm. This series was much better than I thought it would be and at 30 minutes for each episode it’s the perfect length.

Since we’re talking about TV shows you also have to mention Penny Dreadful. This series finished its second season and is another example of how good horror can be on the small screen. The sets are excellent, the acting is great and I think the writing is much better this season then season 1. Also its nice to see that Eva Green has been nominated for a Golden Globe. If you watch the Season 2 episode: The Nightcomers you will see why she deserves to win.

2015 saw some good horror films come out. One of the most anticipated movies of the year was Crimson Peak. With Guillermo del Toro attached to this movie, I think people had high expectations for it. I haven’t seen it yet but from what I’ve heard if you we’re expecting a bunch of jump scares and gore you wouldn’t like it, but if you like gothic romance and movies with spooky atmosphere then Crimson Peak is your kind of movie.

If I wanted to mention the most popular horror film of 2015 I would have to talk about Krampus but since I talked about that recently in another blog post, I’m going to mention The Visit instead. This is a simple straight forward horror film from M. Night Shyamalan. This is a low budget movie but in all honesty the best horror films are usually low-budget.

OUSLooking towards 2016, here are some of the things that I’m looking forward to. First of all the 11th season of the Horroraddicts.net podcast will begin in the spring and horroraddicts.net publishing will release its 4th anthology called Once Upon A Scream. This book will be edited by horror addicts staff writer Dan Shaurette and will be guaranteed to give you nightmares. Once Upon A Scream will be an anthology of fairy tales but all with a horror twist. There are some great stories in this book and I’m really looking forward to it coming out.

2016 looks to be another good year for horror movie releases and one movie that looks interesting is The Forest. This movie is based on a real place, The Suicide Forest in Japan. The Suicide Forest is a place where people go to end their lives and it is supposedly haunted. I like the subject matter in this movie but in all honesty the trailer doesn’t make it look that scary but I still want to give this movie a chance when it comes out. http://theforestisreal.com/

Another good-looking horror film coming soon is The Boy. Who doesn’t like a movie about a doll or ventriloquist dummy that comes to life, this one looks like it could be a good one. I love the house they show in the trailer.

If you have a list of horror movies that you think will be big in 2016, you have to mention Pride & Prejudice & Zombies. I’m pretty sure this one will be one of the year’s biggest money makers.

So I could have made this list of movies for 2016 a lot longer but I decided I didn’t want to have the trailers for sequels or remakes on here but there are a lot coming out, including: Rings, Underworld: Next Generation, The Conjuring 2, Amityville: The Awakening and another reboot of Friday The 13th. The last movie I wanted to mention here is The Witch. Witches have been pretty big in horror for the last 4 years and it looks like that trend will continue in 2016.

So horror addicts what are you looking forward to in 2016? What movies do you want to see? What books do you plan on reading? What conventions are you excited about? Leave a comment and let us know.

 

HorrorAddicts.net 118, Mercedes Yardley

ha-tag

Horror Addicts Episode# 118

Horror Hostess: Emerian Rich

Intro Music by: Valentine Wolfe

mercedes yardley | dark matter noise | stephen king movies

Find all articles and interviews at: http://www.horroraddicts.net

83 days till halloween

83 days till halloween

la guns, crystal eyes, anne rice, queen akasha, vampires, glam metal, heat, sunburn, seaworld, scarela, mike bennett, h.p. lovecraft, addict on the street: jean batt, live baycon, haunters, drag king,  guillermo del toro, strain books, donny marisue, goth dj neshamah, loren rhoads, the dangerous type, kindle books, wait for books, lasher, anne rice, books, matthew weber, a dark and winding road, d.j. pitsiladis, david watson, serial killers, highwayman, ink, glenn benest, dale pitman, morbid meals, dan shaurette, chicken a la king, dawn wood, dark matter noise, hell’s frozen, grant me serenity, jesse orr, black jack, dan shuarette, stephen king movies, it, storm of the century, stand by me, pet cemetary, the green mile, the shining, salem’s lot, christine, shawshank redemption, the mist, creepshow, misery, graveyard shift, firestarter, maximum overdrive, room 237, langoliers, bag of bones, dead mail, angela, halloween costumes, penny dreadful, the stig, top gear, birthday suit, ursula, mimielle, dyed hair in the pool, swimming cap, ask marc vale, vlad, blood stains, mercedes yardley

 

Horror Addicts Guide to Life now available on Amazon!
http://www.amazon.com/Horror-Addicts-Guide-Life-Emerian/dp/1508772525/ref=sr_1_1?ie=UTF8&qid=1428730091&sr=8-1&keywords=horror+addicts+guide+to+life

 

HorrorAddicts.net blog Kindle syndicated

http://www.amazon.com/HorrorAddicts-net/dp/B004IEA48W/ref=sr_1_1?ie=UTF8&qid=1431022701&sr=8-1&keywords=horroraddicts.net

 

———————–

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc…

horroraddicts@gmail.com

————————

h o s t e s s

Emerian Rich

s t a f f

David Watson, Dan Shaurette, Marc Vale, KBatz (Kristin Battestella), Mimielle, Dawn Wood, Lillian Csernica, Killion Slade, D.J. Pitsiladis, Jesse Orr, A.D. Vick

Want to be a part of the HA staff? Email horroraddicts@gmail.com

b l o g  / c o n t a c t / s h o w . n o t e s

http://www.horroraddicts.net

 

Kbatz: Penny Dreadful Season 1

 

Penny Dreadful Debuts with Scary Sophistication

by Kristin Battestella

 

penny_dreadful_by_pzns-d7iyerpThe 2014 Showtime series Penny Dreadful has some hiccups in blending the stylish past and its literary based madcap of monsters and macabre. Fortunately, shrewd writing and a gothic, sophisticated approach keeps this eight episode debut a cut above the rest.

The alluring but mysterious Vanessa Ives (Eva Green) recruits Wild West show shooter Ethan Chandler (Josh Hartnett) for a dangerous mission headed by explorer Sir Malcolm Murray (Timothy Dalton). No longer climbing mountains with his manservant Sembene (Danny Sapani), Sir Malcolm is searching for his daughter Mina (Olivia Llewellyn), who has been abducted by a vampire master while brutal, butchering violence shocks the post-Ripper London. Young Doctor Victor Frankenstein (Harry Treadaway) aides Sir Malcolm while Vanessa has several risky dalliances with the enticing Dorian Gray (Reeve Carney). Victor’s monster Caliban (Rory Kinnear), however, pressures the doctor to do his wishes, and Dorian has encounters of his own with Ethan’s immigrant girlfriend, the ill prostitute Brona Croft (Billie Piper). Will the supernatural secrets of this unusual group unite them or tear the team apart as they go head to head with vampires, demons, and monsters in hopes of saving Mina?

 

penny-dreadful-eva-green-ep-1Not having all the trademarks to Dracula gave Penny Dreadful creator and Oscar nominated writer John Logan and fellow Skyfall and Spectre James Bond producer Sam Mendes an excellent dramatic license to combine the gothic tropes we know and love along with uniquely macabre off shoots. The expected upscale period splendor is here yet the cinematic film quality and realistic visual schemes add a dark and dirty as each episode narrows the character focus and clues the viewer in on these bizarre circumstances. It’s downright fun to guess who is actually who, as not all of our similar but different literary inspirations are immediately named or their secrets revealed. My husband doesn’t know what’s up with Dorian Gray and I’m not going to tell him! The audience takes the paranormal leap along with the psychic connections and horrific elements thanks to the character concentration, great dialogue, and a writing first approach instead of the more recent lame brained gore over substance horror. The well written, likable players make literary allusions themselves and the sophisticated conversations don’t insult the viewer – though that’s not to say their isn’t some shocking, then colorful language or scandalous words flavoring the ghastly polish. Racist, of the time terms are also unfortunately necessary, but honest conversations about American Indian history and past injustices make up for the occasional harsh term along with parallel circumstances and bitter, supernatural lessons not learned. Wild West side show parodies and horrible killings set this miserable Victorian mood in Episode One “Night Work” while Latin prayers, an opium house, Nosferatu underlings, monsters, and abductions add to the titular creepy along with a macabre mix of the well dressed, violent fighting, mysterious Arabic, and Egyptian Book of the Dead hints. How did this disparate crew get into this dark underbelly? The good versus evil and seemingly untarnished layers aren’t as clear as we think. Do our players find themselves amid the spiritual realm between life and death or the new world of science – or are their transgressions across both?

rtw3udft198rnhszvvniSeance” introduces more Penny Dreadful players to the dockside desolate with prostitution, tuberculosis, and Dr. Frankenstein joining the fold. Everyone has a secret – Victor, his creations, and the so pretty yet so naughty Dorian Gray. Are the crimes about London related to these concealed truths and Sir Malcolm’s paranormal quest? The saucy is both demented and artistically done even if it is also slightly over the top, but the intriguing dialogue continues alongside the parlor fun and spiritualism winks. What can I say, it’s simply great to hear people use big words, and the titular sequence is superb. Vanessa’s unrevealed role to play goes wild, hooking the audience thanks to creepy voices, hidden history, and possession. Demonic language, sad revelations, and frightening powers – I’d leave that table! At only 48 minutes, Episode Three “Resurrection” is shorter than Penny Dreadful‘s usually true hour long airtime, but this segment focusing on Victor adds some flashback colorful before unpoetic death enters in and a bloody convulsing spurns Victor’s goals as his mother is snatched from him. Do our violent births, first rejections, and brushes with death irrevocably shape our outlook on life? The Caliban framing narration slows the pace, but transferring the monster’s plot to a theatre underground adds a Phantom of the Opera-esque gory onstage pulp. The zoo showdowns, wolfy scares, and captured informants, however, are more sinister, and details about finding Mina and the antagonism between our players are more interesting than Caliban’s complaints.

 

Penny-dreadful-episode-3-calibanPenny Dreadful could have been cheap and nasty in showing Dorian Gray’s depravity in “Demimonde,” but I’m glad it doesn’t go there despite his increasingly extreme desperation. His creepy mirrors, photography, and secret passages juxtaposed nicely against innocent questions, sad burials, and melancholy churches where one is not sure she is permitted entry. Bright outdoor scenes and delicate orchids belie dangerous nightshade and peril in beauty. Is there a method to nature’s madness or these supernatural apparitions? The show within a show audiences and theatre behind the scenes add more dimension, and players previously unknown interact as Vanessa’s revelations happen in Episode Five “Closer than Sisters.” Childhood beach side splendor, white lace and sunshine evoke the time before Penny Dreadful began, when evil temptations, sexual desires, and “little acts of wickedness” lead to much more. This past recounting is better than Caliban’s bitterness because this is the root cause for Vanessa and the show’s main quest – creepy taxidermy and tales of safari cannibals hint at macabre to come. Do we willfully choose this dark path over prayers unanswered as jealousy and hatred mount? pd7Are evil possessions at work on a corrupted soul or is physical illness the cause of a sickly body? The hospital cruelty and institutional torment are just as dehumanizing as the demonic possibilities. Who is at fault for such suffering and sin when the devil is your friend? Penny Dreadful puts all its gothic sin, salvation, and transgressions together here, and “What Death Can Join Together” moves the action forward as our team learns to forgive themselves. Plague ship battles are congested, intimate, and messy with rats, vampires, and monsters. Dreadful prices, divine gifts, escalating desires, and internal, self referential ironies are not lost on this merry outfit as evil of all shapes and sizes ups the ante.

Minimal but dangerous levitation and flying objects are smartly used in Episode Seven “Possession,” imagesand Penny Dreadful’s motley family huddles in support of the titular victim – not that they always keep it together as they face their inner demons, however. Insects and manifestations mount as hidden truths will out, and things get ugly as people lose control, fight loved ones, and try to reach the lost souls. Foul language, demonic speaking, and symbolic snow add to the great performances all around as the science versus spirit debate rages. Does demonic possession belong in the realm of the religious or will standard doctoring do? These divides unite our players, strengthening their trust in each other against evil without the usual smoke and mirror exorcism spectacles. Penny Dreadful remains personal with excellent agonizing screams, weary witnesses, and sickly pallors as faith, friendships, and romances are tested. In a lengthy 24 episode season, this episode would be a bottle show thanks to its contained nature. However, some lofty material goes down with Penny Dreadful’s five core players without them even leaving the house. Hot damn. “Grand Guignol” puts all the outside factors and interior influences together for the finale’s multilevel theatrical showdown. Stage ropes and trap doors add to the vampire peril as characters come to new truths and surprising bonds are made. Can redemption yet be found? Has everyone done their part in this play? Of course, there are subtle implications left for Season Two, possible future plots culminate, and Penny Dreadful certainly tells us that death isn’t quite so definitive.

 

penny-dreadfulI feel like I’m glowing with praise, but Penny Dreadful is not without its fair share of debut problems. While there are no excessive, panorama, look at the monster so cool camera works; cliche, bad ass walking transitions, dark meetings on street corners, and lengthy establishing shots meander when a cut to already being where we need to be would do. There aren’t that many flashy for flashy’s sake moments, but modern shock editing, zooms, and dark vampy battle scenes are iffy at times, and the closed captioning is also sometimes more amusing than atmospheric with its “screams reverb and flow into the night” or how every door simply must “creak” open. Quibbles, yes, but the story lines on Penny Dreadful themselves are unevenly paced and not equally interwoven – something that should be easy to do across only eight episodes. Unnecessary support takes up time from the relatively straight forward, supposedly primary vampire abduction quest, and the ongoing carnivorous murders about town are poorly handled, sprinkled throughout the season along with Egyptian themes. Both are trumped as being of critical importance then disappear before the previouslies introducing the episode or obvious flashbacks and foreshadowing shoehorn them in again. It’s superb to see bisexuality on Penny Dreadful, however, same sex material is bizarrely montaged over – and isn’t as equal opportunity nude or graphic as the other heterosexual kinky scenes, either. Evil and sexual acts or on the nose light and dark symbolism are also linked together, but perhaps these naughty ties are in commentary on hypocritical Victorian ways. Penny Dreadful is a great show upon the first watch, but picking through it with too many fine toothed comb viewings can crack its veneer.

Fortunately, Eva Green (Casino Royale) looks dynamite in period regalia as Vanessa Ives. Lace frocks, Penny-Dreadful-1-07-Vanessa-Ives-episode-stills-vanessa-ives-penny-dreadful-37563938-3600-2400wild up dos, and red lips add allure, but Green remains can’t look away stunning when stripped bare, down and dirty, or possessed and spouting wicked incantations. Vanessa shows strength in weakness yet shakes down the men around her, recognizing their similar complications even though the audience hasn’t figured out what’s behind her poise. Over the course of Penny Dreadful, Vanessa goes from a pious and humble beauty to hospital horrors, creepy crawlies, and back again as she struggles between religious beliefs and increasingly nasty evils. Miss Ives is at times the lady, a child, or evil with slightly scandalous hints to her latent naughty – no gloves at a posh Victorian party and such a saucy kinship to Dorian Gray. What is she to Sir Malcolm? What is the source behind her psychic and possessive powers? Green is simply great in “Seance” and “Closer than Sisters” – award worthy in fact. Vanessa is a strong woman facing death daily whilst hiding a hidden internal battle yet remains put together as best she can. Her convalescence is anything but when she must live with the violence and death she has caused. This is a wonderful original character anchoring Penny Dreadful, and Vanessa Ives fits right in with the familiar literary boys.

 

imagesThen again, when Timothy Dalton’s (The Living Daylight) Sir Malcolm Murray says don’t be amazed by what you see and don’t hesitate, we don’t! The classy waistcoat, top hats, and cane add prominence while the gray in his beard adds gruff to his elder gentleman appeal. This African adventurer has been aged by his shady experiences; he’s a pissed off dad and has the means to do something about getting his daughter back but he hasn’t been a perfect parent by any means. Sir Malcolm’s tug and pull with Vanessa is scene chewing excellence – they’ve both gained a bizarre new family with this dreadful team. Sir Malcolm navigates the Gentleman’s club bright and fancy as swiftly as he handles the down low and dirty. His power and wealth have a long reach, and Sir Malcolm is able to follow inside the police investigations whilst also keeping his own family secrets behind closed doors. Be it arrogance, negligence, or dark forces, he’s running out of people close to him to lose, and this increasingly high price is taking its toll. Fatherly love clouds Sir Malcolm’s judgment, he sees some of his son in the young Victor, and tries to be better man to this motley band than he was to his own family. However, he’s also uses or protects them as necessary in this quest to save his daughter. Sir Malcolm thinks he is above the darkness about him and believes he will do what has to be done. Unfortunately, he is sorely mistaken and must learn to face his regrets, familial mistakes, and grief.

He’s pretentious about his research and the possibility of a greater science, but Harry Treadaway images (1)(Honeymoon) has some wild disciplines and bloody medicine to contribute as Victor Frankenstein. He rebuffs the notion that he is just a man with a knife and isn’t afraid to call these shocking circumstances as he sees them despite his glassy stare and small stature compared to paternal steady hand Sir Malcolm or would be big brother Ethan Chandler. Treadaway delivers some wonderfully intelligent wit and ambitious dialogue – Victor wins his battles with a dance of words but also knows when to be silent or in awe of his creations. His work is a mix of genius and barbaric butchery, yet there is a poetic, touching, and human sensitivity amid Frankenstein’s snap, crackle, and pop laboratory. Victor remains gentle in his power of giving life and death – but he isn’t exactly able to control such corrupting opportunities or his so-called children. Indeed his maternal aspects are stunted and cut short, for Victor is so desperately interested in trying to cheat death that he’s missing out on life. The doctor lives through literature, he’s sickly and bloodshot, and unprepared when his creation becomes painfully superior. Naturally, “Dr. F.” looses whatever innocence he may have had along the way, leaving reluctance for complete compliance and monstrous orchestration.

 

images (2)Penny Dreadful unfortunately missteps again in the handling of Josh Harnett’s gun for hire Ethan Chandler. His secret is pretty apparent to start and obvious to the audience in “Resurrection” and “Demimonde” yet his plot is played as though it were some major surprise kicker for the finale. Instead of underestimating the audience, the focus should have been upfront so the viewers could be further inside his may or may not know pain. Thankfully, there’s a built in American reason for Chandler’s kinky, cowboy veneer, and without the need for the usual trite Yank going faux Brit, Hartnett becomes surprisingly impressive for the somber and serious moments. Granted, there is a part of you that can’t stop thinking of the woe that was Pearl Harbor or “It’s hottie of the 90s Josh Hartnett all grown up!” However, Ethan knows his weapons and fearlessly goes after the vampy monsters. He has a would be sibling rivalry with Victor yet provides a wise sounding board to Sir Malcolm when needed and holds fast to a tender sentiment with the ladies. Chandler is running from a lot more than an oppressive father back home, and the bluffing banter with Vanessa on his shadowed possibilities is more interesting than the inevitable love with Brona. Much of Ethan’s relationship with Brona feels unpolished or shoehorned in as set up for the tug and pull plots in Season Two – which would have been a real pity had there been no next year. Fortunately, Hartnett’s “and” billing is fitting, for Ethan adds a relatable American tell it like it is wit and dark humor matching Penny Dreadful‘s twisted cynicism.

PennyDreadfulUnderstandably, Reeve Carney (The Tempest) as Dorian Gray is played up to be depraved and assy, but that doesn’t mean I have to like it. It’s tough to enjoy the extremes Dorian takes, and for the most part, it’s all too pretentious to care. His chemistry with Vanessa is also too smarmy and not on par with the other characters– Carney feels inferior to Green and she carries their scenes. Dorian is styled as a modern pretty boy – his bathroom is absurdly decadent, the one excessive, intruding set piece here – and he seems hammy and out of place. Dorian sorely miscalculates Vanessa, uses Ethan, and ultimately, his superfluous, slutty twists don’t do much for the main plot. Likewise, it’s obvious who Billie Piper (Doctor Who) will be in Season Two as the original but dead end Brona Croft. Her entire plot is not as sympathetic as it should be thanks to a pitiful accent and redundant support driving Ethan to places he was already headed. I like Piper, but she feels wrong for the part, and Brona’s inevitable should have been paired down to its late season essentials. Rory Kinnear (Othello) as the creature Caliban is also slightly over the top and obnoxious with a pissy entry that the audience won’t like. He can’t get over his sad start, and Caliban goes overboard in complaining about the perceived sins of his father when it’s his own crimes and monstrous actions making him just as villainous. With his smarts and superior attitude he should know better. Caliban learns of hatred and mercy but chooses the former – his own adolescent, emo behavior and violence mars the would be theatre kindness he receives. He isn’t fun to watch, and a late introduction taking up most of the third episode takes away from the other more interesting players we have already met.

 

Indeed, the alphabetical credits belie the importance of the aforementioned trio – they don’t appear in all the episodes and provide uneven aggravation or fodder for the main stars, again all in future storytelling hopes not needed in the tale at hand. I’d much rather have had the wasted David Warner (Titanic) as Van Helsing, an all too brief but charming hematologist with wise words and a steady, grandfatherly presence beyond the occult matters. Recurring guest stars such as Alex Price (Father Brown) as Proteus also do much more for Penny Dreadful. His nudity, subtext, and a childlike but sensuous, emotional exploration add a far better bittersweet sense of wonder to the Frankenstein plots. Does the new man composed of previous men belong to those past recollections or new human development? The answers are both touching and upsetting. Likewise, we’re immediately curious about Danny Sapani (Trance) and his mysterious manservant Sembene. He’s a soft spoken cool cat, a butler who is the keeper of far more secrets and skills than we realize – which comes in pretty handy to Sir Malcolm. Sembene claims he has no story to tell, but there’s certainly some excellent sophistication and compassion in how smoothly he can do what Sir Malcolm cannot when it comes to the new, if uneven, twists for Olivia Llewellyn (The Lizzie Borden Chronicles) as Mina Harker. I hope we have more intrigue from Sembene in Year Two, for the subtle seeds have been placed for him alongside the perfectly flamboyant Egyptologist Simon Russell Beale (The Hollow Crown) and the wild Madame Kali Helen McCrory (Peaky Blinders).

Speaking of items I’d love to see, can these Victorian fashions please come back in full force? Penny Dreadful has the period look as it should but the clothes also have an air of modern streamline – no fru fru frilly is getting in the way of the appropriately bloody bodies, gruesome human parts, or harbored ships with their shady below decks and monster works. Cringe worthy institutions show the old errors juxtaposed against photography, emerging technologies, and more rarities of the time, but the unpleasant, red eyed Nosferatu vamps keep Penny Dreadful old school ugly. The seemingly nondescript courtyard and townhouse hide a dramatic staircase, a dungeon below, the possessed upstairs, and a sweet parlor where all the heavy conversations happen. How did wallpaper then look so good when ours can be so tacky? Cartography, old time explorations, antiques, and fine woodwork add realism while seances, tarot cards, and luscious red interiors shape that 19th century mysticism. Gas lamps, candles, and fire add a period patina as London fog and lamplighters create a near black and white noir scheme; storms, winds, and rain add to the bleak when all is stripped bare. Sound effects or simple tricks of flashing darkness, moving in camera with a character, or cut away shocks do heaps more in building spooky than the more recent in your face horror designs. Small doses of other languages, fancy phrases, and of the time speakeths add to the panache while play within a play under the stage theatre spectacles layer the observations. The angry, frenetic violin theme music establishes the blue, macabre symbolism during the opening credits, and the viewer is more than ready to settle in with the snakes, spiders, bloody tea cups, and all that is afoot on Penny Dreadful.

 

Currently, Penny Dreadful can be seen via Showtime streaming options, Amazon, DVD and blu-ray releases, or in on air marathons as Season Two looms. Unfortunately, the on Demand and Xfinity interface can be quite cumbersome and nineties laden with sound issues and playback trouble. Episodes also expire or have varying dates, and it doesn’t make much sense to have Year One unavailable to subscribers when the Second series is imminent. These viewing technicalities, however, are but a quibble when considering how Penny Dreadful proves what can be done when a network gives a paranormal drama the care and attention the production needs to match its literary weight and saucy opportunity. I loved NBC’s Dracula, but the Big Three American network didn’t have the inclination or know how to support the series. Universal probably also misfired with its Dracula Untold, leaving its new monster mash up franchise off to a shaky start, but this, this, this is how Tim Burton’s Dark Shadows movie should have been done. Penny Dreadful is pulpy but witty, and any bemusements or camp don’t interfere with the frightful mood and macabre atmosphere. Their are First Year growing pains, but the series goes where it wants to go and shows all its saucy or gory without dumbing the style, players, or plot down to the bottom denominator. Instead of lowering the bar, Penny Dreadful raises the measure for gothic horror adaptations with lavish looks, intriguing characters, and sophisticated storytelling.

HorrorAddicts.net 117, Mike Robinson

ha-tag

Horror Addicts Episode# 117

Horror Hostess: Emerian Rich

Intro Music by: Valentine Wolfe

mike robinson | pamela moore | penny dreadful

Find all articles and interviews at: http://www.horroraddicts.net

97 days till halloween

sycamore leaves, aha, bret alexander sweet, backstreet boy n’sync zombie flick?, sharknado, a christmas horror story, will shatner, halloween carols, daniel ford, a.d. vick, tales of dark romance and horror, free fiction friday, lillian csernica, books, david watson, loren rhoads, as above so below, mike robinson, negative space, wicked women writers, masters of macabre, morbid meals, dan shaurette, nightmare fuel, candyman, d.j. pitsiladis, deadly pixy sticks, pamela moore, dawn wood, jesse orr, grant me serenity, black jack, kbatz, horror blogger alliance, penny dreadful, kristin battestella, hbo, deadmail, angela, halloween costumes, jeffery, bullies, goth bashing, pamela, podcast authors, mark eller, mike bennett, rhonda carpenter, marc vale advice, norms, horror movies, zombies, maniacs, vampires, instant death, protect yourself, survival, horror addicts guide to life, mike robinson, cryptozoology, author reads, stephen king, the shining, storm of the century

Horror Addicts Guide to Life now available on Amazon!
http://www.amazon.com/Horror-Addicts-Guide-Life-Emerian/dp/1508772525/ref=sr_1_1?ie=UTF8&qid=1428730091&sr=8-1&keywords=horror+addicts+guide+to+life

HorrorAddicts.net blog Kindle syndicated

http://www.amazon.com/HorrorAddicts-net/dp/B004IEA48W/ref=sr_1_1?ie=UTF8&qid=1431022701&sr=8-1&keywords=horroraddicts.net

———————–

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc…

VOTE FOR YOUR FAVORITE MMM / WWW contestant.

horroraddicts@gmail.com

————————

h o s t e s s

Emerian Rich

s t a f f

David Watson, Dan Shaurette, Marc Vale, KBatz (Kristin Battestella), Mimielle, Dawn Wood, Lillian Csernica, Killion Slade, D.J. Pitsiladis, Jesse Orr, A.D. Vick

Want to be a part of the HA staff? Email horroraddicts@gmail.com

b l o g  / c o n t a c t / s h o w . n o t e s

http://www.horroraddicts.net