Band/Musician Interview : Lia Hide

 

  1. What singers or bands inspired you growing up?
    Kate Bush, Dead Can Dance, Violent Femmes, Tori Amos, Smashing Pumpkins, Guns n Roses, Annie Di Franco, Cranberries, NIN, Radiohead, Jeff Buckley
  2. If you could be any TV or film horror character, who would you be? Why?
    I’d be Jack, from The Nightmare Before Christmas, cause I adore, simply adore Danny Elfman!
  3. What non-musical things inspire your music?
    Films, Books, Food, Sunsets, bad relationships, Alcoholic nights, Sleep deprivation
  4. If you could write your own soundtrack to a horror film already out there, which film would it be?
    Donnie Darko, although it’s not really a horror film, so let’s try The Beyond (L’Aldila) – E tu vivrai nel terrore! L’aldilà (1981) although that film’s soundtrack is a true gem, a masterpiece
  5. Where was the coolest place to play? Where did you enjoy yourselves the most?
    a. in a roof apartment in Antwerp, with 3 Chinese fluffy chicken. b. in Utrecht, after a gorgeous show we played in an old medieval monastery’s basement theatre.
  6. What are your favorite horror movies?
    I used to love zombie movies, cause they were fun, and I always love the latex effects. After seing the SAW series (up until III) I got disgusted at almost everything that contains torture, and now I only watch vampire or mystery or historical stuff.
  7. What was the scariest night of your life?
    Watching Nightmare on Elm Street 3 – the puppet scene. I still have nightmares about it.
  8. If you could bring back greats who have passed on, who would be your undead opening band?
    Layne Staley with Mark Lanegan and Christ Cornel with an Ennio Morricone conducted orchestra
  9. Final thoughts / Anything you want to tell the Horror Addicts?
    I sometimes lay in bed and think I soak into the mattress all the way to the earth’s core and can hear everyone’s thoughts while descending. I swear I heard your voice, too, one day .. (just kidding.. or not?)

To find more about Lia Hide:

https://www.facebook.com/liahidemusic

 Video YouTube link:

https://www.youtube.com/watch?v=SnW057t3RGw

HorrorAddicts.net 209, Adam Breckenridge

halogoHorror Addicts Episode# 209 | SEASON 17
Horror Hostess: Emerian Rich
Intro Music by: Valentine Wolfe

209 | Fog | Adam Breckenridge | Panic Lift

Find all articles and interviews at: http://www.horroraddicts.net

128 days till Halloween

Theme: #Fog #DeathlyFog

https://www.amazon.com/Horror-Bites-Deathly-Adam-Breckenridge-ebook/dp/B09BP5L3Z8

Music: “Disease of Kings” #PanicLift

Catchup: #summer #vacaysucks #vacayfromhell #urgentcare #roadtrip

Historian of Horror: #MarkOrr #TheBeatles #SaturdayMorningCartoons #FabFour #HauntedHouse
Dead Mail: #HorrorFan

JAMES: Retraction. #WrongWordEmz #DevilsBridge #DevilsBride

EMILY: #RufusMovie #YAVampire #Vampires

((I found it! On YouTube under “Hunted” watch for free/with ads))

https://www.youtube.com/watch?v=qWs6vO2-Rlg

SAMUEL: #WednesdayNetflix #TimBurton Coming this Fall on Netflix

CAM: #WinchetserMysteryHouse #OldCommercial

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc… Also, send show theme ideas!

horroraddicts@gmail.com

NEWS: 

#LiaHide #Dinner

#HorrorAddictsGuide to Life 2

#RLMerrill #MDNeu #JonathanFortin #JamesGoodridge #CarrieSesserego #RussellHolbrook #CMLucas #RenaMason #KristinBattestella #SumikoSaulson #MichaelFassbender #JMalcolmStewart #TabithaThompson #MarkOrr #PriscillaBettis #GeneveFlynn 

https://www.amazon.com/dp/B09YNF5QM3

#KbatzKrafts #HorrorMovieCliches

#JesseOrr #ShadowsLove

#HWA #MentalHealthInituative #LeeMurray #DaveJeffery #DPWilson #Nzondi #RobertPOttore #MarkMathews #RonaldJMurray

#RLMerrill #Amulet

#MarkOrr #FoggiestNotion

#LionelRayGreen #Bigfoot #ReturntoDyatlovPass

#CrystalConnor #GhostsoftheOzarks

#RenataParvey #13BooksHauntedHouses

#RussellHolbrook #Fog

#BookReview #StephaniEllis #TheManintheField #JamesCooper

#Events 

#BayCon July 1-3
https://baycon.org/

#CreaturesCon Aug 7

http://www.creaturescon.com/

 #SecretsUnearthed #125YearsofDracula Sept 23-25

https://www.themenagerieodditiesmarket.com/

#NevadaCity Nov 5th

https://www.themenagerieodditiesmarket.com/

Feat Author: #AdamBreckenridge #DeathlyFog
#ChillingChat #NachingTKassa

#Fog #DeathlyFog

https://www.amazon.com/Horror-Bites-Deathly-Adam-Breckenridge-ebook/dp/B09BP5L3Z8

Voices by #RishOutfield #KadirahWade #EmerianRich

————————————-

h o s t e s s

Emerian Rich

b l o g  e d i t o r

Kate Nox

r e v i e w  c o o r d i n a t o r 

Daphne Strasert

s t a f f

KBatz (Kristin Battestella), Naching T. Kassa, Jesse Orr, Lionel Green, Kieran Judge, Crystal Connor, Nightshade, R.L. Merrill, Mark Orr, DJ Pitsiladis, Russell Holbrook, Renata Pavrey, CM “Spookas” Lucas, JS O’Connor
————————————-

Want to be a part of the HA staff? Email horroraddicts@gmail.com

b l o g  / c o n t a c t / s h o w . n o t e s

http://www.horroraddicts.net

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Merrill’s Musical Musings

Greetings Horror Addicts! As I work on this collection of tracks for you to check out, it is indeed foggy and overcast outside, blanketing my neighborhood in that gray tinge that hurts your eyes and makes you long for a fire or for an afternoon curled up in bed with a good book. I hope wherever you are, and whatever you are doing, you’re staying healthy and safe and listening to some good tunes. Looking for new music? I’ve got a bunch of artists to share with you!

Ro’s Review

Amulet hails from Washington D.C. and will appeal to fans of Concrete Blonde or current rockers Dorothy as well as Coyote Kid as reviewed here on Horror Addicts last year. Their bio on BanCamp states that Amulet is bass-driven, dark alternative rock with powerful female vocals. With a theatrical performance ranging from high-energy post punk to soulful a cappella movements, Amulet is a ride through the emotional journey that is the dark side of the human experience. Their latest album, House of Black and White has some fabulous tracks such as “Valentine’s Day” and the title track “House of Black and White.” The album contains several solid rockers for the goth set. The band would be right at home on a dark bar stage belting out “Ghost of You” and I’d personally love to catch their live set someday. 

Shout Outs

New remixes are out now from industrial outfit Panic Lift’s Disease of Kings for you to check out. The Hate Club manages to sound just as heavy and fierce in an unplugged format. Check out their Unplugged Pt. 2 EP. Xenocide, the latest project from SINthetik Messiah, is a sci-fi-influenced EP about the end of a world and the life within, a topic many of us have likely pondered over the past three years. The songs all have a steady beat and a compelling hook. Check them out on BandCamp. And last but certainly not least, Blazer Jacket, a retrowave artist from Ukraine, brings us the powerful track “Get Out.” Excellent production quality, heavy vocals, and a clear message give this track it’s heart. It is a call to arms for the artist’s people who are currently engaged in the fight for their lives. Please show some support for Blazer Jacket during this bleak time for their country. 

Ro’s Recs

I have two recs on this occasion, and both are not what you’d consider horror when you look at their face value. Falling in Reverse are best known for their early emo anthems like “I’m Not A Vampire” and “Don’t Play With Ouija Boards”…wait, okay maybe they’ve got some horror themes in their repertoire. I first heard their new track “Voices in My Head” this week, and I was curious about lead singer Ronnie Radke’s latest hijinks. I looked up the video and was impressed with the level of production which has been improving with each new offering. FIR never shies from the darker side of humanity and sanity, but this particular video finds Radke’s many personas killing each other off. It’s quite graphic and brutal, but compelling to watch. If darker action flicks a la John Wick are your jam, check out this video. 

And then I came across the latest from manic pretty boy Brendon Urie and Panic! At The Disco…Again, Urie and co. are known for their emo gems like “I Write Sins Not Tragedies” but if you watch their videos, or if you’ve ever watched any of Urie’s Vines, you’ll notice that he’s got a delicious dark side. Just check him out in the video for “Emperor’s New Clothes” in his devil disguise and you’ll love it. In their new track, “Viva Las Vengeance” Urie becomes the victim of his…piano. You gotta watch it. The track is peppy and pop-punky, but the video is dark. And bloody. And I loved it. Check out these offerings on my YouTube Music Playlist and Stay Tuned for more

HorrorAddicts.net 208, Naching T. Kassa

halogoHorror Addicts Episode# 208 | SEASON 17
Horror Hostess: Emerian Rich
Intro Music by: Valentine Wolfe

208 | Rock Bands | Naching T. Kassa | Bourbon House

Find all articles and interviews at: http://www.horroraddicts.net

149 days till Halloween

Theme: #RockBands #CrescendoofDarkness #Audition

https://www.amazon.com/Crescendo-Darkness-Jeremiah-Donaldson-ebook/dp/B07F3N2G6N

#CursedRockBands #Ranker 

https://www.ranker.com/list/gruesome-band-histories/daniel-kohn

#AhaMovie #AhaFan #Aha

Music: “Devil on My Heels” #BourbonHouse

Catchup: #summer #GothsonaBoat #47 #HorrorAddictsNet #PublicAgain #Masks #OfficeRearranged #TrappedinOfc #LittleGothGalTrappedinOfc

Historian of Horror: #MarkOrr #NowHearThis #AmericanComposers #AaronCopland #Nosferatu #Groh

Dead Mail: #HorrorFan

BAST: #VampiretheMasquerade #Malkavian #NightsKnights #TheDarkGift #DaysChildren

https://www.amazon.com/Nights-Knights-Vampire-Emerian-Rich/dp/1442161957

MARTIN: #DeadButPretty #GoblinPlusPrettyGoth

SEAN: #KnottsScaryFarm #ActorCall
https://bit.ly/3a934aM

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc… Also, send show theme ideas!

horroraddicts@gmail.com

Nightmare Fuel: #DJPitsiladis #EvilMusic #SuicideSong #TheWorldIsEnding

NEWS: 

#pMad #Medicine

#HorrorAddictsGuide to Life 2

#TabithaThompson #ADVick #KayTracy #JonathanFortin #RussellHolbrook #JamesGoodridge #RLMerrill #StevenPUnger

https://www.amazon.com/dp/B09YNF5QM3

#KbatzKrafts #BlackLace

#JesseOrr #ShadowsLove

#RLMerrill #BourbonHouse

#MarkOrr #Monkees

#LionelRayGreen #BigfootComics

#CrystalConnor #TheDivineFury

#Renata #BookReview #Malestroms 

#DJPitsiladis #FutureTense #MichaelBrentCollings

#Events 

#BayCon July 1-3
https://baycon.org/

#CreaturesCon Aug 7

http://www.creaturescon.com/

 #SecretsUnearthed #125YearsofDracula Sept 23-25

https://www.themenagerieodditiesmarket.com/

#NevadaCity Nov 5th

Feat Author: #NachingTKassa #Audition
#AuthorInterview #KateNox

#CrescendoofDarkness #Audition

https://www.amazon.com/Crescendo-Darkness-Jeremiah-Donaldson-ebook/dp/B07F3N2G6N
Voices by #RishOutfield #EmerianRich

————————————-

h o s t e s s

Emerian Rich

b l o g  e d i t o r

Kate Nox

r e v i e w  c o o r d i n a t o r 

Daphne Strasert

s t a f f

KBatz (Kristin Battestella), Naching T. Kassa, Jesse Orr, Lionel Green, Kieran Judge, Crystal Connor, Nightshade, R.L. Merrill, Mark Orr, DJ Pitsiladis, Russell Holbrook, Renata Pavrey, CM “Spookas” Lucas, JS O’Connor
————————————-

Want to be a part of the HA staff? Email horroraddicts@gmail.com

b l o g  / c o n t a c t / s h o w . n o t e s

http://www.horroraddicts.net

the  belfry  app 

https://play.google.com/store/apps/details?id=tv.wizzard.android.belfry&hl=en_US

I♥radio

https://www.iheart.com/podcast/256-horroraddictsnet-30940547/

amazon podcasts

https://music.amazon.com/podcasts/04fc5000-8cd6-4700-83b6-52cefd28b3bf/HORRORADDICTSNET

stitcher

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spotify 

https://open.spotify.com/show/0DtgSwv2Eh6aTepQi7ZWdv

overcast

https://overcast.fm/itunes286123050/horroraddicts-net

podcast republic

https://www.podcastrepublic.net/podcast/286123050

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https://www.himalaya.com/en/show/501228

rss

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Facebook Group

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Merrill’s Musical Musings : Bourbon House

Ro’s Review

Bourbon House is one of the most exciting bands to come across my Horror Addicts Music Desk and their new album Into the Red is not to be missed. They are described on their website as “Forever passionately in love with the classic ’60s and 70’s hard rock sound of pioneering artists like Led Zeppelin, Janis Joplin, Deep Purple, and Black Sabbath, bourbon house are on a mission to create music that is timeless and infectious.” 

Oh, yes! Give me all the female-fronted grungy bluesy hard rock please and thank you. Fans of The Dead Weather, Dorothy, and The Kills will dig tracks like “Devil On My Heels” and “Dead In The Water.” These tracks would have fit right in on the True Blood soundtrack and are perfect for road trips, whiskey drinking, and good times with your friends. I look forward to more!

This week’s Shoutout is for Neonpocalypse and their new EP -Ish. This is the first-ever solo project by Then Comes Silence frontman Alex Svenson. It’s an apocalyptic EP for the ambivalent set. “Lips” is a gloomy jam that stands out from the rest of the tracks. 

Ro’s Recs 

Dream Widow is the metal band you’ll die for, but have never heard of…

Foo Fighter’s frontman Dave Grohl never does anything halfway, so when the band recorded their 10th album, Medicine at Midnight, they rented a house that allegedly had some extra ghost hosts living in it, and apparently, the band had some interesting experiences—which led Dave to decide, “we’re going to make a horror movie!” Studio 666 was born, and Horror Addicts, believe me when I say you will not be disappointed. I’ll work up a review for the film, but it was this strange appearance of a new artist on my YouTube Music recommendations that had me wondering…who is Dream Widow? The answer is, you guessed it, Dave Grohl and the Foo Fighters. They recorded a full-length super heavy metal album to go along with the film and I am so in love. They drew on all of their influences dating back to Black Sabbath, Ozzy, and Motorhead but the sound is refreshingly new. Yes, you can tell the Foos are behind it, and sometimes you can recognize Dave’s voice, but just like they did with their Bee Gees tribute album The Dee Gees Hail Satin, they went all in to make a fantastic record. I highly suggest you check out the movie and the Dream Widow album. What better way to honor the memory of recently deceased drummer Taylor Hawkins? It was tough to watch as my heart is still hurting for the band, but I laughed and cried along, and I’m sending a big hug to the band and all of the fans missing Taylor.

That’s it for this time. Check out this week’s tunes on the Playlist and Stay Tuned for more…

Merrill’s Musical Musings : Sevit

Ro’s Review

The Texas band Sevit has a sound reminiscent of Joy Division and according to their Facebook page, their sound comes from “the influences of Pornography-era Cure and a decade of post minimalistic, monologic analog sounds with melodies, big beats, and dreamy vocal hooks.” They released a cover of and this nod to The Crow hits its mark. The accompanying tune “It All Comes Down To Me” is a slow haunting tune to complement the cover tune. It’s a promising collection from the band and we look forward to hearing more in the future.

This week’s Shoutout is for the band Black Angel, who appeared previously on HorrorAddicts.net. Their latest single “Breathe” is the first of four new tracks expected from the band in early 2022 and does not disappoint. Fans of The Cure and Peter Murphy will enjoy the twisted tale of love and obsession. 

Ro’s Recs 

Bring Me The Horizon has become one of my go-to bands for heavy mood times. Their song “Parasite Eve” I’ve shared with you before and it became my Pandemic Anthem. They have a new collaboration out with rapper Masked Wolf, “Fallout,”  and it is a total end-of-the-world creepy track you’ve got to check out. I’ve seen clips of the video and ohhh…Oli Sykes is such a chameleon. I love it.

Ice Nine Kills has also put out a video-game-adjacent track from PubG, “Hunting Season,” and I’m in love. Any gamers out there? I’d love to hear some of your favorite tracks?

That’s it for this time. All of the bands featured in Merrill’s Musical Musings are available on the Horror Addicts 2022 playlist. Stay Tuned for more…

Merrill’s Musical Musings : The Royal Ritual

Track: Gnossienne No. 1

Ro’s Review

The Royal Ritual is the artist name for David Lawrie, a UK-based, multi-talented musician. Gnossienne No. 1 is an ethereal piano performance with modern touches. According to Wikipedia, The Gnossiennes are several piano compositions by the French composer Erik Satie in the late 19th century. The works are for the most part in free time and highly experimental with form, rhythm and chordal structure. The form as well as the term was invented by Satie.

Lawrie’s take on Erik Satie’s Gnossienne No. 1 is the perfect accompaniment for reading your favorite tales of vampires or visiting haunted houses. The artist’s compositions can be found in TV and film as well.

This week’s Shoutout goes to Plastic Assault Network. “Soul Seeker” is the third and final single released by Plastic Assault Network on December 17th, 2021, and completes their EP.

Ro’s Recs this week features the Papa himself. Ghost’s latest release Impera features the catchy tune “Twenties” as well as the gorgeous track “Call Me Little Sunshine.” Ghost is considered a metal band, but fans of Blue Oyster Cult and Nightwish will love them as will true metalheads. Their music is strangely addicting and though it contains guitars, Papa Emeritus (Sweden’s Tobias Forge) has such a beautifully soothing voice, you find yourself singing along to lyrics about darkness, the devil, and dystopia-like a pop music earworm. I never quite understood why all of my musician heroes were obsessed with Ghost…until I saw them live. Then I, too, became a believer. Impera is a full-bodied, Satiric/Satanic feast of audial delight. Check it out.

All of the songs shared this season are available on the Horror Addicts 2022 Playlist. Stay Tuned for more…

Book Birthday : HorrorAddicts.net Press presents…Clockwork Wonderland.

 

HorrorAddicts.net Press presents…Clockwork Wonderland.

HorrorAddicts.net Press presents…

Clockwork Wonderland.

Clockwork Wonderland contains stories from authors that see Wonderland as a place of horror where anything can happen and time runs amok. In this book you’ll find tales of murderous clockworks, insane creations, serial killers, zombies, and a blood thirsty jabberclocky. Prepare to see Wonderland as a place where all your worst nightmares come true. You may never look at classic children’s literature the same way again.

Edited by Emerian Rich
Cover by Carmen Masloski
Featuring authors:

Trinity Adler
Ezra Barany
Jaap Boekestein
Dustin Coffman
Stephanie Ellis
Jonathan Fortin
Laurel Anne Hill
N. McGuire
Jeremy Megargee
James Pyne
Michele Roger
H.E. Roulo
Sumiko Saulson
K.L. Wallis

With Foreword by David Watson

Hatter’s Warning by Emerian Rich

Starting off with a poem from the Mad Hatter who warns us, our time is running out and Alice the queen of Wonderland is after our heads and our souls.

Jabberclocky by Jonathan Fortin

A drunken clock repair shop owner and his abused son receive a visit form the Mad Hatter who has an evil plan to bring a murderous Jaberclock to life. Only the Cheshire Cat can save the day or is he as mad as the Hatter?

Hands of Time by Stephanie Ellis

The Queen of Heart’s executioner and timekeeper are looking for an apprentice and a new set of hands to kill and kill again to run the queen’s clock.

Clockwork Justice by Trinity Adler

With only one day and two clues, a bloody torn card and carrot tarts, Alice fights to prove she’s innocent and avoid losing her head to the Red Queen’s executioner.

My Clockwork Valentine by Sumiko Saulson

Unlike the White Rabbit, Blanche Lapin does not carry her timepiece in her pocket, but in her chest. It’s a Victorian-era clockwork pacemaker and if it’s not wound every forty-eight hours, she will die. When the key is stolen, the thief who has it will let her die if she doesn’t declare her love and stay with him forever.

Blood will Have Blood by James Pyne

There are many Wonderlands and a young woman is trapped in one where she is expected to be the new Alice. It’s a place where the rivers are filled with corpses and that’s not even the worst of it. The only way out is by wearing a clock necklace that needs blood for fuel, but what happens if it runs out?

Midnight Dance by Emerian Rich

Wonderland is being overrun by zombies. Mr. Marsh and The Mad Hatter are in a race against time to jam up the clockmaker’s clock and stop the undead apocalypse. If they can’t the apocalypse will start over and over as the clock strikes one.

A Room for Alice by Ezra Barany

When Alice is locked in a blood-splattered room and poisoned by D, she must behead the Queen of Spades within fifteen minutes in order to get the antidote. Can Tweedle help, or is he part of the problem?

Frayed Ears by H.E. Roulo

Caught in a child’s fever-fueled dream, The White Rabbit, The Scarecrow, and other storybook characters soon discover that story time is coming to an end and maybe so are they.

King of Hearts by Dustin Coffman

A prequel story to Alice’s Adventures in Wonderland, this tale explains how the Queen became mad, and why she hates the name Alice so much, though it has nothing to do with the real one.

Riddle by N. McGuire

A steampunk take on the infamous tea party, with a killer twist.

Tick Tock by Jaap Boekestein

To hear him tell it, a heroic wild card fights against the usurper Alice and puts Mary—the true Queen Of Hearts—on Watch World’s throne. Is that what’s really going on?

Gone a’ Hunting by Laurel Anne Hill

Alease goes rabbit hunting, but she’s the one caught in a place where she will have plenty of time to think about what she’s done.

The Note by Jeremy Megargee

Cheshire Cat tells a story about the changing, horrifying world of Wonderland and why he has to leave it.

Half Past by K.L. Wallis

A woman follows a mysterious man though the subway and travels back in time to the late 1800s, where she finds that instead of the patriarchal norms of the past, she is in a Wonderland where women are the superior sex and moral boundaries cease to exist.

Ticking Heart by Michele Roger

A woman on a train goes to visit Alice in a war-torn steampunk Wonderland, which is very different than the one we know.

To read the full story and more Clock-inspired, Alice Horror, check out Clockwork Wonderland.

Merrill’s Musical Musings : Crimson Brulee

Ro’s Review

NY-based Crimson Brulee released their promising EP Tragica, which brings us “words for the wounded hearts of the world.” Guitar-heavy licks laced with synthesizers give them a rich sound and the production quality on this EP is quite pleasing. The male vocalist channels his inner Peter Murphy while the female’s vocals add a soft melodic quality to their tracks. Crimson Brulee is definitely a band to watch.

The track “I Came Back To You” has an 80s horror movie vibe Horror Addicts will enjoy, and “Nothing Dies Forever” is a goth love anthem for the ages. “Where Tarantulas Roam” has a radio-ready hook that surprised me with its catchy vibe. Check out Crimson Brulee on YouTube Music

I’d also like to give a Shout-out to the band Cut Like This. Their track “The Boogieman” is like dancing with a nightmarish Gwen Stefani and I am here for it. Horrorpunk is such a fun genre and I recommend you check out this fun creepy lullaby.

Ro’s Recs:

If the Trinity of Terror tour happens to come to your town, you should totally check it out. Lilith Czar, Motionless in White, Black Veil Brides, and Ice Nine Kills? Yes, please! I caught the San Jose show at the Civic Auditorium, which is a gloriously old venue that had great energy and my black little heart was so fulfilled by their musical offerings. If Ice Nine Kills would just create a rock opera and bring it to the stage, the world would be a better place. 

Catch tracks from all of the bands I’m reviewing this season on the HorrorAddicts.net YouTube Music Playlist. Stay Tuned for more…

Terror Trax : Dave McAnally/ SYS MACHINE – Interview by William Zimmerman

Dave McAnally is the main driving force behind electro-industrial acts, SYS MACHINE, and DERISION CULT and is an extremely prolific artist/songwriter.  Graceful Isolation is the title of the new Sys Machine album available via Bandcamp.  We’d like to thank Dave for his time in this short interview.

You are the main guy behind the projects Sys Machine and Derision Cult.  What are the differences in terms of themes, inspirations, and otherwise?

I’m the main guy behind both of them, but I have different folks I collaborate with.  Gabe Wilkinson from the band Microwaved is involved in various ways on both Sys Machine and Derision Cult.  Kimberly of Bow Ever Down does vocals on 2/3 of the tracks on ‘Graceful Isolation’ and I worked with a number of remixers for that.  Derision Cult really started as sort of my platform to comment on what I felt were big themes in society.  It’s not so much political as is sociological.  I spent a lot of years in the advertising industry and saw firsthand how public perceptions have been manipulated and how big companies will seize on moments and movements to harness anger and anxiety to sell more products.  

Particularly on ‘Charlatans Inc’ I felt like those were important issues to address- especially with what’s all happened in the last couple of years with the pandemic and political agitation in America.  Some of that is more coerced and less altruistic than it appears.  So that’s more me talking about the world at large.  Musically, it’s industrial metal.  It’s me fusing my love of all things thrash, punk, and industrial and I am always fusing other things like blues, jazz, rockabilly, and reggae into it – which are also things I’m really into.   Sys Machine is a different animal entirely.  It started life as experiments with different sounds, synths, and arrangements, and ‘Graceful Isolation’ is really the culmination of a few years of that.  It felt like the right time with the tracks that became ‘Graceful Isolation’ to step up a bit, work with new people and really make something of those tracks and turn them into songs.  I take inspiration from what some industrial artists from the ’90s were doing in the early 2000’s – Van Christie with Eco-Hed, Chris Randall with Micronaut, Mike Fisher with Amish Rake Fight, etc.   There’s some really excellent stuff that got made.  

Can you tell us more about the specific themes behind “Graceful Isolation”, the new album from Sys Machine? 

 Kim’s lyrics deal primarily with isolation, revenge through rising above situations and chasing dreams even when they feel unattainable.   My tracks are almost entirely related to what I was going through while we were putting the tracks together.   I’d quit drinking a bit prior to that and wanted to say something about what that felt like.  I don’t have any point of view about what people should or shouldn’t do in their lives or anything like that.  But the experience of giving that up and sort of looking at the world with a fresh sober set of eyes is pretty profound.  Anybody who’s given up something like that probably knows what I mean.  You see how a lot of notions you had about joys in life are really illusions brought on by whatever vice in question.  So “Drowning in the Past” is sort of a hypothetical conversation I’d have with myself if I could go back and tell my former self what it’s like on the other side of that decision and how there’s really nothing to be worried about.   “Illusions” is pretty to the point about all the distorted realities you can create for yourself in the service of a vice.  

Since this is a horror site, we have to ask some horror-related questions…  What horror movie character would you identify with most and why?   

 Ha!  I was literally just having a conversation with my daughter about all the classic Universal monsters.  Some definitely aged better than others!  But I used to watch those all the time when I was her age (she’s going to be 8).  Anyhow- I think I’d say I identify the most with Dr. Frankenstein (not the monster, the scientist dude).  In the 1931 movie- they sort of touch on how myopic and obsessive he is.  He gets pretty single-minded about his projects, to the detriment of people close to him.   I don’t want to go raise the dead or anything,  I’m definitely somebody who gets tunnel vision and hyper-focuses on things– be it in music or in business or whatever. 

Do you have any particular favorite horror-related films, TV shows, and so on?  

Oh man, we love Stranger Things in my house!  Not sure if that counts.  When it comes to horror, I’m a total occult/satanism guy.  I still think The Exorcist is one of the freakiest movies even till.  There’s another movie from the ’70s that never became iconic like that, but it’s called The Sentinel and it’s another one of those 70’s occult horror films that had to rely on practical effects to bring the scary.  It’s got that same “the older it gets the scarier it gets” vibe the Exorcist does.  But exorcisms, possessions, ghosts, etc– those are my jam.  My wife likes the blood and guts stuff like Saw and the demonic stuff keeps her up at night so we usually watch horror movies in separate rooms haha. 

What’s been the scariest time for you over the past couple of challenging years?  

Definitely when the company I was working at basically buckled under the weight of Covid.  It happened pretty fast because we were so steeped in the travel industry and that was one of the first to grind to a halt.  Anybody who’s been in that position of having the rug yanked out from you career-wise knows what that’s like.  Unless you’re independently wealthy or something things like how you’re going to pay for groceries or the mortgage or whatever, let alone plan for the future become constant stresses.  But like most of those situations, it turned out to be a blessing in disguise.  I ended up starting my own company and that’s been a huge success.  So much that I’ve since started another business that’s also coming together nicely.  So it was a scary time, but it had a happy ending. 

Thanks for your time.  These last words are yours.  

Thanks for the questions!  You can check out both Sys Machine and Derision Cult on Bandcamp, and we’re streaming everywhere!   Got a big year planned with new collaborations on both fronts! 

For more information:

https://www.facebook.com/SysMachine

https://sysmachine.bandcamp.com/album/graceful-isolation

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William Zimmerman runs the blog noisebeneaththesnow.com and regularly does guest posts for the goth/industrial music arena.

Terror Trax: Cut Like This / Interview with William Zimmerman

 

 

Could you give us a brief background on Cut Like This?

We are an NYC Horrorpunk trio.

What’s the inspiration behind the new single, “The Boogeyman.”?

Freddy Krueger and Insomnia.

What character in a horror movie or TV show can you most identify with and why?

Ash from Evil Dead, he’s a mess but badass!

What are your favorite horror movies?

Evil Dead, The Thing, Aliens

What was the scariest night of your life?

Having emergency surgery!

What’s next for Cut Like This in 2022?

A music video for Boogeyman!

Final thoughts / Anything you want to tell the Horror Addicts?

We have a horror show on YouTube!

(Fan contacts…)

Website/Twitter/Facebook/Instagram/Bandcamp?

www.cutlikethismusic.com

www.facebook.com/cutlikethismusic

www.cutlikethis.bandcamp.com

Insert one of your video YouTube links:

https://youtu.be/mT3jkImwMvs

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William is a full-time publicist and blogger for noisebeneaththesnow.com.

Best in Blood: Lucifer Fulci

chillingchat

By the light of day, David Mark Stashko practices social work with special attention to addiction, recovery and homelessness. He is also an avid cryptozoologist and paranormal/supernatural explorer. He writes books and speaks about these topics in various circles and under the moniker of “Light, Darkness and Dreamscapes.”

lucifer-fulciAt night, David often transforms into Lucifer Fulci, a character he created in 1994 for death rock legends, Penis Flytrap. Since the inception of Fulci, he has created/participated in horror conventions, numerous solo records, multiple extreme horror books, various short movies, music videos and is the co-creator of his current band, LORDS of OCTOBER, with fellow author and filmmaker, Paul Counelis AKA Uncle Salem.

Fulci is partnered with his Wife, Scarah Stashko, who creates the majority of the art for all his projects and is his morbid media muse for all things strange and beautiful.

Lucifer won Best in Blood for Season 16. Here’s what he had to say after the announcement.

Lucifer Fulci: “Thank you from the bottom of my black heart for voting me best in blood for season 16. It’s a great honor as ever. I thank you. I love you.”

Please enjoy the following interview with Lucifer.

NTK: How old were you when you first discovered horror?

LF: I was probably about 7 or 8. I saw a commercial for The Exorcist on the tele and told my parents that I wanted to watch it. They told me not to, and if I did, I could not sleep in bed with them. I watched it.

And then I went to sleep in bed with them

Since then, I have had the infection of horror.

NTK: (Laughs.) Is The Exorcist your favorite horror movie? If not, what is?

LF: That is the loaded question of all time. To answer it plainly, it might be. I simply cannot say.

To give you a longer answer, a more real answer, it changes from time to time.

So, for today, I have been having a love affair with Dawn of the Dead again. And Zombie.

But The Exorcist has to be the one that will always remain closer to my little black heart

and a million more. I love so many of them and so many are meaningful to me. Really, it is so hard to say.

NTK: What is your favorite horror television show at this time?

LF: Lovecraft Country, most likely, as I have just discovered it and am having a love affair with it. Also, Raised by Wolves is a close second…for right now.

I finally finished the Outsider and love that, too, but not as much as those other two.

NTK: Lovecraft Country is based on a book. Do you have a favorite horror novel at this time?

LF: That is another loaded question. It is easy for me to say that I have a few all-time faves, like Ninth and Hell Street by Chas Balun and Off Season by Jack Ketchum, but I also love to say how I love my own books a lot. That is kind of cheating…but each time I open an old one up, I think like, if I had not written it, I would love to be reading it. I recently read a portion of my book Vile Witches for an event called The Fall of April Ghouls Days…and I found that I actually enjoyed it greatly. But I dunno if that is cheating, to answer it like that.

NTK: (Laughs.) I don’t think so. What author has influenced you the most?

LF: Lovecraft, for sure. It was Chas Balun who really mentored me before my first novel, and I love his work, but over the years, Lovecraft has influenced me so much in my writing, in my music..its undeniable.

NTK: Did his work inspire any of your stories? What inspires you in your writing?

LF: Yes, by all means, there are a ton of short stories, like in my Collection of Horror series, just all over there, but I have a novella called The Elder Thing that was greatly inspired..and Wormutanous. I love my Howard Phillip.

It all depends on what inspires me…

it’s like…

Really, I get inspired by so many elements of the supernatural…music…Halloween…love stories, too. And then it’s just what I feel..and I try to not do the same things all the time..but that happens sometimes.

I used to want to make the goriest book ever made..and then I kept outdoing it..again. And again.

So yeah…

All kinds of things…from another world.

NTK: You’ve mentioned music and you’re a musician as well. Do you feel writing songs is the same as writing stories? Or do you feel you have to use a different part of your brain for each?

LF: Good question. It is similar, in many ways, yes. There is a lot of me that, when I create, it just sort of happens. When I sit at the keys and type, and the same with music…and then I try to organize it. I would have to say that with music, I have, so far, a broader range of emotion. I have a lot more love songs that I do stories about love.

NTK: What inspired “Blasphemy?”

LF: That is a kind of funny story, because like I was saying before, I have tried to outdo one gore book over another..over the years..but for this one, I felt a real desire to touch into the satanic type of realm. Just for fun. Not to mention, I had made a new friend around the same time. Her name is Soma and some of her images, art, creation, they inspired me. She is also the cover model for that book. So, in a lot of ways, she inspired me…but it is a work of fiction. She is not really a demon…or is she? (Laughs.)

NTK: Do you outline your books and stories? Or do you write by the seat of your pants?

LF: Definite outline. I will come up with an idea..and then I will think of the full story, break each idea down to chapters and then start from there.

I tend to jump around sometimes, but I still stay pretty grounded in the core story.

NTK: Do your characters have free will at all? Or do you control their every move?

LF: I am their master, their Lord. I am in control of all of their little lives…unless they gather their own self-awareness. Then the game is over.

NTK: (Laughs.) You’re a cryptozoologist and supernatural/paranormal explorer. Have you ever participated in any paranormal investigations?

LF: Yes, the real deal. I have been a part of, party to, and experienced more than the scope of this conversation allows. What I can say, with no reservations, is that it is all real. All of it. There are other worlds before our very eyes and things within it. Sometimes they speak and show us, other times, they sing in our dreams, but yes, I have known for many a year that this world is only one of endless worlds… if we keep our eyes open equally as our spirits, we shall feel what most people fear.

At one point, many years back, I channeled a spirit to a family I knew in Los Angeles and answered questions I could not have known the answers to. It was strange and wonderful

And it allowed some kind of closure to previous issues they had. And I had no idea it was happening until it was over.

I don’t mean to sound hokey at all, these things have just been with me for many years.

NTK: What is your favorite curse?

LF: My favorite curse? I am not sure I have one! (Laughs.) But I do like that movie, the Curse of La Llorona. It was pretty cool.

NTK: How about your favorite curse word?

LF: Well, I am not sure. I can bet you 666 dollars that my friends would say that it is FUCK. There are just so many ways to use it. I hardly ever use it in anger, unless I am by myself.

NTK: Thank you for chatting with me today, Lucifer! You’ve been a wonderful guest!

LF: And you have been a wonderful host. Thank you for this opportunity

Now, Addicts, enjoy this music video from Lucifer’s band Lords of October!

Addicts, you can find Lucifer on Ghoul Cast, in his short horror film The Idol, and in his former band–Penis Flytrap. You can also read his Guide to the Italian Cannibal Film.

Merrill’s Musical Musings: Night Terror

This month’s artist, Night Terror, has recently released their debut on Bandcamp titled Freak on the Inside. It is the product of the artist’s personal experiences and reflects the current darkness in our world. The tracks all consist of straightforward techno beats with some original effects and sounds. I can appreciate where the artist went lyrically and it’s obvious that he poured his heart into this project. Fans of Dark Pop duo Provision and Palace of Tears, who were both previously reviewed on HorrorAddicts.net, will vibe with Night Terror and appreciate tracks like “Falling Time” and “Get Out Of This Place.” Some artists are bravely taking on our pandemic world through their craft and Night Terror chooses to explore the reality we’re living in both literally and figuratively. Their song “Viral Attack” will appeal to those searching for answers during this dark time. 

Thank you all for continuing to support art and music. These uncertain times have forced many artists to re-evaluate their choice to pursue their passion and it’s my hope that most will make it through and continue to create and rebuild. If you like the music we’ve shared here on HorrorAddicts.net, please support the artists. Whether you purchase their work physically in stores or digitally by buying albums on Bandcamp or the iTunes store, it goes a long way toward ensuring we have their art to soothe us and challenge us for years to come. If you have questions or comments, don’t hesitate to comment below or contact me through HorrorAddicts.net. I love hearing from fellow music fans. Thanks for checking out my reviews this season and Stay Tuned for more Merrill’s Musical Musings…

Orion from Thought Beings on Finale!

Check out our season finale, #204, coming October 23rd, for an audio interview with Orion from the band Thought Beings!

Thought Beings is a Synthpop / Retrowave / Esoteric Funk / Darkwave band.

Their new album, Strange Matter is a mix of 80s Horror movie soundtrack, throwback beats, and a new 2021 sound. 

For more information, and to download music, go to: thoughtbeingsmusic.com

Merrill’s Musical Musings : In Chasms Deep

 

In Chasms Deep

Greetings HorrorAddicts! I hope these musings find you dim, dismal, and dissolute. Not really. I hope you and yours are doing well and that your life has returned to some sense of normalcy. But since we are going to be discussing black metal today, I thought I’d get you into the right headspace. For those of you, like me, who are new to the subgenre, black metal is characterized by screaming vocals, atmospheric sounds that don’t necessarily follow a typical song structure and pagan and/or satanic themes. The subgenre has received criticism due to the actions of some members of the community, but as with all music, it is unfair to judge all participants by the actions of the few. Metal music has healing properties and many of us turn to metal of all types to get us through the difficult times in our lives. 

In Chasms Deep is a one-man black metal project from the United States who has been making music since 2011. Their latest release, The Wind and Her Lament, draws the listener into a melodic journey from the beginning track. The pieces flow from hauntingly inviting to explosive rainbows of sonic power. The album draws on the four elements to give the listener an immersive experience. Tracks like “A Suicide in Paradise” build from melancholy piano to dream-like guitar sequence to thundering, furious shredding before sinking back into pensive strumming and those haunting piano notes once more. It’s probably my favorite track on the album. “Abyssgazer” piqued my interest with the organ parts in the beginning as well. 

If you’re new to black metal, I’d recommend giving The Wind and Her Lament a listen. The artist has created a landscape of beauty in darkness, which is a place many of us HorrorAddicts love to dwell. I’ll definitely be checking out some of their earlier work on Spotify. 

How about you? Have any black metal recommendations? As a bona fide metalhead, I’m always down to check out new music, so send me an email, rlmerrillauthor at gmail dot com or leave a comment. Thanks for joining me on this musical journey. Stay Tuned for more Musical Musings…

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. 

Merrill’s Musical Musings : Palace of Tears


Review of Palace of Tears

Greetings HorrorAddicts. 

It’s getting close, my lovelies. How soon do you pull out your Halloween decorations? When do you start the scary movie marathons and pull out your frightening reads? We’ve got some melancholy darlings in review this time around as well as some Ro’s Recs.

This edition of Merrill’s Musical Musings is going to take you to a dark and dream-like state, with a little romance added in for flavor. The duo known as Palace of Tears has a very interesting backstory that includes a shared love of goth/dark music genres and performing arts. There was a move, followed by some Mardi Gras debauchery, and then the Great Pause, which has affected all of us in different ways. The album Of Ruination rose from these circumstances and listeners will definitely experience the wide array of emotions the artists experienced during these dark and anxious times. 

The tracks are all quite hypnotic. Some tracks are soothing, and others ride that edge of disturbing, adding a slight unease to your mood. The title track “Of Ruination” slices into you with distorted guitars then soothes the wound with ethereal vocals. Standout tracks that really show the artists’ range include “Cold Dead Skin” and “Masque L’Intrigue.” The production value was fantastic as well. Check out Palace of Tears and add them to your spooky, gloomy playlists. 

This month in Ro’s Recs, you should definitely check out Ice Nine Kills’ video for “Hip To Be Scared” and Twelve Foot Ninja’s “Long Way Home” for some horror-inspired music videos. And if you aren’t following Vision Video on Instagram, you’re missing all the Goth Dad jokes you can possibly stand! Let me know what you think.

I’d love to hear from you. What are you most looking forward to? Hit me up in the comments or at rlmerrillauthor@ gmail.com Thanks for checking in and Stay Tuned for more Merrill’s Musings.

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R.L. Merrill writes stories full of hope, love, and rock ‘n’ roll with a twist of spooky and creepy. You can find Ro on all the socials @rlmerrillauthor and for more about her books, check out www.rlmerrillauthor.com

 

Merrill’s Musical Musings : Batavia

Greetings HorrorAddicts! This month’s review is a bit of a concept project and that got me thinking about some of my favorite concept albums. I’m excited to share them with you, but first, a little about Batavia. 

This husband and wife duo shares a love for punk and industrial music and has created a project that delves into both of these sounds to build a moody piece about the evil that humans do to one another. “Quite Mean Spirited” gets off to a rocky start, but by track three it had my attention. Track four, “Finis,” and especially five, “The Absinthian,” were solid performances, and I gained an appreciation for the piece and where they were headed. Inspired by a true story of violence out of 1930s Soviet Russia, Batavia explores loneliness and fear during a time when many folks are well-versed in those emotions. I admire their creativity and passion and will check out more of their work in the future. You can find more about Batavia on Bandcamp. 

Recently my musician pal Ted Levin released a series of videos featuring his original music set to horror imagery from the film Begotten (1989). It’s eerie, disturbing, and so very, very cool. He has a sound that harkens back to Pink Floyd with sprinkles of Alice in Chains and Soundgarden mixed in for extra flavor. Check out “Bound” and “Sky and the Sun” on YouTube for a creepy good time. 

Nothing is more fascinating to me as a music fan than when artists open up about their lives and let us into their world. One of my favorite examples of this is Alice Cooper’s From The Inside. The album explores his experience in a mental institution as a result of his alcoholism. It’s witty, funny, dark, and vulnerable, and it’s one of my all-time favorite albums. “How You Gonna See Me Now” is a brilliant song that touches me on a very personal level. 

https://open.spotify.com/embed/album/7FFpqmbQxj3u4Q7aLGNox0

Another concept album that takes me back is Styx’s Paradise Theater. The double album cover shows the dilapidated theater on the inside and a brilliant shining version facing outward. I wanted to know all of the stories that went on there when I listened with my mom, dancing around the house and trying not to bump the record player (I always did).

 https://open.spotify.com/embed/album/6PhLTeuN0G894bdSBTCwUF

That’s it for this month’s Merrill’s Musical Musings. Be sure to hit me up on the socials or leave a comment and share with me your favorite concept albums. Stay Tuned for Ro’s Recs… R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor

Merrill’s Musical Musings

Merrill’s Musings – Funhouse Collective

Greetings HorrorAddicts. I hope this month’s Merrill’s Musings finds you happy, healthy, and ready to rock. I am a sucker for a great cover song, and Dutch artist Golden Earring’s “Twilight Zone” is an excellent choice. This month we’re checking out Funhouse Collective’s creepy, sinister version of this classic hit. The Funhouse Collective is the brainchild of Johnathan Mooney who had gotten the inspiration to start this new endeavor as a “collective” of multiple musicians and artists to collaborate with on different sounds and songs. Gone is the 80s rock sound, and in its place, we’ve got an alternative take that makes for a decent homage. The spirit of the song remains in their delivery, which is a little uneven but is a fun reminder of the horror roots of the decade. All three versions of the song have a different take on the tune and a variety of beats and synthesizers are used in the artist’s arrangement. I appreciate the effort to bring a little dark nostalgia. Anything to take me back to the 80s for an audio visit is fine by me. This is the artists’ first collaboration, and I look forward to seeing them take some other old favorites for a spin.

What are some of your favorite 80s tracks? Or maybe you’ve got a great cover to share? Hit me up in the comments or on the socials @rlmerrillauthor and share your favorites! Here’s a playlist of some of my favorite covers done recently by current bands. https://open.spotify.com/playlist/404GT0TGFW2D8YBVABbR9t?si=8UrYSVO5QNWefE_4tfAT-A

Stay Tuned for more of Merrill’s Musical Musings… 

 

Ro’ Recs : Vision Video’s Upcoming Album

Greetings and Salutations! I’ve got a great rec for you this month and it all started with a bloody video. Like most 80s kids, I loved my MTV…so much that I got a job just so I could convince my mom we needed cable and that I’d pay for it so I could watch videos 24-7. It really “chaps my hide” when I think about how good kids have it today with YouTube and the like putting all this great music at their fingertips, rather than having to keep their fingertips on the pause and record buttons of their tape decks. But I digress. 

I received an email with a link to Vision Video’s new clip for “Comfort In The Grave” and I clicked it while preparing for a day of educating America’s youth. And whoa. It was an imaginative short film with gore and a great soundtrack. Score! I hit the sender back and replied, “send me more,” and much to my delight, I received an early promo copy of the band’s upcoming album Inked In Red. Fellow former and current goth friends, when I tell you you’re gonna love it, I mean you’re gonna love it. 

With jangly guitars, bouncy bass lines, and silky synthesizers reminiscent of Joy Division, New Order, and The Smiths, Vision Video has created an album full of delicious tracks. The Athens, Georgia quartet delivers a solid album that HorrorAddicts will love, especially after watching the killer video for “Comfort In The Grave.” Keyboardist Emily Fredock does a fantastic job with this moody track, taking the listener with her on a homicidal journey. Vocals from frontman Dusty Gannon give me a modern Killers-esque vibe and the lyrics are inventive and poetic in a refreshing way. Tracks “Static Drone,” “Run,” and “In My Side” are some of my favorites on first listen, but all of the tracks have the potential for repeat plays. While heavy topics like trauma and terror are covered in the tunes, there’s also a danceability and hopefulness that makes this album special. It’s a rare band that can bring nostalgia along with that fresh feeling of finding a new favorite. 

Discovering new music and other expressions of art during the pandemic has been so important. We need art to keep us motivated and determined to keep putting one foot in front of the other, now more than ever. I’m so glad I found Vision Video in my inbox. I am looking forward to watching this band grow and expand their reach and I hope all of my HorrorAddicts.net pals will join me in celebrating the release of Inked in Red with them. Stay Tuned for more Merrill’s Musical Musings and Ro’s Recs…

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R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. 

 

Merrill’s Musical Musings: Riot Legion

Greetings HorrorAddicts! Time continues to pass in stops and starts. The days blend together and are distinct only by the latest headlines or weather phenomenon, like what the heck even is an “atmospheric river?” It sounds to me like the next thing in darkwave music. As I write this, we’ve made it through Groundhog Day and that means we’ve passed the darkest time of the year. We have light at the end of the tunnel, and that can be interpreted in many ways. Thank goodness for music, I say, as we could all use a little pick me up. Today I’m here to bring you a new artist who might just get you through the next six weeks of winter that precocious Punxsutawney Phil predicted, the little furry bugger! We need the rain here in the West, but I’m sure folks would like a break from the cold. Hang in there and let’s meet this month’s artist, RIOTLEGION.

RIOTLEGION hail from Seattle and pack a hard-driving industrial sound. Whereas Seattle is known for its grunge musical history, RIOTLEGION breaks with tradition. The album Machine Liberation was released  23 June 2020 through Blind Mice Productions. The brainchild of Michael Coultas, RIOTLEGION is known for high-energy audio-visual performances in the area. Their lyrics delve into the chaotic political landscape we find ourselves in after the events of the past few months. 

Many of the tracks on Machine Liberation lean heavily on distorted beats and chants that might appeal to fans of previously reviewed artists JUSTIN SYMBOL or CELLMOD. “Out of My Head” hits with a hypnotic beat and a rhythmic chant and is a standout on the album and the creepy intro to “Liberation” piqued my interest. The artist relies heavily on flickering synthesized beats and static to add atmosphere to tracks like “Decimator,” and “The One You Deserve.” 

Check out RIOTLEGION if you’re looking for some angry club music to work out some of your aggressions. I’ll be back next month with more new music for you to feast your ears upon. In the meantime, be sure to follow me on Instagram @rlmerrillauthor where I post music recommendations in my stories. I can’t have my lovelies going without the best tunes to listen to, now can I? You can also find playlists on Spotify for my books and whatever mood I’m currently in. Stay tuned for more Merrill’s Musical Musings…


R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor.

 

Merrill’s Musical Musings : Vexillary

Greetings HorrorAddicts I bring you some groovy reviews and righteous recommendations this year to keep your tuneage vibing. Or something like that. Despite the insanity that was 2020, many artists were able to come up with inspired material and I’ll share some great picks with you over the coming months. 

Vexillary is an instrumental project by New York based Reza Seirafi that was influenced by the artist’s love of blending components to create something new. A chemist in his other life, he likes to take seemingly inharmonious sounds and make them fit together. Tracks like “Maritime Panic” offer additional sonic adventures with each new listen. “Annihilation” has a manic feel that leaves the listener grasping at the elements and trying to find something to hold onto. There is a feeling of doom, especially in the opening notes of “Forged Skies” but this offering of electronica is never gloomy, and by the time you reach “The Geneticist,” the mad scientist vibe of the SurViolence is complete.

Vexillary is music for those who need an intense infusion with a side of chaos to make their aural journey complete. Give it a listen and let us know what you think. 

Want to share your favorite music from 2020? Comment below or email me at rlmerrillauthor@gmail.com. The next Ro’s Recs will be less of a “best of” and more of a “here’s what you don’t want to miss.” I’ll see you soon, my HorrorAddict Darlings. In the meantime, Stay Tuned for more Merrill’s Musical Musings…

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R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her Hope, Love, and Queeromance posts over at www.queeromanceink.com

Merrill’s Musical Musings: Dissonance

Greetings HorrorAddicts. This month we’re listening to the Dark Wave artist Dissonance. Cat Hall has a new maxi-single that’s perfect for fans of bands like GARBAGE, NINE INCH NAILS & INFORMATION SOCIETY. Precipice is a techno-moody piece that is very personal to Hall. Music helps us heal from the tragedies in our lives, and for Hall, it’s been a form of catharsis. After a serious health battle, she’s come out on the other side to share her emotional experience in these three pieces. With remixes by Joe Haze, Diverje, Junior Kain, and Machines with Human Skin all add layers to the composition. Reminiscent of Tubular Bells or early Depeche Mode, Precipice is music to sit with and contemplate. Each element woven together, whether it be effects or harmonies, all evoke feelings of loss and yet are ultimately hopeful. 

Thank you for joining me this month. I hope you and yours are well. I’d love to hear what kind of music is getting you through this tumultuous time. If you want to hear what I’ve been listening to, you can check out my #SpotifyWrapped. If you’re not on Spotify yet, you might want to change that in 2021. Getting a report on your listening habits can be…creepy, but also a great trip down memory lane. Stay Tuned for more Ro’s Recs and Merrill’s Musical Musings… 

______________________________________________________________________________

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her at www.queeromanceink.com writing about Hope, Love and Queeromance. 

Merrill’s Musical Musings : Static – X

 

Greetings HorrorAddicts. This month’s review has one helluva backstory. There’s a rock band, a romance, a drug problem, and a resurrection of sorts. I had to do a deep dive to give the album a full critique and what I found was a story that tragically has a lot in common with so many bands who have lost frontmen to the excesses of rock ‘n’ roll, however, the surviving members of Static-X are determined to make their own way back in an unusual but compelling way. 

Static-X celebrated the 20th anniversary of their album Wisconsin Death Trip in 2019. The original lineup toured to commemorate the album…with a singer dubbed Xer0. Because Wayne Static died in 2014 of a deadly combination of prescription drugs and alcohol. News came out that the band was recording a new album using some of Wayne’s demos and compositions, a guest spot from Al Jourgenson of Ministry, and would feature this new, unknown, masked singer, which has been a controversial move for some of their fans. The band, on the other hand, maintains that Wayne would have found it hilarious. (https://www.loudersound.com/features/static-x-the-story-behind-that-controversial-wayne-static-death-mask).

And man is this album amazing. What a testament to Wayne and a reminder of the magic the original line-up had together. 

For those new to Static-X, their hit song “Push-It” has been a staple of the industrial rock/metal scene for years. On this new album, Project Regeneration, Volume I, there’s that same electronic-tinged in-your-face feel of their early work, but the melodic atmosphere of powerhouse bands like Korn, Rammstein, or even Rob Zombie can be heard in the mix. “Worth Dyin’ For” has a hooky chorus, and “Terminator Oscillator” is a hard-hitting tune with a chanting rhyme that is the metal fan’s version of INXS’s “Mediate.” My favorite track on the album so far—and that changes each time I listen because they’re all great—is “Something Of My Own,” a powerful, emotional jam that resonates with its lyrics about opportunities missed due to the loss of Wayne. 

The hard rock/metal scene these days has matured from the days of nu-metal when Static-X first set up shop, but Project Regeneration, Volume I fits in nicely with today’s sound. The album is a great tribute to a band that obviously has a lot more to offer, and it’s one I will be jamming to for quite some time. 

That’s it for this month. Stay Tuned for Ro’s Recs…

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her hope-filled posts at www.queeromanceink.com.

Merrill’s Musical Musings : Ro’s Recs /Vision Video

Ro’s Recs – Vision Video

Greetings and Salutations! I’ve got a great rec for you this month and it all started with a bloody video. Like most 80s kids, I loved my MTV…so much that I got a job just so I could convince my mom we needed cable and that I’d pay for it so I could watch videos 24-7. It really “chaps my hide” when I think about how good kids have it today with YouTube and the like putting all this great music at their fingertips, rather than having to keep their fingertips on the pause and record buttons of their tape decks. But I digress. 

I received an email with a link to Vision Video’s new clip for “Comfort In The Grave” and I clicked it while preparing for a day of educating America’s youth. And whoa. It was an imaginative short film with gore and a great soundtrack. Score! I hit the sender back and replied, “send me more,” and much to my delight, I received an early promo copy of the band’s upcoming album Inked In Red. Fellow former and current goth friends, when I tell you you’re gonna love it, I mean you’re gonna love it. 

With jangly guitars, bouncy bass lines, and silky synthesizers reminiscent of Joy Division, New Order, and The Smiths, Vision Video has created an album full of delicious tracks. The Athens, Georgia quartet delivers a solid album that HorrorAddicts will love, especially after watching the killer video for “Comfort In The Grave.” Keyboardist Emily Fredock does a fantastic job with this moody track, taking the listener with her on a homicidal journey. Vocals from frontman Dusty Gannon give me a modern Killers-esque vibe and the lyrics are inventive and poetic in a refreshing way. Tracks “Static Drone,” “Run,” and “In My Side” are some of my favorites on first listen, but all of the tracks have the potential for repeat plays. While heavy topics like trauma and terror are covered in the tunes, there’s also danceability and hopefulness that make this album special. It’s a rare band that can bring nostalgia along with that fresh feeling of finding a new favorite. 

Discovering new music and other expressions of art during the pandemic has been so important. We need art to keep us motivated and determined to keep putting one foot in front of the other, now more than ever. I’m so glad I found Vision Video in my inbox. I am looking forward to watching this band grow and expand their reach and I hope all of my HorrorAddicts.net pals will join me in celebrating the release of Inked in Red with them. (Release date April 16) Stay Tuned for more Merrill’s Musical Musings and Ro’s Recs…

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. 

From The Vault: Midnight Syndicate’s Monsters of Legend

 

MOL

 

Reblogged from 12/14/2013

If you are a fan of the classic Universal monster movies, like Dracula, Frankenstein, and the Wolf-man, then I think you will enjoy Midnight Syndicate’s latest album, Monsters of Legend. Listening to the tracks, one cannot help but feel the stirring moments from these classic films. In fact, as an experiment, I watched the great silent classic “Nosferatu” with this album in the background acting as a soundtrack, and I thought it provided some amazing atmosphere. It just lends itself so well to the genre, no matter what was playing.

My other Midnight Syndicate albums typically get played only around Halloween, and it is obvious this one will join them in such a rotation. However, I think a good classic horror tale can be watched anytime, and I dare say the same can be said for this album.

It’s very hard to pick out a favorite track on a collection like this. I will say that all of the tracks have been very inspirational for background while I am writing. This is something I have done with other Midnight Syndicate records, but this one by far has the most cinematic feel of them all and lends itself the most in my mind.

Edward Douglas and Gavin Goszka have outdone themselves with this album, and after all of the years of gothic goodness they have produced, that fact really shines. Whether you are a new fan or old of Midnight Syndicate, or you are a fan of classic horror movies, Monsters of Legend will not disappoint.

Midnight Syndicate

Press Release: I YA TOYAH Unleashes New Single

Electro/Industrial Artist I YA TOYAH Unleashes New Single & Video, “Out Of Order”
Chicago-based one-woman industrial army, I YA TOYAH has unleashed her highly-anticipated new single & video, “Out Of Order.”  The song comes from the upcoming EP of the same name due out in March.

“Out Of Order” – The Video:
The video is a surreal story of a gradual mental breakdown, caused by an isolation and misinformation fed by media.  It was inspired by the film art of David Lynch and the pandemic.

Video Production &  Scenography: Joel Lopez of Lumbra Productions.
Music: Composed and performed by I Ya Toyah.
Produced by I Ya Toyah and Nick Palazzo.
Mixed and Mastered by Nick Palazzo at Evolution Recording.

“Out Of Order” – The Song:
A pandemic song, “Out Of Order” is expressing the quarantine moods of isolation, uncertainty, chaos and inner distortion.

“I wrote it feeling these emotions and being unable to share them as we all used to- through the togetherness, a hug, and live music experience. In the future the pandemic will be over, but the need for this connection will remain- I hope this song will be a reminder of how we survived this dark time, and how fragile yet strong we all are- even when we are out of order.” – Ania (I Ya Toyah)

Merrill’s Musical Musings: Riot Legion

Greetings HorrorAddicts! Time continues to pass in stops and starts. The days blend together and are distinct only by the latest headlines or weather phenomenon, like what the heck even is an “atmospheric river?” It sounds to me like the next thing in darkwave music. As I write this, we’ve made it through Groundhog Day and that means we’ve passed the darkest time of the year. We have light at the end of the tunnel, and that can be interpreted in many ways. Thank goodness for music, I say, as we could all use a little pick me up. Today I’m here to bring you a new artist who might just get you through the next six weeks of winter that precocious Punxsutawney Phil predicted, the little furry bugger! We need the rain here in the West, but I’m sure folks would like a break from the cold. Hang in there and let’s meet this month’s artist, RIOTLEGION.

RIOTLEGION hail from Seattle and pack a hard-driving industrial sound. Whereas Seattle is known for its grunge musical history, RIOTLEGION breaks with tradition. The album Machine Liberation was released  23 June 2020 through Blind Mice Productions. The brainchild of Michael Coultas, RIOTLEGION is known for high-energy audio-visual performances in the area. Their lyrics delve into the chaotic political landscape we find ourselves in after the events of the past few months. 

Many of the tracks on Machine Liberation lean heavily on distorted beats and chants that might appeal to fans of previously reviewed artists JUSTIN SYMBOL or CELLMOD. “Out of My Head” hits with a hypnotic beat and a rhythmic chant and is a standout on the album and the creepy intro to “Liberation” piqued my interest. The artist relies heavily on flickering synthesized beats and static to add atmosphere to tracks like “Decimator,” and “The One You Deserve.” 

Check out RIOTLEGION if you’re looking for some angry club music to work out some of your aggressions. I’ll be back next month with more new music for you to feast your ears upon. In the meantime, be sure to follow me on Instagram @rlmerrillauthor where I post music recommendations in my stories. I can’t have my lovelies going without the best tunes to listen to, now can I? You can also find playlists on Spotify for my books and whatever mood I’m currently in. Stay tuned for more Merrill’s Musical Musings…


R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor.

 

Merrill’s Musical Musings: Ro’s Recs /Women Get Spooky

Ro’s Recs: Women in Metal 

Heavy Metal and Horror will forever be intertwined. Ever since the first notes were played by founding fathers Black Sabbath and Led Zeppelin, the two genres began a relationship that is symbiotic. Women didn’t always have a role front and center in the music, but that, my fellow horroraddicts, is changing. 

The women carrying the dark torch in music these days are inspirational and powerful. Their musical styles and their backgrounds may vary, but they’re continuing to prove that women can rock hard and they continue to explore the dark recesses of society that horror fans love to dwell in. Check out these bands and find some new favorites. 

Spiritbox, hailing from Vancouver, British Columbia, features lead singer Courtney LaPlante, whose voice is absolutely mesmerizing. From their name to the imagery in their videos and their dark lyrics, Spiritbox is a horror fan’s dream band. I guarantee if you give a listen, LaPlante’s vocals will have you spellbound. 

In this Moment from Las Vegas, Nevada, are veterans of the metal scene. Rock Goddess Maria Brink not only brings her unique vocal styling full of emotion and drama to the band’s hard rock sound, but her lyrics explore everything from the horrors women experience to dark fairy tales and pagan symbolism. If you EVER have the opportunity to see the band live, do not miss out. Here is a clip from a collaboration with the Metal God, Rob Halford of Judas Priest.    

 The Napalm label’s artist Tetrarch has a sound that will appeal to fans of Linkin Park as well as heavier metal bands like The Amity Affliction. Hailing from Atlanta, Georgia, and now LA-based, the band features guitar player Diamond Rowe who proves that chicks can rock hard! She was also the first Black female lead guitarist to be featured in Metal Hammer magazine. Their video for I’m Not Right has a horror feel to it that I can totally vibe with. Anyone who’s been bullied can relate! 

Code Orange, from Pittsburgh, Pennsylvania, is a band I discovered after hearing Corey Taylor from Slipknot rave about them. Their music has an intensity to it that reminds me of Slipknot and is filled with time changes, unique sounds, and creepy effects that make my black heart happy. The video for Underneath, which features guitarist Reba Meyers on vocals, is a sci-fi/horror show that all of my fellow horroraddicts will dig. Check out the band and the video, which was directed by @maxmoorefilms

 

And on the harder edge of the metal scene, you can find long-time metalcore veterans Straight Line Stitch from Knoxville, Tennessee. Lead vocalist Alexis Brown is fierce. Her vocal stylings travel effortlessly from screams to melodic choruses. Check out their video for Black Veil.

I am always seeking out the best in new music and you can read my reviews and recs here on HorrorAddicts.net as well as on Facebook, Instagram, and Twitter @rlmerrillauthor. Stay Tuned for more Ro’s Recs and Merrill’s Musical Musings… 

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R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her Hope, Love, and Queeromance posts over at www.queeromanceink.com

 

Merrill’s Musical Musings : Vexillary

Greetings HorrorAddicts and welcome to a new year! I plan to bring you some groovy reviews and righteous recommendations this year to keep your tuneage vibing. Or something like that. Despite the insanity that was 2020, many artists were able to come up with inspired material and I’ll share some great picks with you over the coming months. 

Vexillary is an instrumental project by New York based Reza Seirafi that was influenced by the artist’s love of blending components to create something new. A chemist in his other life, he likes to take seemingly inharmonious sounds and make them fit together. Tracks like “Maritime Panic” offer additional sonic adventures with each new listen. “Annihilation” has a manic feel that leaves the listener grasping at the elements and trying to find something to hold onto. There is a feeling of doom, especially in the opening notes of “Forged Skies” but this offering of electronica is never gloomy, and by the time you reach “The Geneticist,” the mad scientist vibe of the SurViolence is complete.

Vexillary is music for those who need an intense infusion with a side of chaos to make their aural journey complete. Give it a listen and let us know what you think. 

Want to share your favorite music from 2020? Comment below or email me at rlmerrillauthor@gmail.com. The next Ro’s Recs will be less of a “best of” and more of a “here’s what you don’t want to miss.” I’ll see you soon, my HorrorAddict Darlings. In the meantime, Stay Tuned for more Merrill’s Musical Musings…

_________________________________________________________________________________-

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her Hope, Love, and Queeromance posts over at www.queeromanceink.com

Merrill’s Musical Musings: Dissonance

Greetings HorrorAddicts. This month we’re listening to the Dark Wave artist Dissonance. Cat Hall has a new maxi-single that’s perfect for fans of bands like GARBAGE, NINE INCH NAILS & INFORMATION SOCIETY. Precipice is a techno-moody piece that is very personal to Hall. Music helps us heal from the tragedies in our lives, and for Hall, it’s been a form of catharsis. After a serious health battle, she’s come out on the other side to share her emotional experience in these three pieces. With remixes by Joe Haze, Diverje, Junior Kain, and Machines with Human Skin all add layers to the composition. Reminiscent of Tubular Bells or early Depeche Mode, Precipice is music to sit with and contemplate. Each element woven together, whether it be effects or harmonies, all evoke feelings of loss and yet are ultimately hopeful. 

Thank you for joining me this month. I hope you and yours are well. I’d love to hear what kind of music is getting you through this tumultuous time. If you want to hear what I’ve been listening to, you can check out my #SpotifyWrapped. If you’re not on Spotify yet, you might want to change that in 2021. Getting a report on your listening habits can be…creepy, but also a great trip down memory lane. Stay Tuned for more Ro’s Recs and Merrill’s Musical Musings… 

______________________________________________________________________________

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her at www.queeromanceink.com writing about Hope, Love and Queeromance. 

Merrill’s Musical Musings : Static – X

 

Greetings HorrorAddicts. This month’s review has one helluva backstory. There’s a rock band, a romance, a drug problem, and a resurrection of sorts. I had to do a deep dive to give the album a full critique and what I found was a story that tragically has a lot in common with so many bands who have lost frontmen to the excesses of rock ‘n’ roll, however, the surviving members of Static-X are determined to make their own way back in an unusual but compelling way. 

Static-X celebrated the 20th anniversary of their album Wisconsin Death Trip in 2019. The original lineup toured to commemorate the album…with a singer dubbed Xer0. Because Wayne Static died in 2014 of a deadly combination of prescription drugs and alcohol. News came out that the band was recording a new album using some of Wayne’s demos and compositions, a guest spot from Al Jourgenson of Ministry and would feature this new, unknown, masked singer, which has been a controversial move for some of their fans. The band, on the other hand, maintains that Wayne would have found it hilarious. (https://www.loudersound.com/features/static-x-the-story-behind-that-controversial-wayne-static-death-mask).

And man is this album amazing. What a testament to Wayne and a reminder of the magic the original line-up had together. 

For those new to Static-X, their hit song “Push-It” has been a staple of the industrial rock/metal scene for years. On this new album, Project Regeneration, Volume I, there’s that same electronic-tinged in-your-face feel of their early work, but the melodic atmosphere of powerhouse bands like Korn, Rammstein, or even Rob Zombie can be heard in the mix. “Worth Dyin’ For” has a hooky chorus, and “Terminator Oscillator” is a hard-hitting tune with a chanting rhyme that is the metal fan’s version of INXS’s “Mediate.” My favorite track on the album so far—and that changes each time I listen because they’re all great—is “Something Of My Own,” a powerful, emotional jam that resonates with its lyrics about opportunities missed due to the loss of Wayne. 

The hard rock/metal scene these days has matured from the days of nu-metal when Static-X first set up shop, but Project Regeneration, Volume I fits in nicely with today’s sound. The album is a great tribute to a band that obviously has a lot more to offer, and it’s one I will be jamming to for quite some time. 

That’s it for this month. Stay Tuned for Ro’s Recs…

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. You can also find her hope-filled posts at www.queeromanceink.com.

Historian of Horror: Hath Music Charms to Soothe the Savage Breast? Not Necessarily

 

I would encourage the populace, if possible, to at least take a look at the recent Netflix series, Ratched. It will help if you’re familiar with the 1975 film, One Flew Over the Cuckoo’s Nest, the one that took home a slew of Oscars for that year, the one in which the television series’ title character was the villain, but that’s not essential. Ratched is a beautifully mounted, albeit severely flawed work, and worth seeing if only for the sumptuous set design. Indeed, every frame looks like a photograph from a 1947 issue of Architectural Digest or some similar slick magazine of its type. The costumes could be out of Vanity Fair, the automobiles from Road & Track. It is gorgeous in its every visual element and blessed with a slightly languid pace that allows the eye to gorge itself at leisure on all that gorgeosity.

While I have several issues with the writing (cardboard and occasionally inconsistent characters, cliched situations, predictable plot points), I cannot fault the technical prowess of those who designed the visuals, or, indeed, the audio. The incidental music is eerily reminiscent of Bernard Hermann’s score from the 1962 film, Cape Fear, as well as Elmer Bernstein’s score for the 1991 remake. One day, I will discuss both film versions of that story in this space, and the music from each, but today I want to talk about the title music from Ratched, for it touches upon one of my passions.

Yes, I am a Baby Boomer, a member of that much maligned, fairly or unfairly, generation that for all its flaws did indeed spawn the best popular music of the past century. And, yes, I grew up a fan of, among others, the Beatles, the band whose massive output of incredible music in the space of less than a decade was not only the ne plus ultra of its time but the sine qua non of all popular music since. But they and the rest of the 1960s artists were not my first musical love.

That would be classical music. Before the Fab Four showed up on the Ed Sullivan Show on that momentous night in February of 1964, I had already begun to sample my father’s record collection. The first piece of music I remember being enraptured by was Prokofiev’s Love for Three Oranges. I had no idea at the time what that title meant, for although I was able to operate a turntable at that early age, I had not yet learned to read beyond a very superficial level. In fact, I suspect that it was to decipher the tiny print on the back of all those record sleeves that I set about becoming literate so assiduously at such a tender age. 

I still love classical music. It occupies a significant portion of my listening time. I don’t know squat about music theory, but I know what I like. And in the years since I discovered the wonders on those ancient LPs, most of which are now in my possession, new discoveries of what I like have regularly occurred with delightful frequency. 

I think I must have been about thirteen or fourteen when I first encountered the work of Camille Saint-Saëns, or, rather, a portion of one of his works. A radio station in or near Nashville began to broadcast episodes of the Shadow radio show from the late 1930s, the ones starring Orson Welles. The theme music was eerie and compelling, drawing the listener into the outré adventures of He Who Had the Power to Cloud Men’s Minds. No one I knew could tell me what that strange tune was. Fortunately, this was in the early years of a new cultural phenomenon, nostalgia, and every trip to the bookstore revealed a new volume on some aspect of the cultural ephemera of past decades, including radio. I knew of radio solely as a delivery system for current music, but as my dad told me at the time, it was in his youth the primary source of free entertainment in the home – musical, comedic, dramatic. Frightening.

More on that later. I think it was in a paperback edition of Jim Harmon’s 1967 book, The Great Radio Heroes, that I learned the provenance of that snippet of strange music. It turned out to be the middle section of a symphonic poem by Saint-Saëns, Omphale’s Spinning Wheel. Once I knew that, I began to search for more music by this new composer I’d discovered.

Skip years, indeed, decades ahead, and I’d just settled myself into my favorite spot on the couch to watch the first episode of Ratched. At that moment, my wife of nearly forty years came in, and I surrendered that spot, because when Mama ain’t happy, ain’t nobody happy. It’s okay. The seat I gave up is slightly off-center to the TV mounted on the wall opposite, and the spot I almost always wind up in has a more straight-on view. Yeah. That’s the ticket.

For some reason, the subtitle function was turned on, which was fine. I watch a lot of films in languages I don’t understand, and I heartily despise dubbing. Nothing ruins the rhythm of a film than the dialogue being out of sync with the actors’ expressions and mouth movements. Give me subtitles, every time. So, I’m used to them, and made no particular effort to turn them off.

No issues with the first episode, although my lovely bride thought it moved a tad slowly. There was no title sequence that time out, the credits rolling at the end. And for just over five minutes, there was no such thing in the second episode.

And then, there was. I immediately recognized the music playing, although the first bit of it had been lopped off. It was Saint-Saëns’ 1874 tone poem Danse Macabre, a piece I play heavily around Halloween, for it is spooky and creepy and laden with dire forebodings.

And then, I noticed the subtitle that popped up as soon as the discordant violin screeched out its first few notes.[haunting classical music playing]

Say, what? Haunting classical music? Haunting classical music?!?!?!? Does no one at Netflix have access to a decent music library? This piece has a name, a title that has been well-known for one hundred and forty-six years. That’s as bad as people calling the tango Al Pacino danced with Gabrielle Anwar in Scent of a Woman ‘the tango from Scent of a Woman’, as if that’s its title. It’s not. It’s called Por Una Cabeza, and it’s by Carlos Gardel, a significant composer of Latin music in the first half of the 20th Century. It’s not quite as bad as pronouncing Porsche as a one-syllable name, but still, come on! Is it all that much trouble to identify a major piece of music by its actual name?

Ahem. Sorry ‘bout that.

Danse Macabre was based on a Late Medieval allegorical theme of death as the one truly universal reality, and its application in a variety of artistic expressions. Paintings, frescoes and woodcuts depicting souls of all financial stations and every societal stratum dancing their ways along to the grave accompanied by decomposing corpses and animated skeletons were all the rage in the waning decades of the Middle Ages, and into the Renaissance. 

I know most folks think of the term ‘classical music’ as encompassing all that stuff you had to sit through during school field trips to the local symphony hall, but for the cognoscenti, classical refers to the music of roughly the 18th Century, composed by folks like Mozart and Haydn in an organically structured and sometimes excessively ornamental style that reflected the artistic sensibilities of the concurrent Rococo period in art and architecture. During the preceding century, more-or-less, both art and architecture on one hand and music on the other were done in what was known as Baroque style, which was also overly ornamented but with a somewhat more constrained, almost geometrical structure. Kind of. That’s very much a Reader’s Digest Condensed version of things, but not, I hope, totally off the mark. 

The 19th Century in music was dominated by the Romantic period, and Saint-Saëns was very much a Romantic composer. That word does not mean, as applied to the music of its time, what you think it does, just as an opera comique is not necessarily funny. Romantic in relation to the music of composers from Schubert and Beethoven in the early 19th Century to Dvorak and Verdi near the end of the century, and even beyond with Rachmaninoff and Ravel, was intended to produce within the listener a sort of naturalistic evocation of emotions, so that the music inspired more than merely an aesthetic response. It is no accident that the Romantic period in music coincided in its later decades with Impressionism in painting. The intended reaction from the consumer was the same in both areas, an empathic connection with the artist through the medium.

And Danse Macabre did produce an emotional reaction from early critics, indeed. It was not received well at first, as it was considered to be a source of anxiety for those who heard it. As I stated before, I know little about music theory, but I have been given to understand that there are certain key signatures that lend themselves particularly well to certain types of music, and even the emotions those pieces are meant to convey. According to what I have read on the subject, G Minor is one of those keys that tends to invoke dread and angst, and Danse Macabre is in that key. I’m going to go ahead and assume my informant was correct, for it does put the nerves on edge. 

Listen to it throughout that title sequence in Ratched, when and if you’re able to watch it, and see if it doesn’t augment the show’s overall feeling of fearful expectation, even more so perhaps than the story warrants. Then, listen to it in its entirety. 

Then, please don’t tell me you felt nothing from that – no frisson, as it were. I hope you do. I might just worry about you if not, just a little. 

Also, rest assured I won’t leave you hanging regarding all the possibly unfamiliar references above. I will, one of these days, wax poetic on horror as it was used in old time radio programs and operas, comique and otherwise, as well as by other composers, artists, and even architects. I might even explain just what is meant by a ‘slick magazine’, translate the Latin phrases I love tossing around like confetti, and reveal from what major genre work I lifted the neologism ‘gorgeosity’. Stay tuned.

And, as always, be afraid. Be very afraid.

Merrill’s Musical Musings: Ro’s Recs – November

Ro’s Recs

Creativity and Haunted Places

On the weekend of November 8, 2020, the legendary Foo Fighters took the stage on Saturday Night Live and played a song from their upcoming album, Medicine at Midnight, called “Shame Shame.” It was different and brilliant and a little bit dark, including lyrics like: 

“If you want to

I’ll be the one

Be the tongue that will swallow you” 

and 

“Another splinter under the skin

Another season of loneliness

I found a reason and buried it

Beneath a mountain of emptiness.

The song was definitely a departure for the band and I was anxious to read all I could about the production. Grohl has always been very open about his recording process. He boldly created the documentary Sound City, which I highly recommend, as well as taking the journey on the Sonic Highways, where the band visited some of the biggest cities in rock music history and wrote songs based on their experiences and interviews they had there. In an article with Rolling Stone dated March 23, 2020, Dave Grohl revealed that the house they recorded the album in was haunted and that totally piqued my interest. (https://www.rollingstone.com/music/music-news/foo-fighters-new-album-ghosts-971615/)

What is it with amazing things coming from supernatural experiences? Some of my favorite albums have been recorded under haunting situations including Black Sabbath’s debut, Blood Sugar Sex Magic from the Red Hot Chili Peppers, Hypnotize/Mesmerize by System of A Down, and Slipknot’s Vol. 3: The Subliminal Verses, the latter three being recorded at Rick Rubin’s Mansion in Southern California. How did being in a haunted space contribute to the artists’ creative process? (https://www.kerrang.com/features/10-rock-and-metal-albums-recorded-in-haunted-places/)

Corey Taylor discussed his experiences in The Mansion in his book A Funny Thing Happened on the Way to Heaven, which is full of incredible stories and Taylor’s philosophy about the afterlife and things that go bump, well, at all times of the day. From his perspective, it seems that the hauntings kept him on edge, which may or may not have contributed to his manic performance on Slipknot’s Subliminal Verses. He said in an interview with Kerrang! Magazine in 2019, “Only recently have I noticed the ethereal feel to the album,” Corey said on the eve of Vol. 3’s release. “And that’s definitely come from making it in that house. That house was so fucking haunted.” (https://www.kerrang.com/features/slipknot-the-inside-story-of-vol-3-the-subliminal-verses/)

Over the past several years, I’ve had the fortune to attend writing retreats with my fellow San Francisco Bay Area authors. The first one was at the Holbrooke Hotel in Grass Valley, California, and I immediately fell in love with the grand old building which boasted that it housed the longest continuously-open saloon west of the Mississippi (which it likely can’t say anymore since the hotel has been closed the past two years for renovations). It’s a place with an incredible amount of energy, mostly positive, and during the retreats we held there, I was inspired to write some of my favorite stories. “A Piece of Him,” which was featured in the Gone with the Dead anthology back in 2016 is still one of my favorite short stories I’ve written and was my first traditionally published story. I wrote some of my Banes of Lake’s Crossing stories there and the hotel has even been a setting in my writing. I love working in old buildings. The Weller House in Fort Bragg is another favorite as well as the Jupiter in Berkeley and a friend’s turn-of-the-century house outside Portland, Oregon. There’s something about working in a place that has held within its walls all walks of life that causes its very fabric to hold onto that energy, both positive and negative, that gives me a supercharge of creativity like nothing else. I so look forward to being able to travel to my favorite haunts when this pandemic is over. 

So if you’re missing that feeling of someone looking over your shoulder as you work, or want to listen to music closely for any signs of ghostly hijinks, check out the albums listed above, and if you’re like me and love a good “behind the music” type of story, be sure to watch those docs listed above as well as read Corey Taylor’s book. 

How about you? Does a good haunted spot bring out the creativity in you? I’d love to hear about your favorite places and projects you’ve been inspired to work on there. Definitely check out the albums listed above as well as the two Foo Fighters documentaries. And as always, stay tuned for more Ro’s Recs and Merrill’s Musical Musings…

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor. 

Merrill’s Musical Musings : Union Kain

 

 

Greetings HorrorAddicts!

This month we’re listening to the metal band Union Kain. Hailing from Florida, the band put out a heavy album in 2020 titled Black Dawn. Lead singer Glazergirl is commanding as a Dilana-Esque vocalist and she’s backed by a talented group of musicians. The band’s sound is a combination of 80s era hard rock/heavy metal like early Motley Crue with a touch of Black Sabbath on tunes like “Black Dawn.” Glazergirl’s vocals would make Ronnie James Dio proud. There’s a theatricality to their sound that adds appeal. “Persistence” has a Pantera vibe and is a stand out track. The guitars on songs like “Your Own Kind” are impressive and would appeal to the more established members of the metal community.

Lyrically the band attempts to create somewhat of a concept album on Black Dawn, covering all of the wrongs in the world from Cain and Abel to today’s internet meme fascination. There are some production inconsistencies that can distract from the overall enjoyment of the album, but perhaps with personnel changes that were announced on the band’s website their next album will be even better. 

Overall, Union Kain has a sound that will appeal to old school metal fans and hard rockers alike. I wish them luck with their future endeavors. If you are in those categories, I encourage you to check them out. 

That’s it for this month’s review. Stay Tuned for Ro’s Recs… 

R.L. Merrill writes inclusive romance with quirky, relatable characters full of love, hope, and rock ‘n’ roll. You can find her at https://www.rlmerrillauthor.com and on the socials as @rlmerrillauthor.

Merrill’s Musical Musings : Ro’s Recs October

Ro’s Recs October

Hey HorrorAddicts! I hope you all are staying safe and insane—I mean healthy—during these peculiar times, and I hope, like me, you are taking advantage of all the PHENOMENAL horror offerings this season! MAN! What a great time to be a horror fan! 

One of the best films I’ve watched recently is the Shudder film The Mortuary Collection, directed by Ryan Spindell and starring Clancy Brown. A nod to anthology films like Creepshow and Tales of the Crypt, The Mortuary Collection is at turns ominous, creepy, campy, and MAN does it ROCK! I found myself digging the music so much I whipped out the old iPhone and used Shazam! to try to find out who was responsible for these groovy tunes. Much to my chagrin, the tunes were nowhere to be found.

But thanks to my pal Google, I did a little more digging and I discovered the culprits: The Mondo Boys. This duo has been making music together since they were fifteen and are not only quite adept at creating hauntingly beautiful scores, but at writing “lyric-and-vocal” pieces as well.

For this film, they had the challenge of creating an Elfman-esque/Potter-ish score as well as tunes to go with different eras portrayed in the film. You had a Frat-boy-gone-bad tune in “Little Lover,” a funky throwback in “Suicide,” and the 60s reminiscent back-and-forth in “Find Me In The Fall” that suck you into the theme of that section of the film as though you’d switched on a radio station made of the exact ingredients necessary to evoke the desired emotion. You know it’s the perfect soundtrack when you’re pulling up iTunes or Spotify to download the songs. Ahem…Mondo Boys, if you’re reading, will you get right on that? In the meantime, you can stream the songs on their website.

So, the next time you’re watching a film and think “huh, I wonder who wrote that song? It’s perfect for this scene,” you just might discover that The Mondo Boys are responsible. You can find their website at https://www.mondoboys.com and I encourage you to check out their other projects. The Mortuary Collection is a great film. Check it out and I guarantee you that you’ll be smiling so wide your face will ache by the time it’s through!

That’s it for this month. Stay Tuned for more Merrill’s Musical Musings and Ro’s Recs…

Terror Trax: #190 Shadow Fashion

Shadow Fashion

Members/ What instruments they play.

Patrick Fears – Vocals/Synth

Steve Salcido – Guitar

Svia Svenlava – Drums

Chuck Fears – Synth


Website 

Album/Song/Tour you are excited about right now?

Really looking forward to catching The Birthday Massacre on tour right now. Huge fan and they always put on a killer live show!

 

 

What singers or bands inspired you growing up?

The Misfits, Nine Inch Nails, Mike Patton (Faith No More), Guns N Roses

Who are your favorite artists today?

The Midnight, Gunship, Timecop 1983. Lots of Synthwave!!

What non-musical things inspire your music?

Dreams, nightmares, life, death, hopes and fears.

Is there a place where you go to be inspired?

There’s not really a specific place I go to to because for me inspiration tends to hit at random times. When inspiration does hit I try to embrace that moment by hitting the studio as fast as I can to truly capture the vibe of what I’m feeling.

What’s been the greatest achievement of your band?

We’re pretty proud of the two music videos we’ve released so far and can’t wait to work on the third.

Where was the coolest place to play? Where did you enjoy yourselves the most?

In 2017 we played The Lovecraft Bar in Portland, Oregon and it was sick!!! From the aesthetic of the bar to the people we met there, we just fell in love and would love to go back again someday.

What are your favorite horror movies?

I absolutely love old school horror movies especially from the 1980’s. That’s the stuff I grew up on and they really don’t make them like they used to. I love everything from the musical scoring to the make up and visual FX of that era.

What was the scariest night of your life?

Years ago we were in Laredo Texas playing a gig with our horror punk band when a riot broke out in the streets as we were standing outside. All we saw was a mob of people running and heard gunshots blasting so we all kinda just scattered and ran into abandoned buildings to escape. I for sure thought we were gonna die that night but as soon as everything settled we got the hell out of there!

If you could play anywhere in the world, where would it be and who would be your opening band?

It would be a dream to play Wave-Gotik-Treffen in Leipzig Germany and have Trash Batz open.

What are you working on now for future release?

We’re currently working a cover song that I’ve been wanting to do for awhile now.  It’s a classic 90’s pop dance song which we’ll also be doing a video for. You’ll see it hopefully soon.

Final thoughts / Anything you want to tell the listeners?

We really appreciate everyone who takes the time to listen to our music, read this interview or just acknowledge what we are doing here. Much love!

Merrill’s Musical Musings – Isolation

Greetings and Salutations. I come to you from a very eerie sepia-toned day in September and bring some musical goodness to ease your troubled minds. I hope you, like me, are taking some solace in the fact that the most glorious time for all horror lovers looms near, and with it, may we embrace our darkness and all that is spooky and creepy. 

This month we are checking out the digital album Mechants by Isolation. Their experimental music, which you can find on Bandcamp, is a combination of an 80s horror soundtrack and a Roisin Murphy tune. According to their artist bio, Isolation project “is a soundtrack-based project that has been created by two UK-based collaborators. The style of music can range from horror, thriller, ambient, sci-fi, and more.” The artists state they are influenced by David Lynch films, and you can definitely pick up that vibe by listening. I tested out my new SkullCandy wireless headphones on this album and I couldn’t stand still. Instrumental music doesn’t always hold my attention, but these tracks make so many twists and turns that the listener wouldn’t necessarily expect and I found myself getting lost in the music. Standout tracks for me were “Never Knowing Napier,” the disturbing “Dr. Quinn,” and then the track “Edwards Arkham” had me feeling like the walls were closing in, very apropos of the isolation and claustrophobia of our quarantine times. Not all of the tracks had a consistent beat, but the music lends itself to modern dance choreography, film and TV soundtracks, and for the average listener, it makes a good accompaniment to your run/walk/workout. 

Ironically the cover art looks very much like the atmosphere outside my house today. It features a firelit sky in reds and oranges with deadened trees and smoke, which definitely reflects the many ways the world is on fire at the moment. I hope you’ll give this album a listen and pick it up if you’re so inclined. Bandcamp has been doing a great job supporting communities in need this summer and I love to see people support them in their endeavors. I think we’ll eventually see this duo doing scores for TV/Movies and I look forward to more of their work.

Thanks for joining me this month and Stay Tuned for Ro’s Recs coming soon. Enjoy the most wonderful time of the year…

Terror Trax: #189 Lucifer Fulci

Lucifer Fulci

Lucifer does all the writing and playing of the bass and guitars, studio drummers.


Website 

www.LuciferFulci.com
Twitter: @FulciLucifer
Facebook: https://www.facebook.com/LuciferFulci/
Instagram: lucifer.fulci

 


What album, tour, or song are you excited about now? 

The next one, almost done for 2020.

 

What singers or bands inspired you growing up? 

Testament, Black Sabbath, Celtic Frost

Who are your favorite artists today? 

Burning Witches, Behemoth, The Misfits

What non-musical things inspire your music? 

Horror, Halloween and the supernatural

Is there a place where you go to be inspired? 

Anywhere…at night.

What’s been the greatest achievement of your band? 

Being able to inspire younger musicians.

Where was the coolest place to play? Where did you enjoy yourselves the most? 

I have not performed my solo work live. When I was in penis flytrap years ago, the coolest place was maybe the whiskey in Hollywood or maybe in Europe

What are your favorite horror movies? 

The Witch, Hereditary, Heavy Metal, Dawn of the Dead.

What was the scariest night of your life? 

One of many included a night in the haunted estate of Charlie Chapin in Los Angeles.

If you could play anywhere in the world, where would it be and who would be your opening band? 

I would love to play in Europe again and play with Burning Witches. They rock!

What are you working on now for future release? 

The new Lucifer record. Its a lot of good, new music with great players backing me up!

Final thoughts / Anything you want to tell the listeners?

Thank you for all the support over the years. From Penis Flytrap, my solo work, Lords of October…all of it. I love you all!

Book Anniversary : HorrorAddicts.net Press Presents – eHorror Bites 4: Requiem in Frost

RFBANNER

On this day of Mabon, HorrorAddicts.net is proud to present the next book in their eHorror Bites series. eHorror Bites 4: Requiem in Frost is the newest work of Next Great RFJFHorror Writer Contest winner, Jonathan Fortin.

BLACK METAL LIVES!

Located in the deep frostbitten woods of Norway, Ingrid’s new home is old, spooky, and possibly haunted. Guttural screams wake Ingrid and her mother nightly. When they discover the shrieks belong to deceased former occupant and extreme metal musician, Skansi Oppegård, Ingrid investigates the mysterious circumstances surrounding his death. Hoping to exorcise Skansi’s ghost, she talks her mom into being part of a metal band. Oppegård’s last musical creation awakens forces beyond Ingrid’s understanding and causes Skansi’s murderer to resurface. In the battle between a madman and zombies, metal may be the only weapon she has.

A Peek Inside

REQUIEM IN FROST

When I opened my eyes, it was still dark—probably after midnight. When I took off my headphones, I didn’t hear screaming. However, the hairs on the back of my neck stood up.

Someone was standing in the corner of my room.

He was tall and muscular, with long, ragged hair. Smeared skeletal makeup covered his face, mingling with open scars. His torso was splashed with a fresh coat of crimson, dripping all over the floor, but drippiest of all was the huge axe in his hand. As I considered the growing red pool at his feet, I found myself wondering where all that blood had come from…

Is Mom all right?

The thought hit me with the force of a speeding train. If the ghost had hurt Mom, he could hurt me, too. Perhaps it should have been obvious, but I’d never felt threatened until that moment. My heart stopped as I lay there, paralyzed in bed, fearing he would kill me, and that he’d killed Mom already.

The spirit approached my bed, his huge axe dripping a river onto the floor. I tried to muster up the courage to run, but my legs were frozen in place. All too quickly, he was right beside me, raising his axe high.

“Skansi…” It came out before I could stop it, the squeak of a girl much younger than myself.

The spirit halted, surprise in his bulging eyes. Perhaps he hadn’t expected me to know his name.

“Someone killed you, didn’t they?” I asked, my throat dry.

The spirit continued to stare, but he did not lower his axe.

JonathanFortinAuthorPhoto_SepiaJonathan Fortin is the author of Lilitu: The Memoirs of a Succubus (coming December 2019 from Crystal Lake Publishing) and Nightmarescape (Mocha Memoirs Press). An unashamed lover of spooky Gothic stories, Jonathan was named the “Next Great Horror Writer” in 2017 by HorrorAddicts.net. He attended the Clarion Writing Program in 2012, one year after graduating summa cum laude from San Francisco State University’s Creative Writing program. When not writing, Jonathan enjoys voice acting, dressing like a Victorian gentleman, and indulging in all things odd and macabre in the San Francisco Bay Area. You can follow him on Twitter.

You can also find Jonathan in HorrorAddicts.net’s Clockwork Wonderland and eHorror Bites 3: #NGHW Editor Picks.

 

 

 

 

Terror Trax: #188 Biomechanimal

Biomechanimal

Matthew L. Simpson (Production, Vocals),
Keith Kamholz (Electro Axe, Live Production),
Lex Liebert (Live Guitars),
Kekko Stefano (Live Drums)

Website 

https://biomechanimal.bandcamp.com/
Twitter: https://twitter.com/biomechanimal
Facebook: https://www.facebook.com/BiomechanimalMain/
Instagram: https://www.instagram.com/biomechanimal/

 


What album, tour, or song are you excited about now? 

Someone else: Swarm – Eat Me Alive EP // Us: Waves Single

What singers or bands inspired you growing up? 

Iron Maiden, Ozzy, Skrillex, Rob Swire, Wednesday 13, Deathstars

Who are your favorite artists today? 

In Flames

What non-musical things inspire your music? 

Love of Cosmic Horror

Is there a place where you go to be inspired? 

Other peoples shows, or nature

What’s been the greatest achievement of your band? 

Playing in Australia

Where was the coolest place to play? Where did you enjoy yourselves the most? 

Underground basement of a punk venue. No stage, just a circle of people and 3 enormous amp stacks

What are your favorite horror movies? 

The VVitch, A Quiet Place, The Martyr

What was the scariest night of your life? 

Car broke down in a forest in a place we didn’t know. 2 AM, no phone signal, no other cars, and the battery in the car began to go.

If you could play anywhere in the world, where would it be and who would be your opening band? 

Cemetery of Fontanelle, Bring back Type O Negative while we’re at it.

What are you working on now for future release? 

A Midtempo Bass music single called Haksal (학살)

Merrill’s Musical Musings : Giants on the Horizon

Merrill’s Musical Musings – Giant Monsters on the Horizon 

We’ve made it through August, Horror Addicts, and I hope this post does not find you in pieces. I’m preparing to transition into a new teaching job while supporting a high schooler and a new college student through uncertain educational times. It’s wild out there, so take a minute to sink into the slick sounds of this month’s new-to-me artist. 

Giant Monsters on the Horizon, a duo out of St. Louis,  recently released a new album of dark-wave deliciousness, Live from Night City. The album was written during a dark time for the band and elements of despair can be experienced in their sound for sure. There’s an emptiness in tracks like “Oxygen,” and “Android Hellscape” that clearly resonates with all of us still sheltering in place. Through the synthesizers and soothing low-key vocals, you can find a welcome place to zone out. Night City, the setting of this collection of songs, is a stark and drastic place, but GMOTH does an admirable job of filling that space with energizing songs that make you recall why we need and crave music in our lives. 

“Tetra Chroma” and “Del Ctrl & Esc” are standout tracks that will engage your attention and have you up and dancing. The band has a Xymox feel with a side of Camouflage and the moody feel of current alternative bands like PVRIS. I’ll definitely be following them on Spotify for more. It was nice to see on their social media a strong activist presence including participation in fundraisers through Bandcamp. Live From Night City is an excellent collection of songs that fans of electronica and dark-wave will definitely dig. I wish them well with this latest release and their future endeavors. 

That’s it for this edition of Merrill’s Musical Musings. Feel free to check out my Rock ‘n’ Romance blog for more about my books and adventures. I also host other author guests talking about their novels in a feature called Music Behind The Story. Stay creepy, Horror Addicts! 

Terror Trax: #187 Reality’s Despair

Reality’s Despair

DemarcatioN

Website 

https://realitysdespair.bandcamp.com/
Twitter: https://twitter.com/DespairReality
Facebook: https://www.facebook.com/realitysdespair/

 


What album, tour, or song are you excited about now? 

Melancholic Disposition

 

What singers or bands inspired you growing up? 

The Cure, Joy Division, Front 242, Nitzer Ebb

Who are your favorite artists today? 

Cygnosic, A Projection

What non-musical things inspire your music? 

occultism

Is there a place where you go to be inspired? 

My inner self, the world

What’s been the greatest achievement of your band? 

To stay a truly independent diy band

What are your favorite horror movies? 

The Blair Witch

What was the scariest night of your life? 

Sleeping in an old and scary house while hearing noises and seeing a white shape

If you could play anywhere in the world, where would it be and who would be your opening band? 

Antwerp, opened by Cygnosic

What are you working on now for future release? 

Just started work on a new album to be released early 2021

Final thoughts / Anything you want to tell the listeners?

The band is a one man’s project, writing, recording, mixing and mastering is done by one person

Merrill’s Musical Musings : Ro’s Recs for August

Ro’s Recs – Musical Departures

Greetings from Sweaty California! As I’m writing this I’m in major danger of melting. I hope you’re hanging in there and listening to some great music. Today I want to talk about bands that go rogue…and it works. I was a huge fan of MTV Unplugged from way back, and I admire when bands step away from their usual sound and take a chance, whether it’s a remix or a brand new sound. This pandemic has brought out a decidedly experimental side of many of my favorite artists. They’ve released songs that are outside their usual wheelhouse, and they are wickedly entertaining. Check out this list of recs and open your mind to some experimental sounds.

  1. Motionless in White released new versions of two of their songs. “Eternally Yours” and “Another Life” were two outstanding tracks from Disguise and these melodic versions are incredibly beautiful. Chris Motionless’s vocals are so vulnerable and ethereal. I love the songs in their original arrangements, but the fact that the band stepped out of their comfort zone and showed a different side to their music makes me love the songs even more. 
  2. Metallica was one of the first metal bands to perform with a symphony, which when you think about it, there’s not too much of a stretch between metal and symphonic music. There’s a similar passion and frenetic energy in both performances. So when Metallica joined the San Francisco Symphony again this year and released this version of expectations were high. I love the balance of quiet musings followed by growly declarations from Hetfield. It’s a moody tune that is expertly crafted by the masters of metal. We trust them to carry us through, and so when they diverge from their usual heavy path, we know they’re going to deliver the goods. The album comes out August 28th and I’m looking forward to hearing the rest of the album.
  3. Korn is no stranger to cover songs. One of my favorites they’ve done was “Word Up” from the 80s band Cameo. But this summer they blew me away with a cover of “The Devil Went Down To Georgia” featuring one of my absolute favorite artists, Yelawolf. The single was posted on Bandcamp as a fundraiser for AwakeningYouth.org—an organization that supports youth who have lost a parent to addiction or suicide—and a way to celebrate the life of the original singer, Charlie Daniels. You gotta give this classic tune a listen. Yelawolf and Jonathan Davis trading vocals on this tune gave me so many feels! And when you’re done, definitely take a deep dive into the music catalog from both Korn and Yelawolf, especially his video for “Shadows.” The song itself is a haunting childhood nightmare, but it’s also filmed at his childhood home. He had to trespass in the now-abandoned house to film.  You won’t be disappointed. 
  4. Corey Taylor, frontman of the legendary Slipknot and the hard-rocking Stone Sour, has released two singles from his upcoming solo album. The first two songs are complete departures from his previous music. “CMFT Must Be Stopped” is a rap-rock tune with guests Tech N9ne, who Taylor has previously collaborated with, and Kid Bookie, a London rapper who I’ll definitely be checking out more from. And for those who like to watch videos, you will be entertained by Corey’s wife’s dance troop (they like to play with fire) and several cameos from Corey’s friends. It’s a fun tune about his big mouth and bigger attitude. The tune “Black Eyes Blue” is a straight pop-rocker with a catchy riff and a feel-good melody. 
  5. Marilyn Manson has put out some incredible music over the past few years, but this new track, “We Are Chaos” is surprisingly full of 70s glam goodness along with Manson’s trademark dark lyrics. I’m looking forward to the rest of this album, which comes out later this year. 

That’s it for this month’s Ro’s Recs. I hope you find a new jam in this collection to help lift your spirits. Dark times are upon us and we need all of the mood boosters we can get. I’m happy to be your guide on a musical journey. If you love music and stories about music, my upcoming novel Brains, and Brawn: Summer of Hush Book Two is out August 24th and it’s my love letter to the years of Warped Tour music festivals. Check it out on Amazon if you’re looking for a pick-me-up romance. Take care of you and yours, comment and share some of your favorite musical departures from your favorite artists, and Stay Tuned for more Merrill’s Musical Musings and Ro’s Recs. 

Terror Trax: #186 The Dark Silence of Death

The Dark Silence of Death

Current lineup:
Javier “Javo” Monzon – Vocals
Miguel “Vader” Paz – Bass
Jesus “Viejo Macabro” Osuna – Guitar
Juan Carlos “JC” Delgado – Drums

What album, tour, or song are you excited about now? 

We’re currently working on a new album titled “The Unliving”

 

What singers or bands inspired you growing up? 

Guns N’ Roses, Metallica, ACDC, Mecano, Hombres G and a lot of punk rock

Who are your favorite artists today? 

Cannibal Corpse, Mercyful Fate, Misfits, Behemoth, Ghost, Carnifex, Rob Zombie, Venomous Maximus

What non-musical things inspire your music? 

All things Horror… Stephen King, Alan Moore -Javo specifies-

Is there a place where you go to be inspired? 

The movies or the bar, or wherever watching movies and drinking is possible

What’s been the greatest achievement of your band? 

Releasing our first album and combining efforts to keep a steady pace collaborating and creating

Where was the coolest place to play? Where did you enjoy yourselves the most? 

Opening for Phillip H Anselmo & The Illegals at Cafe Iguana here in Monterrey

What are your favorite horror movies? 

El libro de piedra, Hasta el viento tiene miedo, Shadow of the Vampire, Altered, Martyrs, Inside, The Exorcist, Suspiria, Inferno, The Beyond, City of the Living Dead, Night of the Living Dead and all of Romero’s stuff, all of the Evil Dead stuff including TV series

What was the scariest night of your life? 

I guess any night being a child after having seen horror movies or TV series that I wasn’t supposed to watch. My mind would play tricks on me seeing things in the dark, hearing noises outside the window… -Viejo Macabro- A nightmare once about a scientist dressed up as a nazi tortured friends and family and when he took off the doctor mask it was me -Javo Monzon-

If you could play anywhere in the world, where would it be and who would be your opening band? 

We would love to do the European festival tour, Wacken, Copenhell, Hellfest, you know… About an opening band, wouldn’t know… but given the festival run fantasy, it’s more of sharing stage than who goes when… Since last year we started scratching a lot of doors to see if any of the festivals having Mercyful Fate this year would book us, lol that would be great curriculum.

What are you working on now for future release? 

A new album titled “The Unliving”. I guess we’re going full Romero / Fulci on this one

Final thoughts / Anything you want to tell the listeners?

Go check our Bandcamp site, our debut album is only $1USD in digital format and stay tuned for our new material coming soon!

Merrill’s Musical Musings : Ice Nine Kills

Greetings and salutations HorrorAddicts! I know it’s been a wild and crazy summer and we’ve all just wanted to get away. Well, today’s review is a special treat. I’ve mentioned the band Ice Nine Kills before, but they just put out a killer EP called Undead and Unplugged: Live From The Overlook Hotel. This is, like, a dream come true. I’ve always wanted to go to the hotel, I’m a sucker for acoustic sets, and I absolutely love that all of these songs are about our favorite horror flicks! 

Ice Nine Kills is a Boston-based band founded by Spencer Charnas, Justin DeBlieck, and Justin Morrow. Frontman Spencer is a horror fanatic from back in his Blockbuster Movie rental days and even recorded some of the vocals on The Silver Scream from famous locations including the houses used for A Nightmare on Elm Street and the original Halloween. I’ve watched his Instagram live broadcasts including one where Spencer and Jose Mangin from SiriusXM Octane go to visit the Nightmare house. Spencer truly knows his horror, which is part of what makes The Silver Scream so delectable. 

The new EP, which you can stream on Spotify, features acoustic versions of songs from the Merrill’s Musical Musings July 2020

ir album The Silver Scream, which originally came out in 2018 and includes the following tracks:

Savages: Inspired by Texas Chainsaw Massacre

Thank God It’s Friday: Inspired by Friday the 13th

A Grave Mistake: Inspired by The Crow

Love Bites: Inspired by An American Werewolf in London

Enjoy Your Slay: Inspired by The Shining (Live video from The Stanley Hotel)

Someday I will visit The Stanley Hotel in Estes Park, Colorado. There have been a few romance book conventions there and sadly, they never quite worked out for me to attend. But someday! I’d love to hear from you what are some of the horror-inspired places you’ve been or want to go to or share with me your favorite acoustic sets from bands. I hope you Enjoyed Your Slay today on Merrill’s Musical Musings and Stay Tuned for Ro’s Recs coming later this month…