David’s Haunted Library: The Final Reconciliation and Skin Deep/Ordinary Monsters

Thirty years ago a new progressive rock band exploded onto the music scene called The Yellow Kings. The band was made up of 4 teenagers with big dreams who released an ep and toured America, eventually landing a record contract. Along the way, they meet a young woman named Camilla who has an odd influence on the band. After their first tour, The Yellow Kings went out to Los Angeles to record their first album, a concept album called The Final Reconciliation. Little did they know it would be their last album and very few people would ever hear it.

The album was shelved after The Yellow Kings put on an album release party in an L.A. nightclub where they planned to play the full album for the first time. The concert ended in a disaster which killed almost 200 people and left only one band member alive. For the first time since that fatal night, The Yellow Kings lead guitarist and sole survivor Aiden Cross has agreed to be interviewed about the events leading up to that tragic night.

The Final Reconciliation by Todd Keisling is inspired by Robert W. Chamber’s “The King in Yellow.” Written in 1895 it was also the inspiration behind some of H.P. Lovecraft’s work. In the 1895 story, it was a play that if read brings madness to the people reading it. In this story if you listen to the full album it creates chaos. I wasn’t familiar with the source material but loved how it was presented in this book. The idea of a heavy metal album opening a portal to another world and making people go crazy is a great concept.

This cosmic horror novella is more than just a new twist on old mythology, though, it’s also the story of kids from a working class background achieving their dreams and worst nightmares at the same time. One of my favorite parts of this book was when three members of the band return to their hometown from their first tour and you see the background they come from. They don’t get a warm welcome, their parents don’t understand the bands need to follow their passion instead of working a blue collar job. In a short time, The Yellow Kings achieve a high level of success before it all comes crashing down. You know early on that it’s all going to end in disaster, which leads me to what I didn’t like about the story. You knew what was going to happen from the beginning, it’s just a question of how we’re going to get to the final result.

The Final Reconciliation is a great little horror tale that mixes music, mythology and a coming of age story all into one. The description of The Yellow Kings kingdom comes to life brilliantly and the final scenes in the Nightclub disaster were wonderfully grotesque. Todd Keisling does an excellent job of setting a mood of dread and keeping it going throughout the book. I think most of all I loved the concept of a progressive rock album being the key to a world of terror. If you are familiar with the Cthulhu mythos you shouldn’t pass up this book.

Skin Deep/Ordinary Monsters by Frank Martin is a different kind of horror book. It includes two stand alone pulp fiction style horror novellas and a comic.  The first story is called Skin Deep “A Vampire Story Of Love.” The story centers around a  girl named Laura who is a track and field star in high school, rebelling against her parents. She sneaks into bars and complains that her parents pushed her into track, but her attitude becomes a big problem when she meets a Cajun vampire who teaches her a lesson in love she won’t forget.

Skin Deep is the kind of story that comes to mind for me when I think of pulp fiction. It’s a simple story with simple characters and its a lot of fun when the vampire shows himself. The beginning is boring but as the story moves along it gets better. I loved the vampire and the final gory scenes in the story are excellent. Skin Deep is a story that has its flaws, such as parents that Laura thinks are overbearing but in reality come across as non caring, until the end. Laura also has a sister named Jessica who has a story that is never fully explained. That being said the scenes with the vampire in it make this story worth it and we even get a nice message about not having to live the role that people expect of you.

The second story is called Ordinary Monsters and is about two teenage best friends whose friendship is put to the ultimate test when an old family secret is revealed.  This is an excellent werewolf story which touches on such subjects as the Nazi concentration camps, dealing with anger and how far loyalty will go. I love the scenes from the werewolves point of view and the description of the change from human to werewolf was brilliant. This story represents why werewolves have always been my favorite monster. It’s all about a person dealing with an inner rage that they have no control over, this book is worth your time for this story alone.

Skin Deep/Ordinary Monsters also includes a beautifully illustrated comic that tells the story of a werewolf and vampire doing battle during World War 2. I felt both of these stories got off to a slow start and had the feel that they were coming from a first time writer, but both got better as the monster was introduced into the story. This book is a fun read that fans of a good monster story will love and with cover art like that, who can resist.

 

 

Kbatz: Indoor Horror Scares

Frightening Flix

 

Indoor Horror Scares

by Kristin Battestella

 

Who needs to go on vacation when these rural horrors and at home perils are more than enough fright?

 

BugRetro telephone rings, an isolated and rundown motel, and blue neon lighting establish the would be rock bottom for beat up, lonely, straggly haired waitress Ashley Judd (Double Jeopardy) in this 2006 psychological scare directed by William Friedkin (The Exorcist). Unfortunately the solitary drinking, drug use, and one sided phone conversations become much worse thanks to the enigmatic and awkward Michael Shannon (Take Shelter) and his forthright perceptions on crickets and conspiracies. The smoke detector, a pizza delivery – even the disappearance of Agnes’ son years prior is newly suspect. Violent, intrusive ex-husband Harry Connick Jr. (Copycat) is equally solid thanks to meaty one-on-one dialogues, masculine tensions, and terse back and forth exchanges. There’s exposition, sure, but these conversations realistically rely more on past emotions and mistakes the characters already know. This is a messed up, small, and sad little world with more pronounced accents for the Oklahoma setting and a one room design that looks ten years older anchoring the dramatic first hour as the creepy crawlies, military history, and medical paranoia increase. Just because one can’t see the infestations that doesn’t mean they aren’t there, right? People flipping out over bugs invisible to the audience can be unintentionally humorous, granted. However, the well edited camera cuts and movements within the tiny stage space ala the Tracy Letts (Killer Joe) source play accentuate the increasingly crazy theories and jumping to conclusions extremes – which are in turn ridiculous and unbelievable. Even if there is a grain of truth impetus and misplaced maternal instincts realized too late, sparse uses of bite marks, blood, plastics, tin foil, and bug lights – as in dozens of bug lights and wall to wall tin foil shiny – isolate our lead pair within their conspiracy together. The zapper glow adds a surreal, padded room reflection where homemade madness trades one type of abuse and insanity for another. Let’s pull out our own teeth because the government put bugs in our fillings! Okay! This is not scare a minute slasher dicing horror as some viewers would expect but rather a freaky thinking person’s examination of mind and body fears and inside and out delusions all done without CGI and $250 million hyperbole. As to the slightly confusing post credit clips, I suspect the first is where Agnes’ mental breakdown began and the second is when her delusion passes the point of no return. Of course, I could be wrong, as it probably wasn’t the smartest idea to watch this particular movie while I had a hives breakout!

 

housebound2014horrormovieposter

Housebound – This 2014 New Zealand import isn’t as financially strapped as other low budget terrors, but this horror comedy does have plenty of old fashioned basement trappings, ominous neighbors, potential paranormal activity, unexplained voices, and one eerie abode with a bad history. Accents and place names might be tough for some and viewers have seen this type of isolated or laid up and monitored scary previously. Fortunately, the titular punishment leads to some new crazy versus supernatural spins along with lovely outdoor photography, old time radios, dated computers, dial up modems, tape recorders, Polaroids, and gasp corded phones. Shrewd exposition – calling into a paranormal radio show to tell an encounter – compliments the quick newspaper research, and a well designed lighting scheme with noir smoke, darkness, solitary lamps, and an aged, golden patina adds atmosphere. Is this merely clutter, leftover antiques, attic access, creaking doors, or something sinister? Clueless parents may seem annoying to start, but we come around to our bad girl with a ‘tude emo lead as the activity escalates. Though there are a few jump scares, this is not akin to today’s paranormal reality series or shock and awe shenanigans. The comedy is not gross out, laugh out loud either, but rather a generational quirky, kooky household objects, and battling bemusements – old toys are both creepy yet humorous. Disbelieving authorities, surprising movements, and other unexpected interference keep the eponymous limits from becoming stagnant as more pieces are added to the mystery. This puzzle is not in your face horror, but the majorly upticked final half hour puts everything perfectly on its ear and will have the audience holding its breath. And let me reiterate, there is no, repeat, no reason for a forthcoming stateside remake!

 

Late PhasesA pleasant, mature ensemble including Ethan Embry (Can’t Hardly Wait), Tina Louise (Gilligan’s Island), Karen Lyn Gorney (Saturday Night Fever), Dana Ashbrook (Twin Peaks), Tom Noonan (The Monster Squad), and Lance Guest (The Last Starfighter) battle the werewolves afoot as blind veteran Nick Damici (We Are What We Are) moves to a fishy retirement community in this 2014 tale. Headstone shopping, senior discounts – it’s expensive to die, and such issues acerbate the grief, discomfort, and difficulty adjusting to new surroundings nevermind ominous hooded visitors, suspicious animal attacks, or finding a gunsmith to make silver bullets no questions asked. Cranky encounters with nosy old ladies build humor and drama, investing the audience with a likable protagonist and quips about old people all smelling the same before dog door scares, shadows at the window, and werewolves breaking and entering. Granted, some will be put off by the hokey wolf suit. However, darkness, smart camera angles, and suspenseful canine versus lycanthrope action hide most of the monster design while good gore, echoes on the fallen telephone, and violent sounds on the other side of the wall add fear. Monthly preparations mount as neighborhood clues and a keen sense of smell could identify the wolfy during the countdown till the next full moon. The cops may be tired of answering elderly calls and family ditches their defenseless parents, but those left behind must grapple with religious redemption, Vietnam fallout, and haunting sacrifices – familiar topics not often discussed in horror. Yes, there are some flaws here with confusing logistics, poor editing, and weak effects. Fortunately, this grown up Silver Bullet and endearing last hurrah makes its scares and emotions felt with horror and mystery amid a refreshing real world honesty.

 

Leave it!

 

Red State This 2011 eighty-eight minutes establishes its small town mood quickly with bigoted protests, homophobia, and rebelling against redneck Middle America ignorance and hypocrisy. The too chill classroom and modern teens are however immediately annoying – three dudes spewing gay slurs and lame, compensating gang bang talk deserve what comes to them and the audience never has a reason to care. There are smartphones and porn sites, but mullets, back road car crashes, a trailer in the woods, cages, and sex being the devil’s business comments forebode a rural horror potential that instead gives way to misused hymns and Biblical quotes in uncomfortable cult dressings. Disturbing family congregation cheers and askew, from below camera angles are meant to reflect this warped, but the gross, in real time sermon steers the picture into heavy handed commentary. The first five minutes were already unnecessary and I really wanted to skip over this icky segment and turn the movie off all together in the first half hour. If I wanted to get disgusted by corrupt shit, I’d watch the news. Every fifteen minutes viewers are continually betrayed with a pulling the rug out bait and switch combining for some kind of clunky horror FBI raid meets zealot save the children siege. I see why stars like John Goodman and Melissa Leo were interested in the subject matter, but there’s no finesse in the attempted statements or falling flat scares. Hate crimes and horror really don’t mix. Trying to be witty dialogue ends up as corny misses – and I love Kevin Smith’s humor in Clerks and social winks in Dogma. Once again, a one and the same writer/director really should have had another person tell him you can’t squeeze a bigoted drama horror movie political action film together and expect something fulfilling. While I applaud the edgy approach and true indie notion of for the people by the people film making, the self promotional on demand distribution and lack of recognition here is not surprising. Not only does this toss in every taboo possible, but the wanna be shrewd controversial never makes up its messy mind.

Kbatz: Silent Film Scares!

Frightening Flix

 

Silent Film Scares!

By Kristin Battestella

 

Here are but a few early film frights to catch your tongue!

 

The Cabinet of Dr. Caligari – Sleepwalking, hypnosis, and a demented carnival atmosphere are just the beginning for this influential 1920 paragon. From the German intertitles complete with a madcap, unreliable narrator font to the eerie, off key merry go round score, the distorted perceptions and exaggerated visuals force the viewer to pay attention. Green patinas, teal evening scenes, golden up close shots, and opening and closing irises layer on the dream like retelling alongside askew, Expressionist angles and a stage like design – a play within a play to which we the audience are willingly privy. Contrasting triangles, shadows, lighting, and more surreal architecture parallel the lacking reality, for there is no external frame of reference and forced perspectives belie a fun house whimsy. The actors, makeup, and abstract period styles are fittingly macabre, and the stilted contortionist movements evoke a poetic but unsettling ballet where a misused seemingly innocent, forgotten pawn needlessly dies once his job no longer computes. Though very indicative of its early interwar time, this remains immediately progressive – man is misled, controlled, even compliant in his misdeeds but not willing to be responsible for his actions when it is easier to be led astray and defer your killing hand to the orchestrating puppeteer. Do we not let popcorn entertainment and social media dictate our needs because someone somewhere told us so? Are we living in a fantasy if we think otherwise? Maybe so. The mass sheep consequences are indeed frightening, and some may find it tough to view this picture objectively knowing the catastrophic calamities to come. The appropriately named Cesare, deadly predictions, a perceived loved triangle, escalating murders, and crazy case connections twist and turn while satirical police sit on high up stools like toy soldiers waiting to be told what to do – like us in our 9 to 5 cubicles. Ignorance is bliss, and that is mighty scary. This is must see genre at its finest thanks to heaps of real world fears and social commentary for horror fans and classroom studies.

 

hyde4

Dr. Jekyll and Mr. HydeThis 1920 John Barrymore silent classic still looks good, with fine style and design and eerie organ music to match. There’s a lovely level of atmosphere for a spooky event- project this baby on some creepy cloth and you’re set! Granted, it’s a little slow to start and long for a silent film at 80 minutes. The presentation itself is almost Victorian in establishing the parlor goodness before its hint of pre-code sauce- the dance and proposition of Nita Naldi (The Ten Commandments). The posturing and makeup for Hyde may seem hokey, there isn’t that much of a visual difference compared to today’s high tech effects transformations. Nonetheless, Barrymore (Don Juan) sells the depravity without over exaggerating as the era often dictates, and the result is quite timeless.  There aren’t many title cards, either.  As the film progresses, the good and evil torment steadily increases thanks to the freaky pictures and creepy performance. A must see. 

 

Fall of the House of UsherThis very early 1928 silent adaptation of Poe’s macabre tale is only 13 minutes. There are no inter cards to read, nor what we would call dialogue. The fashions are decidedly Roaring instead of Victorian, too.  The visuals are so out there-even nonsensical-that it’s almost tough to see Edgar in any of it.  Nonetheless, this moody piece is perfectly disturbed with great, haunting organ music and eerie, distorted photography.  It’s trippy, unexpected, and a little scary. This is another one of those old films that makes for a great demented projection during a spooky party or ghoulish gallery presentation. Though not for everyone, anyone who is a fan of early film experimentation or audiences who just like weird shows should definitely check this out.

 

vlcsnap-4416695

 

Faust – This 1926 F. W. Murnau biggie waxes on all the good and evil one can muster thanks to its Old World appeal, supernatural surreal, and timeless story. Familiar strings and sweeping orchestration ground the Expressionist horror framework with frenetic ills or melodic tender as needed while stunning images of angels both light and dark are fittingly disproportionate with oversized wings. So maybe the mounted skeletons may seem hokey, but the smoke and mirrors, creepy eyes, and evil horns make for superb overlays and superimposed shadows. Why do we toy with spectacular effects when each frame here is like a seamless painting – unlike contemporary, noticeably shoddy CGI. Ghoulish makeup, severe looks done with very little, dark hoods, rays of light, and religious iconography loom large, telling the tale with symbolic light and dark objects dueling for our attention – just like the delicate titular ballet. The battle for one man’s soul is set amid our earthly plague fears, and despite the torment and somewhat odd, dragging domestic humor, the acting is not over the top but subdued for the weighty subject. This macabre is closer to the past than the present, setting off the repentance questions and plague as divine retribution debate. His Old Testament gives no answer, and evil enters in on Faust’s doubts, trading decadence with quills to sign in blood, hourglass measures, alchemy, superimposed flames, and mystical books to match the thee and thou spells. Our deceiving little old man becomes more traditionally devilish looking with each lavish temptation, duplicitous with his immediate tricks of pleasure and unfulfilling youthful elixirs that cannot be sustained. Could you do good with such power? Flight and winds show not how high one goes but how far we will fall, and despite a somewhat overlong hour and forty minute full length edition, the grim sense of dread here snowballs as the looming evil drapes the bedchamber within his robes. Will innocence and love triumph and restore the divine? This stunning attention to detail not only makes me want to tackle Goethe again, but shows what can be done when time is taken to ensure a picture lasts 90 years rather than be a consumed and quickly forgotten 90 minutes. The multiple versions and assorted video reissues will bother completists, but we’re lucky to have these copies at all and horror fans and film students must see this still influential morality play.

 

The Hands of Orlac – Art and music meet the grotesque for this 1924 tale of pleas, surgeries, and will power. Precious few newspaper clippings and streamlined, made to look old intertitles accent the ominous locomotives, vintage vehicles, smoke stacks, and well done but no less hectic disaster filmmaking before the macabre executions and madcap medicine. Doctors in white coats with terrible news, a saintly woman in white, bleak black trees against the clouded white sky – rather than our beloved silver screen, the picture here is truly a black and white negative with bright, symbolic domestic scenes and nighttime outdoor filming. Overwhelming buildings loom tall, and the sharp, gothic arches of a sinister father’s house reflect his uncaring. Eerie superimposed faces, phantom feelings, and impatience to remove the bandages build toward the eponymous hysterics, but the simple agony of handwriting changes and crooked hands so skilled with a killer blade but unable to master the piano wonderfully increase the torment and self doubt. Is it the mind doing these fatal repeats or the appendages themselves taking over? The full near two hour restored version feels somewhat overlong, with melodramatic scenes and unnecessary transitions interfering with the anguish. At times, contrived fingerprint exposition and solving the crime clichés pull the rug out from under the horrific hands possibilities, but fortunately, the blackmail, murder investigation, and bittersweet love anchors the monstrous appendage swapping. Where today we would have all kinds of bent, hairy, or special effects to hit the viewer over the head with how evil these hands should be, it’s amazing how these wicked hands psyching out our pianist don’t look evil per se but actually fairly normal. With our contemporary pick and choose genetics and scientific advancements, the concept of these influential limbs out for themselves is perhaps more disturbing. Could you loose your art and livelihood when calamity takes your hands or would you use extreme science to restore your limbs, accepting the inadvertent trade of music for something more barbarous? This is an excellent must see both for the ghastly what ifs and the inner turmoil at work.

 

vlcsnap-4414696

 

The UnknownLon Chaney (The Phantom of the Opera) and Joan Crawford (Whatever Happened to Baby Jane?) star in this short but memorable 1927 silent from writer and director Tod Browning.  Similar to Browning’s Freaks in many ways, the grotesque yet tender and sympathetic love triangle here is fast paced and well edited with intense twists and a great, revitalized score.  Sure, it may be a Leap of Faith in taking Chaney as armless and the carnival set-ups are hokey- but trust me.  There’s no over the top acting, only perfect expressions and emotions all around. Crawford looks dynamite, too, with great eyes and readable lips that don’t need inter titles. It’s not all Chaney’s footwork and bravo to his double Paul Desmuke; their combination is strangely delightful to watch. It’s probably a tough concept for some contemporary, effects-obsessed audiences to comprehend, but hearing or reading words aren’t required for the viewer to receive the trauma here.  Yes, some of the essential plot points are fairly obvious today. However, the performances keep it splendid nonetheless. This hour is by necessity of the silent style yet also very modern in its own way. It’s definitely a must see for classic fans, lovers of the cast, and film makers or would be actors- who should definitely take a lesson on the big reveal here!

 

Wolf Blood – This 1925 silent hour plus is the earliest remaining onscreen lycanthrope picture, complete with Canadian flavor, old fashioned logging, spooky forestry, railroads, and jealous love triangles to match the desperate titular transfusion and its would be consequences. A befitting green hue graces the outdoor scenes while standard black and white reflects the bleak interiors and golden tints accentuate the high society parties. The focus is blurry at times, the print understandably jumps, and the music is surprisingly loud. However, the rounded iris close ups add a dreamlike quality, and the vintage jazz tunes and period fashions are a real treat. If you’re looking for a time capsule logging documentary, this is it! Flirtations, camp injuries, company rivalries, drunken dangers, and medical debates give the first half of the picture a purely dramatic pace, but the wolfy fears, mob mentality, and deadly possibilities build in the latter half. Fantastic medicine, superstitious leaps, dreams of becoming the wolf – this isn’t a werewolf film as we know it but the key pieces are here. How fast people turn on you once you have wolf’s blood! The wolf footage is also quite nice, with what looks like real mixed wolf or husky dogs. No, there is no werewolf transformation and it’s all a bit of a fake out in that regard, but the community fears and early man versus beast melodrama is still fun to see.

David’s Haunted Library: Obfuscate

David's Haunted Library

 

obfuscate-final-cover

You might think that Cheyenne O’ Cuinn has an easy life but nothing can be further from the truth. She may be beautiful, have a successful career as a computer programmer and her own virtual reality game that she designed but she is also a vampire. Not too long ago she found out that mythological creatures were real and many of them were playing her game, ExsanguiNation. Since she found this out, her life has changed drastically and now she has three tasks ahead of her.

She has to Rescue her sister from cannibalistic vampires, eliminate the villain who threatens her family and hunt down the man who tried to kill her. You think you have it rough? Think again.   Luckily she’s not alone, she has a vampire, a werewolf and a dragon along to help her. This may seem like a situation out of her video game but the threat is real and she can’t get a do over if she fails.

Obfuscate by Killion Slade is like a supernatural pulp fiction monster mash-up on steroids. Dragons, vampires, werewolves, wendigos, black-eyed children and merfolk, Obfuscate has all these and more. This is the second book in the World Of Blood series but it does work as a stand alone novel. When you start to read this book, the best thing to do is to just sit back and enjoy the ride. The story moves along at a frantic pace and goes back and forth from being scary and serious to being ridiculous and bizarre. Which is a good combination to have in an action packed story. One scene towards the beginning of the book was a total surprise to me.

What I liked most about the book is the amount of mythical creatures that are in it and are presented as real. There is one scene in a hospital where a character describes the island where a rescue attempt took place as Lord Of The Rings because of all the trolls and elves on it. The fact that you know that anything is possible in Obfuscate makes it a more entertaining read. Another thing I liked was that all the main characters were a different creature, they all take on human forms at different times and they all work well together. I think it would be fun to see a stand alone story with Torchy the dragon. World Of Blood is a universe where lots of good stories can be told. Also on a smaller note I liked that this book has a reference section at the end that lists songs, videos, movies and places that inspired the book.

Obfuscate has a little bit of everything: “Romance, action and more mythological creatures then I’ve seen in any other novel, this is one fun thrill ride. I loved how it opens on an island of cannibalistic vampires and goes to several other locations before it’s done. Obfuscate is like a video game in book form. This book isn’t meant to make you think, its meant to be a fun read and it is just that.It’s a lot of fun with some memorable characters thrown in and I’m already looking forward to the next installment in this series.

Blood Of Socorro County

 Interview With Sean Young, Author of Blood Of Socorro County

For season 11 of the HorrorAddicts.net podcast, we will once again feature an 11 episode audio drama. Our latest ongoing story started in episode 124 of the podcast and is called Blood Of Socorro County. The play is written by Sean Young, who in the past, has participated in our annual Masters Of The Macabre contest. I asked Sean a few questions about his new drama and here is what he had to say:

What is the plot of  Blood of Socorro County?

SP logoThe story follows a couple of different subplots, but the main plot covers the attempt of an ancient werewolf who escaped persecution in Europe to re-establish a new clan in the relatively lawless area of Socorro County, (the Southwestern part of New Mexico). New Mexico was still a Territory at this time, and is one of the wildest areas of the old west.

What was the inspiration behind it?

I always liked the Old West, and spooky stories of the Old West are the coolest. I work at Knott’s Berry Farm, a few miles away from Disneyland in Southern California. Allow me to digress for a moment and explain a bit about Knott’s Berry Farm for the benefit of those not from the Southern California area. It is the first Theme Park in America, and still going strong after 75 years. Walter Knott and his wife Cordelia started a berry farm in 1920, and was the goldfield_1496444cbirthplace of the Boysenberry. They opened a chicken dinner restaurant in 1934, to help make ends meet during the Depression. The restaurant became a huge success, and lines for the restaurant were literally 4-6 hours long in some cases, like on Sundays. Walter, ever the entrepreneur, decided to pursue a dream project of his; to create his own Ghost Town, complete with authentic buildings, maze-like streets and cowboys and Native Americans to populate it. The Ghost Town was based loosely on the real ghost town of Calico, off the I-15 on the way to Las Vegas. Over the decades they added rides and other themed areas. I grew up in the area, and often visited it as a child and throughout my adult life. I think my love for the Old West came from going to that park.
My inspiration for Blood of Socorro County is two-fold. Firstly, I work in the Entertainment department in Ghost Town, at the attractions Panning for Gold, the Jail, (voicing the feller in the jail named Sad Eye Joe) and the Western Trails Museum. The Western Trails Museum has an amazing collection of everything from the Old West, Mining, and Pioneering days. We have authentic guns, tools, rock specimens, saddles, bits, spurs, clothes; if it came from c.1850-1900 we probably have it. Being surrounded all day by the gravitas of history kinda rubs off on a feller. Seeing a real McCoy Colt Sean Pan for GoldDragoon, Winchester M73, and an 1875 Colt Single Action Army Civilian Model (a.k.a. the Peacemaker) hanging on the wall, you can’t help wondering what stories they would or could tell if only they spoke.
Secondly, Knott’s also claims to have the first Halloween event, called Halloween Haunt and changes its name to Knott’s Scary Farm. This event is awesome, and I’ve been going to it off and on for over 30 years, as well as working 7 of the more recent ones. The last two years, I worked as an outlaw cowboy in a fantastic walk through maze called The Gunslinger’s Grave. The 2015 version of the story featured werewolves, skinwalkers and us Red Hand Gang outlaws, scaring the living bejesus out of the people who come through. Werewolf Cowboys? Hmm…

When is Blood of Socorro County set?

1885. The famed Lincoln County Wars had pretty much just burned themselves out with the death of Billy the Kid in 1881, so I thought it would be interesting to have that as a rich, local background to draw on. (Maybe a Zombie Billy the Kid?)

Why did you choose the setting?

The American Old West has always been a popular subject matter. It was an era of explosive growth, werewolf_1280x1024unregulated conflict, and a vision of prosperity and a bright future that has generally not been seen since. (Unless of course, you were on the losing end like Mexico and the Native Americans). Plus, it was a flash in the pan. In the brief span of merely 50 years, there were multiple Gold and Silver strikes, one of the most catastrophic Civil Wars fought with the most terrible weapons the world had ever seen, and what was the frontier between Missouri and the West Coast became settled and a Transcontinental railroad connecting it to the Old States back east. Such an area of conflict and change has always sparked the American sentiments of progress, self-reliance, and independence, transforming this country, for better or for worse into the United Stated of America that we know today.

How many episodes will there be?

Red Hand SeanThere will be Eleven episodes all told. The first few will introduce most of the main characters, and then it all hits the fan in the last 3-4.

Who are some of the people involved in the production?

Everyone, other than myself and some of my family who appear in the show had all answered my casting calls from a few different internet sites. So far, I have lined up, in no particular order: Sean Wisner, Steven Leonard, Justin Fife, Steve White, Jeff Moon, and Megan Kelly. There will be a few more characters and voices to come in future episodes.
Production-wise, I wrote, did a few voices, and produced the whole thing. It’s nice to have Creative Commons websites to get music and SFX from, otherwise, there’d be a lot more folly editing going on!

How long does it take to produce an episode?

For me the writing probably takes the longest part, at least it seems like it. Each episode is only about 4 pages long, which equates out to about 6 minutes per show, and I can get one of those done in just a few hours, if I’ve already worked out most of the scene. Some of the other episodes, like episode 7 right now, have gone through some, “How the hell do I get from A to B moments”, but the rest should be finished shortly.
On the Audio end, it probably takes longer, but it seems shorter. I love editing and balancing and 10390456_278417519004564_135721456964049252_nfiddling with stuff, a carryover from my Film School days. Of course, doing the VO parts takes a while, not too long, but finding the right take and getting it to feel right takes time. But when it all comes together, with music and SFX and the right dialogue, I still geek out over it. With all of the SFX, music and dialogue having been ready before I started to put it all together, Episode One maybe took 4-5 hours of fiddling.

Can you tell us about skeleton productions?

Skeleton Productions is kind of a joke name that I started back in Film school for my movie credits. It started out as Skeleton Films, and then was Skeleton Games for some computer games and board games I produced, and now Skeleton Productions just kinda stuck for the audio work I’ve done. Under that title, I have done The Epic Adventurers, a show that is a tongue-in-check high fantasy tale incorporating many jokes and funny bits from decades of playing Dungeons and Dragons and World of Warcraft. I also competed in the Master of the Macabre contest last year, with a short Audio Drama called “Hungry as Hell”, which featured a nuclear apocalypse, ghouls set to devour the entire dead population of the Earth, and a sassy-ass Devil.

What are some of your inspirations?

Other than the exhaustively aforementioned Westerns, Sci-Fi, Horror, and Fantasy are the main genres I like. Authors I dig are, again in no particular order: Robert Heinlein, Alan Dean Foster, Isaac Azimov, Ray Bradbury, Arthur C. Clark, (Ya know, the ABC guys) J.R.R. Tolkien, H.P. Lovecraft, Edgar Allen Poe, Clive Barker, many, many more, but those are the ones I geek out about the most. I also owe a huge debt to Dungeons and Dragons, which made me think of EVERYTHING as a scene in an adventure.

Where can we find your work online?

Most of my stuff is, and will be posted on Skeleton Productions. The Epic Adventurers! is also on YouTube, but there are about 3,000 other things with a similar name. Other notable acting roles I did are for MILLY FOSTER, MACABRE INVESTIGATOR: Ep 2 “Games People Play”, where I got to play a killer who murders people over board games, (tee hee!) and a Federation starship captain in Star Trek – Tales from the Border Episode 1 – One World’s Monsters, Part 1 on YouTube.

HorrorAddicts.net 121, Eden Royce

ha-tag

Horror Addicts Episode# 121

Horror Hostess: Emerian Rich

Intro Music by: Valentine Wolfe

*******************************

eden royce | klaus von karlos |
thriller season 1

Find all articles and interviews at: http://www.horroraddicts.net

42 days till halloween

sponsor: after dark films, eden royce, i go crazy, flesh for lulu, some kind of wonderful, hannibal lecter, serial killer music, halloween, spirit store, monster high, slutty costumes, halloween decor, costume, beetlejuice, adam maitland, lydia, addict on the street: chad, baycon, varney the vampire, frankenstein, mary shelley, steinbeck, post-apocalyptic, gallery of the night, after the fall, vampires, werewolves, werecats, beetlejuice 2, winona ryder, tim burton, michael keaton, alec baldwin, geena davis, missouri, scream queen, haunters, books, the house that dripped gore, dan west, voodoo lynn, strange appetites, crystal connor, spooklights, southern horror, david watson, containment, the ghost sisters and the girl in hallway b, patricia santos marcantonio, dan shaurette, morbid meals, hermit cookies, maria parloa, d.j. pitsiladis, nightmare fuel, dyatlov pass, alaska, cold, frostbite, valentine wolfe, dawn wood, klaus von karlos, noise, avant garde, grant me serenity, jesse orr, black jack, after dark films, suspension, scream queen to die for, kbatz, thirller season 1, boris karloff, the grim reaper, painting bleeds, deadmail, sam, halloween wedding advice, roel, wizard, masks, trick or treat reception line, fill your gas tank, halloween decor, victor, crafts, book pumpkins, halloween prep, marc advice, jan, serial killer exercise class, run, faster, jason, michael, friday the 13th, villain pe class, slasher, monster, eden royce, spooklights

Horror Addicts Guide to Life now available on Amazon!
http://www.amazon.com/Horror-Addicts-Guide-Life-Emerian/dp/1508772525/ref=sr_1_1?ie=UTF8&qid=1428730091&sr=8-1&keywords=horror+addicts+guide+to+life

HorrorAddicts.net blog Kindle syndicated

http://www.amazon.com/HorrorAddicts-net/dp/B004IEA48W/ref=sr_1_1?ie=UTF8&qid=1431022701&sr=8-1&keywords=horroraddicts.net

———————–

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc…

horroraddicts@gmail.com

————————

h o s t e s s

Emerian Rich

s t a f f

David Watson, Dan Shaurette, Marc Vale, KBatz (Kristin Battestella), Mimielle, Dawn Wood, Lillian Csernica, Killion Slade, D.J. Pitsiladis, Jesse Orr, A.D. Vick, Mimi Williams

Want to be a part of the HA staff? Email horroraddicts@gmail.com

b l o g  / c o n t a c t / s h o w . n o t e s

http://www.horroraddicts.net

HorrorAddicts.net 113, Mark Slade

ha-tag

Horror Addicts Episode# 113

Horror Hostess: Emerian Rich

Intro Music by: Valentine Wolfe

mark slade | anguisette | the witches

Find all articles and interviews at: http://www.horroraddicts.net

187 days till halloween

podioracket, rhonda carpenter, heather roulo, chopper chicks in zombietown, horror addict, ari, the walking dead, helix, werewolves, lycan, something from behind?, frozen, vampire squid, vampire enthusiasts, operation mummy’s curse, sarcophagus, scoobydoo, cinderella, the dungeon, san francisco, alcatraz, ghost, books, mike robinson, the prince of earth, david, laugh to death, charie d. la marr, bizarre fantasy, mark slade, horror addicts facebook group, mimielle, unique fashion, morbid meals, dan shaurette, minuit sandwich, cubano, monte cristo, free fiction friday, debbie manber kupfer, nightmare fuel, dj, the poltergeist, dawn, anguisette, insomnia, best band poll, black jack, kbatz, the witches, angelica houston, dead mail, sharon, zombie book, thomas, afraid of the dark, strange sightings, childhood scares, candace, first monsters, monkey, ask marc, prom, carny prom, mark slade

Horror Addicts Guide to Life now available on Amazon!

http://www.amazon.com/Horror-Addicts-Guide-Life-Emerian/dp/1508772525/ref=sr_1_1?ie=UTF8&qid=1428730091&sr=8-1&keywords=horror+addicts+guide+to+life

———————-

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc…

horroraddicts@gmail.com

————————

h o s t e s s

Emerian Rich

s t a f f

David Watson, Dan Shaurette, Marc Vale, KBatz (Kristin Battestella), Mimielle, Dawn Wood, Lillian Csernica, Killion Slade, D.J. Pitsiladis, Jesse Orr.

Want to be a part of the HA staff? Email horroraddicts@gmail.com

b l o g  / c o n t a c t / s h o w . n o t e s

http://www.horroraddicts.net