An Interview With Lisa Mannetti

Our Featured author for episode 132 of the HorrorAddicts.net podcast is Lisa Mannetti. Lisa writes what I like to call historical horror fiction. Recently she talked to us about her work:

What is your story for episode 132 about?

Stoker_NomineeI will be reading from The Box Jumper, my stand-alone novella about Houdini which was nominated for both the Bram Stoker and Shirley Jackson Awards and won “Novella of the Year” from This is Horror. The protagonist or narrator is Leona Derwatt, a former “box jumper” i.e. assistant to the great magician himself. Thirty years after Houdini’s death, she says she’s going to reveal his secrets about the paranormal—but is she telling the truth? Leona was in love with Houdini and she helped him debunk fraudulent Spiritualists, but in the present (1956 in the novella) she’s trying to guard herself from telling a shady medium/magician named Emory the real source of Houdini’s powers. As the book progresses, we (as readers) realize she’s been drawn into a dangerous situation with Emory and two of his cohorts that is more nefarious than she ever imagined. The novella’s five parts and main structure follow the five classic symptoms of demonic take-over—from “invitation” to “summoning” to “obsession” through “infestation” and finally, “possession.” Has Leona been “invaded” and overcome by dark forces? Or is she merely a tragic, lonely figure who’s fallen prey to madness? Terrifying and poignant, the novella delves into the darker side of a broken woman who worshipped an immensely charismatic public figure—and maintains—was loved by him in return.

When did you start writing?

I first started writing when I was eight years old—and the very first story I dwatch 277x419wrote (that wasn’t an assignment from one the nuns who taught at my school) was a psychological tale about vampires. Sounds pretty sophisticated, right? It wasn’t though. It turns out my parents were going crazy because I had night terrors and I was keeping the entire household awake night after night. When I wrote the story, my mother read the “Twilight Zone” ending I’d tacked on which was that the girl’s frightening nightmares and dreams were actually triggered when her mother came in each every evening to kiss her while the child was asleep and resulted in her bolting upright and screaming an hour or two later. This goodnight ritual was my mother’s routine because she was going for an advanced degree from NYU and by the time she got off the train and came home, I was already in bed, asleep. The great thing from my parents’ point of view was that by writing about it, I saved them megabucks at the psychiatrist they were just about to drag me to. The important thing for me was that if you let your subconscious run, great stories (not this one, necessarily) can happen. And sometimes it doesn’t matter if truths about the author emerge—I mean unless you have my mother as your first reader, chances are excellent you won’t know what the hell you’re revealing and won’t have to feel embarrassed.

What are your favorite topics to write about? 

I really like writing about the dark side of life. Disease and disfigurement are prominent themes. I’ve written about polio, glanders (a disease that afflicts horses but can also spread to humans), radiation poisoning, and a host of other terrible ailments. In fact, I think one of the reasons the door to my imagination opens wider when I set the stories in the past is because the medical treatment was so abysmal compared to today’s standards that disease (of all kinds) was more part and parcel to everyday life. I like to write about the things that “seize” us mentally or physically and force us to cope with what’s beyond our control. I also like to write about the changes a disease has—not just on our bodies—but on our psyches. Both disease and possession/manipulation in my work are metaphors (ultimately) for the things around us we can’t control—those profoundly painful moments each of us face in life. We all encounter deep disappointment, death of loved ones; harrowing circumstances that make us question ourselves and the world around us. I like to write about that nexus—the things that impact our lives and create permanent change in our bodies, minds and hearts.

Who or what inspires you?

I think a lot of my stories are still attempts to reckon with the fact that we all die someday. Because my mother was a nurse (later a public health director) we had plenty of medical-type textbooks around the house and the pictures and the diseases both fascinated and terrified me. From fourth through seventh grade, for example, I was obsessed and phobic about getting leprosy. It sounds funny now, but I really did worry about it to the point I was getting up in the middle of the night to check and see if my palms were turning yellow or if I’d lost feeling in my feet. The Catholic nuns were big on discussing it back then (and collecting money to send to leper colonies) and there was plenty to read in the school library about notable figures like Father Damien. The big thing about him, as I recall, is that during one Sunday sermon he began speaking about the affliction “we” lepers endure and that was the hint to the rest of the colony that he’d joined their little weeping sore club. There were also tons of books in each classroom that dealt with the lives of the martyrs—all of whom died gruesome, miserable deaths. (Everything from being shot with arrows, to roasted over coals, to thrown to lions) and between those books and my mother’s handy pictorial guides, disease became a lifelong fascination for me. I didn’t really move to the next level—how it impacts our personalities—until I was in my late twenties and diagnosed with a benign pituitary tumor that turned out to be no big deal. But, while I was at the doctor’s office, I saw a woman about my age who was not only disfigured, but completely miserable. Don’t get me wrong. I had the utmost sympathy for her, and it was abundantly clear she was suffering. It was also obvious that she couldn’t help snapping and being somewhat nasty to people around her because her life had been utterly ruined by her disease. It was terrifying to me to contemplate—not just the havoc and devastation the disease wrought on her physically—but how her mind and heart had given way and succumbed, too. Years later I read Pet Cemetery and realized Stephen King was probing the same idea when he depicts what Rachel went through on account of her crippled sister.

What do you find fascinating about the horror genre?

Tom and Huck adult 2014Well, one thing that strikes me—as both a reader and a writer—is that the genre has both suffered and gained from a schizophrenic perception of its merits and faults. The first gothic supernatural novel, The Castle of Otranto written by Horace Walpole in 1764 (which was both enormously popular and truly awful) claimed to be drawing on the works of Shakespeare. In my personal opinion the only thing Walpole really has in common with the bard derives from what I consider one of Shakespeare’s more preposterous works: Titus Andronicus. Castle includes some pretty laughable scenes including one where a giant helmet falls out of the sky, and Titus has a lot of over-the-top action, too—his daughter, Lavinia, enters at one point carrying her father’s severed hand between her teeth. Sure, there were and are some terrible horror novels—just as there are in any genre and in mainstream books as well. As a reader and a writer, I find it both fascinating and wonderful that authors like Stephen King and Peter Straub and Shirley Jackson (and many others—too numerous to mention) completely legitimized and elevated horror—and it’s a pleasure to be able to write serious, literary works in their wake. Without their achievements, horror would be consigned to remainder tables, beach reads, and scrap heaps for the most part. The general public seems to have difficulty in making the imaginative leap or transitional analysis that (for example) makes them aware that a book like William Styron’s Sophie’s Choice or a play like Tennessee Williams’s Suddenly Last Summer are fraught with horror—and that many of us draw upon the same kinds of important themes when we write.

Could you tell us about 51 Fiendish Ways to Leave Your Lover?

It started as a little joke to amuse myself, then P.D. Cacek suggested I find an illustrator and she introduced me to the wonderful and wonderfully talented Glenn Chadbourne. 51 Fiendish Ways is a macabre gag book of mostly one-liners about the nasty side of breaking up. There may be copies here and there, but alas it’s pretty much out of print. The good news is that sometime in what I hope will be the near future, Glenn and I are going to reissue the book with new cover art, a new introduction, etc. I’ve always been drawn to dark satire—it’s a skewed perception of a situation—just as horror the “overlay” used by horror writers.

This is a small video trailer of 51 Fiendish Ways for your enjoyment.

Could you tell us more about The Gentling Box?

Although it wasn’t the first novel I wrote, it was my “debut” novel and I was thrilled beyond measure when it won the Bram Stoker Award.

The book is set in 19th century Hungary and Romania and its protagonist (who is suffering from a fatal disease), Imre, a half-gypsy horse trader; his immediate family; and his close circle of friends have all been duped by his wife’s mother, a sorceress named Anyeta whose goal is to gain personal power and to throw off a curse that will condemn her to being eternally awake and aware in her own grave. But, the only way to make an end of Anyeta and to grant her victims peace is gentling—a crude surgery performed on wild horses in order to tame them. Imre’s most hellish childhood memory is witnessing his father opening the crate-like gentling box and placing the wooden and leather devices around the heads of a herd of wild horses. Jutting inward from the circular bands are metal spikes which penetrate the horses’ brains and Imre cannot forget the sight of the blood or, more sorrowful still, the dimming of intelligence in the horses’ huge glossy eyes. Despite his trade, he has never gentled a horse—nor can he bring himself to face the ironic fact that in order to free Anyeta’s human victims, he must gentle them. His decision, then, is whether he can summon the courage to heal himself of his disease by claiming the curse known as the hand of the dead, knowing that once he does so, he must also ultimately face the terror and the freedom of the gentling box.

Here’s the trailer from the second edition:

N.B. The book is currently in its third edition (with wonderful cover art by Steven Gervais) published by NightScape Press and available from Amazon and other online retailers.

It seems like a lot of your work is a mix of historical fiction and horror, Do you have a favorite time period to write about and how long does it take you to research a book before you write it?

gbox+280x419My background (actually my graduate degree and half my Ph.D.) is in 18th and 19th century English Literature; but this is a sort of chicken vs. egg situation since I’m not sure which actually came first. I’ve always been drawn to that period and it seemed like a natural fit when I began writing fiction. That said, I’ve set books and stories in 16th century Scotland, the late 19th and early 20th century in America, as well as in the present. I find that the past often opens the door imaginatively for me and I often write in the first person because it’s a natural and immediate identifier for the reader. Unconsciously, the reader accepts and becomes one with the narrator and therefore finds it easier to slip into the past as present.

It depends on the story or book; but six weeks for a story and six months of research for a book are pretty typical. I also continue to research as I write and will look up whatever I need: a street address, the name of a song, a diagnosis. It keeps the process very interesting to say the least and I select what I find mind-boggling so hopefully the reader will also get caught up in those details. While I’m writing a particular piece, I also watch any videos and read any other books I can find that touch upon the topic—it keeps me close to the lives my characters are experiencing and even unconsciously influences the subtle details of the tale. So, for example, when researching Houdini, I not only read all his written work and biographies about him and Sir Arthur Conan Doyle, and watched videos of his and Doyle’s films, I also read up on and watched anything I could find about mentalism, the Spiritualist movement, séances, magic, hypnotism, demons, 1920s New York City and Boston, mediums, and witchcraft. Plus a lot more that I can’t think of right off the top of my head.

What are some of the other books you have available?

YA Tom and Huck 547 x 819There are tons of my stories published in numerous well-edited anthologies that also include some other wonderful authors—so I can recommend them all without reservation. (Check out my Amazon Author page.) But, also available are my Stoker nominated stories, “The Hunger Artist” –which can be found in Zippered Flesh 2 (Smart Rhino Publications), and my short piece about Lizzie Borden, “1925: A Fall River Halloween” in Shroud Magazine #10. “Everybody Wins,” which was made into a short film starring Malin Ackerman (Bye-Bye Sally) is available in Uncommon Assassins. (Smart Rhino Publications).

Among my books (fiction) are The New Adventures of Tom Sawyer and Huck Finn (Smart Rhino) and Deathwatch, (NightScape Press) which is a collection of two related novellas, “Dissolution” and “The Sheila Na Gig.” “Dissolution,” which was nominated for a Stoker Award, is set in 1893 and will soon be a feature-length film directed by Paul Leyden. It’s the story of a young medical student who’s been expelled from university and finds himself in an isolated town in upstate New York where he learns that though he’s been ostensibly employed as a tutor to twelve-year old twins, their father has actually hired him as an assistant in an endeavor to separate them because they’re conjoined. “The Sheila Na Gig” is also set in the 19th century and concerns a young man and his dysfunctional family and his grandmother’s supernatural powers. Both novellas are very dark.

The New Adventures of Tom Sawyer and Huck Finn (Adult and YA editions) is a lighthearted tale in which Twain’s Tom and Huck have been reincarnated as twin white cats and familiars to a witch. They long to be boys again—scheming accordingly—and, as New York Times best-selling author Jonathan Maberry writes in the introduction, “The novel is equal parts Mark Twain’s quaint and homespun humor and Mannetti’s sharp-as-a-razor modern-day wit…an adventure into the funhouse of intelligent imagination.”

Finally, “1925: A Fall River Halloween”; The Gentling Box, and The Box Jumper (April 2017) have all been translated into Italian.

Where can we find you online?

Just about everywhere! I’m also a member of the HWA and the Author’s Guild.

Websites:

www.lisamannetti.com

https://www.amazon.com/Lisa-Mannetti/e/B001HPT6J8/

http://lisamannetti.blogspot.com/

http://twitter.com/LisaMannetti

https://www.facebook.com/LisaMannetti.Writer/

https://www.pinterest.com/lisamannettiaut/

https://www.goodreads.com/author/show/1978203.Lisa_Mannetti

The Chancery House:

www.thechanceryhouse.com (my virtual haunted house)

Lisa 2Lisa Mannetti’s debut novel, The Gentling Box, garnered a Bram Stoker Award and she has since been nominated four additional times for the prestigious award in both the short and long fiction categories. Her novella, “Dissolution,” will soon be a feature-length film directed by Paul Leyden.
In addition to The Box Jumper, her novella about Houdini which was nominated for both The Bram Stoker and Shirley Jackson Awards and won “Novella of the Year” from THIS IS HORROR, she has also authored The New Adventures of Tom Sawyer and Huck Finn; Deathwatch; a macabre gag book, 51 Fiendish Ways to Leave your Lover; as well as non-fiction books, numerous articles and short stories in newspapers, magazines and anthologies. Recent and forthcoming works include “Arbeit Macht Frei” in Gutted: Beautiful Horror Stories, “The Hermit” in Never Fear: The Tarot, and a novel about the dial-painter tragedy in the post-WWI era, Radium Girl.

David’s Haunted Library: The Box Jumper

 

David's Haunted Library

26880448A box Jumper is a magician’s assistant and one of Houdini’s box jumpers was Leona Derwatt. Leona came from a working class background and her father idolized Houdini. In 1919 she met Houdini while working in a magic shop, Houdini hired her on as an assistant and she became one of Houdini’s favorite employees. They worked as a team exposing spiritualists  as frauds and performing illusions on the stage. Their life together was complicated and it was made more complicated as the charlatans who Houdini exposed as frauds conspired against them.

The Box Jumper by Lisa Mannetti is like a paranormal mystery that keeps you off-balance until the end. The story is told out-of-order which to me made the book seem more original and added to the mood. You have to pay attention to how all the pieces fit together and how the story is told gives it a surrealistic feel.  It starts in the past, moves to the present and then keeps going to different periods in the life of Houdini and  Leona. You may have one scene with Leona where she is young and life is going well then there is a flash forward to a dark period in her life and then we skip to the future where she is reminiscing on her past. I found myself constantly wondering where this story was going which made the mystery in it that much better.

The best part of The Box Jumper is how it handles Houdini’s history. It deals with how Houdini exposed mediums and spiritualists as frauds and it gets into how the charlatans were able to trick people out of their money. This book brings history to life and showcases spiritualism and magic at a time when it was at the height of its popularity.  You don’t have to be a fan of horror to love this book , fans of historical fiction will love it too.

Another good part of this book is Lenora herself, you get to see her at different stages in her life and how she deals with abandonment, disappointment, happiness, and love. For a novella this book touches on several different themes and does a great job of making you feel for Leona. When I first read the ending I was upset by it but after thinking about it a little more I thought the end made perfect sense and I can’t explain that without giving the story away. The Box Jumper is a brilliantly written book and well worth your time.

Cheap Reads

206_SomeoneWicked_Amy_1For this post I want to take a look at anthologies. One anthology I’ve read recently is Someone Wicked which was edited by Weldon Burge and JM Reinbold and available from Smart Rhino Publications. This book is a collection of 21 tales by the Written Remains Writers Guild that cover such genres as horror, comedy, fantasy and mystery. This is one impressive anthology, every story here is well written and each story is different from the last.

One good story in Someone Wicked is Reckonings by Gail Husch. I loved how the main character describes herself in the beginning  and then she gets into all the little things that she does to get vengeance on the people who annoy her. This is a simple story but the way everything is described paints a picture and makes it come to life. The way this one was written made me think this is going be a great anthology and all of the other stories here are just as good.

Reckonings is a  quiet, psychological horror story with a touch of humor. To show the diversity in Someone Wicked the next story is The Flenser by Billie Sue Mosiman. This horror story goes more for the gross out effect but still manages to have interesting characters and a good shocking ending. The Flenser is about a man who gets a job cleaning flesh off of skull so they can be sold to medical facilities. I did not know jobs exsisted like this and it was interesting reading about how these people would interact with others and what their idea of fun might be.

One of my favorites in this book is Mirror, Mirror by Chantal  Noordeloos. This is a dark fantasy story that looks at the legend of bloody Mary. This story begins in 1852 and is told by a girl named Sophie who along with her mother lives on a  plantation. Sophie has a step sister named Marie-Louise who is a bully and likes to make Sophie’s life hard. In addition to bullying, Sophie has a hard life and her mother along with others end up dying under mysterious circumstances. Sophie feels like an outcast and makes friends with some of the slaves. Here Sophie finds out about the cursed mirror in the house. I loved how this story was told with all the details of life in the mid 1800’s and I liked Sophie’s relationship with the slaves. This was one great horror story on a legend that I didn’t know much about.

In addition to the excellent horror stories in this book there is a mystery here called Missing by JM Reinbold, along with some good takes on fairy tales such as Sisters: A Fairy Tale by Liz DeJesus which I would love to see expanded into a novel. I also loved the dramatic Impresario by Maria Masington, this one takes a look at one young person’s descent into drug addiction that I think sadly a lot of people can relate to. This book even has some stories that are just for laughs such as The Semi-Aquatic Blue Baker of Borneo by Justynn Tyme which is a hard story to explain, it just has to be read. This anthology has it all and is a book you shouldn’t pass up. There are also two other anthologies from Smart Rhino that you might enjoy:


13489986Zippered Flesh edited by Weldon Burge

Monstrous transplants. Appalling amputations. Bizarre implants. Nightmarish forms of body enhancements. Disturbing, perverse, often gut-wrenching stories–all between the covers of this anthology. Here are 20 tales by some of today’s best horror, suspense, and science fiction writers, including Graham Masterton, John Shirley, Scott Nicholson, Michael Laimo, Lisa Mannetti, L.L. Soares, Armand Rosamilia, Aaron J. French, Christopher Nadeau, Michael Bailey, Adrienne Jones, Charles Colyott, J. Gregory Smith, Michael Louis Calvillo, Jezzy Wolfe, Jonathan Templar, P.I. Barrington, Elliott Capon, Rob M. Miller, and Weldon Burge. The stories are not for those who are faint of heart or squeamish, or who are easily offended by nasty language, bloody violence, and freakish body augmentations. You’ve been warned!

Broken: Stories of Damaged Psyches edited by Weldon Burge

This is a collection of five horror/suspense stories by Weldon Burge, including:

SIZZLE — A philandering doctor meets a hill man who wants the “sizzle” cut out of his brain

ANOTHER HIGHWAY FATALITY — A college girl, driving alone late at night during a heavy storm, is stalked by a car with a missing headlight

WHITE HELL, WISCONSIN — A snow plow driver, plowing back roads in rural Wisconsin during a blizzard, fights for his life against elusive assailants

PERMANENT DETENTION — A stressed-out teenager believes his History teacher is actually one of the living dead

BLUE EYE BURN — A Vietnam veteran is haunted by a terrifying incident involving a young Vietnamese girl