Nightmare November : Is Freddy’s Dead really that bad?

If you ask me, “Freddy’s Dead – The Final Nightmare” gets a bad rap. Why is this? Why do fans object to this film so much? Well, to be fair it is the most disconnected from the rest of the series, having now abandoned the Alice storyline which had been the running canon – from Nancy to Kristen, to Alice, each of the heroines passing the torch down the line keeping the narrative fresh. But Freddy’s Dead might have taken too wide a step off the path for fans to accept and understand, and the choice of going 3D didn’t do it any favors either. However, I do believe this film does have its moments and is worth another look from fans of horror and the franchise alike! Let’s check it out!

For those not in the know, -SPOILER ALERT- The story follows the “last” of the Elm Street children, John Doe… no, really, that’s his name, played by Shon Greenblatt, a wandering amnesia stricken insomniac who is sent back to Springwood by Freddy for unknown reasons – reasons we find out later are for Freddy to find his daughter and escape the bonds of Springwood. Along the way, it’s more or less a typical run-through of victims for Freddy, with some creative and over the top death scenes, though the body count is kept to a relative minimum. The film culminates with Freddy being brought into the real world and having the final showdown with his daughter in a somewhat campy manner, even for Freddy’s antics. Not too bad, but I can see why fans might not have taken to it at the time.

As a seasoned member of the Nightmare on Elm Street team, Rachel Talalay makes her directorial debut in the 6th installment, addressing the question of who Freddy Krueger was before he was caught, giving us a bit more exposition than what Marge did for Nancy in part 1. It was the familiar fable about Freddy from parts 1 through 5, and it’s here where I find the first improvement. Usually exposition tends to water down a character/story, but in my opinion, it plays out well, giving us enough to carry the story forward with something new. That’s one of the better qualities of the film; it takes chances with a well-loved, well-established character. And like Jason Goes to Hell, or Halloween 3, and other films that tried to break from the patterns set, it was not as well-received as they had hoped.

We all know who Freddy is at this point, so there’s really nothing to hide. We can only learn more! Pop culture at the time had forced New Line’s hand to tease Freddy a bit, making him a bit more humorous in his antics, but again, in my opinion, I think it worked out well enough… not perfect mind you, but this is Freddy Krueger! One of the few slasher villains with a personality, arguably the best and most colorful! While the comedy at times did cloud over the intended horror, I feel it works for the character(s). It has been one of the discerning traits of Freddy. Having that strong personality has helped him become the icon of horror he is today.

So, why do we watch these films? For the kills, of course! Slasher films are known for their ever-inventive style of death scenes and here, well you can’t deny that they are memorable. While the violence is toned down a bit it’s not without imagination. From Carlos’s death by nails-on-a-chalk-board, this scene spends several minutes with its build-up leading to Carlos’s demise. It’s fun and terrifying, really putting you in Carlos’s perspective. How about Spencer? Who can forget the power glove? While I might gag at the shameless product placement, it is nonetheless creative. Again, the scene spends several minutes in its own element before giving us what we came to see! The lack of a body count, too, allows a bit more time to expand on the ones that got the axe (glove) making their scenes that much more unforgettable. Another quality here, that apart from a few throughout the franchise, all these characters are memorable, I my opinion. It’s a relatively lean cast with a few recognizable faces, such as Breckin Meyer, Lisa Zane, Yaphet Kotto, and some interesting cameos by Tom Arnold, Roseanne Barr, and Johnny Depp. Ha! Freddy gets one over on Glenn again during a bizarre twist on a familiar PSA. The scene gets a chuckle out of me every time! And while the acting is by no means Oscar-winning it is believable; you can tell the actors are having a good time, and I think that’s all you can ask for in any film.

It wraps up rather abruptly with a slideshow recap of the five previous films while the credits roll, with a perfect song by Iggy Pop to end, well “end” the franchise. Would’ve been nice to have a “Spoiler Alert” back then! But here it is!

As a kid, I had a bad habit of watching franchise films out of order, and Freddy’s Dead was one of the first I ever saw! I guess part “6” wasn’t exactly the best jumping on point, ha! So many songs have been written around Nightmare on Elm Street either for the films themselves or in general from The Fat Boys to Will Smith, to Tuesday Knight’s intro from Part 4.

It’s amazing to see what an influence these films had on not only the fans but the industry itself. Hell, New Line was on its last leg before Wes came along. It was a dare from the start, and New Line has been known since then as the house that Freddy built. And that’s another element that we can appreciate in Freddy’s Dead, it was a dare! As I say, it took chances, something that movies and studios today just don’t do anymore. It has survived some turbulent times, such as the writers’ strike of 1988 and being developed in a dying company. Could this, as well as being handled by some of the best in writing, directing, and effects have fostered this one of a kind creativity? I will say this, it has been a great inspiration for myself, as well as countless others, so I think it’s fair to say that Freddy’s Dead isn’t that bad. Again, I may be bias, but The Final Nightmare will always be something special to me. If I could ask the fans to give it another chance with a little more open appreciation for what it is, I think we can all remember that Every town has an Elm Street!

Horror Seeker: Are You Scared? Top 5 Countdown

These days, it’s sad to say that horror has lost a few nuances in subtlety. While there are a few outliers, mostly those of the independent realm that still manage to terrify with atmosphere and story, the jump scare has no doubt taken the place of genuine creativity and effort to scare us. It is indeed a shame; while jump scares are nothing new, and when used appropriately they can be effective, it is but one tool, not the ONLY tool by any means. This over-reliance on the exhausted trope may have even left the average moviegoer numb and impatient to any sort of suspense building element a film might have to offer. So, I am here to remind you of, and hopefully share something new, the chill in your spine. That feeling that makes you check the windows twice at night, and make you second guess looking into the dark again. This is by no means a complete list, only a collection of some of my favorites. So, without further ado…

5: FRIDAY THE 13TH VIII – Jason Takes Manhattan

Arguably, the most questionable addition to this list hence why it comes in at number 5, Jason Takes Manhattan is regarded as one of the more discombobulated installments of the franchise, and for good reason. Taking Jason away from Crystal Lake might not have been the best of choices, but this deep into the story there might not have been much left to explore. So, why not give him a “proper” sendoff and bring Jason to the Big Apple? New York has always been the go to for any film/character in good standing.

Unfortunately, it didn’t really live up to the title. Spending only 36 minutes of an hour and forty run time in the big city, it was kind of a letdown, I think most would agree. It is well known that a number of scenes were cut, but it was not without its moments. One I think everyone remembers is Julius’s death – Jason’s one-punch knockout! But that was just a WOW moment, really.

I’d like to talk about one of the many times we see Jason as a boy, in this case, his ghost, played by Tim Murkovich. It is one of the many times boy-Jason makes an appearance, probably the most in any film, however, he hold a certain level of eeriness to him. Waterlogged, and soggy, Jason appears as a harbinger of doom of sorts, preceding Jason’s actual presence. Kind of like his force-ghost, if I can get away with that! But the moment that stands out is one that is thrust onto us nearly without warning. As our survivors (what’s left of them) drive madly down the alley trying to escape Jason, they, or rather our heroine Rennie, is confronted by the boy-ghost. It is not so much his presence, nor the scene, but rather the camera work/editing that sells this one.

The scene begins at a high pace as they drive off in a commandeered police cruiser after having narrowly escaped Jason’s grasp. Your heart is pumping and continues to increase as everyone in the car is screaming, panicking, lost in their own madness and terror, when suddenly Rennie barrels down the alley toward a waiting apparition, one that only she can see. The scene instantly cuts to her perspective; void of any sound except for the abusive drums as she grows closer. It then borrows a modified soundbite from Psycho, bringing us uncomfortably close to the boy’s deformed, patient stare. For that moment, he is looking at you – I mean YOU! And you can feel it. It only lasts a split second, blink and you’ll mercifully miss it, but for those who don’t, it is one of the few times you can actually feel his presence next to you. This is, of course, my experience. What’s yours?

4: CREEPSHOW II – The Hitchhiker

Creepshow, Tales from the Crypt, there’s nothing quite like it, is there? You don’t really see too much of the horror miniseries these days, but these tales are still worth their weight in blood. If you’re not familiar, I highly recommend them.

SPOILER WARNING just in case. In this particular story, our adulterous woman is in a hurry to get home to her husband, unaware of the lonely man thumbing for a ride on the side of the road; not that she’d have picked him up anyway. Her night takes a turn for the worse when she accidentally runs him down and leaves him for dead. It is here the horror truly begins, opening up what may very well be one of my worst nightmares.

While calming her nerves, she continues on, soon coming to a stop to further calm herself down. Here she notices a figure approaching; a broken stagger of a man, bloody, but alive? – it can’t be… It may have been her own eyes playing tricks on her, until the same hitchhiker then appears in her window, his mangled body leaning desperately in the car as he thanks her for the “ride”.

These films were definitely played up for exaggeration, being derived from the comics of the respective names, but it’s in this short’s persistence and focus that the horror works. The unrelenting vengeful force that just won’t die no matter what you do. No gun, or tactic, or car, in this case, will help you, as the hitchhiker is run over again, and again, and again, and again, and again, and… it goes on! Truly brutal, and in his frantic, almost spell-binding mantra we are taken for a horrifically graphic trip in its own cartoony, over the top way. Goes without saying, thanks for the ride, lady!

 

3: PUMPKINHEAD – Ed Harley meets Haggis the Witch

Haunting; if I had to put this scene in a word, it’s that. When Ed Harley’s boy is killed by some obnoxious teenagers, he seeks retribution through a local witch known for such malevolent things. We don’t know very much about Haggis (the witch), only that the locals are somewhat uneasy about her presence. They know that she’s capable of some terrifying acts; everyone has stories, some have even seen things, such as Ed Harley has when he was younger. It was the memory that had stuck with him, and the same that had brought him here.

The setting hits all the beats for what one might think of when picturing a witch’s home, minus the bubbling caldron. A lone decrepit house lost in the woods, off the grid, severely weathered. Inside, Haggis sits in front of a fire, looking as though she hasn’t moved in decades. Candles are lit all around, and numerous creatures populate the area; rats, spiders, snakes, even an owl, all of which are keeping a close eye on anyone who might enter.

The witch’s makeup and presence are one of the best I’ve ever seen on screen. It doesn’t try to reinvent the mythos; Haggis looks like any old-timey witch, but it’s the effort put into the roll that sells it so perfectly. Florence Schauffler was 68 years old at the time, but her appearance looked as though she were 680. We don’t know as her backstory is mostly left to the audience’s imagination. It is one of the few times where I clamor for a prequel. Who is this woman? Where did she come from? So many questions raised by this brief encounter.

It is a perfect depiction of the consequences when the need for revenge consumes you completely. Presenting itself almost as a fable parents might tell their kids; a cautionary tale on anger and vengeance. It is a hauntingly atmospheric scene, quiet and unnerving in the way it draws the air out of your lungs as even you are afraid to move, worried that Haggis might see.

 

2: PET SEMETARY – Zelda

This was a tough call, as this scene/character has bothered me my whole life. Anyone who has seen this movie and remembers the disturbing performance by Andrew Hubatsek who portrayed Rachel’s sister Zelda. Among many elements, I feel that the fact that Zelda was played by a man only added to the disturbing nature of the character, and the scenes she was in. Though not a monster, or demon of sorts, she is a ghoulish entity which the MicMac grounds use against Rachel, and it is terrifying!

Even to this day, I get chills when I so much as hear her (well, his) voice in my head. It’s one of two movies I have a hard time watching in the dark alone, and that’s saying something. Like many great scenes, it’s a perfect storm of performance, set up, atmosphere, and cinematography that make it work. I don’t know about anyone else, but I can never forget that twisted look; Zelda’s deformed frame writhing on the bed, misshapen and tortured by fate. Unfortunately for her, she was stricken with spinal meningitis which, in the film is exaggerated of course, but is cringing nonetheless.

Zelda is nothing but Rachel’s haunting memory of her departed sister, so she bares no harm other than what Rachel’s guilty conscious weighs on her. Once again, we as the viewer are brought uncomfortably close to her twisted form as Zelda continuously taunts Rachel with a promise of sorts. In a way, it seems like she’s hoping Rachel will suffer the same fate one day as penance for letting her die. The words are repeated again, and again – yelled in fact, like… I don’t even know what to compare it to! All I know is to this day; it still terrifies me to open a door to a bedroom I’m not familiar with. What’s in there? Is Zelda dead yet? Wondering if she’s going to run up to me screaming, “NEVER GET OUT OF BED AGAIN! NEVER GET OUT OF BED AGAIN!”

 

1: TEXAS CHAINSAW MASSACRE – Sally and Franklin

After Leatherface’s jarring debut on screen, having just killed three of Sally’s friends, she and her brother franklin are left to wait, and wonder what’s become of them. This final entry wins not for its monster, or blood and gore, but it’s prolonged suspense. The clip below is the best I could find, but the scene is another few minutes longer with Sally and Franklin desperately calling out for their friend Jerry before venturing into the darkened woods.

I go back to Alfred Hitchcock and his definition of suspense. There’s a difference between a bomb going off, and knowing the bomb will go off. Which is more suspenseful? It is the same here; we have already witnessed the horrors that befell Sally’s friends, and what awaits her and Franklin. We know they won’t escape, we know everyone’s dead, we know what is waiting in the dark – WE know! And that is the key element here. We, as the audience know what is to come, we just don’t know when, or how, and I think that is more terrifying than anything. The scare, or the pop if you will, is the catharsis of the moment, and the longer the suspense is, the more it is dragged out, the bigger the pay off. This scene accomplishes this very well!

From the beginning, we learn of Franklin’s condition. A helpless, scared invalid; burden, really, on the group that we struggle to feel sorry for. That is until we get a feel for his point of view. He feels sorry for himself, and it kind of sad to watch. Over time, you do feel bad and begin to empathize with him. Though not entirely idolized as a character, it is his fear you feel resonating from the screen. You can tell how scared he is, how desperately he just wants his friends to come back, and it only gets worse when he realizes the keys are gone, and that they can’t leave even if they wanted to.

The scene is beautifully scored with an ominous droning aura that sounds like it belongs in a cave. But it is looming horror, the pending nightmare that patiently, oh so patiently awaits them. Honk the horn all you like, scream your head off, wait until daylight if you make it that long. Hell, another thing this film does well, is it takes away the security of the light, as most of the horror happens during the day, so you don’t even have that to fall back on.

So many great moments and it bears repeating that I feel it’s a lost art. Subtlety has been forgotten in cinema, unfortunately. The sad thing is, a jump scare will always get a reaction no matter how prepared you think you are, but it’s only as scary as me screaming BOO in your ear when you’re not expecting it. Great for a laugh, but not for a scare, and certainly won’t stay with you as these scenes have done for me. What do you think? Share some of your favorites I may have overlooked! Thanks for reading!

This is The Horror Seeker

Nightmare November : Dare to Dream from the Horror Seeker

Dreams are one of the most mysterious functions of the human mind, and we all have them. Many we can’t remember, but of the few we do, dreams are nothing short of an amazing experience in all their form and splendor, and none so profound as a vivid nightmare that wakes you out of a sound sleep.

Growing up, I became a fan of Nightmare on Elm Street at 3 years old, thank you, Aunt Liz, ha! But it has always been a foundation of inspiration for my writing. Could something like Freddy actually exist? As any fan of the franchise knows, one of Wes Craven’s inspirations in creating NOES was one of the many cases known as Asian Death Syndrome, or more commonly referred to as Night Terrors. These were only called Asian Death because during the 1980’s a sudden wave of sleep-related deaths had occurred amongst a number of healthy middle-aged Asian men in the Chicago area.  Much of the details we see in the movie are direct from his life, according to Wes; Nancy hiding a coffee pot to stay awake, the notion of some real entity trying to kill him, the screams and thrashes during sleep. Though, I think it’s safe to say nothing was brought out of a dream. Ha, oh what a life if that were a possibility! But I digress.

In my continual search for material, I keep a notebook at my bedside in case a potent dream manages to stick long enough for me to write down. However, it is the dark ones I hope to catch, and unfortunately, as we get older, I feel that nightmares become few and far between, but they never stop completely.

So, what are dreams? Well, they are attributed to the processing and organizing of the thoughts of the day, and they are vital in our brain’s ability to recover and recharge. One of the best ways I’ve heard it described is, imagine your brain is a warehouse. On one side all the material (thoughts, etc) are coming in and being shipped from one side to the other. As your day wears down your brain begins to process the material. Now, when you fall asleep its as if a door dividing the warehouse in two closes and our awareness is left on the empty end of the warehouse. Whatever the process is that organizes our brain’s activities we can not see, we can only listen. Dreams, as it is told, are our brain’s interpretation of those sounds. A loud bang, say, could have been anything really, but the experience is subjective to us all, perhaps influenced by our own unique programming. This description has stuck with me for a while, and really, it’s the one that excites the most intrigue. That being said, I’d like to leave you with the last memorable nightmare I have had in recent times.

Like many dreams begin we simply just happen into them with no real awareness of a beginning or an end. See Inception. In this case, it “began” in my car, dawn or dusk, I’m not really sure which, but it was stark, blue, like the fading or coming of a summer sun. Almost immediately I was aware of a presence next to me in the passenger seat. I say presence because, well, you’ll see. There were no words exchanged, no real movement. Only when I was aware, as if it could sense as such, the figure turned and leaned in as close to my face as it could without touching me. It was a faceless thing, dressed normally. It’s head cast in a hooded sweatshirt as Death would look if he were a skateboarder, ha! It said nothing, it did nothing, but it felt as though it was looking into my soul, deep and invasive! I remember being as terrified as ever, indescribable, and dangerously hyperventilating. The most horrifying thing was, I was aware of this on a conscious plane as if I were awake and asleep at the same time and unable to scare myself out of it. Only when my girlfriend at the time who had been awoken by my hysteria, shook me violently for several seconds did I snap out of it.

“Was it the shadow man?” She asked the next morning.

I hadn’t told her a thing up until that point, and yet somehow she knew what I saw. I could think of no better way to describe it. It was A Shadow Man. Having experienced that, I can say it is exactly the kind of dream I hope for and the exact kind of dream I never want to experience again!

Do you remember your dreams, your nightmares? If so, please share. I’m always on the lookout for a good tale to tell. Thanks for reading!

Remembering Sid Haig

On September 21, 2019 the horror community, as well as the film industry as a whole lost a legend in Sid Haig. At 80 years old, Sid’s passing was reported via Instagram by his wife, Suzie.

Sid Haig’s career had begun with a multitude of performances starting in 1960 with a short film by Jack Hill, The Host. The duo worked together again when Sid made his first major film debut in 1967 with Spider Baby, aka “The Maddest Story Ever Told”. This was the makings of a long-standing relationship Sid had with Jack Hill, where Sid would go on to explain in an interview that Hill was one of three directors he would never say no to working with. The other two being Rob Zombie and Quinton Tarantino, who collectively Sid had worked on 17 projects with including, but not limited to Jackie Brown, Zombies House of 1000 Corpses trilogy, and 2007’s Halloween. Many of Sid’s roles had begun with numerous TV appearances, but after announcing his retirement in 1992, it wasn’t until 5 years later when Sid would return. In Tarantino’s, Jackie Brown, Sid went on to really expand his big-screen persona, with Captain Spaulding being his most iconic role. Every great performer has that one role that they will always be known for, and Spaulding, with Sid’s demented laugh, antics, and downright savagery has earned his place as one of the most menacing clowns ever put to film, giving Pennywise and the Killer Klowns a run for their money! As if we need another clown to terrorize our nightmares, ha! But we can’t deny our love for Spaulding aka Cutter.

I am grateful to have met Sid at a Rock and Shock horror convention several years ago and I must say, although he is one of the nicest and most appreciative people toward his fans, Sid, to me at least, always had a great commanding presence about him. Either in person or on-screen, even in his most minor roles, you felt his energy whenever he was around! But in person, he was a far cry from the maniacal clown we may all remember him as. A humble, grateful man who went on to attribute Rob Zombie as the one who reignited his interest in acting. It is incredible to observe Sid’s personality change between the interviews he’s conducted and his character portrayals which is only a further testament to his abilities as an actor.

We could spend all day listing off his accolades and accomplishments, but the only real way to appreciate Sid Haig is to experience his performances first hand. I doubt anyone reading this hasn’t seen at least one or two of his films, but for those who haven’t you are sincerely missing out on one of the best and most committed performers ever. From all of us here at HorrorAddicts.net, we thank you Sid for everything you’ve done not just in horror, but for the world of cinema. You will be missed!

This is The Horror Seeker saying, Thank you Sid Haig (1939 – 2019) Rest in Peace, my friend!

Film Review: Scary Stories to be Told In The Dark | A story to be told!

It had been some time since I had read these books, and all the while it hadn’t clicked until I got home. Scary Stories to Tell in the Dark is an honorable adaptation of Alvin Schwartz collection of flash fiction tales, perfectly complimented by Stephen Gammell’s amazing artwork. While the stories themselves are simple enough, able to quench any horror fans quick fix for a chill, they are not without a sense of eeriness, and the transition to the big screen was very well done and deserving.Scary Stories to Tell in the Dark (2019)

It is a refreshing tale, and a clever blend of the stories contained therein the trilogy Scary Stories. In my opinion, this is a great way to adapt an existing product. While the stories themselves are a series of flash fiction I’d liken to Goosebumps, they act like a bucket of ingredients for the filmmakers to dig in and see what mixes and what doesn’t. The canvas for the film is somewhat generic; though I wouldn’t call them the token group, they are relatively standard. The loner, the outcast, the bullies… the list is familiar, but they are excellent performances delivered by a budding cast with no real major star power to distract. Their talents are allowed to breathe and take hold on their own merit, which I enjoyed very much!

Creative is the keyword here, and this film certainly delivers with some interestingly creepy and cringe-worthy sequences. A few noteworthy mentions I must give are firstly to “Twisty” Troy James! Aptly named, as he took the contorting roll of the Jangly Man to an eye-opening performance! Hell, I wasn’t sure at the time of viewing if that was a person, but knowing that now, it was beyond impressive! The second goes to the segment in “The Red Roomwhich had me wanting to leave the theater. A rather disturbing creature that, well, hugs you to death, ha! You can find this creature in the third book, featured in “The Dream”. This scene was my favorite, well-paced and handled very well. I do wish the rest of the film was handled as such. Slow and quiet, building on the suspense rather than building up to the next jump scare. It got tired after the first few times.

These really are minor gripes that don’t hurt the film too much; it’s pretty clear that this film wasn’t meant to be anything to change the landscape of the genre, it is a perfect end of summer film. At an hour and fifty-one minutes, the pace moves right along feeling nicely wrapped up, at least for this one. No doubt there will be a sequel in the future, rightfully so as there’s so much more material to be mined within the books. I am looking forward to More Scary Stories! Check them out; which stories would you like to see featured in the sequel?

Until next time, this is The Horror Seeker! 

Remembering Steve Dash

Sad news has gripped the horror community with the recent passing of Steve Dash. For those who don’t know, Dash passed away on December 18, 2018, at the age of 74 due to complications from diabetes. He was mainly a stuntman/coordinator in the horror genre, in films such as Mr. Hush, Night Shift, and Alone in the Dark. Also, you may not know, he was a stunt double for William Atherton’s character, Walter Peck in 1984’s Ghostbusters! However, those of us familiar to his name will always remember Dash as the burlap butcher– (I coin the phrase if it has yet to be taken), or bag head Jason as he’s been called, the first Jason Voorhees in Friday the 13th part 2.

He set the bar for what was to become a staple character in the oh-so missed Slasher genre. A kind-hearted, and funny man, I had the privilege of meeting Dash in New Jersey at Monster Mania a few years ago. I was taken-a-back being in his presence, as his energy still very much radiated that of Jason Voorhees. Dash, like Kane Hodder, was not shy about letting loose his inner Crystal Lake Killer, having brought up his machete (to my throat) for our photo op.

When I asked Dash why there were two people portraying Jason in the film, seeing as he himself was a stuntman, he replied that while he was originally set to be the stuntman only, the crew was having problems with their other actor Warrington Gillette. While the scene we see at the end of Friday part 2 is, in fact, Gillette, this was filmed before said problems had arisen. Thus, Dash was given the remainder of the film to bring Jason to life. And what a job he did! As far as all of the actors who have come along to play the iconic role, admitting myself that CJ Graham remains to be my personal favorite overall, Dash definitely brought, what I think to be, the most terrifying presence to the character. This perhaps mostly due to the fact that Jason was new to the screen, and had yet to be shaped into what we know of him today. Dash’s portrayal maintained a sense of emotion and grief towards his mothers slaying at the end of the original, something I feel was lost to any of the later actors that followed. With this, as well as being the only rendition (excluding Jason as a boy in Part 1) to not have dawned the infamous hockey mask, I think Dash stands out among the 9 actors who have come to play the role.

On behalf of horror fans all over, we say thank you. Rest in Peace Steve Dash, as you will always be remembered as– in the manner that you had autographed my DVD case– “The Real Jason” I do hope that many of you out there had the opportunity to meet Steve Dash, it was an honor for myself.

Until next time, this is The Horror Seeker!

 

Horror Seeker: Is “IT” for better or worse?

Pennywise is possibly Stephen King’s most iconic character, having been brought to life first in the 1990 TV miniseries IT, played brilliantly by Tim Curry. So, it was no surprise to hear about the reboot that came out last year, and I have to say I was happy enough with it. I think my anticipation got the better of me then, as the amazement of the film has all but worn off, but it was enough of a spur for me to pick up a copy of the book and get it read before the next chapters is released which is scheduled for Sept. 6 of next year.

Now, I could go on about the exhausted complaints about the 2017 film, or give you a nostalgic love letter as to why the original is better- it really is-, but I’d rather talk about the potential that Chapter 2 could have in store for us.

First off, no story is worth anything without its characters, and IT is arguably one of the most laborious efforts to flesh them out. However, I feel this is where the book and the 1990 miniseries win over the reboot. Believability. The characters, right down to the simple extras, I was convinced that there was something serious going on. Well, okay, not everything was so serious; of course the scene in the library and Curry’s imposing, yet hilarious laugh. But it all worked, at least as far as I’m concerned. It’s said, you don’t want to work with animals or children in film, for obvious reasons, but I felt young Bill’s pain, I empathized and feared for Ben and Mike, and Henry Bowers, good God, has to be one of the coolest young antagonists out there. That was enough for me to lend credibility to the rest (Richie, Beverly, Eddie, and Stan). As far as the 2017 rendition goes though, while I enjoyed the movie enough, it felt more like a group of kids trying really hard to impersonate these characters, if that makes sense. Stan’s Jewish, yeah we know. Richie is a motor mouth, Eddie is paranoid about being sick, and so on. Now, I know they’re just kids, and that’s how kids behave, but to me, it felt a little too forced.

And lets not forget to address the clown in the room! Not for nostalgic loyalty alone, but I give it to Tim Curry any day, taking nothing away from Bill Skarsgard. Just as quotable, just as memorable, and even more accurate to the appearance of Pennywise, but again, believability. You wouldn’t let your kid near either of these two, right? But, be honest about which one you’d be more nervous around. Skarsgard was unnerving, Curry was unassuming. And that, I feel played more into Pennywise’s goal of luring kids in. I called the characters in the 1990 version victims, but the 2017 one- stupid!

Now, it’s lost potential seeing as how the cast is set, and really the only one I’m looking forward to seeing is James McAvoy as adult Bill, but wouldn’t it have been a fantastic turn-a-cast if they were able to round up the children actors of the miniseries to play the adults of the Losers Club? They’re the perfect age, perfect timing! Oh, what a lost opportunity if there ever was one. But, speaking of returns, you have to wonder, will Tim Curry cameo? I’ll leave that for anticipation.

But there is an undeniable silver lining in the upcoming Chapter, and that is that it will take place in present day. This, I am hoping will give Pennywise, as well as the story itself room to evolve, as it will be stepping outside of IT‘s known universe, perhaps (I know that King’s books are latent with references to Pennywise here and there, so if I missed something please let me know). This move alone will hopefully justify IT‘s re-imagining, cause why else remake a movie (if not for the cash grab) than to take it someplace else? IT could restore my interest in remakes, but that’s an article for another time.

One last note I’d like to discuss, one that was brought to my attention by a friend and that is, can people- namely kids- relate to the story today? This may be something that hurts the story as a whole, because while people in 1990 could relate better to those in the late ’50s, getting into trouble and going places where they weren’t supposed to, do kids today really share the same attitudes and behaviors? I’m sure some do, they’re kids, but one of the aspects of the book I think I missed out on, which is why I didn’t find IT all that scary, was I grew up in the late 80’s/early 90’s. A changing environment, and even more so today. People aren’t the same as they were 30, or even 60 years ago. I think, while the themes of the story might still stick, the atmosphere not so much. This may be a challenge for Chapter 2. Make IT scary, make IT fun! Either way, I’ll be seeing IT, won’t you? You’ll die, if you try not to. You’ll die if you try…