Live Action Reviews! by Crystal Connor: Coast 2 Coast Horror

I am so very excited about this post guys! I’ve teamed up with Lady Shasha, the host of What Did I Just Watch? to bring you a three-part mini series to celebrate Black History Month, WiHM, and all things horror.

The Daughters of the Dark, Lady Shasha host of What Did I Just Watch and Crystal Connor, A Trusted Name in Terror joined forces to bring you a 3 part mini-series to celebrate Black History and Women in Horror month!

Get to know Lady Shasha …
https://www.youtube.com/channel/UCHrhUeOoE7C46NKJcrdTNUQ

https://www.facebook.com/wdijwcommunity

https://twitter.com/horrorfreq

Book Review: “Severed Wings” by Steven-Elliot Altman

Hello Addicts,

Imagine that you are an actor on the cusp of becoming a breakout star in a new series, only to have fate take it away in the blink of an eye. How low would your life sink, and what would you do to get that life back? These are the questions raised by Steven-Elliot Altman in Severed Wings. .

Brandon Jones is a rising star set to take on a sitcom role that he sees as his big break. Fate intervenes in the form of a head-on car accident that takes the life of a teenager and places him paralyzed from the waist down and permanently in a wheelchair. He breaks up with his girlfriend, a starlet in her own right, loses the sitcom role he fought hard to get, and cuts off contact with family and friends. He sinks into depression, finding solace in alcohol and companionship with a drag queen and an escort working her way through college.

Life and circumstances change when new neighbors move in down the hall. At first, they are a mystery he feels a strong urge to solve, but he is smitten when he sees the woman living there. Unfortunately, while she is distantly friendly, her boyfriend is anything but that. The mystery behind the couple deepens when a man leading a blind older woman knocks on Brandon’s door by mistake. He recognizes the woman as a prestigious agent. Her presence in their apartment building is enough to inflame his curiosity further. What follows are miracles and the discovery of entities almost as old as the world itself.

I found the take on a man falling from the highs of stardom to the lows of despair, self-loathing, and depression to be engaging. The supernatural elements fold into the mix in a satisfying way for the tale. There is a bit of redemption towards the end, although it doesn’t go as far as offering a thoroughly happy ending. If you are looking for a quick read a la the Masters of Horror television series, I think this will satisfy that craving.

Until next time, Addicts.

D.J. Pitsiladis

Book Review: Blackwater Val by William Gorman

Blackwater Val  by William Gorman
Reviewed by Ariel DaWintre

This story revolves around a place called Blackwater Val. The main characters are Richard and his daughter Katie, who is six-years-old. He takes her back to where he is from to take care of some personal things. Richard realizes right away that he has forgotten a lot of his past, but that he is starting to slowly remember. Blackwater Val seems so normal at first, but strange things are starting to happen and a dark past is being uncovered. Although Richard starts to remember his past, what he thinks he knows is not always accurate or true and we learn along with Richard.

I found myself writing a list of what I perceived to be the monsters, ghosts, demons, or bad guys in the story. There seemed to be quite a few. I kept wondering who the bad guy was and was he controlling them all. I liked that even though I thought I knew who the bad guy was, it wasn’t that simple. The story also brought in true facts from the past about the Indians in the area and the wrong that was done to them. Although Blackwater Val is not a true place, the locations around it are. I also found myself looking up things on Google, wondering which parts were real and not. I can now officially say I know a lot more about Suak Indians.

This is a definite horror story and there is blood and guts aplenty. This is a classic good vs evil tale, but nothing is simple as lines are drawn and a battle unfolds. The details and story are clear and you will stay up and be kept engaged and rooting for the good guys to win. The story has several twists that will make you go, “Wow.” There is also an element of magic and special gifts introduced into the story. There is not really a romance in the story but it has a romantic element with a strong sense of family and friends.

The main evil in the story is very twisted and scary and relentless throughout the story. Clearly, Blackwater Val brings out the worst in some people. The author does a great job of bringing his characters to life and keeps you wondering how the story will end and who will come out okay. The story gives a good ending but leaves an opening that not all is settled and done. Can’t wait to read the sequel.

Merrill’s Musical Musings : Vexillary

Greetings HorrorAddicts and welcome to a new year! I plan to bring you some groovy reviews and righteous recommendations this year to keep your tuneage vibing. Or something like that. Despite the insanity that was 2020, many artists were able to come up with inspired material and I’ll share some great picks with you over the coming months. 

Vexillary is an instrumental project by New York based Reza Seirafi that was influenced by the artist’s love of blending components to create something new. A chemist in his other life, he likes to take seemingly inharmonious sounds and make them fit together. Tracks like “Maritime Panic” offer additional sonic adventures with each new listen. “Annihilation” has a manic feel that leaves the listener grasping at the elements and trying to find something to hold onto. There is a feeling of doom, especially in the opening notes of “Forged Skies” but this offering of electronica is never gloomy, and by the time you reach “The Geneticist,” the mad scientist vibe of the SurViolence is complete.

Vexillary is music for those who need an intense infusion with a side of chaos to make their aural journey complete. Give it a listen and let us know what you think. 

Want to share your favorite music from 2020? Comment below or email me at rlmerrillauthor@gmail.com. The next Ro’s Recs will be less of a “best of” and more of a “here’s what you don’t want to miss.” I’ll see you soon, my HorrorAddict Darlings. In the meantime, Stay Tuned for more Merrill’s Musical Musings…

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R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her Hope, Love, and Queeromance posts over at www.queeromanceink.com

Live Action Reviews! by Crystal Connor: The Vigil

At 4:04 am on Dec 14th 2020, Crystal Connor, finally settled into her sleeping bag on the couch with snacks within reach, and with dog in lap she picked up her remote. The footage you are about to see chronicles the harrowing experience that her neighbors endured for hours as she screamed, cried, and shouted expletive obscenities at her television as she watched:

The Vigil 

Plotline: A man providing overnight watch to a deceased member of his former Orthodox Jewish community finds himself opposite a malevolent entity

Who would like it: Fans of demonic possessions, religious horror, cultural horror, international films, paranormal activity fans with like this as well.

High Points: This is very cultural specific. This is a story line that you won’t see anywhere else.

Complaints: None!

Overall: I LOVED IT!

Stars: 5 Stars!

Where I watched it: VOD

 

WOMEN WRITING HORROR: A Listicle of Women to Read

WOMEN WRITING HORROR by Renata Pavrey

Horror is my favorite genre in fiction and I read across all of its sub-genres including true crime, psychological horror, comedy horror, from novels to short story collections, dark poetry and anthologies. A random search for horror books throws up the usual fare from Stephen King, Joe Hill, Josh Malerman, Kealan Patrick Burke. While I have loved books by all these writers, women authors in the genre don’t show up as easily, with the exception of Shirley Jackson and Mary Shelley for their classic works. I thought back to all the books I’ve read and the ones in my to-read list and came up with this listicle of horror stories from women writers. These include translated books as well as original language ones, novellas, novels, collections, prose and poetry, fiction and non-fiction by writers, translators, editors, and publishers who create terror through words. From historical fiction, science fiction, young adult, satire, to mythology, folklore, speculative fiction, re-telling of true events, and dark verses – take your pick. Since February is coming up, I compiled a list of twenty-eight women in horror – one book recommendation for each day of the month.

  1. Agustina Maria Bazterrica – Tender is the Flesh

A virus has eradicated animals, and humanity turns to cannibalism for its source of meat as humans are domesticated, mass produced, and slaughtered. Translated from the Spanish, a nauseating and provocative satire that blends science fiction with horror.

       2. Ally Blue – Down

An underwater, paranormal suspense fest surrounding the discovery of a rock-like sphere that causes humans to mutate and turn into horror versions of themselves.

       3. Alma Katsu – The Deep

Historical fiction horror set around the events of the Titanic and its sister ship the Britannic. The maritime disaster and World War I are caught in sinister happenings in this supernatural thriller.

       4. Cassandra Khaw – Rupert Wong, Cannibal Chef

A novella about the dual life of a sorcerer and soldier, combining horror and comedy with Malaysian and Chinese mythology.

       5. Christina Henry – The Ghost Tree

YA horror about missing people and terrifying visions of monsters dragging remains. Ghostly trees, creepy children, witches and curses – almost like watching a horror movie.

       6. Christina Sng – Dreamscapes

Horror, fantasy, and science fiction come together in this poetry collection that addresses the darkness within. Verses that serve to unsettle and terrify, proving how poetry can be more impactful than prose.

       7. Elizabeth Kostova – The Historian

A historical fiction Dracula story moving across time and place with shifting narrator perspectives. A debut vampire novel that interweaves history with folklore and makes for a riveting read.

       8. Fernanda Melchor – Hurricane Season

Mythology and terror from Spanish literature, with the English translation maintaining the grim, intense and graphic prose of its original source in this portrait of a Mexican village and its witch.

       9. Francine Toon – Pine

A haunting tale in the Scottish highlands, filled with intrigue and eeriness, alternating between terrifying and heart wrenching, spooky and suspenseful in equal measures.

       10. Gemma Amor – Dear Laura

A novella of lifelong obsession, this dark, twisted tale about penpals stands out for its brilliantly atmospheric writing.

       11.Jennifer Hillier – Wonderland

Psychological thriller, amusement park, serial killer – gruesome and wicked as you set out to solve crimes.

       12. Jennifer McMahon – Winter People

Historical fiction meets fantasy in this chilling story of missing people and secrets galore.

       13. Joyce Carol Oates – The Doll Master

A collection of short stories that borrows its title from an obsession over dolls, and leads into an unsettling world of abominations and mystery.

       14. Kaaron Warren – Into Bones Like Oil

A haunted house novella with an unconventional narrative and storyline, and an interesting take on the ghost story.

        15. Kathe Koja – The Cipher

Winner of the Bram Stoker award for Best Debut Novel, The Funhole does not live up to its name. A black hole that calls out and launches a journey of obsession, darkness, and blinding terror of classic horror in spectacular prose.

        16. Laura Purcell – The Silent Companions

There’s nothing like historical fiction for a dose of gothic horror. An asylum, a haunted mansion, intriguing journals, hidden secrets – a creepy ghost story that grabs the attention from beginning to end.

        17.  Laurel Hightower – Crossroads

An exceptional novella dealing with the horrors of heartbreak and grief, and things coming back from the dead. An emotional and devastating read that shows you just how diverse the horror genre can be.

        18. Lee Murray – Grotesque

A collection of monster stories that range from mythology to legend and science fiction offering a dip into Maori folklore and French history, zombie attacks and adventures. Packed with action and gore, the stories are a delight for monster fans.

        19. Lisa Kröger – Monster, She Wrote

Why read one horror story when you can read about them all? A non-fiction horror book about women who pioneered the genres of horror and speculative fiction; writers who defied convention and crafted some stellar spooky tales. From ghost stories to psychological horror, intriguing trivia and reading recommendations, a book about books not to be missed.

        20. Lucy A. Snyder – Sparks and Shadows

A dark fantasy collection of short stories, poems, and essays. Twisted tales in myriad settings, witty and diverse, horrifying, amusing, and thought provoking.

        21. Mariana Enriquez – Things We Lost in the Fire

A short story collection of the macabre, mixing magical realism with gothic fiction in this astonishing treat from Spanish literature brought to us in English by translator Megan McDowell.

        22. Mariko Koike – The Graveyard Apartment

Detective fiction and horror writing come together in this translation from Japanese literature of psychological horror set around a graveyard. Deborah Boehm brings this to us in English.

        23. Michelle Paver – Thin Air

A historical fiction ghost story set in the Himalayas. Nature can be brutal enough, but what if it isn’t the only thing you’re battling? Subtle supernatural elements, more psychological rather than physical, can be more horrific at times.

        24. Nalo Hopkinson – Skin Folk

A short story collection of magical realism, science fiction, fantasy, and speculative fiction interweaved with horror. Storytelling at its best.

        25. Samanta Schweblin – Fever Dream

Some more magical realism from Spanish literature is this surreal nightmare of an otherworldly story. Menacing, unsettling, and thoroughly absorbing in its usage of horror to explore current world issues.

        26. Taeko Kono – Toddler Hunting

An exceptional collection of Japanese short stories that explore the dark side of human nature and antisocial behavior. Lucy North translates to English to bring us a startling and disquieting world.

        27. Yoko Ogawa – Revenge

Another dark treat from Japanese literature in an experimental format of seemingly unrelated short stories coming together to form a larger novel. Bland settings and ordinary people up the ante of terrors lurking in everyday life.

        28. Yrsa Sigurdardottir – I Remember You

Scandinavian Nordic noir of isolation and remoteness; horror based on true events. Translated from the Icelandic, a ghost story that proffers the chills.

~Three bonus books for the women who lead the way as editors and publishers~

  1. Lee Murray and Geneve Flynn – Black Cranes

A collection of short stories by Asian writers, highlighting the dual themes of women in horror and Asian women writers. A smorgasbord of mythology, legend, folklore, science fiction, comedy horror, satire, dark fantasy.

       2. Aiki Flinthart – Relics, Wrecks, and Ruins

A collection of science fiction and fantasy with horror to showcase the remnants of humanity and celebrate a legacy. 

        3. Tricia Reeks – Meerkat Press

The publishing house comes out with some very different but very good books, in equal parts weird, unique, and dark.

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Renata Parvey is a Nutritionist by profession; marathon runner and Odissi dancer by passion. Driven by sports, music, animals, plants, literature and more. Reads across several genres and languages, and loves the world of horror – in both, books and movies.

URL:

Live Action Reviews! by Crystal Connor: Anything for Jackson

In the early morning hours of Jan 2nd 2021, Crystal Connor, finally settled into her sleeping bag on the couch with snacks within reach and picked up her remote. The footage you are about to see chronicles the harrowing experience that her neighbors endured for hours as she screamed, cried, and shouted expletive obscenities at her television as she watched:

Anything for Jackson 

Plotline: Satanist couple kidnap a pregnant woman so they can use an ancient spellbook to put their dead grandson’s spirit into her unborn child but end up summoning more than they bargained for.

Who would like it: Fan of the occult, possessions, creature features, ppl who love monsters, and everybody who loves endings that keep you guessing

High Points: The strong storyline and original plot

Complaints: I don’t have any!

Overall: I super loved this movie!

Stars: 5

Where I watched it: Shudder

 

Asian Horror Month: Book Review/REVENGE by Yoko Ogawa (Japanese)

Book Review – REVENGE by Yoko Ogawa (Japanese)

(English translation by Stephen Snyder)

Review by Renata Parvey

Yoko Ogawa is one of my favorite contemporary writers, and I love how her writing covers a range of genres, all brilliant works in their own way. Revenge is a peculiar book, written in the form of short stories, where each story connects to another – in no particular order – culminating into a larger tale somewhere down the line. More recently, Jane Borges’ Bombay Balchao was another book written in the experimental fiction format – a collection of seemingly unrelated short stories woven together to form a novel. Both Ogawa and Borges are a pure delight to readers with their literary prowess in taking writing – and reading – to a different level.

Coming back to Revenge, it can be termed as a series of dark tales, with sinister elements binding them to one another. The protagonist of one story can be a minor character in another, at times not even named – leaving the reader to decipher who we are reading about, what role they play in each story, are they even connected or does the reader feel so because we assume the stories are strung together. The eerie world created by Ogawa moves across generations, time spans, places – past, present, future, the real world and the supernatural, fact and fantasy all drawn in as well as apart from each other.

An aspiring writer, a murderous landlady, an obsessed bag maker, a singer, a surgeon, a Bengal tiger, a mother, strawberry cake – crossing paths and converging their fates in this dark web of vengefulness. Ogawa can be emotional and unsettling, impassive and heartbreaking, creepy and gentle. Her macabre take on relationships and emotions make this book effectively terrifying. Revenge is not horror in the traditional sense. A passenger train, a bakery, home gardening – the fact that her settings are so bland ups the ante of the terrors that lurk within. Ogawa’s writing can transform a normal scene next door to something downright horrifying – nothing seems out of the ordinary, and you can’t tell when and how the horror crept up on you. The best part is connecting the stories, navigating clues as you wander in this strange world.

Of course, Ogawa’s frequent English translation collaborator Stephen Snyder deserves as much of credit as the writer herself, for marvelously bringing life to her stories. Revenge is a disturbing collection for those who revel in the written word and the beauty she creates with literature.

My rating – 5/5 

Renata Pavrey ~ December 2020

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Renata Parvey is a Nutritionist by profession; marathon runner and Odissi dancer by passion. Driven by sports, music, animals, plants, literature and more. Reads across several genres and languages, and loves the world of horror – in both, books and movies.

Asian Horror Month: Lily Wong Books by Tori Eldridge

Review: Lily Wong Books by Tori Eldridge

If you think a ninja’s life is all about throwing stars and black pajamas, think again. For Chinese-Norwegian born Lily Wong, it’s a mixed bag of fighting domestic abuse, family dynamics and this little issue with the Los Angeles Ukrainian mob. No big deal.

Lily Wong is a heroine for modern times. Gutsy, humorous and bad*ss, she takes on injustice wherever she finds it, using her skills to defend women against those who would enslave them. Loads of action will keep readers turning pages faster than Lily can break a knee cap. There’s even a little romance thrown in to round out the story.

There’s more to Lily than martial arts, however. Author Tori Eldridge brings personal struggles to the table as Lily faces issues of being mixed race, loss of a loved one and how to preserve non-traditional values with a domineering grandmother. Despite her prowess with martial arts, Lily is far from being an inaccessible character. Flawed and conflicted, she’s easy to identify with.

I enjoyed being exposed to new concepts like the kunoichi, a female ninja. Unafraid to touch the hard topics of racism and human trafficking, Eldridge doesn’t disappoint in the second book of her series, The Ninja’s Blade. Lily will go to any means to protect those who would otherwise be victimized. If you are looking for a fast-paced action read with plenty of social value, Tori Eldrige’s Lily Wong series will not disappoint.

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Tori Eldridge is the bestselling author of The Ninja’s Blade and The Ninja Daughter (Lily Wong series), nominated for the Anthony, Lefty, and Macavity Awards for Best First Novel and named one of the “Best Mystery Books of the Year” by The South Florida Sun Sentinel and awarded 2019 Thriller Book of the Year by Authors on the Air Global Radio Network. Her short stories have been published in horror, dystopian, and other literary anthologies, and her narrative poem appears in the inaugural reboot of Weird Tales magazine. Tori’s screenplay The Gift earned a semi-finalist spot for the Academy Nicholl Fellowship.

Before writing, Tori performed as an actress, singer, dancer on Broadway, television, and film. She is of Hawaiian, Chinese, Norwegian descent and was born and raised in Honolulu where she graduated from Punahou School with classmate Barack Obama. Tori holds a fifth-degree black belt in To-Shin Do ninjutsu and has traveled the USA teaching seminars on the ninja arts, weapons, and women’s self-protection. Look for the third book in the Lily Wong series in September 2021.

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About Angela Yuriko Smith

Angela Yuriko Smith is an American poet, publisher, and author with over 20 years of experience in newspaper journalism. She co-publishes Space and Time magazine with author husband Ryan Aussie Smith. For more information visit SpaceandTime.net

Odds and Dead Ends: The Bloody Brilliance of Lady Snowblood (1973)

Article by Kieran Judge

Japan is not known for holding back when it comes to throwing around buckets of blood on screen. Not just limited to horror, the country’s samurai and revenge films are some of the bloodiest on record, and because there are often swords involved, it’s not just limited to splashes of red from bullet-wounds either. Lady Snowblood (Toshya Fujita) is a perfect example of this, featuring copious amounts of the red stuff gushing in geysers from slashes and stabs. But the film is much more than just a blood-fest, and is an interesting window onto Japanese society in the beginning of the Meiji Era, when the country was beginning to examine western ideas, moving from the feudalistic, pre-industrial country of old, into a nation that had changed almost indescribably by the era’s end.

            The story is one that has been told times before. Yuki, born in the first years of the Meiji Era (I believe 1873, give or take a year, according to my rough estimations), is raised to be an assassin who will one day track down her mother’s four abusers. The film follows the now named ‘Lady Snowblood’, as she follows the four trails, taking out each one in turn, until the final bloody climax. Based off a manga of the same name, it spawned a sequel, a spinoff, and had its legacy largely cemented in western culture when Quentin Tarantino used it as primary inspiration for Kill Bill (2003). It’s a kind of narrative we’re still seeing today, with a female assassin raised from birth for the sole purpose of murder, and anyone who hasn’t seen the stylish 2017 film The Villainess (Jung Byung-gil, South Korea), which in turn was inspired by the Luc Besson film La Femme Nikita (France, 1990), would do well to check it out for a fun, modern example of the narrative.

            Lady Snowblood has enough filmmaking technique going for it to make it a good watch on its own, and attention to the use of colour as part of its thematic expression is just part of it. Red is obviously a large feature in the film, and not just because of the severed hands and blood-splattered faces. After several flashbacks to Yuki’s birth, red light spills into the night, colouring the snow crimson. The women in the prison at her birth are all dressed in red, the floor of the palace in the finale is red, the kimono of the daughter of one of her targets is red; the symbolism is obvious. She is born to blood, which is said as much “poor child, you were born to vengeance”, and it is in red where the story ends. She can never escape it.

            It’s also no coincidence for her to take the name Snowblood, as the translation for ‘yuki’ is ‘snow’ (according to Google), a name given to her by her mother, just before passing after giving birth, after looking outside to the falling snow. Indeed, the purity of the colour white contrasts with the blood in many scenes. Our introduction to ‘present-day’ Yuki takes place in the snow, which ends in a violent bloodbath, and the film ends in the snow also. Yuki also wears a white kimono for much of the film, which, when contrasted with a red sash, demonstrates her attire as a reflection of herself. A pure woman forever destined to spill blood, for no other reason than that is what she was born to do. It might also reflect the death of her mother’s husband, whom the group killed before abducting her mother, who was wearing a white suit at the time.

            Perhaps of most interest from a cultural point of view, however, is how the film examines the growing western influence in the country in relation to the antagonists, especially Gishirō. Both he and Okono (two of the four being hunted) use pistols, the only two characters to do so. Okono’s policemen, which she uses to try and stop Yuki, are dressed in a western-inspired uniform, with gold buttons and shiny billed caps. Her relative rank and influence is coming as a direct response to assimilation of western technology and culture, whereas Yuki carries a parasol, dresses in a kimono, and uses a katana, as she has done all her life, all seen as traditional icons of Japan’s history.

            As mentioned before, Yuki’s ‘father’ was wearing a suit when killed. The film explains that government officials wore white when visiting the towns to draft young men for the war effort, and so the four villains of the story were running a scam to say that young men would escape the draft by paying them (they would then promptly vanish with the money). This plays into an excuse to rob and kill Yuki’s ‘father’, as a result of paranoia and hatred of men dressed in white. But, that he was wearing a suit specifically shows that the new era of exposure to western influences can unstable a nation’s people. A symbol of western society, it is seen as inherently threatening to a traditional way of life. By getting rid of someone dressed in attire of the world beyond their borders, which had been closed off for so long, the four align themselves as friends of the people, helping to persuade them to take up their scam. Thus their hypocrisy deepens as they themselves adopt similar dress in the later segments of the film. They will align themselves with anyone who help to further their own rank and influence.

            The finale at the masquerade ball is also interesting, as it is set up for dignitaries from all over the globe. From the ceiling are hung flags from countries all across the world, from the UK to Belgium to Greece, and Japan’s white flag and red circle is not exactly hung right in the middle of the room. The chandelier is definitely in the style of an aristocratic European mansion, some of the guests speak English, and once again, Yuki is attacked with a pistol. Yuki must go into this new world, still upholding a tradition of the past, straddling the strange, mixed ‘netherworld’, to accomplish her mission. That the villain’s final plunge from the balcony causes him to fall into, and drag down, the Japanese flag, is perfectly apt. Draped in the colours of white and red (just like Yuki herself), Japan’s past has taken revenge for exploiting the incoming influence of the West for personal, nefarious gain, and not for the unilateral gain of all.

            Thus, not only is Lady Snowblood very entertaining, stylish, and well shot, but is very much a story which could only be told about this country and about this period of its history. Through the bodily dismemberments and fountains of blood is a reflection of a nation’s exposure to radical change, and the chaos that this can bring about when some seek to exploit it for ill-gain. If horror fans are looking for a little change of pace to their usual demonic possessions and serial killings, this bloody tale of revenge should certainly be sought out and savoured.

-Article by Kieran Judge

-Twitter: kjudgemental

Asian Horror Month: Princess Resurrection by Yasunori Mitsunaga

Contrary to what the cover and write up leads you to believe, the star of this manga is not Princess Resurrection.  The true star is Hiro, an abandoned boy who is resurrected to be a slave for the princess. Poor Hiro wakes up in a morgue unaware that he is now undead and wanders to the Princess’s house.

Hiro

Princess Resurrection is nonchalant and uncaring of his life or what becomes of him. As the daughter of the king who stands above all monsters, I guess she has the luxury of being jaded about death.  She wields many weapons such as stakes, swords, jackhammers, and her favorite, a chain saw. Despite the many monsters she massacres, her dress is never damaged. Now, this is a girl we can look up to!

So, let’s see… we have a hell-bent princess, an undead boy, a robot maid, is there someone missing?  Ah yes!  Let’s add a rebellious werewolf girl into the mix.

These books are great. No matter how many times Hiro is “accidentally” killed by the Princess’s weapons or the robot maid says her only word “Hooba”, this story never gets old.

What you’ll find in Volume 1:princessr

  • Hiro wakes up dead and finds the Princess battling a horde of werewolves.
  • Insane hospital employees attempt to make Hiro their savior and then try to kill him.
  • Werewolf girl saves Princess Resurrection from a battalion of squidmen.
  • Extras in the back include a four-page spin-off comic and two pages of translation notes explaining the significance of certain scenes along with a sneak peek at Volume 2.
  • Favorite quote: “You think Hiro’s alright?”
    “He only drowned for one night.  There shouldn’t be a problem.”

What you’ll find in Volume 2:

  • The Princess’s evil little sister visits and infects the house with triffids.
  • A sexy vampire girl wants Hiro for her own and attempts to steal him from the Princess.
  • The Princess battles another horde of werewolves.
  • The robot maid finds an android who she cares for.
  • The Princess kills an eyeball squid creature with a jackhammer.
  • Extras in the back include a five-page spin-off comic and two pages of translation notes explaining the significance of certain scenes along with a sneak peek at Volume 3 which looks to include a mummy army.
  • Favorite quote: While most of the crew is fighting for their lives against triffids, the maid is cleaning up. “It’s a little noisy upstairs… Oh well. I need to vacuum!”

The art in this manga is not pretty and frilly, but it is very well done. Monster art, gory blood, fighting, and a girl who cuddles her weapons? What more can a horror manga fan want?

Merrill’s Musical Musings: Dissonance

Greetings HorrorAddicts. This month we’re listening to the Dark Wave artist Dissonance. Cat Hall has a new maxi-single that’s perfect for fans of bands like GARBAGE, NINE INCH NAILS & INFORMATION SOCIETY. Precipice is a techno-moody piece that is very personal to Hall. Music helps us heal from the tragedies in our lives, and for Hall, it’s been a form of catharsis. After a serious health battle, she’s come out on the other side to share her emotional experience in these three pieces. With remixes by Joe Haze, Diverje, Junior Kain, and Machines with Human Skin all add layers to the composition. Reminiscent of Tubular Bells or early Depeche Mode, Precipice is music to sit with and contemplate. Each element woven together, whether it be effects or harmonies, all evoke feelings of loss and yet are ultimately hopeful. 

Thank you for joining me this month. I hope you and yours are well. I’d love to hear what kind of music is getting you through this tumultuous time. If you want to hear what I’ve been listening to, you can check out my #SpotifyWrapped. If you’re not on Spotify yet, you might want to change that in 2021. Getting a report on your listening habits can be…creepy, but also a great trip down memory lane. Stay Tuned for more Ro’s Recs and Merrill’s Musical Musings… 

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R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her at www.queeromanceink.com writing about Hope, Love and Queeromance. 

Live Action Reviews! by Crystal Connor: Deathcember

At 1:15 am pst on Dec. 13th 2020, Crystal Connor, finally settled into her sleeping bag on the couch with snacks within reach and dog in lap picked up her remote. The footage you are about to see chronicles the harrowing experience that her neighbors endured for hours as she screamed, cried, and shouted expletive obscenities at her television as she watched: Viewer discretion is advised.

Plotline: A collection of 24 films that take a look at the dark side of the festive season. 24 international directors with the most diverse ideas and styles; linked by short animated segments that deal with the Advent calendar itself.

Who would like it: Fans of anthologies, short films, collections, international films, horror lovers, gorehounds, tech geeks, sci-fi fans, indie horror movies, and people who love jump scares

High Points: This was a super strong anthology, loved about 80% of the films

Complaints: Nothing really

Overall: Highly recommend

Stars: 4 Stars

Where I watched it: Amazon Prime

 

Live Action Reviews! By Crystal Connor: May The Devil Take You, Too.

At 3:37 am on November 8th 2020, Crystal Connor, finally settled into her sleeping bag on the couch with snacks within reach and picked up her remote. The footage you are about to see chronicles the harrowing experience that her neighbors endured for hours as she screamed, cried, and shouted expletive obscenities at her television as she watched: May The Devil Take You, Too!

Viewer discretion Advised

Plotline: Two years after escaping from a demonic terror, Alfie and Nara try to continue their lives, but Alfie is still haunted by feelings of guilt and unnatural visions.

Who would like it: Everyone who loved the 1st movie, fans of occult films, possessions, gore hounds, Fx fans, and international horror movies

High Points:This was a really good sequel with a original story line from the 1st.

Complaints: None!

Overall: Love it…better than the 1st

Stars: 5

Where I watched it: Shudder

Master Imaginationist and Instagram photographer Crystal Connor is the Chief Imagineer working for the Department of Sleep Prevention’s Nightmare Division. A Washington State native she loves anything to do with monsters, bad guys (as in evil-geniuses & super-villains.  Not ‘those’ kind her mother warned her about), rogue scientific experiments, jewelry, sky-high high-heeled shoes & unreasonably priced handbags.

When she’s not reviewing indie horror and science fiction films for HorrorAddicts she’s terrorizing her fans with new written horrors and racking up frequent flyers miles by gallivanting all over the country attending fan conventions and writer’s conferences.

Merrill’s Musical Musings : Static – X

 

Greetings HorrorAddicts. This month’s review has one helluva backstory. There’s a rock band, a romance, a drug problem, and a resurrection of sorts. I had to do a deep dive to give the album a full critique and what I found was a story that tragically has a lot in common with so many bands who have lost frontmen to the excesses of rock ‘n’ roll, however, the surviving members of Static-X are determined to make their own way back in an unusual but compelling way. 

Static-X celebrated the 20th anniversary of their album Wisconsin Death Trip in 2019. The original lineup toured to commemorate the album…with a singer dubbed Xer0. Because Wayne Static died in 2014 of a deadly combination of prescription drugs and alcohol. News came out that the band was recording a new album using some of Wayne’s demos and compositions, a guest spot from Al Jourgenson of Ministry and would feature this new, unknown, masked singer, which has been a controversial move for some of their fans. The band, on the other hand, maintains that Wayne would have found it hilarious. (https://www.loudersound.com/features/static-x-the-story-behind-that-controversial-wayne-static-death-mask).

And man is this album amazing. What a testament to Wayne and a reminder of the magic the original line-up had together. 

For those new to Static-X, their hit song “Push-It” has been a staple of the industrial rock/metal scene for years. On this new album, Project Regeneration, Volume I, there’s that same electronic-tinged in-your-face feel of their early work, but the melodic atmosphere of powerhouse bands like Korn, Rammstein, or even Rob Zombie can be heard in the mix. “Worth Dyin’ For” has a hooky chorus, and “Terminator Oscillator” is a hard-hitting tune with a chanting rhyme that is the metal fan’s version of INXS’s “Mediate.” My favorite track on the album so far—and that changes each time I listen because they’re all great—is “Something Of My Own,” a powerful, emotional jam that resonates with its lyrics about opportunities missed due to the loss of Wayne. 

The hard rock/metal scene these days has matured from the days of nu-metal when Static-X first set up shop, but Project Regeneration, Volume I fits in nicely with today’s sound. The album is a great tribute to a band that obviously has a lot more to offer, and it’s one I will be jamming to for quite some time. 

That’s it for this month. Stay Tuned for Ro’s Recs…

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her hope-filled posts at www.queeromanceink.com.

Book Review: LeRoux Manor by Liz Butcher

I was drawn to LeRoux Manor by Liz Butcher with the promises of a spooky old house and possibly some ghosts. What I found was a spooky YA Thriller with so many different types of paranormal activity, I didn’t really know what was going on until the last moment and even now, I still have questions. Perhaps there will be a sequel. 

Camille is an Aussie teenager whose parents move her to their ancestral home in England during her most formative high school years. A bit of culture shock isn’t the biggest thing for her to deal with when it seems she’s moved into a haunted house. If not haunted, it does have some secrets to tell. 

LeRoux Manor is a legend in her new town, mostly known for a dinner party that went awry years ago. With the help of some new school friends and a crush named Lachlan, Camille pieces together parts of a puzzle in search of answers as to why her family wanted her parents to give her away and why she shares the birthday of an old ancestor who went missing and has never been found.

While reading, I did find myself wondering if Camille was crazy. Was she just imagining things, or was the house actually making her see things that weren’t there? Who is the woman in the woods she spies from her bedroom window? Why did Lachlan’s Uncle disappear after visiting the estate? What exactly is that weird being reaching out of the large wardrobe in her bedroom? Who’s the little kid skittering around the attic?

This book reads very YA, but for those of you who adore spooky houses like I do, you might not mind. For fans of The Haunting, The Woman in Black, and The Haunting of Bly Manor, you’ll be thrilled with spooky middle of the night snooping, phantom earthquakes, and creepy servants lurking about. With jump scares that would be more at home on film, I was only mildly caught off-guard in the beginning, but as the teen’s experience more and more strange occurrences on an all-night fear-fest, their fear becomes contagious like the scare you might have experienced at camp when someone told a ghost story around the campfire. 

Guest Blog: What’s your Jam? by Michael Fassbender

What’s Your Jam? By Michael Fassbender

Recently, I was browsing on Stuart Conover’s site, The Horror Tree, and I saw an interview with a publisher who got his start with a Punk magazine. While he’s branched out to the realm of fiction, the punk sensibility has never left him. Indeed, “punk” is the second adjective in the list of qualities he’s looking for in prospective stories. For those who have been a part of that scene, the punk sensibility remains an enduring part of their character. 

It’s a sensibility that resonates with many writers, as attested by the gamut of subgenres from Splatterpunk to Steampunk. It’s not one that resonates with me, however. I identify with a competing scene, Heavy Metal, and have done since I was in high school. Superficially, there are certain similarities: music that is played loud and features distorted guitars, and wardrobes that boast a lot of black T-shirts, but there aren’t too many common threads beyond these. 

As art forms, Punk and Metal are created very differently. In Punk, the medium is secondary to the message, and Punk Rock songs tend to be fast, energetic, and haphazard. The band is reminding you that they don’t take anything seriously, including themselves and their music. Metal bands are quite different; they may take nothing else in the world seriously, but they are fiercely earnest in their dedication to their craft. They are perfectionists in their technique, and for those unfamiliar with the genre, surprisingly sophisticated in their composition. Much of the Metal scene has been converging with classical music at least since Randy Rhoads recorded “Blizzard of Ozz” with Ozzy Osbourne in the early eighties. Doubters are urged to listen to string quartet or piano arrangements of Metal songs, such as Apocalyptica’s first two albums.

Both genres relish horror imagery. It just manifests itself differently. Punk horror art takes on a pop culture veneer, almost an Andy Warhol approach. Metal horror art favors the look of medieval woodcuts, Hieronymous Bosch paintings and Grand Guignol-style performance stills. Contrast the imagery of The Misfits and Mercyful Fate, and you’ll see what I mean. Each of these bands exemplifies the horror aesthetics of its team.

We generally don’t hear about a Metal sensibility in horror fiction. We don’t have Occultmetal or Possessionmetal subgenres in the community, but upon examination of my own habits as a writer, I see common threads with the musicians I champion. I share their perfectionist tendencies in terms of technique. Typos and faulty grammar vex me, unless they’re meant to appear in the story as a function of characterization. I was mortified recently when I discovered a continuity error in a story that had reached the final proofing stage. For the most part, I like to think that my stories are in good editorial shape when I present them to editors. Whether or not they resonate with the editor is another matter entirely.

It’s not just about the technique, either. I do take myself and my art seriously. I’d rather give my readers the chills than make them laugh — or score points in an imaginary debate. In terms of horror styles, I have a marked preference for supernatural horror, although this encompasses a number of subcategories, such as Lovecraftian, occult and mythological themes. The same preoccupations reign among many Metal acts, from Scandinavian Black Metal through retro acts like Blood Ceremony and Brimstone Coven. And in execution, I prefer to write my stories in earnest, not with irony. One annoyance I’ve had with the Lovecraftian community is the prevalence of tongue-in-cheek content. Overtly jokey stories and poems only serve to lighten the mood.

Metal and Punk are not the only musical in-groups with substantial linkage to horror. Goth is a third, and it carries its own sensibility to the same literary well. Of the three groups, the Goths probably feel the greatest affection for classic tropes like vampires and ghosts. The differences with Metal are more in the realm of nuance: Metalheads are more likely to present monsters as menacing, and Goths more as misunderstood. Goths are more likely to bask in the melancholy side of the spectrum, and Metalheads incline more to the macabre side. Nor should these three musical genres feel that they control horror imagery in music; other bands have swum the same waters, either intermittently or chronically. Stephen King is famous for interjecting his classic rock obsessions into his fiction.

Herein lies the significance of the exercise. Readers in general, and writers in particular, are likely to discern common threads in the literature that drives them, the films that excite them, and the music that drives them. While the linkage between books and movies is obvious, given the number of stories that came to the screen after success on the page, the relevance of musical taste can be just as significant, at least if the musical interest is a strong one. Horror writers can learn a great deal about themselves and what drives them if they stop to consider their musical tastes and examine their parallels in the fiction they love and the stories they produce.

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Michael Fassbender is a part-time writer in the Chicago area. His story “Inmate” appeared in Sanitarium Magazine in 2016; “The Cold Girl” appeared in Hypnos Magazine in 2016 and has resurfaced in October 2019 in a volume entitled Re-Haunts. “But Together We Are Strong” has appeared in the February 2020 issue of Horror Magazine, “Miroir de Vaugnac” found its place in Dark Divinations on May Day, and “Schattenlenker’s Hidden Treasure” was revealed in The Nightside Codex in August. This Halloween, “Old Growth” began spreading in Scary Stuff. You can read about more of his work on his website, michaeltfassbender.com.

Historian of Horror: Hot Town, Summer in the 60’s

On a regular basis when we were kids, my brother and I were shipped off from Nashville to visit our grandmothers and cousins for a few weeks every summer so our parents could get a well-deserved rest from our shenanigans. Today, I suspect that would be considered child abuse at best, given that we were ferried by either car or train to a small town in Northern Alabama in the days before the pervasive hum and whir of air conditioning could be heard everywhere. 

The funny thing is, I don’t remember the heat being all that oppressive. There were lots of electric fans, and open windows, and sleeping in upstairs bedrooms under thin sheets, while the distant sound of a train whistle carried us away with it into slumberland after long discussions about girls and Auburn football and whether or not it were possible to tip one of my uncle’s Black Angus bulls. It’s not, by the way, and given how much at least one of them resented the attempt, it’s a wonder any of us are still alive.

Good times.

Even better, for the voracious consumer of popular culture that I was even at the tender age of eleven, was that a marvelous new invention did arrive in Athens about 1969, one that would not make it to Nashville for another sixteen years. Nowadays, cable television is almost quaint, but in those halcyon days of three channels, it was a magic carpet ride that carried me for that brief, hot period beyond the Lawrence Welk schmaltz and Mike Douglas talking about God knows what with people you’d never heard of and soap operas that for some reason didn’t feature vampires, and all the other adult programming that pervaded the local airwaves of the tiny town to which we were remanded into durance vile for those few weeks.

I’m exaggerating, of course. We had lots of fun with the cousins, and occasionally with the kids who went to the Baptist and Methodist churches in which our grandmothers were virtually matriarchic figures. But there are times when you just want to turn on the TV, and it was in Athens that I first encountered What Lay Beyond.

Athens is about halfway between Nashville to the north and Birmingham to the south, and twenty miles west of Huntsville, which at the time had, I believe, one television station. If the weather conditions were just right, you could almost pick up a Nashville station and maybe two Birmingham stations, but you couldn’t count on it. Which is exactly why the first rudimentary cable system I encountered was in tiny Athens. Its original purpose was apparently to bring those distant network affiliates (and their commercials) out into the hinterlands.

I have no idea at this late date which of the ten buttons on my grandmother’s cable box I pressed to find the old horror pictures I was already enamored of, but I sure figured it out at the time. A few days into our enforced vacation, I had started missing the daily after-school movie, the Big Show on Channel Five from which I normally got my fix. When I discovered something close enough to it to serve in a pinch, I latched on to it. I remember seeing old-time movie star Jon Hall stomping around in a rubber suit in Monster in the Surf for the first time on whatever channel it was, along with the big-headed BEMs from Invasion of the Saucer Men and a string of pictures that were rather clumsily dubbed into English and with the credits in Spanish.   

I had never seen Mexican horror movies before. The Big Show was full of Universal monsters and Hammer horrors and Japanese behemoths stomping model cities flat, but nothing like this new thing I’d found. I don’t recall any specific titles from that summer more than fifty years ago, but I do remember that they were fun, and spooky, and some of them starred masked wrestlers. I was a big fan at that age of the local wrestlers who popped up on TV back home, Jacky Fargo and Tojo Yamamoto and that crowd, so I gleefully absorbed the adventures of Santo and the Blue Devil as they battled a variety of monsters and mad scientists that summer, while my grandmother was off working at the local newspaper where she was the society editor. I’m sure she would have disapproved, had she known. 

But isn’t that the best part?

The Mexican horror movies weren’t there on her cable box the next time I visited Athens. It was years before I saw any of them again. It took the internet to bring them back into view, and while I understand the draw those specific films must have had on my eleven year old mind, this much older geezer is looking for something a little more sophisticated. And, just as one should never judge classic North American films by, say, the Bowery Boys, one should look for a higher level of fright-inducing Mexican cinematics with an expectation that one would find it.

One did.

I will admit that, despite my early exposure to Mexican films, I am not yet as conversant with the national oeuvre as I am with, say, French or Japanese filmmaking. I suppose it does take a while to get all the way around the world and back close to home again in exploring world cinema, even with the wonders available online. I am of course familiar with the great films made by Spanish ex-patriot Luis Buñuel during his time in Mexico from the late 1940s to the early 1960s. The Exterminating Angel is the closest I can think of to Buñuel having made a genre film, but I’m not really sure it can be classified as a horror film. I might take a gander at it in this space down the road, anyhow, but for now, let’s look, as we would pretty much have to in regards to North American horror films, at the middle range of overall cinematic quality.

And there it is that we find a number of quite good Mexican horror films in the early 1960s, on a level with anything being done in the genre by Hollywood filmmakers such as Roger Corman or William Castle, if not, in some cases, better. (Notice how nimbly I wriggled out of including Psycho in that category? Hitchcock was a director on a par with Buñuel, and like the Spaniard, not really a horror director, per se, no matter how he might have dabbled in its pleasures.)

I will speak in future of Messers Corman and Castle. For now, let’s speak of la Llorona.

The Weeping Woman, in English. An old Mexican folktale about an abandoned mother who avenges the betrayal of her unfaithful husband/lover by murdering their children. She regrets her act when denied entry into Heaven, and is fated to roam the Earth in search of her dead children. Since they are beyond her reach, she seeks to replace them with the children of other mothers, with dire results all around. It’s one of those cautionary tales meant to keep the younguns of Mesoamerica in line. I have no data as to how well it works. What I do have is some Mexican-made films I want to have us all take a look at.

I’m not in this instance concerned with the numerous recent North American and Mesoamerican cinematic examinations, of varying quality, of the ancient legend. And by recent, I should point out that I mean anything since about 1980. When you get to my age, that’s when the cut-off date between old and new falls. Hell, I’m so old, cougars are barely legal.

Can I get a rimshot? No? Oh, well. Never mind.

I want to examine in this space three of the earliest films that were constructed around this legend – 1933’s La Llorona, 1960’s La Llorona, and 1963’s The Curse of the Crying Woman. There is one from 1947 I haven’t been able to get my hands on a copy of yet, La Herencia de la Llorona, but I hope to correct that oversight in the very near future. I expect I’ll address that one in a coda to a future column if you would all be so kind as to be patient with an auld phart.

The first la Llorona film, indeed the first Mexican horror film, was directed by Ramón Peón, one of roughly seventy films he made over a long career. La Llorona is not a bad film, but production-wise, about on a par with one of the better Hollywood Poverty Row studio films of its period. Some of this impression could be a simple lack of a good, restored copy, given that I’ve only been able to find a rather fuzzy presentation on YouTube, along with poorly synced subtitles to match. Maybe. The running time, like many of the la Llorona films of all periods, is taken up with an extensive flashback of the original legend as it unfolded in the late 16th Century. There is a second flashback to an even earlier, similar legend, that of la Malinche. She was the Aztec translator for and lover of Hernando Cortez, who also responded to being treated shabbily by killing the children she had borne the Conquistador almost a century before la Llorona began to weep. I’m not sure that segment adds to the overall quality of the film, but it does have some interest as a historical artifact. None of the other pictures I looked at for this column featured that older tale.

I think I might have just noticed a few eyes glaze over there a moment ago when I mentioned Poverty Row. My wife has been complaining for forty years now that I tend to throw out terms without always explaining them. I promise I will take a long, loving, terrified look at the old Hollywood studio system in the not-too-distant future, including what that phrase meant in the history of our genre. For now, you only need to know that Poverty Row was the collective noun for small, cheaply run and often fly-by-night independent studios mostly clustered along Gower Street in Hollywood that produced, at best, grade B movies. Westerns, serials, gangster pictures, and low-grade but often quite enjoyable horror pictures poured out of these movie mills, some shot in a matter of days on budgets that wouldn’t pay for a good used car today.

Moving on. That first La Llorona film has placed around the two flashbacks a contemporary story involving descendants of the original family, and the peril to the newest member, Juanito, on his fourth birthday. According to a legend related by the mother’s father, every first-born child in that line of descent disappeared on their fourth birthday, carried away by la Llorona. A mysterious, cloaked and masked figure lurks around the set, peering through secret panels and other such conventions of the Old Dark House sub-genre. It has comic relief, red herrings and all the trappings of better, and worse films. The climax reveals – Spoiler alert! – that it has been a trusted servant that has been possessed by the evil spirit of la Llorona. It had been she who was behind the several thwarted attempts to make away with the little boy.

As I stated above, not bad. Competently acted and directed, with a brisk but not rushed pace, it’s an enjoyable film of its period, with all the technical limitations inherent to that era. I just wish I could have found better subtitles, as my Spanish is not much better than at a ‘decipher-the-menu’ level. I suspect if I had been able to, I’d rate this one at C+. As it is, it’s a solid C.

The identically named version from 1960 is, structurally, very similar to the first film, but technically on a much higher level. I could easily see this coming from a North American studio of the caliber of Columbia or a second-tier Universal unit in that same time period. In fact, it reminds me, stylistically and technically, of one of the better William Castle vehicles, without the distracting gimmicks. A solid, well-made film, very enjoyable. I liked that the identity of la Llorona is made clear during her repeated attempts to do away with the child in this version. The build up of suspense for every attempt is handled with stylistic flair and subtle, gradual make-up effects at least as good as a contemporary Hollywood picture of its kind and time. B+

That leaves us with what is perhaps the most problematic of the films under consideration, The Curse of the Crying Woman, AKA La Maldición de la Llorona. Problematic in that it doesn’t exactly fit thematically with the others, being closer in tone and storyline to one of Roger Corman’s Edgar Allen Poe adaptations. Still, it’s quite an attractively mounted film, albeit in black-&-white rather than the color productions Corman was making by 1963. Otherwise, the influence is obvious. Its historical setting, in this case, the mid-to-late 19th Century, the mise en scene, the acting, are all seemingly in keeping with the style Corman had established north of the Rio Grande. And yet, its departures from the basic legend make it hard to judge as a la Llorona film. 

Oh, boy, I did it again, didn’t I? Mise en scene is, simply put, everything in a film or play that isn’t acting or dialogue. Costumes, set design, props, lighting, music, etc. Clear as mud? Moving on.

This time out, the spirit of la Llorona is lurking around an ancient house, waiting to displace the soul of her nearest available female descendant. At the exact moment of her twenty-fifth birthday, the latest in the line is fated to pull a spear out of what looks like a Medieval torture device known as a Catherine Wheel upon which the decayed corpse of the original la Llorona has been pinned since she was executed for her crimes. That will free the spirit of la Llorona to possess the young woman so she can carry on her demonic career. The somewhat convenient escape of the insane former owner of the crumbling house, up until the climax locked away in the bell tower, scotches the evil plans by strangling the villainous aunt so that the heroine can escape with her less-than-hypercompetent husband. 

Good, solid filmmaking of its kind and era. I rate it a B. 

I hope the populace doesn’t object to my comparing these efforts of the Mexican studios to the contemporary output of Hollywood. I’m making the perhaps unwarranted assumption that the majority of the folks likely to read this are more familiar with North American horror films, and that that familiarity might provide some context for fitting these three pictures into the overall history of the genre. If I’m incorrect, feel free to let me have it with both barrels in your comments. I’m a tough old codger. I can take it.

Until next time, be afraid. Be very afraid.

Merrill’s Musical Musings : Union Kain

 

 

Greetings HorrorAddicts!

This month we’re listening to the metal band Union Kain. Hailing from Florida, the band put out a heavy album in 2020 titled Black Dawn. Lead singer Glazergirl is commanding as a Dilana-Esque vocalist and she’s backed by a talented group of musicians. The band’s sound is a combination of 80s era hard rock/heavy metal like early Motley Crue with a touch of Black Sabbath on tunes like “Black Dawn.” Glazergirl’s vocals would make Ronnie James Dio proud. There’s a theatricality to their sound that adds appeal. “Persistence” has a Pantera vibe and is a stand out track. The guitars on songs like “Your Own Kind” are impressive and would appeal to the more established members of the metal community.

Lyrically the band attempts to create somewhat of a concept album on Black Dawn, covering all of the wrongs in the world from Cain and Abel to today’s internet meme fascination. There are some production inconsistencies that can distract from the overall enjoyment of the album, but perhaps with personnel changes that were announced on the band’s website their next album will be even better. 

Overall, Union Kain has a sound that will appeal to old school metal fans and hard rockers alike. I wish them luck with their future endeavors. If you are in those categories, I encourage you to check them out. 

That’s it for this month’s review. Stay Tuned for Ro’s Recs… 

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor.

Merrill’s Musical Musings : Ro’s Recs October

Ro’s Recs October

Hey HorrorAddicts! I hope you all are staying safe and insane—I mean healthy—during these peculiar times, and I hope, like me, you are taking advantage of all the PHENOMENAL horror offerings this season! MAN! What a great time to be a horror fan! 

One of the best films I’ve watched recently is the Shudder film The Mortuary Collection, directed by Ryan Spindell and starring Clancy Brown. A nod to anthology films like Creepshow and Tales of the Crypt, The Mortuary Collection is at turns ominous, creepy, campy, and MAN does it ROCK! I found myself digging the music so much I whipped out the old iPhone and used Shazam! to try to find out who was responsible for these groovy tunes. Much to my chagrin, the tunes were nowhere to be found.

But thanks to my pal Google, I did a little more digging and I discovered the culprits: The Mondo Boys. This duo has been making music together since they were fifteen and are not only quite adept at creating hauntingly beautiful scores, but at writing “lyric-and-vocal” pieces as well.

For this film, they had the challenge of creating an Elfman-esque/Potter-ish score as well as tunes to go with different eras portrayed in the film. You had a Frat-boy-gone-bad tune in “Little Lover,” a funky throwback in “Suicide,” and the 60s reminiscent back-and-forth in “Find Me In The Fall” that suck you into the theme of that section of the film as though you’d switched on a radio station made of the exact ingredients necessary to evoke the desired emotion. You know it’s the perfect soundtrack when you’re pulling up iTunes or Spotify to download the songs. Ahem…Mondo Boys, if you’re reading, will you get right on that? In the meantime, you can stream the songs on their website.

So, the next time you’re watching a film and think “huh, I wonder who wrote that song? It’s perfect for this scene,” you just might discover that The Mondo Boys are responsible. You can find their website at https://www.mondoboys.com and I encourage you to check out their other projects. The Mortuary Collection is a great film. Check it out and I guarantee you that you’ll be smiling so wide your face will ache by the time it’s through!

That’s it for this month. Stay Tuned for more Merrill’s Musical Musings and Ro’s Recs…

Merrill’s Musical Musings – Isolation

Greetings and Salutations. I come to you from a very eerie sepia-toned day in September and bring some musical goodness to ease your troubled minds. I hope you, like me, are taking some solace in the fact that the most glorious time for all horror lovers looms near, and with it, may we embrace our darkness and all that is spooky and creepy. 

This month we are checking out the digital album Mechants by Isolation. Their experimental music, which you can find on Bandcamp, is a combination of an 80s horror soundtrack and a Roisin Murphy tune. According to their artist bio, Isolation project “is a soundtrack-based project that has been created by two UK-based collaborators. The style of music can range from horror, thriller, ambient, sci-fi, and more.” The artists state they are influenced by David Lynch films, and you can definitely pick up that vibe by listening. I tested out my new SkullCandy wireless headphones on this album and I couldn’t stand still. Instrumental music doesn’t always hold my attention, but these tracks make so many twists and turns that the listener wouldn’t necessarily expect and I found myself getting lost in the music. Standout tracks for me were “Never Knowing Napier,” the disturbing “Dr. Quinn,” and then the track “Edwards Arkham” had me feeling like the walls were closing in, very apropos of the isolation and claustrophobia of our quarantine times. Not all of the tracks had a consistent beat, but the music lends itself to modern dance choreography, film and TV soundtracks, and for the average listener, it makes a good accompaniment to your run/walk/workout. 

Ironically the cover art looks very much like the atmosphere outside my house today. It features a firelit sky in reds and oranges with deadened trees and smoke, which definitely reflects the many ways the world is on fire at the moment. I hope you’ll give this album a listen and pick it up if you’re so inclined. Bandcamp has been doing a great job supporting communities in need this summer and I love to see people support them in their endeavors. I think we’ll eventually see this duo doing scores for TV/Movies and I look forward to more of their work.

Thanks for joining me this month and Stay Tuned for Ro’s Recs coming soon. Enjoy the most wonderful time of the year…

Merrill’s Musical Musings : Giants on the Horizon

Merrill’s Musical Musings – Giant Monsters on the Horizon 

We’ve made it through August, Horror Addicts, and I hope this post does not find you in pieces. I’m preparing to transition into a new teaching job while supporting a high schooler and a new college student through uncertain educational times. It’s wild out there, so take a minute to sink into the slick sounds of this month’s new-to-me artist. 

Giant Monsters on the Horizon, a duo out of St. Louis,  recently released a new album of dark-wave deliciousness, Live from Night City. The album was written during a dark time for the band and elements of despair can be experienced in their sound for sure. There’s an emptiness in tracks like “Oxygen,” and “Android Hellscape” that clearly resonates with all of us still sheltering in place. Through the synthesizers and soothing low-key vocals, you can find a welcome place to zone out. Night City, the setting of this collection of songs, is a stark and drastic place, but GMOTH does an admirable job of filling that space with energizing songs that make you recall why we need and crave music in our lives. 

“Tetra Chroma” and “Del Ctrl & Esc” are standout tracks that will engage your attention and have you up and dancing. The band has a Xymox feel with a side of Camouflage and the moody feel of current alternative bands like PVRIS. I’ll definitely be following them on Spotify for more. It was nice to see on their social media a strong activist presence including participation in fundraisers through Bandcamp. Live From Night City is an excellent collection of songs that fans of electronica and dark-wave will definitely dig. I wish them well with this latest release and their future endeavors. 

That’s it for this edition of Merrill’s Musical Musings. Feel free to check out my Rock ‘n’ Romance blog for more about my books and adventures. I also host other author guests talking about their novels in a feature called Music Behind The Story. Stay creepy, Horror Addicts! 

Merrill’s Musical Musings : Ro’s Recs for August

Ro’s Recs – Musical Departures

Greetings from Sweaty California! As I’m writing this I’m in major danger of melting. I hope you’re hanging in there and listening to some great music. Today I want to talk about bands that go rogue…and it works. I was a huge fan of MTV Unplugged from way back, and I admire when bands step away from their usual sound and take a chance, whether it’s a remix or a brand new sound. This pandemic has brought out a decidedly experimental side of many of my favorite artists. They’ve released songs that are outside their usual wheelhouse, and they are wickedly entertaining. Check out this list of recs and open your mind to some experimental sounds.

  1. Motionless in White released new versions of two of their songs. “Eternally Yours” and “Another Life” were two outstanding tracks from Disguise and these melodic versions are incredibly beautiful. Chris Motionless’s vocals are so vulnerable and ethereal. I love the songs in their original arrangements, but the fact that the band stepped out of their comfort zone and showed a different side to their music makes me love the songs even more. 
  2. Metallica was one of the first metal bands to perform with a symphony, which when you think about it, there’s not too much of a stretch between metal and symphonic music. There’s a similar passion and frenetic energy in both performances. So when Metallica joined the San Francisco Symphony again this year and released this version of expectations were high. I love the balance of quiet musings followed by growly declarations from Hetfield. It’s a moody tune that is expertly crafted by the masters of metal. We trust them to carry us through, and so when they diverge from their usual heavy path, we know they’re going to deliver the goods. The album comes out August 28th and I’m looking forward to hearing the rest of the album.
  3. Korn is no stranger to cover songs. One of my favorites they’ve done was “Word Up” from the 80s band Cameo. But this summer they blew me away with a cover of “The Devil Went Down To Georgia” featuring one of my absolute favorite artists, Yelawolf. The single was posted on Bandcamp as a fundraiser for AwakeningYouth.org—an organization that supports youth who have lost a parent to addiction or suicide—and a way to celebrate the life of the original singer, Charlie Daniels. You gotta give this classic tune a listen. Yelawolf and Jonathan Davis trading vocals on this tune gave me so many feels! And when you’re done, definitely take a deep dive into the music catalog from both Korn and Yelawolf, especially his video for “Shadows.” The song itself is a haunting childhood nightmare, but it’s also filmed at his childhood home. He had to trespass in the now-abandoned house to film.  You won’t be disappointed. 
  4. Corey Taylor, frontman of the legendary Slipknot and the hard-rocking Stone Sour, has released two singles from his upcoming solo album. The first two songs are complete departures from his previous music. “CMFT Must Be Stopped” is a rap-rock tune with guests Tech N9ne, who Taylor has previously collaborated with, and Kid Bookie, a London rapper who I’ll definitely be checking out more from. And for those who like to watch videos, you will be entertained by Corey’s wife’s dance troop (they like to play with fire) and several cameos from Corey’s friends. It’s a fun tune about his big mouth and bigger attitude. The tune “Black Eyes Blue” is a straight pop-rocker with a catchy riff and a feel-good melody. 
  5. Marilyn Manson has put out some incredible music over the past few years, but this new track, “We Are Chaos” is surprisingly full of 70s glam goodness along with Manson’s trademark dark lyrics. I’m looking forward to the rest of this album, which comes out later this year. 

That’s it for this month’s Ro’s Recs. I hope you find a new jam in this collection to help lift your spirits. Dark times are upon us and we need all of the mood boosters we can get. I’m happy to be your guide on a musical journey. If you love music and stories about music, my upcoming novel Brains, and Brawn: Summer of Hush Book Two is out August 24th and it’s my love letter to the years of Warped Tour music festivals. Check it out on Amazon if you’re looking for a pick-me-up romance. Take care of you and yours, comment and share some of your favorite musical departures from your favorite artists, and Stay Tuned for more Merrill’s Musical Musings and Ro’s Recs. 

Book Review: 324 Abercorn Street by Mark Allan Gunnells

 

Review by Stephanie Ellis

Rating: 4/5 stars

Synopsis: ‘Brad Storm doesn’t believe in ghosts, but moving into the house at 324 Abercorn just may change his mind.

Best-selling author Bradley Storm finally has enough money to buy and restore his dream home. Despite 324 Abercorn’s reputation as one of the most haunted houses in America, Bradley isn’t worried. He doesn’t believe in the supernatural. Then strange things begin to happen. Objects no longer where he left them. Phantom noises heard from empty rooms. Shadows glimpsed from the corner of his eye.

Is his house truly haunted, or is there something more sinister happening on the property?

With the help of Bradley’s new boyfriend and a few friends who are just as intrigued with the seemingly inexplicable occurrences surrounding the infamous house, they set out to find the truth of what stalks the halls at 324 Abercorn.

A feel-good haunted house story. Can there be such a thing? I never thought so until Crystal Lake Publishing produced this little gem.

When novelist Bradley Storm hits the big time, he finally buys his dream home, the reputedly haunted 324 Abercorn in Savannah. With a strong disbelief in the supernatural, he dismisses the little occurrences going on around him. Television turned on, door open – all can be explained away by logic. The ‘haunted’ element of his house is easily pushed to the back of his mind as he embarks on a relationship with artist and student, Tobias.

As their relationship develops against the warm Savannah backdrop, it feels nothing bad can happen – until it does. Strange visions start to affect him, changing his mind about the supernatural and causing him to doubt his own sanity. Yet he has good friends around him and they join in his search for the truth behind the house.

And this was where the story fell down a little for me. There was no tension between any of the main characters. The quartet of Brad, Tobias, Neisha from the Heritage Centre and Howard, Tobias’s housemate was a perfect circle of friendship, no undercurrent of conflict or hints at a hidden agenda. The reveal was clearly sign-posted very early on and the wrap-up at the end was too swift. This created a lack of tension and weakened any sense of horror, there was no sense of dread. It was this missing chill factor, which made it feel more like a romance with a touch of horror thrown in, that stopped me giving it the full 5 stars.

For me, this was very much a feel-good story, one to be read on a warm summer evening, sat on a terrace with a glass of wine in hand.

Book Review: Rabid by Kris Rimmer

A Review of Rabid by Kris Rimmer by Patricia Watson

Kris Rimmer’s Rabid is set in modern Mississippi. It opens with a violent, gruesome death that brings two brothers back together for a funeral. Their widowed mom sends her two city boys camping to share grief and renew their brotherly bonds.

Mortal dangers are everywhere during their trip. Adam, home for the funeral on college break, and Toy, not yet in high school, must rely only on childhood memories of their abusive alcoholic dad to survive. Plenty of bad luck, apparitions, and horrible events complicate every step of their adventure. A run-in with rabid creatures is only a part of their troubles.

The funeral, the wildlife encounters, and cave scenes gave a good creepy feel to the work. Mr. Rimmer has said in book blurbs he is a fan of Stephen King. His admiration for King shows in the American boyhood adventure turned bad aspects of this book and the internal monsters that haunt the characters.

The author did keep me turning pages with fingers crossed. His story had regular disastrous surprises, with nice dollops of gore to add to the misery. I would have enjoyed a bit more of the native humidity, and perhaps a few mosquitoes for local flavor. It is the deep South after all. This book is a short, easy read. I finished it one run. It’s an entertaining book to stow in your beach bag.

Merrill’s Musical Musings – Ro’s Recs July 2020

Ro’s Recs July 2020

Greetings and salutations HorrorAddicts! I want to talk about the end of the world today, but in the best sort of way…through music. Many artists over the years have written dystopian tunes and despite the morbidity, we all seem to love them. How many of us danced our high school days away singing “It’s The End Of The World As We Know It (And I Feel Fine)” by R.E.M.? I think one of the things that makes us brothers and sisters in horror is that we love flirting with that edge of the unknown. So here are some of the best “the world is ending, so let’s rock” songs.

The first song on the list today actually inspired this post. Bring Me The Horizon is one of the most chameleon-esque bands in hard rock/metal today, and they’ve been hard at work during this shelter-in-place. You can follow their antics on their Instagram. The first single they’ve released is Parasite Eve and MAN is it creepy!

In the End by Black Veil Brides asks the question “Who will tell the story of our lives?” The album it comes from has a very apocalyptic aesthetic and is really one of their best pieces of work to date.

The End by the Doors: Because Jim Morrison is the Lizard King, he can do anything, and this song has haunted me since I first heard it as a teen. The Doors were really onto something back then and their music definitely inspires me. 

Everything Ends by Slipknot  Actually, a Slipknot concert would really be my choice of venues for the end of the world. There’s nothing more satisfying than a phenomenal metal show, and Slipknot are the masters. By the way, this song is the perfect antidote to your morning coffee on a day you really don’t want to go to work. Just saying.

This Is The End by The Ghost of Paul Revere I love this “Have a drink and a smoke and say fuck it all” kind of tune. I’ll definitely be checking out more music from this artist as I really dig the vibe. This is an apocalypse in a country dive bar someplace where it’s the last call and you’re nursing your whiskey because you don’t want it to end before the song is over.

The End of the World by The Cure It’s not doom and gloom without The Cure. Period. 

The End Begins by Korn Because Jonathan Davis is the perfect madman to lead us into the ether. 

Who Wants To Live Forever by Queen This song will forever make me cry because of The Highlander and because of Freddy. If you don’t cry listening to this…well…you might not have a heart. 

Ivy by The Amity Affliction. Because nothing says I love you like “we can watch the world burn.” This band is a huge inspiration for me, especially for my Warped Tour-themed Summer of Hush series—which will be re-releasing soon with a brand new novel, Brains, and Brawn—and I love the romance of equating doomsday with love. 

The End Of The World by Billie Eilish.  Billie Eilish has a horror addict streak in her, you can tell by her album cover. This song is eerie and so beautiful. Where would you choose to be?

It’s The End of the World by Islander https://youtu.be/AB-MjdvNK_c I know you’ve all heard the R.E.M. version, but I love Islander and I think everyone should love them too. Listen to “Darkness” and you’ll understand why. 

Preaching The End Of The World by Chris Cornell This song breaks my heart. I miss Chris. I hate it that he felt this way so long ago…but I also love the sentiment of sharing the end of the world with someone special.

To The End of the World by Alestorm  https://youtu.be/lBoFQ0yRSXc We need a pick me up at the end of this list and because you have to end an end of the world playlist with pirate metal, right? 

Here’s a Spotify playlist with all the songs for your listening pleasure. 

No, it’s not really the end of the world, but I know my fellow HorrorAddicts will agree that having the right soundtrack would make it pretty spectacular! So grab your favorite beverage, hug your loved ones, and hunker down with a great horror movie or horror read. If you’re into weird French SciFi, why not check out Blood Machines on Shudder? The music is pretty cool and it, uh, has some interesting visuals. That’s all I’ll say. Well, and apparently it was inspired by a French music group. I’m just saying, it’s out there, and not just outer space out there. And if you’ve got a favorite End Of The World song, be sure to send me your recs. 

Hugs and smoochies and Stay Tuned for More Merrill’s Musical Musings and Ro’s Recs… 

(Sidebar: We will make it through this. I have absolute faith and hope. If you’re feeling less than hopeful, then please reach out to someone, or if necessary, call someone 1-800-273-8255).

Merrill’s Musical Musings: My Life with the Thrill Kill Kult

Welcome to Merrill’s Musical Musings. It’s June, people, and that means it’s about time for us to celebrate the Summer Solstice. For some of us, this means hiding from sun and allergies and finding some new horror films or darker music to listen to, and since many of us are still sheltering-in-place, this month’s review comes at a great time. I know I’m getting a little bored with my current playlists. So, join me for something new from some old friends, My Life With The Thrill Kill Kult. 

TKK are back with a super groovy offering that had me vibing from the get-go. There’s a little bit of everything here, and fans of industrial, lounge, and quirky throw-back music will all dig their latest album. Sinister Whisperz III is a series of unreleased remixes from their years (1997-2017) on the Rykodisc label.  

I recall the band’s early days and love that they were inspired from the start by those old VHS films us 80s kids rented from the corner store (in my case, daily). The band’s name was meant to be the title of a planned film project, but when their employers at Wax Trax records heard the tunes, they realized they’d found their calling in music. While my Mod friends and I were listening to Front 242 and Ministry, TKK was developing their own unique sound. Listening to them now takes me back to those nights we spent in local underaged clubs, as well as the times we were stuck hanging out at high school dances cringing at the terrible music they played. 

“Girl Without a Planet” and “Freaky Fever” are both smooth tunes that have a real 80s dance feel to them and they’re interspersed with harder tracks like “4 Blondes with Lobotomy Eyes” and “Fangs of Love” that remind me a bit of bands like Love and Rockets and Jene Loves Jezebel. I love the bits of dialogue from B-movies sprinkled on top of funky keyboards and synthesizers with an infectious dance beat. “Flesh Star” is a tune that would get any dance floor moving and I couldn’t sit still while listening to “Dirty Little Secrets.” There are plenty of other tracks on the album to get you out of your chair and having a good time. Just throw on your black club clothes with some Dr. Martens and slink around the house looking bored. You’ll feel so much better! 

Check out the latest from My Life With The Thrill Kill Kult and indulge in a bit of musical nostalgia, maybe work off some of that quarantine weight on an improvised dance floor while you’re at it. I know I need to get moving. Stay Tuned for more of Merrill’s Musical Musings and Ro’s Recs!

Book Review: The Dead Stage by Dan Weatherer

The Dead Stage by Dan Weatherer

 Reviewed by Willo Hausman

The Dead Stage by Dan Weatherer provides a basic description of what it is to write for the stage, followed by 16 of the author’s plays.  At the start, Dan provides us a glimpse into his own personal journey from penning movies to plays, as well as support and advice on how to make progress as a playwright. The book includes many easy-to-digest theater tips, mainly gleaned by interviews from individuals working in the industry.  These insightful contributors are involved in low-to-moderate budget theatre companies and they provide pertinent and passionate insight on how to follow your inspiration and get your creation up and running.

First up is Dan, an accomplished writer of poems, stories, films and yes, plays.  His many accolades and awards are mentioned at the end of the book.  Based in England, all the wisdom offered in The Dead Stage fits just as easily in any location.  Dan provides basic details on how to best get your work selected amongst many submissions.  He offers good points for a novice, encouraging the short and simple route, especially at the start.  Not too many characters and an easy set.

This clear wisdom is followed by valuable tidbits from various theater folk.  To quote a favorite few:

Matthew Spencer (ACTOR): Be brave!

Kate Danbury (Director of the London Horror Festival):  A director must be artistically creative, but a producer must be creatively strategic. And Kate has a taste for the macabre.  We like that!

Ellie Pitkin (THE ARTISTIC DIRECTOR OF THE BLACKSHAW THEATRE, LONDON).  An aspect of comedy is important to her.  Best to use simple staging, as they’ve had to use unconventional spaces to put up performances.  Casting a celebrity helps get a new work into production.  With fringe theater (not mainstream) it’s easier if you have fewer actors in the cast.

Andrew Crane (BLACKSHAW THEATRE TECHNICIAN):  He likes to be challenged by complicated light and sound cues, but don’t have too high of an expectation on how they are executed.  Depends on the space. Small theaters can be limited in how much technical savvy they can provide.  The bigger spaces have more to play with and usually a higher ceiling, which means better lighting.

Jill Young (ACTOR/DRAMA TUTOR/DIRECTOR): She had an interesting take on teaching and the two important qualities of scripts to use as tools.  Either ‘complete imaginative fiction’ or ‘100% graspable fact’. With the first, students can learn to let their creative play side fly without restrictions.  The second enables them to become a specific character.

Tom Slatter (ACTOR): In terms of changing dialogue a director once told him (and this makes absolute sense): “If one actor struggles with the line, it’s the actor.  If a hundred actors struggle with the line, it’s the line”.

Almost all of the interviewees started out as actors and state that it’s challenging to get new plays read in the theater world, but it is doable. Dan says the easiest route is adaptations of famous (already proven) stories or ideas, but don’t give up on originals.  It is possible!  Keep your first plays simple and direct and not too high budget with crazy stunts that can’t be done in a smaller theater.  Once you are in the door and have a few pieces under your belt, you can explore more epic production styles and start using a few settings, with complicated expensive props and people flying through the air!

Dan’s sixteen stage plays complete The Dead Stage.  Most had a slant of the shadow side, and a touch of dark comedy, which I’m sure is amicable with this group. I will comment on a few of the pieces that initially stood out to me.

BEIGE

Dan’s favorite.  I liked it too.  A dark comedy.  A husband stabs his wife and then as he prepares to ‘off himself’ Samurai-Style to avoid prison, she begins talking from ‘beyond the grave’ and they continue the same sort of bickering they shared when she was alive.  Comes off as more amusing prattle than serious.  I could see this garnering laughs.

A QUESTION OF AUTHORSHIP

Four writers who have all been involved in various theories of who ‘really’ wrote the infamous Shakespeare plays meet up with Arthur Miller in Heaven, where he confronts them to get to the bottom of who really penned the plays.  One by one the writers are omitted from being a possibility till the real William Shakespeare is left.  I have always found all the controversy over these glorious plays a bit of a shamble; why not just give credit to the actual talented man who created them.  Huzzah!

CRIPPEN

A re-telling of a true-crime story.  I find the language stilted though the subject matter and characters are intriguing.  Belle, the actress, is so one-dimensionally mean.  A vain woman and a fun role for an actress to play since she’s so darn nasty. Anyone would want her murdered.  There’s a great creepy scene at the bathtub in this play.  I liked the silent scary visuals.  Marcie and Florie are two silly gabs; I like their gossipy in-tandem speaking style. A touch of comedy.  The play picks up a bit in the court scene finale as we learn interesting unknown aspects; otherwise it’s not my favorite, too solely literal, without much of a definite mood attached.

ELOISE

An old man bemoans the loss of his wife and while reminiscing decides to join her in the afterlife. A nicely direct and poignant piece.

KILLING GARY

A serial killer is interviewed a detective and reveals her strange motives.  Cute.

ONE FOR THE ROAD

A man at the end of this life converses with Death as he finishes this last drink, finding clarity with the inevitable.

FRIENDS LIKE US

A Halloween session with an Ouija Board between 4 friends stirs up a whole lot of drama without needing to contact spirits from the other realms.  Interesting tool to use for truth-telling and exposing secrets, which is the innate purpose of this long-standing ghostly tool.

All in all The Dead Stage is a great device to enlighten playwrights who are fresh to the business, containing good simple easy-to-absorb insight.  I’d only put 4 to 5 of the best plays in this volume though and print all 16 in their own separate book.

Book Review: Hallelujah by F.E. Feeley Jr. and Kim Fielding


Review by R.L. Merrill

Hallelujah is Hauntingly Poignant

Can you hear it?

Whispering in the dark.

Secrets only the dark knows.

Joseph Moore, choir director for the First Baptist Church of Lenora, Nebraska, has secrets of his own. Terrible, lonely secrets. One that involves natural human desire. One that calls forth powers he cannot begin to understand. Both with the potential to destroy him and those he loves.

Now the world is changing. The darkness, the shadows, the ghosts, are closing in—and Joseph and his lover, Kevin, are being stalked by a merciless demon, hell-bent on possession.

Can you hear it now?

There in the dark.

It’s whispering your name.

I’ll never listen to the song the book is named for the same again. Joseph is such a strong character, and he’s forced to deal with unspeakable tragedy after tragedy. As a choir director, Joseph hoped to live a life of service to the church, and what he got was so much darker. A demon is stalking him and others like him, and it will not stop until it’s snuffed out Joseph’s light.

Fielding and Feeley have created a world unlike anything I’ve read before, a world where a family descended from powerful beings must battle for the right to live and love. This is not your typical romance, nor is it your typical horror novel. Instead, it’s a story that crosses genres and digs deep into history and different cultures to bring forth a literary journey like none I’ve experienced. Fans of Stephen King’s Dead Zone and The Stand, as well as Rick R. Reed’s horror novels will love this original tale.

There are many versions of this song, but this one by Jeff Buckley is my favorite. The man has such a haunting voice, and his story is tragic. A life taken too soon. I find it an interesting parallel to the book. I hope you’ll give Hallelujah a chance. 


About the Authors:

Kim Fielding has migrated back and forth across the western two-thirds of the United States and currently lives in California. She’s a university professor who dreams of being able to travel and write full-time. She also dreams of having two perfectly-behaved children, a husband who isn’t obsessed with football, and a house that cleans itself. Some dreams are more easily obtained than others. Kim donates 100% of the royalties from her self-published stories and audiobooks to Doctors Without Borders.

F.E. Feeley Jr. is a believer in magic, in music, in literature, art, and those things that connect us all. Born in Detroit, Michigan, Feeley is a veteran of the United States Armed Services. Feeley has written eight novels in the past six years, including Memoirs of the Human Wraiths, Closer, When Heaven Strikes, The Color of Love, Borderland, and Hallelujah. Feeley has published a collection of Poetry in his book, Heaven Underneath the Sound of the World. Married to the love of his life, John, Frederick resides in Southeast Texas where they take care of their cat, Ms. Abigail Adams. 

Merrill’s Musical Musings : Ro’s Recs June 2020

June is the month we typically celebrate our LGBTQ community, Juneteenth, Father’s Day, Graduations, and the Summer Equinox. This year it’s been a time of reckoning in our nation. This month I want to spotlight Black artists that I love, as well as explore some I haven’t listened to before. As a result, this edition of Ro’s Recs is going to take a deep dive into some incredible offerings by Black artists. It’s important to remember that all of our popular music is influenced by Black music. Without Gospel, Soul and the Blues we would have no rock’n’roll, no hip-hop, and no pop music. So sit back, relax and enjoy some recs to start your summer…

Okay, maybe don’t relax, as this first one will scare the pants off you. As a special treat to my fellow HorrorAddicts, I HAVE to start out with this frenetically creepy band called…get ready…HO99O9. Yes, they are literally called Horror and they have created a blend of punk, electronic, hip-hop and metal with imagery that will make all you HorrorAddicts drool! Check out Street Power:

Their song “Plexiglass” is eerie goose-bumpery that you will love as well. I desperately wanted to go on Slipknot’s Knotfest cruise this summer and getting to see this band would have been EPIC. Alas, there’s no traveling in my near future. Sigh. 

Another artist I’ve recently discovered is Danny Denial from Seattle. His voice has a smooth quality to it that adds weight to his atmospheric indie-rock sound. “Am I Cool Enough For Your Love” and “I’m Not Your Type” are standout tracks. I found Danny Denial after reading this article. Check it out for more recommendations. 

One of my all-time favorite metal bands is Sevendust. Lead singer Lajon Witherspoon has one of the most incredible voices in rock and the band has created a solid sound over the years that is instantly recognizable and groove-worthy. Here’s one of my favorites. 

And I can’t leave Nonpoint off this list. Elias Soriano is an incredible vocalist and frontman and the band’s music has kept me company and inspired me through both good times and bad.

They are high on my bucket list to see in concert as every time I’ve had the opportunity, there’s been a cancellation or I’ve been sick. Someday! 

While watching footage from the recent #BlackLivesMatter protests, I heard a speech from a man called Killer Mike. I was moved by his words so I looked him up. I discovered that he was part of the group Run The Jewels, who were touring with a favorite, Rage Against The Machine, this year. I actually had tickets to see them and had planned to check them out before the world caught on fire back in March. They quickly became one of my repeat-plays on Spotify. I HIGHLY recommend your listen to all of RTJ 3 and RTJ 4 from start to finish!  This video has some cool imagery HorrorAddicts will appreciate. 

There are so many contemporary Black artists that should be on your must-listen list and I could go on forever. Perhaps I’ll have to post a follow-up to this list! In the meantime, remember…one of the most important ways we can support artists is by buying merch, streaming their music, and recommending them to friends. If there are other Black musicians you think I should check out, let me know ESPECIALLY if they are rock ‘n’rollers or have a horror influence! I’m here for it! Post a comment or hit me up at www.facebook.com/rlmerrillauthor and Stay Tuned for more Merrill’s Musings and Ro’s Recs! 

 

 

Merrill’s Musical Musings: Justin Symbol/ Candyman

 

Party songs for the end of the world?

Greetings and Salutations, Horror Addicts. When last we visited, the world was headed into a shelter-in-place that has lasted longer than many folks anticipated. While it’s been a mixed bag of despair and uncertainty, there have been glimmers of hope that I’ve been hanging on to, and of course, music has been there in new and exciting ways to ease my soul. I’ve found tunes for every mood and put together a few playlists that I’ll share some of on my next edition of Ro’s Recs. But this month I had a listen to Justin Symbol’s latest work and I gotta say, it’s pretty damn reflective of our current state of affairs. 

Justin Symbol’s opening track to the new album Candyman, “End Times,” sets listeners into an anarchist’s vibe for the end of the world, which might seem fitting to some right now. Often sounding like a Marilyn Manson of old, Symbol has girls “shaking their tits” in celebration of the apocalypse, and you know what? Why not? What are we supposed to do when it seems as though the sky is falling? Candyman contains some juvenile lyrics that are sprinkled with wit and overlaying horror-inspired effects and beats that sometimes miss their mark. At times the album feels like a promising industrial album with songs like “Prophets of Nothing” and “Lust.” These particular tunes feature engaging guitar tracks and lyrics that come close to being a snarky riff on life. ”Mothra” creates strong imagery with lyrics such as  “blackout the sky,” “sorting out the bodies” and “curl up inside a cocoon of flies,” but as the album continues, Symbol delves into extremely graphic sexual content that some may find offensive. If that’s your kink, you may feel right at home. Symbol straddles the line of rap and rock with interesting verse, intriguing riffs, and creepy atmospheric sounds. “The Devil You Know” was a standout for me. Give the album a listen and see if it’s your jam. You can find Justin Symbol on Spotify and Apple Music. 

That’s it for Merrill’s Musings this month. Be sure to check out my next Ro’s Recs, where I will share with you the best songs for surviving the shelter-in-place. Take care, be safe, and Stay Tuned for more Merrill’s Musings…

Merrill’s Musical Musings : Ro’s Recs May 2020

“There’s nothing on TV. I’ve got nothing to read. All the good snacks are gone. I’m BORED.”

Raise your hand if you’ve heard any of those sentiments during this stay-at-home time. Thankfully, my kids know better for the most part because I will either shove a book in their faces or give them chores to do. 

One of the things that have kept me sane while locked down is music, as usual. I’ve been having so much fun with the musicians that are putting themselves out there on social media with new projects, quarantine videos, and special interaction opportunities. On Instagram, I have notifications set up for artists like Tyler Glenn from the band Neon Trees (@tylerinacoma), and Franky Perez (@frankyperezofficial) who has performed with all kinds of folks including the symphonic metal band from Finland, Apocalyptica.

 Both of these artists frequently do acoustic performances on Instagram/IGTV that are tasty morsels. They keep me going when I need a pick me up.

Recording from home when your band is not with you can be a challenge, but several artists have done a great job. The first video I saw that really touched me was twenty-one pilots who put out a new song and video called “Level of Concern.”

 

While they’re not my usual level of heavy for music, I do admire them and I thought this was a super creative way to get around quarantine separation. Twelve Foot Ninja, a metal fusion band from Australia—they are brilliant and have a horror fan’s sense of humor for sure—and they took on the classic Stuck With You by Huey Lewis and the News

Stevic McKay did a Zoom interview with Huey Lewis too where they talked about their cover of the song and Huey was such a sweetheart

 

 I highly recommend you give both the video and the interview a watch, especially if you’re a fan of the film American Psycho. Papa Roach—yes they are still around and continue to put out phenomenal music—embraced the insanity of lockdown with kids and recorded this fantastic video for their latest hit “Feel Like Home”

 But the clincher came for Mother’s Day…Ice Nine Kills—the horror fanatics I have absolutely fallen in love with over the past year—did a parody cover of Fountains of Wayne’s “Stacy’s Mom” called “Jason’s Mom” and, well, you have to watch. Best Mother’s Day Gift!

Musicians have also taken to new platforms to engage with their fans. Twitch and Discord, which are usually populated by gamers, have become a place for musicians to stream the creation of new music as well as a place to meet up with other musicians and tell stories from days on the road, etc. Matt Heafy from Trivium, Brandon Saller from Atreyu, Shim Moore, and Rob Ortiz from Escape the Fate are a few that I’ve checked out and they’ve got interesting things going on. If you are an Amazon Prime member, you can link your Twitch account and subscribe for free! 

There are plenty of ways to pass the time during this period of shelter-in-place, so tell your kids to quit bothering you so you can check out all this fun music stuff! And if your “kids” have four legs or if it’s actually your spouse, well, good luck. And if you would like to share your music finds during quarantine, I’d love to hear them! Also…I would love for you to follow me on Facebook (www.facebook.com/rlmerrillauthor) if you hang out over there, even if it means losing my current count…3,666 followers! How metal/horror is that?

 

Stay Tuned for more Merrill’s Musings…

 

Book Review: Seven Ghostly Spins by Patricia Bossano

Seven Ghostly Spins by Patricia Bossano
Reviewed by Emerian Rich

I met Patricia Bossano at the Berkley Book Fair and she impressed upon me she’s a bright, energetic author with loads of imagination. Her main book series, Faerie Legacy, features a teen girl living in the faerie realm. But I am here to talk about her ghost story book, Seven Ghostly Spins, which also includes one story by her daughter, Kelsey E. Gerard.

A collection of paranormal tales based on harrowing legends and nightmares, Seven Ghostly Spins reads more like a haunted travel book than a fiction book. For those of you who like realism in your ghost stories, you will enjoy the walk through seven worlds where humans aren’t quite sure if they are in the real world or dealing with something supernatural.

My favorite story in the book is “By the Iron Gate” which tells the story of a girl who—in the 70’s—has haunting dreams that are manifested by a real love story that took place on the same property in the early 1900’s. The description and way this story unfolds is so realistic, it had me wondering if some of the imaginings I have experienced were maybe just real event impressions from beyond.

The other stories included are:

Alison–The adage goes “no self-respecting theater house is without its ghost”
Peery’s Egyptian Theater; Ogden’s historic movie palace, joined the ranks in 1924.

She Caught a Ride–Gone but not Forgotten
Night after night, young Florence awaits a secret signal,

Abiku–In this paranormal thriller, a seventeen-year-old boy unwittingly summons a demon from across the sea, setting off a heart-stopping countdown into madness.

A Curse Lifted–Experience the power of a parting gift.

205 1/2 25th Street–A haunting encounter featuring the legendary Rosetta Duccini Davie; seductive madam of the most elegant brothel on Two-Bit Street in the mid 1940’s: The Rose Rooms.

Carolina Blue–Hundreds have heard the anguished scream or have seen the wisp of blue on the railroad tracks… only a precious few will overcome experiencing the lady’s haunting cries.

Several of the stories have a little blurb about the real place or ghost the story was based on so you may be able to visit or look more into the location. A couple of these tales, including “Allison,” are truly heartbreaking. Most of the stories revolve around teens, so that makes the book skew younger just by theme alone.

The majority of these stories will be too tame for the hard-core horror junkie, but if you are looking for a good gateway for your younger family members, are into real ghost stories, or maybe just want to read something light and creepy, this book is for you.

Merrill’s Musical Movie Review : Dark Roads 79

Dark Roads 79 – Selling Your Soul Gives Mixed Results

Dark Roads 79 takes rock ‘n’ roll mythology and applies it to a southern rock band at the end of a decade that saw the loss of many musical greats. Bobby Gray and his band Dark Roads are at the end of a good ride and are given one more chance to infuse their sound with life. A cabin in the woods could be the perfect setting to create a masterpiece, or it may well be their final resting place. Written and directed by Chase Smith, co-written by Richard Krevolin and produced by Jason Anderson, Dark Roads 79 is effective at suspense and the creation of mood and atmosphere, but somewhat weak with character development and motivation. As a total package, the film kept me engaged and entertained, but could have been so much more.

Sex, drugs, and rock ‘n’ roll are plentiful and the music hits the mark in this film, but the story in Dark Roads 79, which has so much potential, misses some chances to go deeper. I found myself wishing for more backstory on the relationships between the characters. One of the things we love about rock ‘n’ roll band mythos is the drama behind the music. Probably the best example was the hint at some history between Tyler and Eddie and Eddie’s girlfriend. A few dropped lines here and there to let us know more about each character’s motivation could have built a much tighter plot. As it was, we saw the bad sides of a bunch of hedonistic young folks and waited to learn their fate while being entertained by good tunes, some cool old-timey camera work, and split-screen psychedelic tricks that added to the eerie and menacing vibe of the film. You know it’s all going to end up badly for the competent and entertaining cast, and you are caught up in the ride to see just how bad it’s going to get. 

The most interesting character was Ian Cash, roadie and security for the band, who seems to have quite a past and a talent for singing, but we never learn any more than that. A seemingly flawed character, his interactions came the closest to revealing real character growth and I was cheering every time for just a little more. The driver cracked me up with his version of rock lore. And Grace gave me the creeps from the beginning. The film kept me guessing to the end, which makes it a success, and these bits of great characterization certainly helped. 

The backstory of the cabin was intriguing, and the caretaker provided an excellent foil to the band. I would have loved to know what the connection was with the history there and what was about to happen to the band. Instead, we got misogynistic rapey vibes, which were not necessary and detracted from my enjoyment of the film. Most of the sexual activity in the film, however, was used for the important purpose of moving the plot forward and establishing mistrust between the characters. 

Overall, Dark Roads 79 is an enjoyable film and I would recommend it to fans of Crossroads, American Satan, and Eddie and the Cruisers, which are all excellent flicks warning of the excesses of rock ‘n’ roll. Of course, they can warn us all they want, we still want to rock, and that’s what makes a movie like Dark Roads 79 a delight for music and horror fans alike.  

Thank you to Spirit World Productions for providing the screener. I look forward to checking out more of their films. 

Stay Tuned for more of Merrill’s Musical Musings…

 

Merrill’s Musical Musings : Spank The Nun

Spank the Nun 

Hello music lovers and greetings from sunny California. At least that’s one perk about living here during this crazy time when the only option I have for entertainment is my own backyard. I’ve been looking out my window at my car longingly for the past 18 days as our country experiences pandemic panic and potty paper paranoia. These are dark times, for sure, but one of the most important ways we survive the challenges life throws our way is through music and art. The music community has stepped up tremendously to meet the needs of their fans, and in return, their fans are giving back in new ways such as virtual tip jars on Venmo. As tours are canceled or postponed, artists are looking for new ways to raise funds for themselves and their crews as well as supporting efforts to combat the COVID19 virus. Livestreaming “living room concerts” has become the norm. Each day there seems to be a new artist participating. I enjoyed watching the Luck Reunion show on Twitch the first week we were home and I’ve even been participating in an online songwriting experiment with former Sick Puppies singer/songwriter Shimon Moore. Hear the fruits of our group’s labor here and support Shim’s page on Facebook. We gotta do whatever we can to stay sane during this unprecedented event.

 

“Here’s the chance to raise merry hell.” This month I’m reviewing industrial/electro darkwave artist Spank The Nun whose self-deprecating sense of humor is appreciated as we head into a new month of sheltering-in-place. The artist describes their music as “uneasy listening,” and when listing band members on their Facebook page responds with “Does it really matter?” You’re not getting uplifting tunes with this band, but the steady beat and the doom-filled lyrics are perfect for those days you need some dark background music to complete your, well, dark tasks. Hearing samples from favorites like the film Misery makes listening to their latest album, Initial Decay Control, a treat. I’m betting the artist was like that kid in high school I used to like sitting next to in the back of the room because they always had an odd and inappropriate commentary running for my twisted enjoyment. The sinister whisperings on tracks like “Rotting Meat” are creepy enough to make you look behind you while working alone in your home office. The song “Swallow” contains this quote, which I feel describes our current situation: “We all know when this ends, there will be no winners, only survivors.”  Spankthenun is an entertaining listen well suited for our peculiar predicament. 

 

Stay tuned for more of Merrill’s Musical Musings…

 

Merrill’s Musical Musings : Ro’s Recs April / In This Moment

Ro’s Recs April In This Moment Review 

What better way to spend our time on lockdown but by discovering new music? Artists all over the world have been doing live streams, living room concerts, and performing special acoustic tunes. I’ve found some amazing new artists like Tami Neilson, Devon Gilfillian, and Ida Mae as well as hearing some of my old favorites playing some incredible music like this collab between Machine Gun Kelly and Travis Barker covering Paramore’s Misery’s Business and Tyler Glenn from Neon Trees (http://www.instagram.com/tylerinacoma) doing his regular Songs from the Red Chair performances on his Instagram Live. Metallica is even streaming concert performances on YouTube and Facebook Monday nights. Let some good music into your lives and I promise it will make you feel better. 

Releasing a new piece of art during this unprecedented time is a scary proposition. I released a new book Friday, March 13th, just before most of California went into a mandatory shelter-in-place. Thankfully, my family is doing okay, but for musicians who have lost revenue from touring, releasing an album could be the only way for them to stay financially afloat. As artists, many of us are giving away our creations for free or at a discounted rate to keep shut-in folks entertained, but for musicians, losing money from canceled or postponed tours means taking a huge hit. SiriusXM is streaming FREE for this month, which is a HUGE opportunity for you to discover new music and I encourage you to get out there and support your favorite musicians however you can! Recommend their music, stream their albums on a platform like Spotify or Apple, and buy merch from their websites including CDs and vinyl if you have machines with which to play them. 

In This Moment, a phenomenal female-fronted metal band from Las Vegas, Nevada released their latest album Mother at the end of March and it is a deliciously decadent mix of original and cover songs. You’ve never heard “Fly Like An Eagle” performed quite so sensually as when Maria Brink stretches out those lyrics. Their last album, 2017’s Ritual, was filled with ruminations on witchcraft and dark elements, and that theme continues on the new record. Mother promises to be just as addictive as their previous material. Already I’m repeat-playing “Holy Man,” “God is She,” “Hunting Ground,” and the title track. So listen to the album, several times if you will, and then make sure you add a notification through Bandsintown or whatever source you get your live music recommendations from because you will NEED to see Maria Brink and Co. the next time they come through your town. They are one of the most exciting live acts on the road today. I’ve seen them at least three times and the theatrics Brink and her maidens bring to the stage, as well as the power and excellent musicianship the band exudes will provide a show like you’ve never seen before. Don’t believe me? Check out this live clip from the Loudwire Music Awards. HorrorAddicts, you will fall under the spell of In This Moment, I guarantee. 

That’s it for now, but I promise to bring you more of Ro’s Recs and reviews to keep your soul satisfied. Stay Tuned for more of Merrill’s Musical Musings… 

Merrill’s Musical Musings: The Music of Sharone

The Music of Sharone 

sharoneGreetings and welcome to another issue of Merrill’s Musical Musings. Today I’m checking out Denver Goth rocker Sharone. She started her career inspired by the haunting rock of Evanescence and has since created a sound that is unique. She’s opened for popular rock bands like Fuel, Saving Abel, Tantric, and Stitched Up Heart. Fans of bands like Nightwish and Lacuna Coil may enjoy her melodic tunes, which are full of deeply personal lyrics. Known for her energetic stage show, the artist experiments with different instrumentation and vocal styles and sounds creating a collection of stylistic songs. Her third album Reflection, which came out in December 2019, dances between gentle, mellow piano to hard-hitting and metal-infused beats that will catch the listener’s attention. “White Witch,” “Closer to Love,” and “Final Reflection” are high points on the album. Keep an eye on her social media for performances in the Denver area this spring. She’s working on new songs with her band and promises a great show.

 Social Links:

https://sharone-music.com         

https://www.facebook.com/sharone.official/      

https://mobile.twitter.com/sharone_music         

https://www.instagram.com/sharone_official/   

Download / Stream

https://music.apple.com/us/artist/sharone/1444696312

https://open.spotify.com/artist/3AmKAuGRZ8Ir8XTRl2IlXp

https://www.amazon.com/s?k=Sharone&i=digital-music&search-type=ss&ref=ntt_srch_drd_B004RP63DW

https://play.google.com/store/music/artist/Sharone?id=Axh2g6cipumpvbu3cshwjqqtnva

 

Merrill’s Musical Musings : Ro’s Recs

Ro’s Recs

The Prince of Darkness—Ozzy Osbourne himself—released a phenomenal album at the end of February. Ordinary Man is Ozzy’s twelfth studio album since he left Black Sabbath in 1979 and embarked on a colorful solo career. Super producer Andrew Watt (Post Malone) helped Ozzy create a beautiful piece of music that has echoes of 70s glam rock, Sabbath-inspired metal, and even a Beatles-esque tune with legend Sir Elton John. Friends Slash, Duff McKagan (Guns ‘n’ Roses) and Chad Smith (Red Hot Chili Peppers) as well as Post Malone, Travis Scott, Charlie Puth, and Tom Morello all make appearances on the heavy album that takes a lot of chances and yet still sounds like Ozzy perfection. Actor Jason Momoa even did a teaser video for release day. Ozzy has definitely been to hell and back, and with his recent diagnosis of Parkinson’s disease, he’s still got stories to tell. I listened to an album release party on SiriusXM-Ozzy’s Boneyard with his pal Billy Morrison and Ozzy admitted that working with Andrew Watt saved his life as he went through the most difficult health crisis of his life. Let’s hope he’s well enough to gift us with more music in the coming years. Check out Ordinary Man, streaming on Spotify and other vendors.

That’s it for this month. Stay tuned for more Merrill’s Musical Musings… 

 Gargoyles a Review :  Bernie Casey’s Unsung Role 

Gargoyles : A Review or Bernie Casey’s Unsung Role

by James Goodridge    

Premiering as a television movie the evening of November 24, 1972, on the CBS Network Thursday Night Movies series, Gargoyles was amazing in that a generation of preteens have fond memories of having the bejeezus scared out of them back then.

Considering the glaring budget constraints that showed in the production, it is considered a frightful oldie but goodie. Directed by B.W.L. Norton, written by Elinor and Stephen Karpf, music by Robert Prince and doing the best he can, costume designer Tom Dawson the story is set in the American southwest.

Anthropologist/paleontologist Dr. Mercer Boley (Cornel Wilde of the cinematically provocative Naked Prey 1966) and his daughter Diana played by Jennifer Salt (Who would years later in 2011 would be a producer/showrunner for American Horror Story) are invited to Willie’s Museum run by Uncle Willie played by Woodrow Chambliss, (If you stood at the intersection of TVland and Metv and threw a rock you would hit a TV Western he was in. You have seen him on a dozen shows and never knew his name.)

A young Scott Glenn appears as dirt biker James Reeger. Low and behold Grayson Hall of Dark Shadows has a part as Mrs. Parks the Motel owner always with a glass of something in her hand, Dark Shadows had ended the year before in 1971 on ABC. 

Then you have Bernie Casey. Uncle Willie is incinerated after an attack on his museum during which the Boleys escape with the bones of a fellow gargoyle that’s when we first glimpse them. Their purpose: every 500 years they appear on the earth’s surface to hatch gargoyle eggs.

I must say I can’t remember when I first saw this movie and confess never paid attention to the opening or closing credits but loved whoever the actor was who portrayed “The Gargoyle” so it was a shock for me to find out on IMDb, that it was Casey.

 Bernie Casey’s (6/8/39 – 9/19/17) initial fame was as a high hurdler during the U.S. Olympic trials in 1960. Then as a wide receiver for the NFL’s L.A. Rams and finally the San Francisco 49ers from the mid-’60s. 

Catching the acting bug over the years he appeared in Hit Man (1971), Dr. Black and Mr. Hyde (1975), The Martian Chronicles (NBC 1980), Spies Like Us (1982) and Deep Space Nine season two, guest-starring as Calvin Hudson in “The Maquis” part one and two episodes just to name a few.

The subplot about a Gargoyle with a thirst for knowledge of the surface world to me is along with that 70’s feel it has is a good grindhouse gem to watch.

While Mr. Casey didn’t have what one would call range as an actor I would give it to him in Gargoyles in that under Mr. Dawson’s make up work he was able to give the character life.

Merrill’s Musical Musings: Cellmod Review

Merrill’s Musical Musings – Cellmod Review 

Greetings and salutations. Welcome to March! It’s nearly Spring, Daylight Savings Time is just around the corner, and in California, the trees are blooming, the sun is shining, and the primary election is happening soon.

Many things are afoot in Ro’s world and things are about to get hectic. I’ve got a new supernatural suspense novel—Healer—releasing on Friday, March 13th, and then I’m off to Nashville for the Book Lovers Con March 18-22.

I plan to do some music-related visits such as Third Man Records—Jack White’s record label and vinyl factory—and southern songwriter and alternative rapper Yelawolf’s Slumerican made flagship vintage clothing store and barbershop. I’m also going on a bus tour with a bunch of drunken friends where we’re supposedly getting some history of the town, but if you have suggestions of can’t-miss music locations—bonus points if they’re haunted—please leave them in the comments or hit me up at rlmerrillauthor@gmail.com or www.facebook.com/rlmerrillauthor. I’ll be posting pics on my author page as well as my Instagram @rlmerrillauthor and I’ll tag you if you leave me a suggestion. 

This month’s review is of EDM/Trance/Trip-Hop artist Cellmod’s new album The Dissident. According to his bio, “Cellmod was born to display an adaptation to his surrounding environment. The name itself signifies a desire to unify with the very roots of one’s physical being, or in simpler terms, Cellmod is taking it back to the vibe and pulse of the music.” I can definitely feel that vibe as I listen to standout tracks such as “Ransacked” and the naughty, old school sci-fi tinged “Harder Serum.” I can picture a woman with dark hair perched atop dramatic stilettos in a fitted pencil skirt and blazer as she walks with purpose down a stark white hallway, passing unmarked doors. The clack-clack of her heels is drowned out by the ominous sound of “The Machine” as she enters a laboratory where classified experiments are being done on unsuspecting young male subjects. Oh…did my imagination carry me away there for a minute? Fine. I will say that the track “Let Them Sleep” gives me a very Nine Inch Nails groove that I dig very much. If electronic music is your jam and you like to have some well-produced, good quality background music to do your…experiments to, Cellmod is your guy. Check out The Dissidents today!

Stay tuned for more Merrill’s Musical Musings… 

Book Review : Compression by Tim Cundle

 Compression, by Tim Cundle

Reviewed by Marie RavenSoul

Meet Flanagan, Elliot, Becky, Taylor, and Blake.

It is August 28, 1998, and Flanagan is woken up by his friend Elliot after having fallen asleep in the back seat of the car. They stop at a restaurant for coffee and discuss their plans as they head back to their small-town childhood home. After being away for ten years, they are returning for their high school reunion. Flanagan admits to wanting to visit Alison, the woman he has always loved but could never have. He mentions the dream. Elliot freaks out and tells him to never mention it again. 

As the story moves forward, Flanagan describes what it was like when he was young. When he mentions the “Black Flag tape that was eating the stereo from the inside,” I was reminded of my teenage years when my favourite album would get stuck in the tiny mechanisms of my Walkman. I would try to unravel it only to have it rip in the end. Having disdain for teachers and cops, he believes they only want compliance and order. Taking the blame for his friends, he often got arrested and went to jail. Punk rock was his favourite kind of music, and then lifestyle choices led to alcohol abuse, sex, and drugs. 

Education was of no interest to Flanagan, and all he wanted was to make his mark on the world, especially through his band, Crack Jester. He describes Elliot as a charming person who could say anything, and people would do what he asked of them. When he asked Flanagan about the old man on the beach, it riled him up, as it is the one thing they had agreed not to discuss. 

When they arrive at their destination, Flanagan gets a hotel room and is surprised by a visit from Becky, a friend from years ago. The questions she asks make him think about the life he has chosen for himself. She resents that he left home and that he has become a successful punk rock star, but when he is alone in his room, he contemplates the perks to his career, such as the four-poster bed, Jacuzzis, and the complimentary champagne and he feels like a fraud. He takes the heroin out of his bag and prepares it. As he gives a detailed account of injecting the drug, I feel like I am there with him, cringing as the needle pierces his skin. 

“Arranging a chair in front of the window so that I’d have a sea view, I tightened my belt into a tourniquet, sat down and pushed the needle in. The question of purity never even crossed my mind. Strength didn’t matter as long as the heroin hit my brain like an inbound freight train. Shit, even if I’d got a hot shot that would have been just fine with me. Over, finished, gone, done, out, without any hysteria. Pushing the plunger is part of the thrill, almost a lucky dip, you don’t know what you’re going to get and for a brief moment you’re aware of the boundary that stands between control and pleasure.” Pp 54

He returns to the cave. Taylor, who is now a police officer, steps out of the shadows and brings the past back to life. The two exchange a few words, and the tension between the old friends is palpable. A deed that they participated in as teenagers, along with the others, drove them apart, yet it will bind them together for the rest of their lives. 

Flanagan calls his manager and makes a career decision that affects Elliot. Then he gives away an item that has been an important part of his life for the past ten years. He knows that if he wants to make greater achievements, he must leave the past behind. This manner of thinking is tested at the reunion, as he is tempted by something that he has always wanted and must decide if he will partake. 

My favourite character is Flanagan. From the beginning, I was drawn into his mind. He was rough on the edges, and even though I felt sympathy for him most of the time, I wanted to throttle him for getting into certain situations and for bending his Will to Elliot’s. I like how he was never afraid to speak his mind and learned that being true to himself was crucial to being happy and successful.

Cundle has a great way with words. He is not afraid to deal with difficult topics such as cocaine and heroin use, pornography, violence, and unprotected sex. He uses description well so that the story comes alive, and the reader can picture what is happening. The dialogue is fast-paced and moves the story along, each character having a unique voice that the reader can identify. The story is told from Flanagan’s point of view and is very conversational as if he is in the room talking to you face to face. 

I enjoyed Compression very much. I had to keep reading as there was always a hint that something major was about to happen. If you like thrillers and intense character-driven stories, then this book might be of interest. 

Tim Cundle was born in Liverpool and is the creator of Mass Movement, a music and lifestyle fanzine. He has been a part of the road crew and a guitar technician for various punk bands in Canada and the United States. 

 

Black History Month : Black Devil From Hell / a Review

     Black Devil Doll From Hell or Chester Turners Revenge

  A Review by James Goodridge

“This is bad, very bad … but I love it,” I say to myself while clicking through a cornucopia of videos, reviews, soundtrack music, and other snippets, but not the full-length movie Black Devil Doll From Hell or BDDFH. Now I have a macabre love for B movies be it Sci-Fi or Horror the more absurd (see Scream Baby Scream 1969) or Grind House the better. With some low budget movies watching them you get a sense that they were made for the quick buck, but some have a feel that passion was injected into the movie kind of an Ed Wood radiance.

BDDFH was written, directed, music scored and produced by Chester Turner. Starring Shirley Jones, it was filmed in 1984 in Chicago for under $10,000 using a video camera, a VCR and a Casio organ for soundtrack music.

The ’80s were an era of mobile video freedom for people to create, a challenge to would-be amateur filmmakers. Mr. Turner took up the challenge. The plot surrounds Helen Black(Jones) a God-fearing woman who buys a three-foot doll with Rick James corn rolls from a strange gift shop, not aware that the doll is possessed by the devil. Later in the slow-paced movie, the doll comes to life and attacks her in the shower. For the rest of the movie, we’re tormented by devil doll’s old hustler voice harassing Helen as she has succumbed to his power, going on the prowl to pick up men for sexual gratification. Obie Dunson plays the Preacher in some scenes.

Years later, Turner said he stayed up three days and nights writing the script. Maybe I’m wrong because I had a hard time following parts of the movie and there is barely a plot. Now I must say that the doll itself is creepy, one of those old ventriloquist dummies with the huge eyes and to Turner’s credit you do get a visceral sense of unease.

The Casio droning on in the background makes you wish it would stop. Scenes lingering too long, stiff acting and bad lighting doom this labor of love Chester Turner produced. Selling the movie on VHS from the trunk of his car then making sales pitches in-person to video store owners generated limited profits for Turner and Jones (they were in a relationship at the time) and soon the movie was forgotten with Turner and Jones moving on to create Tales From the Quadead Zone (1987).

Over the decades,  social media has not been kind to BDDFH with would-be reviewers piling on with bad reviews. I came across one reviewer on YouTube using a racial slur when talking about Ms. Jones’s looks. But a documentary Adjust Your Tracking (2013) and a Daily Grind House article in 2013 revived interest in BDDFH. It is now the holy grail when it comes to VHS tape collectors with a tape selling between $ 419 to $1,000 online.  

Internet detective work helped me come across a Q & A segment at the 2013 Austin Film Society Festival featuring Turner and Jones. The movie now in cult status, Turner answered questions with humbleness and grace while Jones is reserved and matter of fact. Both feel vindicated, Turner still has the master copy and was redistributing it on DVD. In 2001

A non-related remake of BDDFH was released on DVD. A soft porn splatter movie mess, the best I can say about it is that… I’ll get back to you a few years from now maybe with some kind words.

At the end of the day Turner and Jones chased their dream with passion.

Black Horror Month : Sugar Hill/A Blacxploitation Gem

 

Sugar Hill: A Blaxploitation Gem

Review by Valjeanne Jeffers

Sugar Hill (1974) is a cult classic, a gem of the Blaxplotation era, and among a small cadre of flicks, such as Blacula, that combined horror with commentary on racism and oppression. Movies of the 1970s were resoundingly pro-black, and nothing if not conscious.

The movie begins with a Voudon dance performance, and an introduction to Diana “Sugar” Hill (Marki Bey), a photographer who is engaged to club owner, “Langston” (Larry Don Johnson). Unfortunately, a local gangster “Mr. Morgan,” (Robert Quarry) has his heart set on buying Langston’s popular Club Haiti. When Langston refuses to sell, Morgan sends his thugs to murder him. Sugar asks the matriarch of her family, “Mama Maitresse,” (Zara Cully) a Vodoun Priestess, to help her take revenge. After much pleading, Mama Maitresse agrees and calls upon the powerful Loa, Baron Samedi. Together Baron Samedi (Don Pedro Colly), Sugar and an army of Zombies slaughter Sugar’s enemies.

Sugar is a sexy, charismatic heroine. The Baron himself is surprised by her boldness, “You’re not afraid of me!” It is this fearlessness that sways him to grant her wish for vengeance and place an army of zombies at her disposal. She is the original Blaxploitation feminist. Strong, and self-possessed: a butt-kicking mama, who is ready and willing to take care of business; even if it means spilling blood. Yet, as was often characteristic of 1970s movies, Sugar is all too willing to give her heart to the right man. When her former lover, appropriately named “Valentine” (Richard Lawson) gets too close to solving the murders, Sugar tells Baron Samedi, “Stop him but don’t kill him,” for she’s already falling back in love with him. 

This movie is rich with archetypes of the African Diaspora. Morgan and his cronies are virulent racists who throw around the word “coon,” and other racial slurs. His only black employee “Fabulous” (Charles Robinson) accepts their treatment with a tolerant grin; although ironically he is second-in-command to Morgan. Destroying Morgan and his men is a symbolic blow against oppression.

Sugar’s slain lover’s name, “Langston,” subtly alludes to the famed African American writer and poet, Langston Hughes. Baron Samedi is a powerful Voudon Loa, usually found at the crossroad between the worlds of the living and the dead, with a taste for tobacco and rum. In Sugar Hill, he’s artfully portrayed, right down to his cigar and top hat. Beside the Baron, stands Mama Maitresse. Mama Maitresse is over 100 years old. She depicts the honored elder: ancient and revered. The zombies Sugar commands, are actually slaves, who have been resurrected from the dead. There are repeated references to slavery throughout the movie. 

And Morgan’s men don’t just go after black folks. They bully and exploit anyone that stands in their way—black, white and Latina. Thus, Sugar Hill portrays a struggle between the powerful and powerless. During a scene when one of Morgan’s men extorts money from a group of seamen, “You’ll pay for your jobs,” he bellows, “or starve!” Baron Samedi stands nearby, looking none too pleased. Moments later, Sugar is there. “Hey!” she says, “you and friends killed my man! I’m passing sentence. And the sentence is death.” At her command, the zombies chop him up—with machetes no less.

Sugar Hill holds its own among the best Black Horror films of the70s, films like Blacula and Dr. Black and Mr. Hyde. The chemistry between the characters, excellent typecasting and acting, make thoroughly enjoyable viewing, even beside the slick special effects of the 21st century. Filmmakers of today could take a page or two from Sugar Hill, and others from the 1970s. Especially if they want to create a thriller with a message.  

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Valjeanne Jeffers is a graduate of Spelman College, a member of the Carolina African American Writer’s Collective, and the author of eight books. 

Valjeanne was featured in 60 Black Women in Horror Fiction. Her first novel, Immortal, is featured on the Invisible Universe Documentary time-line. Her stories have been published in Reflections Literary and Arts Magazine; Steamfunk!; Griots: A Sword and Soul Anthology; Genesis Science Fiction Magazine; Griots II: Sisters of the Spear; Possibilities; and The City. Book I of The Switch II: Clockwork was nominated for the best ebook novella of 2013 (eFestival of Words), and her short story Awakening was published as a podcast by Far Fetched Fables. Preview or purchase Valjeanne’s novels at www.vjeffersandqveal.com

Black Horror Month : Warmth / An Unforgettable Journey

WARMTH by Sumiko Saulson

Review by Valjeanne Jeffers

In her third novel, Warmth, horror writer aficionado Sumiko Saulson weaves a supernatural labyrinth peopled with Afflicted beings or ghulah: Creatures who live by drinking the blood and eating the flesh of humans. The ghulah are intelligent meta-humans who go about their unusual lives … loving, eating, and always seeking warmth. For their transformation has rendered them unable to sustain body heat. And then there’s the second breed of preternatural creatures. The Dead: Lethal walking, breathing corpses with no other desire than to kill and eat. 

The heroine of Warmth, Leilana or, as she prefers to be called, Sera, is one of the Afflicted: A ghulah. Like all of her kind, she is not immortal but has an extraordinarily long life span. Sera was transformed and lost an eye when she was attacked by one of the Dead. And she takes great joy in hunting and killing these creatures… well aware of the dangers they pose for the world of the living. 

She looks like a young runaway, yet she is in reality centuries old, and she’s been pregnant since the Spanish Inquisition with a fetus that is also Afflicted. Yet Sera has no desire to be a mother and feels no maternal stirrings towards her unborn fetus— a child that will take centuries to grow to adulthood.  

The reader is first introduced to Leilana during the conquest of America, as she is thrust into the role of both rescuer and hunter. When a zombie attacks one of the men who has offered her shelter, thinking her to be an old woman, Sera quickly reveals herself to be a deadly supernatural being.

“She flew into the front door of the cottage, where the cause of Adolfo’s suffering became immediately apparent. The original Lazaro… the old gravedigger, had him pinned against the wall, and had bitten deeply into the flesh of his cheek, chewing it… eating it. Rotted clothes hung from the rail-thin frame of the Old Lazaro, and in places, purplish, bruised flesh showed through. The whites of his eyes had gone the cloudy yellow color of mucous. The ends of his fingers were caked with thick, wet grave dirt.

“I hate the Dead,” she hissed under her breath, running toward it. She shoved the sharpened end of her pike through the creature’s eye with such force that it went through the back of its skull, pinning it to the wall. A gelatinous mixture of curdled blood, vitreous humor and purulence issued from the ruptured visage, first slowly oozing, then gushing toward the floor.

Lifting the robe and the long skirts below it, she revealed her leg up to the knee—a small ax was strapped to the outside of her calf in a leather holster. She removed the weapon with a single graceful motion and shortly had it level to the creature’s neck.”

Six hundred years later, Sera is still living, still hunting… and still cold. But now she lives in a modern world: Full of new and lethal dangers. She has enemies. The most dangerous one a psychopathic ghula, whom she crossed paths with long ago. This maniac is convinced that Sera has stolen her baby from her womb, and is determined to reclaim the infant.  

Thus Warmth is a story that challenges the notions of womanhood and beauty. When Sera has the opportunity to have her scared face repaired, she decides to keep her visage as it is— scared though it may be. She cherishes her ruined face because it is the only way to preserve her cherished memories. 

When she looked in the mirror and saw her face, Sera remembered so many friends she’d had in her long past who were no longer with her. Perhaps even more so, she liked it because it was the only thing left in the world to remind her of the life she had before her Affliction—a short life, and difficult. It was gone now, faded into the pages of history.

Her marked face and her birth name were all she had left of it. 

Yet throughout her journey, we are reminded of just how beautiful Sera really is … once one looks beyond her face. This is a novel about becoming: Growing, and reinventing oneself when it’s necessary for survival. 

Saulson has spun a rich, multi-layered tale of both dark humor and nail-biting suspense. Along with the tough survivor Sera, we become acquainted with an entourage of characters; some human, some ghulah, and each with their own complicated, twisted lives. Among this cast is Sweet Melana, the brooding Larenzo, and S&M Master Fadriqueallies, foes. And all preparing for a war that may consume both the Afflicted and humankind alike. 

Saulson is a consummate horror writer, and in Warmth she has given us a horror novel that we will never forget.

Decade in review : A look back at 10 Years of HorrorAddicts.net

The Decade In Review

by Kate Nox

As we end our month of 10iversary celebration we offer a review of some of the content you have enjoyed and may want to take another look at.

Being a relatively new editor here at HorrorAddicts.net I find myself amazed at the scope of our horror blog. As a reader, you are part of a horror community from 192 countries around the world. From the United States to Togo, The United Kingdom to Antigua, Finland to Brazil,  readers are tuning in to check out what HorrorAddicts.net has to offer. On a regular basis, our staff reviews both blog statistics and your communications to make sure we are giving you what interests you most.  

At HorrorAddicts.net. We do our best to research and promote diverse and innovative voices. Among the most viewed entries of our past is an article entitled,  African American Horror Writers by David Watson. 5,123 of you enjoyed this feature.

We also try to bring you innovative content such as when we gave you the Next Great Horror Writer Contest and encouraged writers to advance their craft. You tuned in to read the author’s new material. Jonathan Fortin of El Cerrito, California was the contest winner and was awarded prizes including a  book contract from Crystal Lake Publishing. You were treated to all sorts of new reading experiences through the episodes of the contest.

One feature you have told us you really like are listicles. I’m with you on this. Give me a list comparing anything and I gotta read it! Among these, you enjoyed: Slasher Horror Books, and 1920’s Horror Books also written by David Watson.  

We are here to give authors for authors as well as readers. We are happy to share reviews and help authors get the word out about their books. You can always count on HorrorAddicts.net to give you book reviews such as those written by Chantal Boudreau on Arithmophobia by Ruschelle Dillon and by Stephanie Ellis on Ghost of Manor House by Matt Powers.

We often hear from our readers that one of the best things about our blog is finding and reading new authors. Sapphire Neal and Naching T. Kasa have done a great job of connecting us  with writers and personalities through their interview columns such as 13 Questions with Julie Hoverson and Chilling Chat: Episode 171 | Loren Rhoads

When you looked for the best in horror Movies you were directed to great film watching by Kristin Battestella and her Frightening Flix in Dracula 2000 and The Phantom of the Opera (2014).

For Indie Films you tuned into Crystal Connor and her Live Action Reviews such as the ones she did on  Welp and Never Tear Us Apart,

We gave you Extreme Transgressive Theatre like Salo (or The 120 Days of Sodom)  and The Human Centipede (First Sequence)

You enjoyed our coverage of the music scene in MUSIC REVIEW – Live show: Freakangel + Neonsol + Advance with Jeffery Kohld Kelly and with our new music feature like Merrill’s Musical Musings: Zwaremachine Review with R.L. Merrill.

We’ve had several writers who entertained you with Fiction Series.  Jesse Razorr gave you the frightening fairytale,   My Darling Dead. Russell Holbrook’s  Logbook of Terror travels kept you running in fear. Lionel Green continues to take us around the world through his investigations in THE BIGFOOT FILES and Kieran Judge always thrills with his inquiries into Odds and Dead Ends. 

Kenzie Kordic unnerved you in Kenzie’s Konspiracies  and D.J Pitsiladis kept you awake at night with his Nightmare Fuel

We also entertained in the Non-Media Areas of your life

We brought you cooking with Dan Shaurette in Morbid Meals We brought you Fashion advice from Mimielle who gave you My Melancholy Life. Kbatz gives you lots of haunting ideas for Krafts in her fun Kbatz Krafts Daphne Strasert brings you lots of spooky fun with her Ghastly Games

A few others I’d like to point out for their contributions to our decade of blogging are Christopher Fink writing as the Horror Seeker who gives us a variety of tales and information.  A.D. Vick has shared important information in articles such as The Passing of Sir Christopher Lee, and Cortney Mroch entertains us with Haunt Jaunts.

To take a look at any of the above, just click the link and enjoy. And, as always, please use the comment section to let us know what you like and to make suggestions for future blogging.

Review: Coven’s Hornbook by Frank Coffman

Review by Marie RavenSoul of The Coven’s Hornbook and Other Poems, by Frank Coffman

 

I HAD to read this book. The intriguing title drew me in like a moth to a flame. Knowing that within its pages were poems about the weird and supernatural made my dark heart leap with joy.

In his introduction, Koffman explains that the title was inspired by Leah Bodine Drake’s poetry collection A Hornbook for Witches. The preface is written by Donald Sidney-Fryer and the illustrations are by Yves Tourigny.

There are fifteen sections of the book, including Witchcraft and Warlockry, Sorcery and Summonings, and The Lycanthropicon: Werewolves and Their Ilk. The poems have numerous origins including Welsh, Spanish, Russian, and Korean. Many are sonnets, and others are long, randomly rhymed, and poetic narratives.

It begins with— A Meeting of the Coven.

       “Then, as the balefire glows

       And flames lick at the sky

       And embers crack and fly,

       A summoning is nigh!

       Soon, called forth by their cries,

       A Demon does arise.”

 The second poem called The Witches’ Sabbats has great meaning for me. I can picture the scene where the Witches are gathering in the forest to celebrate. The following lines gave me chills as they remind me of when I was blessed by Satan-Lucifer. 

       “A Circle round the central Fire as Demon’s called advance

        To join us—baptized in the light of Lucifer.”

Heritage: An Old Country Legend is a long poem. It tells the story of Caleb, his wife, and his children. How one-night Caleb’s wife went up to the graveyard to read poetry—or so she said. It became a regular occurrence until Caleb found her dead with the book, along with a note, by her side. Chilling events continued to happen to the family, making me read as fast as I could with anticipation.

Those Days in Salem Town is about the Salem Witch Trials. When accused of Witchcraft by young girls, members of the town were put on trial and then hanged. It is a compelling story and the following last lines are powerful.

       “But some few know the truth, 

        Fallen spellbound, enthralled.

        By the Dark One we’re called:

         And now—We rise!”

Legend: Archer Avenue, Chicago is a long poem and is about a man who sees a beautiful young girl, dressed in white, as he is driving down a long road. He takes her home, but when he returns to visit, he is in for a shock. The author uses description well and I loved how I could see the girl in her flowing white dress and her light coloured hair. It is the perfect ghost poem that also touches the heart.

I enjoyed Neophyte’s Lesson as it speaks of Baphomet, Crowley, black candles, and bloody letters. A story of a man who studied well-known occultists but got no results. Then when he began to practice, he got more than he bargained for. 

I love the poem Halloween. It has fun rhymes and is about goblins, warlocks, pumpkins, black cats, and spider webs. Children will find it enjoyable to read out loud, especially as part of their Halloween celebrations. 

Ring of Horror is a creepy poem which is one of the reasons why I like it. It makes me feel nostalgic as it reminds me of a circle of stones in a park that I visited a lot as a teenager. Just as in the poem, no one seemed to know how long the stones had been there, and it was rumoured that rituals took place there at night.

Nosferatu is about the vampire film with the same title. It describes Nosferatu in a compelling way to where you can picture his hairless head and pointed ears. He states:

       “This is a vampire from a different realm

       Than Stoker outlined on the classic page. 

       Though sepia black and white, in darkly contrast,

       The Mind’s Eye fills, with colourings of Horror

       At the creature’s form, indelibly to last—”

Another poem that I enjoyed was The Ways Poems Come to Me. It talks about how a poem is put together, beginning with the form in which the poem will be written in, parts of speech, verbs, nouns, what inspired it, and more. It is quite long, but it is worth the read. If you are a poet, then you will be able to identify. 

Great poems to read out loud are The Witches’ Rite at Beltane, The Fateful Flower, Vengeance, and At the Gravesite. The words rhyme in a way that makes them fun to say while adding unique expressions to each line.

A ‘Glossary of Forms’ gives detailed explanations of the many kinds of poetry forms that exist in this book. This includes the ‘Cynghanedd Sain,’ which is when two words in a line rhyme and the second rhymed word alliterates with the final word of the line. The Pantoum, which is a Malaysian form that I recently started using, is fun to write. It is a way to strongly express a feeling or idea as the second and fourth lines of each quatrain are repeated as the first and third lines of the next one. I appreciate all the effort that Coffman put into the glossary, and it will be something that I will return to often to assist with my poetry writing.

 An ‘Alphabetical Index of Titles,’ an ‘Acknowledgement—with Thanks,’ and a ‘Colophon’ concludes the book.

The only gripe that I have with the book is that there are quite a few stereotypical references to Satan and Demons. No, Witches and Satanists do not sacrifice babies nor do the Demons desire it. Unfortunately, these are common themes in horror, but I wish that people would stop using these old myths. 

Overall, this was a good book and I recommend it to those who love horror. If you know someone who doesn’t usually like poetry, you might want to use this book to spark their interest. I suggest taking your time reading this by enjoying one poem at a time, not rushing through the book like it’s a novel. 

Frank Coffman has published fiction and speculative poetry in numerous anthologies and magazines. His writing goes beyond the weird, supernatural, and horrific. He founded the Weird Poets Society Facebook group and is a member of the Horror Writers Association and the Science Fiction and Fantasy Association. He is a retired professor of college Creative Writing, English, and Journalism.

Merril’s Musical Musings: Her Despair and Best of 2019

Her Despair and Best of 2019

Greetings and Salutations for a brand new year and decade that I am confident will be filled with amazing music. I’m Ro, your musical tour guide, and today I want to share with you some of my favorites from the past year and introduce you to a Goth rock outfit from the UK called Her Despair. Their music will take you right back to those 80s afternoons sitting in your bedroom listening to cassettes—or perhaps your vinyl collection—waiting for the night to fall and bring with it the creepy darkness where anything can happen and life is just a little more interesting.

Her Despair melds together sounds of Peter Murphy and Sisters of Mercy as well as current artists like Nightwish and HIM. Their latest release, Exorcisms of Eroticism, was released in summer 2019 and contains melodic jams like “Pandaemonium” and “The Exorcism,” which has an appropriately dark music video to go along with it. “In That Moment” is my favorite track on the EP. The haunting, romantic vocals dance over the dichotomy of the synthesizers and guitars, giving it a nostalgic sound, but you could also expect to hear it on a modern-day alternative rock station. “Like a Crucifixion” is another excellent example of their sound. A steady rock beat with powerful lyrics make for an enjoyable combination and will have you slipping into Her Despair like a comfortable pair of black fishnets…or a worn pair of Doc Martens. 

For more on Her Despair, check them out at the links below. 

The Exorcism” video: https://www.youtube.com/watch?v=Clqrj6rftJA 

https://www.facebook.com/herdespair/

https://www.instagram.com/herdespairband/?hl=en

https://www.youtube.com/channel/UCVZhKFjVsq1Wpbruy-dryuw/featured

 

Ro’s Recs

Many great albums were released in 2019, and while I’m not a big list maker, I thought I’d share a few of them here. Some bands have been with us for decades like Slipknot and Korn and others were new to me. Bands like Papa Roach, Sleeping with Sirens, Volbeat, and Bring Me The Horizon took big risks on a new sound that paid off well. We lost Vinnie Paul from Hellyeah, but the band gave him a beautiful sendoff with Welcome Home. Motionless in White and New Year’s Day put out powerful albums that cemented their status in the rock community as artists that have fought long and hard to be there. Baroness returned from a harrowing tragedy to put out a strong album. I Prevail had a fairytale beginning with a cover of Taylor Swift and this year they’ve been nominated for a Grammy! And lastly, The Hu, Fever333 and Bad Wolves were all new bands to me that I am glad I took a chance on. I hope you will too. 

Slipknot – We Are Not Your Kind

Bring Me The Horizon – Amo

Papa Roach – Who Do You Trust?

Hellyeah – Welcome Home

Motionless in White – Disguise

New Year’s Day – Unbreakable

Volbeat – Rewind, Replay, Rebound

Korn – The Nothing

The Hu – Gereg

Baroness – Gold and Grey

Bad Wolves – N.A.T.I.O.N.

Fever333 – Strength in Numb333rs

Sleeping With Sirens – How It Feels To Be Lost

I Prevail – Trauma 

There’s a wide variety on this list, a little something for everyone, so as we prepare for a new year of music, give some of these a listen.

What are you looking forward to in 2020? Leave a comment and let me know what music I should be looking out for in 2020. And with that, Stay Tuned for more of Merrill’s Musical Musings…

 

Book Review: A Single Light by Tosca Lee

A Single Light by Tosca Lee
Review by Stephanie Ellis

Rating: 4/5 stars

This book is the sequel to The Line Between

singlelightSix months after vanishing into an underground silo with sixty others, Wynter and Chase emerge to find the area abandoned. There is no sign of Noah and the rest of the group that was supposed to greet them when they emerged—the same people Wynter was counting on to help her locate the IV antibiotics her gravely ill friend, Julie, needs in order to live.

As the clock ticks down on Julie’s life, Wynter and Chase embark on a desperate search for medicine and answers. But what they find is not a nation on the cusp of recovery thanks to the promising new vaccine Wynter herself had a hand in creating, but one decimated by disease. What happened while they were underground?

With food and water in limited supply and their own survival in question, Chase and Wynter must venture further and further from the silo. Aided by an enigmatic mute named Otto, they come face-to-face with a society radically changed by a global pandemic, where communities scrabble to survive under rogue leaders and cities are war zones. As hope fades by the hour and Wynter learns the terrible truth of the last six months, she is called upon once again to help save the nation she no longer recognizes—a place so dark she’s no longer sure it can even survive.

The follow-up to The Line Between brings me the apocalyptic feeling that appeared to be slightly lacking in the first book and as a result, gave a more satisfying read in that respect. The book starts off with pretty much a recap of what had happened previously and so allows anyone who hasn’t read the first book to get to grips with the storyline. Unfortunately, if you have read the prequel, it does come across somewhat heavy-handed and I found it rather annoying as it took a while to move the story further along. Once the author had brought everyone ‘up to speed’ however, the story did move along quite nicely and became a book that I didn’t really want to put down.

The safe-haven Wynter and Chase found for themselves has become anything but. Accusations lead to life-or-death situations, and the once united community splinters and suspicion becomes rife as the clock counts down to ‘Open Day’ in an increasingly claustrophobic atmosphere. Even when the silo opens, nothing goes to plan and there follows a desperate race against time for Wynter to find the necessary medicine to save a close friend’s life. They travel through damaged townships and into dangerous cityscapes, discover the extent of hunger and lack of medication, and the spread of the disease wiping out the human race. Through all this, Wynter’s ability to trust those around her is challenged by an apparent betrayal and her relationship with Chase falters as a result. The book develops into a nicely-paced page-turner, keeping you going to see if Wynter has the happy ending you would like for her or not. As someone who generally backs off from books with a ‘romance’ element, this aspect was sufficiently well done not to make me cringe and kept me reading.

The only reason I did not give this book 5 stars, was the opening ‘catch up’ chapter.

This book is for you if you like an apocalyptic thriller with a dash of romance.

Book Review : Whisper Music (The Morrigan Canticles) by JBToner

Review by Jason Morrison

What can I say about Whisper Music  ( The Morrigan Canticles)? This book had everything you could ever enjoy:  buddy cops, ancient vampires, and a war against the forces of evil.

The book opens when Danyeala Morrigan, a young vampire given vastly superior powers by one of the last original vampires, is in an epic battle with the Virgin Mary, yes, the Virgin Mary, mother of Christ.

When Danyeala tastes the blood of Mary, she gains new powers and soon after begins to develop a change of heart, leading her into contact with two Boston cops. One is detective Harry Blake, the other a rookie detective named Danny Mcardle. The two are investigating a homicide victim whose spine was ripped out of his body. Soon after detective Blake and Danyeala cross paths, Blake finds out that vampires are real and a group of vampire hunters run by the Vatican, joins the story.

I really enjoyed this novel, one of my favorite things was the interaction between Blake and Mcardle, one being the older grizzled cop and the other a light-hearted jokester.

The author does a great job of describing scenes in wonderful detail, like how Danyeala must decide whether to embrace her vampire nature fully, or piece her humanity back together and salvage whatever good she has left in her. If you are not afraid of hardcore violence, lots of cursing, and non-sex sexuality then I would recommend this novel to you.

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Jason Morrison is a first time reviewer for HorrorAddicts.net.

Book Review : The Pale White by Chad Lutzke

Review by Marie RavenSoul
Spoiler alert: Some details may be revealed.

The Pale White, by Chad Lutzke

The story is told by Stacia, a seventeen-year-old girl held captive by a degenerate named Doc. Beautiful to the eye, his house is like a Victorian mansion, but something sinister lurks behind closed doors- the sex trafficking of young girls. 

She is not alone. 

There is nine-year-old Kammie, who loves plants and draws flowers on everything. Since the horrible night that Doc took her innocence, she has never spoken a word. 

The toughest of all three of them is Alex. She dresses in leather, fishnets, and short black skirts, giving her a goth-punk appearance. She believes she is a vampire and avoids light, even when it means her freedom.

As punishment, Doc starves them. This last time it was because Alex bit a client. She decides that it is time to follow through with their plan, which will bring them the freedom that they have wanted for so long.  

When they can finally leave their prison, the girls realize that they will no longer be together. So, instead, they make sandwiches as they try to obtain a sense of normalcy. It is quickly taken from them when there is a knock at the door. 

What happens next is terrifying. It seems as if the violence surrounding the girls will never end.

Flashbacks of previous traumatic events reveal clues as to why they behave the way they do. Alex’s viciousness is justified, and the reader can’t help but feel empathy towards the girls for the abuse they endured.

My favourite character is Stacia. She is compassionate, despite the horrible things she has been through. Before she was taken, she lived with an alcoholic mother and her lowlife boyfriend, and she questions whether she should go home or start a new life elsewhere. 

I like how the author used description to create a twisted atmosphere and induce emotion, but more detail throughout the story would have made it more powerful. The subject matter of the book makes it difficult to read in places as it deals with rape, violence, and psychological torture.

The ending came as a shock. I thought it was abrupt and had some unresolved issues. I am hoping a sequel will follow.

If you are a fan of dark tales with a lot of twists and turns, The Pale White is a book that you will want to crack open on a cold, wintery night. 

Chad Lutzke is the author of numerous books including The Same Deep Water as You, Wallflower, and Skullface Boy. He has written for various magazines such as Cemetery Dance, Rue Morgue, and Scream, and he has contributed articles, reviews, and artwork to the music and film scene. He lives in Battle Creek, Michigan with his wife and children.


Marie RavenSoul is a freelance writer and is the owner of the website In Satan’s Honour- Satanism and Demon Worship. She is the author of ‘At Satan’s Altar- A Collection of Prayers, Chants, Affirmations, Hymns, and Rituals.’

She is currently studying Creative Writing at the University of Toronto. Her other interests include painting, reading, photography, haunted dolls, The Tarot, and music.