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The Addams Family Season Two is More Spooky Good Fun
by Kristin Battestella
Gomez Addams (John Astin), his wife Morticia (Carolyn Jones), children Wednesday (Lisa Loring) and Pugsley (Ken Weatherwax), Grandmama (Blossom Rock), Uncle Fester (Jackie Coogan), and butler Lurch (Ted Cassidy) all return for another thirty episodes of the 1965-66 Season Two of The Addams Family – bringing along the ooky other side of the family with Aunt Ophelia and Granny Frump.
Year Two steps forward by going back to explain how Gomez was supposed to marry Morticia’s sister Ophelia in the wonderful “Morticia’s Romance: Part 1.” It’s their “lucky” thirteenth wedding anniversary and this flashback recounts everything from Morticia bringing Kitty Cat and Cleopatra to the house to her curing Gomez of his chronic bronchitis with her French. While their mothers discuss the dowry, Morticia digs graves for her beheaded Anne Boleyn doll, and each side consults Uncle Fester and Cousin Itt on the dilemma. It’s great to see The Addams Family give their hallmarks a fresh spin, and the shrewd decision to make this two parts allows more time for the lovable internal hijinks. By “Morticia’s Romance: Part 2” Ophelia suspects Gomez is reneging on marrying her despite signing over his elephant herd and Brazilian nut plantation for $50,000. Excellent puns, family quips, breaking the fourth wall, and even a moral on telling the truth instead of hiding behind cowardice gives everyone their moment, combining for some of the best in the series. Thing finds romance too in “Morticia Meets Royalty” when Princess Millicent aka Aunt Millie from Iowa arrives along with her handmaiden Lady Fingers – whose father used to be Millie’s footman. She’s right, Thing is left, they’re the perfect match! It’s totally silly watching shy hands open and close boxes but darn it’s entertaining as The Addamses go out of their way to make their penniless royal relative at home complete with tiaras, cavalier capes, feathered caps for the whole family, knee pants for Lurch that split, and of course, Fester the Jester. Odd episodes that only The Addams Family can do are the best, and when the family moonbathing is interrupted by a call from the photographer for a man of the year magazine in “Portrait of Gomez,” Fester decides to capture the essence of Gomez himself with an unstable powder pop camera. Is the perfect DMV photo what Gomez needs? If only he could pass his driving test without Thing to handle the gearshift!
While some may dislike the mistletoe intruding on the spooky in “Christmas with the Addams Family,” it’s neat to see how The Addamses spin the holiday when a nasty neighbor says there’s no Santa. They can’t remember all the reindeer names, but presents like “Holiday Macabre” poison perfume for Ophelia, a gloomy bare tree with broken ornaments, and all the family together breaking the fourth wall ironically sum up much of the series. From a Deck the Halls sing a long with Thing on the hand bell to Santa Fester stuck in the chimney, this family sticks together no matter what. While this episode also repeats many of The Addams Family staples – a child dilemma, each relative tries to solve it, hysterics ensue – Pugsley and Wednesday figure out the delightful Addams twist. After all, when Itt arrives as Santa, the jig is up. Of course, every silver lining has its cloud, and two weeks of blue skies and sunshine give everyone cabin fever in “Morticia and Gomez vs. Fester and Grandmama.” Arguing over spoiling the kids with dynamite explodes into alligator wrestling and crocodile tears, leaving Lurch stuck in the middle of the dividing lines – literally. Fortunately, “The Great Treasure Hunt” reminds Gomez and Morticia that there’s nothing more romantic than a dark, chill attic with a porch swing during a thunderstorm, and upon discovering Peg Leg Addams’ sea chest and sextant, well, “My, wasn’t he the naughty one!” Fester’s game for adventure if money and rum are involved as the treasure map suggests, but captain of the family Gomez goes “aft to shiver me timbers.” The pirate put-ons are a lot of fun, but The Addamses debate sending their children to private school in “Addams Cum Laude” when their old principal rebuffs bringing dynamite to recess. Gomez drop $10,000 to skip the waiting list but ultimately buys the school to run it properly – with Fester as Dean of Demolition alongside Advanced Head Shrinking, Theoretical Taxidermy, Itt as School Speech Therapist, and Thing ringing the school bell. Seeing the family take over such a formal setting is wild, because what parents would object to their child learning Do It Yourself Dentistry?
The Addams Family does however have its fair share of inconsistencies, with Gomez writing Romeo and Juliet knockoffs and loving their great last three days and happy ending before being upset that they died in another episode. Spotty doctors, psychoanalysis, and relatives are referred to when their plots repeat, and incest jokes between Ophelia and Fester join Indian giver, Chinamen, and gypped talk. Gomez plays Samurai, Morticia sings random Japanese words, and broken Spanish misunderstandings hamper “Morticia’s Dilemma.” Likewise, casual suicide talk with reminders to leave a note may be inappropriate for young audiences alongside the hookah and screwdriver puns. While “Halloween, Addams Style” has everything from Cousin Cackle, a séance to call Aunt Singe, and a horse in the living room to bobbing for apples while perilous on a giant see saw, porcupine taffy, and bite size salamander sandwiches cut with the guillotine – repeat gags and regular folks taking over equal too many disappointments. Why do The Addamses need to prove there are such things as witches when both Morticia and Grandmama have had tricks up their sleeves? “Morticia the Sculptress” placed back to back with “Morticia the Writer” is also too repetitive, and there’s no need to call Sam Picasso for a rerun of Grandmama’s inspiration from last season nor give the fainting neighbors a Trading Spaces disaster in “Morticia the Decorator.” “The Addams Policy” sees the living room bear Smokey go up in smoke – only to have another outside insurance scheme and the bear back in the next episode – and The Addams Family simply uses the same plots too many times. In some ways, it’s amazing the show lasted as long as it did with this one trick writing, and I doubt the series would have lasted another season in color if it continued resorting to the same old same old. The production probably thought the episodes would never be seen again, but binge viewing makes such short sighted flaws much more obvious.
Even in black and white, Carolyn Jones’ big blue eyes shine when she is dressed like a twenty-two year old Wednesday complete with a headless Marie Antoinette doll for the “Morticia’s Romance” flashback. As a bridesmaid, Morticia gives her sister a bouquet of thorns, and she’s still making paper dolls with two heads and three legs. She has several different black night gowns or black lace veils to match her black parasol and paints during thunderstorms – capturing lightning perfectly when it strikes her canvas. Morticia loves the Supreme Court and their black robes, for “Black is such a happy color,” and when Gomez first sees her with her hair down in her black wedding dress, she vows to never wear another so long as it keeps driving Gomez crazy. Morticia prefers fried eye of newt and barbecued turtle tips, and although she finds Poe exciting, she’s terrible on the bagpipes. The Addamses play crochet together in the living room and Morticia does Gomez’s dentistry drilling, and while it looks like they sleep in the same double bed, we never see them in it together at the same time. Morticia also uses her husband to play Light as a Feather, Stiff as a Board but I don’t think that’s what he had in mind. Gomez is also put off with “Book now, bubele later” when Morticia seeks to rectify books that defamed giants, goblins, and witches in “Morticia the Writer.” She takes the typewriter to the cave while dreaming of best sellers, but Gomez’s fears of literary fame going to her head leave him sabotaging her demented work with daisies and meadows.
Speaking of daisies, Carolyn Jones does double duty on The Addams Family this season as her white wearing, blonde with daisies in her hair older sister Ophelia Frump. While the duel trickery is apparent today, Ophelia’s absent mindness countering Morticia’s crossed armed cool is great fun. I don’t know why they didn’t include Ophelia from the beginning, for she receives more attention in five episodes than the children do all season. Ophelia is super strong and roughs up Gomez with Judo, contrasting her delicate, aloof sprite appearance. She loves water fountains, dampness, quicksand, and the sink – Ophelia’s supposedly a great cook but breaks dishes when she washes them – and although she sings in harmony, she’s terrible on the fiddle and lyre. Those flowers grow directly on her head, but Ophelia hates nightshade and poison sumac. She claims to weed her hair from ten to eleven, however it’s also said that Ophelia loves “weeds.” After she takes over their swing, Gomez says he didn’t realize she was such a swinger, and Ophelia loves sliding up and down the fire pole while insisting that blondes really do have more fun. Her man needs to like a romp in the swamp or he is too maladjusted, but in “Ophelia Finds Romance” Morticia and Grandmama don’t like her beau’s button up style. Gomez thinks he’s so perfect he must be phony and checks up on him while trying to fix her up with Cousin Itt. Unfortunately, Ophelia is still having love troubles in “Ophelia Visits Morticia” when a different fiance runs off with the Peace Corps – one of six to get away from her that year. Ophelia was ready with wilted lilies for the wedding but is left riding a golf cart around the yard instead. By The Addams Family’s final episode “Ophelia’s Career,” she has traded her man troubles and potential old maid status for a career search. Will she use science for some new discovery or just conjure another man? The series repeatedly reuses her Judo flip action, but Gomez’s reactions are delightful shade – “Have you tried offering them money?”
Fortunately, John Astin’s Gomez loves doing death defying balancing acts or fencing with his wife, and it was Morticia who initially gave him the idea to crash his trains. He hangs upside down from the chandelier when he’s depressed, and in the flashback Gomez wears short pants and a top hat, remaining a weak sniveling coward versus the muscular Ophelia – whom he hates and hides in a cave to avoid. Aristotle the Octopus was his pet, and Gomez’s favorite person in history is Ivan the Terrible, a choice Morticia agrees was “sweet.” Gomez eats yummy cold yak, makes cocktails with henbane, carves pumpkins, and plays bad mitten inside when not composing terribly at the harpsichord. The father of two insists he gives the orders at home, but allows that nobody has to obey them. When sleepwalking in “Gomez the Cat Burglar,” Fester says Gomez coming back with mud on his shoes is better than lipstick on his color, and the physical gags lead to some witty sleep escapades. Will snake charming or psychic control soothe Gomez or is yak stew to blame for his love of loot? Gomez uses Wizzo the family super computer to make himself a better scoundrel for political office in “Gomez, the People’s Choice.” Although not a bad episode in itself, the notion of a lark candidate running dirty mudslinging politics and saying whatever he pleases to gain the every man vote is a satire too close to home these days. It’s not as funny a farce as it should be when Wizzo predicts impeachment, chaos, mismanagement, corruption, and bankruptcy. Luckily, Gomez has dozens of his one best suit and puts on his favorite “Deadwood No. 5” cologne – so what if he can’t drive. The poor boy is also still being put off by Morticia no matter how much her je ne sais quoi stirs him. They don’t kiss the entire season again, and Gomez is pushing for some action right up until the last episode of The Addams Family. He suggests they go to the playroom and play…hockey! (Where are the gifs of this?!) Ultimately, Gomez does wonder where he would be without Morticia’s hand on the tiller of the good ship Addams. Wink.
Fester is specifically stated as Morticia’s uncle this season – he’s the one who shot the arrow that brought her parents together! He breaks the fourth wall and goes back up the fire pole as a shortcut to his bedroom full of mad scientist experiments that Fester calls his “chemistry set.” He also thinks one handsome devil in the family – himself with blonde hair – is more than enough, and a midnight picnic in the swamp with moonbathing after is his favorite outing. Fester wears a mini hourglass watch, waxes his head, walks on hot coals, motorcycles through the house, and remains trigger happy as ever whether he’s relaxing on a bed of nails or steaming in an Egyptian sarcophagus. He takes a correspondence course in brain surgery, too, practicing with a hammer and chisel alongside several antics and witty one liners so zany they have to be told rather than seen. Fester likes to keep an open mind, so good thing you can see in one of his ears and out the other. When not being sneaky or underhanded, he’s really a lovable softy, even writing to the bearded lady in “Uncle Fester, Tycoon.” Fester replies to her autographed picture with a marriage proposal – leaving Morticia to don a bearded mama disguise to convince him otherwise. After all, he doesn’t even have a nickel for the postage! The unworthiness inspires him to take a business course instead, providing Jackie Coogan with some great speeches on mergers and success. Though similar to pen pal plots from last season, Fester also gets fit in “Fester Goes on a Diet” with some wacky television exercise programs, personal trainers, and one of those vibrating belts to match his flickering light bulb.
Dear Lurch has been serving The Addamses since Gomez was a boy, nursing him but wearing ear plugs when Gomez plays the harpsichord. Lurch dislikes duets with Ophelia and prefers going to the movies with Thing. Unfortunately, The Addams Family doesn’t give him a spotlight until nearer the end of the season. The family realizes that between milking the octopus, brushing the alligator, filling the pillows with cement, and filing the beds of nails there’s too much for him to do in “Lurch’s Little Helper.” Gomez, Fester, and Pugsley build a custom second butler straight out of Lost in Space, and initially Lurch likes being head butler and the robot calling him sir. He rings for Assistant Smiley to do any of his menial tasks – giving himself time to put his feet up or wear a top hat to take an afternoon constitutional. Soon, however, Lurch objects to the machine doing better work, fearing for his job even though The Addamses recognize Smiley doesn’t have that special morose Lurch touch. This is another pleasing little episode that keeps The Addams Family at home with everyone involved. Likewise, the second to last episode “Lurch’s Grand Romance” has Lurch crushing on Morticia’s visiting school friend Trivia – who’s no relation to any of the named dropped Addamses called Trivia and different from the similar Cousin Melancholia matchmaking from Season One. Lurch finds her flapper style and showbiz hopes beautiful, and though Trivia finds him and his infatuation cute, there’s no time for love on the path to stardom. Can Lurch change her mind? Ted Cassidy’s nervousness and stumbling stature contrast her speedy hyper pep, and from Fester’s dainty handkerchief dropping rehearsals to Wednesday teaching Lurch The Droop, the entire clan helps in the courting. I don’t know that Lurch is my favorite, but his spotlights are some of The Addams Family‘s best, and it would have been fun to see Lurch and Trivia as a regular on/off couple in their opposite escapades.
Blossom Rock’s Grandmama is called Esther by the Frumps, and the old gal pulls out her own tooth for a bubbling cauldron ingredient. Unfortunately, she’s hardly present this season with no dedicated half-hour – Grandmama is more often said to be in the cellar wrestling alligators for her own selfish pleasure when not shooting the yak for the yak stew or making salamander puffs too rich for Lurch. She hides in a suit of armor when Morticia is trying her hand at the bull whip but can call the hoodwink via her crystal ball when she sees it. Grandmama may go off vacationing on Devil’s Island, but she won’t have anyone in the house who calls the black curtains ghastly, as any such guest isn’t a true Addams. While the more zany family mentions like two headed Cousin Crimp are too ridiculous to have appeared, The Addams Family ups the familial mayhem with Margaret Hamilton (The Wizard of Oz) as Grandma Franny Frump, Grandmama’s old friend from Swamptown High. She dresses very Victorian rigid and old fashioned to match her clipped manner, but Morticia insists her mother is pretty on the inside despite her harsh exterior in “Happy Birthday, Grandma Frump.” She wants to give her a beauty makeover for her birthday, but Granny Frump thinks everyone else looks worse for the wear. Fortunately, she does approve of the children playing Chinese water torture, for its a nice, clean game. The Addams Family often wastes too much time on derivative tropes when this episode is the perfect example of how to have a delightful guest and keep it all quirky kin. Hamilton has some great moments with the kids, leading to birthday secrets revealed and mistaken surprises. Granny Frump suspects Gomez is planning to put her away rather than an all expenses paid trip to a beauty farm, and more wonderful scenes follow as she and Fester plot revenge. I wish we could have seen her more – or that this kind of zest was used for Grandmama Addams and a rivalry between them.
Lisa Loring and Ken Weatherwax both seem to have had bittersweet lives after The Addams Family, and Wednesday and Pugsley also take a backseat this season, alternating appearances or being silent together in group scenes. School plots that begin with them often turn into something else, and if Cousin Itt was to be featured more, maybe they should have written the children off as staying with odd relatives. However, they do look just adorable in little matching stocking cap pajamas, and their favorite bedtime story is Murders in the Rue Morgue. At different times, The Addamses try to cheer up both kids with toys, but the macabre children know how to say please and thank you and agree to give items away when they get extra for Christmas. Though initially in favor of their guillotine, the brief governess Thudd turns out to be not “their kind of people,” a fraud with apples and sugar plums in her bag. Wednesday is disappointed that history class never tells them how many heads were lost in the French Revolution and prefers a bowl of sea slug for desert. Her poem says “a spider is a girl’s best friend,” and the way she teaches square Lurch how to be a groovy swinger is hysterical. “Feud in the Addams Family” becomes more about snobby neighbors and those “One-D” Adamses objecting to Gomez, but there are some wonderful Wednesday scenes as everyone tells her how to woe the boys – with a dress from her mother, dancing lessons from dad, a gun from Fester, and hair tips from Grandmama. While Pugsley spends time with his chemistry set i.e. dynamite, his crush on his teacher in “Gomez the Reluctant Lover” is full of adult misunderstandings instead. Gomez and Morticia get Pugsley a jackhammer as a toy – but Gomez thinks its for body building, Morticia finds its marvelous, and it leaves them both shaking and stuttering with wild innuendo. Fortunately, Pugsley wants to work for his money in “Pugsley’s Allowance,” leaving the ten-year-old’s parents to think he’s fallen in with the wrong crowd when $200 a week (!!) apparently won’t do. Gomez offers to make his business Addams and Son, but he can’t explain to Pugsley what they would actually do.
Thankfully, the handy Thing has been Gomez’s friend since childhood and is always ready with a hanky. While others find it too peculiar, Morticia calls Thing a charming helper, and it gets lovesick without Lady Finger after the decrepit, stealing hand Esmeralda replaces her. It seems there are a lot of hand servants, who knew? Thing signs for packages and never misses a phone call, but the zebra burger eating strangler plant Cleopatra is seen less often. Homer the spider and Aristotle the octopus are briefly mentioned, but there’s less focus on goofy pets save for “Cat Addams,” when The Addamses suggests a mail order lion for the feeling down Kitty Cat before planning a safari to take him wife shopping. The Africa talk, spears, and faux village scenes are stereotypical, but the big cat stock footage makes good for an entire episode. Either it was genius to do such a feature late in the season or at that point, The Addams Family was totally bereft of ideas. Luckily, Cousin Itt sweeps up the slack when not setting his hair in curlers and sitting under the car hood to dry. He shrinks briefly when Fester leaves him in the dryer, and though he’s thicker than blood or water, Itt is free as a tumbleweed and looks like one, too. Itt wants the lead in Romeo and Juliet in the “My Fair Cousin Itt” season premiere, but he must work on his super fast speech for regular folk to understand him – resulting in some bemusingly deep vocals. Itt gets a Hollywood attitude, but a threat to cut his hair and casting calls to star as a hairy beast in a sci-fi flick fix that. His big shaggy dog sleeps on Itt’s little bed in “Cousin Itt’s Problem,” and all the adults cram into his tiny attic room with Fester’s bald cure when Itt starts losing his hair. Where exactly do you put the thermometer to take his temperature? Gomez wonders what he is under that hair, and Itt answers, “roots.”
Year Two’s credits are the same save for a new featuring card for Jackie Coogan, and that sliding poll in the living room makes use of speedy moves and reverse footage. The double trickery with Morticia and Ophelia onscreen together is easy to spot save for one split screen scene stealer, and this series makes the most of that repeat train action. The cave has an echo with an on/off switch, and whimsical incidental music accompanies an education record on the phonograph. There’s more furniture, too – great settees and a park bench with a lamp post where Itt sits by the fireplace. There’s also a trampoline indoors, which Lurch says “has its ups and downs” Ba dum tish! The Addams Family is available on DVD in volume sets or as a complete series as well as streaming options, however the 1977 reunion special Halloween with the New Addams Family is currently available on Hulu only. The regulars return for this seventy-four minute color TV special – a potential new series pilot – but the house is seventies Gothic cheap with red hotel velvet. Cleopatra is also bigger, however the plastic greenery is obvious, and remaining black and white would have helped this tremendously. Everyone has their moment with naughty puns, black umbrella gifts, and prayers for clouds alongside Lady Fingers, Ophelia, musician Wednesday, and witch doctor Pugsley. Unfortunately, the new Grandmama and Mother Frump are played too hammy over cauldrons and cleavers, and odd outdoor daylight, unnecessary family members, and crooks in drag waste too much time on outside messes when all we really want to see is that Addams zing in color. It’s even the same lion! From bodybuilders in tiny speedos to a weird sing a long and the Saturday Morning Special flat feeling, this forgettable novelty is for The Addams Family completist alone.
With sixty-four shows overall, The Addams Family has a lot of episodes for its short Two Seasons. The repeat plotting and standard sitcom same old can be tiring at times, however the winking subtext, quirky characters, and standout episodes remain a fun marathon for the whole macabre family any time of year. This clan embraces their ghastly charm, and we can too with The Addams Family.
The Addams Family Debuts with Quips and Quirky Good Fun
by Kristin Battestella
Thirty-four half hour black and white episodes from the 1964-65 television season introduce audiences to The Addams Family – Charles Addams’ lovable cartoons made flesh thanks to cigar loving Gomez (John Astin), his literally smoking wife Morticia (Carolyn Jones), their macabre children Wednesday (Lisa Loring) and Pugsley (Ken Weatherwax), electric Uncle Fester (Jackie Coogan), spunky Grandmama (Blossom Rock), and deadpan butler Lurch (Ted Cassidy). Of course, that’s not to mention Thing, Cousin Itt, Cleopatra, and many more quirky pets, relatives, and memorable circumstances brimming with quips, catchphrases, and ghastly good times. Snap your fingers now!
The Addams Family gets right to the spooky fun as Thing reaches from the mailbox in the “The Addams Family Goes to School” premiere. Truant officers knocking on the door are met with a roaring rug, a two headed tortoise statue, and more “we like it, it’s so nice and gloomy” décor – providing the viewer a shrewd tour of who is who or what, as it were. Fortunately, The Addamses are the ones who find the freaked school board members “weird.” Initially, they encourage the idea of a regular school. However, The Addamses become appalled by the violent Grimm’s Fairy Tales being read in the classroom and try to make the school officials see the light with a stretch on the rack to calm some nerves. While this macabre but wholesome charm is expected today, The Addams Family subtly makes its moral question of the establishment early in the series. The Addamses pick losing candidates like Adlai Stevenson, and Gomez goes overboard with family posters and campaign songs in “Gomez the Politician.” He’s completely unaware the supposedly respectable nominee doesn’t want their warped help, yet The Addamses are willing to tolerate their white picket fence neighbors in “The Addams Family Tree.” They assure the children remain modest, don’t flaunt their wealth, and have tarantula gifts on hand when Wednesday and Pugsley attend a birthday party. The Addams Family may ponder them writing rebuttal letter or turning the other cheek, but make no mistake, this family is ready to defend their honor when called “kooks.” Rather than outsider plots taking over, it’s more fun to see The Addams gang face normal confrontations or everyday worries with their own peculiar elan for the twist – with talk of duels, Aunt Blemish, Grandpa Slurp, Salem family history, and your otherwise average skulduggery.
“Halloween with the Addams Family” brings the whole clan out with sharp pumpkin carving knives, bubbling potion punches, and worm cookies – even the kids are dressed in apparently normal costumes to “scare the wits out of people.” Of course, the innocent, bobbing for crabs family thinks that bank robbers are just getting money for trick or treat instead of apples. They are going all out for their favorite holiday, but The Addamses have never heard of hide and seek and find it too strange a game. Gomez and Morticia spa Pugsley’s pet octopus in the bird bath and hope an outdoor introduction happens in “The New Neighbors Meet the Addams Family.” The newlyweds next door could be imaginative Addams folk thanks to their giant cedar chest, but when they turn out to be straight laced and high strung, The Addamses are still willing to be friendly. Inexplicably, that two headed turtle as a housewarming gift and Uncle Fester popping up from a trap door in the floor just to say hello don’t go over too well, leaving our eponymous family once again confused as to why their good deeds and generous intentions go awry. Fortunately, Grandmama’s love dust and Morticia’s makeover do aide the jilted Cousin Melancholia in “Morticia the Matchmaker.” Rather than a fun name reference or preposterous ancestral quip, it’s great to see another family member come to the welcoming Addamses for a little romantic help – a guest who’s one of their own for Gomez to snag an unwitting business contact or reluctant local lawyer. Pugsley’s super antenna and radio gizmos, however, attract the authorities for “The Addams Family Meets the Undercover Man” when overheard references to a roaring lion and a man eating houseplant are mistaken for suspicious code talk. Reluctant postman decoys and frightened undercover plumbers may seem cliché, but it’s bemusing to see how the information on The Addams Family comes from listening to the radio or waiting for the snail mail. Each episode always ends with a post-Addams flown the coop letter or a gone crazy mention which the family always takes as a delightful vacation or adventure.
Unfortunately, things aren’t so rosy when Morticia and Fester think Gomez’s business has gone belly up in “Morticia, the Breadwinner.” Grandmama strikes out working at a beauty salon, the children’s “Henbane on the Rocks” drink stand gets sued, and Fester shockingly becomes an escort for rich widows. Morticia tries to give tango and fencing lessons without any students, and Thing pitches in selling pencils for five cents a piece – accumulating a whopping $1.30 wages among them. Naturally, the local bazaar fears receiving shrunken heads and headless dolls in “Morticia’s Favorite Charity.” However, the titular clan finds it tough to part with their treasures, and Fester’s reluctance versus Morticia’s enthusiasm make for some interesting debates. They want to give something important rather than get rid of things, but their sentiments backfire in an ironic bidding war for their beloved donations. Upside down gags accent the pros and cons as Gomez dictates a harsh letter, Morticia tries for diplomacy, and Fester threatens voodoo doll violence when the city evicts them to build a freeway in “Progress and the Addams Family.” There’s no caves, swamps, or quicksand on the new lot where the family intends to move their entire house, but they agree to be fair neighbors regardless of who those next door are. Of course, it is the city commissioner who’s willing to have the freeway rerouted if it means The Addamses won’t be his new neighbors. Fester also fears the worst when a magazine article in “Winning of Morticia Addams” says that couples who are too happy must really be miserable – so he enlists the entire family to make the couple fight “for their own good.” The Addams Family should have had more Grandmama and Uncle Fester led episodes, but this opposite focus with duels and dilemmas is a fun bonus to end the season.
Though much beloved, The Addams Family is of its time and may not always be friendly for any super young impressionable viewers thanks to talk of dynamite, hangings, cannons, and gunfire as games. The adults smoke a hookah and use inappropriate terms such as spook and midget alongside gypsy masquerades, American Indian racism, and Eskimo giver jokes mentioning a totem pole gift from Cousin Nanook. The Addams Family meanders in the first half of the season with run of the mill misunderstandings, leaving the you’ve seen one, you’ve seen them all plots over-reliant on The Addamses quirky chemistry. So many cool name dropped family members and cartoon references get lost amid conflicting anecdotes and too many clichés in a row, and derivative sitcom plots or thin television stock tropes clutter the family charm. Instead of the local ladies invited to tea clutching their pearls at haunted house compliments, “Morticia Joins the Ladies League” wastes time over a gorilla on the loose. Pedestrian clichés and put on Eastern European accents in “The Addams Family Meets the VIPs” hamper the zany Addams display, and “The Addams Family Meets a Beatnik” looses its cool between The Addamses being unfamiliar with the dated slang and serious moments about yet another misunderstood stranger kindly accepted. You expect offbeat humor with The Addams Family, but the interesting lessons on gambling versus investing in “The Addams Family Splurges,” are riddled with off-putting talk of going to the dark side of the moon, using a super computer named Wizzo to beat the system, and casual mentions of suicide or shooting oneself. Likewise, trite insurance scams in “Crisis in the Addams Family” dampen quality Uncle Fester mentions of hearty Buzzard broth and gopherloaf. I’d like to have seen those!
John Astin (Night Court) receives second billing on The Addams Family as the cigar smoking, suavely dressed, head of the house, sword swallower, stock ticker extraordinaire Gomez Addams. This Zen yogi society member often stands on his head to read the paper and the born with a mustache, fiery Castilian loves crashing his train sets – but he’ll lay down the law with his wild eyed crazy when he must. His ultimate business dream would be to invent something costing ten cents to make, sells for a dollar, and is habit forming. Gomez’s favorite lunch may be broiled eye of newt but he’s revolted by daisies and fears his frightening effect on women. Despite sword play and whip practice, Gomez still carries his wife Morticia across the threshold. They had their honeymoon in a cave under Niagara Falls and can’t resist a good tune – pacing quickly turns to dancing thanks to every Spanish quip or French reference. In “Green-Eyed Gomez,” he’s happy the guest room has a homey mace hanging on the sconce and a hardwood mattress for a visiting former suitor but hires a frumpy maid to woo the rival away from their money. Of course, the most endearing part of The Addams Family is the then-surprising innuendo between Gomez and his “Tish.” This was still television’s separate beds infancy yet everything from her touching his cheek to helping put on his coat sets horny old Gomez aflame. It’s amazing the series got away with what they did – such as actually saying “make love” in this era of whoopee. While all lovably innocent querida now, the banter remains sophisticated and witty rather than today’s crass. Unfortunately, this husband and wife never kiss onscreen the entire season, and poor Gomez is always put off until “later, dear, later.” No wonder he is so crazy eyed and standing on his head! Then again, when Gomez hits his head in “Amnesia in the Addams Family,” he forgets Morticia is his wife, doesn’t want her wearing all black, and thinks their home is a depressing, condemned museum with Lurch as its gargoyle. It’s delightful to see one of their own be normal for a little while, and the entire family pitches in to get Gomez back on the rack.
Top billed Carolyn Jones (King Creole) wears a tight black dress and shimmies with her arms crossed as Morticia Addams – née Frump. There’s a black handkerchief up her sleeve and she won’t stand for bloodshed in her living room yet Morticia insists black curtains are cheerful and that “friend” looks better without the “r.” Whether it is in the playroom knitting three armed sweaters or the conservatory chopping the roses off the vase of thorns and feeding strangling plants, Morticia’s wicker peacock chair is always nearby for her to opine on the matters at hand – everything from her hemlock drooping because it needs more moonlight to reminding her family “a watched cauldron never bubbles.” The maverick Morticia paints, uses baking powder make up on her face, and wants to build an unwanted bats haven, but she always makes sure her children have clean, sharp nails as well as love and family time instead of harsh discipline. In addition to her renowned dwarf’s hair cobbler or eye of tadpole and yak casserole, Morticia’s giant black ring is filled with poison and her wolfsbane tea comes with salt, pepper, or cyanide. Fortunately, her delightful larks, deadpan delivery, and wholesome zingers are so sincere you simply must concur. She can light candles with her fingertips and has absolutely stunning eyes to contrast her demure voice of reason – Morticia always asks if anyone minds if she smokes and then…smokes. Although previously engaged to the beady eyed, curled lipped, long fingernailed Rupert Styx, Morticia says being married to Gomez makes her the world’s most fortunate woman. She gifts her husband with his and hers beds of nails and does animal imitations that send him a flutter. Morticia finds it impossible that blondes have more fun, and tells her “bubele” Gomez that every night is Halloween when they’re together. While her name appears in many of the somewhat misleading The Addams Family’s episode titles, not many storylines are truly Morticia-centric. However, this matriarch remains the star of every episode nonetheless, anchoring each dilemma or misunderstanding with a morose, moral core.
Silent film pioneer Jackie Coogan’s Uncle Fester likes to remind everyone that looks, charm, and personality aren’t everything when compared to carrying 110 volts or blinking a light bulb in your mouth. Fester plays cards and cooks with Grandmama, has a tree house where he likes to view the lightning, and enjoys cracking the family safe just to make something mundane an adventure. Though too proud to beg, too lazy to work, and extremely trigger happy and ready to shoot anyone in the back, he’s generous in spoiling the children with fresh Gila monsters. Green tongued Uncle Fester prefers science and electricity to mumbo jumbo, but he can chill a thermometer with his temperature and uses spray preservatives “just to keep.” Once, he fell asleep on a park bench and the police carried him to the morgue, but he prefers his homey bed of spikes. The Addams Family under utilizes Uncle Fester’s comic relief to start, reserving him for third wheel foil to Gomez and Morticia or standard illness and romantic plots as in “Uncle Fester’s Toupee.” Fester has been a little misleading in his letters to his French pen pal visiting from Paris, Illinois with embellishments about Cary Grant hair and athleticism necessitating a series of trial and error wigs for the wooing. While this is a very simple, stock sitcom premise, there’s enough charm, character personality, and even a whiff of scandalous as Fester adopts Gomez’s arm kissing flair. When Fester objects to the idea that his electric power is run down in “Fester’s Punctured Romance,” he mistakes the Avon lady as an answer to his personal ad and gets carried away with the potential for cobras and shrunken heads as wedding gifts. Gomez must call an electrician to fix a “devolting” in “Uncle Fester’s Illness.” Fester feels rejected for not being able to go neon or light his light bulb, and sour milk diets or inhaling smog are to no avail. Fortunately, this is another solid episode with the whole family getting in on the retro bathing suits, sunglasses at night, and mercury for the cure – because “a good moonbath is just the tonic you need.”
The song says “petite” but Ted Cassidy’s Lurch is difficult to refuse thanks to his imposing height and somber appearance. The Addamses’ butler drives their car, carries the kids, catches guest when they faint, and uses a mace to tenderize the meat for the sword shish kabobs. When not relaxing on the rack, he plays the harpsichord while Thing turns his pages. Lurch may only speak a line or two beyond his usual “You rang?” however his playing of the theme tune and incidental musics creates offbeat diegetic scene transitions. The family wants wallflower Lurch to accept his annual butler’s ball invitation for “Lurch Learns to Dance” and call on the local dance studio before Gomez teaches Lurch in some wonderful physical comedy moments. Pep talks from little Wednesday and some goofy ballet twirls exemplify how every family member helps each other in their own special way, making this one of the best episodes of The Addams Family. Lurch has written to his mother that he is head of the manor, setting up another most memorable entry in “Mother Lurch Visits the Addams Family.” The Addamses want him to be happy, and debate on Lurch playing dead or electrocuting his mother with the doorbell before ultimately pretending to be his servants for a charming, running the staff ragged role reversal. They also give themselves two “maybe three” days to build a replacement harpsichord after Lurch threatens to quit over his 1503 Krupnik being donated to a fishy museum curator in “Lurch and His Harpsichord.” He prefers Mozart to Fester’s up tempo requests, and emotional pantomiming and attempts at other instruments invoke more laughs until recording contracts and screaming crowds go to his head in the terrific “Lurch the Teenage Idol.” The normally shy Lurch gets really into his singing and harpsichord grooves while Wednesday does the Watusi!
Well versed in art, bagpipes, ballet, the occult, and arm wrestling Thing, Blossom Rock’s (Dr. Kildare) Grandmama Addams tutors Wednesday and Pugsley, plays darts, and sharpens her ax for when the taxman comes. She crochets a tea cozy from the hair off one of her shrunken heads, too. Unfortunately, this potentially richly storied character who voted in 1906 pre-sufferagettes because no women allowed wasn’t going to stop her is often referred to but seen the least on The Addams Family. If not for their original cartoon appearances, one could dare say Grandmama and one of the children aren’t even needed on the television series – Fester is already the zany relative and Lurch a child-like figure for sitcom lessons. Thankfully, Grandmama is happy to make candied porcupine but won’t get dish hands for anyone, and Fester thinks she’s getting selfish in her old age because she hogs the stocks in the dungeon when she wants to relax. She’s mentioned as off visiting relatives such as Grandpa Squint and Aunt Vendetta or being on spider hunts, and the children help her sort the toadstools from the mushrooms for her toadstool souffle. Grandmama also sets up a fortune telling scheme while the family is themselves away bat hunting in “The Addams Family in Court,” and her carnival tent in the living room complete with incense, hidden foot pedal tricks, a crystal ball taken from the chandelier, and $84 in tips leads to jail time and some courtroom antics from her son, Gomez “Loophole” Addams. When she needs help with her unique brand of painting in “Art and the Addams Family,” Grandmama calls their ancestral Spain to find Picasso – descendant Sam Picasso, a babysitting gigolo gardener with an unfortunately stereotypical, limp wristed gay inflection. This somewhat flawed entry ends up more about their guest than Grandmama, saved only by her bemusing Addams notion on how the torture room and suffering for one’s art are one and the same.
Ironically, the first Addams we meet is the well behaved, mannerly, and sweet little Lisa Loring as Wednesday Friday Addams. She cries when the knight in shining armor kills the dragon and looses her front tooth but loves spiders and gets spunky, punching a bigger boy who insults the family honor. Wednesday has no time for anyone getting sissy and plays autopsy with headless dolls. The character is very mature for her age, at times breaking the fourth wall to shrug at the audience or sitting in the tree to great visitors with strange little questions – fully aware of the twisted humor and demented quips at work. Wednesday has a tiny black tutu for ballet, plays chess with Thing, and Lurch teaches her piano. She may also have a boyfriend, but he’s the Invisible Man’s son Woodrow. When forbidden to play with her spider Homer in “Wednesday Leaves Home,” she runs away by hiding in Pugsley’s room so she can still be nearby and watch her parents suffer. It sounds diabolic but the delivery among the children is so cute you can’t help but chuckle. Her mother fears she will end up with the Brownies and a crabby police officer plot hampers the kids’ storyline, but Wednesday ultimately caves when a social worker promises to give her apple pie and read her fairy tales. Both children seem to alternate or appear in one scene each per episode more times then they are together, but they are always there for a lesson on not lying and knowing right from wrong. Dear Ken Weatherwax’s ten year old Pugsley fixes his sister’s doll by chopping off its head, and the baby vultures painted on his bedroom door match his dungeon-style playroom. His piggy bank is shockingly somehow a real pig that squeals away when it is time to retrieve money, and though smart with an awareness for parental psychology, Pugsley experiments with regular kid things – much to his parents chagrin. There’s little focus on the children, and The Addams Family has Pugsley go normal too soon in the second episode “Morticia and the Psychiatrist.” His parents wonder if they’ve pampered and spoiled him with too many readings of The Raven when Pugsley join the Boy Scouts, carries a baseball bat, and plays with a puppy in the sunshine. “My Son the Chimp” likewise ends up being more about everyone else than Pugsley. Thanks to one too many primates and a magical snafu, the family spends a convoluted, trite episode trying to fix what isn’t broken while Pugsley is actually content in a secret room reading comic books.
Billed as “Itself,” Thing T. Thing actually seems to appear more than some of the full bodied family thanks to its getting the mail, serving tea, turning down the volume on the television, and answering the phone. Despite the “Beware of the Thing” sign and a sometimes temperamental, tattle tale disposition; Gomez says it keeps the whole house together. When not traveling in the glove compartment of the car, Thing writes with a quill, uses Morse Code to talk, types for Gomez, and apparently loves music – it plays finger cymbals, tambourine, and flips the record yet isn’t interested in holding hands with anyone and is more than happy to hand guests their hats to leave. The Addamses realize how much they can’t do without Thing passing the salt in “Thing Is Missing,” leading to some finger pointing accusations and an ad in the paper seeking “their Thing.” Though a famed Addams character, Felix Silla’s (Buck Rogers in the 25th Century) all hair, derby wearing, pip squeaking Cousin Itt doesn’t appear until more than halfway through the season in “Cousin Itt Visits the Addams Family.” He’s a layman magician who likes to play the field but knows how to turn a colorful phrase, for “It’s not the joke, it’s the way he tells it.” Itt stays in a tiny attic room when seeking a new job in “Cousin Itt and the Vocational Counselor,” but his IQ of 320 and attempt at being a marriage counselor lands Gomez on the courting chair alone. While the rest of family moonbathes, Itt is also mistaken for a martian in “The Addams Family and the Spacemen.” The fifties G-men are somewhat trite, but The Addamses otherworldly oddness is surmised here with witty, tongue in cheek fun. Despite numerous guests, incidental coppers, and typical crooks, it feels like there are less famous guest stars visiting The Addams Family this season save for comedian Don Rickles as a bumbling robber and the wonderful Grandma Walton Ellen Corby as Lurch’s sassy little mother – who should have been a regular grumpy antagonist perpetually under the impression that her “sonny” is head of the house. Though oft mentioned, pets such as Aristotle the octopus, Kitty Kat the lion, Zelda the vulture, Homer the spider, Lucifer the lizard, and Tristan and Isolde the piranha couple are perhaps understandably more often unseen than the burger eating Cleopatra strangler plant – although anyone who doesn’t love an octopus is inhuman, and Kitty Kat dislikes the taste of people.
Now you know you know the song, whether the lyrics really rhyme or not, and the famous finger snapping rhythm sets The Addams Family’s quirky mood immediately. Lighthearted family clips anchor the opening titles, but only Jones and Astin receive star billing while the rest of the cast comes in the closing credits. The episode titles also never appear alongside cartoon creator Charles Addams, developer David Levy (Sarge), oft director Sidney Lanfield (McHale’s Navy) or regular writers Harry Winkler (The George Gobel Show) and Hannibal Coons and Phil Leslie (Dennis the Menace). Although sped up action or rewind speed are used sparingly in the twenty-six minute runtime, there is an occasional, stilted, slow motion effect. The canned laughter is totally unnecessary, and bells or whistle sounds are overused as if the audience wouldn’t notice any slight of hand or sight gags without an accompanying noise. Bemusing incidental music, a roaring cuckoo clock, a growling rug named Bruno, the foghorn doorbell, and the house rattling gong/bell pull noose are more whimsically in tune, and The Addams Family is better when less reliant on special effects and spectacles overtaking the offbeat charisma. We only see the Addams car a few times and the repeat footage of the live piggy bank is tiresome alongside gorilla circus hams, but the reused lion tape is understandable and more fun. Candlestick and sultan phones, retro pop cameras, the giant stuffed bear, suits of armor, and Gothic door make 0001 Cemetery Lane look more old fashioned upscale than haunted house – despite the self opening gate, the bedrooms and briefly seen kitchen are surprisingly normal. It does, however, seem like we see too little of what should be a vast house, not to mention that shabby Tudor in the backyard that’s big enough for the whole family yet is referred to as a “play cottage.” So what if they wear top hats and tiaras to the concert – with $10 court fees and $18 for the plumber, they can afford it!
At times watching too many of The Addams Family episodes in a row becomes annoying thanks to derivative sitcom fodder. It takes half the season for the series to hit its stride, however the family-centric bottle episodes get better as the debut progresses. Parents may need to warn partial young viewers about the fantastic violence not for imitation yet the fun atmosphere and overall innocent macabre is perfect for a spooky sleepover marathon. Bonus cheeky charm for adults, quirky cartoon carryovers, and memorable personalities make up for any dated humor or standard mid century trappings with built in nostalgic parody. For all their morbid veneer, this is a sentimental family treating everyone with kindness whether they are received in turn or belittled for their kooky style – reminding us that we can and should all be a bit more ooky with the first season of The Addams Family.
Horror Inspired Kids’ Shows and Tomb ‘Toons
Steven Rose “From the Grave” Jr.
Some of you may be wondering what place do kids’ shows have here on a Website that specializes in the genre of horror, traditionally a teen/adult genre. Actually, horror films have inspired children’s television for decades.
Are some of you old enough to remember those cartoons and live action kids’ shows that were inspired by horror movies? Do you remember the Real Ghostbusters cartoon from the 1980s? If you’re old enough to remember back even further, the middle ‘70s, you may know that those weren’t really the real Ghostbusters as the cartoon series’ title indicates. In 1975 the real, and therefore original, Ghostbusters was a live action kids’ show that, instead of involving four men and a slime pouring ghost, actually involved only two vaudeville-like men and a gorilla that assisted them on their paranormal missions. Some of you may be saying, that was a cartoon in the 1980s. Well you’re right, because when the “Real” Ghostbusters (my quotation marks) tried taking the Saturday morning spotlight (and they succeeded, sadly for the original Ghostbusters) the original series was revived as a cartoon in competition only it was bumped to after school-hours syndicated television.
Let’s backtrack a few years from the original Ghostbusters Saturday morning series. There was The Funky Phantom in 1971, a Scooby Doo-like mystery cartoon series involving a group of detective like-teens and their 18th century ghost friend. Then around the same time there was The Groovy Ghoulies, a cartoon series based on the three most famous monsters of film, Frankenstein’s Monster (Franky), Count Dracula (Drac) and the Wolf-Man (Wolfie) and their many like friends and relatives who all dwelled in a haunted castle called “Horrible Hall”. This series was actually a spin-off from another dark supernatural lore inspired cartoon series—Sabrina the Teenage Witch (1969) (itself a spin-off from The Archies). Another kids’ show inspired by the three famous movie monsters was actually a live action series called The Monster Squad (1976). In this series a computer geek-law student who works in a wax museum brings the sculptures of Frankenstein’s Monster, Dracula and the Wolfman to life and they fight crime together. The Addams Family cartoon was also aired in the early ‘70s. The same year that Monster Squad premiered, the producers of live action kids’ shows, Sid and Marty Kroft, came out with a series called Dr. Shrinker, which was about a mad scientist and his dwarvish assistant who shrink a group of island marooned young adventurers and is always after them to perform dangerous experiments on them.
Moving forward to 1978, the same producers of Dr. Shrinker came out with another live action series called Horror Hotel, which involved many of the strange characters from the Kroft brothers’ 1969 Puff ‘N Stuff (an Oz-/Wonderland-like fantasy series): a witch named Witchy Poo, a stupid bat named just that–Stupid Bat, a mad scientist owl by the name of Dr. Blinkey, a yellow spider-like monster, a vulture and a green faced magician (from another earlier Kroft series called Lidville). They were the staff of a haunted hotel who had a different strange guest each week (“guest” as in both guest star and hotel guest).
The following year, 1979, the New Flinstones show came out with some characters who were neighbors to the neanderthal comic family, the Frankenstones. The patriarchal head of this ghoulish family was a neanderthal Frankenstein’s monster. That same year premiered a cartoon based on the Dracula character, Count Quackula, about a vampire duck who, unlike most of the cartoon monsters we’ve been talking about, was not a very nice guy—or, rather, ghoul.
As we moved into the ‘80s two more horror inspired cartoon series came out on Saturday mornings: Drac Pack and Ding Bat and Friends. Drac Pack involved three teenage descendents of the Frankenstein’s monster, Dracula and the Wolf-Man who, like the characters in Monster Squad, also fought crime, only in their case up against the same group of villains each week—Dr. Dread and his evil crew of monsters. Ding Bat was a more slapstick kind of cartoon involving a vampire dog (Dingbat), a cranky jack-o-lantern and a skeleton who wore a toilet plunger for a hat.
I already mentioned some of the cartoon series of the latter half of the 1980s such as the two Ghostbusters cartoon series. But also, in 1988, the comedian Martin Short came out with his own Saturday morning kids’ show that was partly live action and partly animated. In one of the live action weekly skits a Dracula-like vampire told horror stories to his child audience, the stories themselves being animated. As the decade came to a close, the Beatlejuice movie franchise produced a Saturday morning cartoon series based on the movie’s characters.
In the 1990s, when the cable television-based Tales from the Crypt became popular on syndicated television, a cartoon version came out on Saturday mornings. A new Addams Family cartoon series also aired. Then R.L. Stine’s kids’ horror novel series, Goosebumps, was adapted for a live action syndicated series.
In the 2001s Cartoon Network aired The Grim Adventures of Billy and Mandy, a series about two kids who are friends with the Grim Reaper. Will there be more horror genre inspired cartoons and kids’ shows? The horror genre has become more popular than ever with young people’s series of novels such as Twilight and TV series such as True Blood, Ghost Whisperer and Supernatural, not to mention the many horror movies made for the big screen such as Paranormal Activity. How can there not be any horror inspired cartoons and live action kids shows? Let’s hope some will premiere soon enough. Any animators out there in the blog audience?
The cartoons and kids’ shows throughout television history have been numerous, regardless of their genre. If I missed any titles you think should have been mentioned, then, please, leave me a comment! I’d like to know of more myself!
Take scare, every body!
Steven Rose, Jr. is a journalist and writer of fiction. His non-fiction includes book, television and movie reviews. His fiction consists of horror and science fiction short stories, although he plans to write novels in the near future.
Besides writing, Steven serves as a public relations rep for the Sacramento based network, Sylvanopolis Writers’ Society. His most recent story will be published in the Society’s short fiction anthology, Leafkin, due for release in December 2010.