Terror Trax: #183 Dogtablet

Martin King – Drums, Production, Programming
Roberto Soave – Bass, Production, programming
Jared Louche – Vox & Stories


Website 

What album, tour, or song are you excited about now? 

The Feathers & Skin remix album featuring some awesome remix friends

 

What singers or bands inspired you growing up? 

Magazine, Bowie, Bauhaus, Roxy, Wire, Iggy

Who are your favorite artists today? 

Muse, Scere, ACTORS, Nothing But Thieves , Skepta,

What non-musical things inspire your music? 

Martin – My Life and a dark mental edge.
Jared – rusty hunks of metal. Chris Marker and La Jette. Lenny Bruce, performances and his book. Pools of semi-coagulated blood and the overturned throne. Diodes and dial tones. Mean Streets. Herbert Huncke, especially “Guilty Of Everything”. JG Ballard, everything though “High Rise” and “The Atrocity Exhibition” are the top of the list. Renaissance paintings and Dutch masters. Gaspar Noe. George Bellows’ painting “Stag Night At Sharkey’s”. Ryu (NOT Haruki) Murakami’s “Almost Transparent Blue”. You’ve got to love any author who inspires warnings from the Japanese Tourism Board any time he publishes a new book, as is the case with every RYU Murakami book, and “Almost Transparent Blue” is the acme. Dawn at the outer ring. Ink spatters. Realm Of The Senses. Broken robots that like to fuck. Acrylic paint. The poetry of Gil Scott-Heron, Bobby Seale and Amiri Baraka. Broken glass. John Singer Sargent’s paintings. Roxy and the Lido after dark. Christian Marcklay, not particularly his music, though his scratch-guitar was killer, but I love his recreated album covers and his experimental movies. The anarchitect and deconstructionist supremo Gordon Matta-Clarke. Mingus, Miles and Monk. William Gibson, most of his work though “Pattern Recog” was directionless. Teeth and tail bones and Tarkovsky. Eric Satie around lunch. Absolutely everything Francis Bacon created as well as his mythology. Caetano Veloso and Gal Costa. George Bataille is superb though “Story Of The Eye” is peerless in his oeuvre. Magazines, remember those, particularly 1970’s picture-rich editions as they’re best for collage. JK Huysmans “La Bas”. Werner Herzog, all of him, and Wim Wenders Himmel Uber Berlin and Paris Texas. Cremaster 5. Autumnal wind through skeletal trees. Marguerite Yourcenar. Ray Barretto. John Waters’ Female Trouble. ‘A Little History Of The World’ by Gombrich. Weather patterns and dusk. Night too. Queneau’s “Exercise De Style”. Laughter. Tears. The occasional dawn, and the Pearl Bailey quote heard in Cap d’Antibes at the Valpolli mansion: “Darling, until a few years ago, I never knew there was but one eight o’clock in the day”. Maya Angelou “I Know Why The Caged Bird Sings” though she’s consistently amazing. Monty Python. Samba. Wu-Tang, both of them. Chow Yun Fat and John Woo having sex. Berlin between ’62 and ’89. Blazing Saddles. Luniz “5 On It”. The Unknown.

Is there a place where you go to be inspired? 

Inside myself

What’s been the greatest achievement of your band? 

Still being alive after so many years doing this shit.

Where was the coolest place to play? Where did you enjoy yourselves the most? 

Martin – I once played in a lava crater halfway up Mount Etna. We were above the clouds but above us was the glowing rim of the Volcano. Pretty damn awesome.
Jared – n the basement of an abandoned hotel in downtown Detroit. Roberto – Arenes De Frejus with The Cure standing in on bass for the absent Simon Gallup

What are your favorite horror movies? 

We’re old school so that makes it Texas Chainsaw, the original. Evil Dead, of course. Jacob’s Ladder will forever hold a special grave in my heart. Polanski’s Repulsion. The original Wicker Man. Alien for the creeps, Aliens for the awesome comedy. Nicholas Roeg’s Don’t Look Now. Let The Right One In. 28 Days Later. Last House On The Left. Seven. Night Of The Hunter.

What was the scariest night of your life? 

Jared – That would have to be the night Dave Brockie from GWAR and I almost died on the highway, but I think everyone knows that story by now.
Martin – Fighting skinheads behind the venue in Minneapolis after a Pigface show. They’d been chasing our support band to beat them down in homophobic rage. We won’t stand for that shit. Knives, Police, adrenaline and some scary stuff. My first experience with baton and Mace happy US cops actually. Martin Atkins saved me from being arrested. Roberto – Almost drowning in Canal D’Arles, drunk with a bicycle round my neck after one of the Cure shows in France.

If you could play anywhere in the world, where would it be and who would be your opening band? 

The Hanging Gardens Of Babylon, and though I’ve seen him a number of times, I’d want to share a bill with Bowie. He wouldn’t be supporting us though. We’d be supporting him. The frustrating thing about being the headliner is that it’s a real challenge for me to be able to focus on the support bands. I’m always too tugged and distracted and fractured to be able to properly appreciate whatever’s happening before I play. This way we’d get to double-barrel the audience and then kick back with our circle and watch the man at work in one of the most glorious and deliriously l beautiful locations in the world.

What are you working on now for future release? 

We’re planning a physical limited edition release of Feathers& Skin with some new tracks which will only be available on it. Working on remixes for other artists…..and somehow working out how we can tour this thing we call Dogtablet

Final thoughts / Anything you want to tell the listeners?

The most important thing for us is to get our music out. So we ask you to use social media to share and spread the word. We don’t care if it’s streaming Spotify, Deezer, Fuckstream or whatever. It aint about the money……

Merrill’s Musical Musings : Ro’s Recs June 2020

June is the month we typically celebrate our LGBTQ community, Juneteenth, Father’s Day, Graduations, and the Summer Equinox. This year it’s been a time of reckoning in our nation. This month I want to spotlight Black artists that I love, as well as explore some I haven’t listened to before. As a result, this edition of Ro’s Recs is going to take a deep dive into some incredible offerings by Black artists. It’s important to remember that all of our popular music is influenced by Black music. Without Gospel, Soul and the Blues we would have no rock’n’roll, no hip-hop, and no pop music. So sit back, relax and enjoy some recs to start your summer…

Okay, maybe don’t relax, as this first one will scare the pants off you. As a special treat to my fellow HorrorAddicts, I HAVE to start out with this frenetically creepy band called…get ready…HO99O9. Yes, they are literally called Horror and they have created a blend of punk, electronic, hip-hop and metal with imagery that will make all you HorrorAddicts drool! Check out Street Power:

Their song “Plexiglass” is eerie goose-bumpery that you will love as well. I desperately wanted to go on Slipknot’s Knotfest cruise this summer and getting to see this band would have been EPIC. Alas, there’s no traveling in my near future. Sigh. 

Another artist I’ve recently discovered is Danny Denial from Seattle. His voice has a smooth quality to it that adds weight to his atmospheric indie-rock sound. “Am I Cool Enough For Your Love” and “I’m Not Your Type” are standout tracks. I found Danny Denial after reading this article. Check it out for more recommendations. 

One of my all-time favorite metal bands is Sevendust. Lead singer Lajon Witherspoon has one of the most incredible voices in rock and the band has created a solid sound over the years that is instantly recognizable and groove-worthy. Here’s one of my favorites. 

And I can’t leave Nonpoint off this list. Elias Soriano is an incredible vocalist and frontman and the band’s music has kept me company and inspired me through both good times and bad.

They are high on my bucket list to see in concert as every time I’ve had the opportunity, there’s been a cancellation or I’ve been sick. Someday! 

While watching footage from the recent #BlackLivesMatter protests, I heard a speech from a man called Killer Mike. I was moved by his words so I looked him up. I discovered that he was part of the group Run The Jewels, who were touring with a favorite, Rage Against The Machine, this year. I actually had tickets to see them and had planned to check them out before the world caught on fire back in March. They quickly became one of my repeat-plays on Spotify. I HIGHLY recommend your listen to all of RTJ 3 and RTJ 4 from start to finish!  This video has some cool imagery HorrorAddicts will appreciate. 

There are so many contemporary Black artists that should be on your must-listen list and I could go on forever. Perhaps I’ll have to post a follow-up to this list! In the meantime, remember…one of the most important ways we can support artists is by buying merch, streaming their music, and recommending them to friends. If there are other Black musicians you think I should check out, let me know ESPECIALLY if they are rock ‘n’rollers or have a horror influence! I’m here for it! Post a comment or hit me up at www.facebook.com/rlmerrillauthor and Stay Tuned for more Merrill’s Musings and Ro’s Recs! 

 

 

Terror Trax: #182 Beauty in the Suffering

Beauty in the Suffering

All music/lyrics written, programmed, arranged, performed, and produced by DieTrich Thrall

Website
 BeautyInTheSuffering.com

Album/Song/Tour we are excited about right now.

DT: I will be filming scenes for several different films including; “COMPATIBLE,” a horror film about a new cutting edge dating app that goes awry, “IN THE WORLD OF THE LONG BREATH,” a modern vampire tale, and the CLOWN MOTEL: SPIRITS ARISE” sequel.

What singers or bands inspired you growing up?

DT: Where do I start? Prince was always my biggest influence. I made a study of about a dozen of his albums back in the day when I used to do that sort of thing. I still revisit his albums frequently. David Bowie also. Motley Crue and a lot of 80’s hair metal. Iron Maiden and some metal. NIN, Ministry and some industrial. I am also a bit of a closet classical music fan so Tchaikovsky, Schubert, Chopin, Beethoven, and others will creep into my playlist. Hans Zimmer, Bear McCreary, and Craig Armstrong are some modern movie and television scorers that I also keep up with.

Who are your favorite artists today?

DT: Aimee Mann, Ghost, HIM, and Rammstein come to mind musically. Anything by Zack Snyder or Christopher Nolan, Ronald D Moore (Battlestar Galctica), J. Michael Straczynski (Babylon 5), Shawn Ryan (The Shield) are huge influences. Jantje Friese and Baran bo Odar (Dark), Michael Petroni (Messiah) more recently.

What non-musical things inspire your music?

DT: Most recently a show called Messiah which deals with a possible Second Coming and “Dark” which delves into time travel. Dark actually reminded me of a book I used to read when I was a kid called Cave Of Time which was a Choose Your Own Adventure book. A lot of science fiction series and movies have always inspired. Some recent viewing includes Watchmen, Black Mirror, Altered Carbon, Love / Death / & Robots.

Comic books too. Some recent reads include East Of West,  Jupiter’s Legacy, The Boys  – I have recently been revisiting Planetary and Preacher which I was in to when they were being published.

Also and key – following up on my history studies. I am a history major still in pursuit of my Bachelor’s. My area of study is military so I’m always digging around on WW1 & 2, Civil War, American Revolution, Both European hundred years war related reading.

Is there a place where you go to be inspired?

DT: Visual media that I just mentioned are a big part. A lot of times I just escape into my head and flesh out story ideas or whatever I am processing at the moment.

What’s been the greatest achievement of your band?

DT: Producing a handful of horror-themed music videos. 2 have been released with several in the final stages of post-production. Performing the song “Reveille” picked up by Clown Motel was cool.   I rewrote and produced a Motley Crue cover of “LIVE WIRE” for my previous band MARAZENE which got the attention of rock legends Nikki Sixx and Tommy Lee. I think I got an email from Motleys attorney within 5 minutes of posting the song on our social media asking if we had properly licensed the song.

Where was the coolest place to play?

DT: There’s so many different interesting venues out there. One of the more recent ones was while I was on tour in Lyon, France at a club called Rock N Eat Live. From what I understand it was a an old school prison at one point and by old school I mean several hundred years ago old school. There were multiple rooms for the bar, the stage, the merch area and then there were all these mini cells where we were told to leave some of our gear which they then locked up. So my gear was actually in prison in France for a short period of time! I noticed some people having drinks and lounging around in various cells. They had an Iron Maiden shrine in one of them. As a history major I definitely got a kick out of the place.

What are your favorite horror movies?

DT: Zombies of course. Romero’s original Dawn Of The Dead but Zack Snyder’s remake was strong as well. Skeleton Key kinda freaked me out the first time I saw it. VVitch was interesting and I really dug the old school speech that the script utilized. Hereditary more recently was the first movie in awhile that made me feel “Ahhh!”, Prince Of Darkness and Event Horizon are older faves and were the first time I had considered cosmic horror and kept me awake a few nights. Martyrs also a fresh take. The Ring too.

What was the scariest night of your life?

DT: There are several actually. One of the more odder memories I have was back when I was a teen and one of my friends and I at the time had just gotten our drivers certification. I think this is before receiving our actual drivers license. Anyways, somehow we convinced a friend of my mothers to borrow his car (!) to take it for a drive. Not five minutes into the drive a black cat darted across the street in front of us as we were driving and I was like “Yikes – how weird!” Not long after that it began to snow lightly making the roads a bit slick. My friend thought it would be a good idea to accelerate when it wasn’t needed and we spun out of control and nailed a telephone pole head-on. Somehow made it out of that with only a tooth hitting the dashboard. But the car was trashed and if we had been going any faster there could have been some window ejections. Scary stuff just getting familiar with driving – lesson learned. Beyond that there’s a solid batch of moments that I have revisited where I have come to realize if I had made one small adjustment in the direction I had moved it could have been a very seriously game-ending situation.

If you could play anywhere in the world, where would it be and who would be your opening band?

DT: Moscow in large part due to my study of Russian history during both world wars. Tokyo too as runner up. Thrall-Zilla is about due a gander.

What are you working on now for future release?

DT: I have about a dozen Beauty In The Suffering songs I am in the mixing stage and several music videos I am putting the final touches on. With everything working out I am hoping for a Fall release.

Final thoughts / Anything you want to tell the listeners? Very much looking forward to seeing everyone on the new Lords Of Acid tour! Let’s party!

Merrill’s Musical Musings: Justin Symbol/ Candyman

 

Party songs for the end of the world?

Greetings and Salutations, Horror Addicts. When last we visited, the world was headed into a shelter-in-place that has lasted longer than many folks anticipated. While it’s been a mixed bag of despair and uncertainty, there have been glimmers of hope that I’ve been hanging on to, and of course, music has been there in new and exciting ways to ease my soul. I’ve found tunes for every mood and put together a few playlists that I’ll share some of on my next edition of Ro’s Recs. But this month I had a listen to Justin Symbol’s latest work and I gotta say, it’s pretty damn reflective of our current state of affairs. 

Justin Symbol’s opening track to the new album Candyman, “End Times,” sets listeners into an anarchist’s vibe for the end of the world, which might seem fitting to some right now. Often sounding like a Marilyn Manson of old, Symbol has girls “shaking their tits” in celebration of the apocalypse, and you know what? Why not? What are we supposed to do when it seems as though the sky is falling? Candyman contains some juvenile lyrics that are sprinkled with wit and overlaying horror-inspired effects and beats that sometimes miss their mark. At times the album feels like a promising industrial album with songs like “Prophets of Nothing” and “Lust.” These particular tunes feature engaging guitar tracks and lyrics that come close to being a snarky riff on life. ”Mothra” creates strong imagery with lyrics such as  “blackout the sky,” “sorting out the bodies” and “curl up inside a cocoon of flies,” but as the album continues, Symbol delves into extremely graphic sexual content that some may find offensive. If that’s your kink, you may feel right at home. Symbol straddles the line of rap and rock with interesting verse, intriguing riffs, and creepy atmospheric sounds. “The Devil You Know” was a standout for me. Give the album a listen and see if it’s your jam. You can find Justin Symbol on Spotify and Apple Music. 

That’s it for Merrill’s Musings this month. Be sure to check out my next Ro’s Recs, where I will share with you the best songs for surviving the shelter-in-place. Take care, be safe, and Stay Tuned for more Merrill’s Musings…

Terror Trax: #181 I Ya Toyah

I Ya Toyah

Ania Tarnowska: Music/Lyrics/Arrangement/Production/Vocals/Keys/Guitars/Drums/Programming

Website 

https://www.iyatoyah.com/

Twitter: https://twitter.com/iyatoyah

Bandcamp: https://iyatoyah.bandcamp.com/

Facebook: https://www.facebook.com/IYaToyah

Instagram: https://www.instagram.com/iyatoyah/

 


What album, tour, or song are you excited about now? 

I’m excited about my own release, Code Blue Reloaded + Code Blue Revelations remix album. Other than this, I look forward to 3TEETH and Carnifex tour featuring Tim Skold and The Browning

What singers or bands inspired you growing up? 

Iron Maiden, Opeth, Depeche Mode, Soundgarden, Audioslave, Sade, NIN, Tool, Tori Amos, Guano Apes.

Who are your favorite artists today? 

Depeche Mode, NIN, Tool, Mortiis, The Midnight, 3TEETH, Health

What non-musical things inspire your music? 

Every day observations

Is there a place where you go to be inspired? 

My own head seems to be a perfect hub for ridiculous ideas turned music.

What’s been the greatest achievement of your band? 

Code Blue album release, Code Blue Reloaded drop, then touring with Pigface, and going on the road with Zwaremachine….But there is more to it than those events. It is a flow, chain reaction, it is continuous 🙂

Where was the coolest place to play? Where did you enjoy yourselves the most? 

I loved playing Thalia Hall, Chicago. It was a sold-out show on the gloomy November night… My homecoming show from tour with Pigface. The venue is known to be haunted so it was a lot of dark fun going on that night.

What are your favorite horror movies? 

I love Children of the Corn– probably equally for the plot darkness and amazing soundtrack. Something you’d bath in blood bath to 😉 Others are Strangers, Psycho, anything Hitchcock… Wrong Turn, Exorcist, It, oh, there is so many of them!

What was the scariest night of your life? 

There is more than one. When I was in car accident at the age of 12….it shredded my guitar and my head was smashed, skull fractured, but all I could think of was my Dad who was in this accident with me, and my Mom and Sister who waited at home for us. I was only scared for short- I had no idea how badly injured I was. I fell into coma after this, and they didn’t know if I will ever wake up. So, pretty scary. There are more but too dark to share….

If you could play anywhere in the world, where would it be and who would be your opening band? 

Dalhalla in Sweden, it is an open-air theatre located in a former limestone quarry, and it is used as a summer music venue. It is gorgeous! I’d love to open the show up there for Depeche Mode.

What are you working on now for future release? 

I am prepping to write the material for the next album. Currently working on some music production parts, testing some plugins, sounds, getting inspired….

Final thoughts / Anything you want to tell the listeners?

Yes. Help me spread the disease of music and infect the human race! But also, I love you. Thank you for not just hearing, but also for listening.

Merrill’s Musical Musings : Ro’s Recs May 2020

“There’s nothing on TV. I’ve got nothing to read. All the good snacks are gone. I’m BORED.”

Raise your hand if you’ve heard any of those sentiments during this stay-at-home time. Thankfully, my kids know better for the most part because I will either shove a book in their faces or give them chores to do. 

One of the things that have kept me sane while locked down is music, as usual. I’ve been having so much fun with the musicians that are putting themselves out there on social media with new projects, quarantine videos, and special interaction opportunities. On Instagram, I have notifications set up for artists like Tyler Glenn from the band Neon Trees (@tylerinacoma), and Franky Perez (@frankyperezofficial) who has performed with all kinds of folks including the symphonic metal band from Finland, Apocalyptica.

 Both of these artists frequently do acoustic performances on Instagram/IGTV that are tasty morsels. They keep me going when I need a pick me up.

Recording from home when your band is not with you can be a challenge, but several artists have done a great job. The first video I saw that really touched me was twenty-one pilots who put out a new song and video called “Level of Concern.”

 

While they’re not my usual level of heavy for music, I do admire them and I thought this was a super creative way to get around quarantine separation. Twelve Foot Ninja, a metal fusion band from Australia—they are brilliant and have a horror fan’s sense of humor for sure—and they took on the classic Stuck With You by Huey Lewis and the News

Stevic McKay did a Zoom interview with Huey Lewis too where they talked about their cover of the song and Huey was such a sweetheart

 

 I highly recommend you give both the video and the interview a watch, especially if you’re a fan of the film American Psycho. Papa Roach—yes they are still around and continue to put out phenomenal music—embraced the insanity of lockdown with kids and recorded this fantastic video for their latest hit “Feel Like Home”

 But the clincher came for Mother’s Day…Ice Nine Kills—the horror fanatics I have absolutely fallen in love with over the past year—did a parody cover of Fountains of Wayne’s “Stacy’s Mom” called “Jason’s Mom” and, well, you have to watch. Best Mother’s Day Gift!

Musicians have also taken to new platforms to engage with their fans. Twitch and Discord, which are usually populated by gamers, have become a place for musicians to stream the creation of new music as well as a place to meet up with other musicians and tell stories from days on the road, etc. Matt Heafy from Trivium, Brandon Saller from Atreyu, Shim Moore, and Rob Ortiz from Escape the Fate are a few that I’ve checked out and they’ve got interesting things going on. If you are an Amazon Prime member, you can link your Twitch account and subscribe for free! 

There are plenty of ways to pass the time during this period of shelter-in-place, so tell your kids to quit bothering you so you can check out all this fun music stuff! And if your “kids” have four legs or if it’s actually your spouse, well, good luck. And if you would like to share your music finds during quarantine, I’d love to hear them! Also…I would love for you to follow me on Facebook (www.facebook.com/rlmerrillauthor) if you hang out over there, even if it means losing my current count…3,666 followers! How metal/horror is that?

 

Stay Tuned for more Merrill’s Musings…

 

Merrill’s Musical Movie Review : Dark Roads 79

Dark Roads 79 – Selling Your Soul Gives Mixed Results

Dark Roads 79 takes rock ‘n’ roll mythology and applies it to a southern rock band at the end of a decade that saw the loss of many musical greats. Bobby Gray and his band Dark Roads are at the end of a good ride and are given one more chance to infuse their sound with life. A cabin in the woods could be the perfect setting to create a masterpiece, or it may well be their final resting place. Written and directed by Chase Smith, co-written by Richard Krevolin and produced by Jason Anderson, Dark Roads 79 is effective at suspense and the creation of mood and atmosphere, but somewhat weak with character development and motivation. As a total package, the film kept me engaged and entertained, but could have been so much more.

Sex, drugs, and rock ‘n’ roll are plentiful and the music hits the mark in this film, but the story in Dark Roads 79, which has so much potential, misses some chances to go deeper. I found myself wishing for more backstory on the relationships between the characters. One of the things we love about rock ‘n’ roll band mythos is the drama behind the music. Probably the best example was the hint at some history between Tyler and Eddie and Eddie’s girlfriend. A few dropped lines here and there to let us know more about each character’s motivation could have built a much tighter plot. As it was, we saw the bad sides of a bunch of hedonistic young folks and waited to learn their fate while being entertained by good tunes, some cool old-timey camera work, and split-screen psychedelic tricks that added to the eerie and menacing vibe of the film. You know it’s all going to end up badly for the competent and entertaining cast, and you are caught up in the ride to see just how bad it’s going to get. 

The most interesting character was Ian Cash, roadie and security for the band, who seems to have quite a past and a talent for singing, but we never learn any more than that. A seemingly flawed character, his interactions came the closest to revealing real character growth and I was cheering every time for just a little more. The driver cracked me up with his version of rock lore. And Grace gave me the creeps from the beginning. The film kept me guessing to the end, which makes it a success, and these bits of great characterization certainly helped. 

The backstory of the cabin was intriguing, and the caretaker provided an excellent foil to the band. I would have loved to know what the connection was with the history there and what was about to happen to the band. Instead, we got misogynistic rapey vibes, which were not necessary and detracted from my enjoyment of the film. Most of the sexual activity in the film, however, was used for the important purpose of moving the plot forward and establishing mistrust between the characters. 

Overall, Dark Roads 79 is an enjoyable film and I would recommend it to fans of Crossroads, American Satan, and Eddie and the Cruisers, which are all excellent flicks warning of the excesses of rock ‘n’ roll. Of course, they can warn us all they want, we still want to rock, and that’s what makes a movie like Dark Roads 79 a delight for music and horror fans alike.  

Thank you to Spirit World Productions for providing the screener. I look forward to checking out more of their films. 

Stay Tuned for more of Merrill’s Musical Musings…

 

Terror Trax: #180 Spank the Nun

Spank the Nun

ERIC writing and production and sound…
Jeremy additional writing and sounds.

Website 

Twitter: @spankthenun
Instagram: @spankthenun

What album, tour, or song are you excited about now? 

Our new album released on 1/28/2020 Initial Decay Control… many of the tracks or getting played in the clubs and on top playlists. We are heavily focused on promoting the new album and getting it heard. We are working on a single for Glitch and Burn and also a deluxe version is in the works. We are developing the live show now and also working on tons of new material that will be out later in the year too.

 

What singers or bands inspired you growing up? 

Front Line Assembly, Front 242, Bi-God 20, Bowie, Bauhaus, Leather Strip, Wumpscut – our music oftens pulls from these particular influences… we don’t aim to copy but pull the best bits forward and pay homage to what once was and is again… fans of these bands will feel at home with our sound, even though it is different than what is out there now.

Who are your favorite artists today? 

Angelspit, HARSH R, KREIGN, Isserley, Conspiracy Thief, Slighter, ESA, iVardensphere – We are big into bands that sound different and stand out within the industrial genre, especially the ones that can work well with noise and make it sonically appealing and not just covering up a lack of creativity and talent. There is so much great new music right now.

What non-musical things inspire your music? 

horror movies, serial killer documentaries, sci fi horror… I (Eric) watch Event Horizon every few months and I just watch Henry A Portrait of Serial Killer for the first time in years. We are constantly looking for new films and documentaries to draw ideas from. I keep a digital notebook of ideas for songs and videos and am constantly jotting down notes when I am watching. The idea for the song came from a kids show that happened to be on and an idea I had had for a while for a song, and it all clicked when I was watching some nonsense on TV for just a minute.

Is there a place where you go to be inspired? 

my studio, or throw on some scifi horror or zombie horror, we keep an extensive list of ideas that we can go to, wether it is notes, loops we have made, samples that we have curated over the years… we have many things to pull from to get inspired when needed

What’s been the greatest achievement of your band? 

getting our first album out so far and working with some of the best in the business… it was important to us that the album be different and have 12 solid tracks that any of them could be singles… we didn’t want any throw away songs on there and we want to make sure it was not over or under produced… but sounded just right. We didn’t want cover things up with noise, we want to make noise the music. For example the song SIN is all sample except for one string part played in a couple spots… the rest are all found sounds and samples.

Where was the coolest place to play? Where did you enjoy yourselves the most? 

Coolest place we have played in the past, is the Roxy and the Whiskey A Go-Go in Hollywood, we haven’t toured with this new music yet… but we are putting that together now so we can do a few live shows in 2020. Right now we are looking at clubs and festivals.

What are your favorite horror movies? 

Event Horizon, Pandorum, Evil Dead, The Thing, Texas Chainsaw Massacre, Alien, Session 9, Audition, Ravenous, Midnight Meat Train, Spiral, Splinter, Tale of Two Sisters and many more. There are some weird as Japanese Cyberpunk movies like Tetsuo and Rubber Johnny that are some of our favorites. We have actually cut songs and videos for the next album already using these influences.

What was the scariest night of your life? 

Hard to choose. But getting stocked in clubs by redneck frat boys that shouldn’t be there. They would try to dance with our girls and pick a fight with us, they eventually got kicked out and then back in later and we had to fight them when they attack my girl. Security kicked them out after and they waited outside for us for hours. Luckily after we got out the gave up quickly and left… but we were paranoid heading to the next spot and all the way home. And for weeks after that.

If you could play anywhere in the world, where would it be and who would be your opening band? 

That is tough. In front of the right crowd that is ready to embrace us and enjoy it to the max. There are so many bands that would be amazing but we should be opening for all of them not for us.

What are you working on now for future release? 

We just released our new album in January and we are working on the next single and a possible deluxe version of the album. We have tons of remixes and tracks we didn’t use for the album. We are also working on the next album, it is very close to tracked at this point but we aren’t in a hurry to release it. We are also working with several other artists on some additional collaboration projects. There will be new SPANKTHENUN in one form of the other every other week this year… no joke. Including at least one more full-length album, maybe two more.

Final thoughts / Anything you want to tell the listeners?

We are here and plan to big impression by building the name and continually putting out high-quality product. We will release a new remix or song or a remix of someone else’s every couple of weeks.

Merrill’s Musical Musings : Spank The Nun

Spank the Nun 

Hello music lovers and greetings from sunny California. At least that’s one perk about living here during this crazy time when the only option I have for entertainment is my own backyard. I’ve been looking out my window at my car longingly for the past 18 days as our country experiences pandemic panic and potty paper paranoia. These are dark times, for sure, but one of the most important ways we survive the challenges life throws our way is through music and art. The music community has stepped up tremendously to meet the needs of their fans, and in return, their fans are giving back in new ways such as virtual tip jars on Venmo. As tours are canceled or postponed, artists are looking for new ways to raise funds for themselves and their crews as well as supporting efforts to combat the COVID19 virus. Livestreaming “living room concerts” has become the norm. Each day there seems to be a new artist participating. I enjoyed watching the Luck Reunion show on Twitch the first week we were home and I’ve even been participating in an online songwriting experiment with former Sick Puppies singer/songwriter Shimon Moore. Hear the fruits of our group’s labor here and support Shim’s page on Facebook. We gotta do whatever we can to stay sane during this unprecedented event.

 

“Here’s the chance to raise merry hell.” This month I’m reviewing industrial/electro darkwave artist Spank The Nun whose self-deprecating sense of humor is appreciated as we head into a new month of sheltering-in-place. The artist describes their music as “uneasy listening,” and when listing band members on their Facebook page responds with “Does it really matter?” You’re not getting uplifting tunes with this band, but the steady beat and the doom-filled lyrics are perfect for those days you need some dark background music to complete your, well, dark tasks. Hearing samples from favorites like the film Misery makes listening to their latest album, Initial Decay Control, a treat. I’m betting the artist was like that kid in high school I used to like sitting next to in the back of the room because they always had an odd and inappropriate commentary running for my twisted enjoyment. The sinister whisperings on tracks like “Rotting Meat” are creepy enough to make you look behind you while working alone in your home office. The song “Swallow” contains this quote, which I feel describes our current situation: “We all know when this ends, there will be no winners, only survivors.”  Spankthenun is an entertaining listen well suited for our peculiar predicament. 

 

Stay tuned for more of Merrill’s Musical Musings…

 

Terror Trax: #179 Her Despair

Her Despair

J – vocals / Dan – guitar / Vikki – bass / Jord – guitar / Toby – keyboards

Website 

facebook.com/herdespair

https://twitter.com/herdespairband

https://herdespair.bandcamp.com

https://www.instagram.com/herdespairband/

What album, tour, or song are you excited about now? 

Our latest record “Exorcisms of Eroticism”

 

What singers or bands inspired you growing up? 

Sisters of Mercy / HIM / 69 Eyes

Who are your favorite artists today? 

Nick Cave / My Dying Bride / Woods of Ypres

What non-musical things inspire your music? 

Religion and sex

Is there a place where you go to be inspired? 

Alone in a dark room

What’s been the greatest achievement of your band? 

Our most recent record “Exorcisms of Eroticism”

Where was the coolest place to play? Where did you enjoy yourselves the most? 

Darker Days Festival UK

What are your favorite horror movies? 

Halloween / Night of the Living Dead / Blair Witch Project

What was the scariest night of your life? 

The first night I died

If you could play anywhere in the world, where would it be and who would be your opening band? 

M’era Luna Festival would be the dream. I think we’d be the opener, but let’s pretend the Sisters are headlining

What are you working on now for future release? 

Skeletons of what will become the next record; whether a three track EP or fifteen track album. Time will tell…

Anything you want to tell the listeners?

Our hearts break for you – thank you for your undying support

Read R.L. Merrill’s review of Her Despair, here: https://horroraddicts.wordpress.com/2020/02/28/merrills-musical-musingsher-despair-and-best-of-2019/

Merrill’s Musical Musings : Ro’s Recs April / In This Moment

Ro’s Recs April In This Moment Review 

What better way to spend our time on lockdown but by discovering new music? Artists all over the world have been doing live streams, living room concerts, and performing special acoustic tunes. I’ve found some amazing new artists like Tami Neilson, Devon Gilfillian, and Ida Mae as well as hearing some of my old favorites playing some incredible music like this collab between Machine Gun Kelly and Travis Barker covering Paramore’s Misery’s Business and Tyler Glenn from Neon Trees (http://www.instagram.com/tylerinacoma) doing his regular Songs from the Red Chair performances on his Instagram Live. Metallica is even streaming concert performances on YouTube and Facebook Monday nights. Let some good music into your lives and I promise it will make you feel better. 

Releasing a new piece of art during this unprecedented time is a scary proposition. I released a new book Friday, March 13th, just before most of California went into a mandatory shelter-in-place. Thankfully, my family is doing okay, but for musicians who have lost revenue from touring, releasing an album could be the only way for them to stay financially afloat. As artists, many of us are giving away our creations for free or at a discounted rate to keep shut-in folks entertained, but for musicians, losing money from canceled or postponed tours means taking a huge hit. SiriusXM is streaming FREE for this month, which is a HUGE opportunity for you to discover new music and I encourage you to get out there and support your favorite musicians however you can! Recommend their music, stream their albums on a platform like Spotify or Apple, and buy merch from their websites including CDs and vinyl if you have machines with which to play them. 

In This Moment, a phenomenal female-fronted metal band from Las Vegas, Nevada released their latest album Mother at the end of March and it is a deliciously decadent mix of original and cover songs. You’ve never heard “Fly Like An Eagle” performed quite so sensually as when Maria Brink stretches out those lyrics. Their last album, 2017’s Ritual, was filled with ruminations on witchcraft and dark elements, and that theme continues on the new record. Mother promises to be just as addictive as their previous material. Already I’m repeat-playing “Holy Man,” “God is She,” “Hunting Ground,” and the title track. So listen to the album, several times if you will, and then make sure you add a notification through Bandsintown or whatever source you get your live music recommendations from because you will NEED to see Maria Brink and Co. the next time they come through your town. They are one of the most exciting live acts on the road today. I’ve seen them at least three times and the theatrics Brink and her maidens bring to the stage, as well as the power and excellent musicianship the band exudes will provide a show like you’ve never seen before. Don’t believe me? Check out this live clip from the Loudwire Music Awards. HorrorAddicts, you will fall under the spell of In This Moment, I guarantee. 

That’s it for now, but I promise to bring you more of Ro’s Recs and reviews to keep your soul satisfied. Stay Tuned for more of Merrill’s Musical Musings… 

Merrill’s Musical Musings – Lords of October – Best Band of 2019

 

Greetings HorrorAddicts! This year has already been chock-a-block full of great music, but today we’re going to revisit a highlight from 2019. The Lords of October were the reigning champs in the HorrorAddicts.net Best Band competition from Season 13 and we have a quick interview with them to catch you up on all the latest news. 

How has winning Best Band of HorrorAddicts.net Season 13 changed your life? At the very least, how does this impact you as a band?

We are terrified by and excited for this news! It’s an honor to be recognized for this and to be held in regard by Horror Addicts.net. We feel as though we are on the right track with such a vote and we look forward to making more monster music that will be —hopefully—loved by those who are our brothers and sisters in horror! This, in our opinion, gives us further horror cred and is exactly the type of award we would strive for. We thank you all! -Uncle Salem

What’s your latest news? Any new adventures? When can fans expect new material?-

The latest music is going on a record inspired by tales of cryptozoology. You know, like hidden creatures and wild mythos and stuff. We have some tunes that are inspired by the Mothman, Loch Ness, the Mongolian death worm and other such things. I have always loved monsters and consider myself a bit of a cryptozoologist, but I was truly inspired after attending the Mothman festival in West Virginia this past summer. It was a lot of fun, but also where the tragic deaths occurred. 

 We are always working hard at new ideas and music, always bringing new stuff to the table. For this new one, we are attempting a more collaborative songwriting effort. We shall have a little more of all of us in the entire creative process. So far, I have written 5 songs for it and Aleister has come up with a couple. We will mix and match and see what happens. 

 We will probably have it out around fall of 2020. It all depends on the daily goings-on of everyone and what we are able to do. We are always looking to play some great shows and make some new videos. Taking it all a day at a time!  -Lucifer Fulci

Best Horror Movie/TV Show/Book of 2019 in your humble opinion?

I saw It Chapter 2 this year and I thought it was fantastic. Best horror movie of the year in my opinion. The acting was great and Bill Skarsgård’s performance as Pennywise creeped me to the bone.  -October Phoenix

What title would you most like to earn/award you’d most like to win moving forward in your career?

Best KISSfits band ever. -Aleister Kane

Anything to add?

Lords of October is a hell of a great band and I love to play with these guys. There is a very eclectic influence that plays into some of the styles that you can hear in the music. I enjoy writing music and seeing how these guys interpret it and make it their own. I also like when they bring stuff to me and allow me to add something to it. I have been making music a long time-a lot on my very own – and I enjoy the solitude. (I will have a new solo record out in 2020, also- www.LuciferFulci.com) But to play with Lords, its very special. Like, literally and figuratively, I get to come out and play! 

-Lucifer Fulci

Congratulations to Lords of October and we can’t WAIT more creepily delicious music! 

That’s it for today. Stay Tuned for More Merrill’s Musical Musings…

 

Terror Trax: #178 Justin Symbol aka Star Daddy

Justin Symbol aka Star Daddy

Star Daddy – vocals, beats, programming, bass guitar
Ryan Lynch – guitar
DJ Swamp – beats, samples, scratching
Byron Alvarez – drums

Who writes your lyrics?

Star Daddy – I write all the lyrics, other than the one song “The Devil You Know” which was written by Ryan Lynch

Website

justinsymbol.com

IG @the_star_daddy

facebook.com/thestardaddy

stardaddy.bandcamp.com

twitter.com/thestardaddy

Album/Song/Tour we are excited about right now.

My new album – ’Candy Man’ !!!

 

 

What singers or bands inspired you growing up?

Marilyn Manson, Pink Floyd, David Bowie, The Doors, Nine Inch Nails, Nirvana, Ministry, Skinny Puppy, Kanye West

Who are your favorite artists today? Tyler the Creator, Ghostemane, XXX Tentacion, Lil Peep, Ouija Macc, Gvllow, Razakel, Angel Nightmare

What non-musical things inspire your music? Surrealist art, pop art, fashion, colors

Is there a place where you go to be inspired? Traveling, walking and hiking around Los Angeles, Yoga, Exercise

What’s been the greatest achievement of your band? Opening for Ministry on tour, opening for Twiztid

Where was the coolest place to play? Where did you enjoy yourselves the most? We always love playing Florida. Best crowds.

What are your favorite horror movies? The Exorcist, Suspiria, Silence of the Lambs, Halloween, Texas Chainsaw Massacre, Pink Flamingos…is that horror?!

What was the scariest night of your life? In 2018, while on tour with Ministry we were driving in the tundra across the border from Canada to the U.S. It was about 3 or 4am and the road was a pure sheet of ice! Suddenly we came across a herd of elk crossing the road in the blizzard. Each one was about 1,000 pounds and could have totaled the van, and we almost hit the whole herd! They were completely un-phased as our van ground to a halt on the ice road, and they passed silently by. Also one of the most beautiful things I’ve ever seen!

If you could play anywhere in the world, where would it be and who would be your opening band? I would love to play in Europe specifically Germany and the UK I know we’d do really well.

What are you working on now for future release? I’ve been experimenting in fashion, designing custom leather jackets and punk style DIY pants with my girlfriend, (sideshow performer) Nola Star. As far as music, I recently did a feature for Razakel and I’ll be featuring on my friend Buddy Danger’s song. Been dabbling in my own beats too but the direction for future recordings is still very much up in the air!

Final thoughts / Anything you want to tell the listeners? Tune in, stream, watch, share and tell your friends! And thank you to those who’ve been listening and coming to shows! This is just the beginning!

Merrill’s Musical Musings: The Music of Sharone

The Music of Sharone 

sharoneGreetings and welcome to another issue of Merrill’s Musical Musings. Today I’m checking out Denver Goth rocker Sharone. She started her career inspired by the haunting rock of Evanescence and has since created a sound that is unique. She’s opened for popular rock bands like Fuel, Saving Abel, Tantric, and Stitched Up Heart. Fans of bands like Nightwish and Lacuna Coil may enjoy her melodic tunes, which are full of deeply personal lyrics. Known for her energetic stage show, the artist experiments with different instrumentation and vocal styles and sounds creating a collection of stylistic songs. Her third album Reflection, which came out in December 2019, dances between gentle, mellow piano to hard-hitting and metal-infused beats that will catch the listener’s attention. “White Witch,” “Closer to Love,” and “Final Reflection” are high points on the album. Keep an eye on her social media for performances in the Denver area this spring. She’s working on new songs with her band and promises a great show.

 Social Links:

https://sharone-music.com         

https://www.facebook.com/sharone.official/      

https://mobile.twitter.com/sharone_music         

https://www.instagram.com/sharone_official/   

Download / Stream

https://music.apple.com/us/artist/sharone/1444696312

https://open.spotify.com/artist/3AmKAuGRZ8Ir8XTRl2IlXp

https://www.amazon.com/s?k=Sharone&i=digital-music&search-type=ss&ref=ntt_srch_drd_B004RP63DW

https://play.google.com/store/music/artist/Sharone?id=Axh2g6cipumpvbu3cshwjqqtnva

 

Merrill’s Musical Musings : Ro’s Recs

Ro’s Recs

The Prince of Darkness—Ozzy Osbourne himself—released a phenomenal album at the end of February. Ordinary Man is Ozzy’s twelfth studio album since he left Black Sabbath in 1979 and embarked on a colorful solo career. Super producer Andrew Watt (Post Malone) helped Ozzy create a beautiful piece of music that has echoes of 70s glam rock, Sabbath-inspired metal, and even a Beatles-esque tune with legend Sir Elton John. Friends Slash, Duff McKagan (Guns ‘n’ Roses) and Chad Smith (Red Hot Chili Peppers) as well as Post Malone, Travis Scott, Charlie Puth, and Tom Morello all make appearances on the heavy album that takes a lot of chances and yet still sounds like Ozzy perfection. Actor Jason Momoa even did a teaser video for release day. Ozzy has definitely been to hell and back, and with his recent diagnosis of Parkinson’s disease, he’s still got stories to tell. I listened to an album release party on SiriusXM-Ozzy’s Boneyard with his pal Billy Morrison and Ozzy admitted that working with Andrew Watt saved his life as he went through the most difficult health crisis of his life. Let’s hope he’s well enough to gift us with more music in the coming years. Check out Ordinary Man, streaming on Spotify and other vendors.

That’s it for this month. Stay tuned for more Merrill’s Musical Musings… 

Merrill’s Musical Musings : Ro’s Recs

Ro’s Recs

Many great albums were released in 2019, and while I’m not a big list maker, I thought I’d share a few of them here. Some bands have been with us for decades like Slipknot and Korn and others were new to me. Bands like Papa Roach, Sleeping with Sirens, Volbeat, and Bring Me The Horizon took big risks on a new sound that paid off well. We lost Vinnie Paul from Hellyeah, but the band gave him a beautiful sendoff with Welcome Home. Motionless in White and New Year’s Day put out powerful albums that cemented their status in the rock community as artists that have fought long and hard to be there. Baroness returned from a harrowing tragedy to put out a strong album. I Prevail had a fairytale beginning with a cover of Taylor Swift and this year they’ve been nominated for a Grammy! And lastly, The Hu, Fever333 and Bad Wolves were all new bands to me that I am glad I took a chance on. I hope you will too. 

Slipknot – We Are Not Your Kind

Bring Me The Horizon – Amo

Papa Roach – Who Do You Trust?

Hellyeah – Welcome Home

Motionless in White – Disguise

New Year’s Day – Unbreakable

Volbeat – Rewind, Replay, Rebound

Korn – The Nothing

The Hu – Gereg

Baroness – Gold and Grey

Bad Wolves – N.A.T.I.O.N.

Fever333 – Strength in Numb333rs

Sleeping With Sirens – How It Feels To Be Lost

I Prevail – Trauma 

There’s a wide variety on this list, a little something for everyone, so as we prepare for a new year of music, give some of these a listen.

What are you looking forward to in 2020? Leave a comment and let me know what music I should be looking out for in 2020. And with that, Stay Tuned for more of Merrill’s Musical Musings…

Merrill’s Musical Musings – HorrorAddicts.net Season 13’s Best Band of 2019

Greetings HorrorAddicts! This year has already been chock-a-block full of great music, but today we’re going to revisit a highlight from 2019. The Lords of October were the reigning champs in the HorrorAddicts.net Best Band competition from Season 13 and we have a quick interview with them to catch you up on all the latest news. 

How has winning Best Band of HorrorAddicts.net Season 13 changed your life? At the very least, how does this impact you as a band?

We are terrified by and excited for this news! It’s an honor to be recognized for this and to be held in regard by Horror Addicts.net. We feel as though we are on the right track with such a vote and we look forward to making more monster music that will be —hopefully—loved by those who are our brothers and sisters in horror! This, in our opinion, gives us further horror cred and is exactly the type of award we would strive for. We thank you all!

-Uncle Salem

What’s your latest news? Any new adventures? When can fans expect new material?-

The latest music is going on a record inspired by tales of cryptozoology. You know, like hidden creatures and wild mythos and stuff. We have some tunes that are inspired by the Mothman, Loch Ness, the Mongolian death worm and other such things. I have always loved monsters and consider myself a bit of a cryptozoologist, but I was truly inspired after attending the Mothman festival in West Virginia this past summer. It was a lot of fun, but also where the tragic deaths occurred. 

We are always working hard at new ideas and music, always bringing new stuff to the table. For this new one, we are attempting a more collaborative songwriting effort. We shall have a little more of all of us in the entire creative process. So far, I have written 5 songs for it and Aleister has come up with a couple. We will mix and match and see what happens. 

We will probably have it out around fall of 2020. It all depends on the daily goings-on of everyone and what we are able to do. We are always looking to play some great shows and make some new videos. Taking it all a day at a time!

-Lucifer Fulci

Best Horror Movie/TV Show/Book of 2019 in your humble opinion?

I saw It Chapter 2 this year and I thought it was fantastic. Best horror movie of the year in my opinion. The acting was great and Bill Skarsgård’s performance as Pennywise creeped me to the bone.

-October Phoenix

What title would you most like to earn/award you’d most like to win moving forward in your career?

Best KISSfits band ever.

-Aleister Kane

Anything to add?

Lords of October is a hell of a great band and I love to play with these guys. There is a very eclectic influence that plays into some of the styles that you can hear in the music. I enjoy writing music and seeing how these guys interpret it and make it their own. I also like when they bring stuff to me and allow me to add something to it. I have been making music a long time-a lot on my very own and I enjoy the solitude. (I will have a new solo record out in 2020, also- www.LuciferFulci.com) But to play with Lords, its very special. Like, literally and figuratively, I get to come out and play! 

-Lucifer Fulci

Congratulations to Lords of October and we can’t WAIT for more creepily delicious music! 

That’s it for today. Stay Tuned for More Merrill’s Musical Musings…

Merrill’s Musical Musings: Cellmod Review

Merrill’s Musical Musings – Cellmod Review 

Greetings and salutations. Welcome to March! It’s nearly Spring, Daylight Savings Time is just around the corner, and in California, the trees are blooming, the sun is shining, and the primary election is happening soon.

Many things are afoot in Ro’s world and things are about to get hectic. I’ve got a new supernatural suspense novel—Healer—releasing on Friday, March 13th, and then I’m off to Nashville for the Book Lovers Con March 18-22.

I plan to do some music-related visits such as Third Man Records—Jack White’s record label and vinyl factory—and southern songwriter and alternative rapper Yelawolf’s Slumerican made flagship vintage clothing store and barbershop. I’m also going on a bus tour with a bunch of drunken friends where we’re supposedly getting some history of the town, but if you have suggestions of can’t-miss music locations—bonus points if they’re haunted—please leave them in the comments or hit me up at rlmerrillauthor@gmail.com or www.facebook.com/rlmerrillauthor. I’ll be posting pics on my author page as well as my Instagram @rlmerrillauthor and I’ll tag you if you leave me a suggestion. 

This month’s review is of EDM/Trance/Trip-Hop artist Cellmod’s new album The Dissident. According to his bio, “Cellmod was born to display an adaptation to his surrounding environment. The name itself signifies a desire to unify with the very roots of one’s physical being, or in simpler terms, Cellmod is taking it back to the vibe and pulse of the music.” I can definitely feel that vibe as I listen to standout tracks such as “Ransacked” and the naughty, old school sci-fi tinged “Harder Serum.” I can picture a woman with dark hair perched atop dramatic stilettos in a fitted pencil skirt and blazer as she walks with purpose down a stark white hallway, passing unmarked doors. The clack-clack of her heels is drowned out by the ominous sound of “The Machine” as she enters a laboratory where classified experiments are being done on unsuspecting young male subjects. Oh…did my imagination carry me away there for a minute? Fine. I will say that the track “Let Them Sleep” gives me a very Nine Inch Nails groove that I dig very much. If electronic music is your jam and you like to have some well-produced, good quality background music to do your…experiments to, Cellmod is your guy. Check out The Dissidents today!

Stay tuned for more Merrill’s Musical Musings… 

Merrill’s Musical Musings: Her Despair

Her Despair 

Greetings and Salutations for a brand new year and decade that I am confident will be filled with amazing music. I’m Ro, your musical tour guide, and today I want to introduce you to a Goth rock outfit from the UK called Her Despair. Their music will take you right back to those 80s afternoons sitting in your bedroom listening to cassettes—or perhaps your vinyl collection—waiting for the night to fall and bring with it the creepy darkness where anything can happen and life is just a little more interesting. 

 

Her Despair melds together sounds of Peter Murphy and Sisters of Mercy as well as current artists like Nightwish and HIM. Their latest release, Exorcisms of Eroticism, was released in summer 2019 and contains melodic jams like “Pandaemonium” and “The Exorcism,” which has an appropriately dark music video to go along with it. “In That Moment” is my favorite track on the EP. The haunting, romantic vocals dance over the dichotomy of the synthesizers and guitars, giving it a nostalgic sound, but you could also expect to hear it on a modern-day alternative rock station. “Like a Crucifixion” is another excellent example of their sound. A steady rock beat with powerful lyrics make for an enjoyable combination and will have you slipping into Her Despair like a comfortable pair of black fishnets…or a worn pair of Doc Martens. 

For more on Her Despair, check them out at the links below.

https://www.facebook.com/herdespair/

https://www.instagram.com/herdespairband/?hl=en

https://www.youtube.com/channel/UCVZhKFjVsq1Wpbruy-dryuw/featured

See also my companion article this month: Ro’s Recs Best of 2019, here at Horroraddicts.net

Merril’s Musical Musings: Her Despair and Best of 2019

Her Despair and Best of 2019

Greetings and Salutations for a brand new year and decade that I am confident will be filled with amazing music. I’m Ro, your musical tour guide, and today I want to share with you some of my favorites from the past year and introduce you to a Goth rock outfit from the UK called Her Despair. Their music will take you right back to those 80s afternoons sitting in your bedroom listening to cassettes—or perhaps your vinyl collection—waiting for the night to fall and bring with it the creepy darkness where anything can happen and life is just a little more interesting.

Her Despair melds together sounds of Peter Murphy and Sisters of Mercy as well as current artists like Nightwish and HIM. Their latest release, Exorcisms of Eroticism, was released in summer 2019 and contains melodic jams like “Pandaemonium” and “The Exorcism,” which has an appropriately dark music video to go along with it. “In That Moment” is my favorite track on the EP. The haunting, romantic vocals dance over the dichotomy of the synthesizers and guitars, giving it a nostalgic sound, but you could also expect to hear it on a modern-day alternative rock station. “Like a Crucifixion” is another excellent example of their sound. A steady rock beat with powerful lyrics make for an enjoyable combination and will have you slipping into Her Despair like a comfortable pair of black fishnets…or a worn pair of Doc Martens. 

For more on Her Despair, check them out at the links below. 

The Exorcism” video: https://www.youtube.com/watch?v=Clqrj6rftJA 

https://www.facebook.com/herdespair/

https://www.instagram.com/herdespairband/?hl=en

https://www.youtube.com/channel/UCVZhKFjVsq1Wpbruy-dryuw/featured

 

Ro’s Recs

Many great albums were released in 2019, and while I’m not a big list maker, I thought I’d share a few of them here. Some bands have been with us for decades like Slipknot and Korn and others were new to me. Bands like Papa Roach, Sleeping with Sirens, Volbeat, and Bring Me The Horizon took big risks on a new sound that paid off well. We lost Vinnie Paul from Hellyeah, but the band gave him a beautiful sendoff with Welcome Home. Motionless in White and New Year’s Day put out powerful albums that cemented their status in the rock community as artists that have fought long and hard to be there. Baroness returned from a harrowing tragedy to put out a strong album. I Prevail had a fairytale beginning with a cover of Taylor Swift and this year they’ve been nominated for a Grammy! And lastly, The Hu, Fever333 and Bad Wolves were all new bands to me that I am glad I took a chance on. I hope you will too. 

Slipknot – We Are Not Your Kind

Bring Me The Horizon – Amo

Papa Roach – Who Do You Trust?

Hellyeah – Welcome Home

Motionless in White – Disguise

New Year’s Day – Unbreakable

Volbeat – Rewind, Replay, Rebound

Korn – The Nothing

The Hu – Gereg

Baroness – Gold and Grey

Bad Wolves – N.A.T.I.O.N.

Fever333 – Strength in Numb333rs

Sleeping With Sirens – How It Feels To Be Lost

I Prevail – Trauma 

There’s a wide variety on this list, a little something for everyone, so as we prepare for a new year of music, give some of these a listen.

What are you looking forward to in 2020? Leave a comment and let me know what music I should be looking out for in 2020. And with that, Stay Tuned for more of Merrill’s Musical Musings…

 

10iversary Chilling Chat with Michele Roger

10IVERSARY

Michele Roger is a speculative fiction writer living in the Detroit area with her spouse and her evil cat named Monster. She also writes paranormal romance under the pen name M. M. Genet.  You can listen to her most recent, free podcast, Agent For the micheleOrchestra wherever you get your podcasts or on iTunes.  When Michele isn’t writing, she is a harpist and a music composer for podcasts. Michele appeared on Season 1 Episode 9 with “Taste of the Dead,” Season 2 Episode 13 “Santa Claws,” Season 3 Episode 25 “The Conservatory,” Episode 31, Season 4 Episode 43, and Season 13 Episode 160. She is the spark that started the Wicked Women Writers.

1.)    How old were you when you first became interested in horror?

My earliest memory of reading horror was with my friend Terry Akerly in the 8th grade.  My mom didn’t really approve of a girl reading horror at the time, so Terry shared his Stephen King books with me.

2.)    What is your favorite kind of horror? (i.e. Classic, Splatterpunk, Slasher, Gothic, etc.)

Reading is like everything else; one’s tastes change as we get older.  While I gravitate towards Classic and Gothic, I’m open to reading just about anything that has a new spin on it; be it paranormal romance or alien horror.

3.)    What is your favorite horror novel?

There is a special place in my heart for Thinner by Stephen King.  In college, I was studying to be a lawyer.  The main character is a slightly unscrupulous lawyer who gets cursed by a gypsy for his dishonesty while presenting a case against her.  The curse is so simple and so elegant.  I loved that about the story.  King took an everyday occurrence with an average guy and turned it into something that kept me reading well into the night.

4.)    What is your favorite horror TV show?

Honestly, I don’t watch enough tv to be able to answer that question.

5.)    What is your favorite horror movie?

It probably sounds cheesy, but my favorite horror film (and its tough to choose) would be The Woman in Black.  There is so much to love.  The main character is young and naive but is a male and a lawyer.  (Lawyer theme again.  I never realized….ok anyway)  So many stories the main character in distress is female.  I really enjoy that role reversal.  Also, the predator/ghost is female.  Also, another trait and role reversal that I enjoy.  Add the creepy gothic mansion, a time pressure element of the receding and swelling tide and the primary prey for the predator being children of a village an entire community longs to protect and you have a perfect movie.

6.)    How did you first become involved with HorrorAddicts.net?

I wrote a short horror story and a friend of mine encouraged me to send it to HorrorAddicts.  That was roughly 2008?  I’m guessing.  Emz encouraged me to send in more.

7.)    What is your most favorite memory of the HorrorAddicts.net Blog? (i.e. favorite blog post written by you or someone else, favorite funny memory, etc.)

HorrorAddicts offered a horror writing contest for just women.  The stories that came from that contest were so well written and so well received.  I had been writing horror and science fiction for a while, feeling quite alone in Detroit.  All the other speculative fiction writers I knew were male.  The all women’s writing contest opened a door to other women all over the country who were writing all kinds of horror.  Eventually, some of those stories became a book and now we have a writing group for female horror writers.  So much good has come from HorrorAddicts.

8.)    What is your favorite part of the blog? (i.e. Book Reviews, Movie Reviews, Interviews, Game Reviews, Free Fiction, Crafting, etc.)

Whenever I’m looking for something or someone new to read, I check out the Book Reviews.  I also like to read the interviews on my lunch at work.

9.)    Why is this part your favorite?

The book reviews are just a handy resource.  Sadly, my small, Michigan town outside of Detroit doesn’t have a local bookstore anymore.  We have one big chain store but finding someone in there to recommend horror is often like finding a needle in a haystack.  HorrorAddicts book reviews and interviews fill that void.  I find new and established authors, learn a bit more about them and find new titles to pick up for my next night of reading.

10.)  What would you like to see on the HorrorAddicts.net Blog in the future?

There are a lot of people making short horror films.  It might be fun to showcase them?  A B Horror movie film festival to stream???

Addicts, you can find Michele’s work on Amazon as Michele Roger and as M.M. Genet. You can find her music here.

Terror Trax: Raven Chronicles

Band Name: Raven Chronicles
Brandon Vaughn – All music

https://ravenchronicles.hearnow.com/
https://www.facebook.com/Ghost.Raven.Chronicles/

Album/Song/Tour we are excited about right now: Recent release of “A Ghost Story” debut album.  Soon to release 2nd album: “The Haunting of Briarwood Manor”

What singers or bands inspired you growing up?  Old progressive rock groups (Genesis, Kansas, Pink Floyd) as well as modern composers (Samuel Barber, Beethoven, Hans Zimmer).

Who are your favorite artists today?  Midnight Syndicate, composers of modern horror movies (Insidious, Conjuring)

What non-musical things inspire your music?  Movies, nature, paranormal investigations

Is there a place where you go to be inspired?  Nature, and learning that inspiration is more about perspiration (and consistency)

What’s been the greatest achievement of your band?  Releasing the first album

Where was the coolest place to play? Where did you enjoy yourselves the most?  Have not played live yet, hoping to someday play live with an actual orchestra

What are your favorite horror movies?  Insidious, Conjuring

What was the scariest night of your life?  I once stayed in a haunted hotel in Weatherford, TX and saw lights turning on and off in various rooms.

If you could play anywhere in the world, where would it be and who would be your opening band?   I would play in a Greek Colosseum (like Yanni) but playing spooky, paranormal music with a full orchestra and choir.  I would love for Midnight Syndicate to open for me, or Hans Zimmer.

What are you working on now for future release?  I’m currently finishing the 2nd album “Haunting of Briarwood Manor” that I hope to release by this Halloween.

Final thoughts / Anything you want to tell the listeners?  I would love for everyone to enjoy the music and let me know.  I would love interaction on Facebook with fans of the music!  Spread the word if you love the music!

Chilling Chat with Best in Blood Winner Tara Vanflower

chillingchat

Tara Vanflower is a vocalist whose music has been described as ambient, experimental, and darkwave. In October 1994 she became a vocalist for darkwave outfit Lycia. She married fellow band member Mike VanPortfleet.

Her debut solo album, This Womb Like Liquid Honey, was released in 1999. This was binb2018followed in 2005 with My Little Fire-Filled Heart. Vanflower appeared on the Type O Negative song “Halloween in Heaven” off their 2007 album, Dead Again.
She has also appeared with side projects Black Happy Day with Timothy Renner, Secondary Nerve with Daniele Serra and numerous collaborations including Oneiroid Psychosis, Dirge, Numina, The Unquiet Void, Falling You and Methadrone.

The majority of her creative energy is spent these days writing. She is the author of Lives of Ilya, and Violent Violet and its sequels.

NTK: Welcome back to Chilling Chat, Tara! Thank you for joining me today. How does it feel to be named “Best in Blood?”

TV: Honestly, it’s bizarre to me. I’m so isolated as far as the “writing world” goes so I don’t know much about what goes on with anything. I was blown away when I got the call because I’m so not used to getting any attention for writing.

NTK: Violent Violet is pretty awesome. Could you tell the Addicts more about it and what made it so special?

TV: I think for me it’s because Violet’s world is so relatable. I think we’ve all either had friends like her and her friends, or we are her and her friends. At least those of us who grew up on the fringe. I do my best to describe her world in detail so the reader can see it in their mind like a movie. The characters are real to me so I just let them map their own course and I do my best to describe where they go and where they’re feeling. Despite the fact that the supernatural is involved I try to show realistic reactions to the sometimes outlandish situations she finds herself in. I try to show the humor, the fears, sorrow, lusts etc. One thing that always bothered me about any type of supernatural book, film, etc. is people don’t ask the questions I think most of us would ask. A lot of times there’s no personal struggle with accepting things or realistic responses to trauma and abuse and I tried to be real about that. I think these characters are real enough that you don’t want to stop hanging out with them when their bookends, which is exactly why I have continued to write their stories and have added more characters and a broader scope as the books continue. What started out as a girl and her small group of friends in a small town is now a catalog of characters and alt dimensions.

NTK: Are you currently working on the sequel? Or has it already been completed?

TV: I just released the 5th book “Violet Blood.” There is so much more to do with her next book that I kind of need to redirect myself elsewhere for a bit to let her work things out. I’m currently working on a wolf book with some new wolves, as well as some returning friends.

NTK: Wow! I didn’t realize the series had moved so far along! Do you find it easier to write sequels or more difficult? It sounds like you won’t be running out of ideas anytime soon.

TV: I legit just kind of shocked myself the other day by counting how many books I’ve actually released at this point. I’m so chill about the whole process that I don’t really think a ton about it. I don’t know if it’s because of years of releasing music and being used to releasing things or what, but yeah, It’s bizarre.

I absolutely love the recurring cast of characters. When they show up in books I don’t even plan for them to show up in it always brings a smile to my face because I actually miss these people when I don’t get to spend time with them. Writing Violet books is difficult because now I have to line up timelines with all the various characters and there’s so many storylines going on simultaneously that it’s a bit like putting a puzzle together. I put off writing Violet Blood for so long for just that reason… knowing where it was going in a vague way I knew it was daunting. The next Violet book is going to be even more challenging because the characters are all going to be in one place at the same time and that’s just a lot to map out to do it properly. I will probably end up having to break the story up in order to do each person justice. I’m excited about it though. My problem is lack of writing time. If only I could do away with my pesky day job or get adopted by the Kardashians.

NTK: (Laughs.) Tell us about this new wolf book. Who are the main characters and when do you expect it to come out?

TV: I’m actually almost done with this book for the first go through, but I put it off recently because I felt like I needed to let them figure out what the hell is going on in their life. (Laughs.) It’s called Black Wolf Manor, at least for the time being, and it’s related to The Wulric which I released a while back. It’s basically about a woman who is getting older and she’s alone and focused on her work and an acquaintance from her childhood shows back up in town whom she becomes friends with and shenanigans ensue. I’m terrible at giving outlines.

I also always drag my feet towards the end of a book because I think I subconsciously don’t want to stop hanging out with the characters.

Oh, and the main characters names are Olive and Devin. (Laughs.)

NTK: Sounds exciting! Thank you for chatting with me! You’re a wonderful guest as always!

TV: Thanks so much for caring about my writing and THANK YOU SO MUCH for the honor of Best in Blood!!!!

Addicts, you can find Tara on Instagram.

Also, see her Chilling Chat Interview and listen to her feature episode, HorrorAddicts.net Episode 151.

 

 

Merrill’s Musical Musings:Coyote Kid

 

Merrill’s Musical Musings with Coyote Kid

Greetings HorrorAddicts! November is the month of gratitude, and I’m sure we are all grateful for music. I’m ecstatic to be here with you to share a new album by Coyote Kid and to share some of my current musical musings and obsessions.

I’m utterly transfixed by this new album from Minneapolis-based Coyote Kid. I recently attended a writing workshop where the presenter talked about writing to your id, you know, that place where all of your happy meets. Upon first listening to their song “Strange Days,” my id perked up and listened greedily. Dark atmosphere, jangly guitars, a horn section, a male singer with a full, tortured voice that exudes emotion…Check, Check, Check! I hear a little Bad Things by Jace Everett, a little Big Wreck, a little Dick Dale and some Concrete Blonde. 

Some standouts on the album titled Skeleton Man include the title track, “Femme Fatale,” which has a Quentin Tarantino-esque music video with a beautiful woman and a vampiric car, and “Run.” The band describes their sound as cinematic and I concur. There are several moments on the album that would provide the perfect soundtrack to a film. I can see Antonio Banderas with his guitarra in a Robert Rodriguez film, or imagine a scene from the HBO show True Blood where creatures of the night stalk the unsuspecting folks in Bon Temps, Louisiana. 

You can find Coyote Kid at the following links and you can even become a patron on Patreon to unlock special content. 

http://coyotekidmusic.com/

https://www.facebook.com/coyotekidofficial/    

https://twitter.com/coyotekidband

https://www.instagram.com/coyotekidofficial/

https://music.apple.com/us/album/femme-fatale-single/1468490521

https://open.spotify.com/artist/0MW6kFfsIdCMs4IF9WDAzb      

Ro’s Recs

September saw a slew of new releases from bands I’ve loved forever. One of the standouts was the latest from Italian metal band Lacuna Coil. Their latest album Black Anime is heavier than their previous release and full of fantastic tunes like “Layers of Time” and “Reckless,” but it’s the opener, “Anima Nera,” that has the witch in me chanting happily. Cristina Scabbia is a goddess and I urge you to give them a listen. Black Anime on Spotify

Hellyeah suffered a tremendous loss this past year with the death of beloved drummer Vinnie Paul, formerly of Pantera and Damageplan. The band soldiered on and released their album Welcome Home as a tribute to Vinnie. There are some massive grooves on this album such as “Oh My God” and “Boy” that will rip your guts out and stomp all over them and you’ll love every second of it. The track “333” will get you ready to jump up and get in the pit. There is so much raw energy in this album. Chad gray really went deep with the lyrics on this album and the anger and anguish are tangible. I know Vinnie would be proud. If you’re a new fan, get ready to fall in love. You can listen to Welcome Home on Spotify.

That’s it for November’s Merrill’s Musical Musings. I’d love to hear what you’re thankful for this month. Which band has your gratitude? Leave a comment or find me on social media: Facebook, Twitter, or Instagram. Stay Tuned for more Musings and Rock ‘n’ Romance…  

 

Merrill’s Musical Musings: Zwaremachine Review


Greetings Horror Addicts! I’ll be your new tour guide through the melodious and sometimes macabre world of music shared with HorrorAddicts.net for your greedy consumption. I’ve been a music fan my entire life, especially the metal variety, anything you can dance to and most places in between. In my day job, I educate America’s youth, sometimes even on the subject of music. I’m also a mom of two teenagers, both of whom are huge music fans, and at night, by the light of the full moon…I write stories full of hope, love and rock ‘n’ roll that often have some sort of tie-in to horror, the occult, monsters…you name it. I want to thank Emz for bringing me out of the darkness and into the…well, more darkness, but a different darkness, full of fellow music and horror lovers. 

This month we’re listening to an industrial band out of Minneapolis called Zwaremachine. Music that can take you away to another place is exciting and always worth a listen, and upon pressing play, Zwaremachine did just that. I immediately imagined myself dressed in black leather and chains walking into the depths of a seedy nightclub in a warehouse in the middle of a bleak urban landscape full of all the cool-kid creeps and crawlers. It was easy to picture a vampire having a sip from a willing patron at the bar, or a witch telling fortunes in a dimly lit corner. Bodies are moving in time to the driving beat, reaching for that climax where the DJ drops the bass when John Wick comes blasting through with machine gunners on his tail. Any music that can drop you into a scene like that and have you anxious to experience what’s next is a win in my book. 

Zwaremachine have been on tour in Europe and the Midwest this year. They are currently working on a special edition re-release of their 2018 album “Be a Light” with worldwide distribution. In September the band will be back in Europe on the “Elektro Tanz Tour” dates in Belgium and the Netherlands with Vuduvox(FR/BE). 

Zwaremachine will be performing as full line up with Mach Fox(vocals/synth), dbot(bass/vocals) and they have recruited Dutch percussionist Dein Offizier(drums) for these shows “to give the full impact of their minimal hypnotic approach to body music.” I highly recommend that if they play near where you are you give them a listen! I’m a huge proponent of attending live shows and supporting musicians, so check them out.

Fans of the Underworld or Blade series will most likely dig their sound. Their song “Remain Unseen” (especially the VUDUVOX Remix) is an ominous track that made me think of Nitzer Ebb and Rammstein. If industrial is your bag, check out Zwaremachine.

In preparation for writing this review, I got a kick out of reading this interview with their leader Mach Fox from the Horror Addicts archives. https://horroraddicts.wordpress.com/2018/10/12/terror-trax-zwaremachine/

If you want to hear more for yourself, check out the band at these sites:

WEBSITE:http://www.zwaremachine.band/

streaming/dl: https://zwaremachine.bandcamp.com/

ig/twitter: @zwaremachine

I’ll be back next time with more music reviews, but I’d like to end each post with one of Ro’s Recs (that’s me!). For my first recommendation, I have to give it up for Slipknot’s latest We Are Not Your Kind. This album has all the rage and hostility one expects from the Iowa band, but there’s a vulnerability and urgency in the lyrics that is a welcome surprise from these veteran metalheads. I was fortunate enough to see them on the opening night of the U.S. Knotfest Roadshow and I was elated to experience the new songs live. Highlights for me include Spiders (oh yeah, you’ll keep that piano riff in your head for a long time after) and Critical Darling and A Liar’s Funeral are phenomenally heavy. Check it out, let me know what you think. You can reply here or you can always find me on the socials @rlmerrillauthor or in my evil lair at www.rlmerrillauthor.com. I can’t wait to hear what you think of Zwaremachine and the new Slipknot. 

Stay Tuned for more of Merrill’s Music Musings on HorrorAddicts.net…

Guest Blog: 25 of the Most Metal Films (That Aren’t About Metal)

RFBANNER

The world’s first heavy metal band, Black Sabbath, took their name from Mario Bava’s classic 1963 horror film. In the years since, horror and metal have continued to have an ongoing conversation, from horror-themed metal bands (such as Cradle of Filth, The Great Old Ones, or Carach Angren) to metal-themed horror films.

My short story Requiem in Frost continues this tradition, telling the story of a Norwegian girl who moves into a house haunted by the ghost of a black metal musician.

To coincide with its release, I’ve decided to make a list of movies that, to me, feel “metal.” However, I’m not going to limit this list to horror, and I’m going to avoid films that are specifically about metal. This is because every other list of “Most Metal films of all time” take it literally, all of them focusing exclusively on the same 10 or so movies to have explicit references to the genre. The internet can only withstand so many posts containing Deathgasm, The Gate, The Devil’s Candy, and Lords of Chaos. So instead, I’m going to focus on movies that feel like they capture the essence of metal.

Here’s my criteria: do the images in the movie feel like they could be metal album covers? Could you put metal on the soundtrack and have it feel right? Does the story feel like it could also be that of a metal concept album? Does it feel powerful and meticulously constructed in the way that good metal does?

Obviously, everyone will have their own view on what does and doesn’t belong on this list. These are my choices, and I’m sure that your own are perfectly valid. That’s why these are 25 of the most metal films that aren’t about metal—not the 25 most.

Black SabbathHere we go. Organized by year:

  1. BLACK SABBATH (1963): Let’s just get this shoo-in out of the way. It honestly doesn’t feel that metal to me, but the fact that it inspired what many consider to be the first metal band ever makes it retroactively metal.
  2. WIZARDS (1977): Ralph Bakshi’s animated feature establishes a world in which, following a nuclear apocalypse, humans have all died or become mutants, and fantasy races have taken over in the meantime. An evil wizard uses Nazi propaganda footage to inspire his troops; a robot finds redemption, and fairy tits jiggle. It’s a strange, over-ambitious film, but the subject matter and imagery would feel right at home in a strange, over-ambitious metal concept album. Bakshi’s Fire and Ice might also be a suitable pick, but I haven’t seen it so I can’t put it here.
  3. HEAVY METAL (1981): A token inclusion, this adult animated anthology feature contains aliens on drugs, women with big swords, and copious amounts of sex and violence. It’s rather dated, particularly in the treatment of its female characters, but there’s no denying it is as metal as its name.
  4. CONAN THE BARBARIAN (1982): Look, the poster for Conan the Barbarian looks just like a Manowar album. It opens with the forging of a sword. It’s full of Vikings. It has to be on this list.
  5. LEGEND (1985): When you get down to it, a lot of metal is quite geeky, full of fantasy tropes and looming apocalypses—much like Legend. Plus, Tim Curry’s Darkness is such a perfectly iconic heavy metal demon that it would be sinful not to include it.
  6. HELLRAISER (1987): Clive Barker’s squirmfest is undeniably metal, if only for the aesthetic of the cenobites and for the film’s obsession with pain, pleasure, and Hell. Hellraiser was also a huge influence on the band Cradle of Filth, with Pinhead’s actor Doug Bradley making regular appearances on their albums.
  7. EVIL DEAD 2 (1987): The Necronomicon. Ash’s chainsaw hand. The bleeding walls. The soul-swallowing, flesh-possessing demons. Evil Dead 2 is as metal as it gets.
  8. THE CROW (1994): While it’s arguably more of a goth film than a metal film, The Crow is nonetheless filled with such metal-appropriate themes as coming back from the dead to avenge your frigid lover. It’s also one of the rare movies where both the protagonist and antagonist have longer-than-average hair. Kaw, kaw.
  9. DELLAMORTE DELLAMORE (1994): Also known as Cemetery Man, this underrated dark comedy stars Rupert Everett as the keeper of a cemetery where the dead come back to life after burial. It features a romance with a severed head, a zombie on a motorbike, and Death himself, as well as amusingly cynical quotes like “I’d give my life to be dead” and “At a certain point in life, you realize you know more dead people than living.”
  10. VAMPIRE HUNTER D: BLOODLUST (2000): One of the most beautiful animated films of all time, and also one of the darkest. There’s vampires, giant flying manta rays, strange monsters, dark magic, zombies, and more. The first Vampire Hunter D film is good, but Bloodlust just gives the audience one incredibly metal scene after another, and it’s filled with shots that look like they could be metal album covers.
  11. LORD OF THE RINGS (2001 – 2003): Just look at this meme. I think that demonstrates pretty clearly just how metal these films are.
  12. HELLBOY (2004) & HELLBOY II: THE GOLDEN ARMY (2008): Guillermo del Toro’s fantastic Hellboy films follow a demon who fights Nazis, tentacled Eldritch abominations, faeries, and more. The fact that we have a demon as the hero of the story is pretty significant, but the films’ hellishly lush imagery also demand their inclusion. Particularly metal is the Angel of Death we meet in Hellboy II: The Golden Army.
  13. 300 (2006): I’m including Zach Snyder’s divisive “300” here because the whole movie just feels like a mosh pit to me, with its fetishization of big men with big swords fighting in big groups. It has stunning, brutal, beautiful violence, and plenty of images that feel like metal album covers. Lest you think metal can only be from Scandinavia, check out the amazing Greek metal bands Rotting Christ or Septicflesh, and the Mesopotamian metal band Melecesh. All three bands would feel right at home on the 300 soundtrack.
  14. PAN’S LABYRINTH (2006): Another beautiful Guillermo del Toro picture, Pan’s Labyrinth is both a grisly fairy tale and a story of rebellion. The Faun and the Pale Man, both played by the incomparable Doug Jones, are stunningly dark creations, and this list would be incomplete without them.
  15. SILENT HILL (2006): Pyramid Head’s scenes. ‘Nuff said.
  16. MARTYRS (2008): Extreme metal is like extreme horror: enjoyment often requires a process of conditioning and desensitization. Just as you can recommend some extreme metal only to people with the ear for it, you can only really recommend Martyrs to people with the stomach for it. Somewhere out there, a goregrind band is writing lyrics about a woman’s skin being removed in honor of this grueling film.
  17. VALHALLA RISING (2009): Nicolas Refn’s surreal Viking picture stars Mads Mikkelsen as One Eye, a man who resembles Odin and goes on a transcendent journey. It’s bloody, somber, drenched in pagan spirituality and black metal as Hell.
  18. HELLDRIVER (2010): This bonkers Japanese splatterfest contains a car made out of body parts, an eight-armed zombie holding eight assault rifles, a plane made out of zombies, and…look, it’s just nuts, okay? I might have also included similar Japanese bonkers films like Tokyo Gore Police, The Machine Girl, or Robogeisha, but I feel like Helldriver belongs here the most.
  19. DRIVE ANGRY 3D (2011): Nicholas Cage escapes from Hell to take revenge on someMandy evil cultists by driving…angrily…in 3D. While being pursued by a demon accountant…who is also, yes, in 3D. There’s also a sex scene gunfight…which is, you guessed it, also in 3D.
  20. BERSERK: THE GOLDEN AGE ARC (2012 – 2013): While it isn’t nearly as good as the manga it’s based on, this anime film trilogy is nonetheless quite metal. Set in a medieval fantasy world, Berserk has big swords, big battles, and big demons, culminating with the infamously hellish “Eclipse” sequence. But really, read the manga instead.
  21. KUNG FURY (2015): This 30-minute long Swedish crowd-funded film manages to pack more metal stuff in it than most films can manage in a feature-length. In Kung Fury, a Kung-Fu Cop must fight Hitler, but accidentally goes too far back in time and ends up in the Viking Age, where Viking women ride dinosaurs and fight laser raptors. In other words, it’s amazing. You can watch it for free on YouTube.
  22. MAD MAX: FURY ROAD (2015): This movie contains a man playing a fire-spewing guitar on top of a stage that’s on a moving big rig, and if that’s not metal, then I don’t know what is.
  23. THE WITCH (2015): The Witch kicks off with the ritualistic sacrifice of an infant, and from there only continues to bombard us with Satanic imagery. Of particular note is Black Philip, the sinister goat who apparently terrorized the actors as much as he does the characters in the film.
  24. MANDY (2018): Nicolas Cage makes a bat’leth and fights a shitty cult in this surreal film that’s destined to be a cult favorite. Like some great metal albums, I can think of, Mandy starts off slow and atmospheric, lulling you with hypnotic beauty before exploding into an orgy of batshit violence. Also, like many great metal albums I can think of, it feels like it was conceived while on drugs.
  25. AQUAMAN (2018): Okay, hear me out. James Wan’s Aquaman makes Jason Mamoa’s Aquaman look as metal as possible, and he makes the rest of the film as metal as possible too. The scene where Aquaman bursts from the ground while riding a giant crab? Metal. The Lovecraft references? Metal. The Trench sequence with its creepy fishmen? Metal. Amber Heard’s jellyfish dress? Metal. The fact that Aquaman fights a giant tentacle monster that’s voiced by Mary Poppins herself, Julie Andrews? Oh, so metal. There’s even a cute scene with the cuddly metalheads at a bar. This movie is a treasure.

 

JonathanFortinAuthorPhoto_SepiaJonathan Fortin is the author of Lilitu: The Memoirs of a Succubus (coming December 2019 from Crystal Lake Publishing) and Nightmarescape (Mocha Memoirs Press). An unashamed lover of spooky Gothic stories, Jonathan was named the “Next Great Horror Writer” in 2017 by HorrorAddicts.net. He attended the Clarion Writing Program in 2012, one year after graduating summa cum laude from San Francisco State University’s Creative Writing program. When not writing, Jonathan enjoys voice acting, dressing like a Victorian gentleman, and indulging in all things odd and macabre in the San Francisco Bay Area. You can follow him online at www.jonathanfortin.com or on Twitter @Jonathan_Fortin.

 

Terror Trax: Ashes Fallen

Band Name: Ashes Fallen
Members: James Perry, Michelle Perry, Jason Shaw

Ashes Fallen:
Youtube
Facebook
Web

Answers by band leader James Perry

Ashes Fallen song you are excited about right now

James: I love all of our songs! I’m really happy with “Start Again”. That was the very last song we put together for the album, and we barely got it together in time, but it turned out great. I love how it sounds, the lyrics are something I really wanted to say, and I’m so proud of us for getting it done in time. Sometimes that pressure and focus from a deadline can really inspire something good.

What singers or bands inspired you growing up?

James: I grew up in a house filled with classical music. I think being exposed to the classics still inspires a lot of how I write. Like most kids of my generation, I was all about the Michael Jackson “Thriller” album. He was just so cool. Later, the first time I saw   on MTV, it changed my life. I wanted to be an electric guitar player. A little later I got into Pink Floyd (like many high school kids do) and they were a huge influence… the huge sound and sound effects, the simple melodicism of David Gilmour’s leads, the depth of the lyrics… Everything changed for me again at age 15 or so when I first heard Skinny Puppy. They were my gateway drug into all this spiky, black hard-edged music I’ve come to love.

Who are your favorite artists today?

James: I still enjoy a lot of metal. Devin Townsend is my favorite musician of all time and he’s still doing amazing work. There’s so much great new dark music happening now. I just heard a post-punk band from Berlin called the Golden Apes for the first time the other day and they were just great. An amazing voice, really dynamic songwriting. A few years ago, Michelle and I saw a post-punk band from Mexicali called Silent and they completely blew our minds. Such great music and such a powerful force onstage. There are so many older artists that are still out there doing amazing work. Gary Numan’s most recent album “Savage” is possibly his best work ever. Killing Joke’s last album is just so good too. There are so many great bands here in northern California too, in and out of the goth scene. Believe me, I could go on and on.

What non-musical things inspire your music?

James: My songwriting tends to be autobiographical, so a lot of what’s inspired my writing has been my own life experiences. I occasionally get inspired just watching films or shows, sometimes I’ll hear a snippet of the soundtrack and think “what if they went THIS way instead of that way?” I find film soundtracks very inspiring anyway.

Is there a place where you go to be inspired?

James: Michelle and I are fortunate enough to be homeowners, and she loves working on the house. She’s making it a space where we can both be inspired to create.

What’s been the greatest achievement of your band?

James: We’re a very new band, so at this point it was just getting our first album finished in such a short time! We’ve only been a band since February 2019. In July, we did a brief tour with our friends 13th Sky, and I really wanted us to have our album finished and ready to sell for those shows. It took one hell of a lot of time and effort from everyone to get there, but we did it!

Where was the coolest place to play? Where did you enjoy yourselves the most?

James: Every show is fun in its own way! As of today, we’ve only played nine shows as a band. I think the coolest place we’ve played so far was Batcave S.F., held at the Knockout on Mission Street in San Francisco. It was wild! Lots of cool bands, drag performers, an awesome crowd… I think the most fun I’ve had at a show so far was the time we played Powerhouse Pub in Folsom on a Wednesday night. We had a decent turnout for playing late on a weeknight, and the club’s got great sound and a nice big stage which is always inspiring, and even though it was late and hot and we were all tired, we were just ON that night. Looking forward to more shows!

What are your favorite horror movies?

James: I enjoy the classics. Dracula. Frankenstein. Nosferatu. I just love the imagery and craftsmanship of those early films and what they were able to do with limited technology. Michelle showed me “Shadow of the Vampire”, a horror film about the filming of Nosferatu and I thought that was really great. I’m not into any slasher stuff, give me something atmospheric and psychological, not blood and guts. Michelle’s a huge fan of vampire films and has a massive collection. She’s also a huge fan of the Hannibal and Penny Dreadful TV series, and we’re both looking forward to the new Penny Dreadful City of Angels.

What was the scariest night of your life?

James: Maybe scary isn’t the right word, but the night I flew to New Zealand, unannounced, to ask Michelle to marry me was pretty nerve-wracking! I was so nervous she’d figure out what I was up to. But somehow I pulled off the surprise!

If you could play anywhere in the world, where would it be and who would be your opening band?

James: Anywhere and everywhere! I live for this stuff. I played in Guadalajara, Mexico as a fill-in guitarist with 13th Sky earlier this year and that was the wildest show of my life, such passionate music fans down there! I’d love to get Ashes Fallen down there as well. I also really hope we get to play in New Zealand some day so Michelle’s old friends can see her owning the stage! As for an opening act? We love it when we get to play shows with our friends. Maybe for my birthday one year I’ll set up a big show and have us and all our friends’ bands play.

What are you working on now for future release?

James: We’re pretty fully engrossed in playing live right now, but we do hope to have a new EP or single out early next year. I’m writing a few riffs here and there and thinking about which old, unfinished songs I’d like to try to explore with this band; believe me, I’ve got a ton of them! I wrote a lot of the songs on our debut album myself before we were a band, so I’m definitely looking forward to us doing more writing as a team. We’ve also been talking about putting together a proper music video for one of our songs, so watch out for that! We’ll be sharing more video footage from our live shows as well.

Final Thoughts / Anything you want to tell the listeners?

James: Go out to a show! There are so many great local, national, and international bands out in the clubs giving it their all to half-empty clubs that are struggling to keep their doors open. I love seeing shows and playing live so much and I don’t want it to die out completely.

HorrorAddicts.net Press Presents – eHorror Bites 4: Requiem in Frost

RFBANNER

On this day of Mabon, HorrorAddicts.net is proud to present the next book in their eHorror Bites series. eHorror Bites 4: Requiem in Frost is the newest work of Next Great RFJFHorror Writer Contest winner, Jonathan Fortin.

BLACK METAL LIVES!

Located in the deep frostbitten woods of Norway, Ingrid’s new home is old, spooky, and possibly haunted. Guttural screams wake Ingrid and her mother nightly. When they discover the shrieks belong to deceased former occupant and extreme metal musician, Skansi Oppegård, Ingrid investigates the mysterious circumstances surrounding his death. Hoping to exorcise Skansi’s ghost, she talks her mom into being part of a metal band. Oppegård’s last musical creation awakens forces beyond Ingrid’s understanding and causes Skansi’s murderer to resurface. In the battle between a madman and zombies, metal may be the only weapon she has.

A Peek Inside

REQUIEM IN FROST

When I opened my eyes, it was still dark—probably after midnight. When I took off my headphones, I didn’t hear screaming. However, the hairs on the back of my neck stood up.

Someone was standing in the corner of my room.

He was tall and muscular, with long, ragged hair. Smeared skeletal makeup covered his face, mingling with open scars. His torso was splashed with a fresh coat of crimson, dripping all over the floor, but drippiest of all was the huge axe in his hand. As I considered the growing red pool at his feet, I found myself wondering where all that blood had come from…

Is Mom all right?

The thought hit me with the force of a speeding train. If the ghost had hurt Mom, he could hurt me, too. Perhaps it should have been obvious, but I’d never felt threatened until that moment. My heart stopped as I lay there, paralyzed in bed, fearing he would kill me, and that he’d killed Mom already.

The spirit approached my bed, his huge axe dripping a river onto the floor. I tried to muster up the courage to run, but my legs were frozen in place. All too quickly, he was right beside me, raising his axe high.

“Skansi…” It came out before I could stop it, the squeak of a girl much younger than myself.

The spirit halted, surprise in his bulging eyes. Perhaps he hadn’t expected me to know his name.

“Someone killed you, didn’t they?” I asked, my throat dry.

The spirit continued to stare, but he did not lower his axe.

JonathanFortinAuthorPhoto_SepiaJonathan Fortin is the author of Lilitu: The Memoirs of a Succubus (coming December 2019 from Crystal Lake Publishing) and Nightmarescape (Mocha Memoirs Press). An unashamed lover of spooky Gothic stories, Jonathan was named the “Next Great Horror Writer” in 2017 by HorrorAddicts.net. He attended the Clarion Writing Program in 2012, one year after graduating summa cum laude from San Francisco State University’s Creative Writing program. When not writing, Jonathan enjoys voice acting, dressing like a Victorian gentleman, and indulging in all things odd and macabre in the San Francisco Bay Area. You can follow him on Twitter.

You can also find Jonathan in HorrorAddicts.net’s Clockwork Wonderland and eHorror Bites 3: #NGHW Editor Picks.

 

 

 

 

Terror Trax: SINthetik Messiah

Band Name: SINthetik Messiah

Members: Bug Gigabyte is the only member; drums,
keyboard, guitar, vocals, programming, writing lyrics, and sound design.
Everyone else who has been apart of this project was a
temporary collaboration, especially for live shows.

Album/Song/Tour we are excited about right now.

I’m excited for my next release on the 13th “Black Sheep (Feat Hart Fortenbery )”

What singers or bands inspired you growing up?

Portishead, Nine Inch Nails, Orgy and Deadsy

Who are your favorite artists today?

I have so many today, and their styles can range from classical to hardcore drum and bass.

What non-musical things inspire your music?

This question can be loaded. However, emotions and people are non-musical sources of inspiration. What is the human condition? What is the human soul? How does it affect one another? How does it affect me? The propaganda of the new age and the people who blindly follow. Spiritually and the duality of it all.  What is real, what others define as real. Because there is more of the same answer by so many, Does it make it real or have we all been deceived to further divide us?  I’m not talking about religion, I’m talking about self. How far is it when it becomes selfish or selfless?

Is there a place where you go to get inspired?

Two places that really trigger my inspiration; going out and seeing a live show or going out in the middle of a forest with a tent, hand drum and making a big fire. Sometimes dancing around it helps.

What’s been the greatest achievement of your band?

I’ve had many achievements I’m very proud of, but when you see a class of children that are underfunded, and I’m able to provide art supplies or instruments to them, because our educational system is in the toilet here in Louisiana, that, I think is one of my biggest achievements.  The dramatic difference in their confidence and work when having the right tools makes it worth the countless hours and lack of sleep I’ve spent trying to raise money for them through my benefit television show.

Where was the coolest place to play? Where did you enjoy yourselves the most?

So far the first year I played Southern Gothic Fest.  It is what really helped me spread the word of Industrial Dubstep; what I’m known for creating.  This was the first time I’ve ever played in the goth scene. This was something I’ve always dreamed about when I was a kid, because the city I’m from there is no goth scene.

What are your favorite horror movies?

Hellraiser.  The thought of a dimensional being who is into some really kinky dominatrix stuff that has no safe word is really terrifying.  haha

What was the scariest night of your life?

The only thing you have to fear is fear itself. The Boat Man and I are friends.

If you could play anywhere in the world, where would it be and who would be your opening band?

I want to play in Ibiza on the beach, on a full moon with Fever Ray and Dead Can Dance. I would have more of a tribal electronic witch set planned out…only meant for that one show.

What are you working on now for future release?

I just finished reworking a track for The Other La, that was originally produced by CJ Pierce of Drowning Pool.  It should be out in a couple of months.  Now I’m working on my first full-length album that will feature the vocals of Ms Cat Hall.

Final thoughts / Anything you want to tell the listeners?

First I want to thank HorrorAddicts.net for being so kind to me, and I want to thank the people who listen to my work.  It does mean the world to me. My love and respect goes out to all of you.

http://www.sinthetikmessiah.bandcamp.com

http://www.twitter.com/buggigabyte

http://www.instagram.com/sinthetikmessiah_official/

 

 

Terror Trax: I Ya Toyah

Band Name: I Ya Toyah

I am One Woman Army, Ania Tarnowska:
lyrics/composition, recording, production, vocals, guitar, keyboards

Website: iyatoyah.com

What singers or bands inspired you growing up?

Opeth, Iron Maiden, Nine Inch Nails

Who are your favorite artists today?

I have a lot of favorite artists, varying in styles and it’s impossible to state just one as it’s endless list of talent I admire every day.

What non-musical things inspire your music?

Observation, conversation, nature

Is there a place where you go to be inspired?

It is a Forest with a Bit of the Light- a spot in the woods not far from where I live. I named it myself but it’s my to-go place when I seek mental relaxation and peace.

What’s been the greatest achievement of your band?

I’ve been honored to share the stage with Mortiis during his North American Tour, as well as with Grendel. I had a pleasure working with Rhys Fulber and have him remix one of my songs, “Flashback.” Mostly though, I feel the greatest achievement is to be a part of the amazing industrial electronic scene – it is a priceless experience.

Where was the coolest place to play? Where did you enjoy yourselves the most?

I love playing at Crucible, Madison WI. I adore their stage, sound and green room plus hospitality and vibes of everyone…I love Reggies rock club in Chicago and really enjoyed playing at The Forge, Joliet. Another amazing place I cannot wait to return to is Club Anything, Milwaukee WI. Owner Todd is a sweetheart and the place has a certain magic that feeds you with very positive energy.

What are your favorite horror movies?

I love Strangers. It is more of a thriller but I like the authenticity of the plot. Psycho is another good one. Anything Hitchcock and David Lynch.

What was the scariest night of your life?

I was 12 and was on my way back from music school ( I studied guitar, piano, and vocal performance). My dad drove the car and we got into an accident. I remember being terrified that he will die…I ended up being the one that almost did- but I don’t remember it as I was already in a coma. The fear of losing my dad and having to tell my mom about it was paralyzing.

If you could play anywhere in the world, where would it be and who would be your opening band?

I’d love to play at the venue called Dalhalla in Sweden. It is built on the rocks and shaped like an amphitheater. The setting in nature is absolutely magic and so is the sound. It is on my bucket list and as far as an opener/lineup goes, I don’t even know as there are many logistics involved, some of which would probably be out of my control.

What are you working on now for future release?

Currently, I’m working on releasing the remix of Puppet song done by Adoration Destroyed. Together with Lumbra Records we are filming and putting a dark-themed video for that song. I’m very excited as the remix is amazing!

Final thoughts.

I want to thank you for your support! You coming out to my live shows and supporting my releases makes what I do possible. I love you! ♥

Terror Trax: PORN the band

Band Name: PORN 

Members/ What instrument they play.

Philippe Deschemin aka Mr Strangler : Vocals, guitar, basse, synthetiser

Who writes your lyrics?

I do, Philippe aka Mr Strangler. Our current album, The Darkest of Human Desires – Act II  February 2019,  is the second part of a trilogy. The Ogre Inside – Act I is an album about inner struggle, about dark desires, how society can opresses your will. This is a fight no one can win, the Ogre that devours you from the inside always wins. The album is an invocation, a way to set the Ogre free, embrace your ”true-self” and allow your darkest desires to express themselves. It’s an incitement to act.

In this trilogy, The Ogre Inside won this inner struggle, giving birth to Mr Strangler.
In the Act II : The Darkest of Human Desires, Mr  Strangler, by embracing his “true-self “, expresses his dark impulses without limitations and has no boundaries.  With his crew, Mr Strangler commits murders and massacres. He  also invites everyone to make a step forward and act, invites you to express your darkest desires and join his death cult. For Mr Strangler and his team, the Ogre is released! Let the massacre begin!  Let the darkest of human desires be: murder.

I am working on whats happening in the Act III, maybe the final act! But I can’t tell more about it…
We are working on a possible comic book based on Mr Strangler and his crew.
I am a writer too, wrote a syfy novel and short stories. I am working on a new novel, a prequel of my first novel: Contoyen. So, I love to create characters and build stories, even in my musical work.

Contact

https://www.facebook.com/porntheband

https://porntheband.bandcamp.com/

https://www.instagram.com/philippedeschemin/

What singers or bands inspired you growing up?

David Bowie,  Robert Smith ( The Cure ), Carl McCoy ( Fields of the Nephilim )

Who are your favorite artists today?

I have so many … Tool, Paradise Lost, The Cult, Fields of the Nephilim,

What non-musical things inspire your music?

Philosophy and psychology. The actual trilogy is all about psychology and philosophy.

Is there a place where you go to be inspired?

During my footing, I have sometimes good ideas! Sometimes!

What’s been the greatest achievement of your band?

Working with Tom Baker. The man worked on so great albums : The Downward Spiral – NIN, Antichrist Superstar – MM , Hellbilly Deluxe – Rob Zombie. We worked with Tom on the mastering of our current album: The Darkest of Human Desires – Act II.

Where was the coolest place to play? Where did you enjoy yourselves the most?

We only have played in regular venue, but we would love to play in a scary place ( castle , church…)

What are your favorite horror movies?

To many! Shining, White zombie, Carnival of Souls, Videodrome, 28 Days Later, The Fly, Dawn of the Dead,  The Thing, The Descent, Get Out

What was the scariest night of your life?

I think, this night is to come …

If you could play anywhere in the world, where would it be and who would be your opening band?

Maybe in a mythic place like Whisky a Gogo… I would love to open for Alice Cooper, Gun’s roses, The Cure…

What are you working on now for future release?

We are recording the third act of our current trilogy, to be released in 2020!

Final thoughts.

Thank you very much for the interest. We are  PORN, you are PORN!

Press Release: Unveil The Strength Music Video

UNVEIL THE STRENGTH Release Official Music Video for “Hell’s Never Over”!

FOR IMMEDIATE RELEASE:

July 9, 2019 – UNVEIL THE STRENGTH—-featuring Mark WölfeAndy JamesMatt SnellMatt Guillory, and Tim Hassemer (former members of Five Finger Death PunchSacred Mother TongueInvidiaFlatlineDevolved, and Stratovarius)–has released the official music video for their single “Hell’s Never Over.” Originally premiered on Heart Support, “Hell’s Never Over” was directed by Matt Zane (Society 1).

player

“We believe in Heart Support because they are doing something no one else has done. They are bridging the gap for mental health in a relateable way that people and music fans can connect with. On one end you have the music fans that are maybe going through something and feel Isolated , trapped, and lonely. On the other end you have people making music about the very same feelings. The truth is, everyone goes through a dark place, but we have to remember its just temporary, just a moment. Heart Support is never above, never below, and always beside you.” – UNVEIL THE STRENGTH

Download / Stream UNVEIL THE STRENGTH Online:

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Unveil the Strength, a quintet composed of former members of iconic bands such as Five Finger Death PunchSacred Mother TongueInvidiaFlatlineDevolved, and Stratovarius are returning to the soul of hard rock: writing and performing real songs with real meaning. Says Matt Snell, bassist for Unveil the Strength, “We want to put the grown man back in metal – that spirit is being lost in the shuffle. We’re going back to the roots, to real fucking metal.”

Despite the band’s old-school approach to writing, they’re taking a contemporary approach to marketing their music. For their upcoming album, Unveil the Strength will not do a traditional record release. Snell reveals, “The landscape has changed so much regarding how to successfully get music to the public, so we’re going a different route. Right now, we’re halfway through the album and we have video concepts for every song. Instead of releasing all 10 songs at once that will just be put up on the internet to be stolen, our idea is to constantly release new songs all the time. We want to unveil this record to the public, with a video to go along with each song.”

Although the band is officially based out of Austin, TX, Unveil the Strength is truly an international band with members in London, Nevada, California, Colorado, and Texas. All of the band members have professional studios where they can record their own instrument’s tracks, so the group easily collaborates by file sharing.

Their first recording, titled “Foundations,” was recorded in Austin, TX. They wanted an edgier sound than what is currently being produced in the States, so they have been working with Rob Kukla of Studio Fredman and Henrik Udd of Henrick Udd Recording in Gothenburg, Sweden. Udd is known for his impeccable production with acts such as ArchitectsBring Me The HorizonAt The Gates, and Delain. The upcoming album slated for a 2019 release, is still in the recording process, but Snell admits, “The production is amazing on the new album. It accentuates that we’re an active rock band – but we’re a little bit heavier, a little bit edgier. It illustrates that we can write, and that we have an ear for metal.” Snell is especially proud of Mark’s lyrics, which he describes as “real.” Snell goes on to praise Mark’s extraordinary writing ability, saying, “Mark has had an amazing life. He is a Marine; a veteran. He’s lived on the streets, ya know? He’s seen and done a lot. He writes from his core being and writes real songs that relate to the band’s message.”

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Terror Trax: Schultz

Band Name: Schultz

Franz : Electronics and vocals

Guitarfox : Guitars and vocals

Sandy Dynamite : Live dance performance and vocals

Who writes your lyrics?

Franz for the most, Me (Guitarfox) for the last

Website

https://blcproductions.bandcamp.com/

FACEBOOK

https://www.facebook.com/SchultzNewAlbumSoon/

SOUNDCLOUD

https://soundcloud.com/schultz-shot-of-pain

 

Album/Song/Tour we are excited about right now.

Shot Of Pain by Schultz, the album we’re here to promote right now available since the 06th May on BLC Productions

What singers or bands inspired you growing up? Growing up ?

Well…  TV cartoons generics !

Who are your favorite artists today?

Us ! The other ones are already taken.

What non-musical things inspire your music?

Bondage SM and Satanism.

Is there a place where you go to be inspired?

The internet.

What’s been the greatest achievement of your band?

Finishing this album

Where was the coolest place to play? Where did you enjoy yourselves the most?

There was the Volume in Nice, a nice place for gigs, but it closed definitely.

What are your favorite horror movies?

Rocky Horror Picture Show, and Pink Flamingos

What was the scariest night of your life?

The night before the baccalaureate

If you could play anywhere in the world, where would it be and who would be your opening band?

Any stadium in the world, they all look the same, wherever the place… Ministry, Rammstein, Revco…

What are you working on now for future release?

Promoting our album. For the rest, we’ll see later.

Final thoughts / Anything you want to tell the listeners?

Listen to our album, and buy it if you like. We needs your support.

Terror Trax: Hands of Ruin

Band Name: Hands of Ruin

Colin Z. Robertson – composition and production

https://handsofruin.com

 

https://twitter.com/HandsOfRuin

https://www.facebook.com/handsofruinmusic/

https://handsofruin.bandcamp.com

 

Album/Song/Tour we are excited about right now.

Schism was released in 2017 and had been written over the previous five years, and was the result of trying to push myself to create something harsher and darker than I otherwise would.

What singers or bands inspired you growing up?

Autechre and Aphex Twin inspired me to make electronic music, and then discovering the Cold Meat Industry artists such as In Slaughter Natives, Arcana, Raison d’être and Desiderii Marginis inspired me to work on dark ambient and martial industrial music.

Who are your favorite artists today?

These days I listen to a lot of the same music I listened to when I was young, but also Triarii, Wappenbund, Of the Wand and the Moon, Wardruna, as well as more danceable industrial music such as Front Line Assembly and Haujobb.

What non-musical things inspire your music?

I’m fascinated by all sorts of non-musical sounds. Listening to engines and machinery, or natural sounds, and thinking about the processes that produced them, often gives me musical ideas. Beyond that, music for me is a way of talking about feelings that I don’t have the words to describe, or am too afraid to put into words.

Is there a place where you go to be inspired?

There’s something contemplative and slightly melancholic about watching the landscape go past on train journeys that I find often gets me thinking about how I’d write some music.

What’s been the greatest achievement of your band?

I was very proud to have remixed two of Jo Quail’s tracks. She’s a superb musician and both tracks are beautiful pieces of music, so it was an honour to do that and see them released: https://joquail.bandcamp.com/album/hands-of-ruin-remixes-2

Where was the coolest place to play? Where did you enjoy yourselves the most?

I rarely play live, but I played at an art gallery in under some Victorian railway arches some years ago, so I was playing in a dungeon-like environment – all old brick, dust and cobwebs. It felt like the perfect setting for my music.

What are your favorite horror movies?

Nightbreed, The Company of Wolves, Alien, The Cabinet of Dr Caligari, The Fly

If you could play anywhere in the world, where would it be and who would be your opening band?

Playing live is not something that I particularly aspire to. I’m very content to make music in my bedroom. I’m not a performer. But if I were to play live then I’d want to turn the question around: who would I like to open for? It would be an honour to open for In Slaughter Natives, for example.

What are you working on now for future release?

I’m writing a soundtrack for Murnau’s Nosferatu. It’s still early days, but I’d certainly like to have it done in time for the film’s hundredth anniversary in 2022.

Anything you want to tell the listeners?

Thanks for taking the time to listen!

Terror Trax: Jon O’Bergh

Band Name: Jon O’Bergh

Members/ What instrument they play.

Jon O’Bergh / keyboards

Who writes your lyrics?

Jon O’Bergh (although many of my albums are instrumental)

https://obergh.net

Twitter: @jon_obergh

Facebook

YouTube

 

Album/Song/Tour we are excited about right now.

Ghost Story (album):  “Catacombs / Appian Way” (song)

 

What singers or bands inspired you growing up?

Meshell Ndegeocello, Tori Amos, Steely Dan, Jethro Tull, Nine Inch Nails, Herbie Hancock

Who are your favorite artists today?

Janelle Monae, Todrick Hall, Beck, Little Dragon

What non-musical things inspire your music?

Horror movies, ghost stories, science fiction

Is there a place where you go to be inspired?

Nowhere in particular.

What’s been the greatest achievement of your band?

Getting to meet horror director Guillermo del Toro and sharing with him a copy of the album Ghost Story.

Where was the coolest place to play? Where did you enjoy yourselves the most?

Playing on top of a mountain. This was with the band I had in college. We had to load our equipment into a gondola which ascended to the peak and swung in the wind. But the most enjoyable gig was playing for the Special Olympics. I’ve never experienced a more appreciative, enthusiastic audience.

What are your favorite horror movies?

The Conjuring. The Others, with Nicole Kidman. And two foreign movies: a Thai movie titled Shutter and the Japanese classic Onibaba.

What was the scariest night of your life?

Late one October night coming home from a gig. I parked the car and struggled to unload my synthesizer while the dry, demonic Santa Ana winds gusted. I was completely unaware that a few yards away from me, a serial killer crouched waiting to murder his next victim. The next day we found out he had broken into that neighboring apartment and murdered a young woman as she came home from a party.

If you could play anywhere in the world, where would it be and who would be your opening band?

I’d like to play in the ruins of an ancient coliseum. My opening band would be Little Dragon.

What are you working on now for future release?

I recently completed an album of horror-themed songs written by one of the characters in a companion horror novel. Each song represents a classic horror character: zombie, vampire, witch, etc. The album will be released in tandem with the publication of the novel.

Final thoughts / Anything you want to tell the listeners?

My albums span a variety of musical styles. The albums I think will especially interest patrons of Horror Addicts are 1) Specters of Twilight, an experimental electronic album inspired by Nine Inch Nails; 2) Tales from the Underground Bazaar, a collection of strange, true stories reminiscent of Laurie Anderson; and 3) Ghost Story, featured here.

Terror Trax: Destini Beard

Band Name:
Destini Beard
Vocals and Piano

Who writes your lyrics?
I write all of my lyrics

Website:
www.destinibeard.com
Twitter.com/destinibeard
facebook.com/destinibeardmusic
Instagram @destinibeard

Album/Song/Tour we are excited about right now.

I’ll be seeing some of my favorite bands in July at Inkcarceration Festival in Mansfield Ohio! I’m excited to meet fellow musicians and explore the historical reformatory!

What singers or bands inspired you growing up?

My mom is my biggest musical inspiration! I also love my muse Amy Lee of Evanescence! I had the honor of meeting her in 2017 as an ultimate birthday present!

Who are your favorite artists today?

Amy Lee of Evanescence, Maria Brink of In This Moment, Breaking Benjamin, Epica, and Roy Kahn of Conception Music.

What non-musical things inspire your music?

Nature and abandoned places always create a haunting melody in my mind.

Is there a place where you go to be inspired?

A forest or sitting by the ocean is the best place to clear my mind and be inspired of the world around me.

What’s been the greatest achievement of your band?

Honestly, the greatest achievement was one of the last vocal lessons I had with my teacher who has now passed. After completing a difficult aria, he looked up with a smile and said, “the mouse has finally roared!” That will forever be my greatest achievement as my teacher meant the world to me, and gave me the tools and knowledge to pursue my dream of music!

Where was the coolest place to play? Where did you enjoy yourselves the most?

The coolest place was back in 2011 when my family was invited to Sweden. My dad had an exhibit of his art, and I was asked to perform in their courtyard. We stayed at the coolest bed and breakfast that overlooked this beautiful landscape. It was like being in Skyrim! I enjoyed myself the most walking the grounds of the castle, pretending for a moment that I had traveled back to the days of old.

What are your favorite horror movies?

Woman in Black is my favorite hands down! I love the traditional macabre horror! I also enjoyed Dead Silence, and Oculus because of the paranormal horror aspect.

What was the scariest night of your life?

The scariest moment would have to be a graveyard adventure my mom and I had while I was working a show in Michigan. We traversed the Holly Cemetery, known to hold the grave of George Washington’s first commanding officer. We found a section in the back of the cemetery where a number of unmarked tombstones lay. We both were startled to hear what sounded like a horse and carriage, followed by the beating of a drum. With my camera in hand, I asked my mom to turn to take a quick picture of her. I ended up taking two pictures, because the first displayed an eerie green formation over my mom’s head. I examined both to be sure, but no denying there was something around us. We left soon after, and when I showed her the picture we both got a chill! I haven’t quite experienced a night that spooky as of yet!

If you could play anywhere in the world, where would it be and who would be your opening band?

I would play in another castle if I could, performing in a courtyard was the most fantastic experience! Maybe a castle ruin in Ireland? Or Dracula’s Castle! A girl can dream!

What are you working on now for future release?

I am currently working on my debut solo album which will have a dark fantasy and Celtic theme to it! It will be a mix of traditional Irish, Welsh and Scottish ballads mixed with some of my own creations! I am extremely excited to finish the process of writing and recording the tracks!

Final thoughts / Anything you want to tell the listeners?

If you have a passion, follow it. Learn and refine your craft to the best of your ability. Never let anyone tell you, you can’t do something. Even if it isn’t the arts, follow your passions and your dreams! And always appreciate the value of others, including the creative arts. Imagine a world without music, art, or writing? Without acting or dancing? It’s possible if you support your – fellow artist by buying their work on their websites, seeing them live etc. It’s up to us to keep the arts alive! Never give up, and always help those if you can!

Terror Trax: Laang 冷

Laang 冷
(Pronounced similar to “Long”).
Taohai Yang – all instruments, vocals, and lyrics
https://laang.bandcamp.com/

 

Album/Song/Tour you are excited about right now.     

We are doing an album release tour through Asia in June 2019!

What singers or bands inspired you growing up?

The bands Alcest, Harakiri for the Sky, and Chthonic most influence the music of Laang. However, my longest-running influences, in general, have been Tool, Radiohead, and Bach.

Who are your favorite artists today?

Bands like Alcest, Agrypnie, Sylvaine, and Woods of Ypres.

What non-musical things inspire your music?

My experience I had when I was shot. This is the main inspiration for the music of Laang. After being shot, I experienced something that I consider similar to an afterlife. It was like a universe that was infinite, but nothing was physical, including myself; I was infinite in the universe. There was no light, dark, up, down, anything like that. This was something that didn’t comply by the limitations of what the human mind can perceive. I find it difficult to describe, as our own rationality limits what we can understand, let alone describe it in words. But this was a world beyond description. And in it I was completely isolated. An infinite universe for an eternity, and I was the only presence. That type of isolation is crushing. Numbing. And yet, even with this feeling of isolation, I had a gnawing feeling that I was somehow unsafe. That I was being watched or pursued. This grew into a fear beyond words, a debilitating fear. It is this fear that inspires the music of Laang.

Is there a place where you go to be inspired?

It is such a potent memory that I feel like I don’t require much prompting to be inspired. I have constant reminders every day as I still continue my healing. When I want to write music or lyrics, I only have to sit down and do it, and it seems to just come to me. It’s rarely if ever forced. I almost hear what I want to write in my head, and I simply transcribe what I’m hearing before the thought evades me. In that sense, the composition process for Laang has always been quite efficient.

What’s been the greatest achievement of your band?

Well, we haven’t been around very long, but I suppose I am very proud of the fact that in only 6 months of being a band we have entered a record deal with one of our favourite labels, have scheduled a tour, and have had such a strong and welcoming reception from critics and fans alike. I am just so grateful for how things have gone so far.

Where was the coolest place to play? Where did you enjoy yourselves the most?

Laang hasn’t played any shows yet, but I’ve been in bands in the past. One of the coolest places I’ve played was on a barge in a lake. I’ve always loved the water, so playing in the middle of the water was a very cool experience for me.

What are your favorite horror movies?

This is a tough question, because I feel like there are elements that I love and hate in all horror movies. Usually I am bothered by contrived clichés and lackluster acting, but am a fan of the concept. I think that the film that I enjoyed the concept of the most was Sinister, simply because the idea of photos & videos moving, watching you, or having sentience is quite an alarming one, one that I remember fearing quite a lot as a child. I think that this was an interesting approach to this concept.

What was the scariest night of your life?

Bleeding in a parking garage, being in so much pain and lost so much blood that my whole body was paralyzed, cold, and numb. And remembering the sensation of blood slipping out of my mouth.

If you could play anywhere in the world, where would it be and who would be your opening band?

I would love to play on a boat. Perhaps in the North Sea off the coast of Iceland. Perhaps even just Iceland itself. Iceland is a hauntingly beautiful country with a landscape so alien and desolate. I find it one of the most visually inspiring and tranquil places on earth.

What are you working on now for future release?

Our digital album was released in December, and the physical digipak release is coming in May or June. I am focusing on working with the label to finish that first physical release. However, I wrote 2 new songs last week, so I would say that our second album is beginning to take shape. The sound of this album will be much in the same vein as the first, if not somewhat more depressive.

Final thoughts:

If you think that Laang sounds interesting, or you would like to hear more of the music then I would encourage you to find us online, check out the music, and spread the word. The more people that want Laang to play live in your city, the more likely we are to be booked on a tour there, which means we can come say hi and perform for you. I’m immensely appreciative of the support we have received so far and am looking forward to connecting with more of you in the future. Thank you so much.

https://www.facebook.com/LaangOfficial

https://www.instagram.com/laangblackmetal/

 

Chilling Chat: Episode 165 David Leinweber

chillingchat

David Leinweber is a historian with over 25 years of experience in the college classroom. He has published numerous articles, reviews, essays, and academic reference worksDavid Leinweber (including works on folklore, the occult, mythology, magic, and religion.) Dr. Leinweber is also a lifelong guitarist and pianist whose music has been featured in numerous venues, ranging from festivals and clubs to television, radio, theaters, and art galleries.

David is an amazing professor and an accomplished musician. We spoke of horror, inspiration, and the legacy of Dracula.

NTK:  Welcome to Chilling Chat, David. Thank you for chatting with me today. Could you tell us about A Song of Dracula? What is it about?

DL: A Song of Dracula is a romantic musical, loosely based on the classic 1897 novel by Bram Stoker, and also Jane Eyre.  It features a collection of original spooky songs, along with a few tavern singalongs.

It is about a young girl named Madeleine who arrives as a governess at a great estate in England, like Jane Eyre.  There is a romantic interest with the head of the estate (also like Jane Eyre).  However, witchcraft, vampirism, and a ghost enter into the story.  I really wanted it not to be gory or sensationalistic, however—no hissing or blood.  It’s a romantic story.

NTK: What inspired you to write this musical?

DL: Well, I’ve been a lifelong horror fan, especially of the old Victorian novels like Carmilla and Dracula, as well as the classic horror films.  I wanted this to be a production that evoked the romance and the historical/geographical settings of the old films, especially Hammer Films.  I also wanted it to be something that could range in targeted audiences from adult theater groups to community or high-school productions.

Interestingly, the word vampire does not appear in the story, though it’s obvious that is what is going on.

NTK: How much research went into A Song of Dracula? Did you try to incorporate songs appropriate to the time period?

DL: I would say that the play/musical reflects my long interest in horror, romance and gothic lit, if not flat-out research.  I did try to evoke spooky songs that have the spirit of a gothic estate.  There are also some tavern tunes that would be good for sailors or other port-city type characters right out of central casting (Laughs.)  However, I think the songs could be interpreted in a number of different ways.  I mostly envision them as spooky, romantic ballads.  But several could be done in a range of styles, including a few that could be hard-rock with electric guitar, and a light show.  I think a lot would depend on the director’s ideas.  For me, though, it’s a romantic Victorian gothic story, first and foremost.

NTK:  What do you think the attraction to Dracula is? Why does he have such a lasting legacy?

Bela LugosiDL: Great question.  I certainly think one could point to the classic psychological themes, like the fear of death, or subliminal sexual desires.  I also think that a good vampire story often has a folklore quality to it, and evokes a sense of being bound in time.  I sometimes think the classic elements of the Dracula tale don’t appear as much in vampire stories of the present-day when so many film studios want to update the classic elements.  Call it cliche if you want, but some of the classic horror tropes were very powerful and we should try to transmit them to the next generation.

NTK:  How did you discover horror? How old were you?

DL: Pretty young.  There was a guy on TV in Detroit when I was a kid called Sir Graves Ghastly—a Saturday matinee movie host who came out of a coffin hosted old horror movies, told bad horror jokes, read kids’ birthday cards, and all that.  I used to watch him every Saturday.  I remember all the “House of” horror movies he showed, which were truly classics, among many others.  I also was a big Dark Shadows fan, though pretty young at the time.

NTK: Do you have a favorite horror film?

DL: Another great question.  Hard to answer though (Laughs.)  I actually like some of the quiet, spooky films like Let’s Scare Jessica to Death.  But I think the Hammer films are my favorite, especially the three horror films they did that were loosely based on CarmillaThe Vampire Lovers, To Love a Vampire.  There was something special about the horror films of the late sixties and early seventies—it was still the hippie era, with all the creativity and mood that came out of it.  The fact that there were Drive-in Movies back then also created a big demand for lots of movies.  They weren’t all exactly Citizen Kane or The Godfather, but they were usually pretty fun to watch, and often surprisingly good.  That was also before Star Wars came out, which changed Hollywood into more of a Blockbuster mindset and the tasteful little movies, including B films and Drive-in Movie titles, became less common.

NTK: As a musician, did you find these soundtracks inspiring?

DL: Yes, a lot of those films had fine soundtracks.  The film I mentioned Let’s Scare Jessica to Death, in particular, had a really distinct soundtrack— quiet piano and flutes and guitar lines that really created that sense of loneliness, haunted locales, and, towards the end, isolation and fear.  That soundtrack really gave that sense of going back in time.  The Hammer Film, Lust for a Vampire, also had a really strange, very ‘sixties’ sounding tune—“Strange Love.”  It’s almost comical to watch it today because it can seem dated and out of place in the film, but it was actually a pretty eerie musical effect.

NTK: Who do you think portrayed the best Dracula?

DL: Of course, I like the Lugosi and Lee Draculas.  But Lon Chaney also did a good job and John Carradine.  But a sometimes underrated and/or less noted version was the Frank Langella 1979 Dracula, a very fine production.

NTK:  Do you have a favorite horror novel?

DL: Well, I guess the obvious choices would be Dracula and Carmilla.  But beyond those two classics, I remember that Stephen King’s Salem’s Lot really scared the heck out of me when I first read it, along with the 1979 miniseries.  When I was a kid, I used to read a lot of the cheap paperback horror novels, too, though I don’t have time for that anymore and I’m not sure if there is as big a market for them as there used to be.  Horror novels were kind of like horror movies.  They made a lot of them, which meant that there were often some quite good ones mixed in with others that weren’t’ so good, but it was always fun to read through the find the gems.

NTK: Do you think there’s any truth to be found in the folklore surrounding vampires? Do you think there are personalities who could be considered vampiric?

DL: Another great question.  Well, I certainly can see how the folklore had its roots—all the classic fears of premature burial, blood-borne diseases, or wasting away.  I also think the classic vampire motif that mixes terrible fear with desire is very powerful, for everybody.

And yes, I do think there are people who could be considered vampiric.  Not sure I want to give any names (Laughs.)  I think there are people who have a way of draining your energy and vitality.  They get stronger and richer, while you get weaker, more uncertain, and lose your zest for life.  But I guess the most classic vampire is a romantic attraction, and sometimes even kind of tragic and sad in the way they kill what they love.

NTK: David, what does the future hold for A Song of Dracula? Where can Horror Addicts see the musical? And, do you have any other upcoming horror projects?

DL: Well, I’m really hoping to have a good theater production do the musical.  Of course, Dark ShadowsI’d even love to have it turned into a film.  But first and foremost, it’s a theatrical production.  I’m still working on finding the right theater to debut the show, but hopefully soon.  I also enjoy writing ghost songs and am compiling a list of ghost songs to release as a song cycle.  My song “Daphne,” about the Kate Jackson character Daphne Harridge on Dark Shadows, remains my favorite song and it was the ghost song I wrote that got me the most inspired along these musical and storytelling lines.  Kate Jackson loves the song, which was encouraging.

NTK: Thank you so much for joining me, David. It’s not often we gain insight from an awesome educator like yourself.

DL: Thanks again for your interest in my musical and thoughts about horror.

Terror Trax: CADAVERIA

CADAVERIA

Cadaveria, vocals
Marçelo Santos, drums
Peter Dayton, bass
Live guitarist: Enrico Toselli
CONTACT:
http://www.cadaveria.com
https://www.facebook.com/cadaveria
Twitter: @cadaveriaofficial
Album/Song/Tour
We are excited about right now Far Away From Conformity, remixed and remastered:
http://www.cadaveria.com/web/shop/far-away-from-conformity-cd-digipack-2017/

What singers or bands inspired you growing up?

Venom, Mercyful Fate, Sepultura.

Who are your favorite artists today?

Tool

What non-musical things inspire your music?

Cinema, poetry, life.

Is there a place where you go to be inspired?

My soul.

What’s been the greatest achievement of your band?

To release five studio albums, a double DVD and many music videos, to play lots of gigs all around the world and to be 100% independent.

Where was the coolest place to play? Where did you enjoy yourselves the most?

Mexico always welcomes CADAVERIA with a great enthusiasm and we love Mexico back.

What are your favorite horror movies?

Profondo Rosso, Nosferatu, Das Cabinet des Dr. Caligari

What was the scariest night of your life?

When I discovered I have a cancer.

If you could play anywhere in the world, where would it be and who would be your opening band?

I would like to tour the US.

What are you working on now for future release?

I’m writing some lyrics for CADAVERIA sixth album.

Final thoughts / Anything you want to tell the listeners?

Enjoy every single moment of your life.

 

 

Book Review: Welcome to the Show

Welcome to the Show 
Reviewed by Voodoo Lynn

Reading this anthology reminds me that not everything that is written is your favorite, standing coffee order and that sometimes, something different can be a good thing. There are enough stories here that are written by Bay Area natives to inject just enough truth (whatever that word may mean to you) to make everything plausible. As a lifelong Bay Area native, I have haunted various San Francisco bars and venues, especially when I was an intern at a well-established and known indie label. I have seen everything from burlesque to punk, to spoken word to I don’t know what the hell to call it. I have many fond memories of those shows and wouldn’t trade them for anything. The descriptions of this place, ring true to me.

Like every venue, the Shantyman has its own vibe. From its dark inception to its dystopian future of outlawed music, this venue follows a dark, sinewy path of death and destruction that both ravages the innocent and guilty alike within its infamous walls.

You have a selection of seventeen stories to choose from in this collection, so I know there will be something for everyone. I have to say this is one of the most diverse books I’ve ever read. Now, that’s not saying that I liked every story because I didn’t. In fact, there was more than one story that I felt fell short of the mark and could’ve been fleshed out more instead of giving it the ‘…and everyone died…’ ending. Having said that, let me take you through some of the highlights in this book.

The first story from this collection is “What Sort of Rube” by Alan Clark. This story is based in the 19th century and illuminates for us the very dubious beginnings of this infamous venue. It is narrated by a sailor, so the requisite amount of jargon is utilized but not so much as to take away from the story. It begins with one curse. A curse for revenge. A curse for love. Crazy, stupid love. And its basis is in, music. It’s always about the music. It is the alpha and the omega and through the burning fires of revenge, the stage is set for the damned and unlucky alike, to bear witness to the performances in the Shantyman.

The next story liked was “In the Winter of No Love” by John SkippThis story moves us forward to the summer of love era and a sense of the free love/freedom movement of the 60’s. It also takes us to the darker reality of that line of thinking, to the shattered dreams and memories of an idea that never came to fruition. The main character, Marcie, says that she “tastes” the history and creepiness of the venue and yet, she stays to watch the show of a lifetime. To me, that speaks volumes of the dark allure of the Shantyman. Interesting detail, the author mentions that Marcie is from Milwaukee and at one point, talks about how Marcie is 2173 miles away from the Shantyman door. 2173 is exactly how many miles San Francisco is from Milwaukee. Details. I love little details like that. So, aside from details, this story wins in the category of most unusually imaginative description of the end for the main character and all those poor bastards that was there for that show. I would’ve never seen that end coming. The ending, interestingly enough, is met by a character that reminds me of a very famous 27 year old poet/musician that died way too young. His character, this angel of mercy so to speak, exemplifies the 60’s philosophy on life. Plus, I totally dig the song lyrics in this story. Very groovy…

The last story I want to touch upon is “We Sang in Darkness” by Mary San Giovanni. It is the last story in the collection and it is by far my favorite. It’s set on the future, a sad, dystopian one that is totally plausible. Perhaps it is the conspiracy theory element that currently rings so true. With more and more criticism of fake news and mainstream media and its exclusion and downplaying of important stories, it is the conspiracy theorists that are gaining more traction and followers. Maybe I like the physics aspect of it discussing experiments with electromagnetic fields in the sky (can anybody say HAARP?) and how it was these experiments that caused one of the greatest tragedies of humankind, the complete utter ban on music for the safety of the planet all because the vibrations attract creatures from another dimension which are needless to say, dangerous. It is from here that I have my favorite quote from the story:

“I’d say I saw humanity there, but who’s to say that thoughts and feelings are the exclusive domain of human beings?”

Indeed. The story is so plausible that you can imagine the apocalyptic end of life and society as we know it and the beginnings of a new one, void of such an integral part of us as human beings- music. The main character perfectly illustrates how music has the power to help and change people for the better and we are reminded of how much we really lost because of him. Throughout this story I kept hearing the theme to the X-Files going through my head and though Mulder and Scully don’t arrive just in time, some feds at the end did and we all know what happens to eye witnesses to strange things and the feds…

I can’t say this is the best collection of stories that I’ve read but it is certainly a good one and I enjoyed it. It’s good enough for me to forgive what I call “The Little Story that Could’ve Been” that had a main character that reminded me of Alice Cooper placed into “Rock and Roll Nightmare” instead of Thor. I mention this because this story, that shall remain nameless, was one of my favorites until it just died a quick, uneventful, predictable death. I hope the author of it someday decides to expand on it because it could’ve been something.

Just like many of the Shantyman’s performers and audience members. People whose lives were cut short within the venue doors. Whether it’s cults, sea creatures, time travel, or vampires (I told you there was variety) I’m sure you’ll find your own ticket to ride within the pages of this anthology.

Winternight Whisperings Valentine Wolfe

Darklings, Listen!

 

Winternight Whisperings is upon us! The newest Valentine Wolfe album, Winternight Whisperings, is here in digital format and on it’s way in physical form. And what’s more, we’ve got THREE shows coming up to share our version on holiday music with you all.

 

The idea is simple: we’re inspired by the 19th century tradition of telling ghost stories on Christmas Eve. We felt we weren’t the only ones wanting to revive that celebration. After The Ghosts of Christmas Past in 2015, we started thinking about ways to play this music live and, of course, create more music for a haunted December.

 

The result is Winternight Whisperings: 8 ghost songs, one ghost story featuring Tally Johnson, and two metal songs to make your spirit bright.

 

 

You can also buy digital copies there if you can’t bear to wait.
Our local Greenville fiends can join us on Tuesday, December 18 at Hughes Main Library. We’ll be telling ghost stories with Tally Johnson. 6:30-8:30, No cover, all ages, too! Details are here: https://www.facebook.com/events/578057502664712/

 

And finally, we’ll celebrate on January 5 with a final Christmas Haunting: We’ll be bringing Tally down to the Wynne-Russell House in Lilburn, GA for an evening of dark ambient music and ghost stories celebrating Twelfth Night! Tickets are VERY limited, get yours here: https://timetravel.events/tickets/

Most of the music we’ll be playing at the shows are dark ambient/soundscape songs. We may play some metal at the Poe House; the other shows will be more…brooding.

 

Make your plans to join us now, and we can’t wait to celebrate this holiday season in our own way with you all. And we would love to know your favorite tracks from Winternight Whisperings…please let us know?

 

Marley was dead, to begin with…
Braxton and Sarah

Chilling Chat with Harry Husbands

chillingchat

Harry Husbands spends the majority of his day in an office. In the evening, he writes furiously all the disturbed imaginings dwelled upon while completing banal admin tasks.Harry Husbands He crafts tales with subtle terror that are dipped in humor and roasted slowly over an infectious passion for all things horror related. He also performs and records songs from his house in Peterborough, England.

Harry is an unassuming, gentleman of horror. We spoke of writing, inspirations, and influences. 

NTK: Welcome to Chilling Chat, Harry! Thank you for chatting with me today.

HH: No problem at all, Naching. Thanks for having me.

NTK: How old were you and what was the first thing that got you interested in horror?

HH: It’s hard to say exactly what age it was because I always remember being interested in horror. A very early memory is going to—what we would call—a fancy dress shop around Halloween time. I was so intrigued by the scary masks and props.

NTK: Did you like horror movies as a kid?

HH: I loved horror movies as a kid, even though they’d give me nightmares. I was scared of a lot of things, but I was equally fascinated. I watched The Exorcist when I was quite young after begging my parents. I couldn’t sleep for many nights afterward, but it was worth it.

NTK: Did this love of horror movies and horror lead to writing? Why did you start writing horror?

HH: Absolutely. I was massively into Goosebumps—as most other wee ones were at the time—and I thought the idea of being a writer was really cool which probably tells you a lot about the kind of kid I was. My Nan had an old typewriter and I got to work on my first novel. It was about being stranded at sea and surrounded by all kinds of monsters. I think it ended up being three pages long but I was hooked on the notion of being able to create my own scary stories. The fact that I could weave creepy tales from my own noggin was addictive.

NTK: You’re an accomplished musician and songwriter. How does this talent transfer to your writing?

HH: It’s all about manipulating the form to try and evoke an emotional reaction from the listener or reader. They’re completely different ways of doing it, but the basic idea is the same. In music, you can use a dissonant chord, or a slightly out of tune note; in writing, you can use a well-placed adjective or a short, punchy sentence. A lot of my songs tend to end up as stories, and two of the albums I’ve done have been concept albums. I guess storytelling is just a part of who I am.

NTK: Do you have a muse?

HH: I don’t have a muse—not in particular anyway. It sounds like a cop-out answer, but I’m inspired by so many things it’s hard to pin it on just one.

NTK: Where do your ideas come from? Do they just come to you out of the blue? Do you dream them? Or both?

HH: Everywhere and anywhere. We live in a fascinating world, in fascinating—and scary—times, so there’s plenty of places to pick ideas from. I’ll have a bunch go through my head and it’s about picking a good one then nurturing, feeding, and burping it; eventually, it will become something bigger and often completely different from the initial image or thought that entered my head.

NTK: How did your story,“Goose Meadows,” from Campfire Tales come about?

HH: Like most story ideas I’ve had, it came partly from a real-life situation and partly from the dark place in my brain where all the horror I’ve absorbed lurks and festers. Goose Meadows is a real place, not far from where I live, and I did drunkenly walk around it at night time after someone’s 18th birthday party. I didn’t come across anything eerie or supernatural, only a large amount of litter. Throw it in the dang trash, folks.

NTK: That’s amazing you came up with this story from such a mundane incident. Do you exert much control over your characters? Do they have free will?

HH: I’m definitely a seat-of-the-pants writer so I have little control. I don’t plan anything other than a very basic premise for the story; it’s up to them how it turns out.

NTK: You wrote “Goose Meadows” for the Next Great Horror Writer Contest. Did you enjoy the contest? What was your overall experience?

HH: There were elements of the contest I enjoyed very much, and other elements I didn’t enjoy so much. I had only just begun to take writing seriously when I entered so it was eye-opening, for sure. I started to realise just how many writers there were in the world all doing exactly the same thing as me, and that’s equally inspiring and kind of soul-crushing in a way. I suddenly didn’t feel like I was doing anything that was worth selling to a publisher. I have never had much confidence in myself and that made it difficult for me. After either not hearing anything about something I wrote on the podcast, or having negative comments, I started to try and tailor my later pieces so they would do well in the contest which was a big mistake. What’s so great about fiction is that every writer has something unique to bring to the table, based on their own lives, and I think I should have stuck to what makes me unique rather than trying to fit into what might get me some good feedback or better points.

NTK: What do you think makes a good Campfire Tale?

HH: It has to be scary. Simple as that. It’s the only reason people actually do the whole campfire tale thing—they want to be scared. Annoyingly, as a writer, that’s one of the hardest things to do.

NTK: What authors have influenced you?

HH: So many! As I mentioned the Goosebumps books earlier, I’d have to say R.L Stine. The obvious answer, Stephen King. There’s also Shirley Jackson, M.R James, Adam LG Nevill, and many, many more.

NTK: You have a very dry wit and sense of humor. Do you enjoy comedic horror?

HH: I do, very much so. They’re my two favourite genres combined. I love when I find comedic horror done right because I think it’s so hard to do. Being funny is tough, being scary is tough, being funny and scary is extremely difficult and rarely done right. It’s such a treat when it is, though.

NTK: Which horror/comedy movie is your favorite?

HH: It’s tough,campfiretalesfinal but I’d have to go with Shaun of the Dead.

NTK: Is that your favorite horror movie? What is your favorite?

HH: I’d say The Exorcist is my favourite. For me, it has yet to be beaten in terms of sheer terror.

NTK: Do you have a favorite horror TV show?

HH: I really loved the Masters of Horror series because I enjoyed seeing all of the director’s different styles.

NTK: Harry, what does the future hold for you? What do Addicts have to look forward to?

HH: I really have no idea what the future holds for me. I’m just gonna carry on creating in whatever capacity feels good to me. At the moment, I’m mostly into writing and recording music and might have some new songs uploaded soon. I should have a story coming out in a new anthology, hopefully early next year, that’s admittedly more bizarre than horror. I dunno, we’ll see!

NTK: Thank you for chatting with me today, Harry. It was fun.

HH: No need to thank me, Naching. It’s been fun for me too.

Addicts, you can find Harry on Twitter.

MUSIC REVIEW – Ein

Today we’re taking a look at the upcoming release “Lethargic Breakthrough” by French progressive black metal band Ein. Ein is a one-man band fronted by Nox, featuring multiple guest vocalists and a violinist to create their debut release. Taking a unique approach to the genre, Nox’s black metal release implicates elements of death metal, atmospheric ambience, noise, and syncopated rhythms and time signatures. These elements make this a standout release worth of any extreme metal fan’s catalogue.

While the release features non-traditional elements of melody and rhythm, it doesn’t make the music any less accessible. The guitar lines are memorable, abrasive but beautiful, and an overtone of melancholy hinges on the outskirts of this release’s horizons. In fact, a culminating, if not obligatory traditional French-style post-black metal and shoegaze song carries this album to a triumphant conclusion with the track “Momentum”. Nearly an Alcest shoutout, this track should ring strong to any newcomers to the genre and is strongly reminiscent of the iconic French black metal sound. The stark contrast between crushing heaviness, melancholic riffing, and even ambient electronic breaks keeps this release interesting and driving forwards without sinking into the trap of monotony that many amateur black metal musicians do.

Lethargic Breakthrough is available via Mourning Light Records on Halloween 2018.

For HorrorAddicts.net, this is Jeffrey Kohld Kelly

Ein online:

https://www.facebook.com/EinBlackMetal

Purchase Lethargic Breakthrough:

https://mourninglightrecords.com/shop?olsPage=products%2Fein-lethargic-breakthrough

Terror Trax: Zwaremachine

Saturday, October 6, 2018

6:36 P.M., Central Time

Minneapolis, Minnesota

Dear Emerian,

Please be advised, the Zwaremachine is extremely dangerous! During the course of our interview I learned that the musician in question, one Mach FoX, is in fact, himself, the Zwaremachine. It did not arrive by spaceship as he claims –it was already here! By combining inverted Atari algorithms with voodoo-tech spells and song craft, Mach FoX transformed into a highly malevolent human / machine hybrid who wishes for nothing less than the utter and total annihilation of the human race! Once the Zwaremachine realized my discovery, the Robot Vampire Zombie minions were released upon me and I was chased along the dark streets of the city until I took shelter in a long abandoned Radio Shack, which, as I unfortunately learned, was indeed haunted by the ghosts of obsolete technologies. After several frightful hours I made my escape and took refuge at an all-night diner where I write to you now from my trusty laptop machine. My safety may only be temporary, though, for I fear that I soon may be discovered.  You must publish this interview immediately and alert the Addicts of this grave danger! And remember: although the music of the Zwaremachine is very, very good, its intentions are not!

All of our hopes rest with you, dear Emerian! Godspeed!

R.


What is a Zwaremachine?

Hello and thank you to Horror Addicts for letting me expose the Zwaremachine to your rabid audience. The Zwaremachine arrived in a spaceship haunted by the ghost of a robot and responsible for reprehensible crimes throughout the galaxy, it is currently hiding out on earth in the form of an industrial/ebm band. Zwaremachine is known for various stunts including walking through walls, time-shifting, and designing futuristic sonic weaponry. It is a dark and dangerous bio-mechanical entity.

How did Zwaremachine get started?

In 2011 I wrote a track called “The Zwaremachine” which was inspired by the horror-fantasy world artwork of Paul Gerrard. I used the first person while writing the story and lyrics which involved a biomechanical entity coming to earth and imposing rule over mankind. I became The Zwaremachine. After all the sequencing and vocal mutations were done I decided to release it and form an electro-industrial band to perform live. 

There’s a rumor that you, as a band, have the knowledge to build robot zombies from old VCRs, discarded human remains, and ColecoVision game consoles. Is this true?

Yes…and unfortunately I was not able to maintain control of them and make them do my bidding. Most have escaped and are living in the shadows and in small groups in desolate areas though some are being spotted near cities recently. While programming them with the clock chips and crystals from the old VCRs they kept resetting to 00:00 every time they experienced a power dropout so I wasn’t able to implement the final coding before they escaped. This resulted in them still longing for blood and the taste of human flesh -particularly the brains- even though they do not need the blood or meat of humans to survive. They will attack and kill when they feel the pulse in their brains that makes these urges. I only hope that humanity can defend itself. Also – they are referred to as RZVs and they are actually robot zombie vampires and can fly. I went a bit overboard in the design. You have been warned.

 

Has modern / current electronic music become too electronic? With so much of the work being computer driven, has it lost more of the human element that earlier industrial or electronic music had?

I’m longing for a more cyberpunk take on music, instruments and technology. I prefer a more electronic approach without the hindrance of pesky humans. I see that as the way we can advance to a new style of music. A lot of earlier industrial music had this spirit and wasn’t driven by the past but looking to the future and the undiscovered territory music could explore and exploit. Provoking thought and action can stimulate new sounds. We have to smash and destroy the old instruments and techniques to form new alliances between machines, music, and man. Machines must become man and man must become machines. Blood, Sweat, and Gears!

Make people dance, fill them with fear, or both?

Ideally they would be driven to dance by the minimal hypnotic industrial body music of Zwaremachine and as they reach a trance state they will slowly realize they are being forced to dance until they collapse and die. That realization will fill them with fear as they dance their lives away… so I guess it’s the best of both worlds!

When making dark industrial music, who is in control, the musician or the machine?

Aaahhh -the old man versus machine battle! The machines only let me feel that I am in control and it’s an ongoing tug of war for the ultimate power when using them. It is man AND machine, not one or the other. With Zwaremachine I was able to make a deal with the machines early on in the songwriting process. They agreed to let me manipulate waveforms and timing events but insisted that they be interconnected via musical instrument digital interface and control voltages. I knew this would be a bad idea because they would be able to communicate amongst themselves by both digital and analog means and possibly rebel against and subvert my mission to harness them to make industrial/ebm music to hypnotize the masses. So far they have been compliant but as a fan of horror/sci-fi I know it’s only a matter of time…

How can we taste everything? Is this a direct command or just good advice?

This is a warning about the RZVs (robot zombie vampires) and also a command to help human kind to survive. By suggesting they also try the leg or arm of a victim the person under attack may be able to escape or fend off and continue living only missing a limb…or two, with the brain still intact. For the RZVs it starts with a pulse in their brain and the urge to consume human brains… but why stop there? Why not taste everything!

 For the uninitiated reader, can you please tell us about some of your influences and where you feel that Zwaremachine fits into the cannon of dark industrial music?

If you visit any of the artwork done by Paul Gerrard you will instantly recognize the deep vast darkness… that is where Zwaremachine dwells and extracts influence from. His artwork and the horror/sci-fi of the ages as well as technologies past, present, and future all inform the lyrics and worlds of where this music lives: When the rare bits of light trickle through you may get glimpses of biomechanical creatures, surreal machines and a very small bit of humanity that has stubbornly held on through the centuries.

What influence does horror have in Zwaremachine?

I am not familiar with the genre personally…but I know the RZVs like some classics like Nosferatu and Night of the Living Dead and I had even seen a couple of them crack smiles while watching Evil Dead. The Zwaremachine prefers body horror and sci-fi horror like Tetsuo, Videodrome, and Planet Terror…i think it relates to the human machine hybrid and longs to become more human. But that is just speculation as I am not currently connected via synapses with the Zwaremachine anymore since the release of the Be a Light album this year.

There’s a strong visual element with Zwaremachine, and a particularly hypnotic yet, some may say, anxiety inducing characteristic to your videos. Could you please tell us about the inspiration behind this imagery?

Prior to Zwaremachine I was performing in an electro-punk band as Mach FoX and before that an electro-glam band called Silver FoX. Custom stage sets, equipment, lighting, visuals and costumes had always been part of these shows and something I really cared about when presenting the music and the live shows. Much in the same way that lighting and atmosphere can make a scary movie evoke emotions and keep you enthralled, I wanted the people at the show to see something special, and to set the mood on stage. Around the same time I started Zwaremachine I started to work as a VJ (visuals) and also combine hardware and software to create video art that I could project and also display on CRTs. A lot of the second hand monitors, mixers, processors and other hardware was flawed and became a glitch aesthetic I could easily exploit. This type of glitch work was then incorporated into Zwaremachine live shows and the fast paced strobing and broken images matched the feel of the fight to harness these unruly machines.

What inspires you to create? What drives you to keep making music?

I have a special bond with machines. Using hardware sequencers and drum machines and editing grids has become a way of life. The timing and spacing of notes is both limited and endless. I still explore composition and songwriting as much as possible and base my output on the 10:1 rule that seems to hold true for me – write 10 songs and maybe one or two are pretty good. Since meeting and interfacing with the Zwaremachine I have had better success due to the involvement of off world technologies. The machines speak to me and sometimes I listen.

How is the industrial scene in Minneapolis these days?

We keep rolling on here… the Be a Light release came out about 6 months ago in May 2018 and I expect we will slowly gain some following locally. The next step needs to be some touring ASAP since I have played shows in MPLS all summer to gain exposure and have some offers to travel with the band. There are many musicians and friends who are into this music but the scene is spread thin with many nights and not a lot of cross promotion. I have been trying to propose a Midwest Industrial umbrella to promote all types of music genres across the Midwest US and in the Twin Cities but it has proved hard to kick start a scene. In some ways it’s like the first wave of industrial/ebm has finally hit the Midwest area so we will see what happens.

Are any of your electronic instruments cursed or possessed?

Oohh -Don’t say that! They probably are. I know a few have felt and tasted blood. I have a circuit bent Roland TR505 that most certainly has its moments of possession complete with demonic sounds, and some of the modular synths I use also can become uncontrollable at times.

What are the future plans for Zwaremachine?

As mentioned I will start to play outside of the Twin Cities more next year and have plans to release more music that has already been written but not yet recorded. I have been performing each show this fall as a unique set with some great friends, musicians and vocalists as guests. I will also continue to collaborate on some recordings and seek other non-traditional venues to perform at and hope to mutate some minds.

When the world is destroyed by humanity, will the Zwaremachine remain?

Yes. If you do not know by now…the Zwaremachine is what WILL destroy humanity!

How can we keep up with / contact the band?

If you need to report any RZV sightings please use the OFFICIAL website:

http://www.zwaremachine.band/

If you want to stream/dl Zwaremachine visit:

https://zwaremachine.bandcamp.com/

If you want to impress your friends, you can get exciting updates here: https://www.facebook.com/zwaremachine

If you want to order Zwaremachine CD/Cassette/Shirts/Posters visit our label Phage Tapes 

@zwaremachine on both twitter and Instagram

Dear readers, please check out the official Zwaremachine video, “DRKNRG”, here:

Terror Trax: Lords of October

It was an appropriately gloomy evening when I arrived at the supposed home of one Lucifer Fulci, he of grand purveyors of musical darkness, Lords of October. The wonderfully decrepit house seemed to leer at me as I approached its foreboding frame, while dead leaves crunched under my feet along the stone walk that led to the front door. I rang the bell. A moment later, the tall oak door creaked open. A cold wind rushed out, wrapped me up in icy tentacles, and pulled me inside. An orange light bulb burned bright above a doorway off to the left of the foyer, catching my attention and drawing me to its eerie luminescence. My pulse quickened. I approached the door. It opened for me and I stepped through. On the other side, my feet touched down on soft earth. I was in a crumbling cemetery, fog rolling over my feet, a glowing purple and orange sunset filling the sky above. I turned to see that the house had disappeared. I grasped my official Horror Addicts Staff laminate for courage, swallowed hard, and after setting my sights on a particularly majestic mausoleum, I strode out into the misty graveyard. Once within the shadow of the great crypt, a deafening racket corrupted my senses. Obviously coming from deep within the vault, I conjured that the source of the noise was the band that I sought, the mysterious Lords of October! Just as I stepped closer to the tomb, a dark and foreboding figure stepped out of the gloom and bade me a cheerful hello. It was in fact one Mr. Lucifer Fulci, the man whom I was assigned to meet. He explained that I had entered Octoberland, a world where time is perpetually set at dusk, and every day is Halloween. He said the group’s practice session was just beginning, and I walked with him into the crypt. Following their joyously ear-splitting practice, I was treated to an enlightening conversation with Lucifer Fulci, Uncle Salem, and October Phoenix, whereupon I learned how the band used their otherworldly musical magic to conjure their own personal alternate reality, among other spooky and fun subjects. To enter the eerie and wonderful world of the Lords of October, read on… if you dare!   


To begin, how did The Lords get together?

Lucifer Fulci – Hello and ghoul evening. I have summoned the dark gods of horror that I am pleased to grace the land of Halloween with.  I present to you, also, Uncle Salem and October Phoenix.

The short version is that, Uncle Salem and I had known each other for a while and had many things in common. Both horror authors, worked on a horror con together, all kinds of love for the same music. We talked about making music, but for me, a LOT of people talk about it. I kept wondering if he was legit. And guess what? Totally legit. When I first heard his voice, I was like FINALLY…a real singer. I love it. Since then, we have become brothers like no other. We brought in his son, Aleister and then later found October as we were seeking a drummer. He was a perfect fit for us, not only musically, but with his creative side, too. We are all many things, but we are always brothers.

Uncle Salem – Called together in the sacred hollow; and Craigslist.

October Phoenix – I answered an ad from Craigslist. 

What is the inspiration behind the band?

LF – It’s all about Horror, Halloween and the Supernatural. That is our love. That is a given. But musically, it’s about a progressive diversity that can be imagined and felt thru the eyes of horror. I grew up to the music of Goblin, Sabbath, Rush and John Carpenter…and so much more: All the best of rock, metal, prog and soundtrack.

US – To create something cool and maybe even a little sacred with a band of brothers: Music with presence.

OP – Horror and metal! 

Where does your love of horror come from?

LF – Early inspirations were old folk tales, true life haunted experiences and good, spooky books. Some of my all-time favorite films are The Exorcist, Dawn of the Dead, Phantasm, Hereditary and The VVitch.

US – Many things, but I can pinpoint it to a few childhood things…my mother had a book of poems and a few of her favorites were horror oriented, and they fascinated me. She also had a 45 single of the song “Swamp Witch” by Jim Stafford that scared me and intrigued me simultaneously. Also, one Sunday morning, I watched Abbott and Costello Meet Frankenstein with my father and was immediately drawn to the monsters. A couple years later my uncle brought me a stack of Famous Monsters magazines and that did it.

OP – I’ve always loved the spooky and creepy side of things. Movies, music, and especially experiences, like wandering around cemeteries.

You obviously have great love and reverence for Halloween. How do you feel about the way it is currently celebrated in our American culture?

LF – I love that it is so popular. I enjoy the traditional nature of the holiday and all the history behind the truth of it…and oh, when the veil becomes ever so thin…that is when I weep, for I miss the souls that have passed. And then there are the people who just party. I say, live it up, baby! Just watch out for those evil dead!

US – I think it’s great because what Halloween is has never stayed stagnant; it’s never been based on one thing or even one set of things. It evolves and reflects the current atmosphere in ways. It’s really the American holiday in that it brings a multitude of various celebrations from all over the world over the past thousand years and collects traditions as it goes. There are things about the actual modern celebration that I love and things that I don’t, but I love its continued evolution most of all, because that is how Halloween got here.

OP – I think Halloween is great in our culture. We get to dress up and have fun. I think it’s one of the few holidays that hasn’t become commercialized as much.

How do you personally celebrate Halloween? Do you do anything special as a band?

LF – I celebrate traditionally with the carving of pumpkins, costumes, prayer and meditation. I do private ritual and public celebrations. Often, the band is involved. Sometimes, it’s about writing the music at the right hour, right day. Besides, I live the Halloween holiday each and every day, but there is a special reverence that begins on Sept 1 and carries on until mid-November. It is the fall: Our autumn. When the shadows are long and the blood is deep red.

US – I run a free home haunt with my wife and family and friends, and have a seasonal magazine called Halloween Machine. As a band, Halloween is pretty much at the forefront of what we do…it’s the spirit of us. We bring Halloween with us where ever we go. When we show up, October shows up with us.

OP – This year, we are throwing a Halloween party, but usually I would hand out candy, or help Salem with his haunted tunnel.

In a spiritual sense, do you feel that Halloween is important to our society at large?

LF – Yes. Whether people get the true power and nature of the holiday and meaning is beyond me. It’s very personal.

US – Yes, personally and on a larger scale, because there are very few things we do as a society that references the past in a meaningful way. It’s the calendar placement, the reverence for the sacred night. On a personal level, it’s the magic of my childhood…my grandparents, the autumn colored sky, the sights and sounds and smells. Only Halloween has these things.

OP – I think Halloween is important. It’s important to share and create memories by going out together. Halloween gives us the opportunity to do that. I’ve always gone out with friends and family. The memories we made will stay with me forever.

You never specified earlier, but, how were you able to use your music to create this wonderful alternate reality, Octoberland?

LF – Within the inspiration, vibration and meditation is Magick. When we 4 souls play collectively, it opens doors and creates worlds.

US – We were gifted it from the spirits of autumn; we pull it from the wind, a muse that grants us the means to bring the magic into this realm.

OP – Our music creates a different experience for each individual person. There’s some that’s fun to dance to, some that touches your heart, but all of it is meant to give the listener an experience.

What is your all-time favorite cursed album?

LF – Not sure if I know what you mean…

US – Maybe “Strange Days” by the Doors, or, “Marquee Moon” by Television…

OP – Even though the whole album doesn’t carry the same theme, Thriller will always be my favorite album.

Who is your all-time favorite cursed band?

LF – ?

US – The Beatles

OP – I don’t think I could choose just one band. I have so many favorites.

In your opinion, can a trusty and much-relied-upon fog machine be considered a band member after a certain amount of time?

LF – LOL. Yes

US – I have never known a fog machine to be trusty…a fog machine stole my friend Wes’ skateboard.

OP – We don’t really use fog machines, but I could see how bands would rely on them.

What is your favorite type of horror? Loud, quiet, atmospheric, extreme, etc…???

LF – Atmospheric with a dose of extreme for flavor…

US – Well written, whatever the subgenre. I like paranormal stories, folklore, and campfire type stuff. Atmosphere is important for me. I like the Universal Monsters. I like Freddy, The Witch, Pet Sematary, John Carpenter, and Wes Craven.

OP – It depends on my mood, really. Most of the time, it is hard hitting, heavy stuff.

What is your favorite type of horror media?

LF – Books. I LOVE BOOKS. They are treasures. I own thousands. And absolutely ZERO eBooks.

US – I suppose it would be movies, but I love pretty much any kind of creative horror regardless of the outlet. I love listening to old Vincent Price story albums, for instance.

OP – Any kind, really, I don’t discriminate.

As an individual, how does horror influence or impact you in your daily life? How is it important to you on a deeper level?

LF – For me, I live my life like batman. It just is. I am the dark knight in my own way. By day, I do social work. By night, I am Lucifer Fulci. It has always been. It always shall be.

US – Horror helped me from childhood. I saw “A Nightmare on Elm Street” and was empowered by making it past the boogeyman just by managing to watch the whole thing. Horror got me into writing; I write for Rue Morgue magazine and other horror and Halloween related publications, and I write both fiction and non-fiction horror books.

OP – If you met me during a normal day, you might not even suspect that I’m into horror. As Lucifer would say, I’m Bruce Wayne by day, Batman by night.

What is your favorite Lords song to perform live?

US – That probably changes from show to show as we are getting feedback from the gathered crowd. But I always look forward to “Black Phillip” and “Annabel Lee”. I’m looking forward to playing some of the new songs, like, “Marshall’s Gully” and “Phoenix Rising”. “Autumn Fire” is a crowd pleaser.

OP – I would say my favorite song to play live would be “Autumn Fire”. I can go crazy on that song, but I have to pace myself. I’ve worn myself out for the rest of the show because off that song. We’re doing the finishing touches on our latest album. And we will be opening for Doyle in November.

What’s next for the band?

US – Our new CD, The Haunting at Beckwith Court, a horror concept record where each song also stands alone. Then we keep bringing our music to as wide a base as possible. Joy, love, magic. More new music. Videos.

How can we keep up with the Lords of October?

US – Google; If you Google Lords of October, you will get links to a multitude of spooky cool Lords links. Facebook, Reverb Nation. Or you can say our names three times in a mirror and we will appear in your kitchen and eat all your food.

OP – We’re all over social media. You can find us on Facebook, Twitter, and I think we have an Insta. We get around.

How do I get back to the other side, you know, er, Michigan…? 

LF – Close your eyes, tap your heels three times and say…there is no place like…er…umm…Michigan! Say yes! To Michigan! Say yes, yes, yes!

US – You are all our children now.

OP – You’ll have to ask the gnome.


Post Script: I never found the gnome, I am lost in the fog, and the band members never gave me their secret recipe for spiced blood upside-down cake that they had promised me. I am sending all interview notes, along with this post-script, via a friendly vulture named Clive. He promises that he knows the location of HorrorAddicts.net headquarters and will deliver these materials in a swift and considerate manner. He seemed a kind and trustworthy soul and I now put my faith in him and in you, dear Emerian. Unfortunately, though, Clive did not know the way back to Michigan.

MUSIC REVIEW – Empathy Test

By Jeffrey Kohld Kelly

After just completing a successful UK tour, it seems all to right to take a look at London synthpop artist Empathy Test’s remastered album “Losing Touch”. Empathy Test is not a newcomer to the electronic scene by any means, but their novel mainstream recognition within various electronic subcultures arguably happened overnight. The nostalgic and dreamy synth lines have gathered fierce attention from ravers and industrial rivetheads alike, each respectively identifying with some captivating aspect of this band’s truly panoramic discography.

To pin this band to a singular genre would be a disservice to the musicians and fans alike; drawing noted influence from post-punk and new wave artists, Empathy Test stands tall in a classification of their own, standing out proudly against other bands who simply fall into the category of new wave revival. Not a revival band in the slightest, Empathy Test’s music is charged with bright innovation, markedly with vocalist Isaac Howlett’s gentle, songbird-style vocals. A complex, yet effective atmosphere compliments all of their songs, begging to not be confined to the restriction of headphones alone. Indeed, this music is something that deserves to be experienced to its full capacity live if at all possible.

I’ve been lucky enough to have a chance to hear the yet unreleased “Incubation Song” from Empathy Test’s upcoming EP at their live performance in Manchester England, and while I can’t share that song with you today I can promise you that you’ll love it. Building on their own musical concepts, Empath Test continues to innovate and reach to broader horizons with this upcoming release, and we can see nothing but the best for them.

You can pre-order Empath Test’s upcoming EP “Holy Rivers | Incubation Song” featuring remixes by The New Division and Man Without Country on their Bandcamp profile. The EP will be released worldwide on Halloween, 2018.

For HorrorAddicts.net, this is Jeffrey Kohld Kelly

Holy Rivers | Incubation Song on Bandcamp:

https://empathy-test.bandcamp.com/album/holy-rivers-incubation-song

Empathy Test online:

https://www.empathytest.com/

https://www.facebook.com/empathytest/

 

Terror Trax: Spaulding

Dear readers,

As last you may remember, I was being held captive in a castle in Los Angeles, abandoned to my fate by my captors–Gothabilly rockers extraordinaire, The Barbarellatones–who had flown to Eastern Europe for a clandestine meeting with descendants of Dr. Frankenstein. Thankfully, our esteemed and fearless leader, Emerian Rich, dispatched her ravens, which located me in the turret, removed my restraints, and gave me a snack. Once freed, I was on my way to my next assignment in dismal, sunny Australia, where I was to meet with heavy horror rockers, Spaulding. Upon arriving at the band’s favorite hangout -the alley behind their hometown morgue- and finding said area deserted, I was intercepted by a tiny, fearsome creature that identified himself as Intergalactic Space Wool. A creature of fuzzy yet menacing appearance, he informed me that the band members used mental telepathy to speak through him and he would, therefore, be answering all interview questions. The alien being then proceeded to pull questions and implant answers and other atrocious and unmentionable notions into my brain. He then stomped on my right foot while shouting fiendish phrases, indeed an unearthly incantation, and I instantly found myself back at Horror Addicts HQ, both my mind and big toe throbbing with pain. Once resident staff physician, Dr. Golem, had removed the answers from my brain, along with the other torturous implants, I was able to transcribe the interview here for you by use of my trusty spell-enhanced 1984 Wheelwriter. I hope you enjoy the strange words which follow.

Faithfully yours,

R.


Spaulding:  An Interview

First, for the obvious question: Is the band named after the infamous Rob Zombie character, Captain Spaulding? If not, what are the origins of/inspiration for, the name?

No connection, TBH, it is more closely affiliated with Wilson from Castaway.

How did Spaulding get together?

Nadia and I (Steev) had been playing as Spaulding for a while, and slowly over time, found likeminded individuals, to join us in our endeavors to spread the plague.

Who are the members of Spaulding and what does each member do? Is there a solid line-up?

Nardz – eats and gets angry (sometimes plays bass)

Loz – Drinks and Bangs Things (Occasionally Drums)

Henry – Delivers sass and plays effects (guitar)

Steev Killface – Squeals like a pig, and forgets everything (occasionally remembers lyrics)

I assure you none of us are ethereal beings.

What’s the inspiration behind your chirpy, light-hearted hit single, “The Miracle of Birth”? How has the reaction been to this song?

Every body’s response has been great to this lighthearted tale of removing fetuses with wire coat hangers…

How does horror inspire your song writing?

Not as much as Phil Collins has…

What kinds of horror art and culture are you into?

The answer for all of that is erotic… Complete and utter obscene erotica… also graphic novels, and classic films such as Toxic Avenger, The Human Centipede and Flubber.

Who are some artists/bands that you love to listen to?

We all have very different tastes as individuals; personally I just like to listen to old looney tunes cartoons and the sounds of children screaming.

But on a serious note between us we vary from industrial nu metal to psych rock, death metal, Goth rock and blues. We all have the bands we grew up with and can’t let go of, Smash mouth, Backstreet Boys, and even Celine Dion.

Why is unicorn jizz so delicious?

Clearly it’s because of all the pineapples they eat, that’s why they all live in Mexico.

What inspires you to create?

The fear of not creating, an undying relentless urge to defile the orifice of anyone dumb enough to give me the time of day.

Do you believe in the existence of evil?

No I don’t believe. Life is wonderful and fair and just and everyone lives to an old age with no bad things ever happening to anyone.

Can dark music be a positive force in society?

I feel dark music has done wonders for the Catholic Church.

Do you think anyone outside the horror scene really pays attention to what we’re doing? I mean, are the glory days of being a threatening force behind us -like when parents were terrified of W.A.S.P. and Slayer in the 1980s?

Unfortunately not, everyone these days has been too desensitized by the growing urge to rebel and stand out. Pop stars are whores and no one blinks an eye, even murder isn’t what it used to be… It is impossible to offend masses without doing something completely extreme such as rape or pedophilia and the day entertainment comes to that, we’re out.

If all the members of Spaulding could join their bodies together to form one gigantic super monster, what would that monster be?

The Human Centipede…

How do you feel about clowns?

Is this a trick question?

What can you tell us about intergalactic space wool?

No one is truly sure of the space wool’s origins… What we do know however is he is a malevolent being, existing within the realms of the human plane of existence, corrupting human minds and spreading a dark plague throughout humanity…

Your lyrics speak of real-life horrors (“Morning After”, “Family Values”) and supernatural horrors (“Midnight Snacks”). Is this intentional or do you just write about whatever comes to mind?

Whatever keeps me up at night…? I never set out with a topic in mind; I basically just string words together and see what comes out.

What is your favorite kind of curse?

Steev is quite fond of FUCK, I think that Loz would probably side with Cockwomble, I don’t know how many times a day Nardz uses the phrase “Oh Get Fucked” and Henry’s a good old fashion cunt man.

What does the future hold for Spaulding?

WORLD DOMINATION or, these nuts….

How can we keep up with the band?

www.facebook.com/spauldingband

www.artistecard.com/spaulding

And on insta @Spaulding_band

PR: A Message from Valentine Wolfe

Darklings, listen…

These words are from a lonely soul, toiling ceaselessly to pursue a dream-which, of course became a nightmare. These words are from Victor Frankenstein, and like Victor, we’ve been alone in in chambers, working away, and now…our secret may be revealed.

 

This fall, we present the newest Valentine Wolfe project, The Haunting of Mary Shelley, of, A Vindication of the Rights of the Departed.

 

The album will have 11 tracks, consisting of :

A Voice in the Dark
On the Education of Daughters
Song for Justine
Soulgiver
Hours of Sorrow
It’s Not Your Story To Tell
I Will Be With You On Your Wedding Night
Victor’s Confession
Doomed To Live
What Lies Beyond
The Modern Persephone (soundtrack to the silent Edison version of Frankenstein from 1910)


Cover art by the incomparable Egregore Design.

Releasing on October 4-7, Greenville and Atlanta.

Like Victor, we’ve obsessed over our creation, our story of two extraordinary women and the creation of the Modern Prometheus. For us, Mary Shelley is the Queen of the Underworld, and our modern Persephone. We believe we’ve created the darkest, most compelling Valentine Wolfe music yet-we know every band says that, but for us, the music we’re hearing has exceeded our darkest imagination…

We hope you’re looking forward to hearing our music as much as we look forward to finally sharing it with you all.

Do you share our madness?

Braxton and Sarah

-Valentine Wolfe

Can’t wait for new music? You can always purchase digital copies of Sarah’s brooding and chilling dark ambient solo project, Dolorosa Lachrymosa by clicking here.