SUBMISSION CALL: Dark Divinations

Dark Divinations
Edited by Naching T. Kassa

It is the height of Queen Victoria’s rule, the world is powered by steam and seen by gaslight. Fog swirls in the street, while in the parlor, hands are linked. Pale and expectant faces gaze upon a woman, her eyes closed and shoulders slumped. The medium speaks, her tone hollow and inhuman. The séance has begun.

Séances are but one method of divination and communication with the dead. There are many others. From Tarot to the witch board, scrying to numerology, HorrorAddicts.net wants it all. We want your Victorian Age stories of Dark Divinations.

First and foremost, your submission must be a horror story and contain something emotionally, physically, or mentally horrifying.

Secondly, it must take place during the Victorian Era. We don’t care if it’s in England, the American West, colonial India, or Africa, it must take place during the years of 1837-1901.

Lastly, the story must concern a method of divination (the practice of foretelling the future through supernatural means.) This can include but is not limited to: Ouija boards, cards, scrying, entrail reading, and necromancy. We’re looking for originality above all.

What we don’t want: We are not looking for steampunk stories for this anthology. We also don’t want a story where the divination is just “stuck-in” and isn’t really an integral piece of the story.

No previously printed work and no simultaneous submissions.

We are doing blind submissions. Wow us with your story.

Enter up to two short stories only. Make sure they fit the theme

Manuscript Format:
*Font: either Courier or Times New Roman.
*Double spaced, font 12 point.
*Your manuscript must be in either DOC or RTF format.
*Do not place your name in the manuscript, just the title.**
*No header on the manuscript.
**Again, we are doing blind submissions. Make sure the manuscript is scrubbed of your name and personal info. This could be an automatic decline.**

In the body of the email:
*The header info usually found in the manuscript should be in the email. Please include: author name, mailing address, email address, and word count.
*One sentence explaining the story attached; your elevator pitch.
*100 words or less biography about you.
*Facebook, Twitter, Instagram links
*Your website or blog.

Subject line of the email should state:
*DARK DIV SUBMISSION/DIVINATION THEME (crystal ball, tarot cards, Ouija Board etc.)/STORY TITLE
*Send to: ha.netpress@gmail.com
Deadline: October 31st, 2019, 11:59pm PST
Length: 2,000-5,000 words
Payment: $10.00 USD + digital contributor copy

Return time: Final decisions will not be made until AFTER the submission close date (10/31/19). You should expect an answer within three months of the submission close date. If you do not receive an email stating your manuscript was received within two weeks of submission, please send a polite query to:  ha.netpress@gmail.com

For any other questions, please send an email to: ha.netpress@gmail.com

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Kill Switch Chilling Chat: 10 Quick Questions with Phillip T. Stephens

Phillip T. Stephens writes and rescues cats in Austin, Texas. He publishes several times a week for Medium. He is a  contributing author to our new anthology, Kill Switch

1.)    How old were you when you first discovered horror?Phillip T. Stephens

Other than life as a Baptist Preacher’s Kid in general? I don’t remember my exact age, but I remember the event. I was in elementary school, and my father insisted I accompany him to a youth retreat for high school students. The facility was creepy, but the moment of crisis occurred when he showed a movie at midnight (don’t laugh) Abbott and Costello Meet the Mummy. Toward the very end of the movie is a quick shot of the mummy’s bones, which for some reason I can’t explain having watched the movie a dozen times as an adult, scared the living bejeezus out of me. I couldn’t sleep that night.

The next day we went for a hike around the lake. (If you’ve seen Tarkovsky’s Solaris, think of the lake at Kelvin’s parents’ house.) We rounded a bend and I spotted a moss covered stick poking from the water, a stick which, at that moment, I mistook for a human finger.

I couldn’t sleep by myself for months. Instead, I slept on a cot in my sister’s room, which probably contributed more to my adult neuroses than the moments of terror I experienced at the retreat.

2.)    What author has influenced you most?

Walker Percy, but I suspect you mean horror writer. From a literary standpoint, Peter Straub, but from a writer’s standpoint Steven King. I lived for each new release for several years until The Stand, which became the manual for everything I never wanted to do as a writer. I loved the story, but the prose was atrocious. I continued to read him until It when I couldn’t pick up another book.

This doesn’t change my respect for what he’s accomplished, and I faithfully followed his exploits with Joe Bob Briggs (John Bloom), redneck film reviewer as long as Bloom’s column ran.

3.)    What inspired you to write your piece, “Subroutines?”

I was working with a writing group on the topic “passing through a doorway.”

4.)    How much control do you exert over your characters? Do they have free will?

If I like the direction they’re taking, they’re free to do as they please. If I think they’re interfering with the story, I’ll slap them down in a heartbeat.

5.)    Do you listen to music when you write? Who do you listen to?

I have, but I also write with the TV on.  Looking back, I’d say my biggest influences are Laurie Anderson, David Byrne, and Brian Eno.

6.)    Where do you find inspiration?

I’ve trained myself to take inspiration from scraps of information and passing thoughts. I often riff off (aka rip-off) strands of conversation. But it could be a reflection in a window, an asshole ordering coffee, or something that passes the corner of my eye.

7.)    What is your favorite horror novel?

William Browning Spencer’s Zod Wallop. Think night terrors wrapped in a meltdown and surrounded by a mind fuck. Spencer is a brilliant writer that few readers know.

KSCoverSmall8.)    Favorite horror movie?

Tarkovsky’s Stalker. Many consider it science fiction, and it is, and others find it tedious, but this movie exemplifies Tarkovsky’s ability to make beauty from debris. The movie explores the premise: what happens when you discover what your heart truly desires?

9.)    Favorite horror television show?

Twin Peaks. Nobody twists angst into terror better than Lynch.

10.)  What does the future hold for you? What do we have to look forward to?

That depends on the publications to which I submit. My life is in the hand of good editors like you. I’m making the final corrections to the novella version of my #TweetNovel Doublemint Gumshoe which I posted Tweet-by-Tweet for the better part of a year. Think the mob, digital gangs, the tech industry, aliens, nanobots and the dumbest detective who ever lived. We’ll see what happens.

You can find Phillip on Twitter and Instagram.

Kill Switch: The Origin Story

In January of 2018, when our then Head of Publishing, Dan Shaurette, approached me about doing a tech horror anthology, I was all for it. I was enjoying the Black Mirror episodes that had just popped on Netflix and I had always been inspired by tech breeding horror. From the time I’d seen Electric Dreams back in the eighties, to the tech-watching-death Brainstorm, to Arnold Schwarzenegger saying, “I’ll be back” in Terminator, I’d been fascinated with tech doing horrible things. But now, as we sit at the edge of a precipice where these devices are no longer science fiction, but a reality, the horror of what really could happen is terrifying.

January 15th, 2018

Dan Shaurette: Hey, I saw your post about tech horror and I, too, am digging the genre these days.

Emerian Rich: Let’s do it!

Next came the name and Dan and I brainstormed that for a bit. Everything from Glitched to Future Dark to Kernel Panic to Digital Dread was brought up, but when Dan said Kill Switch, something just clicked.   

January 19th, 2018

Emerian Rich: No, I’m waiting for one to sock me in the face.

Dan Shaurette: Kill Switch?

Emerian Rich: That’s it!

Dan had already found the awesome vampire android cover and we were on our way.

March 9th, 2018

Submission Call: Tech Horror Kill Switch

“The Future is Broken.” – Black Mirror

What horrors will our technological hubris bring us in the future? When technology takes over more of our lives, what will it mean to be human, and will we fear what we have created? Artificial intelligence, robotics, bionics and cybernetics, clones, and virtual reality. These are a few of my favorite things. The technological singularity is fast approaching, and post-humanity is a frighteningly dark future.

First and foremost, your submission must be a horror story and contain something emotionally, physically, or mentally horrifying. Secondly, the technology should be front and center, not just a deus ex machina. Whether it be a modern technology we are creating now with a purpose yet fully realized, or some new horror as yet to be discovered. We are looking for stories in the same vein as NETFLIX’s Black Mirror.

Post-apocalypse is welcome, as are dystopian societies, but technology must have brought them about. Supernatural elements are welcome in conjunction with the technology. What we don’t want is aliens attacking humanity as the core conceit.

However, as we started to receive submissions, something was going on with Dan. He had a series of health issues and on Father’s Day of 2018, he suffered a medical emergency similar to a stroke. I waited for news on how he was doing. Would Dan come back to us? Or was this his time to go? Weeks passed where the family wasn’t sure of the outcome and finally, we got the word that Dan would survive, but that he wouldn’t be able to finish out the anthology.

My heart sank. We at HorrorAddicts.net were stunned and in a frozen state of denial. Dan, the dude who had always brought humor and brightness to our lives would no longer be on the crew and his book… What would we do about the book?

It was a tough decision. First, I had no help to produce the book with Dan gone, but even more, should I continue his vision without him at the helm? It was a tough decision. I spent hours considering canceling the book. I wrote out a pros and cons list. I spoke to Dan and his wife on text, on the phone, and considered what the impact would be should we cancel the publication mid-stream. And then I asked a question that I had joked with Dan about many times in the past. I simply asked,

What would Dan do?

And the answer I could hear in my head as clear as day was…

Dan would want the book published.

Dan had imagined a handful of stories he was going to write for the anthology. We talked about it daily. He’d poured his heart and soul into planning the book. So why shouldn’t Dan’s dream be realized?

We decided to go ahead and complete his dream of publishing this book. The fact that we have finished it for him makes me sad that he was not able to be involved very much, but it also fills me with happiness that we could see it through.

Naching had come on during this trauma and really helped pull me through. She has been an integral part of this publication as our new Head of Publishing and I couldn’t have done it without her!

I hope you enjoy this book and the plethora of ways tech can kill you. Should make for a fun read. 🙂

There is a little secret in the beginning of the book in binary code.

00110100 00100000 01000100 01100001 01101110

Which translates to: 4 Dan

I am glad this book is out for your enjoyment and the best thing about this book promotion will be when I am able to hand Dan the print copy when I see him this summer and watch the elation in his face as he realizes his dream has come true.

Thank you Dan.

HorrorAddicts.net, 166 Isobel Blackthorn

Horror Addicts Episode# 166

SEASON 14 “We’re Cursed, Again!!!”

Horror Hostess: Emerian Rich

Intro Music by: Valentine Wolfe

———————

Tamerlane’s Tomb

isobel blackthorn, laang, tales from the crypt S4

Find all articles and interviews at: http://www.horroraddicts.net

166 days till halloween

*terror trax: lang, shenyuan

*catchup: always behind, busy, kid, old, granny goth, end of emz? no time, race to death
*cursed place: tamerlane’s tomb, california accent,

*logbook of terror: tamerlane’s tomb, russell

*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, emerian rich-clara and willow, pete lutz-jay, theme music-valentine wolf

*ghastly games: daphne, space station zemo

*guest blog: john c adams, from beast to man and back again

*frightening flix: kbatz, tales from the crypt S4

*live action reviews: crystal,  the matriarch

*the bigfoot files: lionel, hunter shea, swamp monster massacre, skunk apes

*dead mail:
**patricia #sevenghostlyspins, berkeley book fest, hwa, campfire tales, loren rhoads, em markoff, ls johnson, sumiko saulson
**lola run, baby, run, spekrfreaks
https://www.facebook.com/spekrfreks
night’s knights, dusk’s warriors, listen to books:
https://nightsknights.wordpress.com/

**freddie, black summer, zombies, outbreak
email us: horroraddicts@gmail.com

*news: my darling dead: jesse, kill switch, ha sub call, play or die, werewolf the apocalypse, video game, e3, earthblood, the weeping woman, la lalorana, detective pikachu,

*book: my boyfriend is a vampire, yu-rang han, reviewed by emerian rich

*chilling chat: isobel blackthorn  interviewed by naching

*story: cabin session by isobel blackthorn, read by emerian rich

————————————-

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc…

horroraddicts@gmail.com

h o s t e s s

Emerian Rich

h e a d  o f p u b l i s h i n g

Naching T. Kassa

p u b l i s h i n g  p. a.

Cedar George

b l o g  e d i t o r

Nox

s t a f f

KBatz (Kristin Battestella), Daphne Strasert, Jesse Orr, Russell Holbrook, Lionel Green, Keiran Judge, Crystal Connor, Cedar George, Diana Clarke, Nightshade, Mimielle, D.J. Pitsiladis.

Want to be a part of the HA staff? Email horroraddicts@gmail.com

b l o g  / c o n t a c t / s h o w . n o t e s

http://www.horroraddicts.net

t h e  b e l f r y  a p p

https://play.google.com/store/apps/details?id=tv.wizzard.android.belfry&hl=en_US

 

 

Chilling Chat: Episode 166 Isobel Blackthorn

chillingchat

Isobel Blackthorn is a prolific novelist of unique and engaging fiction. She writes dark psychological thrillers, mysteries, and contemporary and literary fiction. On the dark side Blackthorn_Isobelare Twerk, The Cabin Sessions and The Legacy of Old Gran Parks. Her Canary Islands’ collection begins with “The Drago Tree” and includes “A Matter of Latitude” and “Clarissa’s Warning”. Her interest in the occult is explored in The Unlikely Occultist: A biographical novel of Alice A. Bailey, and the dark mystery A Perfect Square. Her short story, ‘Lacquer’, appears in the esteemed A Time for Violence anthology.

Isobel is a gracious and charming woman. We spoke of inspirations, influences, and surprising characters.

NTK: Welcome to Chilling Chat, Isobel! Thank you for joining me today. Could you tell the Horror Addicts how old you were when you discovered horror?

IB: I discovered horror when I was sixteen and sat petrified in the movie theatre watching The Omen. Then came Rosemary’s Baby. I am not sure which was more terrifying. I could not bring myself to watch Carrie or The Exorcist. I was too easily spooked.

NTK: What author has influenced you most?

IB: Both King and Stoker were my early influences. Now I have been introduced to the novels of many horror authors, including the magnificent Sangré by Carlos Colón, a vampire tale like no other, and Return to Hiroshima by Bob van Laerhoven, which is as classy as noir thrillers get.

NTK: What inspired you to write The Cabin Sessions?

IB: The Cabin Sessions arose out of a combination of factors that were going on in my life at the time. That was how the book started out.

NTK: How much control do you exert over your characters? Do they have free will?

IB: As soon as I started writing The Cabin Sessions, a minor character stepped forward and took over the narrative. Nothing like that has happened to me as a writer before or since. It was a very dark and confronting process, giving her the freedom to express The Cabin Sessionsherself. I had my own internal horror story going on inside of me during the writing process as a result.

NTK: What is your creative process like? Do you outline before writing? Or do you just write as the mood strikes you?

IB: A little of both. I start out with an idea, which gradually gathers substance. I conjure a few characters, the setting, and the bones of a plot. Then, once I have enough, which usually takes a year, I start writing. I let the voice come, the narrator. Once I have the narrator, I write the first chapter and see where it takes me. Then, there is usually a bit of figuring out before I write the next few chapters. After that, I only plot when I have to. Sometimes I know the ending, sometimes I don’t.

NTK: Where do you find inspiration?

IB: I am inspired by everything. I follow my passion and it leads me all over the place. Every book I write is unique as a result. Horror is a vast genre and as soon as The Cabin Sessions came out and I tried to define it–it’s a dark psychological thriller–I began to explore all the other kinds of horror fiction out there and wondered where I was heading next. I decided I had an appetite for dark thrillers and as soon as I was introduced to Giallo, I was sold. My novel, Twerk, set in a Las Vegas strip club, draws on Giallo tropes.

NTK: What is the difference between a thriller and a horror story?

IB: A thriller follows certain rules and does not necessarily contain any horror tropes. Horror is all about the tropes. Horror is there to shock, to horrify, to revolt. Thrillers seek to thrill. I write dark thrillers and there is enough horror in them for all but the most hardline horror aficionados.

NTK: In your opinion, why do people enjoy horror? What attracts them to darkness?

IB: People like the adrenalin rush. It’s the same as a roller coaster. You are wobbly when you get off and kinda pleased it was over, then the rush fades out and you are in the queue for the next ride. It is very addictive.

NTK: What does the future hold for you? What do we have to look forward to?A Time for Violence

IB: I have written three dark fiction novels and a few dark short stories. One has just come out in A Time for Violence, an anthology including shorts by Richard Chizmar and Max Allan Collins, Paul D. Brazill, Andrew Nette, Joe R. Lansdale, Elka Ray, and Tom Vater. My story, “Lacquer” forms the first chapter of a noir thriller set in San Francisco and Singapore.

I’ve also been shortlisted for the Ada Cambridge prose prize and my story will appear in the anthology.

NTK: Congratulations, Isobel! That’s awesome! Thank you so much for chatting with me.

IB: Thank you so much for this, Naching!

You can find Isobel on Facebook, Goodreads, Twitter, and Instagram.

 

 

THE BIGFOOT FILES | Chapter Three: Swamp Monster Massacre

Horror author Hunter Shea admittedly owes a lot of his success to Skunk Apes, the Everglades version of Bigfoot.

Swamp Monster Massacre cover.jpg

Shea’s fast-paced, action-packed horror novel, Swamp Monster Massacre, is a crowd-pleasing creature feature about a criminal on the lam alongside a group of Everglades tourists trying to survive a pissed-off family of Skunk Apes.

Swamp Monster Massacre is also the book that helped launch Shea’s career as a writer of cryptid fiction.

In an exclusive interview for The Bigfoot Files, Shea said a popular TV show sparked the idea for Swamp Monster Massacre.

“The entire novel literally came to me fully formed while watching an episode of Bar Rescue,” Shea said. “I knew I wanted to write a Bigfoot book, but I had to take a different angle. And I wanted the heat of summer to be a character of its own, so my mind immediately went to the Florida Everglades. Settling on Skunk Apes, those smelly beasties of the swamp, I thought, ‘Wouldn’t it be great to strand a bunch of tourists in a fan boat in the middle of the Everglades?’ And what better way to do that than have them kidnapped by a criminal named Rooster. It was one of the very few times a story popped into my head fully formed. I wrote the book over the course of three weeks in a kind of fever dream. Little did I know how much that crazy little book would change my life.”

While evidence of the Skunk Ape’s existence is lacking, Shea’s discovery is based on clear proof of his unique writing talent in the horror genre.

hunter-shea-headshot-2016.jpg

Hunter Shea

“I was discovered by my editor at Kensington/Pinnacle when he read the book,” Shea said. “That turned into a three mass market paperback deal and other books that have followed. It also set me on my cryptid course. I’ve now written about the Jersey Devil, Orang Pendeks, the Loch Ness Monster, the Dover Demon, and so many more. In fact, I kind of combine the beasts and many of the characters from those standalone books into my Patreon only choose-your-adventure story, Clash of the Cryptids. That book led me to meeting and befriending real cryptozoologists, including Loren Coleman. I’ve even had some of my books on display at the International Cryptozoology Museum. It’s kind of crazy to think how so much has come from a book called Swamp Monster Massacre. It’s a dream come true in a very weird way.”

Swamp Monster Massacre begins with a hot-under-the-collar criminal named Rooster Murphy prying his knuckle from the shattered eye socket of a Cuban named Cheech after a gun deal gone wrong. Rooster soon finds himself on the run from three vengeful Cubans and commandeers an airboat of tourists to escape.

On the boat are pilot Mick and seven passengers. The passenger list includes two Jersey Shore-type guys Angelo and Dominic; identical twin blonde college girls Liz and Maddie; older married couple John and Carol; and businessman Jack.

Rooster doesn’t want to hurt anybody. He just wants to reach a safe house hidden in the Everglades that his father showed him when he was old enough to learn the family business. However, the passengers don’t know Rooster’s intentions and attempt to disarm him, resulting in a boat wreck that strands everyone in the middle of the swamp, miles away from the safe house.

Unfortunately, the boat happened to hit a young Skunk Ape standing on the shore, killing it and sending the other Skunk Apes into a bloodlust of vengeance. The rest of the story follows Rooster, Mick, and the tourists into the Everglades where the family of Skunk Apes hounds the group, picking off the humans one by one.

Shea writes the action at a breathless pace but doesn’t forget to include details of the swamp’s heat and mosquitoes, which makes the setting a character of its own. Despite the gory nature of the book (Massacre is in the title), Shea provides a kind of comedy relief with some of his dialogue and descriptive metaphors.

He saves some of his best descriptions for the Skunk Apes:

  • “Four hairy monsters, the smallest at just about seven feet, the largest over eight, stood side by side on the shore, bellowing with murderous intent. All had broad, muscular chests, and one sported a pair of drooping, furred breasts. The hair on their heads was long, like an 80s glam band gone rogue. Their immense, talon-like hands hung low, almost to their knees. A small amount of bronze flesh was visible on their faces, but the rest of them just looked like bipedal woolly mammoths. And their eyes! Eight flaming eyes bored out from under all that hair and filth.”
  • The Skunk Ape’s smell? “It was like a combination of gasoline, body odor, wet dog, and the inside of a baby’s diaper.”
  • The Skunk Ape’s sound? “Suddenly, there was a loud roar, like what Rooster would imagine a tiger caught in a bear trap would sound like.”

One of my favorite lines is when Rooster tries to convince the pilot that they need to get moving: “It’s either that, or sit here like a corn dog on a dinner plate.”

The climax of Swamp Monster Massacre is brutal as the story dips into extreme elements of horror for the finale, but what a wild ride at the end. The tone of the book reminded me of the 1987 film Predator starring Arnold Schwarzenegger, where the tension of a possible surprise attack at any moment keeps everyone on edge.

Shea’s interest in and ability to write about cryptids is legit, and among his many cryptid titles is Savage Jungle, a novel about Sumatra’s version of Bigfoot, the Orang Pendek.

Savage Jungle cover.jpg

I asked Shea if he believes in Bigfoot.

“I believe there is a high probability that Bigfoot is real, but perhaps not in the way that people think and hope,” Shea explained. “I’m not on board with the interdimensional Sasquatch theory, nor do I think they are aligned with extraterrestrial interlopers. I think that whatever they are is something beyond our modern comprehension. That goes for ghosts and ETs as well. Somehow, they are all connected and have always been throughout time, with different names given to them by succeeding generations of man. Are they physical beings? I tend to think they are ultra-physical, a form of life we’re not equipped with at this time in our development to even fathom. Anyone trying to explain Bigfoot is like the Buddha telling people how a cellphone works. No matter what, belief makes the world a much more fascinating place.”

I also asked Shea why he thinks Bigfoot continues to remain so prevalent in pop culture today.

“Bigfoot is fun for the city dwellers, a monster myth that makes for cool TV specials, bad movies, and some bizarre books,” Shea replied. “For the woodsy folks, it’s a killer campfire story that adds an element of excitement to a night in the deep, dark forest. I once took my daughters on a nature hike in Maine that was basically a trail that wrapped around Main Street. You could even hear cars from time to time. But when they heard what sounded like a wood knock, they nearly beat feet and ran the hell out of there. Fear is good. It’s a rush. It makes us feel alive. In a time where it seems like everything is at our fingertips, it’s nice to think we don’t have everything figured out. The possibility that our long lost cousin or the missing link is still out there, ready to redefine our notions of ourselves, is downright fascinating.”

NEXT UP | Chapter Four: “The Road Best Not Taken.” I review the horror short story “The Road Best Not Taken” from the collection Snowbird Gothic by Richard Dansky, featuring an exclusive interview with the author about how the Bigfoot legend inspired his story.

♦ ♦ ♦ ♦

RELATED LINKS:

THE BIGFOOT FILES | Chapter One: The Idea of Bigfoot

THE BIGFOOT FILES| Chapter Two: Dweller

Ghastly Games with Daphne Strasert: Space Station Zemo

Game Review: Space Station Zemo

Introduction

In the distant future, a group of survivors is stranded on a doomed space station. There’s only one escape pod left. They must compete with each other and the perils of their environment to activate and enter the last remaining escape pod before someone else does.

Space Station Zemo created by InQuest. is a strategy board game for 2-5 players and takes about an hour to play.

Game Play

Before you can play Space Station Zemo, you must first make the game. All the materials are free in PDF form online (you can get them by searching, but Board Game Geek has them collected here). They are designed to be printed on card stock and assembled by you. We were able to put it together in about an hour (depends how much you care about the look of the final product)

Once you have that together, it’s time to play.

Choose a character: Chuckie the Zombie, Floyd the Droid, Mush the Abomination, Pete the Cook, or The Rats (literally just a lot of rats). Each character has a special power that will help you to win the game. You then choose a secret access code for your character (three letters, either A or B, to limit options).

The Space Station is composed of rooms and hallways with the escape pod at the center. The winner of the game is the first person to successfully enter the escape pod OR the last character alive.

Each round consists of a movement phase and an action phase. All players move their characters first, then decide what they want to do (fight, pick up an item, push a button, etc.)

To enter the escape pod you must first set your character’s access code (each character secretly chooses one before the game starts) by visiting each of the three code rooms. You must also have a Pod ATM Card. This can be found by visiting rooms in the station. Each room has a card that you can pick up. Some cards are traps that kill you. Others are items that help you kill others. As you navigate the board, you’ll have to fight the other characters as they try to accomplish the same task.

Game Experience

Space Station Zemo is fun and ridiculous. The characters’ special powers change the strategies of gameplay, making it more fun (some can teleport, others leave explosive polyps, a few change form). We assign characters randomly when we play because certain people are TOO good at playing a particular character.

It’s disappointing that there is no manufactured version of the game available for purchase because I would love to have a real board and game pieces. The quality is the only real drawback that I can see.

Things can get messy quickly in a game where you’re playing against each other and the board itself. Game effects such as an open airlock and a security bot are just as deadly as fighting other characters.

Final Thoughts

I highly recommend Space Station Zemo. The rules aren’t as complicated as those of others that I’ve reviewed here. It still isn’t a children’s game, but it is suitable for younger players and for those who are interesting in getting into more strategy-based games. Since the game is free, the only investment is time—a perfect tradeoff for game players.