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The Munsters Uneven Second Season Still Full of Fun Treats
by Kristin Battestella
At once The Munsters seems like a short-lived show with two seasons worth of spooky shtick – if you’ve seen one episode with lovable monster Herman, vampire housewife Lily, The Count Grandpa mad scientist, unfortunately normal niece Marilyn, and little werewolf son Eddie then you’ve seen them all. However, with thirty-two episodes for the Second 1965-66 season, The Munsters both strays from its affable formula yet provides enough hair-brained fun for triple the time of today’s shorter, ten or thirteen episode seasons.
Lying down on the job, getting mistaken for a customer – The Munsters‘ funeral parlor jokes continue this season in “Herman’s Child Psychology.” The family gathers around the dusty organ for a sing a long and nice father and son moments turn into bemusing reverse psychology as peer pressure puts Eddie in a mini rebellion phase. It’s a simple premise, but this cool refresher even kids that these kinds of things are supposed to work on Leave it to Beaver. Likewise, everyone struggles to all fit on the couch for a family photo and end up victims of the powder poof in “Herman Munster, Shutterbug.” Lily knows Herman dabbling in photography will be botched somehow, and sure enough, the clan ends up humorously held hostage after Herman inadvertently snaps bank robbers in the act. Of course, the crooks can’t handle The Munsters at home, but Grandpa sides with Herman and Marilyn with Lily when the couple both secretly take second jobs to buy each other 1865 anniversary gifts in “Happy 100th Anniversary.” Not only do they scare the employment agency, but the two end up working side by side – but in their welding masks. Granted, The Munsters repeats on the moonlighting jobs, and gosh it sure was easy to get work for a week back then. However, parallel scenes, charming quips, mistaken hijinks, and men versus women in the same workplace combine for some preposterous, memorable laughter. Grandpa says the dripping with class Munsters must frighten the common man and that’s why they can’t get a renter for their guest room in “Lily’s Star Boarder.” Of course, jealous man of the house Herman objects to the idea, snoops, and jumps to a totally wrong conclusion about their secretive guest. Rather than a crooked swindle, here The Munsters smartly puts an outsider in the mansion and lets the happenstance ensue. Unfortunately, the court thinks Herman hitting his head and getting amnesia is a Candid Camera stunt in “John Doe Munster.” Lily and Grandpa must go to the adoption judge over comic book reading Herman – who doesn’t recognize his family. However, he does think Mrs. Munster is a cute cookie and is willing to go home with her if he gets his own TV set!
Meetings with the Mayor, creature sightings, and pesky reporters make for an interesting mix of humor and politics when Grandpa’s anti-voting machine and Spot’s running away clash in “Underground Munster.” Whispers of corruption, red tape, and a politician really throwing dynamite on the situation add to the race against the clock, and The Munsters gets better midway through the season as secret passages in the dungeon lead to the discovery of an old fort in “The Treasure of Mockingbird Heights.” Labels such as “playpen” and “hobby room” on the ye olde prison stocks delight Herman and Grandpa – not to mention the map to buried pirate treasure. After all, the boys agree such luck doesn’t happen to this kind of nice, normal family. Teamwork, humorous obstacles, surprises, and suspicions keep the two-hander cracks fun. Unfortunately, Eddie’s being bullied and Herman faces practical jokers at work in “Herman’s Peace Offensive.” While doing the right thing, not resorting to violence, proper parenting, and standing up to bullies are basic sitcom topics, The Munsters’ unique brand adds witty gags alongside parlor zest and father/son boxing gone awry. The lessons are learned – although innocent Herman mixes with horse racing bookies instead of discouraging Eddie from gambling in “Herman Picks a Winner.” Fred Gwynne also goes sans monster makeup after “disfiguring” stray lightning in “Just Another Pretty Face,” making for one of the most memorable Munster episodes. It’s Herman complete with all the same mannerisms, but the repulsed family takes him to the doctor and considers plastic surgery. Poor Herman feels Hollywood flashy in a regular suit and too embarrassed to go to the parlor, but his original Dr. Frankenstein blueprints and some mad scientist twists bring rectifying delights. Likewise, “Zombo” provides great horror within the horror as Eddie becomes obsessed with the titular host’s show – only to be shocked and disappointed at the behind the scenes fakery and “This is television” cardboard veneer. Here The Munsters uses the spooky bad horror expected of the era to wink at their own comedy as well as the still relatively new vogue of television.
Viewers also get to see more of the funeral parlor after Herman’s publication of “Going out to Pasture” in “The Mortician Monthly” for “Cyrano de Munster.” When he turns to ghost writing love letters for a co-worker and Lily finds out, well, The Munsters add its own spin on the familiar theme. And imagine, back then, one had to look up people’s addresses in the phone book! Dr. Frankenstein IV stops by in “A Visit from Johann,” and Gwynne does double monster duty again as the eponymous but less sophisticated Herman lookalike. Johann, however, escapes the dungeon and ends up on a switcharoo honeymoon weekend with Lily. Alas, it’s Herman ruining Grandpa’s go kart birthday gift for Eddie that brings the father and son-in-law to war in “A House Divided.” Booby traps and elaborate alarms lead to the divvy of mansion property with competing televisions, rival organ music, and newspaper squabbles. Instead of cruel crooks, the bemusing nasty stems from the territorial escalating, and rather than some kind of scam, the car accident victim of the jaywalking Herman tries to settle in “Herman’s Lawsuit.” Her lawyer sees their lifestyle and thinks The Munsters destitute, but the out of touch family doesn’t realize they are the ones being paid! The unplanned series finale “A Visit from the Teacher” sees Grandpa’s crazy invention to save electricity, Herman electrocuted while trying to fix the toaster, and Eddie’s school essay about his zany family – bemusingly summing up The Munsters in a little episode about nothing but them being themselves. Of course, the school officials think it is all just a disturbing fantasy until they end up trapped in the coffin phone booth, and The Munsters think it is nothing but plain old jealousy when others don’t appreciate their good-natured hospitality.
Generally, The Munsters’ episodes have a Munster moniker in their title, and the names of each half hour pretty much giveaway that show’s entire plot. However the titles aren’t shown in the episode’s credits this season, and Year Two is slow to start with the same unnecessary gimmicks and dancing bears. Repeat bank heists and people fleeing in super speed get old fast and detract from the family humor this show does best. Rather than takings cues from its own brand, The Munsters relies on too many then-references and jokes that will fall flat for audiences mid-century unfamiliar. Quoting other television shows in attempted self-awareness doesn’t work when the family themselves behave inconsistently and out of character from episode to episode. One and all happily go to the beach without negative comments on sunshine and nice weather, Herman says he never won an award when he just did win the episode prior – isn’t grilling wolf burgers a little cannibalistic? Dated stereotypes and an evil Russian trawler in “Herman the Master Spy” add to the unevenness in the first half of the season, almost as if the show doesn’t know what to do beyond putting the family in outlandish stunts such as “Bronco Bustin’ Munster.” Fun individual moments like Herman’s clumsy, house damaging, not so athletic grace in “Herman, Coach of the Year” are like every other sports episode, and attempted, ahead of their time comments on gay marriage, cross-dressing, and male to female body switches come off as woefully unsmooth. The hypnosis and hiccup gags in “Herman’s Sorority Caper” do enough alongside the drive-in showing “The Beast That Ate Lower New Jersey,” however, frat boys abducting Herman and sorority shower traps dampen the fun, and The Munsters often resorts to such dumb turns rather than fully embracing its potential for unique, spooky horror treats. “Big Heap Herman” piles on stereotypical Native American portrayals – with Native Americans complaining about their faux village tourism and putting on stereotypical Native American portrayals. There’s promise with tiny cabin births and little ladders for physical gags, but somehow it all comes down to two vampires walking through the desert. Say what?
He may speak a bit of Spanish and basic French, but Herman Munster’s family knows he is a big boob who can get lost on the way home and needs his inflatable sea horsey to go scuba diving. Herman wants to impress his family at all times and be their hero but still have time to catch up on Little Orphan Annie. He’s 152 and in the prime of his life yet afraid a hair cut will ruin his rugged Steve McQueen look. Herman falls for every trick in the book, as in “Herman, the Tire Kicker” when he uses his $375 bonus to inadvertently buy a hot lemon for Marilyn. However, he laughs at his own jokes, too – which makes Herman all the more lovable whether the pun is stellar or corny. In “Will Success Spoil Herman Munster?” Herman plays guitar and sings a song, leading to radio stardom that naturally gets the better of him. Gwynne’s simplest slapstick actions and solo physical humor are always good fun, and this season the majority of episodes focus on Herman. He only cracks the mirror twice and school professors take Herman for a missing link in “Prehistoric Munster,” but when offered a happy hour drink, he agrees to a hot fudge sundae with pecans on top – and kicks back four of them. Although I wish we saw more of him at the funeral parlor, about his work Herman says, “I really dig it.” When promoted to driving the Hearst for “Herman’s Driving Test,” he discovers his license expired 20 years ago, which means good old law abiding Herman has been driving almost the entire series without a license! Tsk tsk. Of course, Lily gets unnecessarily jealous and easily angry at Herman despite their long lasting marriage – she wore a black veil and held their wedding reception in the family mausoleum. They aren’t seen in that shocking double bed together as much, but Lily keeps herself classy with braids, a black parasol, and an old fashioned bathing suit at the beach. Her iconic dress actually changes quite a bit, but hello, tiara! Lily puts out her best bone china for guests and makes everyone’s favorite owl egg omelet brunch complete with bat milk yogurt, salamander salad, vulture livers, and cream of buzzard soup. Ever the loving aunt, she calls home from the movies to check on Marilyn – if only because the western movie massacre was disappointing thanks to all the fake blood. Lily paints, sculpts, and although she enjoys having the lights out and needing a candle during nighttime storms, she also want the television back ASAP. She gets very upset when Herman turns handsome – er gruesome and often lays down the law with her family. While early on Yvonne De Carlo doesn’t have much to do besides yell at Herman, Lily has her spotlight when late Cousin Wolverine sends The Munsters a 10,000 inheritance in “The Most Beautiful Ghoul in the World.” Lily and Marilyn open a beauty parlor to rival Grandpa and Herman’s latest experiment, however Lily’s Old World beauty techniques make regular folks’ heads turn – and sue Lily for disastrous results.
Fortunately, ever wise Grandpa says there’s no sense crying over spilled blood! Even without his crystal ball, he knows Herman will goof up his experiments or turn his well intended pills and potions into a family mishap. While Grandpa does antagonize Herman with cowardly taunts and experiments on him even when he runs out of anesthetic, they also look through old photo albums together and their mad scientist team ups do help…occasionally. Grandpa turns into numerous animals, disguises himself to fool Herman, and uses his trick index finger as a lighter or key. We don’t often see his pet bat Igor, but Grandpa plays checkers with a ghost – who won’t pay up when he loses – and has some interesting Tesla style energy, wireless, and lighting designs that unfortunately backfire. When not focusing on Herman The Munsters does seem more rounded this season with ensemble moments and great wisecracks from Al Lewis. Grandpa loves the operations on Dr. Kildare and thinks My Three Sons is a “weird fantastic adventure,” but he gets lassoed into his own scam when a wealthy widow is searching for him in “Grandpa’s Lost Wife.” The yacht and thoroughbreds were too good to be true, and Grandpa goes back to sitting at the kitchen table reading “Playghoul.” What kind of message is that for dear Eddie? He buries Grandpa in the sand at the beach, has a surfboard in the shape of a coffin, and picks up a new pet snake named Elmer. Eddie also wins a track race on his own despite Herman wanting to take coaching credit or Grandpa cheating with magic. He’s reluctant to take mystery potions to improve his organ lessons, and such tricks yield unintended jazz results when Eddie is forced to play the trumpet in “The Musician.” While Eddie remains a plot point or moral example as needed, Butch Patrick still generally appears at the dinner table or for a pet mention and then disappears until the end of an episode. For every stride The Munsters makes in giving him something to do, the gags still take over any character development. Sure, he slides down the banister with his Woof Woof or takes a pole to the kitchen and has cool stairs in his room. However, home from school trouble is told rather than seen, and the robot companion in “Eddie’s Brother” becomes more about Herman playing favorites. Unlike other sitcoms of the era, The Munsters never adds more children to its nucleus – but the series also should have paid more attention to the youth it had. I suspect they could have written Eddie out as off to boarding school or with relatives in Transylvania and the series wouldn’t have changed much.
Naturally, Pat Priest as Marilyn fairs little better, coming and going with off screen exposition despite providing sound advice amid the haywire. She listens to Lily’s this or that and has some funny moments with Grandpa – although the family whispers about what could have scared her pregnant mother into making her look like that. The Munsters have high hopes, however, making her dresses out of left over lining fabric from the funeral parlor and storing them in her hope chest made with cedar from the parlor’s “Forever Yours” casket model. When not helping in the kitchen and serving tea or sour lemonade, Marilyn stays home and studies rather than going out with the clan – but at least she has some scenes of her own and gets to say she is home for a big test instead of being name dropped as an afterthought. Why couldn’t Marilyn be the focus of the driving test episode? Even for her birthday in “The Fregosi Emerald” – complete with a cursed ring, sow’s ear purse, and a tarantula skin wallet with a picture of Herman inside it – Marilyn has the same old jinx and bad dates. Fortunately, she actually has a storyline of her own in “A Man for Marilyn.” Herman scares a boy by saying they would love to have him for dinner, but Grandpa turns a frog into a prince while Lily literally ropes in a passerby and dresses Marilyn up in a black lace wedding gown. After all, “Happy the bride the moon shines on, dear!” It’s a cute little episode that makes most of The Munsters’ built in Marilyn gag. This sophomore year there are also less guests with more self contained stories, but fun choice appearances nearer the end of the season include Dom DeLuise as Dr. Dudley, Harvey Korman again, Batman’s The Riddler Frank Gorshin, and mom Bonnie Franklin from One Day at a Time. John Carradine also returns as deadpan funeral director Mr.Gateman, telling “Mrs. M” he is in a gay mood and famous for his sense of humor – and he confesses that the parlor runs better without Herman.
The Munsters debuts new credits and a tricked out theme for Year Two, however the crash sound when Herman breaks through the front door is occasionally absent, and sometimes the show starts cold while other times a title card is presented. The volume is once again uneven, and some animal effects are better than others are. While make up and fashion changes are understandable, the special effects seem reduced this season, with less objects broken and cheaper looking travel facades, poor water and boat photography, silly rodeo footage, and seriously fake forestry. Fortunately, the Munster Mansion is less cobwebbed, making it just a little bit easier to see everything, including a new guest room with an upstairs candlestick phone that seems to be where Marilyn’s room was in the front gable. Herman and Lily’s master suite leads to the covered widow’s walk on the right of the house, and décor such as the trick knight at the top of the stairs, a growling tiger blanket, and a crooked, dusty “Home Sweet Home” sign set the quirky, quaint mood. That big house, however, has only has one bathroom hear tell. The cranky clock raven has a handful of snarky quips, but Kitty and its lion roar only appears a few times, erroneously as both a ginger and a black cat. However, sort of dragon, kind of dinosaur Spot and his tail are more visual this go round, with talk of him stealing car bumpers because he has an iron deficiency and other critical plot moments almost making him more important than Eddie! The pyrotechnics under the stairs come in handy grilling hot dogs, too, while the smoke, fog, and grayscale schemes keep the 1313 Mockingbird Lane lawn looking creepy fun for a nighttime dig. But hell, I want to open a shop with only $5,000 capital! And $20 bail? Hot damn. All the family’s ideas, information, and schemes come from their daily newspaper, too, and it’s easy to enjoy the nostalgia on The Munsters thanks to old laboratory gadgetry, flashbulb cameras, tape recorders, period radios, and giant bags of snail mail.
Strangely, Episode Seven “Operation Herman” is not included with The Munsters on Netflix. The doctoring may be unfunny, and Herman breaks the hospital rules to bring him Woof Woof when Eddie gets his tonsils removed, but even with the dose of laughing gas, it looks to be just a simple oversight rather than anything offensive. Streaming options, affordable series DVDS with perks, and retro reruns on networks like Cozi TV make it easy to catch The Munsters or the color follow up features Munster, Go Home and The Munsters’ Revenge. I am however hesitant to move on to the sequel series The Munsters Today. Despite running longer than The Munsters, I’m just too tepid about all that eighties neon! The Second Season of The Munsters starts with a lot of the same old same old. At times, the series seems out of steam and parodies its own parody with repetitive plots. Perhaps such simplicity is expected from a sixties show with so many episodes yet seemingly so few innate possibilities. Fortunately, The Munsters still has plenty of memorable delights in this second leg, and one and all can continue the creepy family fun marathon year round.
The Munsters Debut remains Macabre Good Fun
by Kristin Battestella
Meet the lovable and naive Herman Munster (Fred Gwynne) – a 150 year old green skinned Frankenstein’s monster – and his vampire housewife Lily (Yvonne De Carlo) along with their Grandpa Count (Al Lewis), unfortunately normal niece Marilyn (Beverly Owen, Pat Priest), and young werewolf son Eddie (Butch Patrick) in the 1964-65 Season One debut of The Munsters. Though often derivative, gimmicky, and of its time, The Munsters jam packs these first thirty-eight episodes with gags, wit, and slapstick brimming with Halloween mood.
Fittingly, “Munster Masquerade” begins The Munsters with young romance and cross culture social clashes. These high society dames are worried about misspelling “Munster as Monster,” but the titular kin think an uppity masquerade party complete with King Arthur and Little Bo Peep costumes is horrifying! The Munsters establishes its series tone and now familiar tricks early, however, such gags and reverse quips – we weren’t dug up last night, put the color back in your cheeks, not letting the lack of rain spoil the evening – are part of the spooky, for the laughs charm. One might not expect much in these short twenty-five minutes or less run times, but the horror tropes, sci-fi humor, and lighthearted morals are surprisingly well balanced. The Munsters may not realize what they are, yet they make a point of being kind because they know what creeps regular folks may be. As a redo of the previous two test pilots, “My Fair Munster” is almost a bottle episode of mean neighbors despite that Munster friendliness alongside rectifying Marilyn’s old maid status with Grandpa’s mistaken love potion. “Rock-A-Bye Munster” adds self-awareness with a trick television and mini Frankenstein’s monster toys, leading to a witty case of mistaken pregnancy and the birth of the Munster Koach. The robot is hokey and the clash with truant officers remains unrealistic, yet “Tin Can Man” provides great funeral jokes and fatal quips before Herman falls asleep in the backseat as their car is stolen for a bank heist getaway in “The Midnight Ride of Herman Munster.” His innocence ups the zany plot twists, as he is surprised they want to go to the bank at dawn – it’s too early to be open – and he won’t speed in a 25 miles per hour zone when they leave. Likewise “The Sleeping Cutie” piles on the hypnosis humor, a pill that turns water into gasoline, sleeping potions, and a suitor named “prince.” What could possibly go wrong? Instead of a night picnic in the cemetery, the family braves the fresh air so Eddie can camp like the other boys in “Grandpa’s Call of the Wild.” Naturally, the trip spells disaster for Grandpa – who brings his electric chair outdoors and almost ends up in the zoo. The clan teamwork continues in “All-Star Munster” when Herman is mistaken for a basketball star by redneck visitors misunderstanding the comparably well to do Munsters, and “Bats of a Feather” fully introduces the family pets – Kitty with its lion’s roar, Spot the dragon under the stairs, and that “spoiled bat” Igor. Hey, why isn’t their temperamental raven in the cuckoo clock considered for the pet fair? I protest.
Herman’s detective school moonlighting and fun disguises raise Lily’s jealous suspicions in “Follow That Munster,” and the lighthearted marital discord carries over in “Love Locked Out” when Herman is sleeping on the couch until both separately go to a marriage counselor for inadvertently competing advice. Eddie finally has a friend over in “Come Back, Little Googie” but he’s an insulting, nasty boy trying to trick everybody, providing for The Munsters special brand of cruel versus kind lessons. Relocating to Buffalo for Herman’s promotion in “Munsters on the Move” wouldn’t be a problem if they didn’t scare away potential home buyers – literally! Unfortunately, life insurance crooks are trying to kill Herman with on set accidents in “Movie Star Munster,” but such stunts don’t hurt him, forcing them to up their risks. Granted, there are scams like this practically every other episode on The Munsters – Herman always signs some kind of terrible contract in a quest for fame and fortune. However, the escalating trappings here are mad fun, and although diva Herman may be dumb enough not to read the fine print, but I’ll be darn he isn’t doing a scene if he doesn’t feel the character’s motivation! Fashion shows faux pas, a disastrous golf course, and snooty club members give everyone their moment in “Country Club Munsters” – complete with hatred and veiled statements reminding The Munsters how such bigoted people aren’t up to their kindly standards. “Love Comes to Mockingbird Heights” sees the family working both for and against a cad banker making moves on Marilyn just for the Munster gold, and say hey, Uncle Creature from the Black Lagoon pays a visit before a hilarious museum excursion leaves Herman locked in a sarcophagus for “Mummy Munster.” Women in the workplace jealousy anchors “Lily Munster, Girl Model,” and ridiculously fun Nutcracker spins and pirouettes have the whole family in on the magic act for “Munster the Magnificent.” Herman making friends and helping a little boy in “Yes, Galen, There Is a Herman” accents The Munsters with slightly serious Frankenstein movie parallels, and the eponymous boy’s disbelieving family takes him to a psychiatrist. Sure, today it is creepy the way Uncle Herman picks up a boy on the street and takes him back to his dungeon to watch Grandpa’s home movies, but the wink within a wink embracing fantasy versus destructive reality makes for a fine little finale on The Munsters debut.
Of course with so many episodes, The Munsters certainly has a few clunkers including the bickering couple using The Munsters for their own gain in “Pike’s Pique” and the shocking townsfolk reactions and presumed to be celebrating Halloween excuses in “Family Portrait.” The harp and phonograph of “Far Out Munsters” are fun, as is the irony of The Munsters liking The Beatles despite being initially too old fashioned for rock n roll – “You know, they’re almost as good as Kate Smith!” However, although the Beatniks invading Mockingbird Heights accept The Munsters as all right, the capitalizing Fab Four covers miss the mark along with the ham radio and mistaken aliens of “If a Martian Answers, Hang Up.” Too many stunt episodes in a row like “Herman the Rookie” complete with Dodgers guest stars and get rich quick schemes like the desolate timeshare of “Herman’s Happy Valley” feel like we’ve seen this same old already. You don’t have to watch The Munsters in order, but when one tunes in for every episode, you know what you’re going to get. With so many one trick ponies, it’s somewhat amazing The Munsters lasted as long as it did, and the series also has numerous inconsistencies. The make up stylings are redesigned in the earlier episodes, and even the credits change halfway through this first season with Fred Gwynne moving from his last “and” billing to first. The juvenile crank speed running away in horror exits get old fast, and bungling cop jokes suggest more than a hint of Fred Gwynne and Al Lewis’ prior series Car 54, Where are You? The vampires on The Munsters adhere to no traditional undead rules, and how do a vampy wife and a monster man end up with a werewolf son, anyway? Throwaway dates, locations, and relations change from episode to episode with no clear show bible logistics. It’s no fun seeing so called regular folks trying to swindle the family, yet The Munsters relies on too many of these scam sitcom scripts when that contrast isn’t necessary compared to the titular topsy turvy perspective. Fifty years on, some jokes and pop culture references may not be understood by today’s audiences, and it is unfortunately very surprising to hear terms like wetback and gyp or Romani jokes alongside woeful Asian stereotypes in what is such a beloved and otherwise family friendly show. Honestly, I’m surprised these rare but jarring moments weren’t edited out for the video release.
Sure he works at a funeral parlor, however Herman Munster is a normal guy who wants his idyllic mid century family to be safe. So what if he’s a dunce at his might and stomps his foot when he doesn’t get his way. “Fiddlesticks!” is Herman’s go to exclaim, especially when he’s late for the carpool that picks him up in the back of the parlor’s Hearst – and he’s ticklish, too. Herman may crack the mirror – literally – but he’s more worried about his bills than being mistaken for the misspelled monster in the headlines crook of “A Walk on the Mild Side.” Always concerned about money, Herman tries a disastrous laundromat job in “Herman’s Raise” as well as wrestling on the weekends for extra cash in “Herman the Great.” However, he’s simply too sweet to be ruthless against the cheating competition. Herman won’t disobey a “Don’t Walk” sign but blows up the signal when he presses the button! Gwynne excels in solo physical humor scenes with few words as in “Dance With Me, Herman,” and he plays a suave lookalike in “Knock Wood, Here Comes Charlie” complete with a British accent and monocle. Fearful, finger pointing mobs may be played for laughs on The Munsters, but Herman makes sure his kin isn’t involved with the nasty folks in town, and more looking through the window Mary Shelley motifs are made humorous when Herman tries dieting at Thanksgiving in “Low-Cal Munster.” Herman and his wife Lily sit on the couch together and read, rock on the porch together during a storm, have a beach date on a rainy day, and – gasp – sleep in the same bed! Lily’s pussycat is more handsome than that unfortunate Cary Grant in her eyes. Although the family fears her wrath and she does get annoyed at his bungling when Herman and Grandpa are mistaken for burglars in Halloween masks in “Don’t Bank on Herman,” Lily easily forgives. She’s a good mom, too – sewing Eddie’s doll and raising Marilyn despite her niece’s “flaws.” Lily cleans nine rooms and a dungeon, vacuums with a vacuum set to exhaust the dust, and cooks oatmeal, pancakes, and Herman’s favorite cream of vulture soup. She plays the harp, sleeps with her namesake flower, and in “Herman’s Rival,” the 137 years young nee Dracula does palm readings at the local tea room. Although her white hair streaks and make up design varies at times, Yvonne De Carlo (The Ten Commandments) is always delightful thanks to bat necklaces, a werewolf stole, tiaras, iconic gowns, sparkling taffeta coffin capes, and “Chanel No. 13.”
Likewise, Al Lewis is all in good fun as that charming 400 year old widower Grandpa. The Count – known to turn into a wolf himself – has a werewolf son named Lester and still loves him some ladies despite having had over one hundred wives and falling for a mail order bride scam in “Autumn Croakus.” Occasionally, Lewis breaks the fourth wall, and these talking to himself asides or sight gags add self-aware wit. Grandpa hangs upside down in the living room, takes his eggs night side up, and roots against the Angels. Yes, there are a lot of hammy Dracula cliches on The Munsters – Grandpa’s cape and widow’s peak alone – but there is always a lovable quip or two to match his cool basement laboratory, potions, wacky inventions, and the latest money making scheme up his sleeve. Grandpa watches television and soap operas are his favorite comedy, but he has a naughty streak, too – tempting Herman with trick pens or food when he can’t eat. Unfortunately, their bemusing bromance does suffer in “Grandpa Leaves Home” when the feeling unloved Count runs off to perform in an ill-received magic club act. Grandpa’s tricks aren’t as good as they used to be, and such endeavors always have hair-brained results on The Munsters. Child star Butch Patrick’s Eddie hangs with his Grandpa the most, helping him in the dungeon when he’s not howling at the moon or playing in the fireplace, that is. Wolf look and all, “Edward Wolfgang Munster” is a gosh darn cute little boy with his little short pants, knee socks, pointed ears, and Woof Woof doll. He’s so tiny beside the seven foot Herman and no bigger than the golf bag when he caddies for his dad! Fortunately, his small stature means Eddie can hide in the cabinet or other fun places, and he has a pet door where one can deliver his bedtime glass of milk. Although he plays baseball with the other kids, they often don’t believe his stories about the Munster household – which unfortunately seem to happen mostly without Eddie. I’m glad The Munsters isn’t Eddie-focused in a Beaver Cleaver gone Halloween fashion, and the series was in fact envisioned as a parody on Leave it to Beaver by producers Joe Donnelly and Bob Mosher. However, Patrick often only has one scene even when the episode’s premise starts with him, and he’s most often seen with his back to the camera at the family table. “Eddie’s Nickname” is his only centric episode, but we do get to see his room in detail alongside nice father and son time and some moral lessons. Besides, today he would have a far worse nickname then “Shorty.”
She’s supposed to be Lily’s sister’s daughter, yet Marilyn’s mother is never mentioned by Lily or Grandpa, and her last name is still somehow Munster. Yeah. It’s somewhat sad that The Munsters’ normal blonde niece is so underdeveloped that the Beverly Owens to Pat Priest casting change in Episode 14 is almost completely unnoticeable. The Munsters does at least make good use of Marilyn’s repeatedly scaring away dates right from the start, and each unsuitable suitor gone is for the better as far as her Aunt Lily and Uncle Herman are concerned. The family pities her for being so “ugly” or “hopeless” and think she looks better with the bags under her eyes when she can’t sleep. They insist she stay in school and get an education because she’s only going to get a boy to like her for her brain! Marilyn does get a kiss in “Love Comes to Mockingbird Heights” – where we see her girly bedroom inside the left gable of the Munster Mansion complete with floral wallpaper, a canopy bed, and dainty furniture which Herman finds “distasteful.” Though never shown having plots or hobbies of her own and mentioned as being off studying when not included, Marilyn is briefly seen playing the organ and being Herman’s talent show magician’s assistant. She doesn’t desperately fall for every wolf on the make, either, and can tell when someone is suspicious. Most of Marilyn’s scenes, however, are with Lily, and it’s apparent the character really only exists as a soundboard for the wife at home. Like Eddie, Marilyn has one scene and few lines per episode. On the rare occasion they are alone onscreen, the cousins are still talking about others rather than having stories of their own. Marilyn has one shtick and one shtick alone, but it is a fun one, and the would-be con artists who knock on The Munsters’ door deserve to find this innocent and demure decoy. For sure, The Munsters has its fair share of famous and recognizable guests including postman John Fielder (The Bob Newhart Show) and Bewitched’s Paul Lynde in several episodes as Dr. Dudley. Batman’s Commissioner Gordon Neil Hamilton is here, too, with Bill Mummy (Lost in Space), Pat Buttram (Green Acres), Barbara Babcock (Dr. Quinn Medicine Woman), Harvey Korman (The Carol Burnett Show), Don Rickles, and more. I must say, I would have certainly watched a spinoff featuring John Carradine as Herman’s undertaker boss Mr. Gateman!
Although the drag racing creation of the Dragula roadster in “Hot Rod Herman” will conflict with the later Munster, Go Home movie plots and a regular car driven by an unseen ghost is seen only once early on, the aforementioned Munster Koach is always good fun. Likewise, the cowabunga theme music remains as memorable as the always recognizable Munster Mansion – a great television house that has appeared in other films and television shows such as The ‘Burbs and Desperate Housewives yet continues to inspire builders who want to live at 1313 Mockingbird Lane. Sure, the kitchen is kind of drab. The décor is too derelict trashy and hellllooo dust mites rather than fancy Gothic sophistication – at Halloween one always strives for the latter and ends up with the former! However, that candlestick phone in the indoor coffin phone booth is yes please, and let’s throw in some nostalgic bells and whistles such as that $2 with a 50 cent tip taxi cab fee for good measure. Secret passages, creaking doors, and cobwebs spook up The Munsters as do phonographs, candelabras, cool spell books, and creepy potion ingredients. I wish the series had been in color – if The Munsters had lasted for a third year on CBS in the 1966-67 season, it could not have remained black and white. Thankfully, the smoke, fog, bubbling cauldrons, poofs of dust, and objects moving by themselves benefit from the eerie grayscale palette while setting the spooky Halloween funhouse atmosphere. Although the uneven sound is perhaps understandable, the laugh track and cutesy music effects feel like an intrusive insecurity today. The Munsters is a funny show, and the audience gets the puns a minute without the canned response – and we prefer our own spontaneous chuckles to being told we are too dumb to know good comedy when we see it. The pet jokes are much more fun on The Munsters thanks to some surprisingly not bad special effects. Not only are those opening stairs cool, but Spot’s flames and pyrotechnic gags, Kitty’s lion roar, wolf or animal filming, and bemusing bat work accent the horror humor. As to that grouchy cuckoo clock raven voiced by Mel Blanc…want!
All the mid-century so-called fantasy sitcoms have their gimmicks, and The Munsters is at once of its time with simplistic plots, stock character tropes, and lighthearted happy family motifs in costumed dressings. Too many episodes in a row can be tiring or annoying when every half hour seems the same. Fortunately, the very affordable Complete Series DVDs add to the fun with actor spotlights, behind the scenes features, unaired pilots and color versions – treats not available on current retro channel airings or streaming options. The Munsters uses every trick at its disposal to crank out its weekly humorous horror wheelhouse, and ironically, any derivative hang ups also make this debut easy to marathon for a weekend. Viewers can pay attention or casually tune in for the best gags or leave Herman, Lily, and the gang on to occupy the kids. Let the delightful family frights of The Munsters Season One play for a harmless party or Halloween mood any time of year.
Horror Addicts Episode# 111
Horror Hostess: Emerian Rich
Intro Music by: Valentine Wolfe
horror addicts guide to life | xy beautiful | the twilight zone
Find all articles and interviews at: http://www.horroraddicts.net
216 days till halloween
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Horror Addicts Guide to Life
Do you love the horror genre? Do you look at horror as a lifestyle?
Do the “norms” not understand your love of the macabre?
Despair no longer, my friend, for within your grasp is a book written
by those who look at horror as a way of life, just like you. This is
your guide to living a horrifying existence. Featuring interviews with
Midnight Syndicate, Valentine Wolfe, and The Gothic Tea Society.
Authors: Kristin Battestella, Mimielle, Emerian Rich, Dan Shaurette,
Steven Rose Jr., Garth von Buchholz, H.E. Roulo, Sparky Lee
Anderson, Mary Abshire, Chantal Boudreau, Jeff Carlson, Catt
Dahman, Dean Farnell, Sandra Harris, Willo Hausman, Laurel
Anne Hill, Sapphire Neal, James Newman, Loren Rhoads, Chris
Ringler, Jessica Robinson, Eden Royce, Sumiko Saulson, Patricia
Santos Marcantonio, J. Malcolm Stewart, Stoneslide Corrective, Mimi
A.Williams, and Ron Vitale. With art by Carmen Masloski and Lnoir.
Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc…
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David Watson, Dan Shaurette, Marc Vale, KBatz (Kristin Battestella), Mimielle, Dawn Wood, Lillian Csernica, Killion Slade, D.J. Pitsiladis, Jesse Orr.
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