Monster Madness From The Vault: Monster Erotica, Really? – It’s a Thing

Reblogged from 2/22/2015

Monster Erotica, Really? – It’s a Thing

by Dee Blake

tlflatearthWhile some people don’t like to admit it, many have read some form of erotica in their lifetime.  Sometimes it’s racy modern BSDM, other times it’s historical bodice-rippers, or maybe even madame ” tell-alls”.  But you’ll also find cross-genre offerings of this type as well: fantasy, paranormal or horror erotica in a variety of themes and formats.  Erotica is for everyone who happens to be interested – including those who prefer speculative fiction.

Amongst novels and anthologies of this nature, there’s a niche sub-genre that appeals to those who like their sexy scary and scaly or hairy, an interesting domain known as cryptozoological or monster erotica.  What exactly is this and where might you find it?  Read on and I’ll elaborate.

We’ve all heard legends of vampires, demons or certain fairy creatures getting down and dirty with the common man or woman.  They are the seducers of lore, luring potential prey in with their magical charms, bewitching their victims with their sexy wiles.  That’s the traditional monster erotica fare that you’d expect to find in trendy paranormal romance.   But monster erotica also involves something of the unexpected as well.

My first introduction to this type of erotica was via the tamer folk tales of fairy intruders making nightly visits to human lovers and the dark fantasy of Tanith Lee’s Flat Earth Series which delves into the realm of demon lovers.  It does have glimpses of demon passion, but the story is more fantasy than erotica (recommended reading).

I also encountered the occasional monster tale in the Hot Blood horror erotica anthology series, but the stories in those books are not exclusively monster-themed.  They are, however, a lot of fun.

Beyond that, I discovered the monster-exclusive erotica books out there, dedicated to naughty close encounters of a different kind – and apparently, they sell like hotcakes (see the i09 article and Goodreads has a list dedicated to it) And writers don’t stick to the traditional legendary seducers either.  You’ll find a diverse offering of creatures, from well-endowed yeti to shape-shifting dragons, from melancholy mermen to monsters under the bed (I mean, if they’re hanging out there, why not invite them up? Right?)

Despite its apparent popularity, the sub-genre has not been without its controversy.  There are those out there who see it as odd, disturbing or questionable to some degree, and Amazon has played hardball with authors, questioning whether or not their content was in violation of Amazon content guidelines.  That may have slowed production down somewhat, but it certainly hasn’t stopped it.  It’s a matter of demand and supply, after all.

Obstacles aside, I believe monster erotica is here to stay.  Silly or serious, it offers a novel form of escapism that is both titillating and a little terrifying. As long as readers keep asking for it, I think writers will be willing to provide.

I mean, if you’re going to fantasize, why not go all the way?

*****************

DBDee Blake is an emerging erotica writer whose work has been published on breatlessnights.com and in Apokrupha’s Fur and Fang anthology. She aspires to be the next Anais Nin.

Press Release: I YA TOYAH Unleashes New Single

Electro/Industrial Artist I YA TOYAH Unleashes New Single & Video, “Out Of Order”
Chicago-based one-woman industrial army, I YA TOYAH has unleashed her highly-anticipated new single & video, “Out Of Order.”  The song comes from the upcoming EP of the same name due out in March.

“Out Of Order” – The Video:
The video is a surreal story of a gradual mental breakdown, caused by an isolation and misinformation fed by media.  It was inspired by the film art of David Lynch and the pandemic.

Video Production &  Scenography: Joel Lopez of Lumbra Productions.
Music: Composed and performed by I Ya Toyah.
Produced by I Ya Toyah and Nick Palazzo.
Mixed and Mastered by Nick Palazzo at Evolution Recording.

“Out Of Order” – The Song:
A pandemic song, “Out Of Order” is expressing the quarantine moods of isolation, uncertainty, chaos and inner distortion.

“I wrote it feeling these emotions and being unable to share them as we all used to- through the togetherness, a hug, and live music experience. In the future the pandemic will be over, but the need for this connection will remain- I hope this song will be a reminder of how we survived this dark time, and how fragile yet strong we all are- even when we are out of order.” – Ania (I Ya Toyah)

Guest Blog : Mr. Mercedes’ Latest Season Premieres and It Brings the Feels by Rebecca Rowland

Mr. Mercedes Latest Season Premieres on Peacock on March 4, and It Brings the Feels

by Rebecca Rowland

In the first fifteen minutes of the third season of Mr. Mercedes, Bruce Dern is murdered. 

Dern plays a best-selling, reclusive writer, and this revelation is in no way a spoiler: not only is the crime the catalyst for the season’s story arc, but it is also the basis for Stephen King’s Finders Keepers, the second in the horror scribe’s Bill Hodges trilogy. According to King, Dern’s John Rothstein is not an alter ego but a mishmash of J.D. Salinger, John Updike, and Philip Roth, but let’s face it: Robert Frost insisted until the day he died that “The Road Not Taken” was not an allegory of selecting an extraordinary life path but only a plain ol’ poem about walking in the woods. Any high school English teacher would beg to differ. 

As a reader of King’s for more than thirty years, I admit to having felt a bit unnerved when Rothstein bit the dust specifically because I equated the fictional author with King himself. Shared grief when a celebrity dies is not a new phenomenon. When the grunge god’s suicide splashed across radio and television, someone spray-painted C-O-B-A-I-N across the interstate exit near my childhood home. When David Bowie, Prince, and Tom Petty were picked off by the Grim Reaper in what seemed like the trifecta of musical rapture just a few years back, I tore their glossy magazine photographs from their media memorials and taped them to my office wall. Watching the first third of season three’s lead episode, I considered what it will be like when King himself takes a final walk down the mile. 

I could track my life based on the release dates of King’s books. I was one of those kids who loved to read; my parents had to lock me outside in order to keep me from hunkering down in my room, my nose buried in a book. Because my father was a diehard Stephen King fan in the 1970s, I, of course, became instantly curious about his books, and at the age of ten, I was allowed to read Thinner because my parents had determined that it was the least nightmarish of King’s works up to that point (body image of a tween girl, be damned). I immediately moved on to The Shining and promptly had trouble sleeping, the obvious culprit being the clear view from my bed of a shower curtain in the night-light-lit bathroom. At the age of twelve, I went to the movies with a boy named Jimmy, and after we watched Silver Bullet, he gave me my first kiss. Throughout my teen years, I favored King’s short fiction, and it is because of Night Shift’s “The Boogeyman” that I insisted my college dorm room’s closet door always be shut completely, much to the vexation of my freshman-year roommate (who, incidentally, went on to executively produce not one but three of the CSI series as well as Murder in the First. I’d like to think my closet fixation takes partial credit for her career success with suspense, but it’s probably just a coincidence…).

After focusing my graduate degree in English on feminist theory, I based my thesis on the portrayal of female characters in popular horror fiction using Stephen King’s most recent releases at the time: Insomnia, Gerald’s Game, Dolores Claiborne, and Rose Madder. After entering the workforce for the first time as an adult, I read The Green Mile in its original serial form and sobbed uncontrollably on the subway after the initial demise of Mr. Jingles. Many years later, while working as a librarian in Western Massachusetts, I had to laugh when I read “Big Driver” in Full Dark, No Stars: maniacal main character Ramona Norville was a librarian, and the story was set in the town in which I was living at the time. 

When I tell people that I write dark fiction—psychological horror, in particular, I am more often than not met with a roll of the eyes or a patronizing tone. Genre fiction, it seems, lacks the street cred inherent with traditional literary fiction. Stephen King is popular, but he’s no Dostoevsky or Dickens, they say. I beg to differ. A professor once told me, a classic is a work of literature with themes and relatability that supersede time and place. There is humanity in horror, at least in well-written horror, that could go toe-to-toe with any stuffy college literature course tome. Although we read horror primarily for the screams, what keeps many of us coming back, no matter at what stage in our lives we are, is the sympathy its characters bring out in us.

And so, I return to the latest television installment of King’s Hodges trilogy. The now defunct Audience Network shuffled the novels of the series, choosing to base its second season on the third book, End of Watch, to mixed reviews. Although there is little to top the show’s first foray, season three captures much of the dread and believability that were often absent from the second ten episodes. Brett Gelman, always a scene stealer in comedy funfests such as The Other Guys and Fleabag, displays dramatic range as attorney Roland Finkelstein and potential love interest for Holly Gibney, but it is Breeda Wool’s portrayal of Lou that is most impactful. Wool inhabits the imprisoned assassin of Brady Hartsfield so strikingly that I’ve added most of her other work to my watch list. 

Season three is aglow with plenty of gruesomeness, from a spontaneous hatchet to one unsuspecting character’s head to a pick-axe being inserted and dragged through another’s, but perhaps the most chilling scene occurs in the final episode of the season, one that brings to a head the mysterious dream sequence Bill Hodges has been experiencing. For me, it is this scene in particular that solidified what the third installment of Mr. Mercedes seemed to be proselytizing all along, that the best writers are the ones whose work continues to impact our lives long after they have left this earth. Was it morbid for me to ponder Stephen King’s eventual demise? Perhaps. On the other hand, it’s possible that horror literature’s crown prince will outlive all of us, Mother Abigail-style. Regardless, for horror fans, he will never really disappear.

 



Rebecca Rowland is the dark fiction author of The Horrors Hiding in Plain Sight and Pieces and curator of the horror anthologies Ghosts, Goblins, Murder, and Madness; Shadowy Natures: Stories of Psychological Horror, The Half That You See, and the upcoming (June 2021) Unburied: A Collection of Queer Dark Fiction. Her work has appeared in venues such as Bloody Disgusting’s Creepy podcast, The Sirens Call, Coffin Bell, Curiouser, and Waxing & Waning and has been anthologized in collections by an assortment of independent presses. For links to her latest publications, social media, or just to surreptitiously stalk her, visit RowlandBooks.com.

Book Birthday : #NGHW Editor’s Pick: New Publication and Blog Tour

 

The following is an Anniversary re-post of an article presented on March 2018

HorrorAddicts.net continues our Horror Bites series with a bundle of new fiction by our Next Great Horror Writer Contestants.

Featuring work by:

Jonathan Fortin
Naching T. Kassa
Daphne Strasert
Jess Landry
Harry Husbands
Sumiko Saulson
Adele Marie Park
Feind Gottes
JC Martínez
Cat Voleur
Abi Kirk-Thomas
Timothy G. Huguenin
Riley Pierce
Quentin Norris

With an introduction by Emerian Rich.

 

HorrorAddicts.net is proud to present our top 14 contestants in the Next Great Horror Writer Contest. The included stories, scripts, and poems are the result of the hard work and dedication these fine writers put forth to win a book contract. Some learned they loved writing and want to pursue it as a career for the rest of their lives. Some discovered they should change careers either to a different genre of writing or to a new career entirely. Whatever lessons came along the way, they each learned something about themselves and grew as writers. We hope you enjoy the writing as much as we did.

Just 99 cents at Amazon.com

 HorrorAddicts.net

for Horror Addicts, by Horror Addicts

Listen to the HorrorAddicts.net podcast for the latest in horror news, reviews, music, and fiction.

HorrorAddicts.net Press

www.horroraddicts.net

Monster Madness Month: Historian if Horror/Fiends in the Funnies, Creatures in Comics

Fiends in the Funnies, Creatures in the Comics by Mark Orr

One of my fondest memories of my pre-literate childhood is of sitting on the couch with my dad after he got home from work, or after church on Sundays, and he would read me the comic strips from the newspaper. He did all the voices differently, with lots of drama and humor and everything you’d want in a comics reader. Li’l Abner and Kerry Drake, Miss Peach and Grandma, Jimmy Hatlo’s They’ll Do it Every Time are all long-gone and forgotten now. Blondie and Dick Tracy and Nancy are still around, but who reads newspapers anymore?

Dad is eighty-eight and thinking about moving into an assisted living facility, so those memories are very much on my mind these days. I roll them over and over on my mind’s tongue, savoring as many of the minutes as I can call up after almost sixty years.

One thing I don’t recall is that any of our regular favorite comic strips in either of the Nashville papers of that time were in the least monstrous or horrific. Since I started accumulating material for my vast amorphous history of horror project some years ago, of which this column is a manifestation, I have looked for expressions of horror in all possible media, and generally found an abundance in each one. Except in the syndicated newspaper comic strips.

Full disclosure: I have not subscribed to a printed newspaper in years. However, I do subscribe to a daily service that sends approximately seventy-five comics strips to my email box every day. Of those seventy-five, exactly one has the kind of themes or characters one most often thinks of as horror-related. Almost all of them are more-or-less the typical gag-a-day strips usually found these days. Day-to-day continuity lasting over weeks and months is virtually a thing of the past.

Once upon a time, though, a significant proportion of the comics page was taken up with extended storylines in strips in all the genres represented in the medium – humor, drama, mystery, science fiction, fantasy, westerns, war, romance, soap operas, even religion. And thanks to the internet, a huge amount of that material is available for the perusal of historians of those bygone years.

I belong to what used to be a Yahoo group before Yahoo did away with groups, that mines online newspaper archives and stacks of slowly disintegrating newspapers for comic strips and disseminates them to the membership. I receive a minimum of sixty or seventy old comics strips every day, usually closer to two hundred. Some days, long runs covering years or decades of one or more particular strips will show up, and that count goes up into thousands or even tens of thousands. Of all the titles I receive, the ones with even peripherally or occasional horrific content go into a separate file on one of my external hard drives. The list is not a long one. It begins with…

Dinosaurs

Okay, so, if Dinosaurus can be sort of classified as a monster picture, or Jurassic Park or The Beast from 20,000 Fathoms or The Giant Behemoth, then dinosaurs are monsters, right? They are monstrously big, and there are plenty you wouldn’t want to meet in person. Several strips have been set in that mythical period during which humans and dinosaurs ‘co-existed’.

Wink-wink-nudge-nudge. 

The first was Our Antediluvian Ancestors, which ran from 1901 to roughly 1906. It was created by prolific cartoonist Frederick Burr Opper for the Hearst Syndicate.

There are only two currently running that I know of. One is B.C., a gag-a-day strip that only occasionally features dinosaurs, and then only in service of a specific joke. B.C. premiered seven months and eight days before I did, in 1958. Created by Johnny Hart (1931-2007), who also created The Wizard of Id (see the section on dragons, below), it is currently being produced by Hart’s grandson, Mason Mastroianni. 

The longest-running dinosaur strip is Alley Oop, which debuted in 1932, three months and a day after my father. Are we seeing a trend here? Alley is a caveman who rides a brontosaurus named Dinny. In 1939, he and his girlfriend Ooola were snatched out of time and brought to the 20th Century by Professor Wonmugg’s time machine. I know of no one in my immediate or extended family born around that time. His subsequent adventures sent him all up and down the timeline, where (when?) he encountered ghosts and witches, among many other characters. In 1953 he found himself in the time of Macbeth as the events of Shakespeare’s play occurred, despite the play having little to do with the historical Macbeth.

Peter Piltdown was another anachronistic prehistoric comic strip, created by Mal Eaton. It ran from 1935 to 1946, then re-appeared in the pages of Boy’s Life Magazine in 1953 under the title of Rocky Stoneax. It lasted there until 1970. It was retitled because the Piltdown Man fossils had been found to be a hoax in the meantime, which is a whole ‘nother discussion I’ll save for later, if ever. Boy’s Life was produced by and for the Boy Scouts of America, so every Boomer boy who spent any time in Scouts likely ran across the strip. I remember it fondly, now that its original version has recently been among those I get via email from time to time.

Gary Larson’s The Far Side occasionally featured dinosaurs in his daily gags, usually observing the meteor about the wipe them out. They weren’t necessarily the focus of the strip, though, so that’s all I have to say about that.

Which of course leaves The Flintstones, although they began as a prime-time animated television series before appearing in newspaper syndication, as well as in comic books and other media. More dinosaurs used as props, generally, for the prehistoric antics of Fred and Barney and the gang.

One step up the monster ladder from dinosaurs would be, naturally, dragons. Dragons tend to pop up in strips set in Medieval times, along with witches and wizards and knights in shining armor. The aforementioned The Wizard of Id has been running since 1964. The dragon in that strip is the pet of the title character. 

In 1937, Hal Foster turned the art chores on the Tarzan comic strip over to Burne Hogarth. He then began what has consistently been the most beautifully drawn comic strip ever since, Prince Valiant. Appearing only as a full-color Sunday strip, it has been drawn by John Cullen Murphy since 1971. Foster also gave legendary comic book artists Wally Wood and Gray Morrow tryouts before giving it over to Murphy. More of a Medieval adventure strip, the occasional dragons tend to be more-or-less lizards of unusual size, rather than true fire-breathers.

Two years before Prince Valiant, writer William McCleery and artist Ralph Fuller debuted Oaky Doaks, a strip about a Medieval farmboy who makes his own suit of armor out of a tin roof and goes about rescuing damsels in distress and slaying the odd dragon in the process. The strip ran until 1961. 

Sir Bagby, created by brothers Rick and Bill Hackney, ran from 1957 to 1967. I’ve only got eighteen examples in my collection, but those few strips do include a polite but not altogether trustworthy dragon and a gryphon having an identity crisis.

There have been a number of science fiction comics strips with the occasional monster popping up like the saarlac in Return of the Jedi, but they weren’t really the focus of the strips. In this class we find Flash Gordon, Buck Rogers, Brick Bradford, Don Dixon and others, none of which warrant much more than a mention here. Worth looking at, but not particularly in this space.

Numerous comics strips have had the occasional spooky storyline, mostly ones that turn out to be less due to supernatural causes than the machinations of evil mortals. Oriental adventure strip character Ming Foo, who spouted more aphorisms in one strip than Charlie Chan managed in an entire movie, began life in 1934 as a ‘topper’ strip for the Little Annie Rooney Sunday page. Back in the days when Sunday comics were full page affairs instead of chopped up to fit five or six on one page, a secondary strip would often run at the top, over the main one, hence ‘topper’. Jungle Jim was the topper for Flash Gordon, Colonel Potterby for Blondie, and so forth. Ming Foo encountered a Mad Monster in 1940, a Sea of Mirthful Demons in 1941, and wandered about on the Graveyard Island in 1942. He vanished from the comics pages a year later.

In addition to his many years in the Saturday morning cartoon milieu, Bullwinkle enjoyed a few years as a daily comic strip. He spent a few months in 1963 in Transylvania, where everybody’s favorite moose encountered a Dr. Jekyll who looked suspiciously like Boris Karloff, Count Draculet, a ballet-dancing mummy, and a singing werewolf.

You would think that a comic strip about a character called The Phantom would have more supernatural content, but the Ghost Who Walks is no ghost. Rather, he was a generational hero whose costume and accouterments were passed down from father to son. He has faced the odd witch doctor since he was created in 1936 by Lee Falk, but that’s about it. His adventures are still appearing, and are even more popular in Australia, Scandinavia and India than in his home country.

Adaptations of popular books and stories in the daily comics were a fairly regular occurrence in the 1930s, 1940s and 1950s. I have three separate adaptations of the classic Charles Dickens ghost story, A Christmas Carol, from 1937, 1950 and 1957. A strip called Famous Fiction adapted a couple of Edgar Allen Poe tales, “The Gold Bug” and “The Murders in the Rue Morgue”, in the early 1940s. I’m sure there were others I have yet to track down.

There was a whole class of single panel comics during the Golden Age of Hollywood that were basically promotional strips for the studios, featuring the odd hobbies of the stars or hints that you really, really need to get out and see this or that movie when it comes around to your town. Horror movie stars such as Boris Karloff, Lon Chaney or Bela Lugosi were occasionally mentioned, which is just enough horror content to justify this paragraph. The titles of these strips included Closeup and Comedy, Private Lives and Seein’ Stars

And now, we’re down to the four strips that can honestly be considered horror, that are truly inhabited, from beginning to end, top to bottom, side to side by monsters. The peripherals and occasionals are dealt with, and we’re left with these favored few. Over one hundred and twenty-five years of comic strip history, and this is what it boils down to. 

And three of them are humorous.

Maybe the comic strip medium simply isn’t suitable for sustaining the tension of the genre. Perhaps three panels a day and a Sunday page just won’t bear the weight of true fright. Perhaps. Regardless, here they are:

Barnaby

Before creating the classic children’s book, Harold and the Purple Crayon, Crockett Johnson came up with one of the great comic strips of all time. Barnaby was a five-year-old child who wished for a fairy godmother. What he got was a cigar smoking and rarely competent fairy godfather named Jackeen J. O’Malley. Their whimsical adventures meandered through plots involving standard issues of the day like scrap metal drives and victory gardens, but also ogres, gorgons, witches and wizards, and of course, Gus the Ghost. Never a success, Barnaby limped along from 1942 to 1952, never appearing in more than fifty-two newspapers. Still, Dorothy Parker loved it. There have been several reprints of the strip since 1943, when Holt issued two hardback volumes, both of which occupy honored places in my library. Fantagraphic Books has issued four volumes of a projected five-volume set of reprints covering the entire run. A play based on the characters was written and produced in 1946. It was adapted to television in 1959, starring Ron Howard as Barnaby and former Cowardly Lion Bert Lahr as Mr. O’Malley. 

Broom-Hilda

Russ Myers’ 1970 creation is still running. The title character is an alcoholic, cigar-smoking witch whose best friend is a troll. There’s a monster in a cave named Grelber who insults anyone foolish enough to get close to him. It’s a gag-a-day about these monsters and a few other beings. I’ve always enjoyed it, but it’s not scary. Moving on.

Scary Gary

Gary is a vampire who has retired to suburbia with his demonic henchman, Leonard, a bedsheet-clad ghost named Owen, and a severed head in a jar named Travis. There’s also a zombie baby wandering around the neighborhood in one of those circular walker things all my grandkids had. Don’t try to tickle that baby. You’ll draw back a nub. It’s a gag-a-day, usually involving Leonard being horrible to anyone in reach, Owen whining about being dead or Travis wishing he still had limbs. Scary Gary was created by Mark Buford in 2008. It’s one of the seventy-five strips I get every morning in my email, and usually, the first one I read.

Dark Shadows

Finally, a serious comic strip with real continuity, starring daytime soap opera vampire Barnabas Collins. It was drawn by long-time comic book and comic strip artist Ken Bald under the penname Ken Bruce to avoid confusion with the other strip he was doing at the time, Dr. Kildare. Because those were so much alike. Dark Shadows had already been adapted to a Gold Key comic book that lasted thirty-five issues, and a long series of gothic romance novels by Marilyn Ross, who was actually William Edward Daniel Ross, because nobody would buy a gothic romance by a man in those days. Bald’s work on the newspaper version was beautifully done, a significant improvement over the comic books drawn by Joe Certa. 

Which was probably why the strip lasted, oh, let me see…

A year. A YEAR? Seriously? One measly year?!?!?

‘Fraid so. March 14th, 1971 to March 11, 1972. That’s it. That’s all we get of the only truly horrific monster-populated comic strip ever created in the century and a quarter of the existence of the art form. Unless I’ve missed one, which is possible. If I have, please let me know in the comments.

Maybe we’ll have another one, someday, if the medium survives. We can only hope. In the meantime, as always…

Oh, one last thing: the article in the link below came to me too late for Women in Horror month, so I’ll just leave it here and let the populace peruse it at will. 

https://www.the-screening-space.com/movie-tv-musings/wihm-elsa-lanchester-and-9-classic-film-actresses-of-horror

What was I saying before I interrupted myself? Oh, yeah. 

As always, be afraid. Be very afraid.

 

Merrill’s Musical Musings: Riot Legion

Greetings HorrorAddicts! Time continues to pass in stops and starts. The days blend together and are distinct only by the latest headlines or weather phenomenon, like what the heck even is an “atmospheric river?” It sounds to me like the next thing in darkwave music. As I write this, we’ve made it through Groundhog Day and that means we’ve passed the darkest time of the year. We have light at the end of the tunnel, and that can be interpreted in many ways. Thank goodness for music, I say, as we could all use a little pick me up. Today I’m here to bring you a new artist who might just get you through the next six weeks of winter that precocious Punxsutawney Phil predicted, the little furry bugger! We need the rain here in the West, but I’m sure folks would like a break from the cold. Hang in there and let’s meet this month’s artist, RIOTLEGION.

RIOTLEGION hail from Seattle and pack a hard-driving industrial sound. Whereas Seattle is known for its grunge musical history, RIOTLEGION breaks with tradition. The album Machine Liberation was released  23 June 2020 through Blind Mice Productions. The brainchild of Michael Coultas, RIOTLEGION is known for high-energy audio-visual performances in the area. Their lyrics delve into the chaotic political landscape we find ourselves in after the events of the past few months. 

Many of the tracks on Machine Liberation lean heavily on distorted beats and chants that might appeal to fans of previously reviewed artists JUSTIN SYMBOL or CELLMOD. “Out of My Head” hits with a hypnotic beat and a rhythmic chant and is a standout on the album and the creepy intro to “Liberation” piqued my interest. The artist relies heavily on flickering synthesized beats and static to add atmosphere to tracks like “Decimator,” and “The One You Deserve.” 

Check out RIOTLEGION if you’re looking for some angry club music to work out some of your aggressions. I’ll be back next month with more new music for you to feast your ears upon. In the meantime, be sure to follow me on Instagram @rlmerrillauthor where I post music recommendations in my stories. I can’t have my lovelies going without the best tunes to listen to, now can I? You can also find playlists on Spotify for my books and whatever mood I’m currently in. Stay tuned for more Merrill’s Musical Musings…


R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor.

 

Monster Madness: From The Vault/Ghastly Games: Monster Fluxx

GhastlyGames2

Reblogged from August 25,2016

On episode #133, hear Emerian Rich talk about Fluxx, Monster edition

fm fmFluxx is a card game where the rules keep changing and the excitement never stops. You still start out simple: draw one card and play one card, changing the rules as you go, while collecting up different cards to combine into the goals. Changing Goals will keep you on your toes as well, and Action cards are still shaking things up! Monster Fluxx takes classic monster movies and TV shows and adds them to the basic Fluxx deck. With the prominent monster presence, this deck is designed to introduce new players to the Fluxx system and has it has just four main card types.

 

Find out more about this awesome game on Episode #133, coming September 3rd.

Manga Review: My Boyfriend is a Vampire by Yu-Rang Han

My Boyfriend is a Vampire 1-2 by Yu-Rang han

Technically, I wouldn’t really call this a horror book but I wanted to review it for you guys just in case you are looking for a horror manga and you happen to see this title.

There are alot of spoilers in this review, so if you would rather read it on your own and find out, please do so, otherwise let me tell you about this book.

I picked this book up because My Boyfriend is a Vampire sounds like a funny manga that might have horror in it and might be part love story. However, this book is not either of those things. First of all, the vampires don’t show up until two-thirds of the book is over. When they do show up, they don’t really present themselves as the normal vampire they’re more like thugs or a gang. Well, thugs dressed in schoolboy uniforms.

This story is really about Gene, a guy who is “pretty”  and keeps getting hit on by other guys because they think he’s a gal. When he finally gets sick of, it he starts beating up anybody who asks him out or thinks that he is a girl. He gets so famous by beating guys up that he becomes the leader of a gang. Soon, no one who knows of him will try to pick him up as a girl cuz they know his reputation is tough and he has a gang to back him up. Things are going pretty smoothly until one day, his gang tells them they need him to come help them because a new gang has moved into their hangout spot and they’re too strong for them to defeat. Knowing how many guys Gene has beat up because they thought he was a girl, they figure he can beat these guys up for good and get them to leave their territory.

On the same day when he’s supposed to go throw down some whoop-ass, the second-in-command of the gang asks him to pretend that he is his girlfriend because there’s a girl at school that just will not leave him alone and won’t take no for an answer. This leads Gene to be dressed like a girl when he first confronts the vampires. They all think he’s a girl. He tries to beat them up, but they are too tough for him.

One of the vampires is weak from battle and although they don’t usually drink human blood, his weakness drives him to drink from Gene. In this vampire mythos, people do not become vampires by drinking from them. Usually when a vampire drinks from humans, they die. When Gene wakes up from being bitten and he’s still alive, everyone kind of freaks out. What is he? What power resides inside him? Where did this strange boy who looks like a girl come from? But there’s one change that no one expects and that is when Gene “dies,” he wakes as a girl with all the essential girl bits.

It just so happens that the weak vampire who drank from Gene is one of the vampire leader’s sons who is trying to get his brother to stop killing innocent women. His brother is on the hunt for a wife and drinks from women to see if one of them may survive to be his bride, but none of them do.

While on the quest of trying to help the weak vampire to stop his evil brother, Gene “dies” a couple more times, but every single time he dies, he changes sex. If he’s a guy and he gets killed, he becomes a girl and visa versa. It’s unclear if he’s actually a vampire or not. At one point he does drink someone’s blood, but then someone kills him and he’s able to “die” and wake up a girl again, so it is pretty confusing on the mythos part.

What I did find what I did find amusing was that when Gene dies the first time, there’s sort of a flashback sequence where his mother is holding him as a baby and she says,

“For as long as certain foretold events do not unfold, you will live your days as a normal healthy boy, but if the fates conspire against you and tragedy is to strike, the life you’ve known will cease and you will begin life anew as a girl. That path will prove to be a difficult one, my darling. If it were up to me, I would choose for the peaceful life for you, but it is not up to me. It is your life and the choice is yours to make. My child, please do not get bitten by a vampire, I beg you.”

Now, how getting bitten by a vampire his his choice to either die or live is beyond me. The vampire bites him, plain and simple. It’s very odd. It reminds me of a non-horror movie called Zerophilia* where people are born with two sexes in their DNA and change every time they have sex.  It’s a niche topic, and one that no everyone is comfortable with, so be warned if you are bothered by this, you probably won’t like this book.

Overall the story was okay if you like manga in general and are not simply searching for the horror. The art is good and it’s sorta fun, but if you’re looking for a fear factor here, you won’t find it.

*Zerophilia incidentally stars our favorite vampire “Henry” from Blood Ties, Kyle Schmid, and is worth the watch if you have the interest.

Book Review: Shelter for the Damned by Mike Thorn


Review by Daphne Strasert

Content Warnings: violence, gore

Mark is a troubled teen in typical white suburbia. He gets in fights, sneaks out of the house, and smokes with his friends. He doesn’t fit into his parents’ ideal life of picket fences, neat lean lawns, and bland dinners. But teenage rebellion takes a turn for the dark when Mark discovers The Shack. At first just an oasis of peace, The Shack begins to ask more and more of Mark in return. Mark is helpless to resist the twisted, violent desires The Shack places in him.

Shelter for the Damned is a slow burn descent into madness. Mark is led into a world of violent reactionism until he finds himself too far to climb out. It’s horrifying to watch his descent. Even as he commits terrible acts, he is numb to the effect of it.

Thorn fearlessly writes the awkwardness of the teenage experience. It’s painful to look at sometimes. Teenagers don’t always make logical decisions; they are ruled by hormones and ego. Thorn manages to convey this well.

Mark is plagued by futility. He is dragged along by the plot, even as he is the one making decisions. It’s a great metaphor for the lack of control teens have over their own lives (externally and internally). Mark’s parents repeatedly ask him why he does what he does, something that he can’t answer. They beg him to change his behavior, which he never does. It’s a familiar feeling that I had while reading. From an outside perspective, it’s infuriating to watch Mark’s downward spiral.

Thorn absolutely nails his portrayal of white suburbia in the early 2000s (I should know, I was there): the eternal expanse of identical houses, the hidden poverty, and abuse, the teens scrabbling for a sense of individuality in a world of carbon copies. In the midst of this conformity, The Shack stands in sharp relief. It’s easy to see why Mark is so drawn to it, even without supernatural influences.

Thorn’s writing brings a literary element to the horror genre. His descriptions are vivid and realistic. He tends toward psychological horror rather than a gorefest. Not to say there isn’t gore, but Thorn treats it tastefully.

I would have liked to see Thorn explore the confusion of whether Mark was insane or possessed or plagued by an eldritch force. He introduced this in the middle of the book but left it unaddressed. I also think he could have played out more the effect each of the murders had on Mark’s psyche. Instead, Mark was too ready to move on from events.

While Shelter for the Damned stars teenagers, I would not classify it as Young Adult. It is a solid horror novel. I enjoyed reading it. Thorn’s writing is a joy to read. If you like supernatural dread, you’ll enjoy Shelter for the Damned.

You may also enjoy Mike Thorn’s short story collection Darkest Hours.

Monster Madness Month: From The Vault/You Might Be A Monster Lover If…

 

Reposted from10/26/2015 by Malcolm Stewart


halogokidnappednotdate

Hey, there Horror Addicts, guess what? It’s Halloween Time!

I know, I know, you can hardly contain your excitement…. Especially as we horror minded people wait all year for the outside reality of the mainstream  to meet our internal reality. Now that we’ve made it to the day  of the year where the carpet matches the drapes, it’s time for an admission…

You’re kinda of a Monster Lover, aren’t you?

Now, I know you don’t normally go around and say that out loud to people… Makes for some uncomfortable dinner time conversation. And I’m not saying you’re doing anything wrong either. This isn’t the opening to a recovery intervention. To paraphrase Billy Joel, we like you just the way you are.

But maybe you’re just not sure about your status. I mean, it’s not everyday you get slapped with the stark, cold reality of your addiction.

Fear not! We’re here to help! Especially when it comes to slapping you with stark, cold reality… We horror addicts live to serve.

So, without further ado, the 15 reasons you might be a Monster Lover in 2015:

  1. If you’ve ever been caught lurking around the Dollar Tree on Oct. 1st looking to score some brand new, skull studded, black paper plates… You might be a Monster Lover.
  1. If you have two packages of matching skull napkins in a closet at home from last year’s Halloween party… You might be a Monster Lover.
  1. If you are already planning your Dec. 4th Krampus viewing party…. You might be a Monster Lover.
  1. If you have purchased Krampus Holiday cards… You might a Monster Lover. Or you’ve spent too many dark nights in Bavaria, which is almost the same thing. (Either way, no card exchange this year, please!)
  1. If you are already making bets that Crimson Peak will end up ripping Tom Hiddleston’s million-dollar-face clean off his skull at some point… You might be a Monster Lover (Or you hate Superhero-themed blockbusters. Or some combination of the two).
  1. If you’ve had the random thought “That whole meat dress thing was just an elaborate audition ploy by Gaga to get on American Horror Story…” You might be a Monster Lover (you cynic).
  1. If you at any point wished that dress was made of fresh Kardashian… You might be a Monster Lover.
  1. If you can’t walk by a dollar movie bin without digging in it for old-school, black-and-white horror movies… You might be a Monster Lover.
  1. If you did the Nae-Nae in celebration when you found a double DVD copy of both Cat People and The Curse of the Cat People… You might a Monster Lover ( And, without a doubt, have impeccable taste in movies and are extremely culturally aware).
  1. If your spell-check knows how to correctly change Cthulhu… You might be a Monster Lover.
  1. If you can correctly spell Cthulhu without spell check and without peeking… You might be a Monster Lover (and no asking Siri).
  1. If you’ve ever spent an afternoon at work considering the most efficient method of destroying a Zombie Horde only using stuff from CVS… You might a Monster Lover.
  1. If your final answer came down to a case full of Aqua Net and 20 Bic Lighters… You might be a Monster Lover (and you will likely survive the Zombie Apocalypse).
  1. If you plan to stay in this Halloween and take the Horror Movie Marathon Challenge from The Horror Addicts Guide to Life (plug plug, plug)…. You might be a Monster Lover (as well as smart, attractive and in good company. Bonus points if you sneak in the debut of “Ash v. Evil Dead”).

And the Number One way to know if you might be a Monster Lover:

  1. If you at any time in your life have had cats named “Louie,” “Lestat,” “Claudia,”  “Anne” or “Memnoch” either separately or all once…  Well, congrats, my friend, you are a Monster Lover and probably can make a mean pot of tea and/or a batch of gumbo.

Happy Halloween!

J. Malcom Stewart

 

Free Fiction Friday: Thirsty by Alan Moskowitz

THIRSTY

Written By Alan Moskowitz

           Alyssa loaded the revolver with one bullet.  She spun the cylinder, covering it with her hand making sure that neither she nor David could see in which of the six chambers the fatal bullet waited.  She put the gun down between them, the cylinder facing away from them.  She picked up the coin, held it out.  “Heads or tails?”

David’s mouth went dry, “Come on Alyssa, we don’t have to do this.  We can just keep sharing, the way we have been.”

           Alyssa shook her head.  “Rescue’s at least two weeks away, we both can’t last that long.  At least this way one of us will survive.  “Call it.”  She flipped the coin, David watched it spin up and then drop to the metal table with a clink.  She put her hand over it, “call it, honey.”  David remained silent.

Alyssa studied his once handsome face, remembering, the monumental exploration they’d launched themselves on, their falling in love, sharing everything equally. And now they’re stranded on this godforsaken waterless planet, and forced into a horrible decision.  “It’s only fair.” 

David swallowed hard, “Heads.”  Alyssa lifted her hand revealing “tails, you first.”

She slid the pistol over to David.  He took it in his hand, studied it for a moment.  “We’ll each drink less, a lot less, share fifty-fifty.” Alyssa sighed with resolution, “Then we’re both dead.”  A tear formed in David’s eye.  Alyssa watched it trickle down his emaciated cheek followed by a second drop.  He put the gun to his head.  His finger gripped the trigger, his hand shaking.  He looked into Alyssa’s calm and resolute eyes, and lowered the gun.  “I can’t.”

Alyssa understood. “I can.”  She took the gun from his shaking hand, checked the cylinder, turned it a few notches until the fatal bullet was next up.  She raised the gun to her head. 

“I love you!” David cried.

“I love you too,” Alyssa answered, and then shot David in the head.  She leaned over and wiped the telltale tear streaks from his face.  “There wasn’t enough for both of us David because you didn’t play fair.”  She sat back and studied his corpse, oddly feeling very little about killing her one time lover.  She considered putting on her suit and dragging him out into the red dust but didn’t have the strength.   She clutched the last bottle of water, opened it, took a small cautious sip and sat back to await the rescue craft.

__________________________________________________________________________________-

 

 

Alan Moskowitz is a retired screenwriter staying sane in Colorado during the pandemic writing genre fiction.  He can be reached at mosko13@aol.com.

 

 

FRIGHTENING FLIX BY KBATZ: Campy Monsters!

 

Campy Monster Fun

by Kristin Battestella

 

Nestle in with this bemusing array of mid-century monsters and cheesy frights!

The Beast of Yucca Flats– The notorious 1961 SF horror here starts off fun and scary with a toweled pretty, strangulations, space race secrets, communism fears, and nuclear fallout. Unfortunately, this hour is held together by a very dodgy narration which unnecessarily replaces what should be dialogue. It’s mistake numero uno– hardly anyone talks and this makes for the least amount of character development possible. No performance happens; it’s a story being told. While that’s fine in cartoons perhaps, aren’t you making a film because of the show don’t tell possibilities? It’s unrealistic to expect a serious science fiction or spooky adult audience to sit through something like this-which is as is really nothing more than a naughty children’s short. That’s Rule 2: don’t underestimate your audience. Did I mention the music is also much too much? Yes, this ‘film’ is seriously flawed, and to some, that is its very appeal. Fans who enjoy the hokey of the day will love the cars, pace, and weak fifties filmmaking style, and drinking game fans can have a wonderful time with the utterly fake shoot-out and car chase. It’s like they’re kids with pop guns spinning the wheels of parked cars! This one must be seen to be believed, indeed.

The Giant Gila Monster – It had been ages since I’ve seen this 1959 hokey! Though everyone has probably scene clips from the fiery finale, I’d forgotten how much fun this mix of sock hop, classic tunes, cool cars, fifties nostalgia, and creature feature effects really is. The bemusing doom and gloom introduction and opening deaths are accented with some over the top scary music to match the silly premise, and the real lizard footage is downright charming! Sure, nothing is frightening because of the ridiculous production values, but the simple A to B to C execution proceeds at an entertaining little pace. And man, Don Sullivan (Teenage Zombies) and his tow truck are always handy! This teen not only looks 35, but he helps strangers, loans books to the sheriff, and sings to crippled little girls. Of course, the Mexican portrayals are a bit offensive if brief, and though the supporting greasers are totally limp acting-wise, drunken DJ Ken Knox is on form corny at his protest over $2 for a tow. The fifties redneck colloquialisms might be tough for some young viewers to understand today. However, this is all just great for audiences looking for such dated vehicular vernacular- a mid-century Texas time capsule captured before the turbulent sixties began. Yes, it’s completely hokey, but it works, and works damn amusingly!

The Monster Maker – Lovely piano concertos set up the gothic mood, eponymous twisted science, and good old-fashioned lovelorn obsession in this hour-long 1944 science fiction horror tale starring a juicy J. Carrol Naish (Beau Geste) and Ralph Morgan (Magnificent Obsession) as his forcibly misshapen and sympathetic victim. The then-contemporary designs and cool science lab are also a treat- except for the ape, of course. Why must there always be a man in a monkey suit in these old capers? A few scenes do drag or feel slow and long despite the short length, and the formula plays a little obvious at times. However, the fun, over the top style works. Women scream, get manhandled, and blackmail. It’s of its time, but entertaining nonetheless.

The Wasp Woman – It seems Roger Corman really likes his women, and this 1959 creepy is The Fly for chicks. Though not saucy or purely for ogle value- which is both good and bad depending on your point of view- the outdoor values, regular Fred Katz music, and scary buzzing sounds set off the more mature science fiction thoughts and laboratory desperation. One chick does get to slap another hysterical chick, yes, but the concepts here are just as fun. How far will we go for beauty? What cost is too high? The suggestion of bees and wasps is also chilling for those who dislike insects and simply terrifying to anyone allergic to bee stings. The sound is tough to hear in some spots, and the added prologue is slow in establishing the freaky premise of using wasp extracts as the fountain of youth. Some animal testing scenes are iffy, too. Thankfully, the fun labs and haywire science keep this one interesting.

Monster Madness Month: From the Vault/The Wendigo

NightmareFuel

Hello Addicts,

This week we take a peek into one of the more famous legends of the Algonquin tribe, the Wendigo.

Wendigo-beastThe Wendigo, or Windigo in some translations, is a tale prevalent in the Northern United States and Canada.  It is viewed by some as a demonic spirit capable of either possessing a human or taking the form of one.  Other legends claim that people are cursed to become the creature by the simple tasting of human flesh.  The latter version of the legend depicts the creature as over fifteen feet tall and gaunt with deeply sunken glowing eyes, an overly long tongue, yellowed fangs, and yellowing skin, either in the process of decay or covered in fur.  They are almost impossibly thin with an unending hunger for human flesh.  There are also some who claim that the creature is so thin that you can only see it when you are looking at it directly in the face.  It is believed that to become one of these creatures is so terrible, you are better off killing yourself than to resort to cannibalism, even when your survival depends on it.

These tales are commonplace in locations where a combination of food scarcity and long harshly cold winters make survival a dire challenge.  There are even some reported cases where people with access to ample food supplies become so overwhelmed with desire for human flesh, they will kill their own family for it.  These cases are what psychologists refer to as “Wendigo Psychosis”.

Sightings of the beast still occur to this day, mostly in the northern Minnesota plains and in Canada.  Some see it as a simple superstition or warning to dissuade people from the practice of cannibalism.  Others say that the creature lives on; killing any it comes across.  For those of you enjoying a campout this summer, be careful when wandering in the woods, lest you become the Wendigo’s next meal.

Until next time Addicts…

March is Monster Madness Month!

We here at HorrorAddicts.net have decided to celebrate those things real or imaginary that creep into the back of your mind and hang in your dreams. The beast in the forest, the rattling thing under the bed, the scratcher at the window. Creatures, behemoths, demons, and denizens of the dark are our subject for this month!

To get us started today, we asked some of our staff to give us an idea of what MONSTERS scare them.

Here are just a few:

  • Emerian Rich , Creator/Owner/Publisher/Hostess of all things HorrorAddicts:

“Banshees scare me the most. I don’t know if it has to do with a video game I played a few years ago that I couldn’t get past the scary banshee girl or if it’s the thought of something standing in my path, screeching so loud and horribly that I can’t concentrate to figure out a way out. They also seem scarier than ghosts and like they might be made of ice and might be able to suck out your soul, like the Dementors do on Harry Potter. They freak me out!”

  • R.L. Merrill, Merrill’s Musical Musings and Ro’s Recs Blogger:

“I know it’s silly but zombies scare the shit out of me. The thought of slowly being eaten alive terrifies me!”

  • Lionel Ray Green, The Bigfoot Files Blogger:

“Inbred redneck hillbilly cannibals in the woods scare me. There’s just something about their horrendous killing methods and reckless abandon on unsuspecting folks that’s just so terrifying. I think they horrify me the most because they’re humans, and and they could be out there.”

We will share more as the Monster Madness continues, but we would love to hear from you! Tell us about your monster fears in the comments below.

HorrorAddicts.net Press Presents: Two Book Birthdays Today/Horrible Disasters and Plague Master Sanctuary Dome

Horrible Disasters

hahdfront-coverA Horror Disaster Anthology
Available now on Amazon.com

HorrorAddicts.net proudly presents Horrible Disasters. Thirteen authors from around the globe share their visions of terror set during real natural disasters throughout history. Travel back in time to earth shattering events like the eruption of Mount Vesuvius in 79 A.D., the San Francisco earthquake of 1906, and the Winter of Terror avalanches, 1950. What supernatural events went unnoticed? What creatures caused such destruction without remorse? Stock your emergency kit, hunker in your bunker, and prepare for… Horrible Disasters.

Cover Art by: Thierry Pouzergues

Edited by: Larraine Barnard

authors:
Emerian Rich
H. E. Roulo
Dan Shaurette
Steve Merrifield
Mark Eller
Laurel Anne Hill
Timothy Reynolds
Ed Pope
Jennifer Rahn
Chris Ringler
Philip Carroll
Mike McGee
Garth von Buchholz

Proceeds to benefit Disaster Relief by way of the non-profit agency, Rescue Task Force.

Women in Horror Month: Always the Fool by Melissa R. Mendelson

Always The Fool by Melissa R. Mendelson

I was meant to be home today, but they called me in, ignoring the pass day. The operator was vague. Some kind of babble about someone calling out sick, but we were all assigned to certain days. If something came up, if someone was sick, the deliveries would be held until the next day, but if I dared question the system, the fine would be heavy. I was already broke.

I reported to the dock at nine a.m. My pay was docked one hour. The system did not care for traffic or construction or any other kind of delay. Work started at eight a.m., and my locker was stuck. It took forever to jar the door open, throw my stuff inside, and slip into that uncomfortable, gray plastic suit. The gloves were even more uncomfortable, and I couldn’t find my face mask. But they didn’t punish me for that.

“One delivery,” the guard said to me as the door opened. “Take it down to the inferno.”

“One delivery? I was called in on my pass day for one delivery?”

“You got a problem with the system?” The guard watched me shake my head. “Good, and where’s your damn face mask? Those fumes will kill you.”

“I don’t know. I think someone was in my locker.”

“Well, you got one delivery, and then you’ll be sent on your way. Just hold your breath.” He signed the clipboard that he held, making a strange, red mark by my name. “Cart’s waiting.” He raised his eyebrows up at me, and I slowly moved away. “What a waste,” he muttered.

I steadied my hands along the cart. Sometimes, they were so heavy to push, but this one was light. The grab slab on the flatbed was the same size, width and height, but it weighed nothing. I was tempted to open it, but I never wanted to look inside those things. I never wanted to know what it was that I was pushing into the inferno. I would not question the system. One delivery, and then I would be on my way like the guard said.

I stepped into the warehouse. I pretended that the cart was heavy, taking my time to the inferno. I could smell it already, an ugly, burnt smell. Where the hell did my face mask go, and who would have taken it? I glanced up at the corridors along the warehouse, spotting others pushing their gray slabs to the inferno, some returning this way with empty carts to reload. One delivery. What a joke.

“Put a face mask on,” a youth remarked as he skid by. This did not bother him. Instead, if he racked up enough deliveries, he could leave early and game all night. That’s what he lived for, but those older knew better. There was no escape from the system.

“Delivery.” I finally made it to the steel doors. Maybe, I should have quickened in pace. I wanted to go home not to game but to sleep. My dreams were pleasant, unlike this harsh reality. I swiped my badge over the panel, but it did not turn yellow. “What the hell? It worked yesterday,” and I swiped again.

“Supervisor notified.” The operator’s voice boomed overhead. She was always cold, indifferent, hardly human, but that’s how she survived. “Please, wait,” she said.

My stomach flipped. I had the rationed meal. One bowl of oatmeal and a glass of milk with a few lumps. I was not privileged for more better quality food or drink. Sometimes, after a successful week, I would be rewarded with a chicken or fish dinner and not that gray stuff that they called meat. I haven’t had that kind of dinner in a long time.

“Collar?” The supervisor appeared on the scene. He stood six feet back. “Collar,” he repeated.

“6543219,” I said.

“Right. Pass day?”

“Today,” I answered, and he caught the annoyed tone. “Called in,” I said. “One delivery.” I hid my tone that time. “Here to deliver.”

“Come inside.” The supervisor swiped his badge, and the steel doors opened. “No face mask?”

“No,” I answered.

“Try not to breathe.” He smiled as he said that, and I did not like that smile. He followed me inside. “You were here for the visit last week?”

I pushed the cart into the dim room, pretending it was still heavy. I felt the fires from the inferno, an ugly machinery with various doors for various floors, all leading to the same end result. Burned. “Yes, I was here,” I said, trying to hold my breath, but I could already taste that smell.

“And you saw him?”

“What?” I realized that the supervisor was close, and I cringed. “Saw who? The Auditor?”

“No. Not the Auditor. Him.”

I knew who he was talking about. I passed by the dining room and saw all that food stretched out on the decorated conference table. I was so hungry, but I did not dare to venture inside, even for a bite. That’s when I realized that he was there at the head of the table, eating like a pig.

“You saw him.” That was not a question. “You watched him eat.”

“Okay. Yeah. I saw him, and I watched him eat. Can I throw the delivery in now?”

“He didn’t like that. You watching him eat.” The supervisor walked away from me. He approached the gray slab on the flatbed. “He reported you, and that’s why you are here.”

“That’s why I was called in on my pass day for one delivery? Because of that? Watching him eat?”

“Yes.” The supervisor did not look at me. He stared at the gray slab. “Do you ever question what it is that you are always burning?” He watched me shake my head. “These gray slabs are large, large enough for a human body.”

I paled at his words. “Excuse me,” I said.

“They are large enough for human bodies,” and he threw open the gray slab, revealing nothing inside. “Get inside,” he said.

“What? Wait. We’re burning people? Alive?”

“Get inside.” I noticed the gun in his hand. “Your choice. Alive or Dead.”

“For what? Watching him eat his fucking food?”

The supervisor’s finger wrapped around the trigger. “You offended him, and this is your punishment. Get inside the gray slab.”

“There has to be another way. Please,” I begged, and the gun went off. The bullet pierced my leg. The next hit my shoulder. I realized that he did not want to kill me. He wanted to burn me alive. I burned so many people alive, and I never realized it. But my supervisor knew, and he knew exactly what he was doing now. And for what? The system? “Please,” I screamed as he lifted me up and threw me into the gray slab.

“Save it,” and he slammed the gray slab shut.

_________________________________________________________________________________

Melissa R. Mendelson is a Horror and Science-Fiction Author.  She has been published by Sirens Call Publications, Dark Helix Press and Transmundane Press.  Her short stories have also been featured on Tall Tale TV.  She is currently working on completing her Horror novel, Ghost in the Porcelain, which surrounds an evil, porcelain doll.

Historian of Horror: The Answer, My Friend, is Bowen in the Wind

The Answer, My Friend, is Bowen in the Wind…

by Mark Orr

A strange title, you might think, but it’s one born of long hours of contemplation of a writer whose works I’ve read for decades, and yet have had a hard time getting a handle on for this contribution to my little corner of the Horror Addicts realm. Her ghostly yarns written under this pen name have been anthologized extensively, but have impacted the popular culture outside of the confines of literature remarkably little. Two of her historical romances were made into silent films with significant casts. A handful of her suspense novels, all written under one of her other several pseudonyms, Joseph Shearing, were filmed either as theatrical releases or for television in the late 1940s and early 1950s. Only three of her many spooky short stories appear to have been adapted into other media, either during her lifetime or in the decade after her demise. And other than the occasional podcast, Libravox recording, or other internet-based venues, nothing since.

Nor is there any single work so inextricably linked to her name that to mention one invokes the other. Lady Cynthia Asquith has her “God Grante That She Lye Still”, Charlotte Perkins Gilpin her “The Yellow Wallpaper”, Edward Lucas White his “Lukundoo”. She was praised by no less a literary giant than Grahame Greene, although she was dismissed as a writer of “bad adventure stories” by the somewhat-less-impressive-but-not-totally-to-be-sneered-at Colin Wilson. Speculative fiction luminary Fritz Leiber considered her 1909 novel of Medieval witchcraft, Black Magic, to be brilliant. Weird fiction aficionado Sheldon Jaffery compared her work favorably to that of Mary Wilkins-Freeman, Edith Wharton, and the aforementioned Lady Asquith. So, why so small a footprint on the culture at large?

She was born Margaret Gabrielle Vere Campbell on a small island off the southern coast of England on the first of November in 1885. Her father was an alcoholic who died in a London street. She was raised by an emotionally detached mother in genteel poverty. She married twice, her first husband dying of tuberculosis three years into the marriage, and bore three sons and a daughter. The girl died in infancy. Bowen wrote her first novel, the violent historical epic, The Viper of Milan when she was only sixteen, and eventually produced over one hundred and fifty volumes of historical romances, biographies, popular histories, and supernatural yarns before her death from a concussion in 1952 at the age of sixty-seven.

Perhaps it is the plethora of pennames spread over several genres that have diffused her influence, for there is nothing inherently inferior in the work itself. Her short horror stories, frequently revolving around bad marriages or rakehell ‘gentlemen’ using ladies of quality but poorly, most certainly do compare favorably with her peers. So, the question remains: why so few adaptations of those tales?

Alfred Hitchcock himself took a run at her twice. The first was his 1949 historical epic, Under Capricorn, which starred Ingrid Bergman, who had played the wife but poorly used by her own nefarious husband in the 1944 Hollywood version of Gaslight. The second was for the seventh season of his television series Alfred Hitchcock Presents. “The Silk Petticoat” aired on January 2, 1962, and was the thirteenth episode of the season. Appropriate, n’est pas? It was based on Bowen’s short tale, “The Scoured Silk”, written in 1918 and included in her collection, The Bishop of Hell and Other Stories. Michael Rennie, who had been the visitor from another world in The Day the Earth Stood Still in 1951 and Jean Valjean in Les Miserables the next year, starred as the not-quite-as-nice-as-he-seems husband who takes a second wife without being quite done with the first.

Of the other theatrical adaptations of Bowen’s works, a couple do have genre connections without being themselves horror films. Blanche Fury (1948) starred Valerie Hobson as the unhappy bride of Michael Gough and doomed lover of Stewart Granger. She had previously wed a mad scientist in Bride of Frankenstein and a lycanthrope in Werewolf of London, both in 1935, and later became engaged to a serial killer in the delightful black comedy, Kind Hearts, and Coronets, in 1949. In real life, her second husband was an English politician turned sex fiend and alleged Russian spy John Profumo. Perhaps she ought to have avoided marriage altogether.

Gough had a long career as a movie villain, in Horrors of the Black Museum (1959), the kaiju gorilla picture Konga (1961), the 1962 Hammer version of The Phantom of the Opera with Herbert Lom as the Phantom, the caged-animals-gone-wild movie Black Zoo (1963) and the Amicus anthology film Dr. Terror’s House of Horrors (1965), before reforming himself enough to appear four times as Batman’s butler, Alfred Pennyworth. He did play a more sympathetic role in Hammer’s Horror of Dracula in 1958, but that was an anomaly. Granger went on from this picture to replace Errol Flynn as the hero of big-budget swashbuckling adventure movies in the 1950s such as King Solomon’s Mines, Beau Brummell, Scaramouche and The Prisoner of Zenda, and played Sherlock Holmes in a 1972 television version of The House of the Baskervilles to something less than general acclaim.

So Evil My Love was made as a feature film in 1948 and for television in 1955 for the Lux Video Theatre series. The movie starred Ray Milland, star of genre films The Premature Burial in 1962, the only one of Roger Corman’s Edgar Allen Poe adaptation for American International Pictures that didn’t star Vincent Price; X: The Man With X-Ray Eyes in 1963; and the exceedingly cheesy Frogs in 1972. The television version starred James Mason, who as Captain Nemo wrestled with a giant squid in the 1954 Disney film, 20,000 Leagues Under the Sea, and who as Professor Lindenbrook in 1959’s Journey to the Center of the Earth encountered several monstrous denizens of that region. He also played Dr. Watson in the Sherlock Holmes vs Jack the Ripper film, Murder by Decree, in 1979, with the late Christopher Plummer as Holmes.

Moss Rose is the closest any of the feature films based on Bowen’s novels came to being possibly considered a horror picture. Made in 1947, it starred Victor Mature, caveman hero of One Million Years B.C. (1940); Ethel Barrymore, helpless old lady in the 1944 classic, The Spiral Staircase; frequent villain in myriad second feature horror movies George Zucco as the butler; and Vincent Price, playing against type as the police inspector tasked with unraveling the mystery and preventing the untimely demise of leading lady Peggy Cummings at the hands of a serial asphyxiast. Set in the Victorian era, it stylistically and thematically resembles the aforementioned Gaslight and Spiral Staircase, as well as other horrific thrillers like Hangover Square or The Lodger. So, yeah, maybe it is a horror picture, even if it is so very unlike Bowen’s ghost stories. I refuse to reveal whether or not the butler did it, by the way.

As for the other two television adaptations of her spooky yarns, I have so far been unable to track down videos of either “Avenging of Anne Leete”, the 166th episode (!) of the second season of the NBC series Matinee Theatre, aired May 23rd, 1957, or “They Found My Grave” from the Canadian series Shoestring Theater, aired February 12, 1961. The former starred future Simon Templar and James Bond Roger Moore, future Avenger John Steed Patrick McNee, and future mother to Richie Cunningham Marion Ross. The latter starred Kay Trembley, who had a bit part in Veronica Lake’s last movie, the abominable Flesh Feast, in 1970. Both tales are among Bowen’s best, and one could wish for a more accessible adaptation for each. But one must not hold one’s breath, apparently.

Her horror novels have pretty much gone out of print apart from the occasional independent or micro-press electronic editions, although her short stories do still pop up in anthologies assembled by the true cognoscenti of the genre, as they have since at least 1929 when mystery maven and creator of Lord Peter Wimsey Dorothy L. Sayers selected “The Avenging of Anne Leete” for the horror section of her landmark collection, The Omnibus of Crime. Dennis Wheatley included Black Magic in his “Library of the Occult” series of paperbacks in 1974 for Sphere, who also published The Spectral Bride the previous year, but if there’s been a dead tree version of any of the supernatural novels since, I haven’t found any evidence of such an endeavor. 

Since Marjorie Bowen passed on more than twenty-seven years before Sonny Bono, on behalf of Disney Studios, got Congress to push the copyright laws back into the antediluvian era in which Mickey Mouse was born, her entire oeuvre seems to currently be in the public domain. Many of her works, including most if not all of her shorts, are available from 

Project Gutenberg https://www.gutenberg.org/ebooks/author/41727 

Project Gutenberg Australia http://gutenberg.net.au/plusfifty-a-m.html#bowen 

Open Library https://openlibrary.org/authors/OL27801A/Marjorie_Bowen 

Ray Glashon’s Library http://freeread.com.au/@RGLibrary/MarjorieBowen/MarjorieBowen.html 

Libravox https://librivox.org/author/12478

and the Internet Archive https://archive.org/search.php?query=%28%28subject%3A%22Bowen%2C%20Marjorie

An online biography by Jessica Amanda Salmonson (much more in depth than the one I provided above) can be found here: https://web.archive.org/web/20081204234335/http://www.violetbooks.com/bowen.html and information on a new print biography, The Furies of Marjorie Bowen, by University of Kansas associate professor of film and media studies John C. Tibbetts here: https://news.ku.edu/2019/12/06/book-aims-revive-interest-forgotten-weird-fiction-writer 

I don’t know about any of y’all, but I’m saving up for that one. 

I also want to point out that Valancourt Books has a new edition of The Bishop of Hell and Other Stories coming out in March of 2021. I would encourage the populace to support that very worthy publisher by purchasing a copy from them rather than scooping it up for free from the internet, despite its contents being public domain. I intend to do so. Valancourt is an invaluable resource for rare and wonderful horrors from years gone by. They did not pay me to say that, nor would I accept money from them to do so. I value them that much.

https://www.valancourtbooks.com/the-bishop-of-hell-and-other-stories-1949.html

Regardless of where they are to be found, I do hope the frequenters of this space give Marjorie Bowen’s stories a look. They deserve better than to be forgotten. And, as always, be afraid. Be very afraid.

Merrill’s Musical Musings: Ro’s Recs /Women Get Spooky

Ro’s Recs: Women in Metal 

Heavy Metal and Horror will forever be intertwined. Ever since the first notes were played by founding fathers Black Sabbath and Led Zeppelin, the two genres began a relationship that is symbiotic. Women didn’t always have a role front and center in the music, but that, my fellow horroraddicts, is changing. 

The women carrying the dark torch in music these days are inspirational and powerful. Their musical styles and their backgrounds may vary, but they’re continuing to prove that women can rock hard and they continue to explore the dark recesses of society that horror fans love to dwell in. Check out these bands and find some new favorites. 

Spiritbox, hailing from Vancouver, British Columbia, features lead singer Courtney LaPlante, whose voice is absolutely mesmerizing. From their name to the imagery in their videos and their dark lyrics, Spiritbox is a horror fan’s dream band. I guarantee if you give a listen, LaPlante’s vocals will have you spellbound. 

In this Moment from Las Vegas, Nevada, are veterans of the metal scene. Rock Goddess Maria Brink not only brings her unique vocal styling full of emotion and drama to the band’s hard rock sound, but her lyrics explore everything from the horrors women experience to dark fairy tales and pagan symbolism. If you EVER have the opportunity to see the band live, do not miss out. Here is a clip from a collaboration with the Metal God, Rob Halford of Judas Priest.    

 The Napalm label’s artist Tetrarch has a sound that will appeal to fans of Linkin Park as well as heavier metal bands like The Amity Affliction. Hailing from Atlanta, Georgia, and now LA-based, the band features guitar player Diamond Rowe who proves that chicks can rock hard! She was also the first Black female lead guitarist to be featured in Metal Hammer magazine. Their video for I’m Not Right has a horror feel to it that I can totally vibe with. Anyone who’s been bullied can relate! 

Code Orange, from Pittsburgh, Pennsylvania, is a band I discovered after hearing Corey Taylor from Slipknot rave about them. Their music has an intensity to it that reminds me of Slipknot and is filled with time changes, unique sounds, and creepy effects that make my black heart happy. The video for Underneath, which features guitarist Reba Meyers on vocals, is a sci-fi/horror show that all of my fellow horroraddicts will dig. Check out the band and the video, which was directed by @maxmoorefilms

 

And on the harder edge of the metal scene, you can find long-time metalcore veterans Straight Line Stitch from Knoxville, Tennessee. Lead vocalist Alexis Brown is fierce. Her vocal stylings travel effortlessly from screams to melodic choruses. Check out their video for Black Veil.

I am always seeking out the best in new music and you can read my reviews and recs here on HorrorAddicts.net as well as on Facebook, Instagram, and Twitter @rlmerrillauthor. Stay Tuned for more Ro’s Recs and Merrill’s Musical Musings… 

______________________________________________________________________________________

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her Hope, Love, and Queeromance posts over at www.queeromanceink.com

 

HOW CON: How to Conduct an Interview

How to Conduct an Interview

By Naching T. Kassa

Welcome to HOWCON 2021!  I’m Naching T. Kassa, and I conduct Chilling Chat Interviews on the HorrorAddicts.net Blog. I also interview for the Horror Writers Association Newsletter.

Why should you learn to interview? Here’s the answer. You can meet many people through interviewing and, for a writer, meeting people is essential. We need to network to get our work and skill out before the right people. Also, it gains the attention of potential publishers. Publishers look for websites and blogs which conduct interviews to showcase their writers. Think about it. Someone could come to your blog for the interview you’ve done and stay to look at your books.

The following are two lists. The first is a DO list. These are things you should do to conduct an interview. The other is a DON’T. Avoid these things at all costs.

DO

  • CARE—Whether you are assigned an interview or whether you write one up for your blog, always—ALWAYS—care about your subject. This is a person you’re speaking to and not a lump of cheese. You’re not Oprah or Barbara Walters. You’re not Geraldo Rivera. The subject is doing you a favor by granting an interview. Don’t ask them what kind of underwear they wear and what color. It’s rude and creepy. The least you can do is care about your subject. Treat them with respect.
  • CONTACT YOUR SUBJECT—Always contact your subject prior to the interview. Don’t just turn up and start asking questions unless they suggest it. Give your subject options for interviews. Ask them what date and time are best for them. Since all my interviews are done online, I make it clear they are text only and we will not be speaking on the phone or through Skype. I then ask whether they would like to do a text interview through Facebook Messenger or e-mail. (Facebook Messenger is my preferred way of interviewing. It shortens the time taken to conduct the interview, is easier to transcribe, and allows you to see whether your subject is finished writing or in the process of writing their answer.)
  • PREPARE FOR THE INTERVIEW—This is a VERY important step. A successful interview depends on your research. If this is an assignment, read the information you are provided with. If there is none, or you are interviewing on your blog, Google your subject. Look at their website. If they’re a writer, check out their Amazon page. If they’re an actor, check out YouTube or watch their movie. If they’re a musician, check out their music. If you don’t know your subject, you won’t ask pertinent or interesting questions.
  • WRITE OUT A LIST OF QUESTIONS BEFORE THE INTERVIEW—Always write a series of base questions before you conduct an interview. (Since I interview people involved in the horror genre, I like to ask them how they became involved in horror, what they’re favorite horror movie is, etc.) You can use the base questions to keep you on point. I tend to go off on tangents when interviewing because my questions are organic and are reliant on the subject’s answers.
  • ALWAYS INTERVIEW THE SUBJECT ON TIME—Make sure you contact your subject at the agreed time. First impressions are important, and you are conveying professionalism and trust by being WHERE you’re supposed to be, WHEN you’re supposed to be.
  • HAVE FUN—Interviews often start stiff because, usually, neither you nor the subject know one another. Be sure to ask questions which are interesting to your subject. This will engage them. Let’s face it, you don’t want an interview where all the answers to your questions are either yes or no.
  • –OPTIONAL—HAVE A CONVERSATION ON THE SIDE—I like to converse with my subjects during the interview. How do I accomplish this? I speak to them in parentheses. At the beginning of the interview, I tell the subject that nothing within the parentheses will appear in the interview. Then, as I ask questions, I can give them my true reactions. I interviewed Nancy Holder—the well-known horror writer and Sherlockian—and throughout the interview, we discussed how much we adored Sherlock Holmes. None of this appeared in the interview. It was just a fun conversation that made both of us feel more at ease. Someone who’s having fun will tell you more than someone who isn’t. And, don’t feel bad if the person doesn’t message you back in parentheses. You’re letting them know how you feel. People appreciate that.
  • ASK PERMISSION—If a subject tells you something in private conversation, and you think it would be good for the interview, ask permission to add it.
  • SHOW APPRECIATION—Once the interview has concluded, thank the person for their time. Again, your subject deserves care and respect. Plus, you may want to interview them again one day.
  • EDIT YOUR INTERVIEW—What I mean when I say edit, is make sure the grammar and spelling are correct in your interview. (You don’t want to post an interview where you misspelled your subject’s name, do you?) Also, read it over carefully. If some tangent questions could fit in a better place, and they will not ruin the context of the question, then move them.
  • E-MAIL INTERVIEWS WITH A SET SERIES OF QUESTIONS—Sometimes I have to interview multiple subjects on a deadline. When this happens, I usually come up with a series of ten questions which I send to all of them. This is not my preferred way of interviewing. It’s a bit too impersonal for me. However, many people do it and do it well. It’s all a matter of taste.
  • TELL THE SUBJECT WHEN THE INTERVIEW POSTS—It is essential you tell your subject when and where their interview will appear. I like to inform my subjects the day of and I like to share the link with them. Your subject will then share for you, bringing attention to your site and your work.

Ok, we’ve covered the good stuff. Here’s the bad.

DON’T

  • DON’T MAKE THE INTERVIEW ABOUT YOU—An interview is not about you. The subject isn’t here to talk about your new book or your website. Don’t ask questions that pertain to yourself.
  • DON’T STALK YOUR SUBJECT—Researching a person is not the same as stalking. Do not be Snoopy McSnooperson and go to their Facebook account to investigate their friends, relatives, and pictures. Only research what is essential to the interview. Again, unless you’re Oprah or Barbara, you don’t need to know about their personal life. Not unless they bring it up and give you permission.
  • DON’T GET OFFENDED—If you are an easily offended person, interviewing is not for you. Some people may be grumpy or difficult. Be professional at all times.
  • DON’T MOVE ANSWERS OUT OF CONTEXT—When editing, do not move the answers out of context or add to the answers. You are there to report what the subject says. You are not there to put words in their mouth.
  • DON’T BE MERCENARY—Do not ask your subject to like your Facebook page, write a review for your book, or otherwise endorse your work. Networking is all about reputation and if you do this, you’re creating a bad reputation for yourself. The subject will let you know if they’re interested.

Remember: the most important rule when interviewing anyone is to CARE about them and RESPECT them. It’s the best way to network and the best way to be—well—human.

HOW CON: How to Plan a Workshop

How to Plan a Workshop
by Kate Nox

As an author, publisher, or event coordinator, you may be called upon to provide a workshop or in some way fill a time slot on a subject you know (expertise). You may be an expert in your field, but many of us have no idea how to pull a presentation together. This HOW Workshop will give you some guidelines to help you master this task with greater ease and aplomb.

Imagine with me:
You have been asked to provide a workshop for a group of 40 persons on a given subject.
You will have a time period of 40 minutes for your presentation.

Absolute step ONE:
Get the facts about what is desired by the group inviting you to present. Just like in the advertising class you took in college or high school, you get the 5 basics – Who, What, Where, When, How many?

Who – Is it a group of newbies to the subject or a group of your peers who will already know a bit or even more than you? You will want to tailor your information to your crowd.

What – is the subject the group is wanting you to present? Have they chosen a theme? (ie. Do they want your view on 14th century Ghost Exploration?)

When – is the workshop to take place? Include time and time frame. (40 minutes? 2 hours?)

Where – will it take place, what kind of room is the workshop to take place in? I once had to provide a craft workshop for 30 women sitting on half-log benches in a dusty outdoor amphitheater without electricity! Now is the time to find out if there will be projection equipment, a loudspeaker, or a podium.

How many – people will be in attendance? One of my pet peeves is attending a meeting or conference where there are not enough handouts for the crowd.

Step Two:
As soon as you get the topic plant it in your head – Tape it to your mirror, pin it to your car sun visor, log it on your phone, tack it on a bulletin board and exchange topics with a friend.
I have done these things for years and have even had several years of themes written where I can see them readily. I worked in a job where I was required to train and inspire people. Having the topic in my face frequently helped me to focus and catch the topic when I heard it or saw it elsewhere. It is amazing when reading an article in the newspaper or even seeing a billboard, or watching a TV show can spark an idea that becomes the direction for a presentation.

A friend of mine in a similar position and I always exchange what we are working on for the next year and often were able to provide information to help each other flesh out the post-it – notes on the mirror into a full presentation. I think we call that networking.

Step 3: Take a large piece of paper and just brainstorm. Write down everything you can think of that fits the subject. Cross off what is not helpful, then circle the important. Do your research, amass important information. Gather whatever you need to provide the information.

Step 4: 
After you have researched – Weed through and select the most important points you want to relay to your audience and write each on a 3×5 inch card.

Step 5: Use the cards to lay out the points in a logical flow toward your conclusion.

Step 6: Now that you have your topics and the information for each, work on connection lines. This is how you will get from one point to the next. These can be elaborate or as simple as “in light of that” or  “in conclusion”. This is one hint that will make you sound like the smoothest presenter on earth.

Step 7: Write your introduction last. You cannot know what you are about to say until you have decided what your information is.

Step 8:
 Talk it through with a timer and allow time for questions. The more you do this step, the more you will know your material and it will be more natural to talk about it.

Step 9:
 Prepare handouts, bibliography, and any video presentations.

On the day 
– Always take a few minutes in-the-space. Sit in the furthest chair, observe anything that may be blocking the view. Take a few minutes to stand behind the podium or wherever you will speak from. This time will give you the opportunity to change anything that makes you uncomfortable before your listeners arrive.

Presenting a topic is a privilege. Enjoy your opportunity!

HOW CON: Overlooked Elements of Promotion

Overlooked Elements of Promotion
by Loren Rhoads

You’ve completed your grand opus. You’ve decided to self-publish. You’ve got your first book edited, formatted, and ready to go. What next? Let’s talk about the overlooked elements of promotion.

Promotion is a huge subject and each of these headings should be an essay on its own. Because of that, I’ll just do a link roundup and we can discuss each topic more in the comments.

1. A Good Author Bio

The #1 thing you can do to boost your promotion is to write a good author bio. The bio should do three things: name you, name your book, and demonstrate your credentials to have written that book.

Some exercises on the subject:

lorenrhoads.com/2016/09/15/writing-an-author-bio/

Bad author bios:

scribewriting.com/how-to-write-your-author-bio-and-why-it-matters/

2. A Good Headshot

Amazon wants an author photograph. Goodreads wants an author photograph. If you guest post or are interviewed anywhere, they’ll want a photo of you. If you’re using your Facebook page to connect with people at conventions, they’ll want to know who to look for.

Theodora Goss had a great post about how to fake being photogenic:

theodoragoss.com/2014/01/19/being-photogenic/

There’s also this, if you need more inspiration:

venuscomb.tumblr.com/post/42145730399

3. A One-Sheet
/Media Kit

When I worked for a record label, we wrote one-sheets to go with every new release. You should write one for every book you publish. It will go in every paperback copy of your book that you send out to reviewers. You can use it as the book’s homepage online. Your one-sheet should include your book cover image, the book’s description, blurbs, and information on release date, publisher, and a list of where it will be for sale: bookstores, Amazon, Indiebound, your website, etc. It should also include contact information, in case the recipient has questions.

Most crucially, it should be no longer than a single printed page.

This is the one-sheet I wrote for my space opera trilogy, even though those books were published by a traditional publisher:

lorenrhoads.com/writing/the-dangerous-type/one-sheet-for-the-dangerous-type/

4. An Author Website

Now that you have the basics nailed down, you need an author website to display them. This is your home on the web, where interested readers will come to find out what you are doing next. It’s also where interviewers and podcasters will come to see if you’re worth their time. It needs to look absolutely clean and professional.

I used to have a designer-created website, but it was frustrating because I couldn’t update the pages myself. This is the easiest list of how to set up your own site: en.support.wordpress.com/five-step-website-setup/

Elements every author’s website needs:

janefriedman.com/author-website-components/

5. An Amazon Author Page

Every author needs an Amazon page. Amazon doesn’t make them easy to find, but you can set up a page at authorcentral.amazon.com. You will need your photo, bio, and website info handy. If your book is sold on Amazon already, you can claim it as yours and Amazon will add it to your author page.

Personally, I think Amazon’s design is kind of busy, but it allows you to link your blog and add all the books you have stories in. Here’s my author page, as an example: amzn.to/2GXj7I2.

6. A Social Media Strategy

You can’t do it all. Seems like a new social media site pops up every month. Usually it’s not worth being an early adapter, unless you want to stake your name, because it isn’t worth wasting time calling into a ghost town.

There are many theories about when you should post on social media. This one made sense to me: blog.kissmetrics.com/science-of-social-timing-3/.

7. An Author Blog

Blogging is a great way to draw people to your work. There are many blogging platforms, from the abovementioned WordPress to Blogger to Blogspot for text, Instagram and Tumblr for images. There are more blogging sites all the time. (See above: shouting into a void.)

I’ve heard that Google’s algorithm prioritizes sites that update frequently, but you risk chasing readers away if you post too often. People unsubscribe if they can’t keep up with you. I’m an advocate of blogging once or twice a week with text, but daily on Instagram or Tumblr.

WordPress has a free online course for beginning bloggers: dailypost.wordpress.com/blogging-university/blogging-fundamentals/.

8. Guest Blogging

I am a huge proponent of blogging for other people’s sites. I know there’s a long list of reasons why working for exposure will kill you, but your work isn’t going to magically sell itself to people you don’t know. You need to get it out in front of strangers. Either you can spend money on ads, or you can spend time writing a guest post. You tell me: which one is more likely to sway you to buy a book?

This site has annoying popups, but the information on how to pitch a guest post is on point: www.convinceandconvert.com/content-marketing/9-tips-to-perfectly-pitch-your-guest-blog-post/.

9. Goodreads

Too often, writers make the mistake of joining writers’ groups, then trying to sell their books to other writers. If you want to connect with readers, go where readers are. I lean toward Goodreads over LibraryThing because I like the way it is set up. At the very least, if your books don’t have a listing, you should add them. Beyond that, you should have an author page. Review books that are similar to your own as a way to draw readers’ attention. You can also review books that inspired or influenced your own work.

How to use Goodreads’ author program: www.goodreads.com/author/how_to

My Goodreads Author page: www.goodreads.com/author/show/976431.Loren_Rhoads

10. Step Away from the Computer

After you’ve done everything you can online, it’s time to think about doing live events. I encourage everyone to do readings. If there isn’t a reading series where you live, set up an event at your local library, bookstore, or coffee shop.

The #1 thing people forget when they’re going to read in public – whether you set the event up yourself or you are appearing as part of someone else’s show – is to ADVERTISE it. Let people know. Invite your friends. It’s awful to stand in front of an empty room.

I don’t necessarily advocate solo book signings. Unless you can count on all your friends’ support – or you have mad selling skillz and can seduce strangers out of their hard-earned cash – signings can be frustrating. With a reading, they’re getting a free taste of the work you want to sell them. Do it right and they’ll be in the mood to treat themselves.

Here’s the distillation of my knowledge on giving readings:

lorenrhoads.com/2016/09/19/reading-your-own-work/

So. Whew. That’s the quick list of ten things you should be doing to sell your books right now. Have you tried any or all of them? What worked for you? What would you like to try next?

HOW CON: Top 10 Things To Remember When Planning a Writer’s Event

Top 10 Things To Remember When Planning a Writer’s Event
by Kate Nox

1. Consider your audience – Who will be there? This will determine everything else, venue, speakers, entertainment, everything starts here.
2. Reserve your venue early – Many venues sell out fast, so get the place settled. Your advertising and attendance depend on it.
3. Set a firm deadline for registration – This is for your sanity more than anything else. It should be far enough in advance for you to alert your venue, your caterers and your workshop presenters as to numbers. If you just can’t say no, then anyone who tries to register after the deadline goes on a waitlist in case there are cancellations.
4. Think about comfort – make sure your attendees will be comfortable. Is the room big enough, can they hear, is it too hot or cold? Are there tables to be comfortable writing? If they are to be there more than an hour, will they need a break? Is the restroom nearby? Are there sleeping accommodations if it is a multiple day event? Will water or other refreshment be furnished by you or the venue?
5. Provide a contact  – A phone number or email address where attendees can ask questions. There will be questions! Make sure someone answers.
6. Fit speakers to the crowd – Workshop or keynote; the speaker should be of interest to your crowd. As a teenager I was part of a church group that would advertise teen crusades and when we arrived the speakers would invariably be in their sixties! Not a fit.
7. Add a little for expenses – Nothing is worse than arriving at an event and realizing something is missing. A few dollars extra in the kitty can be a lifesaver. Just a couple of dollars per attendee is all it takes.
8. Remember you are working with human beings – People need time. Time to walk or drive from event to event, time to network, time to use the restroom. When making your schedule, leave time for human needs.
9. Communicate with your audience – Make sure your attendees know if the weather could be chilly, if the hotel has wifi, if they will need to provide their own meals. Help them be as prepared as possible when they arrive for your event.
10. Thank everyone – your speakers, the facility, anyone who helped you in any way and all who attended.

HOW CON: Preventing the End

Preventing the End

by Michele Roger

Remember the voice? She spoke to you the moment when it became clear that combining sounds and letters made words, words made sentences, sentences made stories, and stories made friendships in other worlds. She was the one who opened the door to the first book that swept you away and kept you up all night.

Go ahead,she said. Heres the key to this door.Then she handed you a ring of keys (or she did back then, now kids tell me she just shows them how to use the retinal scanner.)

Later on, it was her who reminded you that while Asimov could take you to other planetary systems, if you didnt stop reading him and start studying for your physics test, youd never get into college. Part of you argued.

College-smollege, as long as I have the library Ill be fine. It worked for Ray Bradbury.

Ooooh,she smiled. You never said you wanted to be a writer.

Wait, what? I didnt say that.

Yes you did.

No. I distinctly remember saying the library worked for other authors…”

Mmm Hmm.

Ok, fine. I admit,I myself confessed at this point. Hence why Im a writer. I wasnt cut out for interrogation. Your experience may be different when it happens to you.

And then it started happening.

They walk (and sometimes crawl) across the earth at night. Sometimes they fill the moonless sky. The ghosts just float up and hover over my bed, chilling my bones in an attempt to tell me their story. The witches arrive next and recite terrifying incantations in my ears. Vampires politely wait outside in the garden. They havent been invited inside but they wait patiently. They have a lifetime to sit outside my window and wait for me to fall in love with one of them on a starry, sleepless night.

The broken-hearted lovers who have died tragically are the worst. All they do is cry and moan, begging to tell their tragic story to anyone, particularly me, who will listen. I toss and turn and put the pillow over my head. I tell them to go away. I have a real job I have to get up and go to in the morning. Go haunt another writer.

Instead, they come. Night after night they become more insistent.

Tell our stories or well cast a spell that makes your door to the hallway return back here to your bed.

I protest, But I have to go to the bathroom!

They shrug, Tell it to someone who cares. Better yet, tell our story first.

The weeping ghosts of dead lovers moan louder as they reach for one another in a perpetual, unattainable grasp.

If she tells our story, we might help prevent someone from befalling our fate.

Now, the vampire is spread out impossibly in my window ledge wearing Armani and drinking a glass of wine. A spider is dancing across his fingers.

I could keep you busy for a million lifetimes.His dark, alluring double meaning isnt lost on me. I have to take a deep breath to prevent myself from swooning.

Enough!I shout out to the voice. I didnt ask for this! This feels crazy. I feel crazy!

The reply isnt shouted back. No. Shes far too calm and clever for that. She giggles and its kind of a whisper at first.

Do you remember all the Ann Rice that you read in college? The Clive Barker, the Poe, Steven King, Nancy Farmer? Not to mention your obsession with Pratchett and Gaiman?

Yes. So?I hold up my keys as if to say that I had permission. I jingle them for effect.

She coos. Permission? Yes. But you couldnt possibly think that all those worlds and friends came free.

Uh,is all I manage to say.

No, no. And all those authors you came to love? Theyve paid their debt back as well. Just look at Gaimans basement cave of a library. You must pay back at least a fraction of what you take. Thats how it works. Other writers, librarians, and even ancient historians have always known this.

But, you never said.

She interrupts me. No. I never did say. You did. You said you wanted to be a writer. Here are just a few of the stories that need to be told.She presents the creatures crowded around my bed. When youve finished with these, I will send more.

More?I ask.

Reading and writing never stops,she explains. If they ever do, it will be the end.

The end of what, exactly?I ask.

She sighs. Everything.

HOW CON: Goal-Setting for Writers

Goal-Setting for Writers
by Loren Rhoads

Here we are, at that resolution time of year again. Last year I resolved to vend at as many of my local Comic Cons as possible…you can guess how that turned out.

The goal behind that resolution was to get my books in front of as many new readers as possible. Once I lost the ability to physically place books in their hands, I had to brainstorm other ways of getting the word out. I experimented with organized blog tours, online readings, and reaching out to book bloggers. None of that was part of my original resolution, but all of it supported my goal.

As you think about what you want to accomplish in 2021, spend some time thinking about why. Why do you want to write that new novel? Are you on fire to tell that particular story? Do you have a message you want to get across?  Are you hoping to reach a new readership by including new tropes that will appeal to them? If you know why you’re telling this particular story, it will give you material for the blog tour and interviews you’ll do to promote it.

The sky’s the limit: what do you hope to achieve with this book? Make that your goal. Writing the book is the way you’ll achieve it.

Another of my resolutions for 2020 was to stretch myself and submit my work to a bunch of new venues. I thought I had that locked when I was approved for office hours at the Nebula Weekend and got a lecture accepted for a conference in Texas. Again, you know what happened with those. So instead, I took a chance and submitted a poem — my first poetry submission in (cough) years — and it got accepted. I asked to write guest posts for two of the biggest horror review sites — and those pieces got published. I wrote some new short stories for anthology calls and one of those has already found a home. I have hopes the others will land, too.

Maybe your goal isn’t to reach readers outside your orbit. Maybe you want to build better relationships with the readers you have. How can you get your readers excited about your next book? How do you plan to exceed their expectations?

Maybe your goal is to increase your income. Can you get more work out? Do you want to write “more commercial” work, whatever that means to you? Can you branch out from writing into speaking or teaching?

Maybe you want to stop wasting so much time on Facebook games so you can write more — or is that TMI?  Sorry.  In my case, I am committed to writing two hours a day. If I do more, great! I have promised not to beat myself up if two hours is all I manage. Great things can be accomplished in small amounts of time, if I focus.

Whatever you want to accomplish this year, figure out why. Decide what steps you need to take to make it a reality. Set up a way to track your progress. Post the resolution where you’ll see it. Then work to make this the best year possible.

Loren Rhoads’s new book is the Spooky Writer’s Planner, designed with Emerian Rich to support writers at all skill levels as they brainstorm, create, and submit their work. It’s available in paperback on Amazon or as a printable download on Etsy.

HOW CON: Getting out of the slush pile and staying out!

Getting out of the slush pile and staying out!
(Publisher/Editor View)
by Emerian Rich from HorrorAddicts.net

Choosing a sub call

*Investigate the publisher, familiarize yourself with their publications. Know what they stand for and what they’ve liked in the past.

*If there is time, ask trusted writer friends if they have dealt with them.

*Have time to write what they are asking for or have a story in your locker that you can change to fit.

Subbing

*Concentrate on the deadline and give yourself a doable work schedule.

*Right before subbing, revisit the sub call guidelines on their actual site to see if anything has changed, or if you missed anything.

*Make sure you put your name and contact information on the manuscript in case it gets separated from your email.

*When in doubt, use the William Shunn method: www.shunn.net/format/story.html

*Create a proper, short but informative cover letter. In the cover letter, you should include:

*Word count

*Story name and elevator pitch. Shorts: 1-2 sentences, Novels: 3-5 unless stated otherwise

*Your name and 50-word bio.

*Anything else they may ask for in the sub call.

Example:

Editor, Please find attached my 3500-word story, “Full Moon Over Washington.” In this fantasy comedy story, werewolves fed up with the nonsense of humans take political office.

Joe Wolf is the author of the werewolf series, Dark is the Night. He’s been published in a handful of anthologies by publishers such as Dragon Moon Press, FullMoon Publishing and White Wolf Press.
To find out more, please visit: joewolf.com

Thank you for your consideration,

Joe Wolf

Don’ts in a cover letter:

*Don’t assume the gender of the editor if you don’t know. Mr. Mrs. Miss. Ms.? Old-fashioned and can be taken wrongly. I would prefer Emerian or Editor.

*Don’t assume an acquaintance with the editor until he or she has reciprocated. Even if you met at a convention, they may not remember you. Reminding them by saying, “We met at WolfCon. I was the guy in the elevator who chatted about Walpurgisnacht.” Is a great way to establish a memory, but don’t be upset if they do not remember you.

*Don’t use swear words, off-color jokes, or racial slurs–even in the title and even if you’re trying to be witty. There are very few instances this will work, especially on a cold-contact where you don’t know the editor or their style.

Don’ts of submissions:

*Don’t sub something that doesn’t fit the theme or guidelines.

*Don’t just send it with no cover or explanation.

*Don’t leave out a part cause you don’t want to do it. Yes, we need what we ask for. You can’t leave out the synopsis if we need it.

*Don’t burn bridges. If we decline you and you launch into decline abuse, you will be on the bad list.

*Don’t send multiple stories or simultaneous submissions unless the sub call states it’s okay.

Live Action Reviews! by Crystal Connor: Coast 2 Coast Horror

I am so very excited about this post guys! I’ve teamed up with Lady Shasha, the host of What Did I Just Watch? to bring you a three-part mini series to celebrate Black History Month, WiHM, and all things horror.

The Daughters of the Dark, Lady Shasha host of What Did I Just Watch and Crystal Connor, A Trusted Name in Terror joined forces to bring you a 3 part mini-series to celebrate Black History and Women in Horror month!

Get to know Lady Shasha …
https://www.youtube.com/channel/UCHrhUeOoE7C46NKJcrdTNUQ

https://www.facebook.com/wdijwcommunity

https://twitter.com/horrorfreq

HOW CON: Submitting Your Short Story

Submitting Your Short Story

By Naching T. Kassa

Welcome to HOWCON, everyone! My name is Naching T. Kassa, Head of Publishing for HorrorAddicts.net. Today, I’ll be discussing the fundamentals of the submission process and what every writer must know in order to increase their chances of being published. I’ll talk about preparing your story, guidelines for submission, market lists and submission trackers, and throw in a few words of wisdom at the end. There will also be some advice from a pretty awesome horror writer, so be sure to pay attention.

I. PREPARE YOUR STORY—Have you ever prepared for a job interview or a first date? You showered, right? Combed your hair? Brushed your teeth? You know how important a first impression is. And, making the right first impression on an editor or publisher is everything.

A.)  PROOFREAD YOUR STORY—Would you show up to a first date with stinky breath, uncombed hair, and an unshowered bod? Of course, you wouldn’t! (Not unless you’re a werewolf.) So, why would you send your manuscript off in an unkempt state? When you send out a manuscript, it should be your best work. It should be polished, all the “I’s” dotted and “T’s” crossed. Everything should be in the correct tense and point of view. Check, check, and recheck. Have a Beta Reader go through it. Or, use a free online program to improve your manuscript. Here are the ones I use. If you can afford it, you can even pay for premium services.

a. GRAMMARLY —The free version of Grammarly helps with spell checking, grammar, and punctuation. Make sure you use common sense when viewing the suggestions it gives you. Sometimes, Grammarly acts drunk and you must send it home.

b. PROWRITINGAID—The free version of ProWritingAid is terrific when you need to check for Passive Voice, Repeated Sentence Starts, Grammar, Spelling, and all things writing. The only drawback to the free version is it only checks the first 500 words and you must continually delete 500 words to check the entire manuscript. Of course, you can try the free trial version or buy the premium if you like.

B. READ YOUR STORY ALOUD—I recommend reading your story aloud to a recording device before submitting. (Many phones and tablets have apps you can download.) Reading your story aloud will help you catch misspelled words and clunky phrases you may have missed while reading silently. It will also help with rhythm and smooth out the choppy areas.

C. WHAT EDITORS DON’T WANT—When writing a short story, stay away from these areas:

a. HEAD HOPPING—“Head Hopping” means jumping from one character’s head to another, or several changes in Point of View. Many short story editors despise “Head Hopping.” They find it confusing for the reader and the mark of an amateur.

b. PAST AND PRESENT TENSE ISSUES—If you choose a tense, stick with it for the entire story. Again, it’s confusing for the reader if you don’t.

c. A STORY WHICH NEEDS TOO MUCH EDITING—This is the main reason for this entire section. If you submit an unpolished story it could be rejected, no matter how good it is.

II. READ THE GUIDELINES—The guidelines editors and publishers set are the rules you must follow when submitting. Many writers have been rejected, their manuscripts unseen by editor’s eyes because they failed to follow these guidelines.

A. COMMON GUIDELINES—Guidelines consist of the following items, though many vary according to publisher. SHUNN format is the standard used by most.

a. COVER LETTER—Most publishers ask for a cover letter to go with your submission. Usually, this is the first page of your document. A good cover letter should be brief. It should introduce you, your story, word count, and any achievements. Sometimes, a publisher may ask for a brief bio as well. (Always write your bio in the third person.) When submitting by e-mail, I usually copy and paste my cover letter into the body of the e-mail.

b. DOCUMENT FORMAT—The publisher will specify whether the document should be in DOC, DOCX, RTF, etc.

c. FONT—The most requested fonts are Times New Roman and Courier. 12 pt. is preferred.

d. SPACING—Most publishers prefer double-spaced. (It’s easier to edit.)

e. HEADERS—SHUNN formatting recommends using headers and page numbers.

f. E-MAIL—The publisher may ask you to include information in your e-mail. You may be asked to provide a biography as well as links to your website and social media. Make sure you include all information and write the subject line the way the publisher requests. If you fail to do this, your e-mail may become lost, or it may find its way into the spam folder instead of the slush pile.

B. UNUSUAL GUIDELINES—Some publishers will request single spacing, different fonts, or a pint of blood, depending on how they present their publication. (Ok, I made that up about the blood. It’s spinal fluid.) Here are a few examples of unusual submission guidelines.

a. BLIND SUBMISSIONS—No, this is not the Bird Box challenge of the submission world. When you make a blind submission, you are scrubbing the story of all personal information related to yourself. You DO NOT include your name, address, phone number, e-mail address, or affiliation with any writers association on the manuscript. It should contain only the body of the story, the title, and the word count. All other personal information should be included in the e-mail.

b. MAIL-IN SUBMISSIONS—Most publishers have moved on to Digital Submissions, but a select few have elected to stay with the mail-in submission. Here are some quick tips for mailing:

1.) Do not fold the manuscript when mailing.

2.) Place the manuscript in a folder before putting it in a 9×11 envelope.

c. WAYS OF SUBMITTING—Some publishers won’t accept e-mail submissions. Instead, they require the writer to submit to a submission website. These sites allow them to read and organize large volumes of submissions. You’ll need to create an account if you wish to use them.

1. SUBMITTABLE—Submitting through this site is easy. The publisher will provide you with a link to their submission and, if you have an account, you’ll simply go from there. All the guidelines are on the page. You even have a spot for a cover letter which can be used as a template. It will appear each time you use Submittable and you can adapt it to your needs. Submittable also tracks these submissions for you and, if you check in with the site, you’ll see whether your submission has been received, is in-progress, has been rejected, or accepted. The submission will also be archived under these categories. So, you can delight in your acceptances or sob over your rejections.

2. MOKSHA—Moksha (which means “freedom or emancipation from the cycle of reincarnation” in Hindu) is fairly easy to work with. You simply fill in the blanks with your info and are notified by e-mail whether you’ve been accepted or not. The Magazine of Fantasy and Science Fiction uses this site.

III. MARKET LISTS AND SUBMISSION TRACKERS

A. THE HORROR TREE—This is the best market site for horror writers. If you subscribe to their newsletter, you’ll receive new listings in your inbox every Friday.

B. SUBMISSION GRINDER—This market list site is also a submission tracker. You can search for horror markets and then log submissions to them. The site keeps track of how long the submission has been out and, if you are rejected, will search for similar markets to resubmit to.

C. LITERARIUM—Another market list and submission tracker site. You do much of the work inputting info here.

D. DUOTROPE—This site tracks and lists markets. It also requires payment. You can pay $5 a month or $50 a year.

IV. AUTHOR ADVICE

A. JG FAHERTY’S TIPS FOR SUBMITTING TO PUBLISHERS—JG Faherty is the author of Carnival of Fear and The Cemetery Club. He’s been gracious enough to provide us with a few words on the submission process.

1. Always make sure your manuscript is in tip-top shape, whether it’s a novel or short story. Proofread, and then do it twice more, and have another writer or professional editor look it over as well.

2. Make sure the story is a good match for the market. Don’t assume that every horror magazine is going to like every type of horror. Some specialize in weird fiction, some in traditional horror. Some don’t want vampires or ghosts; others don’t want excess bloodshed. Do your homework. This goes for book publishers, too.

3. Read the submission guidelines very carefully and follow them to the letter. If the publisher or editor wants stories formatted in a certain way, do it. If they say only send 3 chapters, don’t send more or less. If they want a synopsis, send it. The surest way to end up in the rejection bin is to not follow the guidelines.

4. Always include a cover letter, unless the market specifically says not to. That cover letter should contain all your contact information, the word count of the story or book, and a short paragraph detailing your professional credits. For a book submission, you can include a paragraph or two about the novel and what makes it unique. For short stories, never tell about the plot, just give the title and that’s it.

5. Some editors still prefer hard copies to be snail mailed. In those cases, make sure to use a 9×11 envelope, either padded or place your manuscript in a file folder so it doesn’t get wet or bent. Never fold the document into a small envelope.

6. Always be polite and professional. Don’t make weird jokes in the cover letter, or threaten the editor, or criticize their work. Don’t offer bribes, even as a joke. It is okay to say you’re a fan of their work, but certainly not necessary.

7. Sometimes we finish right before the submission deadline ends, but always do your best to get the story to the editor before then. Submission periods exist for a reason, and most markets strictly adhere to them. If you miss the deadline, you can try to request a 1-day extension, but don’t be upset if it’s not granted.

8. Never publicly criticize a market or editor, or write a scathing response, if you get rejected!

V. WORDS OF WISDOM—You’ve learned how to prepare your manuscript, follow guidelines, and where to submit and track your submissions. Just a few more words of wisdom.

A. DON’T GIVE UP—Whether you’re applying for a job or beginning a relationship, there is always the threat of rejection. Writing is no different and, if you don’t develop a thick skin (or borrow one from your favorite neighborhood cannibal) you won’t make it very far. If you’re rejected, look the story over and try again somewhere else. Remember: J.K. Rowling received many rejections before she found a home for Harry Potter. Can you imagine how those publishers feel now?

B. TAKE CONSTRUCTIVE CRITICISM—If you receive feedback from an editor and they’ve taken the time to give you some constructive criticism, don’t freak out. Take it and apply it. It could vastly improve your work. Don’t let your ego get in the way.

Thank you for joining me today.  Good luck and keep submitting!

 

 

HOW CON: Play the Imagination Game to Inspire Your Writing.

Imagination Game Instructions

• Collect in a little box or bag of miscellaneous random items. Buttons, mini toys, pictures, doodads, playing cards, game pieces, etc… You can have many or one that you choose from.

• Empty the contents of your imagination-inspiring bag/box.

• Look over the contents and let your imagination go. How do these things go together?

Play by yourself: Write a story involving all or some of the items in the bag.

Play with others: Each person should have a bag. Tell each other your stories one at a time, using the props to describe and act out your story.

Play with others with just one bag: Take turns picking out items out of the bag until they are all gone. Then tell each other a story using your items.

Have fun!
When you are done, you can keep the pouch and use it for later
and mix and match items with your friends.
Did you enjoy your Imagination Game?
Share your stories with us!

HOW CON: How to write when you don’t feel up to it

How to write when you don’t feel up to it
by Loren Rhoads

Sometimes, especially these days, it’s hard to do the creative work you want to do. I’ve used a bunch of tricks to get around the blocks. I offer them here, in hopes they’ll inspire you.

  1. Make a list. Whether it’s topics you want to explore or scenes that need to be written, it’s easier to begin writing when you have a prompt.
  2. Set an alarm. Promise yourself that you will settle down to write when the alarm goes off. Giving yourself the anticipation of writing time can be inspirational.
  3. Set a timer. Anyone can write for 15 minutes. There’s something about the tiniest amount of time pressure that tricks your brain into thinking it’s on a deadline. Start a timer on your computer, phone, or in the kitchen. You might find yourself pounding out the words to beat the bell. If the words are really flowing, you can always add a second 15-minute sprint.
  4. Make a date with a friend. Whether you sit down together in a cafe (someday!) or meet online for a video chat, it really helps to know that someone else is working alongside you. The key is to find someone who will write, rather than chat.
  5. Put your headphones on. Many writers make a playlist that they listen to only when they work on a particular story or book. Listening to the same music every time you write can train your brain to provide inspiration on command.
  6. Write somewhere else. If you normally write at a desk, try moving to the sofa or the kitchen table or sitting in bed. The simple act of shifting to new surroundings can shake loose the words.
  7. Try a different writing tool. Do you usually write on a laptop? Try writing by hand in a notebook or attach a keyboard to your phone. Some writers swear by word processing keyboards like AlphaSmart or FreeWrite, which only allow you to see a small amount of the text you’re working on. That way you’re forced to move forward, rather than editing what you’ve already done.
  8. Experiment with dictation. The simple act of telling yourself your story can inspire you. Whether you use a dedicated dictation program or simply take a voice memo on your phone, the trick is to speak the punctuation at the end of each sentence. Also, edit while the words are fresh in your mind, or you may have trouble deciphering Siri’s interpretation.
  9. Write first thing in the morning. It’s tempting to start the day by checking email or scrolling social media, but what would you come up with if you listened to your own thoughts first thing in the morning?
  10. Write last thing at night. Take a notebook to bed and draft one more scene before you turn out the light. Do the words feel different as you’re settling in for the night?  Maybe your subconscious will solve a writing problem for you in your dreams.
  11. Step away from writing. Sometimes the best ideas come when you can’t write them down. Go for a walk, wash the dishes, or take a shower. Let your mind play without the pressure of a blank page staring at you. As soon as you finish your break, sit down to record the thoughts that occurred in the interim.
  12. Remind yourself why you write. Do you have a story you’re burning to tell? Do you have a lesson you want to teach? Are you curious how your story will turn out? Clarifying why you want to do this can show you the path how to do it.
  13. Ask “And then what happens?” Sometimes the next scene isn’t clear. You can get wound up trying to figure out what needs to happen. Instead of insisting on what the story needs, narrow your focus until you only need to come up with the next step. Then write that next step…and the next one after that.
  14. Perfect is the enemy of done. Don’t waste time choosing the right word. Put down the almost-right word, enclose it in parentheses, and keep going. You can always fix it later. This works for names, descriptions, and anything you might need to research. Aim for momentum over poetry in your first draft.
  15. Chart your progress. Whether you put a check on the calendar, color in a box on a habit-tracking chart, or simply make note of your word count, record the days you write. If you only write 500 words a day for 100 days, you’ll have 50,000 words for your book in three months. It’s addictive to see your progress.

 

What other tricks have you found for getting the work done? Make your own list, so you’ll have some tools to use next time you feel at a loss for words.

Loren Rhoads is the co-author of the Spooky Writer’s Planner with Emerian Rich.

HOW CON: Checklist for Self-publishing – for newbies

Self-publishing is a very personal journey. There is no “right” way to pursue it, but here is a nice over-view newbie checklist for those who are looking to pub their own work. There may be steps missing that you will add as you go along, but this is a good way to start.

STEPS OF PUBLICATION – self-publication PRINT BOOK

1. Finish the first draft.

2. Copyright it. (Easy online)

3. Re-read and have 1st readers (3-5 people) read and make comments. Make sure they have an interest in your work or the subject matter and that you trust their opinion.

4. Input edits.

5. Ask for cover blurbs if you are going to and give them time to read the book (month?).

6. Write up: Back cover blurb, copyright page, acknowledgments, author bio and pic, back page ads, and any extras you may wish to add. Insert these into the text.

7. Decide whether you will pay for an editor or not. If yes, have editor review it. If not, have more experienced people read it.

8. Input edits.

9. Format the book. Including margins, chapter breaks, internal artwork, copyright page, acknowledgments, author bio and pic, back page ads, and any extras you may wish to add.

10. Format the cover or get someone to do this. Artwork should be paid for and so should cover design. Make sure your back cover blurb has been copyedited before going to graphic artist.

11. Re-read the formatted version for copyediting only (typos) and have a second group of 1st readers read for copyediting only. Pay special attention to any word graphics, chapter heads, etc… that may be spelled wrong.

12. Input edits.

13. Format/upload the entire book into the KDP website and submit for approval. Wait for approval.

14. Once approved (or not) look at the errors or notes KDP has made and adjust accordingly. Also, check the online proof for any visual issues that may be wrong.

15. Once satisfied with the proof online, order a proof for yourself. Wait for mail.

16. Review live copy. Check all graphics for quality and color. Check all cover items for spelling and clarity. Re-read the entire text for typos or formatting issues.

17. If the proof is perfect, you are ready to publish. If there are issues, fix and resubmit. You may order as many proofs as you need to get it right. It’s best to wait to order the proof until the entire text is right.

18. Submit to publish, order your copies, PROMOTE!

19. Submit to KDP for eBook version. Important to wait to make the eBook version until you have fully edited and approved the print, that way you don’t have to make edit changes in two different formats.

HOW CON: Baby Steps for New Authors

I’ve spoken to hundreds of authors over the years… new, old, mid-career, famous, struggling, you name it. One thing we all have in common is that we were all once where you are. We know how it feels to submit your first work and wait with high hopes by the mailbox (or email inbox) for that special editor’s reply. We know about declines and how sometimes they seem so crippling, you don’t even want to continue. The other link that many new writers have is they are timid and shy about their careers and marketing the “way the pros do it”. Well here are some Baby Steps to get you started.

1. Convince yourself you are an important writer and have something valid to say. If you haven’t read my other post “Three Ways New Authors Sabotage Themselves”, do it now. Once you’ve accepted your fate as a writer and know you have no choice but to follow your dreams, it will be easier to chip away at making those dreams a reality.

2. Start a List. Lists are your best friend for brainstorming promotion ideas. Carry a little notebook with you to brainstorm while waiting in lines, at the doctor, sitting in the car wash, or while stuck at stoplights. Use every spare moment of the day to work on your craft. Remember, you are a writer. Think of it as a real job. A job you enjoy and will succeed at if you keep working on it. Plus, since most of us have day jobs to pay the bills, this daily brainstorming will keep you inspired to continue your writing career and less frustrated with day-to-day mundane tasks.

3. Research your genre and other authors that you admire to find places you might list your book or things you may provide on your own website to draw readers to your site. It is fine to review or discuss other writer’s work on your own blog in hopes of drawing a crowd of those sorts of readers to your blog, but make sure you are always respectful to the other writers you are speaking about. Also, chat with visitors to your blog. The longer discussions you have, the more people may pitch in. Make sure these are subjects you like and can geek out on yourself. It’s okay to have fun!

4. Schedule time to work on your craft every day. If for some reason your life is too crazy for everyday, make it every week, but do it. Don’t let other things get in the way. Don’t cancel and don’t let others make you discount the importance of your writing ritual. Think of it as a job. If you were at work, you wouldn’t necessarily call in because your friends wanted to meet for cocktails.

5. Network with other writers. Even simple discussions in a Facebook group could lead you to a contact who knows other contacts who will help you advance your career. Don’t go into the conversation with the goal to use people to get ahead… just go and chat. Let the networking happen naturally. If you act like a spammer, bot, or used car salesman, you will be tuned out automatically. You also need to tend to your social needs. We all need to feel like we have partners in this crazy career. Count on others online to fulfill that need if you can’t or don’t feel comfortable chatting with writers in person. Try to go outside your comfort level and chat about everyday events in your writing career with others who are going through the same thing.

6. Don’t get discouraged. We’ve all heard, “If at first, you don’t succeed, try, try again.” Get back on the horse and keep at it till you’ve amassed lots of tries. At least one out of three will be productive. When you aren’t good at putting yourself out there and communicating with people you don’t know, it may seem debilitating, but keep telling yourself it will get easier, and it will.

7. Start a blog to practice writing to your future readers. Who cares if no one reads it right now? If they buy your book and start reading it, they will go back to read your old posts. They will be interested because your book interests them and soon you will have someone to geek out on your book with that loves it just as much as you do. Readers love to see where an author started and how far they’ve come. Don’t deny your fans the experience of traveling with you.

8. Be good to people. Don’t be a jerk. Treat them as your friends, because hopefully, they will be. I’m not saying invite them over to your house for pizza, but you can be personable to them. Some of my favorite writers respond to their fan Facebook messages or Tweets. The more accessible to the readers, the more they will be interested in your work. You don’t have to put on a fake personality (unless that is your shtick) to gain readers. People respond to real. Just like they tell us to write what we know, you should chat about what you know and what you like.

Baby Step Sample Plan

Now you can make your own schedule that works for you, but here I have laid out a sample plan for those of you who don’t know where to start. I have broken it into two groups. Those that have something to pitch and those that are still working on their craft but haven’t published anything yet.

For the new writer who is has nothing to sell yet, but is working on it.

For those of you not done with something to send out, keep writing and finish it. You will never get published without a complete project to pitch when the time is right.

Week 1: This week, scout out 3-5 places where you can link into writers or people who enjoy what your book is about. Example: Writer chat groups on Facebook, forums discussing your book topic, blogs that are writing articles interesting and connected to your book.

Week 2: Start a blog this week. You can get one free at WordPress.com. Start posting at least weekly about your research. You don’t have to share story plots and details, just share what you are researching. Example: “Romantic poetry. A character in my book is a poet. Thankfully I don’t have to be one, but here is what I’ve learned about romantic poetry in the 19th century.”

Week 3: Work on your writing this week. Really push. If you have an hour, make sure it’s a tough, no breaks, no interruptions hour! Get something down on paper.

Week 4: Research this week. Look up your top 5 favorite writer’s websites. Take notes. Write down what you like and don’t like about their websites. Find things that they have done to pitch their work. Make more lists! Brainstorm ideas to push your brand as an author. Example: Are you writing a book series about frogs who fall in love? Ask yourself… what will the website look like? If you were sitting at a fair booth, what would you have on the table as freebies? Toy frogs? Lily pads?

Week 5: Plunge in this week. Pick one story/novel you are going to pitch and research the places you might sell it. Are you going to self publish? Start charting out the steps. Will you get an editor? What will the cover art be like? Do you need a formatter? How much of a budget do you have?

Week 6: Make sure your social media is in check. Do you have a Facebook page? Do you have a Twitter account? Send out messages, make friends, search for people with like interests.

For the new writer who is ready to pitch.

For those of you already published, but are having a hard time drumming up the business you’d like. It is presumed that you have already done all the steps above.

Week 1: Scout out 3-5 places where you can place an ad or message about your book without spamming. There are sites that will list you willingly.

Week 2: Take this week to build your exposure on Facebook and Twitter. Share your life. Not intimate details, but pick something you like to talk about and talk! Example: If your book is about fairies, post links about fairies. Tweet: If I had fairy wings, they would be purple. How about you?

*I suggest that unless you are someone huge like J. K. Rowling, you stick with the normal personal Facebook profile. Making yourself a celebrity before you truly are one by creating a “public figure page”, distances you from fans and makes the readers feel more removed from you. Once you hit the too many friends amount, then you can think about upgrading.

Week 3: Work on your sequel this week.

Week 4: Research to find 3-5 reviewers. Most take digital copies now. Email and make plans to send out your book with the understanding that reviews can take months to post. You are laying the groundwork and hopefully setting up a place where you can return and submit your sequel.

Week 5: Find 2-3 friends or other writers/artists/bloggers/musicians you admire and ask if they would like to swap guest blogs.

Week 6: Research and email 3-5 podcast/radio shows that you can come on and talk about your book.

I believe you can do it. Do you?


Emerian Rich is the author of the Night’s Knights Vampire Series and Sweet Dreams Musical Romance Series. She is the Horror Host for the international podcast HorrorAddicts.net and the Queen of Lists! To find out more about Emerian, go to her website at www.emzbox.com

HOW CON: Writers, Learn What the #NGHW Challengers Learned

Our Next Great Horror Writer challenge was an excellent learning process for our contestants and listening to the audio will give you tips on writing and examples of what can be done better and what really makes editors pause and listen to your work. Each audio below covers a different style/aspect of writing. Hosted by Emerian Rich, Dan Shaurette, and H.E. Roulo

#NGHW Episode 1: The top 15 are chosen. 100 Word Stories and how they got into the top by answering questions well and submitting excellent cover letters.

#NGHW Episode 2: 300 Word Monster Stories, how to write flash fiction. Guest judge horror writer and podcaster, Mark Eller.

#NGHW Episode 3: 500 Word Blog Posts, what makes a good blog post impactful.
Guest judge The Count from Cemetery Confessions.

#NGHW Episode 4: Spoof Commercials. How to write short comedy. Guest Judge author and humorist, Timothy Reynolds.

#NGHW Episode 5: Horror Romance Poems, how to write romance poetry. Guest Judges Julianne Snow and Nina D’Arcangela from Sirens Call Publications

#NGHW Episode 6: Horror Music Story, how to write a short story that will sell. Guest Judge Jeremiah Donaldson

#NGHW Episode 7: Horrific True Tales. How to write a blog post of true life horror story. Guest Judge Stacy Rich, Blog Editor.

#NGHW Episode 8: Character Descriptions. How to write a good character description. Guest Judge Annette Curtis Klause

#NGHW Episode 9: Campfire Tales. How to craft a well-rounded short story. Guest Judge Dario Ciriello

#NGHW Episode 10: Interviews. How to interview and how to be interviewed. Guest Judge Stacy Rich

#NGHW Episode 11: Audiodramas. How to write short scripts. Guest Judge director and writer, Frank H. Woodward.

#NGHW Episode 12: 3000-word short story with a POC woman character. Guest Judge publisher Nicole Givens Kurtz from Mocha Memoirs.

#NGHW Episode 13: Review of the 3 novel pitches, how to pitch a novel, first 3 chapters, and the winners of our contest. Guest Judge Joe Mynhardt from Crystal Lake Publishing.

Do you want to be the Next Great Horror Writer? Subscribe to this blog for information on when we launch our next contest.
nextgreathorrorwriter.wordpress.com/

HOW CON: Three Ways New Authors Sabotage Themselves

Three Ways New Authors Sabotage Themselves
And what to do to stop making the same mistakes

by Emerian Rich

As writers, we have many bad habits that hinder our careers. I am just as guilty as the next author and some of us don’t even know we’re doing it. I’m going to bring to light three self-torturing habits we have, in hopes that we can all help each other stop the madness.

1. We don’t support ourselves.

Sounds weird, but it’s true. We wrote these stories, we love them, but are we going to stand up to the masses and say, “My story is good enough to pay $10 for! Get it now!” Most will back out of this quicker than dodging a trip to the dentist. We are writers and as a rule introverts. We’d rather write the 100 page essay than give the 3-minute oral report. We also sabotage any self-confidence we may have by discounting our gifts. We tend to separate ourselves from “real” authors.

What to do: Stop it. No really, STOP IT!

2. We overuse the word JUST.

I’m not talking editing 101 here, I’m talking about thinking of yourself in JUST terms. I’m JUST self-published. I’m JUST a short story writer. I’ve JUST got one book out. I’m JUST with a small publisher. I’ve JUST sold two short stories. Cut out the JUST! What is the standard you hold yourself to? Stephen King? How many millions of horror authors out there are not Stephen King, but are still living their dream of being respected, valid writers, with something to say that people will listen to? It’s okay to set your sights on the Stephen King ideal, but don’t make it all or nothing.

What to do: Believe in yourself. Believe in your message. Stop JUSTing yourself. Stop discounting your gift. Set your sights high, but reward yourself at every milestone. Keep track of your milestones and look back on them every year. This writing biz goes really fast and you’ll be surprised (if you take baby steps every week) what you can accomplish.

3. We take editor responses, critiques, and reviews too personally.

Yes, our writing is our baby, but the more I’m in this business, the more I realize that it’s all about timing. Most declines have very little to do with the story content. So, what if you’ve submitted your story 57 times and never got a bite? Is it about you? Do the editors not like you? This is true in only the rarest of occasions ie… camping outside their hotel room at Con chanting “Sign me! Sign me!” all night until they give in – probably not a good idea. But to most editors, you are a nameless, faceless number. You’re number 902 in a pile they’ve received to read that month. They are under pressure to get through them all and they are looking for ghost fiction only this year, not zombies. You missed your window. It’s not personal. It’s not even about your writing half the time because they read the title: “Zombie Apocalypse” and because they aren’t buying zombies this year, bam… it’s in the reject pile.

What to do: Make sure your work is as perfect as you can make it so if an editor decides to give you a chance, your writing will stand on its own. As far as reviews go, they are completely subjective. The reviewer could be outside your target audience, against your message, or have religious differences. You may have said MOIST in the first paragraph of your book and from then on they just knew you were trying to gross them out. Every reader takes something different away from your writing. That’s what you want to happen. If you are a self-published author and you didn’t have money for a full edit, expect grammar slams. Expect them to point out errors. Don’t take it to heart. Don’t let yourself get caught up in what you did wrong in the past. And those crazy reviewers that suggest 10 different ways you should kill yourself because they hate you so much? Let it roll off your back. Anyone with that much hate over a book review obviously has emotional issues. Take what reviewers leave with a grain of salt. Try to evaluate it in a removed way, see if there is any truth in it, and then move on. Put out that next book. Do better. Learn from your mistakes and grow as a writer.


Emerian Rich is the author of the Night’s Knights Vampire Series and Sweet Dreams Musical Romance Series. She is the Horror Host for the international podcast HorrorAddicts.net and regularly commits author sabotage on herself. To find out more about Emerian, go to her website at www.emzbox.com

Book Review: “Severed Wings” by Steven-Elliot Altman

Hello Addicts,

Imagine that you are an actor on the cusp of becoming a breakout star in a new series, only to have fate take it away in the blink of an eye. How low would your life sink, and what would you do to get that life back? These are the questions raised by Steven-Elliot Altman in Severed Wings. .

Brandon Jones is a rising star set to take on a sitcom role that he sees as his big break. Fate intervenes in the form of a head-on car accident that takes the life of a teenager and places him paralyzed from the waist down and permanently in a wheelchair. He breaks up with his girlfriend, a starlet in her own right, loses the sitcom role he fought hard to get, and cuts off contact with family and friends. He sinks into depression, finding solace in alcohol and companionship with a drag queen and an escort working her way through college.

Life and circumstances change when new neighbors move in down the hall. At first, they are a mystery he feels a strong urge to solve, but he is smitten when he sees the woman living there. Unfortunately, while she is distantly friendly, her boyfriend is anything but that. The mystery behind the couple deepens when a man leading a blind older woman knocks on Brandon’s door by mistake. He recognizes the woman as a prestigious agent. Her presence in their apartment building is enough to inflame his curiosity further. What follows are miracles and the discovery of entities almost as old as the world itself.

I found the take on a man falling from the highs of stardom to the lows of despair, self-loathing, and depression to be engaging. The supernatural elements fold into the mix in a satisfying way for the tale. There is a bit of redemption towards the end, although it doesn’t go as far as offering a thoroughly happy ending. If you are looking for a quick read a la the Masters of Horror television series, I think this will satisfy that craving.

Until next time, Addicts.

D.J. Pitsiladis

FRIGHTENING FLIX BY KBATZ: Night Watch (1973)

Elizabeth Taylor does Horror in Night Watch

by Kristin Battestella

Upscale housewife with history Elizabeth Taylor thinks she witnesses a murder in the creepy abandoned house next door in the 1973 British thriller Night Watch. Unfortunately, her broker husband John Wheeler (Laurence Harvey) nor her carefree best friend Sarah (Billie Whitelaw) believe her. The police are tired of the increasing phone calls and neighborhood hysteria, but the terror escalates thanks to stormy nights, pills, alcohol, and slit throats.

Director Brian G. Hutton (Where Eagles Dare) and writers Evan Jones (The Damned) and Tony Williamson (The Avengers) adapt the Lucille Fletcher (Sorry, Wrong Number) play with flowers, quaint English gardens, and smiling rapport. The swanky drinks before dinner and lingering sixties style, however, contrast the looming gothic manor next door. The grounds are said to be poison where nothing will grow, but someone is digging in the backyard on stormy nights, and vivid dreams of speeding cars, accidents, and morgue terror distract from the snobbish talk of avoiding lesser neighbors. Late night waxing on the fatal past invokes a wee small hours limbo – traumatic memories and two characters who’ve lost touch make for fine drama before raging storms and screams reveal something horrible across the way. Dead men and cutthroats disturb the classical music, but inspectors find nothing in the congested, maze-like condemned as Night Watch relies on performances and mood rather than sensationalism for its taut, through the shutters peering. Pills or brandy are suggested to keep calm, but flashlights, clutter, and foreground objects layer the visual frame. Viewers are looking for something – questioning what we see or didn’t see. Could it all be an honest mistake? The police think it’s nothing but “money and menopause” on top of brief nudity, shower saucy, and hotel room trysts. Newly planted trees aren’t enough evidence, but nuggets of information trickle out from the ensemble. Suspicious neighbors find it exciting that there’s hear tell of a dead body nearby yet refuse to have their bushes dug up as part of the official search. Red herrings add to the creepy commentary about disliking neighbors who were there before you just as much as the friends you choose living even closer. Who’s watching whom and from which house questions layer the voyeurism alongside debates on hallucinations, eidetic images, and convincing oneself that what you see is real. Old mementos thought lost suddenly reappear, leading to arguments about gaslighting and being deliberately terrorized as more police calls, chases, and curiosity create a ‘burbs mind your own business across the hedge. Despite lights next door, the case is closed – inspectors and doctors both strongly suggest everything go back to normal amid awkward dinners, screams, and more off-screen witnessing. Revelations about what had really happened in previous accidents and shock over-identifying bodies found in flagrante delicto provoke more tension in the increasingly crowded quarter. Eventually, the police laugh and roll their eyes, proposing our housewife contact the building owners herself or hire a private detective. All the paperwork is ready for a trip to “rest” in Switzerland, too – accounts, legalese, and power of attorney but that’s all just routine. Confrontations, secrets, and lies will out thanks to hide and seek twists inside the derelict. Night Watch gets its horror on in a spooky multi-layered finale of blood, violence, crazed attacks, and frenetic turnabouts. Who exactly was really planning what and when? Seemingly early and obvious giveaways make room for more surprises, and Night Watch ensures the shocking schemes are ultimately completed with skill and gravitas.

Flowing gowns, glam necklaces, rock rings, and coiffed hair assure Elizabeth Taylor (Cleopatra) looks classy as well to do housewife Ellen Wheeler. She dresses for dinner, drinks, and does jigsaw puzzles, for she needs patience to give her something to do when she’s so often alone. Her ritzy life should be nothing but grand, however, the insomniac Mrs. is up all night fascinated by storms and thinking about her father’s bad poetry. She’s been spoiled yet feels restrained and bored. The watch during the night is for all the things you can’t make sense of during the day, says Ellen, and she’s increasingly returning to memories of her late first husband Carl. Dreaming of his accident keeps her awake – she vividly recalls the fatal scenes and blood the viewer never sees but doesn’t remember previously dealing with the police and feels nervous about talking to them. However, Ellen also doesn’t want to be coddled or hear this witness is all in her mind, and she’s angry when no one believes her, even more hysterical over the disbelief than upset by the crime she apparently saw. Without support, Ellen is increasingly frazzled, pathetic, and paranoid. Will she voluntarily go to the doctor so he can tell her the dead body is all in her mind? What happens when she thinks she sees another one? Mrs. Wheeler’s wheels turn as she suspects her pills, beverages, and if someone is deliberately making her recall Carl’s demise. Despite her full house with husband, friend, and maid, Ellen fears someone else is watching her. She repeatedly calls the police and eventually agrees to see the psychiatrist, and though desperate, she is not stupid. Ellen is quite intelligent and recognizes when she’s being lied to or signing the wrong papers. She’s damn shrewd in seeing what’s what, and Night Watch’s madness begins to make sense as only Dame Elizabeth could make the clicking of the retractable pen so sassy and defiant before refusing to take the last tranquilizer in the bottle. Long drags on the cigarettes and strategic pauses emphasis the deliciously dark camp, and I’m surprised Night Watch feels so obscure when Taylor’s performance is so chill.

Laurence Harvey’s (The Manchurian Candidate) stocks and bonds big wig John Wheeler wants to know why his wife can’t sleep. He works long hours, but wonders what he’s done to upset her even if she says it’s not him. John takes care of Ellen, babying her with warm milk the way a daughter goes from father to husband to protect her. However, John does not believe she’s seen anything. He won’t call the police over a false alarm and insists the inspector not upset his already not well wife. John won’t stick up for her claims, yet he warns the police to not dismiss Ellen. Although he’s worried over the dangerous mix of alcohol and sleeping pills, John’s more concerned about possibly being sued by an angry neighbor. He dislikes when the police want him to control his wife and encourages her to see their doctor friend once he’s tired of her bringing up her late husband. John agrees she is right when Ellen suggests they take a holiday – but she says we and he only wants her to take a vacation. He has all that “spa” paperwork ready! Swanky best friend Billie Whitelaw (The Omen) on the other hand, is the houseguest who won’t leave. She keeps saying she’s moving on to Scotland and debates running away with her latest on and off conquest Barry but may have other tête-à-têtes, too. Sarah stays to look after Ellen, providing tranquilizers and hot chocolate while waxing on all the adventures she could be having and the excuses she can make up to get away with them. Although she tries to avoid topics that will upset Ellen – like Carl – they always creep back into the conversation. Sarah insists Ellen can’t go on like this, but as the third wheel in the marital house, her companionship is automatically suspect. She lies to spare Ellen but also apologizes for her tall tales. Doctor Tony Britton (The People That Time Forgot) must also tread lightly with Mrs. Wheeler. He doesn’t want her to be committed but needs her to voluntarily trust his help. Above all, he insists that she must get out of this house before it’s too late.

Spooky black branches, dark blue skies, boarded windows, banging shutters, and overgrown vines contrast the mirrors, red leather couch, white staircase, and swanky record players next door in Night Watch. Creepy statues and artwork, blue lighting, ticking clocks, and swirling cigarette smoke add ominous to the hip turtlenecks, lux lamps, decanters, and manicured gardens. Knives in the kitchen, rain splatter on the windows, and vintage blue sirens create pulsing tension while gates, flashlights, and condemned interiors set off the congested mood. Horseshoe phones, switchboard operators, and retro trench coats should be cozy nostalgia, but the colorful outdoors disappear as the peering through the blinds and drawn shades invoke agoraphobia. Distorted dreams and intense flashes of past car accidents lead to dead bodies and hospital Disturbia thanks to low camera angles and spotlights. Night Watch has subtle, choice visuals with reflections of the scary house on the fine townhouse window overlaying all action inside and out. Well done cinematography provides dark scares as well as focuses on Taylor’s face as zooms hone in on critical images and objects. Thunder punctuates arguments as the rhythms escalate, and through the gate, chases move the action to our spooky neighbors amid barren beams, peeling plaster, creaking stairs, and exposed woodwork. Violent struggles in the dark and shocking silhouettes allow for what we don’t see suspicion and final revelations. Wise viewers may pick up on the mystery here for there are too many similar stories to Night Watch before and since. Audiences looking for full-on horror a la Hammer of the day will be disappointed, too. Fortunately, the psychological chills, spooky twists, and superbly unraveled cast do get their scary on in an entertaining end. Night Watch is a fun late night tease worth seeing more than once to catch all the whodunit winks.

For More Retro Women in Horror Visit:

Death Becomes Her

Dial M for Murder

Dead Ringer

HOW CON! Coming Monday, February 22nd-24th

ALL TIMES IN PST–> But if you join the #HOWCON Facebook Group,
the events will be displayed in your time zone.


Monday, February 22nd, 2021

Workshop and Study Day. Learn from our pros!

9 am: Three Ways New Authors Sabotage Themselves

10am-11am: LIVE EVENT! Concentrated Writing Block 

11 am: Writers, Learn What the #NGHW Challengers Learned

12 pm: Baby Steps for New Authors

1 pm: Checklist for Self-publishing – for newbies

2:00p -3:00pm LIVE EVENT! Concentrated Writing Block 

4 pm: How to write when you don’t feel up to it

6 pm: Play the Imagination Game to Inspire Your Writing.

8 pm: Submitting Your Short Story

Tuesday, February 23rd, 2021

Live Video Chat Day

11am: LIVE EVENT! Q&A with Emerian Rich

12 pm: Blog from Emz: Getting out of the slush pile and staying out!

1 pm: LIVE EVENT! Interview with Horror Writer Loren Rhoads

2 pm: Blog from Loren: Goal-Setting for Writers

3 pm: LIVE EVENT! Interview with Horror Writer Michele Roger

4 pm: Blog from Michele: Preventing the End

 

Wednesday, February 24th, 2021

Socialize/Networking Day

10 am LIVE EVENT! Historian of Horror Hour!

11 am Top 10 Things To Remember When Planning a Writer’s Event

1 pm Overlooked Elements of Promotion

3 pm How to Plan a Workshop

5 pm How to Conduct an Interview

6 pm LIVE EVENT! HOW Forum Chat with Kbatz!

Join the #HOWCON Facebook Group,
to be notified of all events as they happen.

Women i n Horror: Infection by E. A. Black

Hello, Horror Addicts! I write horror as E. A. Black. I’m on social media as Elizabeth Black. I live in Lovecraft country on the northeast coast of Massachusetts. If Innsmouth were a real town, it would be a ten minute drive from my home.

My story, “Infection”, which appears below, originally appeared in the anthology “Teeming Terrors”. Here’s the blurb for the book:

Nature. Filled with wonder, beauty, majesty and mystery. Also filled with things that want to kill us. Normal things, little ordinary things. Things that creep and crawl. Things that fly, swim, scuttle and slither. Things that you might expect and be rightfully phobic about … as well as things you may have never imagined as a threat. Individually, maybe they wouldn’t be. But that’s just it. They aren’t coming for you individually. They’re coming for you in swarms, in flocks and hordes, in masses and multitudes. They’re coming for you by the thousands. They are … TEEMING TERRORS.

“Infection” is one of my favorite stories that I have written, and I’m happy to share it with Horror Addicts for Women in Horror Month. Enjoy!

Infection

By E. A. Black

April Jones was cursed with a stubborn husband. John Jones had been weeding the garden and mowing the lawn this hot July 1st when he ran over strange circles in the grass. Fearing a wasp infestation, he dug into the grass around the circles and poured bug killer into them, despite Mrs. Jones telling him she thought that was a very bad idea. As usual, he wouldn’t listen to her. At least a swarm of nasties didn’t emerge from the grass and sting him.

Oh, no, it was worse than that.

The wound on his calf started as a rash accompanied by fever and chills. A day later, the flu symptoms had passed but his lower leg swelled up, and it was painful to put any weight on it. Tiny pustules erupted where she presumed the bite originated, but there was no bull’s eye so it wasn’t a brown recluse bite. Maybe there were wasps in the grass and one of them stung him, but she had never seen a wasp sting as angry as this. She begged him to go to the doctor but he refused, having the temperament of a mule.

By dusk on July 4th, the pain was excruciating and she finally succeeded in talking him to going to the emergency room. The wound nurse took one look and immediately ordered him to a room overnight for observation. She feared MRSA. Being ordered to stay in the hospital terrified Mrs. Jones. She wasn’t used to being on her own, and who knew how long her husband would be hospitalized? This wound could have been more serious than she and Mr. Jones had originally had thought, and MRSA was nothing to sneeze at. The nurse also ordered a CAT scan since she suspected he had an abscess. Mr. and Mrs. Jones waited in his room for the CAT scan results when he began to squirm with an uncomfortable look on his face.

“April, something’s very wrong. It feels like something’s moving in there.”

“What do you mean, moving? Why didn’t you tell the nurse?”

“I was too scared. It’s probably just my imagination. And the rash is warm to the touch. Are rashes normally like that?”

“None that I’ve seen. I told you to not dig up the lawn. You never listen to me.”

“Don’t nag me now.”

“Something stung you?”

“What else could it be?” He doubled over, gripping his belly in his arms. Mrs. Jones placed a hand on his shoulder to comfort him, but in her fear she really had no idea what to do to help him. She had never before felt so useless. “Oh, God, I’m gonna be sick. Something’s wrong. It’s bad. I don’t like this.”

Blood erupted from the center of the boil to trickle in a thin line down his leg. Pus oozed from the small opening. The tissue around the wound had darkened, turning nearly black. In a panic, since she knew enough about wounds to know black tissue meant dead tissue, Mrs. Jones rushed into the hallway to see if the doctor was on his way. She overheard the nurse said something to the doctor about necrosis, and her stomach seized in fear. The doctor turned her way and caught her eye. She saw alarm and concern on his face as she waved him down.

He quickly made his way to Mr. Jones’s room with the wound nurse on his heels. Mr. Jones had turned on his side on the bed, clutching his stomach. All the color had drained from his face, and Mrs. Jones knew the color had drained from her own as well.

“I think I’m going to throw up. It’s open and I’m bleeding. The pain is terrible. Can’t you give me something?” Mr. Jones wailed.

“I’m Doctor Frisorra, Mr. Jones. I’m going to open it up and scoop out the infection.” The doctor said. He was a surly sort but his caustic demeanor didn’t hide the alarm in his eyes. “The CAT scan revealed an abscess about the size of a baseball, but your entire lower leg has swelled up. I don’t know why you feel sick. You shouldn’t, but once the infection is gone I’m sure you’ll feel better. We’ll put you on an i.v. of antibiotics and keep you here overnight for observation. Let me get it out of you first and then we’ll give you some painkillers.”

“Something’s moving in there. I feel it crawling around, lots of things, tiny things. Oh, God, it hurts.” Mr. Jones buried his face in his pillow. “Please, get it out of me. Now!”

“Okay, Mr. Jones, I need you to calm down. I can’t open your leg with you thrashing about. Lie on your back and I’ll get started.” The doctor said.

“John, lie back.” Mrs. Jones said. “You’re going to be alright but you have to do what the doctor says.”

He turned onto his back and shoved a fist in his mouth, squinting his eyes in pain. The doctor turned to the wound nurse.

“Gauze and alcohol.” He said.

She handed him both. He poured alcohol onto the gauze and then swabbed the wound and the rash around it. Then, he tossed the waste into a trash can with a red bag inside with biohazard symbols on the plastic.

“I’m going to inject a numbing agent into your wound, Mr. Jones. This will help you with the pain. It’s a topical painkiller.”

The wound nurse prepared the injection and handed the syringe over to the doctor, who injected close to the wound’s opening. A high-pitched but faint buzzing droned around Mrs. Jones, as if it came directly from the wound but much like a cricket’s chirping it was hard to tell exactly where it came from. It sounded similar to air being let out of a balloon. The noise was shrill and angry, but so faint she thought she imagined it. Maybe it was an I.V. alarm going off down the hall. The nurses let those things beep forever, but somehow, Mrs. Jones doubted that was the case. That noise came from her husband’s wound, and it scared her.

“Did you hear that?” Mrs. Jones whispered.

The doctor looked up. “I’m not sure what that was. Let’s get the wound opened and cleaned out. Scalpel.” He said.

The nurse opened a small package to reveal a sterile scalpel, which she handed to the doctor. Mrs. Jones held her breath as the doctor’s steady hand approached the wound, which by now had turned a deep shade of rose with black edges and yellow pustules erupting on the surface. Mr. Jones gripped his t-shirt in his fists so hard his knuckles had blanched. Terror etched across his face. What the hell was wrong with his leg? Was it a brown recluse bite after all?

The doctor leaned over his leg and cut down the center of the boil. Blood gushed out, running down his leg and staining the bed linens. Creamy yellow pus filled the wound. As the doctor picked up the instrument to scrape out the infection, that shrill keening sounded again, coming directly from the opening he had cut.

Mrs. Jones backed away, closer to the bathroom.

The doctor inserted the instrument into the wound, and Mrs. Jones was shocked to see it disappear nearly an inch into his calf. When he scraped along the inside, Mr. Jones cried out in agony, but Mrs. Jones barely heard him. Hundreds if not thousands of tiny mites flew from the wound’s opening, covering the doctor’s white jacket so thickly it appeared to be crawling. They flew onto the nurse, who swatted at them, screaming and howling with surprise and terror. Mr. Jones screamed and crept up the bed towards the wall, but the mites surrounded him, flying in his face and against his arms and legs until they held fast.

Then they began to bite.

A cloud of the creatures attacked Mrs. Jones, but she managed to swat them off as she ran to the bathroom and shut the door. They nipped at her arms and face, biting her with their sharp, tiny teeth. They tore into her skin, drawing blood and stinging her as if she were dying by a thousand paper cuts. She slapped at them, pulled them from her hair, stomped them onto the floor. 

As she wrestled with the creatures, the screaming started outside the bathroom door. She recognized her husband’s shrieking and feared opening the door to rush out to help him. What were those things doing to him? Getting a closer look at the ones she had swatted, she leaned over a dead one on the sink.

The creature was about an inch long and dark green. It had two legs instead of the usual six or eight she expected from an insect or arachnid. It also had two tiny arms with fists it held into balls. She pried one fist open with a fingernail to reveal talon-like claws, sharp as needles. What was left of its head sported blonde hair and a strangely humanoid face. Gossamer thin crepe wings folded along the back.

What kind of insect was this? Was it an immature locust? These creatures moved in swarms, just the way locusts did. The problem was she’d never seen a locust that looked like this. She’d never seen a live locust period, but she had seen pictures of them. This was no locust.

She thought back to the rings her husband found in the grass as he mowed the lawn, and how he dug into a few of them to see the damage they did to the soil. She wracked her brain until she remembered where she had read about rings in the grass.

Fairy rings. Her husband had disturbed a nest of fairies. She stared at the creature as if she viewed a particularly noxious bug. These were not the sweet little Tinkerbelles of Disney movies. These fairies were the vicious and malevolent beings from folklore – and they took up residence in her lawn and in her husband’s leg.

And now they were loose in the hospital.

Screaming in the room and down the hall intensified until it reached a crescendo. Heart racing with dread, she leaned against the door, holding it shut as tiny bodies slammed into the opposite side. Scraping sounds like needles being dragged along the door grated from the other side as if they tried to claw their way in. She stared at the tiny being on the sink, wondering how something so small could cause so much damage.

It twitched.

She wailed.

It shrieked a sound like a tea kettle boiling. As it reared up it split open down the back. Another larger creature emerged from the shell. Now, it was nearly three inches long. Mrs. Jones wondered how many others had molted. She recoiled from it, fearing to even approach it, but as it cried in outrage she gathered her resolve and picked it up between thumb and forefinger by the hair. It writhed in her grip, wings flapping, jaws snapping, trying to claw her with those talons. Glaring at her, it hissed the word “die” over and over again. She started at the sound of its high-pitched voice hissing in English. She nearly dropped it, but she held fast.

Her fingers felt sticky, as if they were covered in slime. The same sticky substance smeared on her arms, legs, and face. She used her free hand to wipe it off her cheek only to streak it further along. It smelled of violets. In fact, the fairies themselves smelled of wildflowers. Mrs. Jones wore a perfume similar to the scent. Could the stickiness have come from their bodies as they rubbed up against her? 

The screaming from the other side of the door had stopped. Fearing what lay behind the door but knowing she had no choice but to free herself, she opened the door. As she took her first two tentative steps out of the bathroom, the fairy in her hand ceased struggling and became quiet. When Mrs. Jones looked into the room, her heart nearly stopped in shock.

The stench of gore and feces slammed Mrs. Jones in the face amid that strange scent of wildflowers. Doctor Frisorra lay on his side, hands clawed in front of his mangled face. His white lab coat was covered with so much blood and tissue it had turned crimson. Heart racing with dread, she looked to the hospital bed where her husband lay. His mouth was open in a scream cut off by violence. Lips and nose decimated and eyelids gnawed away, his face forever would hold a surprised and outraged expression. The skin had been clawed and eaten away from his forehead, cheeks, and chin, leaving muscle and tendons exposed. His hands could not protect his face from the onslaught, since his fingers had been gnawed down to the bone. Blood covered the bedsheets. Mrs. Jones clamped a hand over her mouth, trying to hold back a wail of grief and horror. In her fear, she let go of the fairy in her other hand, and it flew out of the room and down the hall. 

Following the creature, she walked into the hall to be greeted by carnage. Moans of pain and wails of terror echoed along the blood-smeared walls. Nurses crawled along the floor, many with their eyes gouged and eaten out, groping about blind. Stunned, Mrs. Jones made her way down the hallway dodging bodies and slipping in blood. She never before felt so alone. Normally her husband took charge, but now she had to fend for herself. She didn’t think she’d last long, not in her frazzled and frightened condition. She paused by every open door, expecting a wall of the detestable vermin to attack her. She sped down the hallway until she reached the Emergency Room exit. 

The creatures were gone but they couldn’t be far. Where did they go?

An ambulance idled in the entryway. Two EMTs sprawled on the ground at the back of the vehicle. The sky was strangely dark. When she took a closer look upward, panic took over and she urgently sought a place to hide. The creatures filled the sky, blocking the setting sun. They swarmed like insects, attaching themselves to the hospital buildings and rapping their soft bodies against glass. Several grasped rocks and slammed them into windows, attempting entry. Red brick teemed black with the creatures. 

She froze in place, fearing if they noticed her they’d attack. Where had they all come from? They certainly couldn’t all have come from her husband’s wound. She didn’t have time to ponder. What to do, what to do? Her car was in the parking lot across the street. If she walked slowly they might not pay her mind. It was only 50 feet away. If she could make it inside her car and drive away – maybe home – she’d be safe.

Maybe. It all depended on how widespread their reach was.

She held her arms against her body and cradled her head close to her chest, trying to make herself look as small and as unassuming as possible. The creatures flew above her, making a high-pitched humming sound presumably from the flapping of their wings. A few zoomed in front of her as she walked, and she gasped at the sight of them, but they ignored her. She wasn’t sure why, but they had sniffed at her and then went their merry way. Maybe her violet perfume and the residue they left on her skin sent them away? Could they have mistaken her for one of their own?

They flitted about in a hurky-jerky motion like hummingbirds, but not nearly as endearing. Several of them dive-bombed her, nearly getting caught in her hair. It took all her resolve to resist swatting them away. One stopped long enough to give her a quizzical look. It hissed at her, tossed a pebble at her face, but then it flew away, paying her no more attention. 

That one was much larger than the one she held at in the hospital bathroom. It was at least four inches long and a vivid blue. Most of the ones flying about her were the size of the palm of her hand. She passed a tree and saw bodies clinging to it, but upon a closer look she realized she gazed at empty shells – molted skin left behind as the creatures grew.

Finally reaching the road, she was about to take a step into it when a Toyota roared past, wavering all over the asphalt and even jumping onto the sidewalk. Mrs. Jones leaped out of the way before the car could hit her. As it sped by, she saw the driver inside fighting a cloud of creatures so thick the inside of the car had darkened to pitch black. The car zoomed past only to crash into a utility pole and burst into flames. The explosion hurled Mrs. Jones backwards onto the grass. Human screaming amid the shrill cries of the fairies assaulted her ears, and she clamped her hands over them so she would not hear the terror in that person’s voice. The clouds of creatures overhead flew to the wreckage, giving Mrs. Jones time to race to her car without being noticed.

She fumbled with her keys, her fingers not working well enough to grip them. She dropped them as she watched the creatures wailing around their fallen comrades. Stooping over to pick up her keys, her trembling fingers dropped them again. Damn it, woman, get your act together! One last time, she gripped the entire keychain in her hand and shoved the car key near the lock but missed, scraping the blue paint on the door. Finally, she aimed the key at the lock and nailed her goal. Turning the lock, the audible click attracted the attention of the creatures. 

She tore open the door and hauled herself inside just as a swarm of bodies reached the door. Three of them were caught on the door, hissing, spitting and cursing her. When she slammed the door shut, they sliced in half. Their bodies fell to the car’s floor, convulsing in their death throes. The rest slammed against the door and window, howling their outrage at her getting away from them. A cloud descended upon her car, slapping the glass and banging their fists against the sides and roof. Thankfully, they had grown so much they were too large to fit into her ventilation system so they didn’t get into the car through the air conditioning and heating vents. She put her key in the ignition, turned over the engine, and high-tailed it out of the parking lot. 

She needed to get home. Alone, she cried as she drove, not sure what to do to get herself out of this miserable situation. If only Mr. Jones were with her. He’d know what to do.

With a start, she remembered her 24 year old son Paul was home. She grabbed her phone and dialed his number but he didn’t pick up.

Oh, God, I hope he’s alright. 

It was hard to see the road through the bodies but she drove in as straight a line as she could. Turning on the windshield wipers, she shoved fairies aside until she could see her way in front of her. Fireworks celebrating Independence Day lit up creatures that flew overhead. She hit the accelerator until she reached 40 MPH and then hit the brakes. Bodies hurtled from the car, landing on the road in front of her. She pressed down on the gas again and drove over a multitude of little bodies, the car bumping as she drove. They crackled and squished as she drove over them, and she used her squeamishness to continue on her journey. The clouds of creatures seemed to go on forever. Could she safely make it home? First, get onto the main road into town, and then she could worry about her son.

More fireworks burst overhead, competing with the full moon. Mrs. Jones turned on the radio, hoping for some answers.

‘… lock yourself in your homes and board up all entryways including doors and windows. The cause is unknown. The Army has been notified and is on its way to town…”

Switch to a different station.

“… seems to be contained to Norwich, Massachusetts. There are no reports of infestations in nearby Rockport, Ipswich, and Gloucester…”

She lived on the edge of Norwich. If she could get home, get Paul, and get out of town they might be safe.

The ten minute drive home seemed to stretch on for hours. A yellow corona exploded overhead followed by myriad red starbursts. The fireworks provided a strange backdrop for the clouds of fairies following her home. They slammed into her windshield, grasping at the wipers and trying to break them off but they did not succeed. Spraying them with windshield washer fluid only pissed them off even more. Why did John have to go dig up those infernal rings in the grass? 

If he hadn’t, would they have only emerged later to catch them even more unawares?

Neighbors had been ravaged as the creatures had attacked. The Clark children two doors down from her home lay sprawled in the grass, bodies torn as they had played with a Frisbee. The scent of burned meat wafted from a smoking grill. Mrs. Clark lay facedown on the porch, her head on the bottom step and her feet on the top. A tray of burgers spilled onto the ground. The paperboy’s bike lay in the middle of the road. The boy himself had made it as far as the tall oak in Mrs. Jones’s front yard. Fairies squatted on him, tearing at his clothing and chattering amongst themselves. They stopped chattering to watch Mrs. Jones drive by. The sight sickened her. She knew the paperboy quite well. Gave him a gift every Christmas. She didn’t get along with the Clarks but no one deserved an end like that.

She pulled into her driveway, crushing the creatures beneath her tires as she put the gear into park. Paul’s car was in front of her, and it was covered with bodies that by now had grown to be nearly a foot long. They gaped at her from inside the car. Only a half hour ago they were the size of mites. Molting and growing quickly, their formidable natures astounded her. How much larger would they get? Their colors ranged from vivid blue to deep hunter green and violet. Some stretched their wings and wrapped them around their bodies as if they were chilled. Every one of them stared at her from the porch, the stairs, inside Paul’s car, the sills and the roof. Thousands of glowing eyes glared at her. How was she going to get into the house? And was her son alive?

The shutters on both floors had been pulled and locked. The creatures had torn her prized rose bushes to shreds, and she felt a pang of sadness over the loss. There would be many losses today. Before stepping out of the car, she doused herself with perfume hoping to keep them at bay. Fearing her son had succumbed to their attacks, she unlocked her car door and quietly opened it one inch.

The fairies didn’t move. They only continued to stare at her. Why were they so quiet? Was it her perfume? She could only hope.

She opened the door, gently moving several of them out of her way. They appeared to be resting, as if exhausted but not exhausted enough to sleep. Dormant, their hive mind dozed enough for her to emerge from her car and take tentative steps to the porch. One or two lashed out with their sharp claws, drawing blood on her ankles, but she didn’t flinch. With slow movements she took five excruciating minutes to make it to the porch and the front door. She took her key, turned it in the door’s lock, and opened the door enough so she could slip inside her house without the creatures following.

The living room was quiet and dark. No fairies lurked within. Smoke filled the first floor. Ah, Paul must have cooked steak again. He always smoked up the house when he cooked beef. The smoke may have repulsed the fairies enough to keep them outside.

There was no sign of Paul. She resisted calling out his name or making any noise out of fear she’d attract the creatures’ attention and they’d swarm again. 

The only way to find him was to go door to door until he revealed himself. What if she found him as mangled as she found John? No, don’t think about that. Just find him. 

She walked through the empty kitchen and opened the bathroom door to find no one. That left the second floor. She climbed the stairs, careful to not make the third step creak the way it always did. Moving with stealth, she reached the landing and heard thumping sounds coming from one of the back bedrooms. Fearing Paul was being mauled, she raced to the door, opened it, and went inside.

“Paul, we have to get out of here…”

Fairies perched on tables, chairs, and shelves. They clung to the curtains in front of a broken window. When they heard Mrs. Jones’s voice, they came to life and flew from their perches to swarm around her, clawing at her face, her hands, and her bare legs. Wailing, she waved her hands in front of her to fend them off but they only came on stronger; wave after wave of bodies crashing into her. Sliding down the wall as they tore at her hair and bit her forearms, she crumbled in a ball on the hardwood floor. They pushed on the door behind her, slamming it into her lower back and causing pain to shoot into her spine. Then, she felt two large hands grab her feet and pull her through the door’s opening.

“Mom, are you hurt?” Paul said as he shut the door and locked it. The fairies beat against the frame from the other side in a futile attempt to get out.

“I’m okay. What are we going to do?”

“I’ve packed for us. I called you but you didn’t pick up.” He pointed to two suitcases. “Where’s John?”

Mrs. Jones cried. “He didn’t make it.”

“The radio says they’re only here in Norwich. If we can get in the car and make it out of town, I think we’ll be fine.”

“I hope you’re right. I told John to leave those grass circles alone but he wouldn’t listen to me–”

He squeezed her shoulders. “They’re coming from those holes in the back yard. I watched them from the window. I already called 911. The Army is coming to plug them up but we have to get out of here. Now.”

They quietly walked downstairs, Mrs. Jones holding one suitcase and Paul holding the other. More than anything, she wanted to hole up in her house and wait until the Army dealt with the miserable vermin, but she no longer felt safe in her own home. The only thing to do was to leave with her son and wait until it was safe to return, assuming it would ever be safe. She’d never feel safe in this house again.

Before he could open the front door, Mrs. Jones explained their curious behavior in light of her perfume and the sticky substance they left on her skin. She sprayed Paul all over with violet scent. She prayed the fairies wouldn’t attack.

Paul opened the front door, drawing it out as slowly as he could. The bodies on the porch had increased. To her surprise, the creatures had moved but they continued to sit as if dozed. Some sprawled in circles on the porch – large circles, small ones, several where they sat stacked atop each other. They chanted in a language she couldn’t understand, but what they sang resembled an incantation. While they acknowledged her presence as well as Paul’s, they neither attacked nor lashed out. It was as if they operated from one mind and that mind was too preoccupied to pay any attention to the two humans who made their way to Mrs. Jones’s car.

Mrs. Jones swept them aside in slow motions with her feet as she made her way the four feet to the steps. She gazed at her destroyed garden in the direction of the holes where her husband had dug out the fairy circles. Rather than pour from the holes as she expected to see, the creatures flew into them, searching for what remained of their stomping grounds. Fireworks continued to illuminate the clouds of fairies that flew overhead. Such a strange sight – a festival of independence marred by creatures that rendered all humans in Norwich helpless to defend themselves. 

Once they reached the car, Paul placed the suitcases in the back seat, all the while moving as slowly as possible. Neither he nor Mrs. Jones called attention to themselves lest they attract unwanted and tragic attention. Rather than slam the door shut, he closed it with a gentle click. The sound boomed in Mrs. Jones’s ears, and she watched the fairies but they did not attack. Mrs. Jones walked to the passenger side, opened the door, and took the front seat. Paul made it to the driver’s seat without difficulty. Once inside, he placed the key in the ignition, turned it, and the car roared to life.

They sat in total silence, watching how the creatures reacted to the car’s engine. A few pounded on the windshield and stomped on the roof. One stood in front of Mrs. Jones, gnawing at the windshield wiper and scratching its substantial claws against the glass. It was nearly a foot long with filmy wings the hue of an oil slick and a body the color of brick. The malevolence on its face terrified Mrs. Jones, but she clenched her jaw in silence. Paul put the car in reverse and pulled out of the driveway. 

“Let’s head to Gloucester.” Mrs. Jones said. “The radio said they didn’t get that far.”

Paul turned the radio knob.

“… have invaded Rockport, Gloucester, and have been seen as far as Beverly Farms.” Beverly Farms was 15 miles away. She checked the gas gauge.

There was less than a quarter tank of gas in the car.

Maybe by the time they reached Beverly Farms the creatures would have moved on. She gazed out the window. Fairies converged on the grass, tore apart bushes, and danced on telephone lines. Starting up the car must have roused them from their stupor. She turned her head away in horror as a gang of them attacked a German shepherd chained to a pole outside a split-level. Paul drove along the narrow one-lane road out of town, and Mrs. Jones closed her eyes in her futile attempt to ignore the sound of bodies crunching beneath the tires. Her heart raced and she picked the cuticles on her fingernails as they drove in silence save for the radio that just announced the fairies had been seen 40 miles away in Boston.

Maybe they’d make it safely out of town before they ran out of gas.

__________________________________________________________________________________

The idea for this story came to me after my husband spent some time in the hospital with an infection in his leg. It was pretty gross. I based John Jones in the story on him, and he got a major kick out of me killing him off, LOL. We have very bent senses of humor. Here’s a conversation we had about his leg.

Me: “Your wound is really disgusting. Make sure you do what the doctor tells you. Don’t be stubborn.

Him: Me? Stubborn? Never!

Me: Yes. You. Stubborn. That thing looks like it’s going to burst any moment. You know what’s going to come out of it?

Him: Puss?

Me: Spiders!

Him: You have watched far too many horror movies. That’s why I love you.

Me: I love you, too!

Here’s where to find me on the web:

Elizabeth Black – Facebook https://www.facebook.com/elizabethablack

E. A. Black – Blog and Web Site http://eablack-writer.blogspot.com

E.A. Black – Amazon Author Page https://www.amazon.com/E.A.-Black/e/B00BBWHMFM

E. A. Black – GoodReads (I didn’t create this page. I’d like to thank whoever did, if I knew that person’s identity.)

https://www.goodreads.com/author/show/6468111.E_A_Black

Elizabeth Black – Newsletter http://eepurl.com/b76GWD   

I’ve just started a new writing gig with a game company. It’s so new I don’t have much to report yet, but I will say I’m having a blast. I’m now a game developer! I’m also finishing my first horror novel. Here are my latest appearances in anthologies:

Jester of Hearts – my story is Trailer Trash Zombies

Wicked Women: An Anthology of the New England Horror Writers – my story is The Fetch

The Horror Zine’s Book of Ghost Stories – my story is The Storm

Horror For Hire: Second Shift – my story is A Job To Die For

Fark in the Time of Covid: The 2020 Fark Fiction Anthology– my story is A Skirmish Outside Beaufort

 

 

 

Live Action Reviews! by Crystal Connor: Cultural Horror Starter Pack

 
 

 

I am so super excited for season 16 of HorrorAddicts.net: Cultural Horror!

Our goal is to increase content created by POCs by 50 – 75% of what we are currently showcasing. I am over the moon! For those of you who follow me you guys already know the content I share is predominantly from POC creators from around the globe.

This review is a little different, instead of the normal movie review everyone is used to watching I’ve created a Cultural Horror Starter Pack, counting down from 10, these are the films you must see if you haven’t already. This was really tough to do, but I had a blast doing it. So grab a snack and settle in, and be sure to let me know what you think in the comments!

 

Master Imaginationist and Instagram photographer Crystal Connor is the Chief Imagineer working for the Department of Sleep Prevention’s Nightmare Division. A Washington State native, she loves anything to do with monsters, bad guys (as in evil-geniuses & super-villains.  Not ‘those’ kind her mother warned her about), rogue scientific experiments, jewelry, sky-high high-heeled shoes & unreasonably priced handbags.

 

FRIGHTENING FLIX BY KBATZ: Period Piece / Horror Ladies

Period Piece Horror Ladies by Kristin Battestella

What’s more wonderful than a gothic woman in fancy clothes and delicious settings experiencing crimes and ghosts with a dash of scandal, saucy, and the supernatural?

Angelica – A Victorian couple spirals into paranormal horrors thanks to puritanical repression in this brooding 2017 tale starring Jena Malone (The Neon Demon), Janet McTeer (Albert Nobbs), and Ed Stoppard (The Frankenstein Chronicles). Ghostly photography, flashbulbs, and empty chairs contrast the bustles, parasols, and formalities before lanterns, carriages, fine townhouses, and storms. Bedridden confessions lead to earlier courtings with circus sideshows and talk of Darwinism versus the stiff upper lip British tapering their animal appetites. The microscope revealing disease causing organisms is almost as fantastic as the camera capturing spirits, and while it’s okay for a young lady to work in a stationery store selling nibs and ink, she can’t see her future husband’s laboratory. Our humble orphan now in elaborate red dresses is called a counter jumper by the aristocratic ladies, and she’s fearful of the bridal bed before enjoying it in a scandalously active montage. Bells toll amid talk of losing a mother nor wanting to be one, and this birth is graphic, not maternal bliss thanks to scalpels, screams, and both lives at stake. Unfortunately, the doctor says another pregnancy is not worth the risk, and the couple should “desist entirely” and close her garden. Our husband doesn’t want to seek pleasure elsewhere, but she can’t get into other..options…and favors their toddler over him. Soon, she’s completely revolted by her husband and obsessively attached to the child, and the wife is made to feel guilty about her health and desires by everyone in tense Victorian melodrama. Men in suits have no trouble warping her mind, but they are shocked to see a woman enter the medical theater amid animals in cages, exposed brains, and disturbing experiments that put the creepy back into the complex characterizations. Strange noises, visions of germs in the air, bugs in the woodwork, and wardrobes that open by themselves lead to more anger as the husband dislikes the chaos his overprotective wife is causing in their home. She won’t let these apparitions prey on her daughter – who also sees this floating ectoplasm man in her room. Is she putting more notions in the imaginative child’s head? Is this mental illness or is the repressed sexual energy seeping into the house itself? The maid calls in a scam artist spiritualist to ring bells, burn sage, and banish the banshees. Rather than a charlatan taking advantage, however, there’s a woman to woman understanding and courage – a protection spell is more like peace of mind somewhere between being a modest mother and the shame of enjoying sex. There are also unspoken lesbian veils, entertaining women while your husband’s away, putting their feet on the table, showing their legs, and drinking his best port. Drunken undressings provide laughter instead of rattling doors, swarming entities, prayers, and fires against evil. If he is not at home, who is festering this supernatural activity? The drama before the horrors may be slow to viewers expecting in your face scares a minute, but the intriguing characters are intertwined with the fear. Our mother needs to destroy the snake manifestations and demon man coming for her daughter before her husband sends her to Bedlam, and the once beautiful interiors become stifling as ghostly sexual encounters escalate to mind and bodies becoming one with blood and penetrations of a different kind. Although the bookends are unnecessary and this seems caught between two audiences – too much drama for horror fans and intrusive paranormal activity for period piece viewers – such Victorian horror drama with a touch of LGBT is perfect for fans of gothic mood and psycho-sexual dreadfuls.


Lizzie – Maid Kristen Stewart (Twilight) gets steamy with the titular turn of the century murderess Chloe Sevingy (American Horror Story) in this 2018 biopic accented with fine costumes, rustic lighting, and vintage Victorian interiors. Six months before the screams and blood, the buttoned-up, repressed daughter is already defiant against the patriarchal oppression by going to theatre parties unaccompanied where low cut, colorful frocks contrast the tight collars and immediate sexual tension at home. The Bordens can’t have anything too extravagant despite being able to afford it, and Lizzie prefers the barn and animals to people, reading aloud in an innocent but antisocial loneliness. While some dialogue is a little too modern, our eponymous lady has a progressive, forceful, even masculine energy that can’t be contained with fainting spells. Our old maid is called a lesbian abomination but in turn rightfully calls her perverse, abusive father a lying coward before creaking floorboards, broken mirrors slid under the door, revenge injuries, and burned documents reveal the truth. The up-close camera often peers through the window, catching the glances as each lady looks at each other – the audience is in on the intimate possibilities but when your employer suggests his servant leave the door to her hot attic room open, she can’t exactly say no. The strict orders and behind closed doors implications are uncomfortable enough without the often seen exploitative, degrading visuals, and the women bond during intimate undressings and corset tightenings. Theft and rebellious acts increase amid suspicious business deals, threatening letters, and whispering relatives. The women have to eavesdrop to learn what the men are planning for them before violent punishments and one and all sitting at the dinner table like nothing has happened. Is murder the only way out of the hypocrisy? Were the violent tendencies always there or could you be crazy in love enough to kill? The ax is shown throughout the potboiler, and although the stifling camerawork may be disorienting to some viewers, it mirrors the closeness when it is both welcomed by the women or invaded by nasty men. Regardless of height, the unprotected ladies must look up to the creepy uncles, diminished and fearful of physical violence. Retro photo pops accent the bludgeoning editing before jail and witnesses on the stand provide the fallout from this infamous hatcheting. Premeditated accomplices, church bells, deliberate nudity, and out of control horror are worth the wait once the finale reveals the symbolically sexual posturing, vomit, and splatter. Some people just don’t have the stomach for this sort of thing while others so smooth have thought of everything. There is some unevenness with the characters – probably from when the project was envisioned as a television piece with bigger roles – and the killer romance meets Victorian women’s lib messages are mixed. However despite liberties suggesting what went on in this congested house and a decidedly quiet, not mainstream style that won’t be for everyone, this interesting perspective will have viewers studying this disturbing murder case with a sympathetic, personal anew.

 

Rebecca – Artistic ingenue Emilia Fox (Merlin) – companion to wealthy gossip Faye Dunaway (Don Juan DeMarco) – is smitten by the suave yet mysterious Charles Dance (Bleak House) in this 1997 three hour Masterpiece adaptation of the Daphne Du Maurier novel. Sublime style, flapper headbands, candlelight, and long stem cigarettes add to the whirlwind 1927 Riviera’s scenic drives, classic convertibles, and charming hats. Unlike the immediately gothic grayscale of Alfred Hitchcock’s 1940 version, vivid color and visual depth layer this initially idyllic romance. Our unusual couple have each been shy, lonely, and sad, but Maxim de Winter admires this young lady’s innocence and honesty compared to the gilded aristocracy. Picnics, boat rides, a silly girl, a foolish old man – can they make a go of their differences? The dangerous curves and perilous drives suggest something slightly sinister brewing amid glimpses of the unforgettable and beloved by all Rebecca. It’s been a year since her death, yet everyone must remind Maxim of his late wife upon this surprising second marriage. The newlyweds return to the lovely English gardens and proper decorum at Manderley, the estate where the Emmy winning Diana Rigg’s (On Her Majesty’s Secret Service) icy housekeeper Mrs. Danvers won’t let go of the first Mrs. DeWinter’s memory. The household reception is awkward and chilly – the coastal brightness turns darker thanks to shadow schemes, lighting changes, and the looming silhouettes of both Mrs. Danvers and Rebecca. Despite being a large estate with a west wing facing the sea, the hefty staircases, huge windows, and great fireplace feel congested, closing in on the new, nervous Mrs. as she gets lost wandering the shuttered parts of the house, breaks priceless statues, and hangs her head like an admonished little girl. She doesn’t fit into the upper-class routine, but the brooding, often misunderstood Maxim doesn’t want her to become like those other cruel, aristocratic dames. Everyone is so heavy handed, formal, and not just unhelpful but resentful of how unlike Rebecca she is, and the couple regrets returning home to the rocky cliffs, beachside cottages, and distrustful staff. Crazy hermits, past gossip, vogue cousins too close for comfort, recreating previous fancy dress balls, and one big costuming faux pas strain the relationship further, but she can’t exactly ask her new husband about why the pieces on how Rebecca drowned aren’t coming together. Her room is still kept as is, almost in worship where our devoted housekeeper can express her creepy vicarious and pathetic intimacy, re-enacting brushing her madam’s hair and laying out her perfumed nightgown. Was Rebecca really so perfect? If she wasn’t would anybody actually say so? Her presence is overwhelming – not because of any actually supernatural mood or ghost, but because the obsessed Mrs. Danvers won’t let anyone forget, placing the fanatical pressures of her devotion on the second Mrs. de Winter. Foreboding strings add more ominous, however, the suspense is certainly helped by Maxim’s not coming clean on his life with Rebecca at the start. While some scenes are very similar to Hitchcock’s vision, this is also closer to the novel, and even if you’ve seen other adaptations, viewers are swept up in wondering how the secrets will play out in the finale. Fog, vintage boats, watery evidence, mistaken identities, inquests – the circumstances surrounding Rebecca’s life and death come to light, but our servant oversteps her bounds with cruelty, jealousy, and bullying suicidal whispers just to assure Rebecca everyone thought they knew and loved won’t die. Though more romantic than true crime, the fresh love, and warped liaisons are told swift and honestly as the scandalous true colors are revealed with fainting spells, medical discoveries, fiery rescues, and kisses in the rain. Indeed all the gothic staples are here with period mood and performances to match.

The Turn of the Screw – Downton Abbey alum Michelle Dockery joins Dan Stevens (again) and Nicola Walker (MI-5) in this ninety-minute 2009 BBC adaptation of the Henry James askew moving the repressed ambiguity to 1921 institutions with post-war doctors analyzing our governess’ infatuation with her employer, the topsy turvy male shortage, and of kilter Bly Manor. Fashions, hats, sweet automobiles, fine woodwork, and hefty antiques sell the refreshing setting, however, the nonsensical strobe flashes look amateur on top of the time-wasting, disjointed doctoring add-ons, and unnecessary narration. Visions of dalliances that initially upgrade the Victorian scandalous soon hit the viewer over the head one too many times as the governess imagines her master and his saucy approval. She insists she’s not the nervous type, but the dark interiors, maze-like staircases, and distorted camera angles add to the strange noises and creepy country manor unease. She’s in charge, above housekeepers and maids, but there are too many flighty women doing all the work in this house. Parasols and summer white contrast eerie fog and trains as her boy charge is expelled from school without explanation. The cheeky children whisper about their previous, pretty governess – unbothered by screams, accidents, or dying maids. Melancholy piano music, graveyard echoes, dark figures amid the trees, and faces in the window build on the female isolation, yet all insist there are no ghosts – surely she’s just hysterical, overwrought, and obsessed with men. Rumors of suicide and a woman ruined by her lover seem proved by hidden pictures of the master’s up to no good valet, and tales of his violence among the unprotected women are better than seeing suspect flashbacks. The prim style degrades to loose hair and nightgowns as our governess jumps to dire conclusions and possessive delirium, but the shouting about it afterward with her doctor interruptions break the tainted picnics and frantic tension. We don’t need his sounding board to deduce her fears, just let us see the abusive violence and water perils. Crazy laughter and disembodied voices escalate as the phantoms, repression, and projection possibilities culminate in a one on one battle for the truth. The deviations here are flawed, and while the horror lite is fine for gothic period piece fans, some viewers will expect more than to have it both ways attempt at the ghosts and crazy ambiguity. This isn’t the best version but thanks to the cast and unique setting, it can be a good introduction for audiences who haven’t seen The Innocents.

 

For More Gothic Horrors visit:

Crimson Peak

Penny Dreadful 1 2 3

The Frankenstein Chronicles 1 2

Book Review: Blackwater Val by William Gorman

Blackwater Val  by William Gorman
Reviewed by Ariel DaWintre

This story revolves around a place called Blackwater Val. The main characters are Richard and his daughter Katie, who is six-years-old. He takes her back to where he is from to take care of some personal things. Richard realizes right away that he has forgotten a lot of his past, but that he is starting to slowly remember. Blackwater Val seems so normal at first, but strange things are starting to happen and a dark past is being uncovered. Although Richard starts to remember his past, what he thinks he knows is not always accurate or true and we learn along with Richard.

I found myself writing a list of what I perceived to be the monsters, ghosts, demons, or bad guys in the story. There seemed to be quite a few. I kept wondering who the bad guy was and was he controlling them all. I liked that even though I thought I knew who the bad guy was, it wasn’t that simple. The story also brought in true facts from the past about the Indians in the area and the wrong that was done to them. Although Blackwater Val is not a true place, the locations around it are. I also found myself looking up things on Google, wondering which parts were real and not. I can now officially say I know a lot more about Suak Indians.

This is a definite horror story and there is blood and guts aplenty. This is a classic good vs evil tale, but nothing is simple as lines are drawn and a battle unfolds. The details and story are clear and you will stay up and be kept engaged and rooting for the good guys to win. The story has several twists that will make you go, “Wow.” There is also an element of magic and special gifts introduced into the story. There is not really a romance in the story but it has a romantic element with a strong sense of family and friends.

The main evil in the story is very twisted and scary and relentless throughout the story. Clearly, Blackwater Val brings out the worst in some people. The author does a great job of bringing his characters to life and keeps you wondering how the story will end and who will come out okay. The story gives a good ending but leaves an opening that not all is settled and done. Can’t wait to read the sequel.

Women in Horror: Mary Shelley

By Daphne Strasert

Mary Shelley is best known as the author of Frankenstein, a keystone work of the horror genre. Shelley’s legacy is a confused one, since her major work has been muddled by the reinterpretations of the monster in movies and television. However, her original novel remains popular in its own right and is still being critiqued and admired to this day.

But we aren’t here to talk about Frankenstein. We are here to talk about Mary Shelley.

Filled with passion, scandal, and devastating personal tragedy, Mary Shelley’s life reads like a gothic romance in its own right.

Mary Shelley was the daughter of prominent feminist and philosophical thinkers. Her mother, Mary Wollstonecraft, died soon after Mary’s birth, leaving her husband to raise Mary. He exposed Mary early on to radical political ideologies, setting Mary up for a lifetime of activism.

When she was 16, Mary met Percy Shelley, a married man of 21 with whom she began a romance. They met clandestinely in the same cemetery where her mother was buried and it is commonly said that she lost her virginity on her mother’s grave.

Despite her father’s disapproval, Mary left with Percy (along with her step sister, who was likely also one of Percy’s lovers) for France. When they finally returned, Mary was pregnant with his child. Unfortunately, their daughter was born prematurely and died soon after.

Mary and Percy continued their affair and were finally married a few years later after Percy’s wife committed suicide. Neither was particularly committed to the institution of marriage but married in a bid to show stability so Percy could have custody of his children (he was eventually deemed morally unfit).

The Shelleys believed in free love—something Percy seemed far more enthusiastic about practicing than Mary—and maintained an open marriage. The Shelleys were determined to live the free-spirited lives of artists, regardless of if they had the means. Percy found himself frequently hiding from creditors and the Shelley’s left the country multiple times to avoid debtors’ prison. Yet, with the uncanny ability of the generationally wealthy, they managed to avoid both destitution and respectable careers. Instead, they spent their married life traveling to the various rented villas of friends such as Lord Byron.

It was during one of these holidays that Mary conceived the idea for Frankenstein. Lord Byron proposed that each member of the party write a ghost story. After a few days of struggle, Mary was inspired by galvanism and the prospect of reanimating the dead to write Frankenstein. The manuscript was finished a few years later and published anonymously.

During this time, Mary’s tumultuous personal life continued. She had two more children, both of whom died in their early years. Her husband was caught in the middle of a scandal regarding the adoption of a girl who may have been his illegitimate child with Mary’s step-sister. Mary plunged into a deep depression, during which it seems writing was her only solace. She did eventually have another son, the only one of her children to survive to adulthood.

In 1822, Percy Shelley went sailing with friends. He never returned. His body washed up on a beach three days later. Mary Shelley was left a widow at 24. She had been with Percy for only 8 years. Still, she was devastated at the loss of her husband and mourned him the rest of her life.

She returned to England with her son and dedicated the rest of her days to her writing and the editing of her husband’s poems. She contributed her time and money to helping women, often those who were shunned by society. Mary never remarried despite her popularity with men and many offers. She claimed that she had already married a genius and could only marry another.

Mary Wollstonecraft Shelley died in 1851 at the age of 53. A woman who had lived her life by defying expectations had one more surprise for her family: in her desk drawer, her son found the calcified heart of Percy Shelley, which Mary had kept since his death.  

Mary Shelley’s legacy lives on through the many interpretations of her work as well as the mystique of her personal history. A woman far ahead of her time, she lived true to herself in a way only she could.

Historian of Horror : Staccatos From The Black Lagoon


When my daughters were young, we listened to Dad’s radio station when Dad was driving. This was back in the days when you were lucky if your vehicle had even so much as a cassette player, so I, being a child of the 60s, had oldies radio stations mapped out for the entire route, wherever we might go. As we passed through Dalton, Georgia, for example, we would let the Chattanooga oldies station go and switch over to the Atlanta station. And so on, all the way down to the southwestern tip of Florida, a frequent destination.

When I was home, all the buttons were set to the local oldies station, WMAK-FM, until that horrible morning in about 2003 when I got in my car and discovered that the station had changed format overnight to ‘whatever we want to play’. Which was not oldies, and not acceptable. After my first “Dude, where’s my radio station?” reaction, I found another one to program all the buttons for, but eventually had to give up and buy a car with a six-CD changer. It was a rag-top Mustang, so that was all right, but I still missed the spontaneity of wondering what great song by the Beatles or the Supremes or Marvin Gaye or Joni Mitchell that Coyote McCloud (God rest his soul) would offer up after this brief message from our sponsor.

Before that horrible day, however, my daughters’ friends would often ask, “Why does your dad listen to so many TV commercials?”, after I’d dropped them and my offspring at the skating rink or movie house or factory for their twelve hour shifts gluing labels onto bottles of shoe blacking. Even in those halcyon days, television advertisers mined no-longer-current popular music for the soundtracks of the mini-dramas designed to entice you to buy their specific brand of depilatory or laxative or breakfast cereal, which my less-enlightened passengers confused with my choices in musical entertainments. Think Bob Seger and Chevy Trucks.  

At least “Like a Rock” makes sense. Trucks are supposed to be tough and solid, like a rock. They should have more mobility than your average boulder, but that’s beside the point. The song fits the commercial. Not all do.

I recall one ad for a cell phone company that used a song from 1973 by the glam-rock band T-Rex. It’s a great piece with a driving guitar hook, but somehow ‘Twentieth-Century Boy’ just doesn’t seem quite right for a 21st Century technology. Similarly, the one for some product I was too appalled to remember suggested that supreme happiness was attainable only by using said product via the medium of having a lovely young lady rip rapturously through what opera buffs know as ‘The Staccatos’, smiling ludicrously as she (probably) lip-synced whatever coloratura soprano actually sang the aria from which they were so rudely plucked. For ‘The Staccatos’ are notoriously challenging for even an experienced diva, and anyone who can do them well can make a lot of money singing them regularly at the Met or La Scala or Covent Garden. I couldn’t recall ever having seen her perform them onstage, on television or in a video, hence my suspicion that she was a shill.

They are also not a part of a happy aria. Not even close. ‘Der Hölle Rache kocht in meinem Herzen’ (usually shortened to ‘Der Hölle Rache’) is about as far from being the light, pleasant piece the advertisers apparently believed it to be as possible. It is dark, it is direful, it is full of horrific forebodings. The title, which is, as is usual for operatic arias, the first line, translates to “Hell’s vengeance boils in my heart’. Which seems to me unlikely to inspire much confidence among average consumers – but maybe I’m wrong. Maybe there are masses of Americans ready to insert something or other into one or another of their various corporeal orifices the creation, manufacture, and marketing of which was inspired by the wrathful rage of His Satanic Majesty. 

For various reasons not appropriate for expression here, it occurs to me that perhaps there are such people in this country who are comfortable with a proposition of that nature. Regardless, I only saw the commercial once, and never again, so, maybe there aren’t. That does leave us with this question, though: What makes this either horror related, or women in horror related?

The piece is often referred to as ‘The Queen of the Night’ because that is the character who, in the second act of Wolfgang Amadeus Mozart’s final opera, Die Zauberflöte (The Magic Flute),  sings it. Die Könegin der Nacht, as she is called in the opera’s original German, is an amalgamation of every evil sorceress and wicked stepmother in all the fairy tales of The Brothers Grimm and Charles Perrault combined. She has decided that one Sarastro, high priest of the cult her daughter has joined, needs to be killed, and is such a horrific monster of a being that she hands the girl a knife and tells her to do the dirty deed herself, or be disowned and cursed.

As is often the case, the true horror lies in the presentation, and for this, one must needs judge how much menace and terror each great soprano is capable of bringing to the stage. Some bring more, some less. Some none. And a few, well, they just bring it.

Many have sung the role since 1791. The best are probably lost to the mists of time. The first was Mozart’s own sister-in-law, Josepha Hofer, who sang it to great acclaim for ten years. Alas, the technology to record the human voice wasn’t available for almost a century after Mozart’s demise, which occurred two weeks after the opera premiered. Fortunately, we do have quality recordings of many more recent divas essaying the role so that it is possible for me to pick a specific one to recommend, one in which all the fear and terror the Queen of the Night herself is capable of inflicting is brought down most brutally upon her poor offspring. And upon a receptive audience.

There are certain roles in opera that have become closely associated with specific singers in the minds of those of us that enjoy the artform. We might not all necessarily make the same connections, but I suspect we would understand why someone else might. I think of Aida, for example, and Leontyne Price comes to mind. Mention Medea, and Maria Callas pops up. Lucia di Lammermoor, Joan Sutherland. Violetta from La Traviata, Anna Moffo. For some, Lucia Popp is inextricably connected to her first starring role, which was The Queen of the Night, and I can see why some might feel that way. There are those who consider her the greatest Queen of all time. And again, I can see why, if only at a distance of nearly sixty years and based solely on the one audio recording we have of her performance. Which I love. She had an incredible voice and a technical mastery of it that made it truly magical. However, for me, the crystalline clarity of her divine instrument was just a little light for the weight of the horror that the role demands. The Queen is not a being of light, or lightness. The one video recording of her in the opera was from 1983, and she played the daughter, Pamina. This seems to me a more fitting role for her, if only in consideration of the one prima donna I and many opera buffs agree was, and still is, the best ever.

I would like for the populace to pay particular attention to the following video at the two minute and nine second mark. As was once said of Cruella DeVille, if this doesn’t scare you, no evil thing will. Prithee, watch it before continuing on. I’ll wait for you, right over here. 

 

That is German soprano Diana Damrau. She has practically made a career out of playing this part. There are several videos on YouTube that showcase not only her skill as a singer, but as an actress able to project the appropriate menace the role calls for. This one, though. This one gets to me at that 2:09 mark, when she lifts her gaze to yours and snatches the very soul from your helpless body.

Ahem.

Women characters in operas are so often the tragically unwitting victims of careless or thoughtless or ruthless men, it’s refreshing to see a true villainess dominating the stage. And, so, The Queen of the Night is my nominee for the great female monster of her medium, even if Mozart couldn’t resist a happy ending for this work. 

Curses, foiled again.

Speaking of women being the victims of the male villains in their lives, I would like to commend to the populace Mallory O’Meara’s recently published biography, The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick. Patrick was one of Disney’s first female animators and went from there to Universal Studios. In 1954, she was the primary designer of the head of the costume for the titular star of the classic horror film, Creature from the Black Lagoon. The studio planned a publicity tour with her playing Beauty to the Gill Man’s Beast, but the head of Universal’s makeup department, Bud Westmore, was having none of that. He took all the credit, got her fired out of his infantile masculine jealousy, and she was virtually forgotten. 

That just pisses me off. What an asshole.

The book is quite well-written, and is available in hardback, as a trade paperback, and as an ebook. Highly recommended.

I can sense that we’re getting to the point that I can almost feel through the internet ether the seismic quiver of eyes glazing over and rolling back, so I’ll wrap this edition up by offering the populace a small lagniappe: a few of the sources I use in my research for your own perusal. 

Please do feel free to browse around in the Internet Speculative Fiction Database.

http://www.isfdb.org/

I suspect you’ll be pleasantly surprised to find a few familiar names there. Yes, including mine, although their entry on my works is woefully inadequate. Guess I’m going to have to crack the whip on them.

My entry in the FictionMags Index is marginally better, I suppose, given that most of my shorter yarns have appeared in anthologies rather than magazines. 

http://www.philsp.com/homeville/FMI/0start.htm

It also contains information about my mystery work, as opposed to the ISFDb. Which is appropriate. Still, they’ve missed a few entries. Gonna have to fix that.

Fantastic Fiction is a goldmine of information, although it doesn’t separate out the non-genre works from those that are specifically horror.

https://www.fantasticfiction.com/

Still, I recommend it highly, despite there being no entry on your humble correspondent, at all. Quelle horreur.

Enough. I shall have mercy on you all and call it a night. As always, my friends, be afraid. Be very afraid.

Merrill’s Musical Musings : Vexillary

Greetings HorrorAddicts and welcome to a new year! I plan to bring you some groovy reviews and righteous recommendations this year to keep your tuneage vibing. Or something like that. Despite the insanity that was 2020, many artists were able to come up with inspired material and I’ll share some great picks with you over the coming months. 

Vexillary is an instrumental project by New York based Reza Seirafi that was influenced by the artist’s love of blending components to create something new. A chemist in his other life, he likes to take seemingly inharmonious sounds and make them fit together. Tracks like “Maritime Panic” offer additional sonic adventures with each new listen. “Annihilation” has a manic feel that leaves the listener grasping at the elements and trying to find something to hold onto. There is a feeling of doom, especially in the opening notes of “Forged Skies” but this offering of electronica is never gloomy, and by the time you reach “The Geneticist,” the mad scientist vibe of the SurViolence is complete.

Vexillary is music for those who need an intense infusion with a side of chaos to make their aural journey complete. Give it a listen and let us know what you think. 

Want to share your favorite music from 2020? Comment below or email me at rlmerrillauthor@gmail.com. The next Ro’s Recs will be less of a “best of” and more of a “here’s what you don’t want to miss.” I’ll see you soon, my HorrorAddict Darlings. In the meantime, Stay Tuned for more Merrill’s Musical Musings…

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R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her Hope, Love, and Queeromance posts over at www.queeromanceink.com

Women In Horror Month: Why Do Women Writers Write About Monsters or Ghosts?

Why Do Women Writers Write About Monsters or Ghosts?

Why would women write about monsters or ghosts? I am sure some readers say stick to writing romance or fantasy. But women have just as much right to write the scary stuff and about monsters as do their male counterparts. After all, in the long run, it’s all about the story.

At BBC.com, an article mentioned how women writers “often found the supernatural a way to challenge and condemn their role in society.” It seems male writers have dominated supernatural fiction, like M R James, Edgar Allan Poe, HP Lovecraft, Joseph Sheridan Le Fanu, Oliver Onions, and others. But female writers have been on the horror scene in the past, too. Shirley Jackson, for instance. She wrote The Haunting of Hill House, the only story that has scared me in the daytime, in a room full of people. Others had to do it at night, with me in a room alone. Susan Hill, who wrote Woman in Black, is another. A classic ghost story from 1892 is Charlotte Perkins Gilman’s “The Yellow Wallpaper.” The author’s nameless narrator, suffering from post-natal depression, is confined to bed rest under the care of her doctor husband, when begins to lose her mind. Confined to an old nursery with ghastly wallpaper, she sees strangled heads and unblinking “bulbous eyes” in its pattern. Eventually, a skulking female figure appears, seemingly trapped behind the bars of its design. Is it the narrator’s own hidden self? When her husband enters to find her tearing down the wallpaper, she tells him, “I’ve got out at last. And I’ve pulled off most of the paper, so you can’t put me back!”

Do women authors use ghost stories to exorcise their resentments over societal restrictions? The ghost in their tale is the ultimate outsider – an absent presence, all-seeing and yet unable to partake of life in any meaningful way. Do we have insight differently from male writers? Can what a woman writes be more downright frightening than what a man writes? Does the way we pen the words on paper or type onscreen haunt the person as they read? Maybe we even make the monster sympathetic. Still horrifying, but a monster the reader will care about and cheer on. Or not.

Looking for some great spooky reads? Next time, check out female horror authors. I am sure readers already know about; Anne Rice, Sarah Pinborough, Laurell K. Hamilton, and Caitlin R. Kiernan. Others you can check out are Tanith Lee, Elizabeth Massie, Lisa Morton, Yvonne Navarro, Carrie Ryan, Cherie Priest, Chelsea Quinn Yarbro, Kari Kilgore, Susan Schwartz, and much, much more. Take a step away from traditionally published authors and try out indie writers as there are great reads by them, too. An excellent place to find more women horror writers is at Horror Writers Association. Try someone new today. 

Instead of picking up the latest Stephen King novel or of books written by other male horror authors, try several feminine writers instead. We just might bring “SCARE” to a whole new level.

Journey to worlds of fantasy, beyond the stars, and into the vortex of terror with the written word of Pamela K. Kinney.

Https://PamelaKKinney.com

Bio:

Author Pamela K. Kinney gave up long ago trying not to listen to the voices in her head and has written horror, fantasy. science fiction, along with six nonfiction ghost books ever since. Her horror short story, “Bottled Spirits,” was runner-up for the 2013 WSFA Small Press Award. Her horror poem, “Dementia,” included in HWA Poetry Showcase Volume VII, won “Best Poem: for 23rd Annual Critters Readers Poll (2020).

Besides writing, Pamela has acted on stage and film and investigates the paranormal for episodes of Paranormal World Seekers. She is a member of Horror Writers Association and Virginia Writers Club.

Live Action Reviews! by Crystal Connor: The Vigil

At 4:04 am on Dec 14th 2020, Crystal Connor, finally settled into her sleeping bag on the couch with snacks within reach, and with dog in lap she picked up her remote. The footage you are about to see chronicles the harrowing experience that her neighbors endured for hours as she screamed, cried, and shouted expletive obscenities at her television as she watched:

The Vigil 

Plotline: A man providing overnight watch to a deceased member of his former Orthodox Jewish community finds himself opposite a malevolent entity

Who would like it: Fans of demonic possessions, religious horror, cultural horror, international films, paranormal activity fans with like this as well.

High Points: This is very cultural specific. This is a story line that you won’t see anywhere else.

Complaints: None!

Overall: I LOVED IT!

Stars: 5 Stars!

Where I watched it: VOD

 

Book Review: Unsafe Words by Loren Rhoads

Review by Daphne Stasert

Content Warnings: Drug Use, Sex, Violence, Death, Suicide, Slavery, Assisted Suicide, Homophobia, Sex Work

With Unsafe Words, Loren Rhoads presents probably the most diverse set of stories that I’ve yet reviewed. Unsafe Words is not a collection of strictly horror, but explores fantasy and science fiction as well. Throughout, however, runs a thread of unease. Rhoads explores the darker sides of all her subjects. Regardless of whether the tales are set in a world of advanced technology, magic, aliens, or bad drug trips, Unsafe Words doesn’t flinch away from her examination of the human condition.

Drugs, sex, and music feature prominently throughout the stories. Frequently, they weave together. Drugs tint character reliability, blurring the line between reality and hallucination. Characters use drugs to escape their situation, to enhance it, and simply to exist. Rhoads attaches no value judgement to the use, but uses it to enrich the stories. Sex, in all its trappings, is a strong taboo for most readers. But Rhoads doesn’t shy from its use. Sex is good, it’s bad, it’s a fact of life for her characters. It’s a means to an end or an end all its own.  Music is a driving force, akin to hypnotism, drugs, or religion. Music washes over the characters like a drug high. It transcends their motivations. Characters are willing to die for music, kill for it.

Drugs, sex, and music may be the vehicle, but many of Rhoads’s stories primarily deal with the concept of love—new, mature, and dying. When does infatuation cross from curiosity to devotion? What would you do for someone that you love? Who or what would you betray? What do you do when grief runs out and turns instead to exhaustion and despair?

These stories are uncomfortable at times, but they’re meant to be that way. They force the reader to explore their own values and assumptions about the human condition. Even within the horror narratives, terror takes a backseat to introspection.

Rhoads revisits tired tropes through a new lens. New worlds and ideas turn familiar stories on their heads. She seamlessly includes science fiction and fantasy world building to freshen up stories. These worlds don’t take over the story, but serve as a unique backdrop.

If I have one complaint about Unsafe Words, it is simply that some of the stories are too short. Rhoads creates complex, immersive worlds that are busting with stories, but only explores a tiny portion of them, sometimes cutting off the story before it really even gets started. So many of these could be expanded into full novels and I hope that Rhoads takes that step in the future.

If you have a wide range of stories with excellent writing, you’ll enjoy Unsafe Words by Loren Rhoads.