There are many superstitious actors who will tell you about various curses of the theatre. Like how they can’t wish each other good luck, but rather “break a leg”.
The most famous, however, may be to not say the name of The Scottish Play. This is brought most humorously to light on an episode of Blackadder The Third.
To honor the Three Witches, all items in this stew come in threes. We’ll be making this in our magic cauldron (called a pressure cooker).
ANALYSIS
Servings: 9 serving bowls
Ingredients
3 Tbsp of oil
Three meats 1.5 lbs bone-in mutton/lamb shank 1.5 lbs bone-in beef/veal shank 1.5 lbs gammon joint or ham hocks
Three seasonings 1 Tbsp kosher or sea salt 1 Tbsp ground black pepper 1 Tbsp smoked paprika
Three aromatics 3 leeks (or 1 onion), chopped 6 garlic cloves, minced (or 1 Tbsp minced garlic, or 1 tsp garlic powder) 1/3 cup of all-purpose flour
Three herbs 3 bay leaves, fresh or dried 6 sprigs of oregano (or 1/2 tsp of ground oregano) 9 sprigs of thyme (or 1 tsp dried thyme, or 3/4 tsp of ground thyme)
Three brews for the stew 9 oz Scottish ale (like Kilt Lifter) 6 oz Oat stout 3 oz Triple Malt Scotch whisky
Three leafy greens 1 bunch of kale
2 scallions, chopped 3 ribs of celery, chopped
Three roots 3 wee neeps (turnips or small rutabagas, or 3 parsnips), chopped 6 carrots, chopped 9 young tatties (waxy or fingerling potatoes)
Three pints of water
Apparatus
Pressure cooker, 7-quart
Procedure
Chop all of the veggies first and set aside in the groups listed above.
Pour 3 Tbsp of oil with a high smoke point (like corn or peanut, or even ghee or clarified butter; canola is the lowest smoke-point oil you should use) into the pressure cooker. Turn heat to high.
Cut the lamb and beef into large chunks (save the bones) and season with salt, pepper, and paprika.
When the oil begins to shimmer, brown the lamb and beef on all sides. Remove and set aside.
Reduce heat to medium. Saute the leeks/onion and garlic for about 1 minute. Add the flour and stir to combine.
Deglaze with the ale. Then add the stout and scotch.
Place the bones into the cooker first, then add the meat back, and then the rest of the ingredients. Top with 3 pints of water, or as much as you need to just fill under the Max Fill line.
Return the heat to high. Close and lock the lid. Cook on high until pressure valve whistles or rattles, then turn heat down to low and cook for about 33 minutes under pressure.
Remove the bones, bay leaves, and herb sprigs. Meat should be tender and the veggies supple. Ladle into bowls and allow to cool before serving.
DISSECTION
We are using about 1.5 pounds of bone-in meat each because we want the bones for the stock. Once cooked, we’ll have about 3 pounds of meat.
If you don’t have a pressure cooker, you can use a large crock pot and cook on high for 333 minutes, or about 5 1/2 hours. It is much harder to make what is essentially the stock this way, however.
Horror Addicts Episode# 190
SEASON 15 “Cursed, Cubed”
Horror Hostess: Emerian Rich
with guests Star, Mercy Hollow, and R.L. Merrill
Intro Music by: Valentine Wolfe
3 hr Halloween Special!
nicole givens kurtz | jack mangan | frank h. woodward | selah janel | shadow fashion | frankenstein chronicles |
Find all articles and interviews at: http://www.horroraddicts.net 14 days till Halloween/Halloween NOT canceled! terror trax: shadow fashion, children of the night catchup: welcome, intro to in-studio guests: star, classic literature, r.l. merrill, musical musings maven, mercy hollow, return victim, drinking word: horror merrill’s musical musings: r.l. merrill, mechants by isolation craft: halloween wall-hanging
supplies:
*3 (or more) wooden halloween cutout ornaments
*thin string or embroidery thread
*at least 2 markers of your favorite colors that compliment each other
*a sparkly glitter pen
*various halloween charms and beads that match your colors.
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how not to be cursed: know when to quit, jeanne rodgers the “most cursed”, bat, boat mishaps, etc…mercy cursed? star favorite costumes, lucy, sonny bono, mad hatter, boy George
14:00Interview Selah Janel costuming, acting, gizmo, gremlins, king’s island, friday the 13th, punked fairytales, lost boys, dress made of synthetic skin, demon attack, swedish chef outfit, batgirl, fairy, wings
ro costume misshaps, cyndi lauper, how to use/start your glitter pen daphne’s den of darkness: daphne strasert small town horror, hold the dark, the crazies, the fog, 30 days of night, and the town that dreaded sundown. emz, storm of the century, mercy, alfred hitchcock, the birds frightening flix: kbatz, frankenstein chronicles S2
42:13 Interview with Frank H. Woodward
men in suits, frank was on #97, s8, lovecraft fear of the unknown, wrong turn 6, 30 years of working in movies, movie biz, marketing, covid, closure of sets, postponing releases, netflix buying theaters, disney, amc, microbudgets, short film, clean, drivein festival, lovecraft country, h.p. lovecraft, racisim, harry potter, j k rowling, bad mouthing trans people, doesn’t belong to her anymore, movies, etc are the fans, neil gaiman, new rules about set procedures, tyler perry, pods in filming, batman, robert pattinson, quarantine pay, sick pay, celebrate, film fest, zombie escape room in your home
Film Sense Podcast https://directory.libsyn.com/shows/view/id/filmsense
crafting check-in, juiced glitter pen, color the wooden pieces and use glitter pen on top of colors live action reviews: crystal connor, alone magnolia pictures
movies coming up: Don’t Look Back (2020), The Empty Man (2020), Synchronic (2019), Come Play (2020), Dune (2020), Antlers (2021), Ghostbusters: Afterlife (2021), Morbius (2021), A Quiet Place Part II (2020), Last Night in Soho (2021), Godzilla vs. Kong (2021), Spiral (2021), CANDYMAN Expected 2021, The Forever Purge (2021), The Batman (2021), Halloween Kills (2021)
halloween movie watchlist game: evil dead 2, rocky horror, frankenstein, nightmare before christmas, the great pumpkin, hocus pocus, beetlejuice, ghost ship, little shop of horrors
craft check-in, tie them together
1:37:10 Interview with Nicole Givens Kurtz and Mocha Memoirs Press / SLAY The book SLAY, non POC writer mistakes, women write horror, only white men can write horror?
Writing the Other: https://writingtheother.com
Mocha Memoirs Press: https://mochamemoirspress.com
halloween suggestions: bram stoker’s dracula, sleepy hollow, the crow, the haunting of hill house, pet semetery
Nicole’s work: https://nicolegivenskurtz.net chilling chat: naching t. kassa, nicole kurtz
2:05:01 best band award announced and message from the winner, kbatz krafts: halloween haul and how not to make orbs logbook of terror: russell holbrook, milo’s yard bigfoot files: lionel green, the search breedlove’s documentary
2:12:03 best in blood, winner is announced and surprised on audio.
glitter attacks, watermelon glitter burst, mercy glitter crime boss, star craft, too much glitter, rassle dazzle ghost dead mail: michele: the grey lady, the turnoff the screw, the woman in white, dracula, the portrait of dorian grey, salem witch trials, cotton mather notebooks, the house of seven gables, old time radio, the plague by albert camus https://en.wikipedia.org/wiki/Cotton_Mather
(other suggestions: “The Spider” by Hanns Heinz Ewers, “Diary of a Madman” by Nikolai Gogol, “The Signal Man” by Charles Dickens)
jeff: answer for realistic pandemic movies for james, contagion, outbreak, the hot zone, alas babylon, the stand, ghost story special, nancy kilpatrick, mercy favs: 12 monkeys, i am legend, the rain, the handmaids tale, 3%
seth: movie soundtracks for writing, interview with the vampire, dracula musical, 5th element, beetlejuice, accuradio video game soundtracks, classic horror film soundtracks, suspiria, ros: fright night, pet semetery, rocky horror, reanimator, the shining, danny elfman, in the tall grass, midnight special, the twilight zone, wanna see something really scary, creature features, gremlins, the lost boys, g tom mac, episode #136, dan shaurette interviewed him news: the new craft movie, the craft legacy, blumhouse, jesse orr, my darling dead, bastards, mocha memoirs press, SLAY, haunts and hellions, transmundane press, ON TIME, emerian rich, philip steven, dj tryer, valentine wolfe.bandcamp.com book review: benjamin langley, normal review by stephanie ellis
2:41:50 Interview with Jack Mangan was on #23, #52, in two of dan’s two audiodramas, am i evil, metallica, diamondhead, brian tatler, sean harris, witch burning, revenge, comic, graphic novel, fan art, rich catino, james f beverage, derek mau, spherical tomi, fiction writing, halloween plans, no more events on halloween, no trick or treating, but fun at the house, candy, harry potter, peanuts, star wars, snakes, slytherin, horror movie recommends: evil dead 2, bruce campbell, evil dead musical, splatter zone, poltergeist
Am I Evil: https://www.amievil-graphicnovel.com
Metal Asylum: http://www.metalasylum.net
Jack Mangan’s site: http://jackmangan.com
last word on crafts, ro: advanced crafting, star: by the book, mercy: flamethrower edition.
Mercy Hollow: https://www.mercyhollow.com
R.L. Merrill: https://www.rlmerrillauthor.com
Star: I can’t wait for The Haunting of Bly Manor!
bloopers
catchup: allergies! School distance learning, slytherin, ravenclaw, jk rowling shut up, frank h woodward, fans own harry potter, all inclusive, ghost voyage, syfy, #alive, movie, zombies, great movie
catchup: new charmed, harry whitelighter, jane eyre, the curse of oak island, football, sling, dressing as harry potter, slytherin, ravenclaw, snakes, 1980s dress, emz is old
merrill’s musical musings: r.l. merrill, giant monsters on horizon
how not to be cursed: know your weakenesses
logbook of terror: russell holbrook, mr punctuality
ro: horroraddicts.net, how created, night’s knights, horror listeners, office angst, listener and staff driven, creatives listening.
news: jesse orr, my darling dead, bastards, haunts and hellions, free fiction by john c adams, dusk’s warriors, by emerian rich, requiem in frost, by jonathan fortin, vampires fall rpg
book review: belle vue by cs alleyne review by daphne strasert
author feature:interview by naching t. kassa,jason lavelle, teddy bear picnic
news: razorwire halo’s cover my eyes, my darling dead s2, jesse, orr, haunts and hellions, sacrifices incarnate by christopher fink, alice’s scars by adam bealby, SLAY, mocha memoirs press, https://www.amazon.com/dp/B08FM3MC3L
book review: review by stephanie ellis, 324 Abercorn Street by Mark Allan Gunnells
extra or guests: kbatz krafts, regency sewing, gothic gallery, stairway scary portraits, naching chilling chat, nancy kilpatrick, nox, did i meet millicent washburn shinn?
live action reviews: crystal connor, she dies tomorrow
dead mail: paul, video games, resident evil 2 remake, dead space, skyrim, richard armitage as a vampire and cthulu hunter? jeff, 13th year plans, hellhounds, howling, mel, scary thoughts, am i cursed, will i be cursed, street dangers, ladder, etc…
news: lovecraft country, jesse orr’s, my darling dead s2, bastards, haunts and hellions sub call, s10 of walking dead, aquaman 2, horror seeker, remembering john saxon, black christmas, tenebrae, nightmare on elm street
book review: rabid by kris rimmer, reviewed by patricia watson
another day dawns, taste of heaven, video games, house flipper, goth decor, minecraft nether, hell, crimson, warped, ro’s recs, rl merrill, end of days music, rem, bring me the horizon, how not to be cursed, cursed phone number, all owners die, logbook of terror, jessie don’t you lose that number, russell hollbrook, they wound like worms, naching t kassa, cedar george, odds and dead ends, kieran judge, ring, ringu, frightening flix, dial m for murder, kbatz, daphne’s den of darkness, what hell may come, rex hurst, amulet, live action reviews, crystal connor, amulet, romola garai, daniel deronda, emma, nicholas nickleby, bigfoot files, the man who killed hitler and then bigfoot, sam elliot, dead mail, larry, evil kids from california, peter, tubi list, dark shadows, afterlife, sally, evp played, news: jack mangan to produce comic based on am i evil, jesse orr, my darling dead, haunts and hellions sub call, a craig newman novel on sale, serial killer trivia contest, quar-horror films, host, shudder, stay at home, hersey’s is ready for halloween, franken cups, kit kat witches brew, vampire chocolates, fangs, punk faction david gamage, voodoo lynn reviewed, chilling chat, naching, katherin hutson, sample reads of sleepwater static, bloopers
This is a topic I’ve mused upon for many years, and when the remake of Pet Sematary came out last year, featuring a ghost girl of sorts, the thoughts returned to me. Why is it that I disliked Samara in The Ring, but loved Sadako inRingu? It couldn’t just be that one was the original whilst one was a remake. It couldn’t be that they changed the name for a western audience. It couldn’t just be the different actress. So here I’ve decided to break down the two presentations of the character from the two most well known adaptations, 1998’s Ringu, directed by Hideo Nakata, and Gore Verbinski’s 2002 remake, Ring, to try and place my discomfort.
We first have to acknowledge a difference in how we are first exposed to Sadako and Samara, which is deeply cultural in origin. Sadako’s story is given to us by having one of our protagonists experience visions of Shizuka’s psychic performances which led to her slander, suicide, and the unfolding of events around Sadako. With Samara, however, the equivalent information is revealed through a series of tapes, including some interviewing Samara about her powers. Here we see that there are some things that have been changed in the cultural translation; that the spiritual, psychic reveal has been altered for a technological one. We can reason that this is because the supernatural version would be more plausibly received in Japan than the US, where a scientific, technological explanation has been given (this is a slightly stereotypical explanation, but it seems to fit). This doesn’t change anything to do with the character, but does highlight that the changes are more than just the name.
Now we get to what we are shown in these reveals, our antagonist, and it is here that I begin to feel the difference. In Ringu, Sadako flashes, never utters a word. The journalist who calls out Shizuka for fraud keels over with a heart attack, and we have a ringing in our ears. Then, when Shizuka calls out Sadako, and we have the memory of the word ‘Sada’ on the tape, things fall into place. We still haven’t seen her. But when little Sadako runs into Asakawa, transplanted into the dream, and we see her ripped fingernails clench around her wrist, we know that something is seriously wrong, and violent.
At the well, we have another flash of a young woman (Sadako) with long hair peering into a well, before being bludgeoned and tossed inside. All without seeing her face; without hearing a word. A few minutes later we get the reveal of her skeleton, rotted away from decades in the dark, alone, having tried to claw her way out of the well. In all of this we have never heard her voice, seen her face; nothing that makes her an individual. She is a figure repressed, pent up, who has murdered four people already, and has a curse on several more. She is disembodied, silent, vengeful wrath, inhabiting a mere shell.
And this is what we see in the final, climactic scene of the film with Sadako crawling out of the television. It is slow and laborious, her kabuki-theatre-styled movements like someone unused to using their limbs, like a force possessing a body. She slowly stands, arms creaking, shuffling across the floor. You get the feeling that it doesn’t matter that she’s moving so slowly, because she’s just come out of a damn videotape. You’re dead anyway. And when her hair finally lifts, all we get is a swollen, veined, wrathful eye. No mouth, no nose, not even both eyes. Just the one, expressing all the rage and malice that has built like a brewing storm.
When we look at Samara’s presentation, what we get is a much more personal, humanised take on the character. Verbinski and writer Ehren Kruger give Samara a personality, and by giving her a voice and letting us see her face, try to create a distinct individual behind the long hair. They present us with a wronged child, instead of the repressed (and wronged by default) woman.
The trouble with this is that, in my opinion (and this is an opinion piece, let’s be fair), when you give a child a voice in a film, and especially an antagonistic child, you need to make sure that the child actually comes across as malevolent. For me, she comes across as a little annoying, and too much like a young child to feel particularly threatening.
We have the same issue seen with the original, silent Michael Myers in Halloween (Carpenter, 1978), as opposed to the remake by Rob Zombie (2007). By giving Myers a voice in his past, it strips some of the mystery away from the character, and his place, as a surrogate for evil has been replaced by a clichéd journey of a troubled child into psychopathy. For me, the same thing is present here in The Ring. These interview scenes don’t seem much different to Charlie’s incarceration in Stephen King’s Firestarter, and at least there we had Charlie as a main character for hundreds of pages beforehand, and were hoping for her escape. It’s a different take, a different look at the same character, but for me, much of the malice is taken out of Samara by attempting to present her as a person.
And in the final scene, a number of changes in how the TV-crawl is handled have been implemented. Instead of just using the television as a medium to record herself and emerge into the real world, Samara is part of the television itself, glitching and glowing as the image renders. She’s not fully part of this world anymore, but still connected to it, more of a ghost than a real, sinister presence. A downside to this is that you have to believe the CGI on Samara as well. She’s much quicker than Sadako here, out of the television in seconds, on her feet almost instantly, and teleporting across the room for a jump scare. She wants to be there and in your face, as opposed to Sadako’s wrathful judgement. It’s far more personal, as if there’s a specific grudge to bear against individuals inside Samara, whereas Sadako didn’t care because there was no humanity left; it had been hollowed out and filled back up with sheer hatred. Samara is specified revenge; Sadako is revenge personified.
The Ring also includes a Hollywood-style cross-cutting, with Rachel rushing across town to try and save Noah. I’m all for cross-cutting for tension building; it’s one of those techniques which works 80% of the time. But here it dilutes what made the original scene’s sense of inevitability. By not leaving that room whilst Sadako emerged, you were trapped in there along with Ryuji, and the slow, laborious way in which the scene played out kept you transfixed. You forgot the rest of the world existed, and focused only on the threat that had emerged before you.
Another aspect of the vocal/silent change is that we feel in the final scene that we might have a chance to reason with Samara, because we’ve seen her asking about her mother, and interacting verbally with the doctors. With Sadako, when she emerges from that TV set, you know that there’s no chance of getting out alive.
I’m of the opinion (in general), that Ringu is the superior film over The Ring, but then I’m of the opinion that Suzuki’s novel is even better than the film (seriously one of the best horror thrillers I’ve ever read). In both films we have fairly different interpretations of Sadako; a silent embodiment of sheer wrath and female repression in Japan, and a personal, paranormal grudge spilling out of control in America. With Sadako, her interpretation plays into the overall doom-laden, dark and dour atmosphere of inevitability which the film creates. In Samara, a more humanised manifestation leads to a stylised paranormal revenge story to suit a mainstream western audience.
I don’t disagree with trying what the remake attempted in Samara, because sometimes humanising a villain makes them scarier, that we know they’re human (or nearly) and can still do what they do. Here, however, was not the right time to do it. That doomy dread becomes a stylised shocker which never hits the same nerve, and Samara’s ‘can I see my mommy?’ removes all of the terror from my antagonist. The Ring isn’t an awful movie in itself, and there are certainly worse adaptations the US has done of paranormal films from Asia in the last few decades, but I’ll go back to Ringu and Sadako Yamamura over Samara Morgan all seven days of the week.
sharone, terror trax, 184+ recordings for HA to catch up on, 12 yr anniversary, jeff carlson, thanks to all our listeners, favorite memories? andrew neiderman, patterson lundquist, midnight syndicate, abie eke, www contest, rhonda carpenter, he roulo, arlene radasky, michele roger, mike bennett, night crossing, gothhaus, gothmazing race, #NGHW contest, serena toxicat passing, protea, into the waves, sumiko saulson and russell talk about serena, r.l. merrill , my life with the thrill kill cult, fangs of love, patreon closed, how not to be cursed, some kids deserve to die, i don’t like mondays, brenda ann spencer, boomtown rats, graham young, teacup poisoner, edmond kemper, russell, logbook of terror, wednesday’s child, audiodrama, they wound like worms, odds and dead ends, keiran, the fog, frightening flix, kbatz, hole in the ground, child horror movie, vacation or not, kbatz kraft, katy lohman, john c. adams, crystal connor, daphne den of darkness, list of movies on netflix, live action reviews, crystal connor, a knights tale, bigfoot trail, eric s brown, dead mail, peter, tubi movies, frankenstein, gothic horror, subspecies series, vampire journals, william shatner, star trek, j malcolm stewart, monsters and the people who love them, ro, when good folks are tempted by evil, curses, ha news, jesse orr, my darling dead, haunts and hellions submission call, killer shorts competition, em markoff, leaving the #9, the vampire diaries, originals, low-budget movies thriving, the wretched, becky, hulu’s palm springs, netflix, in the dead of the night, amulet, reviews coming next show, latinx month, submit latinx content, willo hausman reviews the dead stage by dan weatherer, stage plays book, chilling chat, naching t kassa, shannon lawrence, dearest
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Dark Divination Special 20:13
Naching T. Kassa and Emerian Rich chat about Dark Divination and host readings by: Hannah Hulbert, Jon O’Bergh, Rie Sheridan Rose, R.L. Merrill, Emerian Rich, Jeremy Megargee, Daphne Strasert, HRR Gorman, Alan Fisher
They Wound Like Worms audiodrama
And story profiles of Joe L. Murr, Ash Hartwell, Stephanie Ellis, Michael Fassbender
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Anyone who lives in the UK will recognise the name Alton Towers almost purely on principal. The premiere theme park in the UK and located in Staffordshire, England, is built on the grounds of an actual 15th century castle near the village of Alton, the Alton Towers of name. Converting to a full amusement park in the late 1970’s, it acquired the Corkscrew rollercoaster in 1980, the first in Europe to have a double corkscrew inversion, making a statement as to its future ambitions. It’s gone on to become bigger and bolder over the years, bringing in many top class attractions and world’s firsts, including Oblivion (the first coaster to feature a vertical drop), and The Smiler (the first with fourteen inversions). For the horror fan, it’s strangely homely, as it features a splattering of rides with dark and sinister theming.
Along with the ghost train Duel (a ride combined with a blaster game, where you shoot targets on ghouls and zombies to score points against your friends), many of the coasters are also horrifically themed. Th13teen is the principal coaster of the Dark Forest section, an evil woodland come to life, Wicker Man is a wooden coaster built around a sacrificial effigy in a similar vein to the film of the same name, and Nemesis is themed to be a ride forged from chains made to hold down an unearthed alien entity.
One of these rides is Hex, a flat ride located inside the towers itself. Hex is part walkthrough, part ride, where riders eventually sit either side of a large platform which moves in conjunction with the room, to create a disorienting experience where one eventually finds it hard to distinguish if they are moving, or the room alone, or both, or neither, or in which direction. What many people may not actually know is that the tree in the story of the ride is a real tree, and the story based off actual legend.
Traveling back home to the towers in the 1840s (though some say in the 1820’s), the Earl of Shrewsbury finds an old woman at the side of the road. Stopping the carriage, she asks him for a spare coin, to which the Earl promptly huffs, dismisses her, and travels on. As the cart pulls away, the old woman turns, points a finger at him, and calls after him, that whenever a branch should fall from a nearby oak tree, a family member of the Earl should die.
Sometime later, when the curse is all but forgotten, a storm kicks up. The winds batter the walls and howl in thenight, and in the darkness, a branch is ripped free of the tree and crashes to the ground. The curse soon comes true as a family member (a son in some versions of the tale, a daughter in others), falls ill and passes on. In some versions, another branch falls and someone else dies later again, but in all accounts, the Earl soon orders great chains to be forged. The chains are wrapped around the tree, lashing the branches to the trunk, in an attempt to avoid any future tragedy.
Where reality falls and tales begin is hard to distinguish, because the chained oak is a real tree, and there was a carriageway that ran close to it. Hollyman and Kelsall’s article on the story also describes a similar tale involving a fortune teller appearing at a banquet in exchange for shelter, and casting a similar curse when he is dismissed. We don’t actually have any idea as to how old the chains are, or when they were wrapped around the tree. Added to this, the Towers’ version of the story is embellished for the ride, adding in the Earl of Shrewsbury performing experiments on one of the branches to find a way to lift the curse. When you combine this with a lack of historical documentation for the woman in the road, chains being made, etc, you have a story which is likely created over time through whisper and rumour. At the same time, there’s nothing saying that the story couldn’t indeed be true.
It’s certainly interesting to see local folklore like this being brought to a wider audience through a theme park ride, even more that parts of it are true, if not the actual curse bit. Stone steps lead up to the real oak, rotting and degrading, like an altar. Though nobody in the current Earl’s family passed away when sections of the tree fell away a few years ago, the spookiness of it remains. A visit to the area may be a nice pilgrimage for all you horror hunters if you ever visit the park, though of course, careful not to break any branches off it whilst you’re there.
don’t be a boasting jerk, her despair, the exorcism, dark divinations, zomboat, killing eve, hulu, disney+, draining the ocean, ska-lee-tal or skeletal, suck, sigurd the mighty, logbook of terror, russell, just a scratch, dead mail: none! write in! facebook group, j malcolm stewart, which quarantine house, haunted mansion, addams family, myers house, beetlejuice house, pennywise house, rocky horror house, thank you to essentials, teaching school, they wound like worms, naching t kassa, cedar george, rl merrill, merrils musical musings, lockdown music, in this moment, lords of acid, bigfoot files, lionel, family weekend, kieran, odds and deadends, count dracula scottish castle, frightening flix, kbatz, dead ringer, 1964, live action reviews, crystal connor, trinity, daphne’s den of darkness, online tours, paris catacombs, winchester, queen mary, the conjuring house, the lizzie borden house, jesse orr’s my darling dead 2: bastards, haunts and hellions, hellraiser, hbo series, fandom, fan fiction, and fun, daft punk music agrento, dark divinations, dolly parton, buffy the vampire slayer, dolly as an evil queen vampire, daphne strasert, book review, wild hunt, nancy kilpatrick, naching, chilling chat, desiree byars, patchwork read
justin symbol, allergies, cursed cubed, artist vs. math nerds, virus, apocalypse, zombies, bills, patreon, shoutouts: verocious veronica, rockin’ rochelle, free books, emzbox subscription box, how not to be curse, becareful where you dig, terracotta army, china, yang village, farmers, cursed, suicide, death, logbook of terror, russell, call before you dig, working from home, everyone home, dead mail: jeff, holiday horror stories, rochelle, metal vs horror movies, nosferatu, dawn, curses, emz curse, negative energy at work, killed a tree, audiodrama, they wound like worms, naching t. kassa, cedar george, valentine wolfe, softly shall you sleep, dark divnations, merrills musical musings, sharone, ro’s recs dark love songs, bigfoot files, lionel, chasing bigfoot, quest for truth, odds and dead ends, kieran, j malcolm stewart, white zombie, frightening flix, kbatz, the mummy 2008, tomb of the dragon emperor, voices, zoom, skype, essential, workers, medical, grocery, live action reviews, crystal, the lodge, daphne’s den of darkness, streaming kids horror, my darling dead: bastards, jesse, haunts and hellions, gothic romance sub call, darkvein audiodrama in full on the feed now, arterial bloom, merceds m. yardley, naching, playbill, beetlejuice musical, 2021 tour, salem’s lot director, stephen king, book review, anguish of rht esapiens queen, reviewed by daphne, chilling chat, naching, a.f. stewart, blood on the looking glass, retelling of alice in wonderland, read by emerian rich, crow by kirk warrington.
Jay squinted his eyes and stared at the small sign and its simple admonishment. Know what’s below. Call before you dig! He turned to Carl.
“Management approved this dig site, yeah?”
Carl nodded. “And our coordinates are correct. This is the place.”
Jay stepped toward the sign. He scratched his chin stubble and looked closer. The sign, attached to a bright orange pole, suddenly looked like an almost perfect imitation.
“This isn’t an official county notice,” Jay said.
Carl huffed and looked the sign over. “I think you’re right. The number’s 611. Shouldn’t it be 811?”
“Yeah, it should,” Jay answered.
“Call it,” Carl said.
Quickly, Jay punched 6-1-1 into his company cell. It rang. A pleasant female voice picked up on the other end. Carl watched his partner inquire about the signage. Jay shot Carl an incredulous look. He shook his head. “This is a joke, yeah?”
“What is it?” Carl whispered.
Jay waved a hand for Carl to be quiet.
“Sorry,” Carl said.
Jay gripped the phone. “I understand that miss, but we’re official employees of the County Archeology and Treasure Hunting Division and we have our work orders.”
Jay listened. He closed his eyes and sighed. “I appreciate your concern, miss, but our work is very serious. If we don’t dig -now, today- we’ll be in deep with our employers.”
Jay listened again. His eyes rolled. Carl stood by, tapping his foot, watching, and waiting. Finally, Jay said a word of thanks and hung up.
“So?” Carl asked.
“So, this is some bullshit,” Jay replied.
“What kinda bullshit?”
Jay kicked a rock and mumbled under his breath.
“Come on, man, what?” Carl said.
Jay sighed. “The woman on the phone said we’re on consecrated ground that can never be disturbed.” He stopped and raised his eyes to his partner.
“And?” Carl said.
“And…” Jay shook his head.
“And…” Carl repeated.
“And that anyone who digs here will be cursed, even official county workers.”
Carl scoffed. “What the hell? Why?”
Jay felt his face flush with embarrassment before the words even came out of his mouth. “Because a powerful child wizard, who just happened to be her only son, buried his collection of two-thousand plastic toy soldiers here on this very spot before he ascended to heaven at the age of thirteen.”
A second of silence breathed between the two men before Carl burst into an exaggerated belly laugh. Jay smiled.
“Now that is some serious bullshit!” Carl bellowed.
Jay began to laugh. “It really is, yeah?”
“Hell yeah!” Carl shouted. “Gimme my goddamn shovel!”
The two men laughed heartily and began to dig. Thirty minutes and two feet later, Carl brought up a shovel full of dirt and tiny, green plastic soldiers.
“Look at that!” Carl said. “They’re just shitty little toys like you get from the dollar store.”
“I used to melt those kinds when I was a kid,” Jay said as he heaved up a pile of the plastic soldiers and tossed them to the side.
Carl pulled up two more hefty clods of dirt and little plastic men. “Say, what’re we supposed to be digging for anyway?”
Jay shrugged. “Dunno, man; didn’t ask, don’t care.”
Carl added his own shrug and he and Jay plunged their shovels into the dirt.
The fabric of Carl’s white t-shirt ripped. A massive wound appeared across his belly. He screamed and fell back as his insides fell out in a torrent of blood.
Jay’s eyes went wide. A scream tore halfway out of his throat, cut short by the deep gash that appeared in his neck. He gargled as his head lopped to one side, held on by mere strands of flesh and sinew.
The two men shared a final glance at one another and collapsed into the freshly turned earth.
Moments later a black SUV arrived at the dig site. A woman, a man, and a young boy exited the vehicle and eagerly stepped to the blood-soaked bodies of the dead county workers. The trio wore lab coats and the woman carried a clipboard. The man smiled wide and surveyed the scene while the woman hastily scribbled observational notes on a legal pad.
“Brilliant!” The man said. After donning plastic gloves, he pried the shovels from the hands of each of the dead workers and held them up for the woman and the boy to inspect. A toy soldier was impaled on the end of each of the shovels, one through the stomach area and the other through the neck.
“The curse is a success!” The woman said with a note of triumph in her voice.
“Yes! This will surely give us the competitive edge over Mallocorp and their simple machines!” the man added.
The man and the woman placed their hands on the shoulders of the young boy.
“We’re so very, very proud of you, Jeremy,” the woman said.
The boy smiled. “Thanks, mom. I like making curses for you and dad. It’s fun!”
The man and woman laughed heartily and drew their son in close for a hug.
“That’s my special boy!” The father said with pride.
And the little family hopped in their giant black SUV and drove away, filled with the excitement and joy of another successful experiment.
*pumpkin craft: quilted pumpkin supplies – 1 styrofoam pumpkin, bunch o’ straight pins, at least 126 fabric squares 3×3 inch alternating colors- one of them being green and ironed into triangles, timble, stitch gauge, an iron
*cursed places: salem, pressed with stones, preston castle, jackson, ca, texas, abandoned victorian house, cold spots, spooky, hauntings, winchester, john muir house, dunsmuir house pool area, real camera pictures, winchester wedding
*logbook of terror: creepy castle, russell
13:40
*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, pete lutz-jay and henry, emerian rich-clara and cleo, naching t. kassa- dr. francistein, james seo-heath, kirk warrington-fabio, theme music-valentine wolf
*ghastly games: daphne, adventure escape asylum
21:27
INTERVIEW: Jonathan Fortin, Next Great Horror Writer
writer challenge, publishing contract, clarion, lilitu, crystal lake publishing, succubus, awkward robots indigo volume, fairies, requiem in frost, norway, heavy metal ghost, helpful zombies, audiobook coming, halloween plans, edwardian ball, horror movie marathon, sleepy hollow, crimson peak, suspiria, evil dead 2, dracula, the thing
*odds and dead ends: kieran, checkmate, alexander alekhine, conspiracy, wwii, murder, wizards chess, star trek chess, 3 dimensional
*frightening flix: kbatz vid clip, gothic romance, crafting vids, tombstones, paint it black, DIY cardboard coffin, mini coffin tray, pumpkins
Kbatz Gothic Romance Vid
*live action reviews: crystal, luciferina, monestary, sex, drugs, rock and roll, occult
43:18
NEW MOVIE LINEUP end of 2019- 2020
terminator, dr. sleep, ewen mcgregor, brahms 2, maggie, walking dead, netflix, black christmas, anna and the apocalypse, the grudge (again), blumhouse untitled, uncanny annie, the turning, the turn of the screw, henry, james, the lodge, trailer on FB group, fantasy island, horror adaption, the invisible man, claude rains, tattoo, ricardo monteban, a quiet place 2, the new mutants, horror or superhero, saw (again), morbius, blade, spiderman, empty man, vampire hunters no thank you, vampire hunter d, buffy, oz, spike, angel, the woman in the window, candyman (again), escape room (again), spell, plane crash, twilight zone movie, last night in soho, halloween kills (again), micheal meyers, jamie less curtis, what is the franchise that has the most sequels, the witches, angelica huston
57: 25
INTERVIEW: A.J. Rome, writer, director, producer, actor
a.j. Rome, the vampire diaries, re-kill, mirrored, end trip, uber, black mirror, safe tech, watch on, itunes, amazon, google play, vudu, youtube movies, tubi, (coming soon) roku, acting, film creation, duplass, creep, blumhouse, paranormal activity, blair witch, halloween plans, cookie monster briefs, universal studios, halloween horror nights
***jesse orr, my darling dead, finale, rat people, willard, ben
***garden party massacre, amazon prime, carnivorous plants from target, haunted mansion funko pop toys, bill rude
***dark divinations, sub before october 31st
***the witch path, terror films
***resonance, terror films, the forest
*halloween plans, guatemala, visit family, cemetery, marigolds, little mermaid ears, mermaid tail, octo hat, sea creature photo shoot, day of the dead, katrina, cooking, altar, honoring the dead, anniversary, lunch
*catchup: book reading, night’s knights, severina, ankh, halloween store, craft store, spencer, hot topic, goths in the 90s, where have all the ankhs gone? elder goth, mall employees, retail people, zany brainy
*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, pete lutz-jay and henry, emerian rich-clara and cleo, naching t. kassa- dr. francistein, james seo-heath, kirk warrington-fabio, theme music-valentine wolf
*ghastly games: haunted hunt, daphne, night terrors, bloody mary, #dontsayhername
*horror seeker: sid haig, horror seeker, rob zombie, house of 1000 corpses
*dead mail:
****Adam: 31 days of halloween freeform, kids shows, nightmare before christmas, corpse bride, beetlejuice, halloweentown, mad monster party, hotel transylvania, suspiria, ghostship, night of the living dead ****Nell: halloween carols http://traffic.libsyn.com/horroraddicts/HorrorAddictsBonusHalloweenCarols.mp3
More than any other human invention, I find firearms to be the most tragic, heinous, and unnecessary. Yet I found myself walking the halls of a mansion built with the blood money earned from the sale of untold thousands, perhaps millions, of the life-taking invention known as the Winchester rifle. A yawn escaped my mouth as the tour guide expounded upon the lavish architecture which surrounded the small group of which I was a part. Terminally bored and feeling that I could fare better on my own, I walked away to explore.
First a left turn, then a right, then another left, another left, and a quick jaunt down a hallway full of windows that looked into more interior spaces. Alone with my thoughts, I indulged my personal scorn for automated weapons of all ilk while I followed one twisting and winding passageway after another until I had absolutely no clue as to where I was. I told myself not to worry, turned around, and went back the way I’d come, all the while listening intently for the voice of the tour guide, or the voices of the tour group to hopefully guide me along. Every turn led to another turn which led to another turn. Then, I saw a door ahead which looked familiar. Feeling heartened, I hastened to it and swung it open. Behind the door stood another door. I opened the second door to find yet a third, which opened onto a brick wall. Confounded, I closed the doors and made another attempt to find my way back to my starting point. A nervous fear set in, a sinking dread that I would be lost in this house and become stranded alone once business had ceased for the day. But, then I heard them: low murmurs, voices from somewhere nearby. My fear lessened. With stealth, I followed the sound in hopes to be led to the tour group.
As I approached a closed door, I could clearly tell that the voices were just on the other side. Believing my troubles to be over, I opened the door and crossed the threshold into a dimly lit room. Two women sat at a round table in the center of the room, an oil lamp burning between them. Upon my entrance, one of the women –an elderly lady in solid black clothing, with a shock of unkempt white hair and wrinkled skin- looked up in my direction. The lamp light illuminated the woman’s eyes, of which only the whites were visible. She shook in her chair, announcing that the spirits were among them. The other woman demanded to know what the spirits wanted. I calmly told the elderly one that I was most certainly alive, not a phantasm as she claimed. She told the other woman that I wanted revenge for the deaths of my people. I protested and denied any desire whatsoever for vengeance of any sort, telling the woman that I was simply lost and looking for my tour group. The old hag explained to her companion that I was doomed to wander the halls of the mansion for all of eternity and that she must construct more halls for me to walk. Then it struck me –I must have happened upon a dramatic scene intended for the tour! I smiled to myself as I went to the room’s door, which seemed to have closed on its own, probably due to a wind or an old, uneven floor. I grasped the doorknob and turned. It was stuck. I jiggled the handle and pulled at the door. It did not budge. I glanced back at the two women. They sat closer to one another, staring at me, their hands intertwined. I slammed my hand on the door and yelled to be let out of the room. The women jumped in their seats. The elder shouted at me to leave at once. I told her I was trying but the door was stuck. Again she commanded me to begone. Frightened and frustrated, I returned her shouts with screams of my own. The women shrieked and huddled together. I cursed aloud and desperately twisted the doorknob in the opposite direction. The door latch clicked and the door swung open with a great gust of wind. The two ladies howled in fright. Just before I walked out, I looked back at the table to see it deserted and the room cloaked in gloom. I shuddered and tripped over my own feet as I hurried down the hall.
For what felt like ages I wandered twisting and turning corridors and passages. Daylight was fading. My heart raced. There had to be a way out of this dreadful house! I turned down yet another unfamiliar passageway and noted the scent of sawdust lingering in the air. The faint sound of a hammer on nails floated to me. I followed the sound to another door. I flung the door open. Entering an unfinished room, the ambient noise of heavy construction assaulted me. I held my ears and fell back out into the hallway. A gunshot rang out, its sharp report shattering my nerves. Another shot exploded at my back and echoed down the hall. I pitched forward and ran. A thousand invisible hammers beat on the wooden walls, the sound enveloping me, ripping at my eardrums and sending waves of pain through me. Hammers and guns escalated in their violence and intensity, creating a mad symphony that threatened to crush my skull. Peals of laughter joined the cacophony. I fell to my knees, screaming for the noise to cease. Blood began to flow from my ears. Please, please stop! I begged. The reverberations only increased and were joined by the sounds of sawing, sanding, and scraping. I struggled to my feet and stumbled down the corridor. A man’s coughing, the sound of someone taken violently ill, came from a room to my right. I looked and saw a middle-aged man, prostrate in a large bed, coughing up what appeared to be pint upon pint of dark, heavy blood. A doctor and a nurse attended the man while the younger woman from the previous room sat by the bed and wept. My skin crawled. I lurched down the hall and fell down a flight of stairs.
My screams bounced off the stairwell walls. When I stopped tumbling, I opened my eyes. The tour group was gathered around me, eyeing me with curious stares. The tour guide knelt at my side and informed me that I must have fainted from the heat. After being helped to my feet I saw that I was still in the same room in which the tour had begun. It appeared that I had never left the group after all. The tour guide explained to the group that only the very weakest and worst guests fainted. A woman to my left suggested that they ought to simply shoot me so as to make for certain that I wouldn’t ruin any more of the tour. A hearty round of agreement sounded among them, and they all drew their rifles on me. The tour guide instructed the group to fire on her command. I pleaded to be spared. They laughed. The tour guide yelled, Fire! An explosion of gunfire filled the air. My body came apart in a hail of bullets. Blood showered the smiling faces of the tour group. My limbs fell from my body, severed by the storm of ammunition. I felt bullets enter my brain and erase all of my memories and thoughts, the last of which was, why didn’t I call my mother and tell her I loved her when I still had the chance.
I woke up screaming, still in the rocking chair on the Winchester Mansion’s front porch where I had decided to sit down and wait until the tour began. The guide walked out onto the porch and announced that the tour would begin momentarily. I lept from the chair and ran for my life, never considering looking back at that accursed abode.
*catchup: evil laugh training, window shopping for halloween stuff, pumpkin, cinnamon, home depot, pirate ship skeleton dude, halloween decor, halloween maze, costume ideas, martha stewart living october, costume ideas, decor ideas, rats, eyeballs, gourds, fall tv preview, ahs 1984, zombieland 2, double tap, good place, liz phair, best band poll vote here: http://poll.fm/66yxd, bands: i-def-i, spaulding, ornamenti d’oro, the barbarellatones, protea, hormones, harry husbands, valentine wolfe, the creptter children, lords of october, sinthetik messiah, stagefright.
*cursed place: alloa tower, russell
*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, pete lutz-jay and henry, emerian rich-clara and cleo, naching t. kassa- dr. francistein, james seo-heath, kirk warrington-fabio, theme music-valentine wolf
*news: my darling dead: jesse, dark divinations, death parade film fest, he roulo plague master rebel infection, lilmonsters, tcm halloween schedule, orlandos universal studios treats
*terror trax: i ya toyah, puppet, strangers, psycho, hitchcock, david lynch
*catchup: halloween costumes, school starting, fall busy, costumes, what we do in the shadows, it crowd, vampires, halloween window shopping, fb group, join us to window shop, variety, practical magic, hbo max, alice hoffman, let’s have a sequel, sandra bullock, nicole kidman
*cursed place: chateau de rocco sparviera, water, earthquakes, plague, cannibalism
*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, pete lutz-jay and henry, emerian rich-clara and cleo, naching t. kassa- dr. francistein, james seo-heath, theme music-valentine wolf
*news: my darling dead: jesse, dark divinations, dark horizon, orlando’s newest haunt, free fiction by kay tracy, indican, perfect skin, neil gaiman’s death animated, jamie chung, haunting of hill house season 2, henry james, turn of the screw, food network halloween schedule
*book review: s.d. vasallo reviews predators by michealbrent collings
*catchup: scary stories to tell in the dark, izombie, charmed, halloween shopping, candy out of spider’s butt, spider infestation, cobweb body, dracula, bela lugosi, cannibals, naching, IT crowd, halloween decorating, pumpkined out,
*cursed place: doll island, mx, creepy dolls, haunted, cursed
*logbook of terror: russell, doll island, mx
*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, pete lutz-jay and henry, emerian rich-clara and cleo, naching t. kassa- dr. francistein, james seo-heath, theme music-valentine wolf
*ghastly games: daphne, remnants
*odds and dead ends: keiran, robot monsters, uncanny valley
*frightening flix: kbatz, tales from the darkside s2, kbatz krafts, pumpkins, crafting
*live action reviews: crystal,Relatos Salvajes
*movie review: horror seeker, scary stories to tell in the dark
*dead mail:
***terry: IT, emz reviews, stephen king
***marsha: westercon, tonopah, mizpah, most haunted
***larry: re: 171, pirate bride, vampire remains found in connecticut
*news: my darling dead: jesse, dark divinations, unveil the strength, hell’s never open, popcornopolis monster treats, amc, the terror, disney goth princess
*book review: dj reviews the butcher’s tale, nicholas walls
*catchup: hell-cation, hot, arizona, las vegas, horror activities, cracker barrel, at home, halloween goods, dan shaurette, twilight zone monster mini-golf in bally’s, stranger things s3, suspiria new one, the inbetween, medium, light as a feather s2
*logbook of terror: russell, poveglia island, italy
*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, pete lutz-jay and henry, emerian rich-clara and cleo, naching t. kassa- dr. francistein theme music-valentine wolf
*ghastly games: daphne, abduction of two rulers by nancy kilpatrick
*odds and dead ends: keiran, giallo, psycho, black christmas
*frightening flix: kbatz, blood and roses
*live action reviews: crystal, i trapped the devil
*the bigfoot files: lionel, willow creek
*vile vacations, kay tracy, e.a. black , trinity adler
*courtney mroch, haunt jaunts, horror vacations, stephen king’s pennywise
*news: my darling dead: jesse, murder weapons video, dark divinations, terror films, lake house llc, lake of fire, guillermo del toro star, scary stories to tell in the dark, vampire remains found in conneticut
*book: review by chantal boudreau, shanti, alessandro manzetti
*chilling chat: naching, lore rhoads, tales of the campfire, hwa, sf
*story: loren rhoads, voiced by emerian rich and david strom
*logbook of terror: russell, worker’s cemetery, giza
*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, pete lutz-jay and henry, emerian rich-clara and cleo, naching t. kassa- dr. francistein theme music-valentine wolf
*catchup: us, angel feature in ew, keanu, the stand, 4th of july
*cursed place: myrtles plantation
*logbook of terror: russell, myrtles plantation
*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, pete lutz-jay and henry, emerian rich-clara, willow, and eli. theme music-valentine wolf
*ghastly games: daphne, what is your favorite game?
*odds and dead ends: keiran, scary shadows, h.g. wells, the red room
***lloydd: 28 days later 3-quel? Shaun of the dead, night of the comet, the crazies
***andrea: movies? luce, scary stories, the lodge, ready or not, it 2, downton abbey, the addams family, maleficent 2, zombieland 2, terminator, dr. sleep
*news: my darling dead: jesse, dark divinations, beetlejuice and edward scissorhands at the queen mary, the sequels, the lodge, terror films, hell house llc iii, lake of fire, end trip, indican pictures, shed of the dead, killer unicorn, ghoul stealing statues in new orleans, ad nauseum ii, 500+ horror poster
*book: reviewed by daphne, thrones of blood volume 2, sacrifice of the hybrid princess
*terror trax: destini beard, love song for a vampire
*catchup: bird attack!
*cursed place: overtoun bridge, dog suicide bridge
*logbook of terror: russell, overtoun bridge
*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, emerian rich-clara, willow, and eli. theme music-valentine wolf
*news: my darling dead: jesse, the dead don’t die, bill murray, tilda swinton, svalta, simon pegg, dark divinations, bandcamp location in oakland, burger king serving stranger things burgers, danzig new movie
*book: mary moon comic reviewed by sebastian grimm
*chilling chat: #killswitch authors by naching
*stories: from #killswitch authors, read by the authors
*catchup: birthdays, graduations, goth mom, #killswitch, twitter scavenger, @horroraddicts13, watch terminator with us june 11th, fb party 14th, 16th father’s day announcement, 22nd podcast, entertainment weekly, ma, tv shows coming, stranger things 3, deadwood movie, black mirror 3, the dark crystal, fear of the walking dead, the inbetween, NOS4A2
*logbook of terror: russell, trans-allegheny insane asylum
*darkvein manor: by emerian rich with cleo de milo concept by e.m. markoff, rish outfield-ives, kadirah wade-hazel, emerian rich-clara and willow, pete lutz-henry, theme music-valentine wolf
*ghastly games: daphne, arkam horror, call of the cthulu
*odds and dead ends: keiran, halloween 1978
*frightening flix: kbatz, hush hush sweet charlotte
*live action reviews: crystal, the silence
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*ghastly games: daphne, mysterium
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Released in 1973, Robin Hardy’s British pagan horror movie takes a policeman (played by Edward Woodward) onto the Scottish island of Summerisle to investigate a girl’s disappearance. Despite a bad remake with Nicholas Cage, and a spiritual sequel that failed to impress, the original film still has the ability to deeply disturb on a strange, fundamental level. I’m going to outline why I think The Wicker Man, despite its age and lack of blood and monsters, still manages to thrill and scare today.
When Howie arrives on the island, you’re initially greeted by great aerial shots of the little plane flying past the rugged terrain of the island, merely a white speck against the blue ocean. For the rest of the film, Howie is completely removed from the traffic in the pre-credit scenes, away from the churches and the police stations (these scenes re-added in the director’s cut). As Martin-Jones writes of the film, ‘The wilds of Scotland are thus considered a potentially treacherous location where a more ‘primitive’ attitude to life and death persists and duplicity and double-cross are deadly commonplaces against which the unwitting outsider must guard.’ (Martin-Jones, 2009). We’re on our own now in a cut-throat world.
And you get this impression right from the start. Upon landing, Howie asks the townsfolk to send a dinghy out so that he might come ashore, and their reply is they can’t do so without permission. Even announcing himself as a policeman seems to have little to no effect. Not only is this an island from which one cannot easily escape except by plane, but it is an environment where the people are dismissive, if not yet overtly hostile. It’s going to be hard going at the very least to find our missing girl.
The more we explore the culture, trying to get to the very heart of the matter of the missing Rowan Morrison, the more we feel we are intruding too far into a completely different world. Their pagan rituals are everywhere, from the maypole dancing and education at the school, to the chocolates being sold in the local shops. The Christianity that Howie holds so dear to him, (the virtues that Edward Woodward says are the most important values to him of all, in the DVD’s video commentary (The Wicker Man, 1973)) are up against a brick wall that we slowly, horrifyingly, realise is actually a trap, ensnaring us. Kbatz has a great review of the film from a few years ago in which she discusses some of the conflicts between the different religions, and I highly recommend you go and read it if you haven’t already: https://horroraddicts.wordpress.com/2013/04/23/kbatz-the-wicker-man/
Many people have commented on the music in the film, with the cast and crew on the DVD commentary saying that it fits the movie like a glove. I’ve known people to find the songs funny at times, which I think is telling in itself. It isn’t the usual score to a thriller film. Around 13 songs, based on traditional Scottish tunes and poems, form a surreal background to a completely alien world. It’s unnerving, and people trying to laugh it off may be a form of emotional relief
This also highlights that all of the people are genuinely enjoying the festivities. All of the townsfolk are smiling and treat Howie with the greatest of respect because, again referring to the audio commentary, they believe they are doing him the greatest service by plotting to make him a martyr. They believe they’re doing the right thing. And that’s one of the most terrifying things upon reflection, they believe in their hearts that they are rewarding him.
And then of course, for Howie, things go sour in the final act. Like the rotting apples and the crumbling churches, everything falls apart for the modern values of the western world embodied by our policeman. When he tries to leave he finds the plane broken and sabotaged, technology failing. Worshippers with animal masks watch on, and when Howie turns around they hide again. There’s a definite air of malice now, a concrete threat to Howie, and what was unease throughout the film suddenly becomes fear.
As we reach the climax of the film, we, like Howie, are clutching at straws. From feeling like the imposter in a strange land, Howie puts on the outfit of the fool and becomes the imposter. Now we’re in the very midst of the danger, aware that they intend a human sacrifice, and the very Christian policeman has to imitate the very thing that goes against his core values in order to carry out his job. The snapping hobby horse are the jaws of death. It’s a personal conflict of monumental importance, a moment where the personal micro tensions and the theological macro tensions come to fruition, and we have to hope that the man we follow will win out.
The entire parade is dragged out as long as possible for maximum tension. The scene with the sword dance in the stone circle is particularly tense, because for a moment we suddenly realise that there’s the possibility the worshippers know Howie is in the outfit. Thrust into the line, he has no but to go into the ring of swords and trust and hope his disguise holds out. With the chop! chop! chop! we have again a perverse soundtrack, substituting the war drums of conventional movie scores for a pagan call for death.
And then we arrive at the final scene. Howie is thrust into the Wicker Man, crying for his Lord, and we suddenly have to hope for the traditional horror movie to return. Horror films always save the protagonist, give us some kind of catharsis, but there’s nothing to be found here. The helicopter doesn’t arrive, rain doesn’t pour as an act of God and douse the flames licking at the wood, Howie doesn’t manage to escape and run to freedom. The cries for Jesus and the singing of traditional hymns are drowned out by the chanting ring of happy pagan faces as the head finally crumbles, burned to a crisp.
The Wicker Man takes our traditional western values and puts them into a world that has reverted to the past. The crusade Howie goes on fails to convert the islanders to the ‘modern’ ways of thinking. We leave the film having watched the protagonist having journeyed to a strange, unnervingly backward land and burned alive to appease ancient gods. We as an audience, his modern kin, have failed him. In a world of cut-and-paste zombie flicks, ghost girl movies, and lacklustre monster films, there’s just something about rustic terror of The Wicker Man that manages to unnerve. Everything comes together and culminates in a film that defies all the conventions, brings together the best cast and crew possible, and leaves the viewer having watched one of the most terrifying final scenes ever put to film.
Article by Kieran Judge
Follow Kieran on Twitter: KJudgeMental
Bibliography
Martin-Jones, D., 2009. Scotland global cinema: genres, modes and identities. Edinburgh: Edinburgh University Press.
The Wicker Man. 1973. [Film] Directed by Robin Hardy. UK: British Lion.
Horror Addicts Episode# 163 SEASON 13 “We’re CURSED!!!” Season Finale! Horror Hostess: Emerian Rich With Special Guests: Ari, Cam, and Mercy Hollow Intro Music by: Valentine Wolfe
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cursed recap
theresa braun, tarot visions podcast with rose and jaymi, zwaremachine
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When people think of Bram Stoker, they invariably think of Dracula. His novel, The Jewel of Seven Stars, is perhaps overshadowed simply by the importance of the vampire, but it is by no means an inferior novel. Detailing the attempt to resurrect an ancient Egyptian Queen, the novel went on to inspire movies such as Hammer’s Blood from the Mummy’s Tomb, and in some ways the Universal adaptation of The Mummy with Tom Cruise. In this article, I will discuss Queen Tera, and the way she is portrayed as a constant threat to patriarchal society.
To note, I’m using a copy of the novel which includes the original ending and the second, revised ending. I’m basing my discussion on the original ending because it’s darker and, presumably, the direction Stoker originally intended. Also, selfishly, because I much prefer it.
Let us first note that, aside from Margaret Trelawny (and a brief mention of her mother), Queen Tera is the only female character in the novel, and she never utters a word. Her characterization is presented through the male characters of the novel; the documentation of Van Huyn’s book, or the recounting of Corbeck and Trelawny. The power that she exhumes, therefore, may or may not be interpreted to be being played up by the male characters to increase the sense of a threat that she poses. Note that before we are given a name, we have the warning that “‘The “Nameless One” has insulted them and is forever alone. Go not nigh, lest their vengeance wither you away.’” (P.84)
With all that in mind, what is initially deciphered from the sarcophagus reveals Tera to have challenged the male-dominated society of the priests, “‘who had by then achieved immense power’” (p.87). “‘In the statement, it was plainly set forth that the hatred of the priests was, she knew, stored up for her, and that they would after her death try to suppress her name.’” (p.88). Their motivation is her strength in being able to combat their overthrowing of the monarchy, “‘They were then secretly ready to make an effort… that of transferring the governing power from a Kingship to a Hierarchy.’” (p.87) The priests, to their own gain, attempt to get rid of her, “‘make out that the real Princess Tera had died in the experiment, and that another girl had been substituted, but she conclusively proved their error.’” (P.88)
Tera, however, shows incredible resilience thanks to her own determination and learning from her father, “‘He had also had her taught statecraft, and had even made her learned in the lore of the very priests themselves.’” (p.87). She even breaks the tradition of a male ruler, though others try to align her to it. “‘In the following picture she was in female dress, but still wearing the crowns of Upper and Lower Egypt, while the discarded male raiment lay at her feet.’” (P.88). She is very much her own woman, not afraid to show her sex, going against the patriarchy set up for the Kingship, and against the priesthood. “‘She seems to have seen through the weakness of her own religion.’” (p.113)
Her intelligence is noted by the present-day protagonists, who even say that the mummy’s gender may affect their knowledge of the situation, that “Men may find that what seemed empiric deductions were, in reality, the results of a loftier intelligence and a learning greater than our own.” (P.164) Mr. Trelawny also states that:
“We might have known that the maker of such a tomb – a woman, who had shown in other ways such a sense of beauty and completeness, and who had finished every detail with such a feminine richness of elaboration – would not have neglected such an architectural feature.” (P.95)
However, Queen Tera possesses a knowledge which the others do not, which ensures their eventual demise and her assumed resurrection. As is noted by Carol A. Senf, “What makes Tera so overwhelming is her violence and ability to over-power the assembled experts.” (p.107). The science and understanding of all the men in the room cannot save them from Tera’s avenging evil, just as the priests could not stop her eventual revival.
It is this knowledge of another world, knowledge beyond that of the priests and the protagonists, that they fear. Women’s rights movements are slowly gaining momentum at the time, and just a few years before the novel’s publication, in 1898, Stoker’s native Ireland had the Irish Women’s Suffrage and Local Government Association arise from the Dublin Women’s Suffrage Association. Gender politics is on the rise, and the female threats to patriarchal power could not have been far from Stoker’s mind.
This fear of female invasion to the modern patriarchal society is what makes Tera so terrifying. Killing dozens of people throughout the recorded events, based on a combination of ambition and supernatural power, fuelled by a wrath based on gender politics very closely linked to the rising gender politics of Stoker’s time, Queen Tera is an overshadowed classic villain of gothic horror. With gender politics still very much in the public consciousness in today’s world, perhaps revisiting this pushed-aside novel by one of modern horror’s founding fathers, is worth the time for all of us.
Article by Kieran Judge
Bibliography
Blood from the Mummy’s Tomb. 1971. [Film] Directed by Seth Holt. United Kingdom: Hammer.
Senf, C. A., 2010. Bram Stoker. Wales: University of Wales Press.
Stoker, B., 2009. The Jewel of Seven Stars. United States of America: Seven Treasures Publications.
The Mummy. 2017. [Film] Directed by Alex Kurtzman. United States of America: Universal.
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John Carpenter’s In The Mouth Of Madness was released in 1994, and completes his ‘Apocalypse Trilogy’, along with The Thing and Prince of Darkness. Drawing heavily on H. P. Lovecraft, Mouth of Madness is a unique, self-reflexive film in a similar vein to Wes Craven’s New Nightmare (also 1994). The film follows insurance investigator John Trent, as he tracks down missing horror novelist, Sutter Cane. This article will focus on film’s use of fiction and stories to blur previously thought-of binary oppositions, such as fantasy/reality, human/inhuman, and even day/night, to try and disturb and unsettle the viewer.
The idea behind fiction in Mouth of Madness is, if enough people believe in stories, the stories gain power, and through that power the Old Ones can return. Cane explains this to Trent like this:
“It takes its power from new readers and new believers. That’s the point. Belief! When people begin to lose their ability to know the difference between fantasy and reality the old ones can begin their journey back. The more people who believe the faster the journey. And with the way the other books have sold, this one is bound to be very popular.”
In Paul Cobley’s book Narrative, he states that “The most familiar, most primitive, most ancient and seemingly straightforward of stories reveal depths that we might have hitherto failed to anticipate.” (Cobley, 2001, p. 2). Cane, controlled by the Old Ones, uses horror fiction as a universal storytelling medium to connect with readers on a primal level, using common tropes and ideas to make it easier for readers to believe. Cobley’s discussion of signs in literature, or “what humans interpret as signs, therefore stand in for something else in the real world” (p. 9), illuminates why a horror writer is the best medium for the Old Ones to use to prepare humanity for their arrival. Coding themselves with signs they people understand makes them more believable, understandable, acceptable, even.
Fiction, therefore, is an illumination of truth, a coded way to our understanding of knowledge. With this in mind, the filmmakers use the audience’s understanding of this concept (though perhaps the audience isn’t consciously aware of it) to turn truth on its head and destabilise them. Slowly, picking up pace at the finale, the boundary between fantasy and reality erodes away.
This happens in many ways, from Cane’s whispering “Did I ever tell you my favourite colour was blue?” followed by Trent waking up with the world blue, to the constant cyclist returning over and over again. There are also more subtle details which hint the fictional nature of Trent’s story. The room Trent stays in at Pickman’s Hotel is 9, the same cell number that Trent is in at the asylum. Similarly, the number of the motel room Trent stays in after his world has been turned ‘upside down’, is 6. 6 is also the number of novels that Sutter Cane has written before In The Mouth Of Madness.
Note that the world Cane inhabits is malleable, and reflects, is, his fiction. “You are what I write. Like this town. It wasn’t here before I wrote it. And neither were you.” He later writes Trent’s actions perfectly, the passage that Linda reads from the novel. Cane alters what is real and not real because he lives inside his own fiction, an avatar, for his real self. This is made evident when Trent explains to Harglow that the reason he doesn’t remember Linda is “Well, that’s easy, she was written out.” He is a proxy god for the Old Ones.
The breakdown of reality and fantasy is not the only division that collapses. French structuralist Claude Levi-Strauss theorised that stories were, at their core, thematically comprised sets of binary oppositions, such as good and evil, rural and urban, men and women. Carpenter’s film systematically deconstructs this simple division and thereby prove the illusory nature of Trent’s reality and, to an extent, our own, assisting our discomfort.
Reality and fantasy is a clear example; the whole narrative is a deconstruction of its fictional self, but another is the opposition of human and inhuman. Several times we see characters (such as Mrs. Pickman) change to monsters throughout the film, and others such as Linda have the ability to move from human to inhuman. The anthropomorphic qualities attached to monstrous forms unsettles us, we should be allowed to remain clean and whole, but also the monstrous elements given to humans is just as disturbing. Even the painting at the hotel morphs throughout the film. Paintings themselves lie between truth and fiction, a definite image but a representation only, a topic Andre Bazin discusses in The Ontology of the Photographic Image (pdf link below). This distortion brings several oppositions into question in one broad stroke. Carpenter knew what he was doing.
Additionally, that even Cane has a monstrous form on the back of his head, is a startling revelation. When Cane was completely human (though one controlled by other beings), it was still essentially human, and so defeatable. If Carpenter were to show that Cane was an Old One, we would be more comfortable with even this; he would fall on one side of the human vs inhuman opposition. However it is in the middle, a blurred, distorted place we can’t understand, which is more frightening than his being either side.
A smaller example is day and night. Several times throughout the film, such as the arrival at Hobbs’ End, the film jumps straight from night to day. The editing that would usually show a passage of time is inverted, breaking even filmmaking conventions. Here, no time has passed at all. Time is breaking down, the regular cycle of solar bodies that extends beyond this world, is collapsing.
Literary theory states that our understanding of reality is dictated by language, that we experience the world through words and the connections between them. We know a door is a door, in any shape or size, because we associate it with the word ‘door’; the word is what tells us two doors are similar. As Bennett and Royle discuss, “We cannot in any meaningful way, escape the fact that we are subject to language.” (Bennett & Royle, 2009, p. 131). Carpenter’s film is a perfect exploration of the ways in which we are subject to words, to fiction and stories, and the confusion and discomfort if this were to be consciously manipulated by a malevolent force, dissolving oppositions and boundaries we expect and have built into our world, into language itself. The film is not about the destruction of the world, but a destruction of a human perception of the world.
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Once upon a time it was hard to be a baker. Bread being so vital to the common diet, for rich and poor alike, laws were passed to make sure that bakers did not cheat their customers with light loaves or unhealthy fillers. To make sure that their customers were happy, often times it was better to make sure that an order was filled that was over weight rather than under. Thus, many bakers started giving away an extra cookie or muffin with an order of a dozen. Thus, a baker’s dozen is 13. Normally one might consider 13 to be unlucky, but now it has probably spared a lot of bakers from harsh penalties like having their hands chopped off.
Did you know, however, that if you don’t use a muffin tin, which often have either 6 or 12 cups, that you can bake better muffins in 13 paper-lined foil cups? It is true! Placing the cups on a baking sheet in a tight 4 x 5 x 4 pattern bakes the muffins more evenly and nets us exactly 13 muffins. I call these honeycomb muffins because they resemble the hex-pattern of honeycomb.
Note also as they cook, these muffins will push even closer together and the resulting muffins will take on a more hexagonal shape rather than round. If you want perfectly round muffins, you might need to double-up the cups, or if you have mason jar rings, you can set the cups in the rings to help them retain their shape.
If you find, however, that you’ve actually been cursed like the baker from Into The Woods, here’s a recipe that might do the trick to get on a witch’s good side.
ANALYSIS
Yield: 13 muffins
Ingredients
1 cup / 160g cornmeal (yellow as, well, corn)
1 cup / 120g all purpose flour
1/2 cup / 120g granulated sugar
1 Tbsp / 10g baking powder
1 tsp / 7g salt
1 cup whole milk (from a cow as white as milk)
2 large eggs
1/4 cup honey (as pure as gold)
1/2 stick (2 oz) butter, melted
Apparatus
Large mixing bowl
Medium mixing bowl
Spoon and whisk
Foil and paper muffin cups
Baking sheet
Procedure
Preheat your oven to 400°F/200°C.
In a large bowl, mix your dry ingredients together and incorporate well.
In the other bowl, whisk together the wet ingredients.
Add the wet to the dry and then stir to mix well into a thick batter.
Place foil muffin cups with paper cups inside them on a baking sheet in a tight 4 x 5 x 4 pattern.
Divide the batter into the 13 cups and bake for about 15 to 17 minutes, until the tops are golden brown.
DISSECTION
If you want to make a gluten-free version, feel free to use your preferred GF flour mix, but be sure to measure by weight (120g). Note for example the difference between the flour and sugar. They both weigh the same, yet it only takes ½ cup of sugar to reach 120g vs. a full cup of AP flour to weigh the same.
These are delightfully sweet without being too sweet. If you would prefer even sweeter, I recommend adding stevia. Adding more sugar or honey will change the consistency of the batter. Stevia powder however enhances the sugar already in the recipe but very little goes a long way.
POST-MORTEM
Serve these with a fresh batch of magic kidney beans (red as blood) and rice.
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Cursed objects come in all shapes, sizes, and purpose. The first cursed object I could think of, that wasn’t related to the TV show Friday the 13th, was the lamp or bottle that trapped a genie inside.
While we have Aladdin and the cursed lamp from One Thousand and One Nights to thank for being the source of this legend, the idea of a “genie in a bottle” hails primarily from Barbara Eden’s TV sitcom I Dream of Jeannie... which in turn was inspired by a 1964 movie starring Barbara Eden called The Brass Bottle.
As for bottles with spirits trapped inside, I naturally decided a cocktail was in order. I’ll admit that a certain cartoon genie inspired the color.
ANALYSIS
Yield: 1 drink
Ingredients
2 1/2 oz blue curaçao
1 oz spiced gold rum (or light/silver, not dark)
1/2 oz Arak (or absinthe or ouzo)
1 oz sweet and sour mix
3 oz pineapple juice
ice
Apparatus
Cocktail shaker and jigger
Hurricane glass
Procedure
Into a drink shaker, add all ingredients including ice, cover and shake.
Pour into a hurricane glass, or a bottle for fun.
DISSECTION
Arak is an Arabian alcohol produced in the Levant region, which does not adhere to the Muslim avoidance of liquor. It is made with aniseed and it louches becoming cloudy when mixed with water, hence my suggestion to substitute ouzo or absinthe if you cannot acquire the Arak. Plus absinthe adds to the color, especially if you can find a blue absinthe.
POST-MORTEM
After a few of these, you too will believe there is infinite cosmic power in an itty-bitty living space. Just be careful what you wish for.
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There are many superstitious actors who will tell you about various curses of the theatre. Like how they can’t wish each other good luck, but rather “break a leg”.
The most famous, however, may be to not say the name of The Scottish Play. This is brought most humorously to light on an episode of Blackadder The Third.
To honor the Three Witches, all items in this stew come in threes. We’ll be making this in our magic cauldron (called a pressure cooker).
ANALYSIS
Servings: 9 serving bowls
Ingredients
3 Tbsp of oil
Three meats 1.5 lbs bone-in mutton/lamb shank 1.5 lbs bone-in beef/veal shank 1.5 lbs gammon joint or ham hocks
Three seasonings 1 Tbsp kosher or sea salt 1 Tbsp ground black pepper 1 Tbsp smoked paprika
Three aromatics 3 leeks (or 1 onion), chopped 6 garlic cloves, minced (or 1 Tbsp minced garlic, or 1 tsp garlic powder) 1/3 cup of all-purpose flour
Three herbs 3 bay leaves, fresh or dried 6 sprigs of oregano (or 1/2 tsp of ground oregano) 9 sprigs of thyme (or 1 tsp dried thyme, or 3/4 tsp of ground thyme)
Three brews for the stew 9 oz Scottish ale (like Kilt Lifter) 6 oz Oat stout 3 oz Triple Malt Scotch whisky
Three leafy greens 1 bunch of kale
2 scallions, chopped 3 ribs of celery, chopped
Three roots 3 wee neeps (turnips or small rutabagas, or 3 parsnips), chopped 6 carrots, chopped 9 young tatties (waxy or fingerling potatoes)
Three pints of water
Apparatus
Pressure cooker, 7-quart
Procedure
Chop all of the veggies first and set aside in the groups listed above.
Pour 3 Tbsp of oil with a high smoke point (like corn or peanut, or even ghee or clarified butter; canola is the lowest smoke-point oil you should use) into the pressure cooker. Turn heat to high.
Cut the lamb and beef into large chunks (save the bones) and season with salt, pepper, and paprika.
When the oil begins to shimmer, brown the lamb and beef on all sides. Remove and set aside.
Reduce heat to medium. Saute the leeks/onion and garlic for about 1 minute. Add the flour and stir to combine.
Deglaze with the ale. Then add the stout and scotch.
Place the bones into the cooker first, then add the meat back, and then the rest of the ingredients. Top with 3 pints of water, or as much as you need to just fill under the Max Fill line.
Return the heat to high. Close and lock the lid. Cook on high until pressure valve whistles or rattles, then turn heat down to low and cook for about 33 minutes under pressure.
Remove the bones, bay leaves, and herb sprigs. Meat should be tender and the veggies supple. Ladle into bowls and allow to cool before serving.
DISSECTION
We are using about 1.5 pounds of bone-in meat each because we want the bones for the stock. Once cooked, we’ll have about 3 pounds of meat.
If you don’t have a pressure cooker, you can use a large crock pot and cook on high for 333 minutes, or about 5 1/2 hours. It is much harder to make what is essentially the stock this way, however.
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A wise man named Penn Jillette once said, “Everybody got a gris-gris.” Gris-gris (pronounced gree-gree) is a French term from voodoo for the medicine pouch that vodouisants wear around their neck. What Penn was saying, however, is that we all have something that we cling to, whether it be something tangible to bring us good luck (or ward off bad luck), a belief, a superstition, even a firmly and long-held conviction that centers us or even defines us. That something, according to Penn, is the one thing we should scrutinize first and foremost in our lives and try to change about ourselves, hard as it may be.
For me I think it is fair to say that my gris-gris is food. Now, I know what you’re thinking. “Dan,” I hear you say, ”we all need food.” Yes, which is why we should scrutinize it. I fear that so many folks walk through life just throwing anything bite-sized (or super-sized) down their gullet without thinking about it.
It is one of the reasons why I started Morbid Meals. We must eat to live, which means something else must die. We don’t like to think about that, though. We’ve pre-packaged, homogenized, and mass marketed products so that we don’t have to think about where our food came from. That nicely fits a model of consumption not sustenance.
Now I’m not saying we should all jump on the latest food fad of dietary detritus. That too is a gris-gris; putting your faith in what somebody else says is good for you, bad for you, will help you lose weight, etc. The corollary to my mantra is that we are all going to die no matter what we eat. Some food will kill us faster than others, but an acceptance of moderation is really what I’m advocating here. Everything in moderation including moderation.
You’ve likely noticed this at play in my recipes here before. Many of them offer alternatives for those with dietary restrictions, suggestions for alterations, never requiring you follow these recipes to the letter. I’ve also presented my share of crazy creations that would be fun to try at least once, and then you can go back to eating healthy or whatever. Live a little while you can. Food is life, food is love.
So, I’ll step off my soapbox and say that if you need a gris-gris, why not try a little bit ah Gris-Gris Gumbo Ya-Ya, hey now. Doctor’s orders. Dr. John, the Night Tripper, that is.
Now before y’all freak out, this recipe makes a lot of gumbo. It is meant to be shared with a large family. (The loas might like a bowl, too.) We also love having leftovers. Gumbo gets even better when you put it up and eat it the next day. Feel free to divide in half if you prefer. It also takes a long time to cook, like almost 3 hours. Gumbo is not fast food. It is completely worth the effort.
ANALYSIS
Servings: 12 to 16
Ingredients
5 lbs. whole chicken, or 4 lbs. bone-in chicken thighs
Chop all of the veggies. Do this first. You’ll thank me later. Divide the onions into half portions (one for the stock and one for the gumbo). Divide the celery in half as well. Set aside.
Make the chicken stock
Into your pressure cooker, add the carrots and the first portions of onions and celery, along with the salt, seasoning, and bay leaves.
Cut up your chicken and arrange all of it, including the bones, fat and skin, giblets, gizzards, etc., into the pressure cooker on top of the veggies.
Pour in the water, but make sure NOT to go above the “maximum fill” line.
Cover with the lid and lock it down. On the stove top, turn the heat to high and bring up to pressure. When you hear the pressure release whistle, reduce the heat to low, for a steady low hiss. Cook for 30 minutes.
Release the pressure and open the cooker carefully.
Strain the stock into a container to cool. Reserve 3 quarts of stock for the gumbo. (If you have more, save it to cook the rice.) Separate the chicken meat from the bones and set aside.
Make the roux
In a large stock pot or Dutch oven, heat the oil over high heat until it begins to shimmer before it reaches its smoke point.
Reduce your heat to medium and carefully whisk in your flour in small batches, which should immediately begin to sizzle. Whisk constantly for about 15 to 20 minutes, or until the roux turns a deep brown color, like milk chocolate.
Lower the heat to medium-low and stir in the remaining onions, celery, and bell peppers. Stir occasionally for another 10 minutes, or until the roux thickens and turns a glossy dark brown color, like dark chocolate.
Bring it all together
Into the pot with your roux, still at medium low, add your okra (if using), garlic, and chopped andouille sausage. Stir occasionally and cook until all of the vegetables are soft, about 8 to 10 minutes.
Add your reserved 3 quarts of stock and stir until the roux is well combined with the stock. Raise the heat to high and bring to a boil, then reduce the heat to low and cook, uncovered, for 1 1/2 hours. Stir occasionally to keep everything well combined.
Now you can add the cooked chicken and the chopped tasso ham to the gumbo and cook for an additional 15 minutes.
Turn off your heat and let your gumbo cool down for at least 5 minutes. This stuff is very hot.
Serve with steamed rice. If you like, add hot sauce to your taste.
DISSECTION
Let’s address the okra first. I love okra, especially fried, but most folks I know can’t stand how gummy it is. That’s what makes it gumbo, though, in my humble opinion. In fact”gumbo” means okra. It does tend to be optional in a chicken and sausage gumbo. It is more common in a seafood gumbo. Okra adds an earthy flavor and extra thickness, for even though we are adding a lot of roux, a dark roux doesn’t thicken gumbo very much. (A light roux will thicken more but has less flavor.) Don’t use “okra season” as a reason to skip it either. You can probably find frozen okra out of season.
If you can’t find tasso ham, you can substitute with smoked ham or regular smoked sausage.
Can you make the stock without a pressure cooker? Sure, but it will need to simmer for at least two hours.
POST-MORTEM
Save your hot sauce until the end. Again, trust me on this. I know cajun and creole foods can be spicy but not everyone can handle it. Also, we’re using andouille sausage and creole seasoning, where various brands have different levels of heat. This is why I suggest adding the hot sauce at the end to your own personal taste in your own bowl. Once you make it often enough and you use brands you are familiar with, feel free to spice things up.
One of my favorite stories about Marie Laveau was that she often made large batches of gumbo and would give bowls of it to condemned prisoners in New Orleans, as well as feeding it to the sick and poor. I don’t know how true this story is, or the tales that mention a few other medicinal herbs which might have made their way into the gumbo, but I do know the power of a good bowl of gumbo and rice to make everything all right with the world.