Chilling Chat: Four Quick Questions with A.J. Rome

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Aaron Jay Rome left his hometown of Fort Collins, Colorado shortly after high school to pursue acting. His career is currently on the rise with supporting roles in big films such as AJ Rome 1The Campaign, Hot Tub Time Machine 2, Get on Up, and TV Shows like The Vampire Diaries and Bonnie & Clyde.

He recently starred in the film, End Trip, which he also wrote and directed.

1.) Which is more challenging? Acting, directing, or writing?

I’d say the writing process is the most challenging. People say to me, “I wish I could write” all the time. Lately, I’ve been wondering do they mean “I wish I could force myself to sit down and write?” or do they just think they’d be bad writers? Both seem to be true for most people. Acting and directing give you an opportunity to bring something that already exists to life. The hunk of clay is already there, you just have to shape it. Writing is like trying to dig the clay out of the ground with your fingernails or create it from nothing.

2.) As a writer, do you have complete control over your characters? Or do you allow them to have free will?

I can definitely see where most writers and often times myself, would like to write a character so specific that every breath and blink is written into the script. Thankfully coming from an acting background, I know full-well that giving the actor room to play within the character is what will really bring it to life. When Dean J. West came to me with a British accent for his role in the film, I loved it. Never wrote it that way, but it definitely added a layer I didn’t even consider in the writing process.

3.) What inspired you to write End Trip

I actually drove for Uber and Lyft for about 2 years. When a friend of mine told me about a camera that could “shoot in pitched black” (the Sony a7s ii) I started putting the bones of the idea together: a rideshare movie that happens at night. Cause what’s scarier than strangers and darkness? Not much. There’s a lot more that inspired me, but I’d risk spoiling a lot of the film, so I won’t risk it here.

4.) What is your favorite horror film?

My favorite horror films lately are those that take social issues and explore them using horror elements or themes. Get Out and It Follows as well as anything Mike Flanagan are all super inspiring at this point in my career.

 

Chilling Chat: Four Quick Questions with Zoe and Miyuki

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Zoe Darazsdi is a writer, dog mom, podcast host, and funny bitch. She hails from the horrendous swamplands of Northeast PA, where she learned to defy cultural norms and Zoe and Miyuki 2squash deer ticks. Currently, she applies the first of those skills for Weird Kids Wanted, the podcast she co-founded with her friend and roommate, Miyuki Okamura.

Miyuki Okamura is a speculative fiction writer and pop music scholar. She is the owner of a cat who has more white privilege than she does. She is excited to co-host this podcast and maybe start a cult.

Weird Kids Wanted, is a literary and social criticism podcast for alternative individuals who are tired of their cultural experiences being curated by normies for normies. Their podcast and blog disrupt the status quo of commercialized shit lit and provide a community for weird kids to flourish. Part bitchy book gossip, part poignant social criticism, part anti-capitalist bookseller reviews, they are reviving reading for everyone who the mainstream publishing industry- and the world- has left out.

1.) What is your favorite horror novel or story?

Miyuki’s favorite is Among the Missing by Dan Chaon, which is technically a short story collection and not a novel. Zoe’s is Shutter Island by Dennis Lehane. Both books are eerie and evocative of that most primal feeling of being unsettled.

2.) What do you look for when reviewing a book?

Zoe: When I review a book, I look for something that is both extremely well-written and in conversation with the world around it. I love writers who are brave with language and subject matter, who are not afraid to be odd, irreverent, and deeply original.

Miyuki: Similarly, I look for something that I feel needs to be contributed to literature, whether I agree with it or not. If I don’t agree, however, it’s more like a warning than a review.

3.) What do you wish you could see in a book that you never see?

Werid+Kids+WantedZoe: I wish I could see more books that respectfully represent our community–the alt kids, goths, and general weirdos of the world. It is difficult to find three-dimensional characters like that, who are not just archetypes or side-kicks.

Miyuki: I can see this changing as conversations around LGBT+ communities progress, but gosh I’d love to see more asexuals in literature. Generally, I think it’s time we see more LBGT+ identities represented in literature. How are people supposed to know who they are if they don’t see examples of themselves?

4.) Do you prefer character-driven novels? Or plot-driven novels?

Zoe: I prefer character-driven novels. When I am connected to what a character wants and feels, reading about them just walking down the street can be riveting.

Miyuki: I also prefer character-driven novels. People will always be more interesting than situations, in my opinion.

FRIGHTENING FLIX: Gothic Romance Video Review

Yours Truly Kristin Battestella aka Kbatz discusses Category Romance versus Gothic Literature, Slashers versus Hammer, Penny Dreadful, Mario Bava, Crimson Peak, Tom Hiddleson, and Only Lovers Left Alive as well as Victorian and Gothic Romance Themes and the upcoming HorrorAddicts.net anthology Dark Divinations.

 

Thank you for being part of Horror Addicts.net and enjoying our video, podcast, and media coverage!

Listen to Our Podcast: http://horroraddicts.net/

Get involved: https://www.facebook.com/groups/horroraddicts.net

HorrorAddicts.net Online Writers Conference: http://horroraddictswriters.freeforums.net/board/14/writing-horror

Dark Divinations Submission Information: https://horroraddicts.wordpress.com/current-submission-calls/

To Read Detailed Reviews on Our Subjects Re-visit:

Penny Dreadful  1  2  3

Mario Bava Super Special

Crimson Peak

Only Lovers Left Alive

Revisiting Poe Video Review

Classic Horror Reading Video

Dark Shadows Video Review

Chilling Chat: Four Quick Questions with Jonathan Fortin

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Jonathan Fortin is the author of Lilitu: The Memoirs of a Succubus (coming December 2019 from Crystal Lake Publishing) and Nightmarescape (Mocha Memoirs Press). An 71171863_429719314325456_72316297098035200_nunashamed lover of spooky Gothic stories, Jonathan was named the “Next Great Horror Writer” in 2017 by HorrorAddicts.net. He attended the Clarion Writing Program in 2012, one year after graduating summa cum laude from San Francisco State University’s Creative Writing program. When not writing, Jonathan enjoys voice acting, dressing like a Victorian gentleman, and indulging in all things odd and macabre in the San Francisco Bay Area. You can follow him on Twitter @Jonathan_Fortin.

1.) You’ve written several stories featuring female protagonists. What do you like best about writing characters who are women?

It honestly depends on the character in question. I enjoyed writing Ingrid in Requiem in Frost because she’s so feisty and snarky. I enjoyed writing Maraina in Lilitu: The Memoirs of a Succubus because she’s dynamic and conflicted, often struggling to reconcile her desires and goals with what the world demands of her. Though both are women narrating their stories, they’re completely different characters, and I can’t really lump them together just based on their sex.

That being said, I’m most engaged by characters who are struggling against difficult odds. Women are marginalized, which means they’re up against a lot in general, and that makes me want to root for them to succeed. In Lilitu’s case, I had some axes to grind about rigid gender expectations, and having a woman as my protagonist was the only way to say what I wanted to say. With Requiem, on the other hand, I just thought it would be more interesting to have its young metalhead protagonist be a girl because it’s viewed as such a masculine genre. Metal girls don’t usually get their stories told.

2.) What’s your writing process like? Do you outline? Or do you write by the seat of your pants?

For short stories, I tend to pants it, shotgunning out the first draft very quickly. Sometimes I’ll outline, but usually, when I outline short stories I’ll never end up writing them. For novels, though, I always outline. Oftentimes my outlines are very detailed and ever-evolving, changing as I go through the book.

71298608_466444053949251_268881514123493376_n3.) Who or what is your favorite monster?

I love demons. They can take so many different forms, and I enjoy their aesthetic and folkloric qualities. I also have a soft spot for vampires. Shocking, I know. I also love tentacly, madness-inducing Lovecraftian beasties.

4.) What does the future hold for you? What works do Horroraddicts have to look forward to?

Lilitu: The Memoirs of a Succubus launches in December. I’m working on a sequel for it now, and I also have a few other books in the works, including one with a solid first draft. You’ll learn more about those soon!

 

 

Chilling Chat: Episode 175 | J.D. Horn

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J.D. Horn is the Wall Street Journal bestselling author of the Witching Savannah series (The LineThe SourceThe Void, and Jilo), the Witches of New Orleans Trilogy (The King of Horn_JD-3251-EditBones and AshesThe Book of the UnwindingThe Final Days of Magic), and the standalone Southern Gothic horror tale Shivaree. A world traveler and student of French and Russian literature, Horn also has an MBA in international business and formerly held a career as a financial analyst before turning his talent to crafting chilling stories and unforgettable characters. His novels have received global attention and have been translated into Turkish, Russian, Romanian, Polish, Italian, German, and French. Originally from Tennessee, he currently lives in California with his spouse, Rich, and their rescue Chihuahua, Kirby Seamus.

J.D. is an amazing and talented writer with a wry sense of humor. We spoke of writing, a frightening phobia, and future plans.

NTK: Welcome to Chilling Chat, JD! Thank you for joining me today.

JDH: Happy to be here. Thanks for having me!

NTK: How old were you when you discovered horror?

JDH: Oh, goodness. I’m going to say three years old. My mother had to spend a couple of weeks in the hospital, and before she left, she forbade me to watch Dark Shadows with my siblings. Needless to say, there was no keeping me away from the television after that.

NTK: Is Dark Shadows your favorite horror TV show? What is your favorite horror Tv show?

JDH: Well, Dark Shadows is my perennial favorite, but now I am living for The Chilling Adventures of Sabrina. I totally excited to learn, though, that CW is attempting another Dark Shadows reboot, so maybe Sabrina will get a run for her money.

NTK: Maybe, she will. What do you think of reboots?

JDH: Reboots can obviously be hit or miss. Battlestar Galactica was flipping amazing. The Night Stalker? Well, they meant well, didn’t they? If the creators have something new to say and aren’t just mining nostalgia, great. Otherwise, look elsewhere. That being said, I will be over the (full) moon if they land a quality reboot of Dark Shadows.

NTK: Have you seen the reboot of IT? If so, what did you think and how do you feel about Stephen King?

JDH: Okay. I have not seen the reboot of It, because I am truly terrified of clowns. Like panic attack terrified. I live part-time in Palm Springs, and there’s a guy who walks around dressed like a clown. He walked into the restaurant where I was having dinner and totally triggered my fight or flight response. Luckily, I had friends who know my phobia who saw him and escorted me straight out.

King. What can you say about King? He’s a living legend. I still reread The Shining and Salem’s Lot every so often. Cujo really lost me as a King reader, but I guess it’s time for me to suck it up and give his newer works a chance.

NTK: Would you say King is one of your influences? What authors have influenced your darker writings?

JDH: I think King has influenced every contemporary horror writer. Anyone who says he isn’t an influence is, well, I don’t want to say deluded, but come on, get real, his work is seminal. Of course, Anne Rice has been a huge influence on me, but perhaps my greatest influence horror-wise is Michael McDowell. He did paranormal/occult Southern family sagas (as well as writing the screenplay for Beetlejuice.)  I also borrow from the Cthulhu mythology but find much of Lovecraft problematic.

NTK: Do you have any Russian influences? Do you like Dostoevsky?

JDH: My BA was in Comparative World Literature. I studied French in original and Russian in translation. I love Dostoevsky (The Brothers Karamazov more than Crime and Punishment) and Pasternak (I’ve read Doctor Zhivago around six times). My all-time favorite novel is The Master and Margarita by Mikhail Bulgakov (hilarious, heartbreaking, and terrifying all at the same time).

ShivareeNTK: Your style is reminiscent of these authors, especially what I’ve seen in Shivaree. What inspired Shivaree and what inspires you in general?

JDH: Funny that you land on Shivaree. I consider it my ugly baby. It seems the readers who like it really like it, and the readers who don’t, well, let’s just say they’re less than enthused. Shivaree is my one book that grew out of a dream, a nightmare, really, though not more than a flash of one. Just an old woman walking through a cornfield at night calling the name Ruby again and again. I woke up covered in a cold sweat and my heart pounding.

Shivaree was supposed to be a novella, but I was having a hard time completing the project I was contracted for and was beginning to panic. I knew I had to keep writing something or I’d freeze up. Jilo, the project I was supposed to be working on wasn’t coming, but Shivaree kept falling into place. I finally called my editor, admitted I was going to miss the deadline on Jilo, but told him I had another book I was, um, sure, ahem, he’d really like (squeaky voice at the end).

Oh, and in general, I love telling stories. Always have.

NTK: Do your characters have free will? Or do you plan their every move?

JDH: Oh, good lord. If I planned everything, I wouldn’t have had so much trouble finishing Jilo. I’m a total pantser, and my best writing comes in collaboration with my characters. I don’t want to say they totally run the show, but, well, okay, they do.

NTK: Love it! Always good to see a writer enjoy a relationship with his characters. Do you like character-driven books? What is your favorite horror novel?

JDH: The Haunting of Hill House. That’s my favorite horror novel. That’s how you get a horror novel done.

I enjoy plot-driven, rip right through the book books, but yes, for me, the books I love, they’re all about character. I’ve recently become obsessed with Liane Moriarty. The plot in Nine Perfect Strangers doesn’t begin until around 85% of the way through. To be able to pull that off? Well, let’s just say when I grow up, I want to be Liane Moriarty.

NTK: Do you have a favorite horror film?

JDH: Favorite horror film? It’s a three-way tie. I know King didn’t like The Shining, but I think Kubrick created magic. (Although I feel terrible about what he is said to have put Shelley Duvall through. Actors know how to act. Ya don’t got to torture them.)

Then there is Rosemary’s Baby, Mia Farrow AND Ruth Gordon. That’s all I got to say. The third is The Fearless Vampire Killers. Of course, both of these were directed by Roman Polanski (speaking of problematic creators).

Oooh! Honorable mention to the original Carnival of Souls.

NTK: Do you have any advice for the budding horror writer?

JDH: Write stories you love. Some readers will adore your stories, some will grab pitchforks and light torches and do their damnedest to storm the castle. Just make sure you’re in love with everything you put out there. It makes climbing out the castle tower at three AM using a rope of made of bedsheets a little easier to take.

NTK: JD, what does the future hold for you? What works do Horror Addicts have to The Final Days of Magiclook forward to?

JDH: I recently came across some pages of a novel I started when I was twenty-seven (more than a minute ago). I am now working on a collaboration with twenty-seven-year-old me. Southern. Gothic. A lot of heart. A touch of horror. Kind of Orpheus meets Something Wicked This Way Comes meets—there it is—The Master and Margarita.

NTK: Wonderful! Thank you for chatting with me today, JD. You’re a gracious guest.

JDH: And you are a fantastic interviewer. This was fun. Thanks again for having me!

Addicts, you can find J.D.’s work on Amazon.

 

 

 

Book Review: To the Monsters by the band Spider Hole

Review by Chantal Boudreau

Receiving this for review struck me with a severe case of nostalgia.  Not only did the “graphic novel” portion of this assignment remind me of the cool old horror comics I used to read under the covers with my flashlight when I was eight (scaring myself silly, I might add), but it also reminded me of the kids’ books we used to get when I was a child that came with an album (yes, I’m dating myself).  You would play the album and read along with it, which was essentially what I had to do with this.

Of course, don’t interpret this as me suggesting these tales are for children – they are not.

I can’t say I’ve had more fun reading/listening to something for a review.  The artwork was fantastic, the storylines were entertaining and the music generally appealed to me.  It felt like an unusually complete reading experience.

My only complaint would be there should better directions, or at least suggestions, as to what music should be listened to with which stories, perhaps at the start of the reading material.  Some of them sync up based on the title, but not all of them.

If you like alternative, gothy rock, have a taste for graphic novels and would enjoy a spooky trip down memory lane, I highly recommend this.

To sample The Spider Hole tracks, go to: https://thespiderhole.bandcamp.com/album/to-the-monsters

To buy the graphic novel, To the Monsters go: https://thespiderhole.bandcamp.com/merch/to-the-monsters-the-graphic-novel

My Darling Dead: Episode 11/ The Tipping Point

Bron was torn. The girl was not much larger than his own daughter, who was docile enough during his visits to her at night, but the tone of her voice made him uneasy. He stood, uncertain, adjusting his wilting manhood through his dirty trousers. Alasin continued to stare at him, hands on her hips, making no effort to cover herself. 

Then his sneer returned, along with his erection. “No one would believe you,” he said, unfastening his trousers. “An’ if they did, no one would care. Yer name’s dirt ’round ‘ere, Your Highness.” The sneer sounded in his voice as he shot the bolt to the front door. “Yer mine.”

His insolence made Alasin’s blood boil. She had never wished harder for her poisoned blade, to plunge into the fat greasy man over and over until the walls were red with his blood. He started toward her, one hand reaching into his pants to grip whatever was in there, the other holding his pants up so they did not fall until he reached her. In spite of the wizard’s drug, Alasin felt the touch of fear. Bron smelled it on her. His member grew in his hand and his pace quickened. Involuntarily, Alasin retreated as he advanced upon her, backing until her legs encountered the bed behind her. They buckled, spilling her backward on to the mattress and the dead man. 

Bron was on her almost before she could react. His slobbering breath assaulted her nostrils as his tongue lolled from his mouth, drooling on her as he scrabbled between her legs with one hand, holding one of her arms immobile above her head with his other hand. Her free hand flailed, striking him, her short nails finding no purchase in the fat man’s flesh. Her arm went wide, searching for anything, and her hand closed around a sturdy wooden handle just as she felt something unspeakable and wet attempting to burrow between her legs. 

The blacksmith’s hammer glanced off Bron’s head with the first blow, sending him reeling away from her. Alasin shoved herself to her feet, getting a better grip on the handle just as Bron turned back to her, blood streaming from behind an ear. 

“Whu…you…b-b-b-” he said, and lurched toward her, arms reaching out as his pants fell around his ankles. His face drooped on the side she had hit him and one eye was bloody and dilated. He tripped and would have fallen had Alasin not swung the hammer once more with all her strength, caving in the side of his head and sending him to the ground. He spasmed once and she hit him again, and again, and again until nothing was left of his face and she realized she was screaming. 

She stopped, dropping the hammer into what was left of the peasant’s skull and stood, breathing heavily as she listened. No sounds from outside, nobody pounding but her heart. She listened to it thud in her chest and in time it slowed until she could no longer hear it.

She looked down at herself, fighting a wave of revulsion at the blood which covered her. Water. Was there any water here? A bucket by the front door caught her eye. She picked it up and set it on the small table that sat by the window. Opening the curtains just enough to allow a sliver of light, she could see clear liquid in the bucket. She tasted it. Water. 

Once she had satisfied her thirst and cleansed herself as best she could, she stood for a moment, looking at her reflection in the slowly calming water. A haggard wreck stared back at her, dark circles under her eyes, hair matted and straggly. A sob forced its way from her throat and she slapped at the water, destroying her reflection. A princess of the realm? Princess of dirt. 

Alasin moved about the small hut, gathering her clothing once more. Once she put on her underthings, she looked with distaste at the finery in which she had fled the castle and absorbed so much dirt. She did not want to attract attention as she had with the blacksmith. There were his clothes, but he was a giant; none would fit her. 

Her eyes shifted to the other dead body with whom she was currently keeping company, seeing him in a new light as she sized him up. He was wider by far but not much taller than she was, and if she blackened her face and hid her hair…

She knelt beside what remained of Bron, trying not to look at his face or genitals as she removed his minimally bloody clothes and failing at both. They both nauseated her. To her relief, his clothing fit her better than she had hoped. She even found a greasy cap crammed into the pocket of the filthy trousers into which she tucked her hair, pulling the cap down tight around her ears. In the corners of the hut she found a reasonable supply of dirt which she smeared on her face and neck. 

When she returned to the bucket, the face which looked back was dirty but unremarkable. The cap had a slight brim which she pulled down as low as it would go. On the open street, no one would look twice at her. The smell the clothes gave off stung her nostrils, forcing her to breathe through her mouth. She was almost certain she felt bugs crawling in her hair beneath the cap. 

Going to the door, she unbolted it and opened it just a crack. There was nobody within her field of view and nobody appeared as she opened it further. The street was deserted. She turned and looked at what she was leaving in her wake. Two dead bodies, one of whom was barely recognizable and the other who did nothing to deserve his fate but show a girl a good time. 

Tears sprang to her eyes and she pushed out of the door, slamming it behind her with a resounding snap as she strode up the street, toward the castle, toward the queen, toward everything she had known. She did not look back. If she had, she would have seen two rat people appear from the gap between huts and begin sniffing at the open window and the scent of death inside.