Big city undead sexy for the adults and hip horror for the whole family face off in this bemusing vampire showdown! Which do you choose?
Vampire in Brooklyn – Lonely vampire Eddie Murphy wants Angela Bassett (Black Panther) as his willing bride in director Wes Craven’s 1995 horror-comedy opening with talk of ancient Nosferatu out of Egypt feasting on those lost in the Bermuda Triangle until vampire hunters bro movie must rely on Murphy’s retreads from Coming to America. Excellent “I would love to have you for dinner” winks, sexy bites, and a simmering score betterught the undead to extinction. Now that’s a backstory I’d like to have seen! Foggy harbors, bloody bodies, and a scary wolf invoke Dracula while black and white televisions, hard language, and R attitudes provide refreshing throwback humor. Leaps in the air, breaking through the windows stunts, an unnecessarily elaborate ship crash set piece, and poor visual effects cement the nineties tone, but the Blacula references, monster transformations, no reflections, and itchy gunshots add tongue in cheek to the vampire fangs, pointy nails, and eerie eyes. That wig, though, wolf! The full moon, day servant ghouls a la Renfield, and a heart ripped out of the chest bring the vampy to the street as horoscope warnings, chases, and gore set off the urban creepy afoot. Viewers expect a camp aside or pithy comeback in every scene, but the witty matches the serious horror thanks to little things like, oh say, an ear found at the crime scene that serves both laughter and atmosphere. Increasing ghoul mishaps, “RIP” license plates on the smooth ride, and “Whatta Man” montages set off the dangerous coffin retrievals, but faith versus snakes and vampire lore in a murder investigation are too unbelievable for our tough cops to consider. Unfortunately, the apparently obligatory Murphy disguises are totally out of place. Awkward preacher fakery ruins the vampire build up before another offensive Italian stunt, and the makeup for both is terrible. The evil is good allure could have been better presented with vampire suave rather than dragging the film down with overlong laugh out loud send ups that make viewers wonder where all this is supposed to be going. Why torment this strong woman via stupid delays when you can just charm her instead? The blood pulsing temptations, supernatural flirtations, nightmare paintings, love triangles, and saucy roommates come to a complete stop as if the accent character dilemmas over eternal life, predatory pursuits, and rough seductions. Horror attacks, candles, and juicy vamp outs lead to serious character decisions and tense one on one revelations before a wild finale with a fitting chuckle. I’d have loved a sequel with ghoul turned cool Julius Jones! This is oddly similar to Craven’s Dracula 2000 in several ways, and there are many flawed elements here – pointless narration, meandering focus between the humor and scares, datedness, and uneven try hard that wants to be both niche for Black audiences yet mainstream hit acceptable. Fortunately, overall the late night fun here is still entertaining; a great re-watch with mature, modern vampire chemistry.
Vampires vs. the Bronx – Sirens, flickering neon signs, new construction buyouts by Murnau Properties, and paperwork sealed with fangs and screams open this PG-13 2020 Netflix original. Suave tunes, multiple languages, and cultural blends set off the summer heat, bicycles, and friendly neighborhood bodega, but missing persons fliers, Vlad the Impaler logos, and Polidori references provide ominous. Adult gravitas anchors the youthful ensemble, but the realistic kids aren’t trying hard for the camera. These boys just want to impress the older girls but end up embarrassed by mom wanting to get a babysitter. Narrations and video angles a la Tik Tok balance church bells and scripture quotes, developing the locales and characters well as the youths face local gang pressure to do things they don’t want to do. The new white woman in town insists she isn’t one of those types who will call the cops, and the genre mirror to nature commentary is superb. It’s not the hood the kids fear, but the nasty white folks who’ve come
to suck the life out of town. Vampire vows to wipe them out like vermin are all the more chilling because we recognize the gentrification and racist mentalities. What would the authorities care if vampires are pecking bad guys off the street in the Bronx? A wealthy white man writes a check so no one notices those made to disappear, and such a forgotten, downtrodden place is perfect for vampires who want to stay under cover. Friendships are tested when some want to do good for their community and others are right to be wary. Neighbors disbelieve the hear tell vamps dressed like Hamilton taking out the local thugs while humor alleviates suspenseful close calls – the vampire was just coming in to buy…sanitizer of course. Daytime nest explorations and homages to The Lost Boys accent the self aware genre winks while a bemusing montage establishes the lore herein complete with that cookie they hand out at church that doesn’t taste very good aka the “eucharist” and watching Blade. Single mothers try to keep their kids on the up, but the boys are trespassing for vampire proof and stealing holy water in a Sprite bottle. Skeleton keys, coffins, ringtones rousing the dead – what’s worse then being chased by vampires and caught in the backseat of the cop car? When their mothers come to get them but the vampire didn’t show up on your camera. Fun zooms for youthful actions and watchful eyes match creepy red lights, growls, and hypnotic kills as Haitian history preparations and shootouts don’t stop the undead. The kids take the crucifix off the wall and hope tia doesn’t notice, but the powdered garlic comes in handy and calling the Bronx a shithole is the last straw. Although a little short at under eighty-five minutes with credits, the swift solidarity doesn’t stray from its goal. Rather than underestimate the audience with stereotypical obnoxiousness, this refreshing contemporary take is great for young audiences as well as fans of wise and wise-cracking horror.
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