Terror Trax: Spaulding

Dear readers,

As last you may remember, I was being held captive in a castle in Los Angeles, abandoned to my fate by my captors–Gothabilly rockers extraordinaire, The Barbarellatones–who had flown to Eastern Europe for a clandestine meeting with descendants of Dr. Frankenstein. Thankfully, our esteemed and fearless leader, Emerian Rich, dispatched her ravens, which located me in the turret, removed my restraints, and gave me a snack. Once freed, I was on my way to my next assignment in dismal, sunny Australia, where I was to meet with heavy horror rockers, Spaulding. Upon arriving at the band’s favorite hangout -the alley behind their hometown morgue- and finding said area deserted, I was intercepted by a tiny, fearsome creature that identified himself as Intergalactic Space Wool. A creature of fuzzy yet menacing appearance, he informed me that the band members used mental telepathy to speak through him and he would, therefore, be answering all interview questions. The alien being then proceeded to pull questions and implant answers and other atrocious and unmentionable notions into my brain. He then stomped on my right foot while shouting fiendish phrases, indeed an unearthly incantation, and I instantly found myself back at Horror Addicts HQ, both my mind and big toe throbbing with pain. Once resident staff physician, Dr. Golem, had removed the answers from my brain, along with the other torturous implants, I was able to transcribe the interview here for you by use of my trusty spell-enhanced 1984 Wheelwriter. I hope you enjoy the strange words which follow.

Faithfully yours,

R.


Spaulding:  An Interview

First, for the obvious question: Is the band named after the infamous Rob Zombie character, Captain Spaulding? If not, what are the origins of/inspiration for, the name?

No connection, TBH, it is more closely affiliated with Wilson from Castaway.

How did Spaulding get together?

Nadia and I (Steev) had been playing as Spaulding for a while, and slowly over time, found likeminded individuals, to join us in our endeavors to spread the plague.

Who are the members of Spaulding and what does each member do? Is there a solid line-up?

Nardz – eats and gets angry (sometimes plays bass)

Loz – Drinks and Bangs Things (Occasionally Drums)

Henry – Delivers sass and plays effects (guitar)

Steev Killface – Squeals like a pig, and forgets everything (occasionally remembers lyrics)

I assure you none of us are ethereal beings.

What’s the inspiration behind your chirpy, light-hearted hit single, “The Miracle of Birth”? How has the reaction been to this song?

Every body’s response has been great to this lighthearted tale of removing fetuses with wire coat hangers…

How does horror inspire your song writing?

Not as much as Phil Collins has…

What kinds of horror art and culture are you into?

The answer for all of that is erotic… Complete and utter obscene erotica… also graphic novels, and classic films such as Toxic Avenger, The Human Centipede and Flubber.

Who are some artists/bands that you love to listen to?

We all have very different tastes as individuals; personally I just like to listen to old looney tunes cartoons and the sounds of children screaming.

But on a serious note between us we vary from industrial nu metal to psych rock, death metal, Goth rock and blues. We all have the bands we grew up with and can’t let go of, Smash mouth, Backstreet Boys, and even Celine Dion.

Why is unicorn jizz so delicious?

Clearly it’s because of all the pineapples they eat, that’s why they all live in Mexico.

What inspires you to create?

The fear of not creating, an undying relentless urge to defile the orifice of anyone dumb enough to give me the time of day.

Do you believe in the existence of evil?

No I don’t believe. Life is wonderful and fair and just and everyone lives to an old age with no bad things ever happening to anyone.

Can dark music be a positive force in society?

I feel dark music has done wonders for the Catholic Church.

Do you think anyone outside the horror scene really pays attention to what we’re doing? I mean, are the glory days of being a threatening force behind us -like when parents were terrified of W.A.S.P. and Slayer in the 1980s?

Unfortunately not, everyone these days has been too desensitized by the growing urge to rebel and stand out. Pop stars are whores and no one blinks an eye, even murder isn’t what it used to be… It is impossible to offend masses without doing something completely extreme such as rape or pedophilia and the day entertainment comes to that, we’re out.

If all the members of Spaulding could join their bodies together to form one gigantic super monster, what would that monster be?

The Human Centipede…

How do you feel about clowns?

Is this a trick question?

What can you tell us about intergalactic space wool?

No one is truly sure of the space wool’s origins… What we do know however is he is a malevolent being, existing within the realms of the human plane of existence, corrupting human minds and spreading a dark plague throughout humanity…

Your lyrics speak of real-life horrors (“Morning After”, “Family Values”) and supernatural horrors (“Midnight Snacks”). Is this intentional or do you just write about whatever comes to mind?

Whatever keeps me up at night…? I never set out with a topic in mind; I basically just string words together and see what comes out.

What is your favorite kind of curse?

Steev is quite fond of FUCK, I think that Loz would probably side with Cockwomble, I don’t know how many times a day Nardz uses the phrase “Oh Get Fucked” and Henry’s a good old fashion cunt man.

What does the future hold for Spaulding?

WORLD DOMINATION or, these nuts….

How can we keep up with the band?

www.facebook.com/spauldingband

www.artistecard.com/spaulding

And on insta @Spaulding_band

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PR: A Message from Valentine Wolfe

Darklings, listen…

These words are from a lonely soul, toiling ceaselessly to pursue a dream-which, of course became a nightmare. These words are from Victor Frankenstein, and like Victor, we’ve been alone in in chambers, working away, and now…our secret may be revealed.

 

This fall, we present the newest Valentine Wolfe project, The Haunting of Mary Shelley, of, A Vindication of the Rights of the Departed.

 

The album will have 11 tracks, consisting of :

A Voice in the Dark
On the Education of Daughters
Song for Justine
Soulgiver
Hours of Sorrow
It’s Not Your Story To Tell
I Will Be With You On Your Wedding Night
Victor’s Confession
Doomed To Live
What Lies Beyond
The Modern Persephone (soundtrack to the silent Edison version of Frankenstein from 1910)


Cover art by the incomparable Egregore Design.

Releasing on October 4-7, Greenville and Atlanta.

Like Victor, we’ve obsessed over our creation, our story of two extraordinary women and the creation of the Modern Prometheus. For us, Mary Shelley is the Queen of the Underworld, and our modern Persephone. We believe we’ve created the darkest, most compelling Valentine Wolfe music yet-we know every band says that, but for us, the music we’re hearing has exceeded our darkest imagination…

We hope you’re looking forward to hearing our music as much as we look forward to finally sharing it with you all.

Do you share our madness?

Braxton and Sarah

-Valentine Wolfe

Can’t wait for new music? You can always purchase digital copies of Sarah’s brooding and chilling dark ambient solo project, Dolorosa Lachrymosa by clicking here.

Terror Trax Review: The Barbarellatones

Barbarellatones interview

To: HorrorAddicts.net

Attn: Hostess Emerian Rich

Dear Boss,

Last night at the stroke of midnight, as per my assignment, I met with the members of the rock and roll outfit The Barbarellatones at the pre-agreed upon location–an abandoned drag racing track just outside the city limits. However, I had no idea that once there I would bear witness to a phantom drag race involving two greaser teens driving 1950s hot-rods, wherein the two ghost cars lose all control and burst into flames at the end of the race, only to repeat the duel over and over until the exact time of 3:15 a.m. As I had never been in the presence of drag-racing phantasms, terror held my eyes fixed on the track. Aniela, one of the group’s members, told me that this went on every Thursday, and that the troupe gathered to watch, for, “inspiration”, as she called it. She gave me an elixir to calm my nerves, after which imbibing, I instantly blacked out. Mysteriously, I managed to complete the assigned interview, and have sent this one and only copy along to you through the assistance of a bilingual carrier pigeon nicknamed Dr. Chud.  From what I can see, I am locked in the turret of a castle overlooking a grim and dark industrial section of Los Angeles. Please send help as my hands and feet are bound tight with feather boas, which really hurt, and I am in dire need of a snack.

Yours,

R.H.


In case anyone in our reading audience may be unfamiliar with the term, can you please explain the genre tag “Gothabilly”?

Gothabilly to me means dark, swampy, reverb-drenched, surfing at midnight-y, horror-rock, B-Movie Camp…The Cramps really nailed it in my opinion. I love them! We’ve been labeled as ‘Transvestobilly’ and that’s fine with me…

In the band bio, you mentioned that seeing The Rocky Horror Picture Show at the age of 13 was a life-changing event. How so?

The combination of Rocky Horror, Bowie and Ludes all hitting me at the age of 13/14 in the early 70s is the reason why I am so weird, and is reflected in my music. I am first and foremost a Glam Rocker.

How did the Barbarellatones get together? How did you come up with the name?

Barbarella was a film about an Intergalactic Space-Slut. It was the first Glam Rock movie!? It blew my mind; I loved the horny, campy, Sci-Fi, slut-glamour of it all…that’s what I was going for with the name The Barbarellatones.

Is it true that you have a hot rod hearse and that you cruise the strip in it on Saturday nights?

If I could rock a hearse I would choose the Jaguar XKE Hearse from Harold and Maude, obviously…!

Is it true that said hot rod hearse is also a time machine?

Only after reaching a land speed of 666 Miles per Hour during a full lunar eclipse on Bela Lugosi’s Birthday.

Have you yourselves heard the rumor that the Barbarellatones are involved in robbing graves, mortuaries, and medical school cadaver storage units, and that you are using the stolen corpses to assemble an army of Frankenstein monster type groupies?

We have all kinda ‘projects’ going on down at ‘The Lab’. Our latest is ‘The Trandroid’: A Transvestite Sex Android.

Do you live in a volcano?

 I live near a Volcano! I’m on Maui and The Big Island is coughing up tons of Sulfur Dioxide. It gives me a sore throat and an ass kicking headache…I’m breathing little shards of Volcanic Glass!

How did your love of campy, B-horror movies begin? Can you recommend some personal favorites?

I’m kind of an Art-Fag. I love film, music, low-brow Art and performance art; bad fashion…the list goes on…! As far as Film, we spoke about some of my faves, Barbarella, RHPS, Zardoz is great, I love Fellini’s Satyricon, Kenneth Anger, Andy Warhol, John Waters, cheesy horror and sci- fi. There’s a lot of good shit out there!

To you, what do glitter, glam, and horror have in common?

They all have a high amount of Fabulousity: Dark, Sexy, Campy and fun. I love Goth but it’s a turnoff when it takes itself too seriously. Ok…we are doing the Ghoul Thing…dressing like Zombies, got our SPF 1000…sometimes you go to a Goth club and no one smiles. That’s lame to me. I like the vibe more of a Tranny Bar, its over-the-top and I guess I really resonate with the Glam ethic of Flamboyance. I love Goth music tho, don’t get me wrong. Sisters of Mercy are fantastic, I love Siouxsie, Bauhaus, Alien Sex Fiend, the Damned…it’s great and creepy-cool.

How is horror culture a part of your daily lives?

I sometimes phase in and out of a Campy B-Movie world. I have a big, weird imagination and it just happens organically. I’ll come up with a weird lyric or riff and it’s often Sophomoric and abserd but if it gets its teeth in me I usually craft it into a song. 

Is it too late to accept the offer for that Chesterfield?

We here at Barbarellatones Enterprises LLC are merciful. We will grant you your final Chesterfield cigarette.

Gila monster versus surf zombies, who wins?

This is probably one of the most important questions ever posed to the human race…Gila monster vs Surf Zombies. Gila monster, after he fell into the Fukashima Nuclear Reactor developed mutant laser-beam eyes which, when intensely focused, would incinerate a surf zombie. So it’s a win for Gila on that one.

What is your favorite curse?

My favorite curse, my ‘Dark Gift’ is Alcoholism. I’ve been clean and sober for 26 years now, which is an eternity for a Junkie like me. It has been such a wild ride…ironically it’s very psychedelic being sober. I love helping others crawl out of the gutter and Re-Invent themselves. There’s nothing like it. 4th Dimension, Baby…

Can I see Barbarellatones live in the near future?

I am living in Maui these days and the rest of ‘The Barbs’ are in LA. I plan to come out and play some shows…my bandmates are Whores and are playing in other projects (as they should) so I’ll see if I can round up my Drag Queens and after a couple rehursals should be good to go. We have a lot of songs, so I would pick my very favorites and glam out with my clam out.

How can we keep up with the band?

I’m always writing and recording, so I try to stay on the Gaydar. We are on a bunch of radio shows but I do want to make more videos in the future. I love that!

Are you going to untie me?

I’m a Leo…a cat. When I catch a mouse, I play with it for a while; until I get bored…or hungry…

To bear witness to the Barbarellatones in all their sleazy campy glory, follow the hyper-link road!

 

 

 

MUSIC REVIEW – Live show: Freakangel + Neonsol + Advance

Hello and welcome to HorrorAddicts.net music reviews! This is Jeffrey Kohld Kelly.

Today we are going to do something a little bit different; rather than reviewing a new release I’m going to do a review of the Manchester date of the Freakangel & Neonsol show featuring Advance. This tour was courtesy of Beat:Cancer, a UK-based nonprofit organization doing their part to help find a cure through means of concert tours and compilation CDs, with additional support from Analoguetrash and DWA Records. As a newcomer to the UK, this was my first Beat:Cancer performance, and I was floored by the immense support the audience and musicians had for the cause and for each other. But more on Beat:Cancer later; for now I’ll get to the bands.

The first performer of the night was Advance, a Scotland-based “Dystopian Electronica” band with a beautiful combination of both intelligent and danceable synth lines. Their music was nearly reminiscent of genre veterans CHROM and Neuroticfish, but with a wholly unique approach. Their live sound was even more full and professional sounding than their recorded material, which may be in part due to the fact that their most recent album was released 3 years ago and they’ve grown more as producers over the years. Their live show, while somewhat lacking in energy on stage, seemed to provoke the most energy in the crowd. Between industrial dancing and singing along to more than half of the songs, it was clear that Advance had already made quite an impact in the Manchester area previously. Tom’s vocals exceeded his skill demonstrated in the album while live synthesizers provided by his accomplice Kimberley added just enough push to the mix to drive forwards and deliver more to the live show than could be accomplished in a studio record. Advance’s charismatic and dynamic live performance was actually my favourite of the night, and I would highly recommend everybody else to be sitting on the edge of their seats just as much as me to catch their highly anticipated and long-time-coming new album.

The first co-headliner was the Danish/Canadian synthpop act Neonsol, a band iconic for their songbird-style female vocals paired with the deep and brooding vocals of their male vocalist and live synth player. Despite the high number of Neonsol shirts circulating the audience, they didn’t immediately receive quite the same positive response as Advance. I can’t help but feel that most of this initial hesitation held by the audience and myself was due in part to the performance of their live drummer. While they may have had reasons for having him along, I found him to be almost an extraneous member as he only played a midi snare drum, and hit less than half of the songs’ snare strikes. What made me most concerned was the fact that throughout more than the first half of their set he was playing severely out of time with the backing tracks and sampled drum beats, causing the entire live show to feel out of time and sit awkwardly. These tempo issues may have been in part due to live stage monitor levels being a bit low; any band will tell you how frustrating and common this issue is. But whatever the case, I felt it took far longer than necessary for me to be able to properly sink into their performance and experience it how it was meant to be. However, when the band found the pocket they were looking for, the performance quality increased drastically and created the dark and moody swaying pulse they’re known for. Their song Manipulation was, of course, the show-seller accentuated live by the rumbling voice of their male vocalist’s backing vocals. The stark contrast in sounds is and was implemented in a lovely way, and any fan of synth-driven music should find Neonsol at the top of their record collection.

Finally Freakangel took the stage. The Estonian industrial metal band has gone through quite a bit of genre evolution over the years, moving from harsh aggrotech to a significantly more metal-driven and hardcore or even metalcore-influenced combination. The live show delivered far more on the metal front than the studio albums, Art’s guitars receiving significantly more of a central focus, topped by an incredible and energetic performance by their new Amazon warrior of a live drummer. The vocal performance did seem to suffer somewhat compared to the album versions of songs, Dmitri mumbling or moaning the lyrics between guttural screams rather than a powerful vocal delivery throughout; while he may have been trying to convey a certain vibe to the audience through this type of performance, I can’t help but think that the show itself would have been stronger as a whole had all members shown just as much energy. Curiously enough, despite being the main headliner of the night, a surprising amount of the audience moved to the back for their performance. This may have been in part because of the stiff genre divide in the night, starting with synthpop and ending in death growls. It’s possible that most of the people who came simply weren’t metalheads and had come to see Advance and Neonsol. Whatever the case, those of us who stayed at the front had a fantastic time and I hope that Freakangel will continue to deliver such high energy performances throughout the rest of their career.

For those of you who would like to know more about Beat:Cancer you can find information at the link provided below. Even if you’re not based in the UK you can support the cause by ordering merchandise or a copy of their latest compilation CD featuring the artists who performed at this show as well as many others. For those in the UK you can catch the next Beat:Cancer tour featuring Sirus throughout the UK this October!

For HorrorAddicts.net this is Jeffrey Kohld Kelly.

Advance:

https://www.facebook.com/advanceaudio/

Neonsol:

https://www.facebook.com/Neonsol/

Freakangel:

https://www.facebook.com/freakangelofficial/

Beat:Cancer:

http://beatcancer.info/

Terror Trax: The Creptter Children

The Creptter Children
by Russell Holbrook

While recently meditating in the dank sanctuary of a bleak, rotting cathedral, I was horrified to open my eyes and find a dusty old hymnal floating in the air before me. The name, Creptter Children, was carved across the tome’s ancient cover. As I reached out for the songbook, it opened with a ruffle of pages. Dark blood seeped out of the paper, running down the center crease and spilling onto the floor. I touched the blood, and the book pulled me into itself, snapping shut, trapping me. I found myself in an inverted world. The cathedral was a negative image of itself. A powerful, female voice called from the surrounding darkness. “I will give you the answers you seek,” she said. I stepped forward to a small table where sat a quill, parchment, and ink. Vocalist, Lyricist, and guitarist extraordinaire Iballa Chantelle floated out of the shadows on a throne made of skulls and cobwebs. The throne descended, and as she spoke the prophetic words of questions I had yet to ask, I began to write.

-What’s behind the band name? What is a Creptter child? Who are the Creptter Children?
The name ‘Creptter’ is a word created from a premonition I had many years ago, where an entity told me I was going to start a band called ‘The Creptter Children’. ‘Creptter’ means spiritually evolved, the abilities that lay among us all to be spiritually aware, physic and our powers to better oneself.

-What do you love about dark, heavy music?
I love everything about the dark and heavy! I love the build-ups and the amazing energy I get from listening. It’s like walking into a theme park; you’re overwhelmed with excitement!

-Listeners often discuss a black metal element in your sound. Where does this element originate from?
Theses influences stem more from my end, as I’m a fan of the black metal genre. N8or also enjoys black metal to a certain degree as well particularly when it comes to drumming influences.  I especially love symphonic black metal. I enjoy listening to bands of this style. I love gathering ideas and inspiration for my own song writings.

-What’s the dark music scene like in Australia? How does it compare to that of the scene in America?
Unfortunately, Australia has a rather small dark/gothic music scene compared to places such as the USA and Europe.

-How did the band get together?
The band formed originally in Perth Western Australia during 2006. I had left a previous band and N8or had offered to produce some of my music. I liked what he had to offer so I asked him to start a band with me and that’s how The Creptter Children began!

-Who are some bands that you enjoy?
I enjoy listening to many bands. Mostly in the metal genre. I do also listen to other music genres but metal will always be life! Some of my favorite metal bands I love include Dimmu Borgir, Immortal, Behemoth, Manson, Carach Angren, Septic Flesh, Belphegor and Cannibal Corpse. There’s just too many to choose from but you get the idea of what I’m into!

-How does horror inspire and influence Creptter Children?
Horror is every day! I’m attracted to the darker things in life. Some interests I have include the supernatural, extra-terrestrials, space, planets & collecting oddities. I like including these elements into the band and music. Obviously, N8or and I both love horror movies! Some of our favourites include; Nightmare on Elm St, Halloween and Child’s Play.

-As individuals, what kinds of horror art are you into?
I like a lot of satanic and fantasy style of art as well as oil paintings from the Renaissance period. N8or also appreciates similar art styles as well as modern day pop art and graphics

-Are you classically trained musicians or self-taught?
I’m a self-taught vocalist. I have had training in the past with guitar tuition in my early teens. N8or has also had some musical training and is a self-taught music producer and owner of ‘The Crib’ Recording Studio in Melbourne Australia.

-Where does the inspiration for your lyrics come from?
My music converses issues, fantasy & my life experiences.

-What are the future plans for the band?
More releases, upcoming music videos, and tours

-If you could play at the apocalypse, what song would you end your set with?
If we’re talking zombie apocalypse then you’ll probably see us fighting off zombies as opposed to rocking out!! But let’s just say we’ll finish on “Possessed”!

Check out Creptter Children’s newest video, “Asleep with Your Devil”!  :

 And the classic “Possessed”!

Find all the demonic goodness here: http://www.thecreptterchildren.com

Terror Trax: Hormones

by Russell Holbrook

Hormones

During my thus far short tenure covering the Terror Trax column for the HorrorAddicts.net website I have been able to speak with a variety of wonderful and interesting purveyors of aural gloom. However, I never expected to find myself in a community college in the Czech Republic, attending a class entitled: Applications of Dark Mathematics in Modern Heavy Music. But there I was, sitting in on class with seventeen year-old wunderkind Karel, the brain behind horror-fueled atmospheric metal machine Hormones, who is attending the evening class in order to further expand his dark horizons. Following the mind-bending lecture, Karel and I retired to his favorite fog bank where this interview was conducted. I meant to invite the mysterious teen for some post-interview coffee but as I packed my notebook, pen, and tape recorder into my bag, a billow of fog enveloped young Karel and, when it cleared, he had vanished. I was never able to locate him again. All I have are the brief words which follow.

Who is Hormones and what do we need to know about them?

Hormones is a one-man-band powered by Karel Fošumpaur from the Czech Republic which is based on creepy and tough sounding mathematical instrumental music. Main crazy rhythms are supported by experimental ambient melodies. Some may call it Djent or Thall. But the main characteristic is the tone of my guitars and bass, which still evolves.

Can you please tell our readers how you use math and algorithms to create your music? 

The interesting part about math music is figuring out the algorithm and possibly enjoying it. So it would be a spoiler. 4/3. That’s all I can say.      🙂

What if math could be used to create evil spells?

Then I would become cursed evil mathematician 🙂

What inspires your music?

There are similar bands which have influenced me, but the main inspiration source is unnamed strange emotions which flow through me sometimes… And also landscapes, sci-fi topics.

Your debut album creates a dense atmosphere that at certain points invokes images of being alone at night on a foggy, desolate city street with a knife-wielding maniac slowly stalking through the background. Was your album influenced by horror movies or horror fiction? 

I love horror. The trilogy of mathematical horror movies Cube belongs to my favorites. And there could be a little connection with my music…  🙂

Who are some bands or artists who inspire you? 

Bands like Vildhjarta, Nemertines, Meshuggah, Harkla or guys like Mick Gordon, Robert Fripp.

What is your home city? Is there a heavy or experimental music scene there? If so, what is the scene like? 

There’s no scene of this kind of music at all in the whole country. Only a few would enjoy this stuff here…

In your opinion, what elements make for truly creepy music? 

In my opinion, the main elements are low-tuned guitars, dirty bass, dissonant awful tones, reverb-drenched ambient melodies and tough drums. I can’t play guitar well, so I play it at least simply and creepy.   🙂

The use of heavy, distorted bass guitar as the lead instrument is not a common choice. What led you to use the bass for this purpose?

I’m generally a bass player. The sound of my bass is very important to me. I like it dirty and heavy – it’s suitable for my purpose. It has to sound like an angry bull or like the birth of a black hole, not like some soft sub-bass…

What is the best type of curse? 

Being blind among the most beautiful women in the world…

What can we expect from Hormones in the future? 

New guitar tones and some background samples as an ambient part of my music. I aim now more for singles than an album. New stuff will be soon.   🙂

Please check out the ultra-heavy self-titled album from the mighty Hormones!

 

MUSIC REVIEW: Night Club

Night Club 

Scary World

Review by Jeffrey Kohld Kelly

I’ve had the pleasure of gaining early access to the remarkable electropop and industrial influenced upcoming album Scary World by the LA-based duo “Night Club”. Scary World is slotted to be released worldwide on the 24th of August 2018 featuring the single “Your Addiction”.

Night Club’s production value is incredibly professional, masterfully compressed drums and seamlessly arpeggiated basslines building a strong and driving foundation for the music. Emphasizing electro synth wails and sirens accentuate energy and drive when necessary, but are used sparingly enough that they deliver a strong enough punch each time that it never gets old. Their vocalist’s gentle and almost tantalizing voice offers a beautiful contrast to the instrumentals, offering chiming innocence during moments of tension, and an extra dose of adrenaline when the synths take a back seat.

The album immediately sets its own stage and carries the theme unadultered from beginning to end. Yet, despite using relatively similar thick and minimalistic synth sounds and stylistic techniques throughout, each song proudly speaks for itself and never falls into the easy trap of becoming a parody of itself. The album climaxes with my personal favourite on the album, Survive, easily leaving me wanting more from them.

Night Club is currently on tour with Combichrist and Wednesday 13 across Europe and the United Kingdom on the “Everybody Still Hates You” tour, and I personally will be sure to catch their Sheffield date on the 10th of August. I would highly recommend for anyone else along the tour route to be sure to pick up tickets for a show near them soon as well!

If you would like to hear more from Night Club and order a copy of their new album Scary World then you can visit them online at NightClubBand.com or follow them on all major social media platforms.

 

Links:

https://nightclubband.com/

https://www.facebook.com/nightclubband/

https://twitter.com/nightclubband

https://www.instagram.com/nightclubband/

https://www.youtube.com/user/nightclubband/videos