Chilling Chat: Episode #193 – Angela Yuriko Smith

chillingchat

Angela Yuriko Smith is an American poet, publisher and author with over 20 years of experience in newspaper journalism. Her first collection of poetry, In Favor of Pain, was nominated for a 2017 Elgin Award. Her novella, Bitter Suites, is a 2018AYSmith 2019 - Angela Yuriko Smith Bram Stoker Awards® Finalist. In 2019 she won the SFPA’s poetry contest in the dwarf form category and has been nominated for a 2020 Pushcart Prize for poetry. She co-publishes Space and Time magazine, a 54-year-old publication dedicated to fantasy, horror and science fiction.

Angela is a kind and intelligent person. We spoke of poetry, prose, and publishing.

NTK: Welcome to Chilling Chat, Angela! Thank you for joining me today!

AYS: Thank you for having me, Naching! It’s a pleasure to be here.

NTK: How old were you when you first discovered horror?

AYS: Far too young, probably. My first experience with horror was watching the first Friday the 13th at a dive-in theater with my parents. I was sitting in the back seat of an old International Scout and I was positive a knife was going to drive up through the seat and kill me. The end of that, the moment when Jason comes out of the water… probably ended any enjoyment I would ever have for lakes and oceans.

So, I was probably…5?

NTK: Is Friday the 13th your favorite horror movie? If not, what is?

AYS: No, and I’m terrible for watching movies. In horror especially I’m usually disappointed. The two I’ve loved recently though were Midsommar and Parasite…. though Parasite wasn’t too horrible…but I loved it.

NTK: Do you watch horror TV shows? If so, do you have a favorite?

AYS:  I do have a list of horror TV shows I want to watch if I can ever find the time. The Haunting of Hill House is one. I should say, if it counts, my favorite horror is black comedy. Does that count? In that case, I could say Rocky Horror Picture Show (LOVE) What We Do in the Shadows… anything like that I adore.

NTK: (Laughs.) It does count. Do these sorts of shows inspire your writing? What inspires you?

AYS: I always have such a tough time with questions like this. It’s never one thing. It’s more like a story exists already and I get to find it. Somethings in the news will be clues, a word someone says… something I witness. But the story already sits there waiting for me to find it. Then the news item, etc. is the key that unlocks it. Terrible way to try to describe it, I know. I often think of it as being a medium working a Ouija board to communicate with something outside. The keyboard is the Ouija board, the mouse is the planchette and I’m just sitting at the computer listening for the voices to tell me what to say.

… and that’s when someone considers if I need to be committed. I’m harmless, I swear!

NTK: (Laughs.) That is a terrific way to describe it! Reminds me of how Michelangelo described his process of creating art! Who is your favorite horror author?

AYS: Oh, so many. Neil Gaiman is my all-time favorite everything author. Peter Straub, Edgar Allan Poe of course! Ray Bradbury—I just finally read Something Wicked This Way Comes. My favorite horror books though, were those Alfred Hitchcock anthologies of short stories. My favorite story of all of those is by Theodore Sturgeon called “Shadow, Shadow on the Wall” in Alfred Hitchcock’s Monster Museum. These books had such a huge influence on me that when I happened across Hitchcock’s star on the Hollywood Walk of Fame I burst into unexpected tears. I didn’t cry for anyone else, but those stories he shared meant everything to me growing up. That’s probably why I still gravitate toward the short story as a form, and enjoy publishing other people’s short stories. Somewhere, a dark, twisted little child needs these… or just that dark, twisted little child in each of us.

NTK: You, yourself, are a publisher now. How did you become the publisher of Space and Time Magazine?

AYS: By accident. I’ve been self-publishing since I started fiction in 2011 and that has gone well for me, but a few years ago I noticed I was creating a stagnant vacuum for myself. I decided to start submitting to magazines and I started looking for where my friends were publishing. I saw Christina Sng had just published in a magazine called Space and Time, so I went to the website. There, instead of submission guidelines, I found a letter from current publisher Hildy Silverman about how the magazine needed to close after over 50 years of consecutive publishing. It began in 1966 with Gordon Linzner. I probably would have just paged on to look for a different market, but at the end of her letter, she mentioned it would be great if someone else could keep publishing Space and Time. I couldn’t get that out of my head. I had published a local arts news ezine a few years before and had learned layout from my last newspaper job. There was no reason I couldn’t do it. I wasn’t sure I wanted to put in all the work and time a magazine requires so I gave it a lot of thought. I had finally made the move to quit the day job and be a full-time fiction writer and poet. I really just wanted to focus on my own writing. But here was this piece of history needing a home… all these authors, like myself, needing a place to publish. Poets, artists… I felt like if I just walked away it would be a really selfish act on my part. My husband and I had a big discussion about it and agreed to take it on, if only to keep it going until someone better came along. So, I emailed Hildy. About two issues into it I absolutely fell in love and went from “keeping it alive until someone else came along” to “this is my baby and I love it.” Adopted baby, but the love is real. Interesting side note, Hildy and I made it official on my 50th birthday completely by coincidence. We also bought our house on the same day. I’m not sure what gifts could top a house and a magazine after that.

NTK: That’s terrific. Thank you for keeping Space and Time going. What do you look for in stories you publish? What makes a story a Space and Time story?

AYS: Well, not to cop-out, but I do the same thing to find fiction I love as I do to write it. I’m really going to sound addled, but I feel like the current issue already knows what it wants to be, so I get all the stories Gerard (Hourner) has from our first readers. I print them all and as I pick them up. They will just feel right, before reading them. I probably shouldn’t reveal too much of my eccentricities, but I do feel like there is a click before I even read it. Those go into one pile. Then I read everything. Inevitably, the ones that clicked will all work together perfectly. Then my co-publisher and husband (Ryan Aussie Smith) reads them all without me telling him which ones I liked, and he almost always makes exactly the same selections. Then comes the painful part… fitting what we want into the budget. There’s always at least two stories that break my heart because we just don’t have the budget and room for them. As far as what we look for, aside from the mysterious click, anything that breaks the rules will always be my favorite. Experimental, new combinations, unexpected new uses for old tropes, calls to break down the status quo and begin something new… theoretically, I like the idea of anarchy, and while I don’t see it working in reality (unless we evolve) I do love it in literature.

It is almost supernatural though how the perfect stories, art and poetry will all come together with a theme, but completely unrelated to each other until they are in print.

NTK: That is a cool process. So organic! You’ve mentioned your background in journalism. Do you think it has influenced the way you write short stories?

AYS: Yes, absolutely. The very first publisher and editor I ever worked for (Jason Pippin, Community News, Browns Mills, NJ) gave me some of the best writing advice I’ve ever gotten. He asked me what reading level should I be writing for. I think I answered a college reading level. He told me no, I should always write for an 8th-grade reading level. He said the idea isn’t to dumb down, but to be concise and clear. The purpose of publishing anything is to communicate something to the widest possible audience as clearly as possible. I believe Hemingway also said something similar. One of my personal achievements is writing for the same newspaper Hemingway did (Kansas City Star). Other things newspaper writing taught me is to write fast and accurately, grab a reader fast and let the nut graph set up the rest… oh, and never wait on the muse. She is selfish and will let a writer starve to death before she speaks. Honestly, fiction and nonfiction are two sides of the same coin. You have to make nonfiction glow with a creative interpretation, or you get a dry as dust account. But if your fiction doesn’t have some kind of reliable root in what the reader can understand, the story has nothing to grab on to. But ultimately, fiction or nonfiction, the point of it is to communicate. That’s the same.

NTK: Such great advice! Let’s talk about characters. Do your characters have free will? Or do you direct their every move?

AYS: No, all my characters absolutely have free will. They never listen to me. I often argue with them and try to control them, but they will do continue to do what they want. After I learned to accept that things have gone much better. I’m a lazy writer. I sit down, let my mind wander and they do whatever they want. Often, I’m amazed at how they wrap things up. They are much better at creating stories than I am.

NTK:  You write both poetry and prose. Do you feel you have to switch your brain up when writing the two? Or do both come from the same place?

AYS: They both come from the same place, but the difference is like speaking two different dialects. I speak differently when I’m talking to a group, when I’m talking to teenagers, other writers and the cashier in the grocery store. I might say the same thing but in completely different ways for each of them. That’s also how I think of poetry and prose… and I think it even holds true between genres. Because of this, I recycle ideas a lot. One of these is the idea of being dead as being “post-consumer.” It turned up as a line in a poem I wrote, was put in a story later, showed up again as a line in a poem, had an appearance in a non-fiction piece I did and is the theme of the collection of poetry I’m working on now. Expanded of course, but the idea of things we use up (animals, people, friends, products) and the waste that creates (homelessness, abandonment, betrayal, global warming). Same idea, different ways to communicate.

NTK: As a person of Okinawan descent, how has the horror community treated you?

AYS: I would say the horror community has treated me very well. As you have also probably experienced, horror writers are some of the most loving, nonbiased people I know. Of course, we all have bias naturally, but as a whole, I think the horror community keeps an open mind, and heart, more than any other group I could associate with. As far as my place as a writer of mixed Asian heritage, the support was overwhelming. It was Bryan Thao Worra, my first HWA mentor, that asked why none of my work reflected my Asian experience. My answer was that I didn’t feel Asian enough. I don’t belong to either world. He suggested I let that experience of “otherness” show up in my work instead of suppressing it. That first story was “Vanilla Rice” and it was my break-out piece. That was sold to Where the Stars Shine which won Alberta Best Speculative Book of the Year (I think for 2019). It’s been reprinted in Black Cranes, a Bram Stoker finalist this year (crossing fingers!) along with an original story of mine. That story really began Bitter Suites, also a Bram Stoker finalist. I think that just speaks to the credit of the horror community for the amazing inclusiveness they share.

NTK: What does the future hold for you? What work do Horror Addicts have to look forward to?

AYS: I’ve got a few stories and poems coming out in different anthologies. One of which is Shadow Atlas: Dark Landscapes of the Americas. I’m about to release my poetry collection (Krakan Fever) for this year, written with my daughter Kyra Starr. It will be her first poetry book. I have released a paranormal romance called Soft Deadlines to the brand new Kindle Vella program, I’m wrapping up the third and final novella to the Bitter Suites series to be released by the end of the year, writing a book on manuscript submission (Mark My Words) with Lee Murray to be released next month in conjunction with a Horror University class (“Manuscript Magic”) we will be teaching on the same topic, a sequel to The Christmas Spiders (children’s book), working on my next poetry book (Post Consumer) which I am so, so, so excited about and of course, we have three more issues of the magazine for this year. Oh, and we’ve done a collaboration with DreamForge Magazine and Uproar Books for Worlds of Light and Darkness, an anthology of some of our favorites that we’ve published. Then there’s always the fun stuff we get to do with the magazine: Iron Writers Competition, Flash Battles, the Exquisite Corpse, a brand new open mic event on third Fridays and in June we will be announcing all the details for our own awards called The Linzners (for Space and Time founder Gordon Linzner).

NTK: Thank you for chatting with me today, Angela! It’s been a pleasure!

AYS: Absolutely! It’s an honor being here. HorrorAddicts is one of those wonderful, loving and all-inclusive things that are part of what makes our community so great.

Addicts, you can find more information about Angela on her website.

Chilling Chat: Episode #192 – Valentine Wolfe

Formed in 2006, Valentine Wolfe is the combined effort of Sarah Black and Braxton Ballew. Imagine Sarah Brightman being backed by Francois Rabbath blowing through a Marshall stack at midnight. Having dubbed their music “VictorianValentine Wolfe 2021 Chamber Metal”, the duo have synthesized a love of metal, classical and industrial, infusing them with a Victorian sensibility that evokes the likes of Bram Stoker and Edgar Allan Poe. The ethereal soprano vocals of Sarah Black—which call to mind not only the aforementioned Brightman, but also Dianne van Giersbergen of Xandria and Tarja Turunen—are buttressed by the thunderous growl of Braxton’s electric upright bass, and the two coalesce over pounding rock and electronic grooves punctuated by a maelstrom of synthesizers, keyboards, samples and sound design. In addition to their gothic metal stylings, their post-graduate backgrounds in music (Sarah has an MM in Composition, and Braxton a DMA in Double Bass) has afforded them multiple opportunities to broaden their musical horizons in recent years, having been contracted to lend their unique sound to theatre productions; composing and performing the scores for Shakespeare’s The Merchant of Venice, The Tempest (Warehouse Theater), The Winter’s Tale (Furman University), and Twelfth Night (The Distracted Globe), the voice of The Angel in the Warehouse Theater’s production of Angels in America, silent films and short horror films (most notably, Your Cold Black Heart).Their song, “I Felt a Funeral,” is HorrorAddicts.net’s theme song for season 16: Cultural Horror.

I chatted with one-half of Valentine Wolfe in the person of Sarah Black—a talented and gracious woman. We spoke of music, Valentine Wolfe’s new album, and Emily Dickinson.

NTK: Welcome to Chilling Chat, Sarah! Valentine Wolfe is the theme song band for this season. How do you feel about being the theme song band again?

VW: I am so humbled that you would use our music again! I also am really proud of our latest album so I’m glad more people will get a chance to listen!

NTK: And it’s a terrific album! Could you tell us a little about it?

VW: When there is not a pandemic going on, we love to perform at our local library. They have had us doing live soundtracks to old silent films and performing our music about Edgar Allan Poe and Mary Shelley. Then they asked us to be part of an American poets series and asked us if we’d be interested in doing a little something for that. I was thrilled when they mentioned Emily Dickinson. I was super excited to try setting some of her poetry to music. Then, I felt like I couldn’t stop so a little project ended up turning into a whole album set to her poems.

NTK: That is awesome! Is that where the inspiration for “I Felt a Funeral” came from?

VW: It is! I checked out a book with most of her poems from the library and it was so hard to narrow down my choices for thematic material. We decided to go with lullabies, laments, and love songs. So, “I Felt A Funeral” fits into the lament category.

NTK: Oh, it certainly does. What was the creative process like? How does Valentine Wolfe come up with such great songs? Do you both write the music and lyrics? Or is it more like an Elton John/Bernie Taupin kind of collaboration, where one writes the lyrics and the other writes the music?

VW: When we are not using prewritten lyrics, I do most of the writing, but not all. Braxton has written a lot of them, and with some of our older songs, I now have a hard time remembering who wrote what. We do love to collaborate and bounce ideas off each other and write together. Sometimes though, I’ll start writing on my own and basically have an almost completed song finished before I show it to him. And sometimes, he’ll write a song and show it to me. Whenever I write bass parts or he writes vocal parts, we sometimes have to make slight adjustments, but we both are learning more and more what ourselves and each other best gravitate to.

NTK: What is your favorite Emily Dickinson poem?

VW: My favorite message is in “The Soul Selects Her Own Society,” but I also really love how “Hope is the Thing with Feathers” turned out on our album!

NTK: You have some truly beautiful tracks on this album. Very romantic sounds. Do you have a favorite Gothic romance?

VW: I am really enjoying some of the newer books by Leanna Renee Hieber. Do new books count?

NTK: (Laughs.) They sure do! What about movies?

VW: I love the newest version of Dracula the BBC put out. The one by Mark Gatiss and Steven Moffat.

NTK: Sarah, do you have a favorite band? Who do you like to listen to? Who inspired you to become a musician?

VW: Some of what I am listening to right now is Under a Godless Veil by Draconian. They layer ethereal vocals with luscious slabs of sound that always seem to fit my mood perfectly. I also am just loving the new album by Evanescence! Also like the new Epica and the new Moonspell. All of these are gothic but in slightly different ways.

As for my original inspiration, I can’t remember! I was so lucky to get to grow up with music. My parents supported me taking music lessons at a young age, so I started on piano and added clarinet. My first piano teacher was so great because she included music theory in with the lessons. It was such a great foundation and that may have been what started my love of composing, getting an early start on the theory side of things.

NTK: You mentioned the pandemic before. How have you kept busy during it? Have you done anything over Zoom? Or attended any virtual conventions?

VW: We have done some virtual events! It’s been such a heartbreak not to get to play live shows, but it has been such a wonderful opportunity for us to learn to do more with video. We’ve really been working hard on that aspect and we made a lyric video for each track off the Emily Dickinson album, Only Gossamer My Gown. Even though live shows are still such an amazing way to share music, we can now share our songs in the best way with new listeners from countries we aren’t likely to be touring in. Even before the pandemic we mostly only performed along the East Coast. These videos will hopefully help us reach more people.

And we recorded a short set for the virtual DragonCon last year.

Virtual DragonCon was certainly quite different from the hustle and bustle of being there in person! Everyone there works so hard to put on such a great show every year. I was so glad they included us!

NTK: I’m so glad to hear that! So wonderful you could adapt. Going back to the new album, what’s it like translating a poem to music? Do you hear the music in the words?

VW: I do hear the music in the words! I realize that everyone who reads poetry probably hears music in the words, so part of my job is to try to be unobtrusive with my own take so it doesn’t distract too much from another’s enjoyment, but then, I also realize that my take is unique so it won’t mirror exactly anyone else’s experience. Hopefully, people can accept my versions without it ruining any music they hear in their heads!

NTK: What does the future hold for Valentine Wolfe? Is there a new album in the works? New conventions-or virtual ones-to attend?

VW: For now we are waiting to see what it will be like for shows to start gradually coming back. If we don’t get to play out again until October, we will just be happy to be safe and healthy. Because in the meantime, we are writing a new album! We don’t have a specific theme this time, we are just writing and seeing where that writing takes us. The new video we have includes a snippet from a new song with some background storytelling from Braxton.

NTK: Thank you so much for chatting with me, Sarah! I always have a great time interviewing you.

VW: I really enjoyed this too! Thank you so much for including me!

Free Fiction Friday: They Wound Like Worms in full

The audiodrama “They Wound Like Worms” by Naching T. Kassa from last season is now available in full! You can listen either in audio (see below) or on YouTube (see further below). Relive the story all in one sitting.

“They Wound Like Worms” by Naching T. Kassa

voiced by Cedar George

theme music by Valentine Wolfe


“They Wound Like Worms” by Naching T. Kassa is from the anthology, Dark Divinations edited by Naching T. Kassa

It’s the height of Queen Victoria’s rule. Fog swirls in the gas-lit streets, while in the parlor, hands are linked. Pale and expectant faces gaze upon a woman, her eyes closed and shoulders slumped. The medium speaks, her tone hollow and inhuman. The seance has begun.

Join us as we explore fourteen frightening tales of Victorian horror, each centered around a method of divination. Can the reading of tea leaves influence the future? Can dreams keep a soldier from death in the Crimea? Can a pocket watch foretell a deadly family curse? From entrail reading and fortune-telling machines to prophetic spiders and voodoo spells, sometimes the future is better left unknown.

Choose your fate.

Choose your DARK DIVINATION.

With stories by: Stephanie Ellis, Hannah Hulbert, Daphne Strasert, Ash Hartwell, R.L. Merrill, Alan Fisher, Michael Fassbender, Joe L. Murr, Naching T. Kassa, Emerian Rich, Jon O’Bergh, Rie Sheridan Rose, Jeremy Megarge, and HRR Gorman

Order now at: https://www.amazon.com/Dark-Divinations-Naching-Kassa-ebook/dp/B086YD6DR9

HOW CON: How to Conduct an Interview

How to Conduct an Interview

By Naching T. Kassa

Welcome to HOWCON 2021!  I’m Naching T. Kassa, and I conduct Chilling Chat Interviews on the HorrorAddicts.net Blog. I also interview for the Horror Writers Association Newsletter.

Why should you learn to interview? Here’s the answer. You can meet many people through interviewing and, for a writer, meeting people is essential. We need to network to get our work and skill out before the right people. Also, it gains the attention of potential publishers. Publishers look for websites and blogs which conduct interviews to showcase their writers. Think about it. Someone could come to your blog for the interview you’ve done and stay to look at your books.

The following are two lists. The first is a DO list. These are things you should do to conduct an interview. The other is a DON’T. Avoid these things at all costs.

DO

  • CARE—Whether you are assigned an interview or whether you write one up for your blog, always—ALWAYS—care about your subject. This is a person you’re speaking to and not a lump of cheese. You’re not Oprah or Barbara Walters. You’re not Geraldo Rivera. The subject is doing you a favor by granting an interview. Don’t ask them what kind of underwear they wear and what color. It’s rude and creepy. The least you can do is care about your subject. Treat them with respect.
  • CONTACT YOUR SUBJECT—Always contact your subject prior to the interview. Don’t just turn up and start asking questions unless they suggest it. Give your subject options for interviews. Ask them what date and time are best for them. Since all my interviews are done online, I make it clear they are text only and we will not be speaking on the phone or through Skype. I then ask whether they would like to do a text interview through Facebook Messenger or e-mail. (Facebook Messenger is my preferred way of interviewing. It shortens the time taken to conduct the interview, is easier to transcribe, and allows you to see whether your subject is finished writing or in the process of writing their answer.)
  • PREPARE FOR THE INTERVIEW—This is a VERY important step. A successful interview depends on your research. If this is an assignment, read the information you are provided with. If there is none, or you are interviewing on your blog, Google your subject. Look at their website. If they’re a writer, check out their Amazon page. If they’re an actor, check out YouTube or watch their movie. If they’re a musician, check out their music. If you don’t know your subject, you won’t ask pertinent or interesting questions.
  • WRITE OUT A LIST OF QUESTIONS BEFORE THE INTERVIEW—Always write a series of base questions before you conduct an interview. (Since I interview people involved in the horror genre, I like to ask them how they became involved in horror, what they’re favorite horror movie is, etc.) You can use the base questions to keep you on point. I tend to go off on tangents when interviewing because my questions are organic and are reliant on the subject’s answers.
  • ALWAYS INTERVIEW THE SUBJECT ON TIME—Make sure you contact your subject at the agreed time. First impressions are important, and you are conveying professionalism and trust by being WHERE you’re supposed to be, WHEN you’re supposed to be.
  • HAVE FUN—Interviews often start stiff because, usually, neither you nor the subject know one another. Be sure to ask questions which are interesting to your subject. This will engage them. Let’s face it, you don’t want an interview where all the answers to your questions are either yes or no.
  • –OPTIONAL—HAVE A CONVERSATION ON THE SIDE—I like to converse with my subjects during the interview. How do I accomplish this? I speak to them in parentheses. At the beginning of the interview, I tell the subject that nothing within the parentheses will appear in the interview. Then, as I ask questions, I can give them my true reactions. I interviewed Nancy Holder—the well-known horror writer and Sherlockian—and throughout the interview, we discussed how much we adored Sherlock Holmes. None of this appeared in the interview. It was just a fun conversation that made both of us feel more at ease. Someone who’s having fun will tell you more than someone who isn’t. And, don’t feel bad if the person doesn’t message you back in parentheses. You’re letting them know how you feel. People appreciate that.
  • ASK PERMISSION—If a subject tells you something in private conversation, and you think it would be good for the interview, ask permission to add it.
  • SHOW APPRECIATION—Once the interview has concluded, thank the person for their time. Again, your subject deserves care and respect. Plus, you may want to interview them again one day.
  • EDIT YOUR INTERVIEW—What I mean when I say edit, is make sure the grammar and spelling are correct in your interview. (You don’t want to post an interview where you misspelled your subject’s name, do you?) Also, read it over carefully. If some tangent questions could fit in a better place, and they will not ruin the context of the question, then move them.
  • E-MAIL INTERVIEWS WITH A SET SERIES OF QUESTIONS—Sometimes I have to interview multiple subjects on a deadline. When this happens, I usually come up with a series of ten questions which I send to all of them. This is not my preferred way of interviewing. It’s a bit too impersonal for me. However, many people do it and do it well. It’s all a matter of taste.
  • TELL THE SUBJECT WHEN THE INTERVIEW POSTS—It is essential you tell your subject when and where their interview will appear. I like to inform my subjects the day of and I like to share the link with them. Your subject will then share for you, bringing attention to your site and your work.

Ok, we’ve covered the good stuff. Here’s the bad.

DON’T

  • DON’T MAKE THE INTERVIEW ABOUT YOU—An interview is not about you. The subject isn’t here to talk about your new book or your website. Don’t ask questions that pertain to yourself.
  • DON’T STALK YOUR SUBJECT—Researching a person is not the same as stalking. Do not be Snoopy McSnooperson and go to their Facebook account to investigate their friends, relatives, and pictures. Only research what is essential to the interview. Again, unless you’re Oprah or Barbara, you don’t need to know about their personal life. Not unless they bring it up and give you permission.
  • DON’T GET OFFENDED—If you are an easily offended person, interviewing is not for you. Some people may be grumpy or difficult. Be professional at all times.
  • DON’T MOVE ANSWERS OUT OF CONTEXT—When editing, do not move the answers out of context or add to the answers. You are there to report what the subject says. You are not there to put words in their mouth.
  • DON’T BE MERCENARY—Do not ask your subject to like your Facebook page, write a review for your book, or otherwise endorse your work. Networking is all about reputation and if you do this, you’re creating a bad reputation for yourself. The subject will let you know if they’re interested.

Remember: the most important rule when interviewing anyone is to CARE about them and RESPECT them. It’s the best way to network and the best way to be—well—human.

HOW CON: Submitting Your Short Story

Submitting Your Short Story

By Naching T. Kassa

Welcome to HOWCON, everyone! My name is Naching T. Kassa, Head of Publishing for HorrorAddicts.net. Today, I’ll be discussing the fundamentals of the submission process and what every writer must know in order to increase their chances of being published. I’ll talk about preparing your story, guidelines for submission, market lists and submission trackers, and throw in a few words of wisdom at the end. There will also be some advice from a pretty awesome horror writer, so be sure to pay attention.

I. PREPARE YOUR STORY—Have you ever prepared for a job interview or a first date? You showered, right? Combed your hair? Brushed your teeth? You know how important a first impression is. And, making the right first impression on an editor or publisher is everything.

A.)  PROOFREAD YOUR STORY—Would you show up to a first date with stinky breath, uncombed hair, and an unshowered bod? Of course, you wouldn’t! (Not unless you’re a werewolf.) So, why would you send your manuscript off in an unkempt state? When you send out a manuscript, it should be your best work. It should be polished, all the “I’s” dotted and “T’s” crossed. Everything should be in the correct tense and point of view. Check, check, and recheck. Have a Beta Reader go through it. Or, use a free online program to improve your manuscript. Here are the ones I use. If you can afford it, you can even pay for premium services.

a. GRAMMARLY —The free version of Grammarly helps with spell checking, grammar, and punctuation. Make sure you use common sense when viewing the suggestions it gives you. Sometimes, Grammarly acts drunk and you must send it home.

b. PROWRITINGAID—The free version of ProWritingAid is terrific when you need to check for Passive Voice, Repeated Sentence Starts, Grammar, Spelling, and all things writing. The only drawback to the free version is it only checks the first 500 words and you must continually delete 500 words to check the entire manuscript. Of course, you can try the free trial version or buy the premium if you like.

B. READ YOUR STORY ALOUD—I recommend reading your story aloud to a recording device before submitting. (Many phones and tablets have apps you can download.) Reading your story aloud will help you catch misspelled words and clunky phrases you may have missed while reading silently. It will also help with rhythm and smooth out the choppy areas.

C. WHAT EDITORS DON’T WANT—When writing a short story, stay away from these areas:

a. HEAD HOPPING—“Head Hopping” means jumping from one character’s head to another, or several changes in Point of View. Many short story editors despise “Head Hopping.” They find it confusing for the reader and the mark of an amateur.

b. PAST AND PRESENT TENSE ISSUES—If you choose a tense, stick with it for the entire story. Again, it’s confusing for the reader if you don’t.

c. A STORY WHICH NEEDS TOO MUCH EDITING—This is the main reason for this entire section. If you submit an unpolished story it could be rejected, no matter how good it is.

II. READ THE GUIDELINES—The guidelines editors and publishers set are the rules you must follow when submitting. Many writers have been rejected, their manuscripts unseen by editor’s eyes because they failed to follow these guidelines.

A. COMMON GUIDELINES—Guidelines consist of the following items, though many vary according to publisher. SHUNN format is the standard used by most.

a. COVER LETTER—Most publishers ask for a cover letter to go with your submission. Usually, this is the first page of your document. A good cover letter should be brief. It should introduce you, your story, word count, and any achievements. Sometimes, a publisher may ask for a brief bio as well. (Always write your bio in the third person.) When submitting by e-mail, I usually copy and paste my cover letter into the body of the e-mail.

b. DOCUMENT FORMAT—The publisher will specify whether the document should be in DOC, DOCX, RTF, etc.

c. FONT—The most requested fonts are Times New Roman and Courier. 12 pt. is preferred.

d. SPACING—Most publishers prefer double-spaced. (It’s easier to edit.)

e. HEADERS—SHUNN formatting recommends using headers and page numbers.

f. E-MAIL—The publisher may ask you to include information in your e-mail. You may be asked to provide a biography as well as links to your website and social media. Make sure you include all information and write the subject line the way the publisher requests. If you fail to do this, your e-mail may become lost, or it may find its way into the spam folder instead of the slush pile.

B. UNUSUAL GUIDELINES—Some publishers will request single spacing, different fonts, or a pint of blood, depending on how they present their publication. (Ok, I made that up about the blood. It’s spinal fluid.) Here are a few examples of unusual submission guidelines.

a. BLIND SUBMISSIONS—No, this is not the Bird Box challenge of the submission world. When you make a blind submission, you are scrubbing the story of all personal information related to yourself. You DO NOT include your name, address, phone number, e-mail address, or affiliation with any writers association on the manuscript. It should contain only the body of the story, the title, and the word count. All other personal information should be included in the e-mail.

b. MAIL-IN SUBMISSIONS—Most publishers have moved on to Digital Submissions, but a select few have elected to stay with the mail-in submission. Here are some quick tips for mailing:

1.) Do not fold the manuscript when mailing.

2.) Place the manuscript in a folder before putting it in a 9×11 envelope.

c. WAYS OF SUBMITTING—Some publishers won’t accept e-mail submissions. Instead, they require the writer to submit to a submission website. These sites allow them to read and organize large volumes of submissions. You’ll need to create an account if you wish to use them.

1. SUBMITTABLE—Submitting through this site is easy. The publisher will provide you with a link to their submission and, if you have an account, you’ll simply go from there. All the guidelines are on the page. You even have a spot for a cover letter which can be used as a template. It will appear each time you use Submittable and you can adapt it to your needs. Submittable also tracks these submissions for you and, if you check in with the site, you’ll see whether your submission has been received, is in-progress, has been rejected, or accepted. The submission will also be archived under these categories. So, you can delight in your acceptances or sob over your rejections.

2. MOKSHA—Moksha (which means “freedom or emancipation from the cycle of reincarnation” in Hindu) is fairly easy to work with. You simply fill in the blanks with your info and are notified by e-mail whether you’ve been accepted or not. The Magazine of Fantasy and Science Fiction uses this site.

III. MARKET LISTS AND SUBMISSION TRACKERS

A. THE HORROR TREE—This is the best market site for horror writers. If you subscribe to their newsletter, you’ll receive new listings in your inbox every Friday.

B. SUBMISSION GRINDER—This market list site is also a submission tracker. You can search for horror markets and then log submissions to them. The site keeps track of how long the submission has been out and, if you are rejected, will search for similar markets to resubmit to.

C. LITERARIUM—Another market list and submission tracker site. You do much of the work inputting info here.

D. DUOTROPE—This site tracks and lists markets. It also requires payment. You can pay $5 a month or $50 a year.

IV. AUTHOR ADVICE

A. JG FAHERTY’S TIPS FOR SUBMITTING TO PUBLISHERS—JG Faherty is the author of Carnival of Fear and The Cemetery Club. He’s been gracious enough to provide us with a few words on the submission process.

1. Always make sure your manuscript is in tip-top shape, whether it’s a novel or short story. Proofread, and then do it twice more, and have another writer or professional editor look it over as well.

2. Make sure the story is a good match for the market. Don’t assume that every horror magazine is going to like every type of horror. Some specialize in weird fiction, some in traditional horror. Some don’t want vampires or ghosts; others don’t want excess bloodshed. Do your homework. This goes for book publishers, too.

3. Read the submission guidelines very carefully and follow them to the letter. If the publisher or editor wants stories formatted in a certain way, do it. If they say only send 3 chapters, don’t send more or less. If they want a synopsis, send it. The surest way to end up in the rejection bin is to not follow the guidelines.

4. Always include a cover letter, unless the market specifically says not to. That cover letter should contain all your contact information, the word count of the story or book, and a short paragraph detailing your professional credits. For a book submission, you can include a paragraph or two about the novel and what makes it unique. For short stories, never tell about the plot, just give the title and that’s it.

5. Some editors still prefer hard copies to be snail mailed. In those cases, make sure to use a 9×11 envelope, either padded or place your manuscript in a file folder so it doesn’t get wet or bent. Never fold the document into a small envelope.

6. Always be polite and professional. Don’t make weird jokes in the cover letter, or threaten the editor, or criticize their work. Don’t offer bribes, even as a joke. It is okay to say you’re a fan of their work, but certainly not necessary.

7. Sometimes we finish right before the submission deadline ends, but always do your best to get the story to the editor before then. Submission periods exist for a reason, and most markets strictly adhere to them. If you miss the deadline, you can try to request a 1-day extension, but don’t be upset if it’s not granted.

8. Never publicly criticize a market or editor, or write a scathing response, if you get rejected!

V. WORDS OF WISDOM—You’ve learned how to prepare your manuscript, follow guidelines, and where to submit and track your submissions. Just a few more words of wisdom.

A. DON’T GIVE UP—Whether you’re applying for a job or beginning a relationship, there is always the threat of rejection. Writing is no different and, if you don’t develop a thick skin (or borrow one from your favorite neighborhood cannibal) you won’t make it very far. If you’re rejected, look the story over and try again somewhere else. Remember: J.K. Rowling received many rejections before she found a home for Harry Potter. Can you imagine how those publishers feel now?

B. TAKE CONSTRUCTIVE CRITICISM—If you receive feedback from an editor and they’ve taken the time to give you some constructive criticism, don’t freak out. Take it and apply it. It could vastly improve your work. Don’t let your ego get in the way.

Thank you for joining me today.  Good luck and keep submitting!

 

 

Asian Horror Month: Chilling Chat: Jess Chua

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Jess Chua is a writer and editor for a personal development podcast. Her micro-fiction was a runner-up in the Mysterious Photograph contest at Alfred Hitchcock Mystery Magazine. She enjoys yoga, healthy cooking, and spending time with her pets.jess_bnw_wc

NTK: How old were you when you discovered horror?

JC: I was possibly five years old when I first started learning about ghosts. I’ve been savoring taking my own sweet time exploring the genre since then.

NTK: What is your favorite horror movie?

JC: Hmm, it’s hard to pick just one. Some of my favorites include Psycho, The Shining, Pet Sematary. The Stepford Wives (1975). Alien, Silence of The Lambs, and The Texas Chain Saw Massacre (1974).

I recently added some Asian horror movies (like Third Eye and 23:59) onto my Netflix queue and look forward to checking those out.

The Ring (Japanese; 1998) was very creepy, too! I watched a little bit of it long ago and will need to finish watching it someday…

NTK: Do you have a favorite horror television show?

JC: I was very drawn in by Bates Motel and Kingdom (South Korean). I found the latter’s portrayal of zombies refreshing.

NTK: What is your favorite horror novel?

JS: Psycho was a slim book that packed a punch. I enjoyed the pacing and range of human emotions in Pet Sematary.

Aside from novels, I enjoy short stories in this genre as it allows me to check out different worlds and characters in a short amount of time.

NTK: Who is your favorite horror author?

JS: I’ve been a big fan of Edgar Allan Poe since I was sixteen. His haunting tales of the macabre stay with me long after I’ve finished reading them.

I almost have the full collection of out-of-print books by the late Singaporean writer Damien Sin, so he’s definitely another one of my favorite horror authors. I appreciate the originality and authentic, local flavor of his writing.

NTK: What inspires your writing?

JS: The highs and lows of the human psyche and human behavior.

NTK: If you were to meet a reader for the first time, and they asked for a recommendation from you about one of your works, what is the one book or story you would recommend to them?

JS: I would probably recommend a dark fiction chapbook that I’d like to compile in the near future. It’d be a convenient way for a new reader to check out my writing style and ideas.

NTK: Do your characters have free will? Or do you plan their every move?

JS: I think a 50-50 approach is fun to take. The characters sometimes have free will within a set idea that I have beforehand of what I’d like them to experience or be like. Visualizing the scenes they’re in is always a creative and analytical exercise.

NTK: What is your favorite monster?

JS: The Pontianak (a malevolent female spirit in Malaysian and Indonesian folklore), King Kong, or Godzilla.

NTK: As an Asian writer in the horror community, how has your experience been?

JS: As a writer of mixed ethnicity (Chinese-Eurasian) who has lived in different countries, it’s sometimes difficult to find the right balance in a story or piece of creative work. It can become very anxiety-inducing to think about whether the characters or story is inclusive enough to readers of different cultures and backgrounds. I try to stay focused on the plot and characters, and if race or geographic setting is integral to the story, then I do my best to write about it in an authentic way.

NTK: What does the future hold for you? What works do HorrorAddicts have to look forward to?

JS: I’d like to continue working on short stories and reading the horror anthologies on my bookshelf. One of my stories will be published in a Gluttony-themed anthology and I have some Singapore-based ghost stories in mind. Southeast Asia has a rich variety of paranormal lore which have stayed with me, even though I’ve lived halfway across the world for over a decade now. Thanks for checking out my interview–and best wishes for 2021!

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Enjoy Last Call a short story by Jess Chua at HorrorAddicts.com on January 8, 2021

Chilling Chat: #SWP – Loren Rhoads and Emerian Rich

lorenLoren Rhoads served as editor for Bram Stoker Award-nominated Morbid Curiosity magazine as well as the books The Haunted Mansion Project: Year Two, Death’s Garden: Relationship with Cemeteries, and Morbid Curiosity Cures the Blues: True Tales of the Unsavory, Unwise, Unorthodox, and Unusual. Her short stories have appeared in the books Best New Horror #27, Strange California, Sins of the Sirens: Fourteen Tales of Dark Desire, Fright Mare: Women Write Horror, and most recently in the magazines Weirdbook, Occult Detective Quarterly, and Space & Time.

Emerian Rich is the author of the vampire book series, Night’s Knights, and writes romance under the name emz1smallEmmy Z. Madrigal. Her romance/horror cross over, Artistic License, is about a woman who inherits a house where anything she paints on the walls comes alive. She’s been published in a handful of anthologies by publishers such as Dragon Moon Press, Hidden Thoughts Press, Hazardous Press, and White Wolf Press. She is the podcast Horror Hostess of HorrorAddicts.net.

In our round table interview, these talented ladies spoke of their newest creation, The Spooky Writer’s Planner. 

NTK: What inspired The Spooky Writer’s Planner?

LR: I am a planner junkie. To be honest, I have trouble deciding what to do next, especially if projects have multiple steps, so I really need a planner to take the stress out of deciding how to move forward on a project. I kept buying new systems, hoping to find one that would tame my chaos, but no single system ever had all the forms I wanted or needed. I tried cobbling together a bunch of different systems, but it was ugly and frustrating.

ER: I wanted a planner that fit my needs better than any of those on the market. I’m kind of a planner fanatic. I buy several every year to try and “Frankenstein” one planner that will fit all my needs. I was talking to Loren about this and she has the same problem, so we join forces to create this one. We figured, even if no one else finds it helpful, at least we’ll have our perfect planner in our hands.

NTK: How did the planner come about? What started this awesome collaboration?

LR: I turned to Emerian and asked if she would consider designing the perfect planner for me. Once we got talking about the project, she realized that she could make a planner that was perfect for her, too.  So, then we started sending our favorite planner pages back and forth, talking about what worked for us and why. That part was really fun.

I think she was startled by just how many planners I’ve tried over the years, though.

NTK: Who came up with the name?

LR: I credit Emerian for that. We went back and forth between Spooky Author’s Planner and Spooky Writer’s Planner, but I think she made the right choice to make it more inclusive.

ER: I think it was a collaborative brainstorm.

NTK: What are some of the problems you’ve encountered with other planners? Did you address these specifically when creating the Spooky Writer’s Planner?

LR: Other author planners that I’ve experimented with focused on things that weren’t useful to me. The one I started with last year spent pages on choosing editors and logging finances. The one I used in the middle of the year spent an enormous amount of time on figuring out how many hours you have to write in a week, then on choosing projects you can finish in those hours.  Which required a much better understanding of how long projects take to complete than I have!

So, we stripped our planner back to what we really need as authors: a place to track submissions, a form for developing characters and one for world-building, weekly lists of deadlines, a way to track big projects, a game for collecting rejection slips as a way to inspire us to take chances on pitching to new markets, a system to celebrate successes… I am so bad at tracking things that I sat down earlier this month to figure out how many pieces I’ve had published in 2020. It was way more than I thought! I kept coming across interviews I’d forgotten I’d done.  I need a place where I can log all of that and be able to track it better.

ER: Planners usually don’t address the needs of a writer’s life. They don’t account for charting progress or keeping track of submissions. So, often, a writer will have a planner and then other books or sheets to keep track of all that. With this planner, writers will have all that information all in one place. Easy to track and most of all, easy to access. We’ve also made the planner customizable. If you want a print book, we have that, but if you only use certain sheets or certain spreads, you can get the digital copy so you only print what you use.

NTK: There are inspirational quotes and tips included in the planner. How did you choose them and how did you come up with them? Are these tips and quotes personal to you?

LR: Years ago, I belonged to a writers group called the Red Room Writers Society. One Christmas, they gave us each a little red leather-bound book called a Commonplace Book, for collecting quotes that inspired us. Every time I see something about writing, I copy it down in my Commonplace Book. I’m really thrilled to share some of my favorite quotes in the planner.

A lot of the tips came from a seminar Emerian and I did at BayCon a couple of years ago. The topic was “How to Get Out of the Slush Pile.” We talked about what you can do as an author to improve your chances with an editor. Emerian suggested we include some of that in the planner, which I thought was a great idea.

ER: The tips and tricks are things we’ve learned during the combined 50 years of publishing experience we have. We give tips on publishing, submitting, marketing, and social media. We’ve also got quick tasks listed. Only have five minutes? We give you ideas on how to use that time to benefit your writing schedule.

NTK: Is the planner available in print and digital forms? Where can Horror Addicts find it?

LR: Yes!  Emerian wanted a book-style planner. I wanted to be able to print pages as I needed them and keep them in a three-ring binder. So, we each got what we wanted! The paperback version is available on Amazon. The digital download is for sale on Etsy.

ER: They can find it on Amazon for the print version and Etsy for the digital version. We show the different types with pictures and examples, here.

NTK: Do you have any plans for future collaborations?

LR: I would love to work with Emz again. For a long time, I’ve been in awe of how many things she accomplishes and how incredibly creative she is.  She was really a driving force in getting this planner done. I did a lot of the “fun” work, pulling together sample planners and daydreaming about the pages I wanted, but she did the hard imaginative design work. I kibitzed and proofread—which I love—but she had to make my suggestions real. She made the process really fun for me.  I hope it was as much fun for her!

ER: I am so thrilled to be collaborating on this planner. Loren has been one of my favorite creators for years, even before I knew her, I admired her ‘zine Morbid Curiosity. Now that we’re friends, I’m still inspired every day by the way her brain works and the fun topics she comes up with, so you never know! PS… we’ve just been told we’ll be sharing a fiction TOC soon, so… stay tuned!

Chilling Chat Update: EmoWeasel

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Christie Crapeticio, known as “EmoWeasel,” is a San Francisco-based illustrator who draws comics, children’s books, horror art, and pattern designs. She went to the Academy of Art University in San Francisco. While cover and back vol 1 (2)attending school, she studied comic book art and children’s books. 

EmoWeasel has been busy since we last spoke. Here’s what she’s been up to.

NTK: Welcome back to Chilling Chat, EmoWeasel! I hear you have a new comic series. What is it about?

EW: The comic series is called Demon Eye. It is a war fantasy. Here is the small elevator pitch:

Cirsto is forced to return home from a war she created. Once home she gets to see her old friends and family and is reminded of who she has truly failed. They all hope they can get back to where they were, but Cirsto knows she can’t be what she was. Haunted by her past actions she knows she can never be the friend they once loved.

Now Cirsto must readapt to the old ways of life while being plagued by what she has become.

NTK: Who are the main characters?

EW: The main character is named Cirsto. She is a wolf-demon from the Clover pack. The other supporting main characters are Garien, Panda, Alek, and Jay. They are all humans.

NTK: What inspired this new series?

EW: This has been a dream project of mine since I was 13, so it’s been a project I’ve been working on literally half my life.

While growing up I never had a lot of friends, so I loved to either watch cartoons and stuff and that always sparked stories in my head.

One day when I was in middle school, I saw a show called Naruto and I just fell in love with it! I started to watch it and read it and almost studied it. And after seeing the show and loving how it was built, I decided to finally put my overactive mind into use and start building my own story!

Working on Demon Eye has been one of my biggest drives to follow my art dreams. It’s because of the comic that I went to school, the Academy of Art University, here in San Francisco.

NTK: Where can Horror Addicts find it? 

EW: Currently it is on Tapas.io, WEBTOONS, and my art Facebook page (@EmoWeasel). But it is getting printed into a comic book now! The book was supposed to be out on November 26, but due to printing problems, it will be available in my Etsy shop, Square shop, and Book shop on December 26. It will also be available on Amazon and Barnes and Noble on January 26. (keeping the 26 theme for all the months.) (Laughs.)

It should be available for preorder on Etsy and Square around the beginning of December. For the preorders, you can get some special stuff! Like a signed book, two special dye cut stickers and a print! These specials will only be available for preorders.

NTK: You also have a new podcast. What’s it called and what’s it about?

EW: The podcast is a spooky! It is done like the old radio shows back in the day. It is called Koszmar, and it is a dream project by the creator, in both senses because she’s wanted to make this come true and it’s based off a nightmare she had.

“In this story, we join a Detective, a washed-up recovering drunk who is transferred to Shaker Heights to work on a string of murder cases to find the culprit. As the Detective draws the strings together, he’s haunted by a past he cannot shake. Will he survive the nightmare? Join us on our journey with the Detective to try and solve the riddle behind the Widow’s Creek Lullaby.”  

NTK: Where can Horror Addicts find it? 

EW: It is on Spotify, apple music, and most podcast platforms.

NTK: What does the future hold? What new projects are on the horizon? 

EW: So much is happening while nothing is happening at the same time. (Laughs.) I will be doing some fun short comics soon. One of the comics I will be doing is actually based off the podcast, so viewers will soon get to see the true horror that is the story.

Besides comics I am working my butt off the get my online stores looking pretty and also, I hope to finally get my art classes up and running. I will be doing comic classes, of course, and some fun crayon craft classes.

NTK: Thank you for joining us, EmoWeasel! It’s a pleasure as always!

EW: You’re welcome!

Addicts, you can find EmoWeasel on Facebook, and Instagram. Discover her work on her Etsy page. You can pre-order Demon Eye at her Etsy and Square sites. The book will be available December 26, 2020.

 

Chilling Chat: Simon Osborne

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Simon Osborne was born in 1970 in Cornwall, UK, and started acting professionally in British TV at the age of 10. At the age of 17, he played Prime Minister Pitt the Younger in BBC TVs Blackadder 3. He appeared in many Simon Osborneproductions before and after but is best known for Blackadder. Later, he studied history and has spent a few years working in heritage in Wales, UK. His wife Penny also works in heritage and his son William is studying film at University in the UK. As well as being a behind the scenes blogger, Simon is now considering going back into acting.

NTK: Welcome, Simon! Thank you for joining me today!

SO: Thank you for having me, Naching.

NTK: How old were you when you decided you’d like to be an actor?

SO: I think about eight or nine when I first seriously did. A BBC series was being filmed in my remote Cornish village, and I thought ‘I could do that!’

NTK: Where did you start? Did you start in plays or did you go straight to television acting?

SO: Straight to TV professionally, but I had done amateur Pantomimes in my village first.

NTK: Could you explain what Pantomimes are for our American audience?

SO: I just thought of that! (Laughs.) They are sort of comic morality stories, usually of Medieval folk origins and often have musical numbers in them. Traditionally the young male lead will be played by a young woman, and an old woman part will be played by a man. Although a moral tale the main theme is fun. Sort of comedy musical fairy tales.

Peter Pan is one and Cinderella.

NTK: Did these pantomimes prepare you for acting on television? Or are the skills used completely different?

SO: It prepared me for performing, gave me confidence in my acting abilities and experience in live performance.

NTK: What was your first television role?

SO: I played the lead role in a sort of Horror story for British schools made by Thames TV. It was for children so not too scary.

NTK: Was that “The Shadow Cage?”

SO: Yes, it’s from a book of short stories by the late author Philippa Pearce. “The Shadow Cage” being the main story.

NTK: What is the story about? And what was your role?

SO: It starts in Victorian England. An old woman is accused of being a witch. One night her cottage is burned to the ground, and her with it. Skip to modern day and a farmer ploughing where the remains of the cottage are. He digs up an old bottle with some dried strange powder inside. This bottle ends up in the hands of the farmers nephew Kevin (that’s me!) Having this bottle causes dreams of Victorian England, the witch, and makes him walk around at night in the village followed by whistling spirits! Or are they?

NTK: Are you a fan of horror or scary stuff?

SO: Not always! I don’t like needless blood and things, but I definitely think much more atmosphere can be caused by tension and what you don’t see. I loved staying up late at night as a child to watch black and white horror films like The Mummy! I think being black and white added to the atmosphere, tension and enjoyment.

NTK: Was this the Universal Mummy or the Hammer version? Which do you like better?

SO: Probably Universal but would have watched them both! I think I found Hammer stuff scarier as a child. Both good.

NTK: Do you like mysteries?

SO: Yes, I am a huge Conan Doyle fan! I love Sherlock Holmes, but also his other darker stuff

NTK: What is your favorite work by Conan Doyle?

SO: Outside of Sherlock Holmes, I think Lost World.

NTK: What is your favorite Sherlock Holmes story?

SO: Hard one! I think Hound of the Baskervilles and Valley of Fear.

NTK: Did you ever act in a television mystery?

SO: I did an episode of a series called Rockliffe’s Follies where I was in a gang that took on a girl they believed was a witch that caused their leaders bike to crash! We didn’t win! (Laughs.) But I do have another Sherlock story—not acting— but I always wear Victorian style clothing. I visited the Sherlock Holmes Museum in Baker Street with my family some years ago. I was wearing lots of Tweed. I sat in Sherlock’s chair by the fire and found it hard to get away! I had to pose with my pipe with all the tourists that came in, as though I was Sherlock Holmes! They must have thought I worked there!

NTK: (Laughs.) Oh my gosh! That’s great! Do you have a favorite actor?

SO: So many, but I think love lots of old ones! Charlton Heston, and Leslie Howard for drama, Terry Thomas for Comedy, Doris Day, Danny Kaye, Fred Astaire for Musicals! Modern ones, I do like a lot of Brad Pitt’s performances, but also Idris Elba, and I love a lot of Kevin Costner’s work! Strange answers! (Laughs.)

I like Jeremy Brett as Sherlock Holmes though.

NTK: You’ve worked with some fine actors, including the son of Sir Alec Guiness. He told you some interesting stories. Would you like to elaborate on that?

SO: Yes, Matthew Guinness, I never knew he was Sir Alec’s son until years later! Very talented and very funny! He knew I was interested in the supernatural and I was doing a project on it while I was away filming with him for a month as schoolwork. I was always interested in it as my grandmother Ruby who lived with us as I was growing up was born on Halloween. People always said she was a White Witch!

Matthew told me stories of things he had experienced while filming other TV and film stuff! One which involved an old woman who roamed around a manor house he was staying in at night, her cane banging on the ground as she walked but when looking to see her, she was never there! She kept two huge hounds. A little scared of this, Matthew locked himself in his room and fell into a deep sleep. When he woke he found he could hardly breathe. One of the huge hounds was lying on his chest! It wouldn’t move! Then the old lady’s cane was heard outside the room, the dog jumped up and was suddenly gone! Matthew ran and checked the door! It was still locked! He had lots like that.

NTK: Spooky! And so cool about your grandmother! Are you interested in seances and ghosts?

SO: A little! I had to with my grandmother! (Laughs.) I’m sure I’ve seen and felt things!

NTK: Ok, let’s talk about one of your biggest roles, Pitt the Younger on Blackadder. Fans of the show can read your blog if they’d like to see how you got the role and that link will be provided. What I’d like to know is if you have any funny stories to share with us. First, what was it like acting with Rowan Atkinson?

SO: Rowan was very friendly, quite quiet, but very, very funny! He could pull faces that only he could pull! He was always trying to make the rest of us laugh if we were on camera and he was off.

NTK: What about Tony Robinson?

SO: Tony was the first cast member I met! He was so friendly from the start, he really made me feel part of the Blackadder family right away.

NTK: And how was Hugh Laurie?

SO: Hugh was also very funny! He was always putting on voices particularly Dick van Dyke’s bad cockney accent! He would play the piano during breaks too.

NTK: You have a very famous speech in the episode in which you starred, “Dish and Dishonesty.” How did you feel when you first read those lines?

SO: I read it for the audition first. My first thought was that’s a nice big bit to do. I only realised I had a lot more as well as that when I got the full script in the post after I had been chosen to play the part

NTK: You delivered it beautifully! I can see why you got the part! Did you have an opportunity to meet Stephen Fry?

SO: Yes, he watched my episode being filmed as he was in the audience that night, but I met him in the BBC Bar afterwards! The BBC Bar was on the top floor of the Studios and it was always full of actors after filming

NTK: Oh wow! Did you meet a lot of actors there?

SO: Mostly just things I was working on. I did once go drinking one night in Glasgow with John Hurt! That’s another story though.

NTK: What was Stephen Fry like?

SO: Very nice, very friendly, very tall! (Laughs.) I met him standing at the bar! I am only 5 feet 6 inches tall. Stephen is well over 6 feet tall!

NTK:  Blackadder is an historical comedy. Is this what got you interested in history? Or were already a history buff?

SO: I’ve always loved History! Georgian history is one of my favourites! I love Admiral Lord Nelson, who was exactly the same height as me! (Laughs.)

NTK: Do you have any supernatural history tidbits for us?

SO: The first world war was full of stories! The Angel of Mons, the phantom Piper, the phantom soccer player! Modern historians try and now poo poo these stories, but the men who were there said they happened. I am not a big fan of such historians. I will always believe the words of those who were there before I believe someone writing about it a century later.

NTK:  What did you do after Blackadder? Did you continue acting? Or did you find a new career?

SO: I did a few things after but nothing as big as Blackadder! The last few years I’ve been working in Heritage (Historical sites) but I am thinking about getting back in to acting again.

NTK: By the way, did you know you have an IMBD page? It says you worked on things with the musician Sting. Is this true?

SO: Yes, I think it is about 3 different Simon Osbornes though. Not just me. I never worked with Sting but I did look after his cat once.

NTK: You did! How did that come about?

SO: Living in London in my early teens, we lived next door to an Irish Rock group called Cruella De Vil. They knew Sting and looked after his cat while he toured! One time he was touring, and they were too, so for about a week I had to look after the cat while both Sting and the group were away.

NTK: That is so cool! You have had a very colorful and fascinating life!! What do you have planned for the future? Anything our readers should know about?

SO: I may go back into acting, but for now writing the blog is making me remember a lot of my own history! I will be writing more behind the scenes stuff, fun History stuff, and my History—including other acting work, my travels, and my time in the British Army!

NTK: Thank you so much for chatting with me today.

SO: You’re welcome!

Addicts, you can find Simon on Twitter and on his blog.

 

 

Chilling Chat Special: Best Band 2020- Destini Beard

Destini Beard is a dark lyrical soprano in the Gothic and Horror soundtrack genre. She debuted as the first vocalist for the Horror Soundtrack group, Midnight Syndicate. Her two albums, “The Dark Masquerade,” and, “A Time Forgotten,” have been enjoyed by fans for over a decade. Performing across the US and abroad, she continues to add a dark twist to all her musical creations. Her song “Farewell Forever” was featured in the award-winning Horror/Soundtrack album from the 10th annual Rondo Hatton Awards. Her albums were featured on Rue Morgue radio, Dark Beauty Magazine, and are played nationwide on the award-winning Rock/Metal radio show “Rock Solid Pressure Show”.  Continue reading

Chilling Chat: Authors of SLAY – L. Marie Wood

L. Marie Wood is an award-winning author and screenwriter. She is the recipient of the Golden Stake Award for her novel The Promise Keeper, as well as the Harold L. Brown Award for her screenplay Home Party. Her short story, “The Ever After” is part of the Bram Stoker Award Finalist anthology Sycorax’s Daughters. Wood was recognized in The Mammoth Book of Best New Horror, Vol. 15 and as one of the 100+ Black Women in Horror Fiction.

L. Marie is a fun and vivacious lady. We spoke of writing, vampires, and The Golden Stake Award.

NTK: Welcome to Chilling Chat, Lisa! Thank you for joining me today.

LMW: Thank you so much for having me!

NTK: How old were you when you first discovered horror?

LMW: Believe it or not I was five years old! I started writing a story and it was just… dark!

I didn’t associate the term “horror” to it, but that’s what it was, it was psychological horror. And I still write in that sub-genre today.

NTK: Was it inspired by a book or a movie? What inspires your writing?

LMW: No—it literally came from out of nowhere, which is actually, how I find inspiration now.

Sometimes an idea for a story just comes to me. Could be something I saw–some detail about how someone was dressed or something they did maybe even the weather or catching a glimpse of someone making a facial expression they don’t realize is being noticed. When I go looking for inspiration, I can’t always find it.

NTK: Who was the first horror character you felt represented you? The one you could identify with the most?

LMW: Interestingly enough, the first character that came to mind isn’t from the horror genre, so I am still thinking about that one (Laughs.)

I identify with the villains and Darth Vader’s cool calmness is just so awesome to me, I’ve always wanted to emulate that.You know… should I have the need to subdue someone… you know what I mean! (Laughs.)

Then I was always partial to Bruce Lee—like I wanted to kick like him and the sound effects—heck yes. So, combine those with my favorite horror antagonist—vampires!!—and you have a really kick-ass villain. I can’t say I’ve seen this character yet… maybe Blade…wait—DEFINITELY Blade! And I have to say that I never realized that I am Blade until JUST NOW. I always saw myself more like Jerry Dandridge.

NTK: Did you see yourself as Chris Sarandon? Or Colin Ferrel?

LMW: Definitely Chris Sarandon. He was sooooo smooth.

So I guess I am the female Blade… I’m going with that. (Laughs.)

NTK: (Laughs.) Do you have a favorite horror movie?

LMW: I do! Angel Heart! Being the psychological horror lover I am, I love a movie that has twists and turns and makes me think. I find something new every time I watch that movie!

NTK: That movie is so awesome and underrated! Did you like Robert De Niro’s portrayal of the Devil?

LMW: I did, even if it was a little ham-handed… Louis Cypher HAHAHA! He looked awesome though, just enough to make sure you know who he was and what was going on, but easy enough to miss if you aren’t trying to focus on the flick.

NTK: Exactly! Do you have a favorite horror television show?

LMW: Horror Tv shows are difficult. I was a Walking Dead Fan for years and then… I mean, ok and…? I loved The Haunting of Hill House and Lovecraft Country but those are just season-long entries. AHS – I’ve really only enjoyed one whole season – the one with Cuba Gooding Jr…Roanoke.

So… I might have to say no…?

But if the stand alone, one season and one shows count, I will definitely say Haunting of Hill House. Creepy as hell, that one.

NTK: What about favorite horror author?

LMW: That is a harder question than you might realize! I adore Ira Levin’s work, the way he spun a yarn was like no one else. Very casual, conversational, it’s like he is sitting with you on a park bench or while waiting in line at the movies and telling you this creepy thing. I find that my own writing is a lot like that—like we’re having a conversation, only what I am saying is scaring the bejesus out of you. Reading his work just feels good to me.

At the same time, I love Stephen King. His ability to make the mundane spooky is so unsettling and I really love that! Finally, Shirley Jackson has psychological horror in her pocket. Her work just creeps up on you and you don’t even know why you are afraid, but you are. Read “The Lottery”… you may find yourself shivering—either because you might be the one to get stoned, or go along with the stoning and not even know why!

So my fave… Shirley Ira King. Hell of a pen name!

NTK: (Laughs.) That would be! Do you have a favorite horror novel?

LMW: I do, and interestingly enough, none of those three wrote it! Quietus by Vivian Schilling. It is so lyrical! I remember thinking that I wished I could write something so tight, so beautifully done. No purple prose. No fluff. Just amazing control and beautiful execution. I fangirled a bit when I read it and contacted her (this is like 2002 or 2003). Had to tell her it was an amazing experience reading her book.

NTK: That is so awesome! What did she say?

LMW: She was so kind. We actually spoke for a while—she was gracious about the compliment I lavished—I can only imagine that she was red-faced… I was laying it on thick because this book is… chef’s kiss!

She encouraged me to write after I told her I was actually writing my novel. Wonder if she ever read it…? Wow, how cool would THAT be??

NTK: That would be mind-blowing! I hope she did. Speaking of your writing, what attracted you to the Vampire Noire? Why did you want to write a story for SLAY?

LMW: I love vampires. Always have been drawn to them as opposed to werewolves or zombies.

I like to tell my stories from the psychological horror perspective, but sometimes the fear isn’t what you were bargaining for. Vampires let you play, they let you experiment, there is such flexibility with them. I guess I couldn’t resist!

NTK: What inspired your story? Was it something that just came to you?

LMW: Yep—always is. A song did it this time—the rhythm… I don’t even think I ever found out what it was… (Laughs.)

NTK: Do your characters have free will? Or do you plan their every move?

LMW: My characters do what they want to do when they want to do it. They routinely defy me.

And I can be as upset as I want to about that, but they do not care. I like to say that I sit back and watch the show and just write it all down for posterity.

NTK: As a person of color, how has your experience in the horror community?

LMW: Good, actually. I have been lucky enough to not have experienced a lot of what I have heard about. I started being active in the community in about 2003 and met some wonderful people from everywhere. Had signings, broke bread, shared stages, etc. I took a bit of a break for a number of years and when I came back in, I encountered the same. But as a person of color, I know that my experience isn’t everyone’s and that there have been some challenges that my fellow creatives have encountered. I can only help to be one of those people who helps pave the way, ease the way, help others along.

NTK: You’ve won some interesting awards. Could you tell us about the Golden Stake and about the UMMFF award for The Black Hole?

LMW: Ahh the Golden Stake Award! Seriously, I love that thing, it is literally a golden stake with blood on the tip!!!!! I wouldn’t even bring it back with me—left it in London to be shipped over so that they didn’t take it from me in customs, because, seriously, how could I have explained it?? (Laughs.)

My second novel, The Promise Keeper, is a psychological vampire horror tale! I must say, it felt AMAZING to go over to London during the 200 year anniversary of the publishing of The Vampyre by John Polidori and WIN this coveted award! We drank cocktails out of syringes later that night—it was a freaking blast!

As to The Black Hole, it is a very timely screenplay about colleagues who compete with each other on the paintball field along with a group of their friends. And let’s just say this… all is fun and games until the paintballs fly. My undergraduate degree from Howard University is actually in Film Production. Years later, I went on to get an MA in English and Creative Writing from Southern New Hampshire University that has a focus in Screenwriting. It is my second love and I am back to doing it with a vengeance. This particular screenplay won best Afrofuturism/Horror/Sci-Fi Screenplay at the Urban Mediamakers Film Festival.

NTK: Awesome!! You have a novel coming out on October 29th. Could you tell us about it?

LMW: Yes, absolutely! My third novel, The Realm, is about man’s greatest fear and it starts FAST!

There is much running, many things lurking in the shadows, and pure, unadulterated fear waiting for the protagonist and for you, if you dare to read it! This is book one of a series that will keep you on the edge of your seat!

NTK: L. Marie, what does the future hold for you? What works do Horror Addicts have to look forward to?

LMW: This year I have been lucky enough to be either an official selection, semi-finalist, or finalist in over fifteen other festivals! I have eight screenplays making their rounds out there—and I am so excited to see that each of them have gotten industry nods!

NTK: Thank you for joining me today, L. Marie! It’s been a pleasure!

LMW: Thank you so much for having me! I enjoyed the discussion!

Addicts, you can find L. Marie on Facebook. Check out her book, The Realm, available now.

“The Realm drops you into a bizarre and disturbing vision of the afterlife where the dead will never rest in peace. L. Marie Wood’s compulsively readable and fast-paced tale grabs you and doesn’t let go. Hang on tight!”

– Kirsten Imani Kasai, Author of The House of Erzulie

In The Realm, L. Marie Wood presents readers with a cast of nuanced characters against the backdrop of an intricate world where nothing is simply black and white or right and wrong. The “sins of the father” takes a refreshing detour from triteness and makes us accomplices to the main character’s ( Patrick’s) endeavors.

– R. J. Joseph, author of Monstrous Domesticities

Chilling Chat with Best in Blood Winner Selah Janel

Selah Janel was blessed with a giant imagination, even if it made her gullible enough to wonder if fairies lurked in the woods and vampires waited in abandoned barns outside of town as a child. As an adult, she writes in various genres, including horror and dark fantasy. Her work has been published in multiple anthologies, magazines, e-books, and a short story collection. She likes her music to rock, her vampires lethal, her faeries to play mind games, and her princesses to have adventures and hold their own.

NTK: Welcome back to Chilling Chat, Selah! Thank you for joining me today!

SJ: Thanks so much for having me again!

NTK: How did it feel to be named 2020’s Best in Blood winner?

SJ: I’d say pretty shocked is a good description for it! I was not expecting it at all!

NTK: You are very deserving! Tell us a little about “Wallpaper” your winning story.

SJ: I had originally written it as a flash story for another project, but it started going over word count, so I just kept it saved in my files for a while. It’s a pretty simple concept story of a woman at a crossroads in her own life stumbling into a haunted hotel and dealing with some particularly strange interior design. (Laughs.) Something is in the wallpaper, so it’s a short that focuses on that discovery and spirals from there.

NTK: What projects have you been working on since last we chatted?

SJ: Well, 2020 has obviously changed a lot of things and I was already doing a lot of changing and dealing with some things last year, as well, so the writing has been forced to slow down a bit. I’m starting to come back to it here and there, which is awesome and necessary. I’ve been typing a lot from my notebooks to edit, going through old files, submitting, etc. This summer I started helping the crew at Legendary Tales Magazine as a slush reader, and that really brought about a new perspective on what editors look for and how things work on that end. I’ve been going through a lot of my old shorts from anthologies and other places and hope to be putting some of those out on kindle soon as individual titles, too. There’s a lot of trial and error, and I’m rebuilding a bit and working on a few original manuscripts and ideas.

NTK: Legendary Tales Magazine is lucky to have you! You’re very involved in acting and costuming. Have these experiences inspired any of your stories?

SJ: Oh definitely, in a lot of ways. In general, I think my years of acting classes in college taught me how to approach characters a little differently, to use techniques like sense memory while writing to get more into their heads or into certain moments. And improv classes have been great for latching onto unintended plot development and rolling with it. Costume work has made me detail obsessed so a lot of my stories, especially my longer work, have several layers or little hidden details or researched bits. I live for stuff like that. I usually overthink clothing details and try to make them matter, as well. In terms of content-wise, yes and no. I think I avoided some of that trying to put distance there for a while, but enough time has passed that I’m ready to incorporate it more. There’s an old vampire story I did for the anthology The Big Bad, the title of the story is “Real Wild Childe,” and there’s a seamstress character in it who ties a lot of the plot together. Her specific backstory isn’t mine, but her frustrations at trying to get ahead and have her work be appreciated, the long hours it takes to do something well, and the sheer amount of scars from seam rippers and rotary blades and needles is pretty much from my life. I’ve set a story behind the scenes of a haunted attraction and that was a lot of fun to do—with all my life stories in that and the amusement park world, I’m pretty much looking for excuses to use those settings at this point. An old, out of print novel I’m working on re-editing dealt with a midwest small town guy becoming a rockstar and a cursed pair of shoes, so a lot of that book was looking at aspects of the entertainment lifestyle and the work involved, as well as a lot of costume detail there. I tend to not like description for description’s sake—I want to know what a character is wearing has a reason or fits the world or whatever. And I think with acting, it’s kind of the same skills involved that you’d take into scene work—only now I’m playing all the characters and responsible for all the emotional moments landing true, if that makes sense.

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NTK: Where can our readers find you in the future?

SJ: I’ve had to take a break from media while dealing with life and putting my health back together a bit, but I’m starting to get back to it again! People can look for me at my website and I’m on Twitter and on Facebook. I’m on Instagram, but haven’t had a chance to really play there and start posting yet. My historical horror/kinda vampire story Mooner is on Amazon.
I’m really hoping to have two shorts up soon. These were either done under another name or showed up in other places, but I’m still working on edits and tweaking some things. Hopefully soon for those, though!

NTK: Sounds wonderful! I’m sure the readers look forward to it. Thank you for chatting with me today, Selah. It’s always a pleasure, and congratulations on winning Best in Blood!

SJ: I always love talking to you and the rest of the Horror Addicts! Thanks so much!

I’m still shocked and touched!

Chilling Chat Special: Eric Shapiro

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Eric Shapiro is a writer and filmmaker. Called “the next Philip K. Dick” by author Kealan Patrick Burke, Shapiro is the author of six critically acclaimed fiction books, among them the novella “It’s Only Temporary” (2005), whichEric Shapiro appeared on Nightmare Magazine’s list of the Top 100 Horror Books, and numerous short stories published in anthologies alongside work by H.P. Lovecraft, Ray Bradbury, Stephen King, Chuck Palahniuk, and many others. His nonfiction articles have been published on The Daily Dot, Ravishly, and The Good Men Project. His first feature film, “Rule of 3” (2010), won awards at the Fantasia International Film Festival and Shriekfest, and had its U.S. premiere at Fantastic Fest. His second feature film, “Living Things” (2014), was endorsed by PETA (People For The Ethical Treatment of Animals) and distributed by Cinema Libre Studio. In 2015, he won the 19th Annual Fade In Award for Thriller Screenplays. He was a founding partner of Ghostwriters Central, a writing and editing firm which has received positive notices from The Wall Street Journal, Consumers Digest, and the TV program “Intelligence For Your Life.” Eric has edited works published on The Huffington Post and Forbes, as well as two Bram Stoker Award-nominated novels. He lives in Northern California with his wife, Rhoda, and their two sons.

Eric is an intelligent and experienced writer. We spoke of writing, horror themes, and filmmaking.

NTK: Welcome to Chilling Chat, Eric! Thank you for joining me today.

ES: Thank you for having me!

NTK: How old were you when you first discovered horror?

ES: Ohhh, I think I was about six or seven; my cousin Steve told me about Danny from The Shining, saying, “Redrum.” Firsthand, I think I was ten, watching The Lost Boys with my cousins Lauren and Jessica and my sister Stephanie. We weren’t expecting it to be so dark, but it was great.

NTK: Is Lost Boys your favorite horror movie? What is your favorite horror film?

ES: I think my first early favorite was Witchboard, which I saw a couple years later. I liked how tight and melodramatic it was. I’d probably still like it, but it’s been awhile. My favorite recent horror movie, as in from this century, is Martyrs, the original French version, which is a great movie regardless of genre. Maybe my favorite since the year 2000.

NTK: Do you have a favorite horror TV series?

ES: I don’t! I’m so behind on series, and movies too since I became a dad nine years ago. I’ve just lately been catching up more during Covid.

NTK: Do you have a favorite horror novel?

ES: It’s absolutely Stephen King’s IT, which I read in 7th grade and which devoured me like no book before or since.

NTK: Who is your favorite character in IT?

ES: Well, I had to upgrade Stan Uris in my mind since I’m Jewish. He’s not the deepest character in the book, but I pictured myself as a more detailed version of him. I actually wrote some fan fiction in junior high from Stanley’s point-of-view, to get into him more. (laughs)

NTK: As a Jewish horror writer, how has your experience in the horror community been?

ES: Oh fine. The horror heads are generally very cool people, usually sensitive and looking for fun. I just became an HWA member after years of flirting with it, and everyone I’ve interacted with has been very welcoming and warm.

NTK: Going back to King, is he your greatest influence? What author has influenced you most in your writing?

ES: Pound for pound, it’s probably him, with Chuck Palahniuk as a close second. Or rather I should say that since Palahniuk came later, King is a more foundational influence. I actually prefer King when he wrote/writes as Richard Bachman—he’s tighter and less sentimental. I like that side of him. Palahniuk’s work taught me a lot about sculpting every sentence, though he’s not about narrative and suspense the way King is—and the way I usually am.

NTK:  What inspires you to write?

ES: Lately it all starts with a character. It’s the psychology of a character interacting with the society around them. I have ideas all the time for worlds and stories but it’s usually the extreme characters I follow through on. Like I’ll picture a guy or a woman and get a feel for him/her, and want to see where it leads. I worked professionally as a ghostwriter for 17 years, though, and am still not completely out of the burnout. It’s been a gradual healing process of writing for joy instead of under pressure, and finding my own voice and insight again.

NTK:  Do your characters have free will? Or do you plan their every move?

ES: Total free will. I think I know where it’s going in general, but it often ends up nowhere close. And I’ve found that if I force them to do something it comes out stiff. If you let them lead, you end up learning their whims and instincts and limits, which brings them to life more.

NTK: What inspired Red Dennis?

ES: I co-own and write for a local newspaper in Silicon Valley and a local woman essentially tried to “cancel” me. It was all on the basis of my opinion-editorials. The attempt ended up backfiring. But it made me so angry that I started wondering how far I’d have to be pushed to lose my mind. Fortunately, I put the energy into something constructive! We always have that choice.

NTK: What is your favorite horror theme? Do you enjoy good vs. evil? Transgression horror? What interests you most in a horror story?

ES: I think it’s transgression. Psychosis. Cruelty. Blind ideology or selfishness. Also, I’m addicted to suspense. So, my stories are often about people who are running out of time. They have pressing deadlines to achieve this or that. That’s where a lot of my narrative focus goes: structuring a scenario where the protagonist is pressed for time or has a looming obligation or encounter.

NTK: You’re also a filmmaker and screenwriter. Which is more difficult? Writing a screenplay? Or writing a novel?

ES: Definitely a novel. You have to populate the whole world. Whereas a screenplay has less words per page and is a detailed blueprint for something else. As for making a movie, though…well, a novel is much easier, as least in terms of what it does to you physically…

NTK: You spoke of ghostwriting earlier. Do you feel ghostwriting helped you become the writer you are today? Was it easier to learn the craft writing under a different name?

ES: I think so. That’s where I got the 10,000 hours of experience. I was always stealing time to work on my own projects but couldn’t really go full-fledged, beyond novella-length, until 2019, when I switched to the newspaper full-time. That gave me time to work on my books over the course of months, as passion projects. And all the experience gave me a lot of confidence and discipline to push. Each day is always hard for writers, especially when starting off the day. But building up the muscle over time helps you feel more oriented and in command of the words.

NTK: Hemingway and Jack London worked for newspapers. Do you feel newspaper writing has also helped you in your writing?

ES: Absolutely. The reporting has muscled up my command of pure facts and research. The op-eds have fine-tuned my approach to persuasion and finding moral clarity in a piece. More people have read my work as a journalist than in any other form, which is ironic since I’m “known” for writing horror. People in my city will say, “Did you read his article? The horror writer’s?” But they’ve never read my books! But the journalism has sparked a new wave of awareness in the books, so it all works together.

NTK: Eric, what does the future hold for you? What works do Horror Addicts have to look forward to?

ES: Good question! I just republished my whole backlist of six dark fiction titles, and Red Dennis was new this year. Also new this year was a nonfiction book to inspire people’s writing called Ass Plus Seat. Right now, I have a movie in the works with horror legend Greg F. Gifune, but it’s on delay due to the pandemic. I will say I’m acting in it, which I’m ridiculously excited about. We should be announcing more soon…

NTK: Thank you for chatting with me today. It was a pleasure!

ES: Likewise! Thank you so much, Naching!

Addicts, you can find Eric’s work on Amazon.

Chilling Chat Special: Authors of SLAY – Craig Laurance Gidney

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Craig Laurance Gidney writes both contemporary and genre fiction. He is the author of the collections Sea, Swallow Me & Other Stories (Lethe Press, 2008), Skin Deep Magic (Rebel Craig GidneySatori Press, 2014), Bereft (Tiny Satchel Press, 2013) and A Spectral Hue (Word Horde, 2019).

NTK: How old were you when you discovered horror?

CLG: When I was in elementary school the local channel, for some reason, played horror movies at four o’clock, and that was when I was first introduced to horror cinema. Movies like Trilogy of Terror and Don’t Be Afraid of the Dark were a part of my after-school rituals. I’d watch them before doing homework!

NTK: Who was the first horror character you felt represented you, the one you could identify with the most?

CLG: The Wicked Witch of the West. She reveled in her malevolence, and was stunningly green.

NTK: Who is your favorite horror author?

CLG: Shirley Jackson. My horror tastes tend to subtle and atmospheric, and she was the queen of this flavor of dark fiction.

NTK: What is your favorite horror novel?

CLG: The Haunting of Hill House.

NTK: Favorite horror movie?

CLG: The Exorcist.

NTK: Favorite horror TV show?

CLG: The Channel Zero Anthology series. I was sad to see that it wouldn’t be continued. Each season featured surrealistic horror stories that were like catnip to me.

NTK: What inspired your story in SLAY: Stories of the Vampire Noire?

CLG: The old Environmental Protection Agency’s building in SouthWest DC was a major inspiration for “Desiccant.” The irony of the EPA building being a source of “sick building syndrome” was too rich to pass up!

NTK: What attracted you to the Vampire Noire? Why did you want to write a story for Slay?

CLG: I was invited by Nicole.

NTK: What inspires your writing?

CLG: Everything inspires me! I find the most mundane occurrences appear in some of the strangest fiction I’ve written. The “sick building” idea, for instance, has been bouncing around in my brain for a decade.

NTK: Do you allow your characters free will? Or do you plan their every move?

CLG: It varies from project to project. But the characters in my short fiction tend to have tighter leashes.

NTK: As a person of color, how has your experience in the horror writing community been?

CLG: It’s complicated. In one-to-one, meatspace interactions, most everyone I’ve met has been perfectly professional. Online, it’s a different story. My tiny portion of horror fiction—the Weird/Cosmic Horror subgenre—-is chockfull of Lovecraft fanboys who minimize, ignore or, in rare cases, agree with his toxic White Supremacist ideals, and it makes for some unpleasant online interactions.

NTK: What does the future hold for you? What works do Horror Addicts have to look forward to?

CLG: I have a bunch of stories coming out in anthologies in the Fall. My fairytale novel Hairsbreadth is being serialized by Broken Eye Books. And I have an audio story coming out from Tor-Nightfire sometime.

Addicts, you can find Craig as @ethereallad on Twitter and Instagram.

Chilling Chat Special: Authors of SLAY – Sumiko Saulson

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Sumiko Saulson is an award-winning author of Afrosurrealist and multicultural sci-fi and horror. Zhe is the editor of the anthologies and collections Black Magic Women, Scry of Sumiko Saulson Mixy AwardLust, Black Celebration, and Wickedly Abled. Zhe is the winner of the 2016 HWA StokerCon “Scholarship from Hell”, 2017 BCC Voice “Reframing the Other” contest, and 2018 AWW “Afrosurrealist Writer Award.”
Zhe has an AA in English from Berkeley City College, and writes a column called “Writing While Black” for a national Black Newspaper, the San Francisco Bay View.

NTK: How old were you when you discovered horror?

SS: Both of my parents were huge horror fans. They played horror movies and television programs in the home when I was a kid. My mom got mad at my dad for taking her to see Rosemary’s Baby when she was eight months pregnant with me. Her favorite TV series was Dark Shadows, and she watched it all the time when she was pregnant with me, and when I was an infant. I remember seeing It’s Alive at the drive-in theater when I was five. My brother and I saw a lot of old seventies horror classics as little children, so it started very early for me.

NTK: Who was the first horror character you felt represented you, the one you could identify with the most?

SS: Without a doubt, Kevin Foree as Peter in the original 1978 Dawn of the Dead movie. That was the first horror film I saw with an African American protagonist. I was very excited and rooting for him. Afterwards, my dad tried to show me the original Night of the Living Dead starring Duane Jones as Ben, but I just found it depressing. He fights through all of the zombies only to be more or less racially profiled and killed at the end. I preferred the triumphant, action-hero-like Peter. I imagine that the scene where he contemplates suicide, then decides to go for it and try to escape, is a nod to the first movie.

NTK: Who is your favorite horror author?

SS: When I was 10, I read my first horror novel, which was Peter Straub’s Ghost Story. This lead to me reading Stephen King and Peter Straub’s The Talisman when I was 12, which lead to a more or less lifetime love of Stephen King. However, LA Banks and Christopher Rice have both usurped his title since. I do not currently have a favorite horror author. Over the past four years, I have had a series of deaths of family members and close friends, and my concentration has become too poor for pleasure reading. I have stuck with assigned readings, which, when I was in college a couple of years ago, lead to an increase in my already large collection of owned and read Toni Morrison novels. I still believe that Sula and Beloved both belong in the annals of horror, and perhaps The Bluest Eye as well.

NTK: What is your favorite horror novel?

SS: The Stand. Heh. I feel so basic right now.

NTK: Favorite horror movie? 

SS: Bones, that 2001 horror film starring Snoop Dog. I fell into a deep depression after 9/11. I went through a divorce immediately following it, and had a nervous breakdown. Bones was literally the only thing that made me laugh or smile at the time.

NTK: Favorite horror TV show? 

SS: Supernatural. Although it is going off the air now, and it really isn’t as good as it used to be. I am going to be forced to find a new favorite very soon.

NTK: What inspired your story in SLAY: Stories of the Vampire Noire

SS: I really loved the Oscar-Award Winning 2016 film Moonlight and decided that I wanted to make my vampire story tell a tale of black man/man love. However… it IS a horror film, so it might be a little more Bones than Moonlight

NTK: What attracted you to the Vampire Noire? Why did you want to write a story for SLAY?

SS: Well, I already write a lot of African Diaspora characters, and I really love vampire stories. So, it stands to follow that I would be crazy about this concept. And I love that luscious cover art.

NTK: What inspires your writing? 

SS: A lot of my writing is inspired by personal trauma, of which I have survived a great deal, dating back to childhood. Horror writing helps me to process my inner demons, and have more control over my internal dialogue and conflict. I am also very inspired by current social issues, sort of like Jordan Peele is, and so I write a lot of political and social horror.

NTK: Do you allow your characters free will? Or do you plan their every move?

SS: Free will. They sort of write themselves after a while. When I plan their every move, the writing becomes stilted and really isn’t as good.

NTK: As a person of color, how has your experience in the horror writing community been?

SS: It’s been a mixed bag, although there have been a lot of good experiences. I find that the African American and African Diaspora speculative fiction communities – that is, Black Sci-Fi, Fantasy, Weird, Horror, etc.. writers are very supportive of one another. Women in Horror are also very supportive of each other. And there are a lot of allies. But there are definitely glass ceilings in mainstream horror, and the old boy’s club gets resentful when people break through them or try to shake things up. There are still far too many people who believe that only a middle-aged white cisgender heterosexual man is qualified to write horror.

NTK: What does the future hold for you? What works do Horror Addicts have to look forward to?

SS: I have a paranormal romance novel that I am working on and an interested publisher. Someone has an option on one of my short stories for an anthology movie of black women horror writers and directors. I just finished co-writing a script for a black vampire movie called Despoina: Dark Chanteuse with James Leon. I also have a poem in the upcoming HWA Poetry Showcase, so I am very excited about that.

Addicts, you can find Sumiko on Facebook, Twitter, and Tik-Tok as @sumikoska. Zhe can be found on Instagram as @sumikosaulson.

 

 

Chilling Chat Special: Authors of SLAY – LH Moore

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LH Moore’s speculative fiction and poetry have been published in all three Dark Dreams anthologies of Black horror writers; Bram Stoker Award Finalist anthology Sycorax’s Daughters; Black Magic Women; the collaborative Chiral Mad 4 and upcoming Chiral Mad 5 and SLAY anthologies; the StokerCon 2019 anthology; Fireside, Apex and FIYAH LHM Bio photo_webMagazine. A DC native exiled in Maryland, Moore is a historian and loves classical guitar, graphic novels, and video games. 

NTK: How old were you when you discovered horror?

LHM: My mom took me to see The Exorcist (*gasp*) when I was three. She said I jumped up at one point and shouted “Oh Mommy! He FELL!”  I would watch Count Gore and his Creature Feature on DC’s channel 20. I always loved scary stories and in Jr. High School my local library had a sale and I spent the summer reading almost everything Stephen King wrote at the time.

NTK: Who was the first horror character you felt represented you, the one you could identify with the most?

LHM: I can’t say I ever identified with a character. If anything, I relate very much to FInal Girls in an “Oh no, I’m getting through this and surviving!”

NTK: Who is your favorite horror author?

LHM: Tananarive Due, but I never want folks to forget L.A. Banks. Not only a great writer, but a great person who was kind to me when I was a newbie writer years ago.

NTK: What is your favorite horror novel?

LHM: Oooo…IT will still reign supreme for me as I’ll never forget how I felt as a young person reading it. So much “WTF?” to me.

NTK: Favorite horror movie?

LHM: Hard to choose! Get Out for its social commentary. Let the Right One In (Swedish) for its quiet. Cabin in the Woods because it was so surprising to me. The Blade series. But honestly, I find movies that are about things that really could happen to be scary as hell. Open Water messed with me for a long time.

NTK: Favorite horror TV show?

LHM: Right now? Lovecraft Country!! The real-life horrors of Jim Crow-era racism had me up on my feet pacing back and forth like “MY HEART” and nervous as hell more than the monsters!

NTK: What inspired your story in SLAY: Stories of the Vampire Noire?

LHM: Funny enough, it was Are You There God? It’s Me, Margaret. That whole mystery and expectation of womanhood and the tropes that go along with it. I wanted to write something light-hearted and almost humorous, which is different for me.

NTK: What attracted you to the Vampire Noire? Why did you want to write a story for Slay?

LHM: Writers of African descent have so many stories to be able to draw from. That well is deep and open to so many interpretations beyond that of the traditional neckbiter. I thought it was important to be a part of that representation and new storytelling.

NTK: What inspires your writing?

LHM: My heritage. The stories my grandma and auntie told me. History. And anxieties that create pure nightmare fuel.

NTK: Do you allow your characters free will? Or do you plan their every move?

LHM: I have an idea of how they are as individuals and roll with it.

NTK: As a person of color, how has your experience been in the horror writing community?

LHM: Let’s just say that there is still room for improvement. I’ve been an HWA member for over ten years now and Linda Addison is a force to be reckoned with. When she encouraged me to renew, who was I to say “No”? Besides, the more Black and POC authors are represented, the better. We are out here doing this work.

NTK: What does the future hold for you? What works do Horror Addicts have to look forward to?

LHM: I have more to come, believe me! Definitely, some longer form works in the pipeline.

Addicts, you can find LH on Twitter and Instagram.

 

Chilling Chat: Episode #190 – Nicole Givens Kurtz – Slay Book Launch

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Nicole Givens Kurtz is the author of eight novels, and over 40 plus short story publications. She is a member of SFWA and her science fiction novels have been named as A Carl NGK2017Brandon Society Parallax Award’s Recommended title-(Zephyr Unfolding), Fresh Voices in Science Fiction finalist (Zephyr Unfolding), Dream Realm Award Finalist in Science Fiction (Browne Candidate), and EPPIE Finalist in Science Fiction (Browne Candidate). Her short works have appeared in, Serial Box’s The Vela: Salvation, Baen’s Straight Outta Tombstone, Sycorax’s Daughters (Bram Stoker Finalist in Horror), and White Wolf’s Vampire the Masquerade Anthology. 

NTK: How old were you when you discovered horror?

NGK: I discovered horror when I was about 10 years old. The teacher read us the woman with the silk scarf around her neck during Halloween. I immediately fell in love with the story, and I sought out other scary tales. Because I’m an 80s child, that search led me to Stephen King.

NTK: Who was the first horror character you felt represented you, the one you could identify with the most?

NGK: The first horror character I felt represented me was Susannah in King’s Dark Tower Series. She was the first Black woman I read. Although aspects of her personality and her treatment plagued me for years, I still felt represented in that she was Black, I was Black, we were both women and she was her authentic self.

NTK: Who is your favorite horror author?

NGK:  My favorite horror authors are Ed Kurtz, Joe Hill, Shirley Jackson, and L.A. Banks.

NTK: What is your favorite horror novel?

NGK: My favorite horror novel is We All Live in the Castle.

NTK: Favorite horror movie?

NGK: The Crow.

NTK: Favorite horror TV show?

NGK: The Dark; Lovecraft Country.

NTK: How did the idea for the anthology, SLAY: Stories of the Vampire Noire come about?  

NGK: SLAY came about due to many conversations I have had with authors about the lack of Black vampire stories in the wake of L.A. Banks’s death. Sure, there have been other Black vampires, but they remained on the perimeter, in the background, window dressing. We wanted stories like Banks wrote, that centered Black people, Black vampires, and Black slayers in the forefront. What would that look like now? So, the idea was born to seek out short stories for an anthology to answer that question and to fill the void.

NTK: What was your slush pile like? Was it difficult to choose stories from the ones submitted? 

NGK: It was incredibly difficult to choose stories. It is likely they’ll be a volume 2 at some point because I had more solid stories than I could fit into the anthology. It’s already 29 stories strong.

NTK: Putting you on the spot here, which story of the 29 is your most favorite?

NGK: Oh, this is definitely asking a mother to pick her favorite child! I loved them all, for various reasons, but the stories that lingered the longest after I read them were, Craig L. Gidney’s “Desiccant,” Steven Van Patten’s “The Retiree,” L. Marie Wood’s “The Dance,” and Alledria Hurt’s “Uijim.”

NTK: What’s it like running a small press? 

NGK:  It is incredibly stressful, especially in the challenging times we are in now. It is also rewarding in so many ways. The flexibility to tell stories that otherwise may not have made it past the gatekeepers of large publishing houses, is why I do this work.

NTK: Who did the cover art for this anthology? It’s terrific!

NGK: Taria Reed did the cover and it was one she had created as a pre-made cover. She has semi-annual sales and I selected it and another one for my personal horror stories, but when the idea for SLAY came about, I thought this cover would be perfect. Taria also came up with the title of the anthology, SLAY. I added, “Stories of the Vampire Noire.” Taria is a true talent and if authors need cover art, she’s one of the best around and a mainstay on my list of artists.

NTK: As a person of color, how has your experience in the horror writing community been?

NGK: I have developed solid relationships with people in the horror writing industry, like Anya Martin and Linda Addison. But the writing community in horror as well as other genres, are reflections of what is happening in the United States. The acceptance of racists, misogynistic, and hate-filled attitudes and beliefs are allowed, even encouraged in some circles, to be out and proud. The horror writing community is reflecting that, because people who embrace those beliefs write horror (and other genres) too. I have encountered racists attitudes in the community. Yet, I know there are writers actively combating these ills, just as there are people in the U.S. actively protesting and battling the celebration of hatred.

NTK: What does the future hold for you? What works do Horror Addicts have to look forward to?

NGK: I’m actively working on the sequel to my fantasy mystery, Kill Three Birds: A Kingdom of Aves novella. I am also working on revising my science fiction opera, Zephyr Unfolding. I don’t have any horror topics on tap for now, but that can easily change as my Muse’s first love is horror and suspense.

NTK: It was a pleasure chatting with you, Nicole!

NGK: Thank you for having me, Naching and Horror Addicts.

Addicts, you can find Nicole on Twitter, Facebook, Other Worlds Pulp, Patreon, and you can subscribe to her newsletter.

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Chilling Chat Special: Authors of SLAY – Steven Van Patten

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Brooklyn native Steven Van Patten is the author of the critically acclaimed Brookwater’s Curse trilogy, about an 1860s Georgia plantation slave who becomes law enforcement SVP-15 copywithin the vampire community. In contrast, the titular character in his Killer Genius series is a modern day hyper-intelligent black woman who uses high-end technology as a socially conscious serial killer.

SVP’s short fiction includes contributions to nearly a dozen horror anthologies, including the Stoker Award-nominated New York State of Fright. A collection of short horror and dark fiction stories entitled Hell At The Way Station, published by his company Laughing Black Vampire Productions and co-authored by acclaimed storyteller, Marc Abbott hit shelves in 2018.

Along with a plethora of other honors and accolades, SVP won three African-African-American Literary Awards in 2019, two for Hell At The Way Station (Best Anthology and Best In Science Fiction) and one for Best Independent Publisher. He’s written about everything from sleep demons to the Harlem Hellfighters of WWI for episodes of the YouTube series’ Extra Credit and Extra Mythology, He’s also a contributor for Viral Vignettes, a charity-driven YouTube comedy series benefitting The Actor’s Fund.

When he’s not creating macabre literature, he can be found stage managing television shows primarily in New York City and occasionally on the West Coast. Along with being a member of the New York Chapter of The Horror Writer’s Association, he’s also a member of The Director’s Guild of America and professional arts fraternity Gamma Xi Phi.

NTK: How old were you when you discovered horror?

SVP: I’m not even sure. Probably six. I have blerd in my blood. One of my first fights as a 2nd grader was over a Planet of the Apes action figure.

NTK: Who was the first horror character you felt represented you, the one you could identify with the most?

SVP: That’s easy. Blacula. I even use William Marshall as an alias when I’m someplace I have no business being.

NTK: Who is your favorite horror author?

SVP: Stephen King still has my heart, even after all this time. Crazy, I know.

NTK: What is your favorite horror novel? 

SVP: That is tough. Truthfully, I am forever torn between DraculaFrankenstein, and Salem’s Lot.

NTK: Favorite horror movie?

SVP: Again, it’s like Pringles! You can’t pick just one. This one changes and adjusts according to mood, but today it’s The ExorcistAliensAmerican Werewolf in LondonBlaculaDracula 1972Dracula (Frank Langella), Bram Stoker’s Dracula and Silence of The Lambs.

NTK: Favorite horror TV show?

SVP: I love the anthology stuff like Tales from The Darkside, and Creepshow, but NBC is responsible for a great yet shortlived Dracula series and well as their take on Hannibal. I am currently falling in love with Lovecraft Country.

NTK: What inspired your story in SLAY: Stories of the Vampire Noire?

SVP: Well, I had already been doing the epic vampire thing in my Brookwater’s Curse series. One day, I got it in my head to do something a little more earthy. That’s when I came up with the grumpy old black man who is a retired monster killer angle. So it’s fun, but it’s also an exploration into how we don’t always recognize how heroic our parents really are.

NTK: What attracted you to the Vampire Noire? Why did you want to write a story for Slay? 

SVP: Truth is, I had already written this and had been meaning to shop it. When you’re out here playing the short story game between novels, you always have a few extra bullets in the chamber on the off chance someone asks, “hey do you have x,y, and z handy?” Then you can just say yes. I try to stay prepared.

NTK: What inspires your writing?

SVP: When I started out, my mission statement was “I must create strong, fully developed POC characters for the horror genre.” That hasn’t changed, per se. I think the difference now is that I’m actually having fun now because I’m stronger, if that makes any sense. Whereas my focus was lasered-aimed on one thing, now I have all sorts of ideas coming to me.

NTK: Do you allow your characters free will? Or do you plan their every move?

SVP: That kind of depends. I usually have a game plan going in, and that game plan gets thrown out the window midway. The story ends up needing more. The character ends up needing more. I end up needing more.

NTK: As a person of color, how has your experience in the horror writing community been? 

SVP: Well, the thing I did wrong was taking too long to find everybody! Outside of a couple of debates about Lovecraft’s racism, it has been tremendous for me to be fully accepted into the culture. Currently, most of my commiseration is courtesy of the NY chapter of the HWA. And I love every one of them. And I wish I was able to spend more time with them, as well as several of the people in this anthology, but the day job, (I also stage-manage a variety of TV shows) keeps me pinned down. I miss a lot of conventions and other things because of that. I would love to see more of everyone!

NTK: What does the future hold for you? What works do Horror Addicts have to look forward to?

SVP: As I answer you, I am currently in Macon, Georgia working on a Game Show. When I am done with that, I am fully committed to one more vampire novel, (Brookwater’s Curse 4), One last serial killer novel, (Killer Genius 3), and two more sequels to Hell At The Way Station, the anthology I co-wrote with Marc Abbott. There will also be more short stories, more Black History stuff like the “Burning of Black Wall Street” episode I did for the Youtube Channel Extra Credit, and even some comedic stuff. I am going to be very busy. People can keep up with me by finding me on social media or visiting my website.

Addicts, Steven uses his full name on Facebook but goes by @svpthinks on Twitter and Instagram

Chilling Chat: Episode #189 – Lucifer Fulci (David Mark Stashko)

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By the light of day, David Mark Stashko practices social work with special attention to addiction, recovery and homelessness. He is also an avid cryptozoologist and paranormal/supernatural explorer. He writes books and speaks about these topics in various circles and under the moniker of “Light, Darkness and Dreamscapes.”

At night, David often transforms into Lucifer Fulci, a character he created in 1994 for death rock legends, Penis Flytrap. Since the inception of Fulci, he has created/participated in horror conventions, numerous solo records, multiple extreme horror books, various short movies, music videos and is the co-creator of his current band, LORDS of OCTOBER, with fellow author and filmmaker, Paul Counelis AKA Uncle Salem.

Fulci is partnered with his Wife, Scarah Stashko, who creates the majority of the art for all his projects and is his morbid media muse for all things strange and beautiful.

Lucifer is an amazing writer and musician with a terrific sense of humor. We spoke of the paranormal, writing stories vs. music, and H.P. Lovecraft.

 

NTK: Welcome to Chilling Chat, Lucifer! Thank you for joining me today.

LF: Of corpse. I am honored to be here. Horror addicts rules. Thank you for having me

NTK: How old were you when you first discovered horror?

LF: I was probably about 7 or 8. I saw a commercial for The Exorcist on the tele and told my parents that I wanted to watch it. They told me not to, and if I did, I could not sleep in bed with them. I watched it.

And then I went to sleep in bed with them

Since then, I have had the infection of horror.

NTK: (Laughs.) Is The Exorcist your favorite horror movie? If not, what is?

LF: That is the loaded question of all time. To answer it plainly, it might be. I simply cannot say.

To give you a longer answer, a more real answer, it changes from time to time.

So, for today, I have been having a love affair with Dawn of the Dead again. And Zombie.

But The Exorcist has to be the one that will always remain closer to my little black heart

and a million more. I love so many of them and so many are meaningful to me. Really, it is so hard to say.

NTK: What is your favorite horror television show at this time?

LF: Lovecraft Country, most likely, as I have just discovered it and am having a love affair with it. Also, Raised by Wolves is a close second…for right now.

I finally finished the Outsider and love that, too, but not as much as those other two.

NTK: Lovecraft Country is based on a book. Do you have a favorite horror novel at this time?

LF: That is another loaded question. It is easy for me to say that I have a few all time faves, like Ninth and Hell Street by Chas Balun and Off Season by Jack Ketchum, but I also love to say how I love my own books a lot. That is kind of cheating…but each time I open an old one up, I think like, if I had not written it, I would love to be reading it. I recently read a portion of my book Vile Witches for an event called The Fall of April Ghouls Days…and I found that I actually enjoyed it greatly. But I dunno if that is cheating, to answer it like that.

NTK: (Laughs.) I don’t think so. What author has influenced you the most?

LF: Lovecraft, for sure. It was Chas Balun who really mentored me before my first novel, and I love his work, but over the years, Lovecraft has influenced me so much in my writing, in my music..its undeniable.

NTK: Did his work inspire any of your stories? What inspires you in your writing?

LF: Yes, by all means, there are a ton of short stories, like in my Collection of Horror series, just all over there, but I have a novella called The Elder Thing that was greatly inspired..and Wormutanous. I love my Howard Phillip.

It all depends on what inspires me..

its like..

Really, I get inspired by so many elements of the supernatural…music…Halloween…love stories, too. And then it’s just what I feel..and I try to not do the same things all the time..but that happens sometimes.

I used to want to make the goriest book ever made..and then I kept outdoing it..again. And again.

So yeah..

All kinds of things…from another world.

NTK: You’ve mentioned music and you’re a musician as well. Do you feel writing songs is the same as writing stories? Or do you feel you have to use a different part of your brain for each?

LF: Good question. It is similar, in many ways, yes. There is a lot of me that, when I create, it just sort of happens. When I sit at the keys and type, and the same with music…and then I try to organize it. I would have to say that with music, I have, so far, a broader range of emotion. I have a lot more love songs that I do stories about love.

NTK: What inspired “Blasphemy?”

LF: That is a kind of funny story, because like I was saying before, I have tried to outdo one gore book over another..over the years..but for this one, I felt a real desire to touch into the satanic type of realm. Just for fun. Not to mention, I had made a new friend around the same time. Her name is Soma and some of her images, art, creation, they inspired me. She is also the cover model for that book. So, in a lot of ways, she inspired me…but it is a work of fiction. She is not really a demon…or is she? (Laughs.)

NTK: Do you outline your books and stories? Or do you write by the seat of your pants?

LF: Definite outline. I will come up with an idea..and then I will think of the full story, break each idea down to chapters and then start from there.

I tend to jump around sometimes, but I still stay pretty grounded in the core story.

NTK: Do your characters have free will at all? Or do you control their every move?

LF: I am their master, their Lord. I am in control of all of their little lives…unless they gather their own self-awareness. Then the game is over.

NTK: (Laughs.) You’re a cryptozoologist and supernatural/paranormal explorer. Have you ever participated in any paranormal investigations?

LF: Yes, the real deal. I have been a part of, party to and experienced more than the scope of this conversation allows. What I can say, with no reservations, is that it is all real. All of it. There are other worlds before our very eyes and things within it. Sometimes they speak and show us, other times, they sing in our dreams, but yes, I have known for many a year that this world is only one of endless worlds.. if we keep our eyes open equally as our spirits, we shall feel what most people fear.

At one point, many years back, I channeled a spirit to a family I knew in Los Angeles and answered questions I could not have known the answers to. It was strange and wonderful

And it allowed some kind of closure to previous issues they had. And I had no idea it was happening until it was over.

I don’t mean to sound hokey at all, these things have just been with me for many years.

NTK: What is your favorite curse?

LF: My favorite curse? I am not sure I have one! (Laughs.) But I do like that movie, the Curse of La Llorona. It was pretty cool.

NTK: How about your favorite curse word?

LF: Well, I am not sure. I can bet you 666 dollars that my friends would say that it is FUCK. There are just so many ways to use it. I hardly ever use it in anger, unless I am by myself.

NTK: What does the future hold for you? What work do Horror Addicts have to look forward to?

LF: The future looks grim and bedazzled by horror…so it’s awesome! Currently, my solo record called The Elder Sign is near completion. There are a few songs and videos for it out there now, but I have been taking it slow since the pandemic struck. I love it, though, it’s a lot of heavy metal fun. For my band, Lords of October, we are about to start working on our next effort, Cryptozoology, again. We have had enough of this COVID and are taking measures to practice safely and record, too. We had only begun that record when Covid hit. Lots of groovy ghoulie songs. I have a story, along with my Lords of October frontman, Paul Counelis AKA Uncle Salem, on a new Bigfoot compilation called “Unimaginable.” It’s a lot of fun…I use my real name, David for that story…and another book of my own called The Anomaly. So much more, really…I do a podcast now, I Love Lucifer, and then there are other books, films…all kinds of stuff that people can read about at

There is more stuff always brewing…I just wanna get back into the world and play live again. I miss the people. I miss putting on the makeup and becoming Lucifer.

I could go on, too, ya see, because I am working with a lot of talented people, always, usually the guys in my band and the guys behind the Flint Horror Collective, which is a group I am a part of here in Michigan.

NTK: Thank you for chatting with me today, Lucifer! You’ve been a wonderful guest!

LF: And you have been a wonderful host. Thank you for this opportunity

Now, Addicts, enjoy this music video from Lucifer’s band Lords of October!

Addicts, you can find Lucifer on Ghoul Cast, in his short horror film The Idol, and in his former band–Penis Flytrap. You can also read his Guide to the Italian Cannibal Film.

 

Chilling Chat: Episode #188 – Jason LaVelle

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Jason LaVelle is an author and photographer from West Michigan. When he’s not spending time with his beautiful wife and four children, LaVelle works at a veterinary clinic, helping Jason LaVelleanimals of all kinds. With his two pugs, Dragon and Mr. Sparkles, his Chihuahua, Mari, and his annoying dachshund, Lady, LaVelle pretty much lives in a zoo. After he’s done playing with the dogs and tucking the kids into bed, LaVelle ventures down into the basement, where his cat, Leah whispers in his ear like a demonic muse, forcing him to explore the paranormal world inside his mind.

Jason is a wonderful writer with a sharp mind. We spoke of writing, podcasts, and Stephen King. 

NTK: Welcome to Chilling Chat, Jason! Thank you for joining me today. 

JL: Thank you for having me, I’m very glad to be here.

NTK: How old were you when you first discovered horror? 

JL: Oh goodness, probably too young. My dad read a lot of King, Koontz, and Barker, and by the time I was in 6th-7th grade, I was pilfering books from his shelf.

NTK: Who is your favorite horror writer?

JL: Good question, I think Stephen King was always my favorite growing up, but now the lines between horror, dark fantasy, and psych thrillers are being blurred. I would still say King, but some of my favorite authors (Pierce Brown and VE Schwab) write fantasy with many horrific elements.

NTK: Did King influence your writing? Why did you become a writer?

JL: I think King has certainly influenced me, but not necessarily in the types of stories I tell, but how emotion and fear can be used to create horror without necessarily needing blood and gore. I started writing in 8th grade, just trying to let out creative energy, I was a hyper kid and writing let me channel some of that extra energy.

NTK: What is your favorite horror novel?

JL: Wow, I do not know. I can tell you which one has affected me most profoundly recently. Duma Key, a King novel, I read it a few years back, and the climactic scenes in that book really shook me to the core, stayed with me a long time.

NTK: What is your favorite horror movie?

JL: I don’t actually watch much horror, my wife doesn’t like it and we are quite joined at the hip. I enjoy movies like I Am Legend, Bird Box, and A Quiet Place, but most of the time we watch WW2 documentaries or Brooklyn 99!

NTK:  What inspires your writing?

JL: Ah, the old question we all fear! It’s life though, that inspires me. I hear stories from family and friends, I see things in the world, and I use those experiences to build the foundations of my stories. So at their core, everything I write has truth.

NTK: What inspired “Teddy Bear Picnic?”

JL: Ha! Actually a dream my wife had, she told me about it and I decided it would make a cute story.

NTK: Are you a plotter or a pantser?

JL: Mostly a pantser, but I’ve been plotting my current WIP. That said, it’s not going well, (Laughs) so I’m not sure if plotting is going to work well for me. I like to keep the plot in my head, if that makes sense.

NTK: Do your characters have free will? Or do you decide their every movement?

JL: Eh, people talk about characters doing their own thing, but really it’s all me. Sometimes I wish they’d take over and do a little writing for me, but they’ve been reluctant so far.

NTK: (Laughs.) Who is your favorite monster?

JL: Hannibal Lecter.

NTK: Do you enjoy realistic horror as opposed to supernatural horror?

JL: I do, and that’s what I like to write. I enjoy realism with a touch of the paranormal, just enough to scare me, but not so much that it isn’t believable.

NTK: You mentioned Dean Koontz earlier. He’s famous for the inclusion of dogs in his books. You’re an animal lover, do animals play a part in any of your books and stories?

JL: Oh yes, I love including animals. They are a wonderful and enriching part of our world, and I like including them in fiction. I have a whole story, “The Life of Pets,” which deals with the treatment of animals in our society, consent, and ethical care.

NTK: You have a podcast, don’t you?

JL: I run two, Spilling Ink, which is an author roundtable type show every Saturday night, and Unafraid, an audio podcast sharing stories from the LGBTQ+ community.

NTK: Is it difficult running a podcast?

JL: Ha! No, running a podcast is actually pretty easy nowadays, and fun. Talking to new people every week, learning their stories, and enriching our lives with them, that’s good, that’s fun. But there are a lot of podcasts, so getting mine in front of people who will enjoy it is the tough part. Without a large advertising budget, podcasts like mine rely on word of mouth growth.

NTK: Who is your favorite guest? Your best interview?

JL: Ha! I’ve had many wonderful guests. My favorites are usually authors, because they really know how to tell a great story. On the Unafraid podcast, Amanda Jette Knox joined me, and she gave a fabulous interview. On Spilling Ink, I hosted Ellen Hopkins, and the conversation with her was just brilliant.

NTK: What is your favorite curse word?

JL: Definitely fuck.

NTK: (Laughs.) And what is your favorite curse?

JL: Hm, that one’s a bit tough, never really thought about it. In my current WIP, one character is a Romani woman, and she uses a curse. I actually learned quite a bit about Romani curses. She says “May I suffer, may I suffer if I can’t protect you.” It was an emotional scene, and I like that. But most Romani curses are like that, they aren’t something that’s flung onto someone else, they are usually about the user.

NTK:  What does the future hold for you? What works do Horror Addicts have to look forward to?

JL: Sometime next year I’ll be releasing a novel co-authored with Rebekah Jonesy. This will be a paranormal thriller based on actual events. It’s very dark, very cool, I think you’ll love it.

NTK: Thank you for chatting with me, Jason! You’re a great guest!

JL: Thank you for the interview, that was nice.

Addicts, you can find Jason on Facebook and Amazon.

 

 

 

 

 

 

 

 

 

 

 

 

 

Chilling Chat: Episode #187 — MJ Preston

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MJ Preston is a horror author and artist living in Canada. He has written about everything from native monsters hunting in modern-day, with his straight horror, The Equinox, to MJHeadshotmind-controlling, bone-eating aliens, in the epic, Acadia Event, and now he’s taking you into the mind of the darkest monster of them all. The serial killer, in his latest project, The Highwayman Series. From book One, the titular Highwayman, and now, Book Two, titled Four, MJ Preston pulls no punches as he introduces us to serial murder as it really is, dark, ugly, horrific, and deadly.

MJ is an intelligent man with great taste in horror. We spoke of writing, real-life horror, and unique curses.

NTK: Welcome to Chilling Chat, MJ. Thank you for joining me today.

MJP: Thank you for having me.

NTK: How old were you when you first discovered horror?

MJP: I think that would be around four. I’m not sure how I heard about Frankenstein and Dracula, just as long as I’d been cognizant of my surroundings, I’ve gravitated toward everything horror and monster related. I loved the old horror comics and even sent away for the six-foot real life Frankenstein monster which turned out to be a poster. I joined the club early on.

NTK: Is Frankenstein’s Monster your favorite monster? What monster do you think is the scariest?

MJP: Frankenstein’s monster was definitely my favorite. Frankenstein was the first real book I tackled while reading as a preteen. I identified with these creatures in that they were outsiders, which at times I found myself in different peer groups. And how can you not love the monster? He is a metaphor for our failings and even today we don’t heed the message. Scariest monster for me would be the Devil himself. Raised in an Irish Catholic family, I have family members who really believe in Prince of Darkness. He’s most frightening for me, because he comes with a smile, and has haunted my dreams for over four decades.

NTK: What is your favorite horror film?

MJP: I would have to say that John Carpenter’s adaption of The Thing. I went to that movie in 1982 with a bunch of buddies in British Columbia. We lived out in the burbs and had a small cinema, so all five of us piled into a car and drove to Vancouver to see it. All the way there I listened to them harangue me, THIS BETTER BE GOOD. Three hours later we walked out in awe. John Carpenter’s masterpiece of psychological terror. Kurt Russel’s finest hour. 

NTK:  What is your favorite horror TV show?

MJP: Now I am going to date myself. I still love Kolchak: The Night Stalker. And all the kids are saying, “Who?” To which I reply, “Greatest creature a week show ever!” They had robots, vampires, Wendigos and how could you not love Darren McGavin as Kolchak, in his cheap straw newsman hat, slightly off white suit and sneakers. It was a great show, but I was sucker for them all, The Twilight Zone, Night Gallery, even then there was so much great writing.

NTK: What is your favorite horror novel?

MJP: My favorite horror novel is the apocalyptic Swan Song by the brilliant, Robert R. McCammon. It was the second novel, I discovered by this author, who I think is a rare gem in the world of horror. McCammon tells a different version of the apocalypse, substituting nuclear holocaust for Pandemic and I think that resonated with me more that King’s The Stand, which I also loved but not as much. Sorry, Steve.

NTK: (Laughs.) Is McCammon your favorite author? Which author has influenced you most?

MJP: I’m what they call a reader with a wandering eye. I’d say at the moment John Sandford is my favorite author, but McCammon would be my favorite horror author, because he’s a southern boy with a big imagination that include anything from three-arm mutant P.I.s to Vampire Bikers. As to what author has influenced me most, I can’t say that any one writer has influenced me. Every book I read leaves some sort of an impression and I’d need a long list to fill that order. King, McCammon, Sandford, Steel, Connelly, Shelley, Stoker, etc. They all influence me.

NTK: What inspires you to write?

MJP: It’s a sickness really. I am a voyeur of sorts. You won’t catch me peeking in people’s windows at night, because I can’t run worth a spit. I kid… I think writers are at their core, voyeurs of this nutty world that surrounds us. I will study the faintest smile or grimace in a stranger and store it somewhere in the filing cabinet in the back of my mind for later use. Does that sound pompous? Okay. Here’s what inspires me. A simple question. “What if?”

NTK: (Laughs.) Do you allow your characters free will? Or do you plan their every move?

MJP: You mean I get a say? Up until recent publication of The Highwayman Series, I never wrote a recurring character and therefore never got comfortable with where they were going until we got there. I don’t outline, I write by the seat of my pants and when I take on a project I just keep going until it’s over. I don’t preplan anything, which can be frustrating, but a bonus of that is this: I get to be the first one at the scene of the crime and it is as new to me as it will be to you. And that’s cool.

NTK: That is cool! Do you have a favorite character among those you’ve written?

MJP: Yeah, I probably got fifteen, but I’ll narrow it down. The Equinox – Old Jake Toomey, Chocktee Elder, Veteran, scare of nothing. Acadia Event – Big Garney Wilson, based a real character from my Ice Trucking Days. The Highwayman Series Book 1 & 2. Detective Lonnie Perkins. (Perk) A skinny drink of water from Louisville, Kentucky. I’ll leave it there or I will go on all night and there will be restraining orders. (Laughs.)

NTK: Did any of your real life experiences make it into your books?

MJP: Well, my second book, Acadia Event was largely autobiographical minus the Irish gangsters and bone eating aliens. I drove the north as an ice trucker just south of the arctic circle for three seasons. Everything I saw there, twisting curtains of the northern lights to a giant white wolf stalking the tundra found its way into Acadia Event. My fears and trepidation about driving a loaded fuel truck up some of the most dangerous roads in the world went into the book. Protagonist, Marty Croft, is pretty much me, when he’s not being muscled by gangsters or saving the world from bone eating aliens. Lucky Bastard.

NTK: Any strange stories from your years as a soldier?

MJP: I think there has always been a soldier’s presence. In Equinox, one of the local cops, nicknamed Oddball, is an Afghanistan Veteran. In Acadia Event, two central characters are soldiers and some of the story reaches back to those days. Even in Highwayman, there is a soldier. My family has served in the military all the way back to my Irish roots in the 1200’s. My great-great-great (not sure how many greats) grandfather was Jenico Preston. Check Wiki. He put down the Irish Rebellion. My son is a soldier, my nephew was, my brother. My family has always served. Someday, I hope that service is no longer needed, and peace becomes achievable. So, yeah, they get the nod, and experiences always find their way in whether through personal reflection or other sources.

NTK: What is your favorite curse word?

MJP: Favorite curse word? Hmmm. I was a soldier for 12 years, drove a truck for over 20 years. Somewhere in that cesspool of poetry, I’ve been threatened with someone using my eye socket as device of sexual pleasure. I’ve been told where the best part of me ran down. I’ve heard stuff that would make truckers cringe. My favorite curse word is the one that starts a fight. But I’m a grandfather, so I’ll keep it clean, and besides, I got nothing left for the swear jar. If that isn’t good enough read my books. But honest, I’m outta dough.

NTK: (Laughs.) Do you have a favorite curse?

MJP: Well the curse of Wendigo sickness is a favorite. Wendigo sickness or madness comes upon a people when they indulge in the practice of cannibalism. The stories from the indigenous people of North America are absolutely enthralling. Roughly 35 miles from where I am giving this interview, Fort Saskatchewan, Alberta, a native guide and trapper named Swift Runner was hung in the late 1800’s after he butchered his entire family and ate them. His defense was Wendigo madness. Stories like this inspired my first novel, The Equinox and another horror story called “Black Mountain Harvest.”

NTK: That’s awesome! What does the future hold for you, MJ? What works do Horror Addicts have to look forward to?

MJP: A new Highwayman book will be coming. After that, I’m going back and writing a juicy horror novel chock full of monsters. Titles are TBA. Whether I’m writing about mythical monsters, invading aliens or the most terrifying monsters of all, serial killers, I will always be immersed in the darkness. Its where all the cool readers and writers and filmmakers hang.

NTK: MJ, you’re a really fun interview. Thank you for chatting with me.

MJP: Thank you for having me.

Addicts, you can find MJ on Facebook and Twitter.

Chilling Chat Special: Nancy Kilpatrick

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Award-winning author Nancy Kilpatrick has published 22 novels, over 220 short stories, seven story collections, and has edited 15 anthologies, plus graphic novels and one non-Nancy Kilpatrick 1fiction book.

She is a wonderful lady and a legendary writer. We spoke of her new book, audio narration, and Dracula.

NTK: Welcome back to Chilling Chat, Nancy! Thank you for joining me today.

NK: My pleasure!

NTK: Nancy, you’ve been busy since last we spoke. Can you tell the Addicts about your new book?

NK: Yes, of course. There two new novels. One is Book Six in Thrones of Blood. Book Six should be the end of the series, although originally I’d viewed it as a seven-book series. There are things I need to tie up so I’ll see how it goes. The other book is a sci-fi/Horror novel and I’m close to the end and have been for some time now. It’s absolutely frustrating working in the real world with a fantastical story because this one is partially set in space and every bloody day, things up there change so I have to change the story to coincide with what is actually known. Still, I’m on it! Aside from that, I’ve recently revised and updated my Power of the Blood series and it’s now out fresh and new in eBook. That was enjoyable to do. It led to me doing some audio readings for that series and two novellas.

NTK: How did you like recording audio? Was it easy or difficult for you?

NK: VERY difficult. I hate reading my own work, or I should use the past tense because I’ve changed a bit. I haven’t done live readings at events for maybe fifteen years. I never feel as if I can convey the reality of the stories that live inside me in a way that gets that across orally. I began with a little piece to test myself with the audio. I wrote, “Black Knight Blue Queen,” and kind of dark fantasy and recorded it under ten minutes. It took forever to do that. It’s not the best but I did get better. Then I tackled the two novellas Vampyre Theatre and Wild Hunt. They are about two-three minutes each. Again, a lot of reading aloud and then recording and re-recording. Finally, I did the four books in the Power of the Blood series and again, maybe twenty readings aloud for each book and ten recordings for each until I felt okay about them. Those are two-three minutes each but for Book Four which is 3.5 minutes because I wanted the entire scene in. Now I’m tackling the five existing books in the Thrones of Blood series. Again, hoping for two-three minutes each. We shall see. But, I have become fond of the process. I can’t say I love it when I screw up reading or slur words or my throat gets so dry the words come out as if from a hell demon instead of a human being. But, there’s something I like about this process so I’m continuing, imperfectly. All of the readings are on my website.

NTK: If you could have anyone record the reading for you, who would it be?

NK: I’ve never thought about someone recording my work. I have four audiobooks out that the publisher did through Audible. Four different actors read. Some I like better than others but they’re all good. And in truth, I don’t listen to audiobooks. I always think of those as something you’d listen to in a car.

NTK: Who is your favorite horror actor?

NK: I don’t know that I have one favorite. I like Julian Sands from the past in films, like, Boxing Helena and Gothic and Tale of a Vampire and others. I loved Alan Rickman in several films. I like Claes Bang in the BBC Dracula. Tom Hiddleston in Highrise, Crimson Peak, Only Lovers Left Alive. And I’ve liked Johnny Depp in Sweeney Todd and Edward Scissorhands and others. It’s kind of like that. It depends on the film.

Of course, when you say ‘actor’ you probably mean male and female and etc. I have female actresses I like. Barbara Steele, for example. Nicole Kidman has done some good ghost films. Eva Green is a favorite in Penny Dreadful (the original series) and movies. Ingrid Pitt, but of course she’s gone.

NTK: You’ve written several books about vampires. What makes them so interesting to you?

NK: The vampire is eternally fascinating. They are perhaps the closest of the supernaturals to humans. They were human. I know a lot of people like werewolves and I guess the concept is interesting. But I also guess I haven’t known many or any men or women who become animal-like so it’s hard for me to get that Jekyll/Hyde change on the full moon. Vampires, you can play around with a lot because you can manipulate the supernatural elements and make them current. Wolves, not so much. The vampire has a lot of intriguing traits, from extended lifetime, power, sexual appeal, and they only put on a pretense when they want something and then quickly revert to their real state or even personality when they get what they want. They are dangerous and finding a way to write about them that keeps them dangerous is fun. I hate stories where the vampire is dispatched easily. That’s such a letdown. They are also, usually, attractive these days and not the hideous resuscitated corpses of the past—we leave that to zombies now, the brain-dead flesh eaters. That’s another aspect, the super attractive creature that can mesmerize you. Charmed to death.

NTK: Your Thrones of Blood series was optioned for TV and film. Any word on how that is going and has the Corona Pandemic affected it?

NK: Well, since people aren’t meeting more than 6-feet from one another, no movies are happening, or at least few are and it must be hard to shoot a film these days. Hopefully, that will change. So no, nothing yet. I hope COVID won’t run too long. Makes a lot of things hard.

NTK: Have you seen the new Netflix version of Dracula? If so, what did you think of it?

NK: I love it. I know it’s contentious, even on HorrorAddicts! I’ve watched it four times because I think it’s brilliant and everything in it hangs together. I know there are people who are purists and want to see a movie that replicates a book. I think that rarely happens. Dracula has been adapted hundreds of times to film and personally, I find the BBC version refreshing. I love, for example, that Episode One tackles Harker in the religious hospital. That’s skimmed over in the book in a sentence of two. I also like the action in Episode Two on the Demeter. Again, not in the book, just referred to as the ship that hit the rocks with the captain dead and tied to the wheel. I thought that was a clever approach. I also liked—and I have to say Episode Three was a little difficult the first time I saw it but since I’ve watched the BBC Dracula so much now, I ‘ve come really enjoy Episode Three. I know people who know Moffat and Gattis, who think they were too clever by half. But, I don’t care. I think it’s brilliant, including the casting. Bang makes a multi-faceted Dracula and Wells is so good in the dual roles she plays, with wonderful lines and so perfectly delivered, I now want to see both of those actors in other roles. It’s in my favorites list of Dracula films.

I think with Gattiss and Moffat you’re going to get creative. Anyone who has watched Sherlock should not be shocked or surprised by Dracula. That’s what those two guys do best. You either like their style or you don’t.

NTK: Who are your favorite Draculas? What actors have played him best?

NK: My Favorite Actors who have played Dracula. I may or may not like the film or TV show but I like how the actor plays the role of Dracula. In Alphabetical order: Bela Lugosi, Christoper Lee, Claes Bang, Frank Langella, Gary Oldman, Gerard Butler, Jack Palance, John Carradine, Keith-Lee Castle, Klaus Kinski, Louis Jordan, Luke Evans, Max Schreck, Rutger Hauer, Udo Kier, and William Marshall.

NTK:  Do you have a favorite curse? If so, what is it?

NK: Curse? Well, as someone with a black cloud over her head, I tend to think of a curse as something one has to work though in life.

NTK: Do you have a favorite curse word?

NK: Fuck. Said three times when facing a mirror.

NTK: What does the future hold for you? What work do HorrorAddicts have to look forward to?

NK: Definitely Book Six in Thrones of Blood: Imperliment of the Hybrids. Also, I really want to finish the Sci-Fi/Horror book. It’s one of those stories that can be seen either way. Like the movie Alien and it’s sequels. But it’s not that story or even like that. It’s the idea that it is seen as Sci-Fi by some and Horror by others, depending on your view. That’s what I’m going for.

Oh, and more audio readings!

Short fiction-wise, I have an original story called “Trogs” in Apostles of the Weird, edited by S.T. Joshi for PS Publications and that will likely be in paperback from a different publisher. I’m in The Alchemy Press Book of Horrors 2 with my original story “The Promise.” And I have a story in Lovecraft Mythos called “Always a Castle?” coming out soon from Flametree Publishing.. There are others, but that should do it for now.

NTK: Thank you so much for chatting with me Nancy, you’re a wonderful guest, as always!

NK: You’re kind. Thank you for taking the time to talk to me, Naching. I appreciate it.

Addicts, you can find Nancy on Facebook, Twitter, Instagram, and Blogspot.

Chilling Chat: Episode #185 – Kathrin Hutson

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International Bestselling Author Kathrin Hutson has been writing Dark Fantasy, Sci-Fi, and LGBTQ Speculative Fiction since 2000. With her wildly messed-up heroes, excruciating Kathrin Hutsoncircumstances, impossible decisions, and Happily Never Afters, she’s a firm believer in piling on the intense action, showing a little character skin, and never skimping on violent means to bloody ends. Kathrin is an active member of SFWA and HWA and lives in Colorado with her husband, daughter, and two dogs. 

Kathrin is a lady of incredible strength and humor. We discussed characters, inner demons, and real-life horror.

NTK: Welcome to Chilling Chat, Kathrin! Thank you for joining me today.

KH: Thanks for having me, Naching!

NTK: How old were you when you became interested in the darker side of things?

KH: I was ten. It probably started before that, but I’m not sure I can remember much before then.

NTK: What got you interested?

KH: I think the interest first came about as a way to process and orient myself within some fairly heavy changes in my life at the time. When I started reading and writing dark fiction and horror, my parents were going through a divorce that… well, we’ll just say it wasn’t exactly pretty. I’d just moved up to a log cabin in Pine Junction, Colorado, which was where my dad lived for years after that. I was isolated from friends (the few I had) and far removed from school and really any other kids. I don’t know if I can say exactly why, but going through my own darkness and “ten-year-old horror” made me turn not to the happier, fluffier side of fiction but to the complete opposite. I also went to a Catholic elementary school at the time, which also wasn’t very pretty. And I managed to sneak It by Stephen King into the school in my backpack and read that thing every chance I got.

I think it was more of an escape from my own life at the time and all the things I didn’t want to think about as a ten-year-old. A lot of the time, reading dark fiction and horror makes the scariest parts of real-life seem pretty okay in comparison.

NTK: Is Stephen King your favorite author? Who has influenced you in your writing?

KH: He is definitely on my list of favorites. Come on, it’s impossible to just pick one, right? His Dark Tower series is definitely my all-time favorite series. It would have to be since I’m reading it through for the 10th time right now. And I can definitely admit that his writing has seriously influenced my own. Beyond Stephen King, I’ve gotten a lot of influence (content more than style) from H.P. Lovecraft, Anne Rice, Neil Gaiman, and Jacqueline Carey. I definitely include those authors on my favorites list as well.

NTK: What is your favorite horror novel?

KH: When I’m thinking about my “favorite” horror novels, I end up going straight for the ones that creeped me out the most! Which, oddly enough, are books that I’ve then set aside and said, “Okay, I made it through. What a ride! Probably won’t pick that one up again.” The first favorite in that regard – and still a favorite horror novel all around, if we’re not mashing genres – would probably still be It. And coming in at a close second is House of Leaves by Mark Z. Danielewski. That one made me feel so gross when I finished it – in the best way, of course – that I considered giving it away immediately lol! Yet it remains on my bookshelf. Maybe I’ll work my way up to revisiting it one day. Who knows? I also really, really loved Bret Easton Ellis’ American Psycho, which I know is a lot different than either of the others. That book was definitely my first foray into psychological horror where I actually very much rooted for the main character, despite him being the “horror”. The same thing goes for You by Caroline Kepnes. Yes, I read it before it became a show. No, I haven’t seen the show. But I love an author’s ability to show the insanely dark side of a main character, of a villain, and make the reader enjoy, appreciate, and feel empathy for them even when knowing how awful they are. That’s also something I try to emulate in my own work with morally gray – or completely blacked-out – characters of my own.

See? It’s way too hard to just pick one!

NTK: Do you have a favorite horror movie?

KH: For the longest time, my favorite horror movie was The Ring. I saw that when I was ten or eleven. I remember walking around the gym during PE class and trying to tell my best friend about it. I got goosebumps, and my eyes started watering, and I just couldn’t shut up about it. Which I’m sure she really appreciated…

I honestly don’t watch horror movies – or movies in general – nearly as much as I read. But more recently, I really fell in love with this year’s remake of Invisible Man. Thankfully, I watched it at home with my husband, because I was shouting so loud at the screen that the movie theater would’ve been an awful experience for everyone else around me. That might take the prize for favorite horror movie. I thought it was fantastic.

NTK: (Laughs.)  Do you have a favorite television show?

KH: Oh, yeah! Come to think of it, I actually do watch way more shows than movies. Maybe it’s the 45-50 minutes that I can handle one at a time and still have more to look forward to!

I just finished watching the Netflix Original Dark. Oooohhh. That was incredible. Very creepy and dark and nihilistic in so many ways. And right up there with it is Amazon’s War of the Worlds. I know that’s more commonly considered Sci-Fi, but it has a lot of horror elements too. And then, of course, because I’m also a huge fan of Dark Fantasy – and I mean Grimdark dark bordering on Horror, or maybe just Horror in fantasy worlds – Netflix’s Witcher just got me on every level. I’ve read those books as well and played the videogames and I binge-watched that series like I haven’t watched anything in a very long time.

I also have to give props to Castle Rock and The Outsider. Stephen King’s just hard to get away from, right? By why would you want to? 

NTK: Indeed! (Laughs.) What inspires you? And what inspired you to write Sleepwater Beat and the series it originates from?

KH: What inspires me? A little bit of everything. Not really an answer though, right? I just love the places that dark fiction allows me to explore – or enjoy when I’m reading and watching shows. There’s that sense of taboo, of wondering how far I can really go in putting vivid characters first, fantastic story second, and then all the horror, despair, blood and gore, surprise, and chaos I can fit into one book. It’s a balancing act, which is super fun.

I guess I can say I’m inspired to write into such dark places by the fact that I’ve lived through my fair share of them personally. My parents’ divorce was just the start, but it eventually stretched down a long road that can to a head with heroin addiction and almost not making it out of that one. I know what it’s like to struggle with internal demons. I know what hopelessness and terror feel like on a very real level. And I draw from that in everything I write, no matter what level of horror the story contains. It’s usually quite a bit

The Blue Helix series, Sleepwater Beat and Sleepwater Static so far – there will be more – came from a desire to expose some of the darker, less-explored, marginalized communities in our world through a fictional lens and a noir, Dystopian flavor. That’s especially important with Dystopian Sci-Fi as a genre, and this series went to a place I never expected when both books released with incredibly eerie timeliness – when our reality was already so closely reflecting what I’d written months beforehand in each book. And these books are only set 11 years in the future! I can’t take credit for what happens in our real-world But I wanted to shed light on the fears, struggles, pain, and injustices faced by so many marginalized communities, hopefully, to open up more discussion about these things. In a way, I’m writing about what may seem “scary” to others in order to show that it isn’t actually as scary as they may think. At least not in the way they think it is.

And there’s plenty of psychological horror in this series, fistfights, explosions, creepy interactions, and chaos. My favorite combo 

NTK: It’s amazing how those things formed and shaped you and your writing. Since your stories are character-driven, do you allow your characters free will? Or do you plan their every move?

KH: (Laughs.) I’ve given up on trying to plan my own every move. My characters wouldn’t make it very far if I tried to hold them in an iron grip. They have as much free will as I can offer them while keeping on the general path of the story. Sometimes they learn their lessons quickly. Other times, I have to bash them over the head repeatedly. And even then, it takes a lot for them to climb back out of the pits I throw them into. Some of them never do. Or they make it out again and are completely changed, not always for the better. My characters are always surprising me, and that’s part of the fun. I rarely outline books, and even then, it’s a loose few thousand words from beginning to end. I definitely don’t sketch out my characters before I write them. That’s just my own best method for letting them grow organically, and it keeps things interesting. I get bored fairly easily if I already know exactly what’s going to happen.

NTK: You’ve talked about many of the real-life horrors which have shaped your life. Do you believe in curses? And if so, which is your favorite?

KH: That’s definitely one of the coolest questions! As far as whether or not I believe in curses, I’ll say that the only curses we truly live through are the ones we cast on ourselves. Knowingly or unknowingly. Just like with any curse, it takes a lot of work and dedication to “remove” said curse. I guess I’m living proof that it can be done.

And then that might be my favorite kind of curse to write or read/watch, too. The kind where the character’s greatest strength is also their greatest downfall. Where their own personal “hero” is also their “villain”. The scariest demons to face are the ones that have always been a part of us.

Okay, and there’s also Murphy’s Law lol! That feels like a curse, and when done the right way, it’s just so much fun.

NTK: Do you have a favorite curse word?

KH: Fuck. Always and forever, FUCK.

NTK: Kathrin, what does the future hold for you? What works do Horror Addicts have to look forward to?

KH: This is super exciting. I have at least one more book in the Blue Helix series coming down the pipeline. Book 3 will be a wild ride and probably the most violent out of all of them, if I’m being honest.

I’m also working on a new LGBTQ+ Dark Fantasy series, Vessel Broken, that is way darker and bloodier than any of my other fantasy to date with an insane occult influence. I’m aiming to have the first book, Imlach Fractured, out in November 2020, so there’s not much longer to wait. I’m so thrilled with this series, though. It’s brutal. I mean, the first chapter is a demonic ritual turned epic bloodbath, and everybody dies! Except for the main character. I swear that’s not a spoiler And I’m so excited to keep going deeper and darker and really let it take over with this series.

NTK: Thank you for chatting with me, Kathrin! You’ve been a wonderful guest.

KH: Thanks so much for having me! This was a lot of fun.

Addicts, you can find Kathrin on Facebook, Twitter, Her Author Site, Her Author Facebook, and LinkedIn.

For updates on new releases, exclusive deals, and dark surprises you won’t find anywhere else, sign up to Kathrin’s Newsletter.

Chilling Chat: Episode #184 – Shannon Lawrence

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A fan of all things fantastical and frightening, Shannon Lawrence writes primarily horror and fantasy. Her stories can be found in over forty anthologies and Shannon Lawrence 1magazines, and she has two horror collections out: Blue Sludge Blues & Other Abominations and Bruised Souls & Other Torments. When she’s not writing, she’s hiking through the wilds of Colorado and photographing her magnificent surroundings, where, coincidentally, there’s always a place to hide a body or birth a monster.

Shannon is a wonderful writer and a terrific guest. We spoke of characters, writing, and cheesy horror comedies.

NTK: Welcome back to Chilling Chat, Shannon! Let’s talk about your collection of short stories called, Bruised Souls and Other Torments. How did you come up with the title for this collection?

SL: “Bruised Souls” was inspired by a Shakespeare quote from The Comedy of Errors.

“A wretched soul, bruised with adversity,

We bid be quiet when we hear it cry;

But were we burdened with light weight of pain,

As much or more we should ourselves complain.”

My dad died last year, along with a laundry list of other rough events, and “bruised souls” really spoke to me. In my first collection, I used the title of one of the stories (Blue Sludge Blues & Other Abominations), and I’d intended to do that this time, but I kept returning to those two words. There were so many bruised souls in the book that it seemed pertinent. Since I’d already broken my established way of naming a collection, I figured I’d keep the same idea for the second part, and “Torments” fit so well.

NTK: Which story in the collection is your most favorite and what inspired it? 

SL: Such a hard question! I think the opening story, “Stuck With Me,” is my favorite story in the collection. It’s much quieter than my usual horror (as are several of the other stories), and it sprang from a real-life incident that horrified me to think of. (I can’t say what that incident was, because it would give away the twist.) Part of why I look at it fondly is because I got to read it to a crowd at a Women in Horror Month event, and people reacted at the right parts. When the twist comes, I not only heard it in the form of gasps, but I FELT the change in the room in people’s movements. It was such a cool moment!

NTK: Are you a pantser or a plotter?  

SL: I’m a bonafide pantser. I’ve tried to plot, really I have, but the story only flows for me when I’m actively writing it as I go.

NTK: Do your characters have free will? Or do you plan their every move?

SL: My characters pretty much have free will. Sometimes I really really really need them to do something in order for something else I thought of to happen, so I have to rough them up a bit. Sometimes they still resist, and I just have to go with it and let them lead me somewhere else. 

NTK: Are any of your characters based on a real person?  

SL: Sometimes, though rarely. I usually think of the character and develop them as I go. A couple have been inspired by someone real, such as the characters in “Stuck With Me,” who are loosely based on real-life historical figures. “Your Mother’s Eyes” is based off my mom caring for my dad through his 6 1/2 years with ALS, though the story is flipped (the father is the caretaker), and it’s not ALS. So while the characters aren’t at all based on real people, a smidgen of the real caretaking situation (one’s dedication to their loved one) is based on something real. To be very clear, the rest of the story isn’t, and I wrote it while my dad was still alive. (I feel like people will understand my needing to make a disclaimer if they read the story.) 

NTK: What inspired the story, “Dearest?” 

SL: I was on a weird kick of twisting love in my stories for some reason. I decided it would be fun to write a love letter with a twist that people [hopefully] didn’t see coming right away. I wanted it to be a gradual realization, and then for it to get consistently worse. A lot of the stories in this collection were experiments of various types. I wanted to try different sorts of stories, but also different styles of writing. 

NTK: What’s your favorite cheesy horror comedy? 

SL: Oh my goodness, I love cheesy horror comedies! My favorite would probably change, depending on the day, but a recent funny discovery was Hell Baby. I don’t remember ever seeing trailers for it, but it popped up on Shudder under horror comedies, so I gave it a try. Worth it. All the actors are funny, but the two who stand out are actually side characters: Keegan-Michael Key and Kumail Nanjiani (his character doesn’t even have a name, just “Cable Guy,” but I laughed so hard at one of his scenes, and actually start laughing in preparation for the scene on each subsequent viewing.) It’s basically a comedy version of Rosemary’s Baby (without the scheming friends/family).

NTK: Do you have a favorite horror actor? If so, who and why? 

SL: Oh, so many! I’ve recently become enamored of Tom Savini. Before then, he’d just been Sex Machine from From Dusk Til Dawn, but then I started noticing him in other roles. Finally, the big epiphany: he was the mastermind behind so many low budget horror special effects in movies. The more I learn about him, the more fascinating he is. Shudder briefly had a documentary about him called Smoke and Mirrors: The Story of Tom Savini, which I recommend to anyone interested in special effects and horror.

Having said that, Robert Englund and Tony Todd will always be favorites. I adore them, and love that they still pop into various horror films with bit parts and cameos. Sometimes just voices, but I know those voices the moment I hear them. And ever since discovering her in Ginger Snaps and American Mary, I’ll watch anything Katharine Isabelle is in. Ginger Snaps led the way in coming-of-age horror tales for females (something mainstream films rarely touched on), and she was a big part of that. Plus, snarky wins me over every time.

NTK: What’s your favorite curse word?

SL: Depends on which language. In English, it will always be the F-bomb. It has the best impact when I need it, and can be cathartic to say. But in French and Spanish it’s shit, because they’re so much fun to say. Especially an angry sounding “merde,” which absolutely must be said with a heavy French accent. The Spanish “mierda” is almost as fun, but it’s not as sneery as merde, when said correctly.

NTK: What does the future hold for you? What works do Horror Addicts have to look forward to?  

SL: I’m doing a chapbook on dark love with fellow Denver HWA members, without an official release date right now. I’m also putting together a solo collection of winter holiday-themed horror stories, with the intention of having that out in late October, just in time for the holidays. The first story written for it is titled “Deck the Halls with Guts & Madness.” Tra lalalala-lala-la-la. And I’ll have a story in a bundle that’s dark fantasy instead of horror, but I mixed fairy mythology with Native American folklore in an experiment that was fun to try out, and touches on two parts of my ancestry (though the main character is not the same tribe as me–it’s set in pioneer days in Colorado, so she is Ute.)

For non-writing stuff, I’m in the process of putting together an author interview series that will be available on video and as a podcast, plus an unsolved mysteries-type podcast with a partner. Lots of exciting stuff on the horizon!

NTK: It’s been a pleasure chatting with you, Shannon.

SL: Thank you.

Addicts, you can find Shannon on Facebook, Twitter, Amazon, and Instagram.

 

 

 

 

 

 

Chilling Chat: Episode #183 – Jonathan Fortin

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Jonathan Fortin is the author of Lilitu: The Memoirs of a Succubus (Crystal Lake Publishing), “Requiem in Frost” (Horroraddicts.net), and “Nightmarescape” (Mocha Jonathan Fortin AUTHORPHOTO-2020Memoirs Press). An unashamed lover of spooky Gothic stories, Jonathan was named the Next Great Horror Writer in 2017 by HorrorAddicts.net. He attended the Clarion Writing Program in 2012, one year after graduating summa cum laude from San Francisco State University’s Creative Writing program. When not writing, Jonathan enjoys voice acting, dressing like a Victorian gentleman, and indulging in all things odd and macabre in the San Francisco Bay Area.

Jonathan is a true gentleman with a terrific sense of humor. We spoke of writing, The Victorian Age, and Lilitu: Memoirs of a Succubus.

NTK: Welcome, to Chilling Chat, Jonathan! Tell us, how did you become interested in the Victorian Age?

 JF: I think it was in middle school when I first became fascinated with the Victorian Gothic aesthetic, thanks to a healthy obsession with Tim Burton movies, American McGee’s Alice, and a number of other dark influences. The Victorian Era had many facets, but it was horror that pulled me to the period. I adored the dark elegance of their wardrobes and architecture, and was intrigued by their stuffy way of behaving. It seemed as though they were navigating a world full of macabre terrors that were best left unspoken–basing their etiquette around their profound fear of the world they themselves had created.

NTK: Do you have a favorite Victorian novel?

 JF: Novels by Victorian authors: Great Expectations by Charles Dickens and Dracula by Bram Stoker both come to mind. Basic, I know, but critically influential nonetheless.

Modern novels set in Victorian England: The Meaning of Night by Michael Cox, Drood by Dan Simmons, The Night Circus by Erin Morgenstern, and (if I may be permitted to include a very wordy graphic novel) From Hell by Alan Moore.

NTK: Do you have a favorite Victorian movie?

 JF: Crimson Peak, The Prestige, and Coppola’s Bram Stoker’s Dracula. If we’re including 19th-century America, then also Sleepy Hollow and Gangs of New York. And if we’re including TV, I adore Penny Dreadful.

NTK: What inspired you to write Lilitu?

JF: I’ve long been fascinated by succubi and incubi. When I was in college, I went looking for novels focused on them, but there were only a few, and they didn’t quite give me what I wanted. So, naturally, I decided to write one myself. However, I initially wasn’t sure how to manage it. I was toying with an alternate world setting that just never really gelled, and ended up changing the plot and rewriting it over and over again–never certain where to take the story. I knew that I wanted a reluctant succubus lead struggling with her demonic nature, but the details were a constant state of flux.

Then one day, when I was in a bookstore, a certain cover caught my eye, showing a man in a top hat staring into the London fog. The image was laden with foreboding, and compelled me to pull the book off the shelf and read the opening sentence: “After killing the red-haired man, I took myself off to Quinn’s for an oyster supper.” This novel was The Meaning of Night by Michael Cox, a tale of revenge set in Victorian England. I was hooked. I devoured the novel, enjoying every word, and realized rather abruptly that Victorian England was the perfect setting for my own novel. Suddenly, everything came together: this was a tale of demons in the Victorian era, focused on a succubus brought up in that rigid world and struggling to reconcile her upbringing with the needs of her new form–and in the process questioning all the toxic ideas she was forced to internalize growing up. And so Maraina Blackwood was born.

NTK: What is your creative process like? How do you go from inspiration to final draft?

 JF: It’s all over the place. I’ll usually plot out the entire novel, then change everything as I actually write it. When I eventually get a working draft that I’m passably happy with, I’ll ask writer friends to read and critique it. Then I’ll edit, and edit, and edit some more, until I think it’s finally ready enough for publication. If it gets picked up, that means more edits because the publisher’s editor will need to give it a good look. If it doesn’t get picked up, it means the book isn’t good enough yet, so it needs more edits anyway. Lilitu took more years than I care to admit.

NTK: What do you like most about the Victorian age?

 JF: The psychological complexity. The aesthetics. Their elegant manner of speaking. I also like how deeply hypocritical they were, because it’s ever so much fun to satirize.

NTK: What do you dislike most?

 JF: When you get down to it, the Victorian Era was quite horrible to actually live in. Severely rigid gender roles, miserable science/medicine, incredible poverty, child labor…I’ll often meet other Victorian enthusiasts, and many say that they wish they lived in the Victorian era instead of today. While that’s valid, I always like to remind them that they almost certainly would have been impoverished, and never able to afford those pretty, fancy dresses that they are so keen on wearing. People honestly romanticize the Victorians and are quick to forget that the elegant ladies and wealthy gentlemen they’re so enamored with made up a tiny, tiny slice of the population. That’s beside the fact that things were abysmal for women, even wealthy and noblewomen, as they were not allowed agency over their own lives. It was just a nasty, cruel period, and many are far too quick to forget that.

NTK: Have you written other stories in the Lilitu universe? If so, what?

JF: We have a FREE short story in the Lilitu universe out now, called Lilith in Repose.

It’s a twisted, erotic Dark Fantasy tale about a nun whose church has been taken over by demons…and now they are asking her to join their ranks.

I am also in the early stages of the second Lilitu novel. I’m planning it as a trilogy right now, but that may change as I actually write it. We’ll just have to see.

NTK: What’s your favorite curse word?

JF: Bollocks!

NTK: What’s your favorite curse?

 JF: I can’t think of one, so I’ll improvise. “MAY YOU BE REBORN A DINGLEBERRY HANGING FROM THE CRACK OF SATAN’S ARSEHOLE!” Hmm…when you consider the smell, that would actually be a truly dreadful fate.

NTK: (Laughs.) What does the future hold for you? What works do Horror Addicts have to look forward to?

 JF: I’m currently in the editing stages of an epic Lovecraftian biopunk novel. I’m also almost done with the first draft of a new horror novel centered around an autistic protagonist (I am on the spectrum, so it comes from a real place). Then there’s of course the second Lilitu book, wherein readers will learn of some surprising–and horrible–consequences of Maraina’s actions in book 1.

NTK: Jonathan, thank you so much for chatting with us. 

JF: You’re welcome.

Addicts, you can find Jonathan on Twitter.

 

 

 

 

 

 

Chilling Chat: Dark Divinations – Naching T. Kassa

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Naching T. Kassa is a wife, mother, and horror writer. She’s created short stories, novellas, poems, and co-created three children. She lives in Eastern Washington State with Dan Nachingwriterpic2019Kassa, her husband and biggest supporter. Naching is a member of the Horror Writers Association, Head of Publishing and Interviewer for HorrorAddicts.net, and an assistant at Crystal Lake Publishing.

How did you become interested in the Victorian era?

My interest began in 1985 with the Granada TV series, The Adventures of Sherlock Holmes for the BBC. I’d seen westerns and other period dramas, and I had always loved mysteries, but this was the first one which resonated with me. I became obsessed with Sherlock Holmes and all things Victorian.

What is your favorite Victorian horror story?

My favorite is The Hound of the Baskervilles. And even though Sherlock Holmes doesn’t appear in most of the story, it’s still a masterful tale. I love how Sir Arthur Conan Doyle took a legend he’d heard from one of his friends and turned it into a great horror story. 

Do you have a favorite Victorian horror movie? What attracted you to this film?

Bram Stoker’s Dracula directed by Francis Ford Coppola is my favorite. Not only are the visuals sumptuous and beautiful, but the script is also close to the book. No other movie or television show I’m aware of has adopted the epistolary style. You also see Dracula as an old man with hairy palms, the scarring of Mina with the sacred host, and the ship Demeter which brings Dracula to England. Some liberties are taken with the story, and some of the actors are a bit wooden, but it is a fairly faithful adaptation of the story.

Are your characters based on real people?

My character, Jacob, is based on a real person. There have been many theories as to this person’s true identity, but I don’t think anyone really knows who he is.

What are you most afraid of?

Horrible things happening to those I love.

Dark Divinations is the first anthology you’ve every edited for HorrorAddicts.net. What part of the process did you find the most difficult?

The hardest part of editing this anthology was choosing from all the wonderful submissions we had. There were so many good ones, so many I wish we could’ve included. Unfortunately, a major reason why these stories didn’t make the grade was failure to include all three elements of the theme. There had to be an element of horror, a method of divination, and it had to take place in the Victorian era. If a story contained these elements, it made it to the next phase where I checked to see if the voice was true to the period. I also checked for historical accuracy.

It was difficult letting some of these stories go and I want to thank all the authors who subbed and didn’t make it. Your stories were good. They just didn’t fit the vision of the anthology. I think this is something we authors fail to take into account. We automatically assume we’re no good when we receive a rejection. And that’s not the case at all.

What’s the best part of editing an anthology?

Showcasing wonderful talents. The people who’ve written stories for this anthology are terrific writers, and their takes on the theme were diverse and imaginative. I loved that they did their research and came up with such exciting methods of divination. We have tea leaf reading, dreaming, scrying, stichomancy, entrail reading, crystal balls, seances, throwing the bones, and even arachnomancy. (Arachnomancy is the use of a spider to tell the future, in this case, the spider’s web.) These writers are so creative! I hope the readers will enjoy their work as much as I have.

You’ve mentioned all the elements you looked for in the story. Was there anything else which served as the deciding factor in your choices?

Yes, the story had to be fun. I don’t know about how others read, but I tend to cherry-pick the anthologies I read. I don’t read them in order from first to last. I pick what looks most interesting to me and go from there. All the stories in here are fun to read, no matter what order you decide to read them in.

What is your favorite form of divination?

The Ouija board! I’ve had some weird experiences with that particular divination device. It’s predicted some things which actually came true. Several had to do with stories I would write and jobs I would hold.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I have a Sherlock Holmes story called, “The Adventure of Marylebone Manor,” coming out this year. It’s in Sherlock Holmes and the Occult Detectives, edited by John Linwood Grant and published by Belanger Books. And on April 3, my story, “The Darker Side of Grief,” was published in Arterial Bloom. The anthology was edited by Mercedes M. Yardley and published by Crystal Lake Publishing. I’m really excited about this story.

I’m also a staff writer for Crystal Lake Publishing’s new fiction series, Still Water Bay. The series debuted April 27th.

Addicts, you can find Naching on Twitter and Facebook.

 

 

 

Chilling Chat: Episode #181 – Rob Bliss

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Rob Bliss was born in Canada in 1969.  He has lived a horrific comedy of a life. 
He watched half of his family die before he reached the age of twenty, with the other half RB Photoabsent.  He is very familiar with coffins and graves, funerals and unholy weddings.  He has held dozens of mindless jobs  He has an honours degree in English and Writing from York University, Canada.  He has 100 stories published in various web-based magazines, plus three anthologies.  He has had three novels published by Necro Publications.
 

Rob is a fascinating writer with a wry sense of humor. We discussed writing, movies, and fear. 

NTK: How old were you when you first discovered horror?

RB: Maybe 8 or 10. It was a hellish nightmare that got me living in constant fear. One movie: The Amityville Horror. I saw it with my family as we enjoyed a lovely summer weekend at another family’s cottage. At a drive-in, no less. Big screen to see the walls bleed and flies swarm the window. (I had a bedroom window EXACTLY like that one, complete with many dead flies.) Since it was two families in one cottage, some of us had to sleep out on the enclosed porch. Meaning, me. It had screens for windows. The midnight wind blew the shadows of tree branches against the screens. I stared in horror at those moving shadows for most of a sleepless night, replaying the movie over and over again. When we got home, I vowed to never go into the basement (we lived in a farmhouse, and the basement was old foundation stone, always damp and cold, with tiny doors that led deeper into the basement maze. Rooms within rooms. I was sure the portal to Hell was down there!) And because of seeing that movie in that town while trying to sleep on that porch, I had nightmares for years afterwards. Literally, years. I hated horror movies but couldn’t look away. When my family and my uncle and aunt and cousins watched Friday the 13th Part 2, I stayed in the kitchen, able to hear but not see the movie. Though I did peek my head in once towards the end … to see Mrs. Voorhees’ severed head on an altar! I think I write horror novels for the same reason kids go out dressed up on Halloween: to scare away the demons that scare them. (I have to go curl up in a fetal position and shiver for a while, excuse me, I’ll get back to the rest of the interview later.) 

NTK: What’s your favorite horror movie?

RB: Phantasm.  Along with The Amityville Horror, I saw Phantasm when I was too young to see any horror movie. (When I turned 30, I was much better.) That flying steel ball that drills into people’s heads and makes a tube of blood shoot out – yeah, I liked that! Scared the heck outa me! And those little druid guys! What was up with them? Anything that was even remotely designed to scare, scared me. I was a little wimpy scaredy-cat boy, highly suggestible. Nothing has changed, except more adult things scare me along with everything else.

NTK: So, what are you most afraid of?

RB: Displeasing Mistress.

NTK: (Laughs.) What is your favorite horror TV show?

RB: I had no idea there was such a thing as horror TV. I don’t watch much TV.

NTK: What is your favorite horror novel? 

RB: Necroscope by Brian Lumley.

NTK: Who is your favorite author?

RB: It changes, but right now, Marcel Proust.

NTK: What inspires you?

RB: Everything. Books, paintings, a tree wafting with a midnight breeze under a full moon … it’s how you see, not what you see, that leads to inspiration.

NTK: What inspired The Bride Stripped Bare? 

RB: Boredom. Wrote the characters and setting and blood and guts, and fear. Wrote it in 5 weeks. And the title is from Marcel Duchamp’s artwork.

NTK: Do you outline your books and stories? Or do you write by the seat of your pants?

RB: A faint idea sticks in my head, then if I think about it multiple times over several months, I figure it wants to be written. After that, the story decides where it wants to go. I just transcribe as it plays in my head like a movie.

NTK: Do your characters have free will? Or do you control their every move?

RB: The characters do what they want at first, then during revisions, I try to justify why they did what they did. Characters can be such assholes to their writer.

NTK: (Laughs.) Do you have a favorite curse? If so, what is it?

RB: The Chinese curse: may you live in interesting times. Little too on-the-nose right now.

NTK: What’s your favorite curse word?

RB: Bumbaclot.

NTK: I love that word! What does the future hold for you? What works do Horror Addicts have to look forward to?

RB: I just want to write and write and read and read. This December, my publisher, David G. Barnett, at Necro Publications, will be publishing a novel I’m currently revising called Fear.

Addicts, you can find Rob on Twitter, Facebook, Goodreads, and at Necro Publications.

Dark Divinations: The Pocket Watch

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The Inspiration Behind “The Pocket Watch”

By Emerian Rich

Have you ever woken from a dream and aren’t sure if it was a dream, a memory, or reality? Yeah, me too. A few years ago I woke from a dream so real, I could still smell the perfume, hear the scream, and feel the dread creeping over my shoulders.

In the dream, I was a Victorian lady who’d just found a pocket watch in the drawer of my vanity. I remember thinking it was strange that an object of such obvious wealth was just left in my drawer when I had never seen it before. Had my dream-husband left it there as a gift? Was it misplaced by a servant?

Upon opening the latch, I thought perhaps I’d find an inscription, but instead, I found a mirror. Not any old mirror. This mirror showed me visions and if I held it up in the room, it would show me echos of another time. And the most unsettling thing, I witnessed a man murder his wife. Was it just a vision? Was it a past occurrence, or one to come?

I woke in the same fear as I experienced inside the dream. Was I about to be killed by my husband? Was I supposed to stop a murder? Or was it a murder that had already taken place? Was I supposed to avenge her death or tell the authorities?

With a few deep breathes I came back to myself. I was not an English, Victorian lady of wealth, I was me… plain old Emz here in California in the 2000’s.

But this dream got me to thinking… What would happen if you found a pocket watch that either showed echoes of past transgressions or predicted future ones? And what would be the rules for such a gift?

I started to study the moons and found that many of the 2nd New Moons in October occurred on or about Halloween. And thus the mythos for “The Pocket Watch” came to be. I hope you enjoy this story and I wonder… what would you do if you knew your murder was imminent?

emz1smallEmerian Rich is the author of the vampire book series, Night’s Knights, and writes romance under the name Emmy Z. Madrigal. Her romance/horror cross over, Artistic License, is about a woman who inherits a house where anything she paints on the walls comes alive. She’s been published in a handful of anthologies by publishers such as Dragon Moon Press, Hidden Thoughts Press, Hazardous Press, and White Wolf Press. She is the podcast Horror Hostess of HorrorAddicts.net.

 

Dark Divinations: Of Blood and Bones

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The Inspiration Behind “Of Blood and Bones.”

By Jeremy Megargee

I love the concept of Edward Hyde, this hulking abhorrent savage that emerges from behind an innocent veneer. I dressed as Hyde for Halloween last year and did a few little Instagram video skits to “get into character”…and it was so much fun. It’s cathartic to tap into that animal side which I think resides in all of us. I borrowed the classic monster for my story, and Camille gets to face him head-on…

I think with Camille, I got to really explore the aesthetic of the Victoria era. The style, the decorum, I focused more on the grimy back alleys of the time period, more of a Jack the Ripper vibe as opposed to elegance and frilly fashion. I feel like it’s the perfect time capsule for a horror story, there’s just this potential to introduce bloodshed, and I took full advantage of that. You can taste the muddy thoroughfares, feel the gore streaked across little boarder’s rooms, and when Hyde comes, that smothering presence just pulls you in…

I’m always aiming to inspire emotion with my stories, and I hope I was able to convey what a force Hyde was in this one, a dark and primal force, but a force nevertheless.

J MegargeeJeremy Megargee has always loved dark fiction. He cut his teeth on R.L Stine’s Goosebumps series as a child and a fascination with Stephen King’s work followed later in life. Jeremy weaves his tales of personal horror from Martinsburg, West Virginia with his cat Lazarus acting as his muse/familiar.

Chilling Chat: Dark Divinations – Jeremy Megargee

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Jeremy Megargee has always loved dark fiction. He cut his teeth on R.L Stine’s Goosebumps series as a child, and a fascination with Stephen King’s work followed later in life. Jeremy J Megargeeweaves his tales of personal horror from Martinsburg, West Virginia, with his cat Lazarus acting as his muse/familiar.

How did you become interested in the Victorian era?

I think I’ve always liked the idea of the Victorian era. The fashion, the architecture, the whole aesthetic… 

What is your favorite Victorian horror story?

Oscar Wilde’s “The Picture of Dorian Gray”…one of my all-time favorite stories in general. I love the duality and the descent into excess and depravity, Dorian drinking down sin and remaining flawless, but his portrait taking on all that ugliness.

Do you have a favorite Victorian horror movie? What attracted you to this film?

Crimson Peak is high on my list. The monster designs were great, and the time period was so well captured.

Are your characters based on real people?

Camille is 100% fictional, but Edward Hyde belongs to the public domain courtesy of Robert Louis Stevenson.

Do you use an outline to write? Or do you write by the seat of your pants?

Always by the seat of my pants. Ideas click together for me, and I’m able to fit them into something resembling a coherent jigsaw puzzle.  It’s a method that has always worked out well!

Do your characters have free will? Or do you decide their fate?

Usually, I’m aware of their fates far in advance, but if something changes in my mind, the character can easily go in a totally different direction.

What are you most afraid of?

Public speaking. I hate it with soooo much passion, but I’m working to overcome that fear. I think I’m desensitized to most other “fears” people would have just because I eat, breathe, and sleep the horror genre.

What is your favorite form of divination? 

The one featured in my story, “throwing the bones”.

Who is your favorite horror author?

All-time favorite is Stephen King, modern fresh voice on the horror scene is Nick Cutter. 

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

Hopefully more writing and more opportunities to work with all kinds of different publishers. I’m almost always writing and submitting new short stories, and it’s pretty much a steady trickle when it comes to output for me depending on what gets accepted and what gets rejected. I have several things coming out later this year with a variety of different presses, and I’m stoked to keep it going. If you want to follow my writing updates and general dark-humored craziness, find me on Instagram.

Chilling Chat: Dark Divinations – Alan Fisher

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Alan Fisher is an attorney living in Washington, D.C.  He’s published two novellas, Servant of the Muses and A Pearl for Her Eyes, under the name Brad White.  His story, “The Alan FisherConfession of Diego Stoessel,” was included in Alban Lake Publishing’s Lovecraftian anthology, City in the Ice. Another short story, “Pangloss,” was featured on the Hugo Award-winning podcast Starship Sofa.  His favorite authors include John le Carré, William Gibson, Raymond Chandler, and Neal Stephenson.  When not writing, he enjoys playing board games with his wife and sons and running role-playing games for his friends.

How did you become interested in the Victorian era?

I’ve always been a reader of history, with a particular focus on military history.  The Victorian era was such a critical time for the shaping of the modern world that I naturally was interested in it.  From the Great Game in Central Asia to the Scramble for Africa, you will find a lot of threads we’re still pulling at today started back in Victoria’s time.

What is your favorite Victorian horror story?

Arthur Conan Doyle’s The Hound of the Baskervilles.  Probably not regarded as a horror story by many, but any beast that can make Sherlock Holmes and Dr. John Watson freeze, even for a moment, is one to be reckoned with.

Do you have a favorite Victorian horror movie?

I can’t say I have a particular favorite.

Are your characters based on real people?

Not really.  The Constable of the Tower could be seen as an echo of the classic Colonel Blimp stereotype, the aged colonial soldier with the big mustache, I suppose.

Do you use an outline to write? Or do you write by the seat of your pants?

I dislike the term ‘pantser,’ but it is what I am.  My first work started simply from the idea that “my muse had left me,” which ended up as the first line – “My muse walked out of my life on a cool October morning . . . .” – in a noir urban fantasy novella.  I really had nothing more to go from.  Similarly, for The Moat House Cob, the story started with a quick check of Wikipedia’s list of divination methods, which led to arachnomancy, and from there the story unfolded.

Do your characters have free will? Or do you decide their fate?

How could they have free will?  I created them and determine what will happen to them.  That’s part of their horror!

What are you most afraid of?

These days all my fears seem horrifyingly mundane, but I’ve never been a fan of spiders (as my story attests).

What is your favorite form of divination?

I don’t believe any of them work, but I’ve always enjoyed Tarot decks for the art and the symbolism.  A particular favorite is Edward Gorey’s Fantod pack.  They’re interesting to study and, when you have no good ideas, tossing a few around might spark something.

Who is your favorite horror author?

I’m almost hesitant to say old Howard Philips Lovecraft, but I must give credit where it’s due.  I’d also add early Steven King, Lord Dunsany, Neil Gaiman, and Charlie Stross.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

Sadly, I haven’t done much writing lately.  I’m about 50,000 words into an actual novel, but not a horror piece.  I have about a dozen fragments and starts, some horrifying, and some just horrifically bad.

 

Dark Divinations: Ghost of St. John Lane

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The Inspiration Behind “Ghost of St. John Lane.”

By Daphne Strasert

The inspiration for “The Ghost of St. John Lane” was threefold. Dark Divinations gave me the opportunity to blend several ideas that had long lived in my imagination, but had yet to find a narrative home.

First, the concept of a house haunted not by a spirit, but by a living person. I shudder at the thought of someone whose body persists, but their soul has moved on in grief. Blurring the lines between death and life is interesting to me. After all, can’t a living person be just as frightening as a dead one when they bring no life to the world around them?

Next, in divination, much is said about the ‘third eye’. Usually considered to be an internal ability, the phrase caught my attention from the first moment that I heard it. I was fascinated by the idea of the third eye as a physical manifestation, an outward mark of an inward ability. When imagining a psychic, I always pictured that they were mentally unstable, their mind torn between the past, present, and future, experiencing it all as a jumble.

Finally, while researching the Victorian Era and the Spiritualist movement that so influenced the times, I was struck by descriptions of mediums and, more importantly, false-mediums who used trickery to maintain their ruse. Their commitment to fooling others for financial gain struck me as singularly wicked and worth exploring.

Daphne StrasertDaphne Strasert is a horror, fantasy, and science fiction author located in Houston, Texas. She placed 3rd in the 2017 Next Great Horror Writer Contest. She has had many short stories published through HorrorAddicts.net and others. When not writing, she plays board games and knits.

 

Chilling Chat: Dark Divinations – Daphne Strasert

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Daphne Strasert is a horror, fantasy, and science fiction author located in Houston, Texas. She placed 3rd in the 2017 Next Great Horror Writer Contest. She has had many short Daphne Strasertstories published through HorrorAddicts.net and others. When not writing, she plays board games and knits.

How did you become interested in the Victorian era?

Years and years ago, I liked American Girl dolls and Samantha (from the Victorian Era) was my favorite. That started a life long love affair with the Victorian Era. At first, I admired the seeming sophistication of the times, from the fashion to the elaborate social rules. As I grew older and did more in-depth research, I discovered the lurking darkness of social inequality. The juxtaposition fueled a desire to delve even deeper.

What is your favorite Victorian horror story?

Dracula. Far and away my favorite. I do love Edgar Allan Poe and all his works, but Dracula was my first love in the horror genre and I’ll never let go of that. It is a slow burning book with so many facets to enjoy.

Do you have a favorite Victorian horror movie? What attracted you to this film?

Crimson Peak.

The sets and costumes were magnificent. The actors gave masterful performances. The movie had a brooding atmosphere that drew me in immediately. The plot was not a typical haunted house story. It turned the tropes of the genre on their head. It left me guessing during every minute. It’s brilliant, and if you haven’t watched it, make sure you do!

Are your characters based on real people?

Not specifically. While doing research for my story, I was fascinated by the many famous mediums later revealed to be frauds (either through careful observation of third parties, or by their own admission), so this made its way into my writing.

Do you use an outline to write? Or do you write by the seat of your pants?

I’m a strong believer in outlines. People (whether they realize it or not) expect stories to be told in a certain way. The rise and fall of action keep readers engaged without exhausting them. I love my outlines. I am always thinking about my stories, and ideas come to me much faster than I would be able to keep track with if I wrote consecutively. Outlines help me to keep track of where the story is going eventually.

Do your characters have free will? Or do you decide their fate?

I keep a strong leash on my characters. I do a lot of character development work to make sure that I’m always true to how they would act, but if my character ever went off course, then that would mean they weren’t the right character for the story. I would need to rethink their motivations.

What are you most afraid of?

Helplessness. Being in a situation with no escape or even a way to progress. So many of my fears can be conquered, but helplessness, by definition, cannot be.

What is your favorite form of divination?

I’m partial to Tarot cards. They have a rich history and many variations. The wide variety of art styles makes each deck unique. On an aesthetic level, I like the feel of the cards in my hands, the sound they make when they’re shuffled, even the smell of a worn and well-loved deck.

Who is your favorite horror author?

Edgar Allan Poe. I suppose that’s an old-fashioned choice, but I love his short stories. They have a breadth of style that is hard to find. I also do prefer horror stories written in historical eras and those can be hard to find with modern authors.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I don’t have any pending publications right now, but I have several novels in the editing stage. Hopefully, those will be submitted to publishers by the end of the year. There are a few anthologies for which I’m producing short stories, and I’ll post more information about those on my website and social media when I can confirm.

Addicts, you can find Daphne on Facebook, Instagram, and Twitter.

Dark Divinations: Broken Crystal

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Before the Crystal Broke: The Inspiration Behind “Broken Crystal.”

By Rie Sheridan Rose

I have been a fan of Victoriana since I was old enough to know it existed, and that was far too many years ago. I fell in love with the fashion, the architecture, the society in general. So, when I saw the call for Dark Divinations, I wanted desperately to earn a spot in it.

I had written a story about the spiritualism of the period before, but it was humorous, and that wasn’t the sort of story I wanted to tell this time. When it came time to choose a focal point for the divination type I wished to feature, the crystal ball was really the only option that resonated.

Crystal balls have been associated with divination as far back as the first century CE, when Pliny the Elder wrote of “crystallum orbis” used by soothsayers. What gypsy fortuneteller worth their salt is without one? For my story, I wanted the spiritualist to be the real thing—able to see the future and communicate with the dead. She doesn’t like to monetize her gifts, but her mother insists.

Researching the story was fascinating. A brief history of Victorian spiritualism in general (Turning the Table by Bekah June) came my way several years ago by way of a convention panel. It provides an interesting, if brief, overview of the spiritualism scene in the period.

But it wasn’t until I found an article titled “How to Use a Crystal Ball” on themoonlightshop.com that several key elements of the story came together. Using the information in that article, I was able to give some “verisimilitude” to what Madame Rose saw in her crystal ball.

One final thing of interest to the reader, perhaps, is the story was originally written in third person. One of my beta readers asked me if I had considered putting it in first person, and the rest—as they say—is history. I feel what makes it most haunting is that it is told by Molly herself.

Mysterious Rie RoseRie Sheridan Rose multitasks. Her short stories appear in numerous anthologies, including On Fire, Hides the Dark Tower,  and Killing It Softly Vol. 1 and 2. She has authored twelve novels, six poetry chapbooks, and lyrics for dozens of songs.

Chilling Chat: Dark Divinations – Rie Sheridan Rose

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Rie Sheridan Rose multitasks. Her short stories appear in numerous anthologies, including On Fire, Hides the Dark Tower, and Killing It Softly Vol. 1 and 2. She has authored twelve Mysterious Rie Rosenovels, six poetry chapbooks, and lyrics for dozens of songs.

How did you become interested in the Victorian era?

I don’t remember ever NOT being interested in it. Ever since I was a young girl…half a century ago—yikes!…I have been fascinated by all things Victorian. I’m an Anglophile in general, but the Victorian era had it all…

What is your favorite Victorian horror story?

It isn’t a particularly “scary” story, but I’ve always been fond of Oscar Wilde’s “The Canterville Ghost” – I even adapted it for the stage as a kid. And if we broaden the scope of Victoriana to here across the pond, “The Yellow Wallpaper” is one of my absolute favorite horror stories. It was written in 1892 by Charlotte Perkins Gilman, so it just squeaks in under the 1901 wire.

Do you have a favorite Victorian horror movie? What attracted you to this film?

Does Dracula Has Risen from the Grave count? It is set in 1905, but it does have Dracula… What attracted me to the film was that I saw it when it was fairly new, and it was the first time I knew how erotic vampires could be. Go figure—Christopher Lee gave me chills.

I am also very fond of Mary Reilly, because it was a fascinating re-invention of Strange Case of Dr. Jekyll and Mr. Hyde.

Are your characters based on real people?

No.

Do you use an outline to write? Or do you write by the seat of your pants?

No, not usually. I am a pantser. I sometimes have a vague idea of where I want the story to go, and then I start writing and let it tell itself.

Do your characters have free will? Or do you decide their fate?

Oh, I have had some CRAZY things happen which I did not expect. I wrote one story where a character had decided to give up some of his remaining years to his ill grandmother. When she refused, he was supposed to go out in the hall and pour it out. Instead, he gave the potion to a little girl he met in the hallway because she was also ill, and maybe that extra time could find her a cure.

In another case, I have written five books in my Steampunk series from the point of view of my main character. I wrote the first book in a new series set in the same world, and my main character in that one told me some major character points I had never known before…

What are you most afraid of?

I think probably dying alone. 

What is your favorite form of divination?

I would love to be able to read Tarot cards. I think they are fascinating, but I haven’t the gift for it. I’ve been to some truly frightening seances… I think when it comes down to it, the Ouija Board is the only form I feel I can participate in myself.

Who is your favorite horror author?

Stephen King. Since I read my first King, I’ve been hooked.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I am currently editing my next Horrified Press anthology. I have the previously mentioned novel Bond and Reilly Investigations: The Case of the Counterfeit Confederate almost ready to go to an editor, and I have The Beauty and the Bard out to beta readers. Hopefully at least one of them will be out by the end of the year. There are others in the wings waiting their turn.

For Horror Addicts, I recommend snagging a copy of Skellyman while it is still in print.

Addicts, you can find Rie on Amazon and on her website.

Dark Divinations: Breaking Bread

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The Inspiration Behind “Breaking Bread.”

By R.L. Merrill

Breaking Bread begins in the home of Fidelia Meek, the Meek Mansion, which is less than two miles from my house. The house is an historic site and I drive past it every week. The home was built in 1869 after William Meek and his family relocated to what is now San Lorenzo in order to plant orchards. He and his partner, Henderson Lewelling, got their start in the fruit business up in Oregon and brought their know-how to California to start anew. The area is now part of the Bay Area suburban sprawl, but the Hayward Historical Society has gone to great lengths to preserve the home. It’s a glorious white building with many windows and turrets. I’ve been inside a handful of times and it always feels full to the brim of stories, almost as if you could run your fingers along the wall or the banister and absorb the history through your pores.

When I discovered the submission call for Dark Divinations, I fell into a rabbit hole of research on the house, the area, and what women of the time may have been interested in. I discovered the use of Alphitomancy—the use of bread to determine one’s innocence or guilt—and away the story went! I was even able to score a couple of tickets to a paranormal investigation of the home one night and though it was a thrill to attend with my pal Karysa and to hear stories about the people who lived there, nothing much out of the ordinary occurred. Still, we got to explore parts of the house that are usually closed to the public, and I loved every moment.

When the place you live in and love is full of history, it doesn’t take much to be inspired.

Merrill_RL-HeadshotOnce upon a time… A teacher, tattoo collector, mom, and rock ‘n’ roll kinda gal opened up a doc and started purging her demons. Twenty-five published works later, with more tucked away in her evil lair, R.L. Merrill strives to find that perfect balance between real-life and happily ever after. You can find her lurking on social media, being a mom-taxi to two brilliant kids, in the tattoo chair trying desperately to get that back piece finished, or headbanging at a rock show in the San Francisco Bay Area! Stay Tuned for more Rock ‘n’ Romance.

 

Chilling Chat: Dark Divinations – R.L. Merrill

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Once upon a time… A teacher, tattoo collector, mom, and rock ‘n’ roll kinda gal opened up a doc and started purging her demons. Twenty-five published works later, with more tucked Merrill_RL-Headshotaway in her evil lair, R.L. Merrill strives to find that perfect balance between real-life and happily ever after. You can find her lurking on social media, being a mom-taxi to two brilliant kids, in the tattoo chair trying desperately to get that back piece finished, or headbanging at a rock show in the San Francisco Bay Area! Stay Tuned for more Rock ‘n’ Romance.

How did you become interested in the Victorian era?

Everyone gets so excited about the Victorian era in Britain, but I’ve always been more interested in what was going on in my neighborhood. There are several historic homes in my area and I’ve often wondered about the people who lived here before us and what life was like, what the area looked like.

What is your favorite Victorian horror story?

Edgar Allan Poe is one of my literary heroes and I love his tales of darkness and despair. “Ligeia” is one of my favorites along with “The Fall of the House of Usher.”

Do you have a favorite Victorian horror movie? What attracted you to this film?

I absolutely loved the film version of Sweeney Todd with Johnny Depp. It was incredibly well done. I also think Corpse Bride is brilliant and a much better Burton film than A Nightmare Before Christmas, which is not a popular opinion, I know.

Are your characters based on real people?

In “Breaking Bread,” the main character, Fidelia Meek, was the real lady of the Meek Mansion. I use the names of the Meek family as well. They were wealthy landowners in the East Bay; their orchards were vast.

Do you use an outline to write? Or do you write by the seat of your pants?

I’m a plotser. I actually do character organizers before I write. Usually. Mostly. My current WIP? I’m pantsing the heck out of it.

Do your characters have free will? Or do you decide their fate?

Oooo pretty sure I’m a firm believer in fate. Things happen for a reason, despite whatever we may do to change our destiny.

What are you most afraid of?

Besides the obvious, something happening to my children, I’m also terrified of getting sick again. The coronavirus has reminded me how hard I’ve fought to not get pneumonia again, and I continue to fight.

What is your favorite form of divination?

Growing up, I loved the Magic 8 Ball! But for now? I’m fascinated with Tarot. I want to learn more about it. For my story, though, I wanted to dig deep and find something unusual, and that’s where the Barley Bread came from. According to several sources, Alphitomancy is an ancient method of determining the guilt or innocence of a suspect person by feeding him or her a specially prepared wheat or barley loaf or cake. If the person suffers from indigestion, or finds the loaf to be distasteful, this is interpreted as a sign of guilt. If enough people believe in something, it gives it power. Apparently lots of folks—including the Greeks and Romans up through the Irish—believed in this form of divination. Who am I to disagree?

Who is your favorite horror author?

Anne Rice. Her books fed my imagination for years. I also love Stephen King, Robert Louis Stevenson, the aforementioned Poe, and contemporary horror author Rick R. Reed.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I recently dropped a new supernatural suspense/paranormal romance called Healer: Havenhart Academy Book One, and book two will be out in early 2021. In June and October, I’ll be releasing my third and fourth Magic and Mayhem Universe books which follow a congregation of Alligator Shifters and witches living in the Bayou. They’re a lot of fun to write and I love being a part of a group project. And in June I’ll also be a part of the Love is All Vol. 3 anthology to support LGBTQ charities. That story will be an m/m contemporary romance.

Addicts, you can find R.L. on Facebook, Twitter, and BookBub.

Dark Divinations: Miss Mae’s Prayers

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The Inspiration Behind “Miss Mae’s Prayers.”

By H.R.R. Gorman

Miss Mae’s Prayers” was inspired by the area where I grew up. The Southern Appalachians are steeped in a rich history of superstitions, most of which are about health or weather, and many of which are considered about as Gospel truth as, well, the Gospels themselves.

The titular character, Miss Mae, is based on my next-door neighbor growing up (though “next door” meant something more like half-mile or a mile away). Though she’d grown up in a staunchly Christian community, somehow she’d made the decision to believe in no god. As a result, she was considered to be witchy, especially since the childless woman lived to be 102 before finally succumbing to pneumonia. Despite her status, she knew many mountain folk-cures and gave sought-after advice to others in the community.

Common practices in modern mountain churches stem from Baptist and Methodist missionaries that arrived in the late 1800’s. Circuit preaching, revivals, and camp meetings still happen in the mountains with surprising regularity, and they hearken to a time when only a few preachers tramped around the woods in search of souls to save. The story focuses on a highly respected circuit preacher who is skeptical of the mountain ways.

Elements of the present remind us of the past that created “Miss Mae’s Prayers”, and I hope reading this short can transport you to a fantastical world without the need to attend an old camp meeting…

HRR GormanGrowing up, H.R.R. Gorman listened to a circuit preacher every Sunday at her local church near Boone, North Carolina, and has accepted supernatural medical advice from neighbors and relatives. She now holds a BS, MS, and Ph.D. in chemical engineering, with which she makes modern cures for those less superstitiously inclined. In her spare time, H.R.R. enjoys training her dog, Hector, and playing Dungeons and Dragons with her husband.  

Dark Divinations Watch Party & Facebook Party – Today

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Horror Addicts, in honor of the new book release, Dark Divinations, HorrorAddicts.net cordially invites you to:

THE DARK DIVINATIONS WATCH PARTY

Followed by

THE DARK DIVINATIONS FACEBOOK PARTY

Join us for an hour of charming videos celebrating the release of DARK DIVINATIONS. Then, stay with us for a Facebook Party of epic proportions. There will be virtual refreshments, games, and prizes!

The Watch Party will begin at 1 pm today. The Facebook Party follows at 2 pm.

Who: HorrorAddicts.net

When: Today

Time: Watch Party – 1:00 PM PST

Time: Facebook Party – 2:00 PM PST

How: Watch Party

Facebook Party

RSVP

Stay Spooky!

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Chilling Chat: Dark Divinations – H.R.R. Gorman

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Growing up, H.R.R. Gorman listened to a circuit preacher every Sunday at her local church near Boone, North Carolina, and has accepted supernatural medical HRR Gormanadvice from neighbors and relatives. She now holds a BS, MS, and Ph.D. in chemical engineering, with which she makes modern cures for those less superstitiously inclined. In her spare time, H.R.R. enjoys training her dog, Hector, and playing Dungeons and Dragons with her husband. 

How did you become interested in the Victorian era?

I’ve descended from a distinctive stock of poor Southern Appalachian people, grew up amongst Southerners, and have decided to keep North Carolina as my forever home. Throughout my life, I’ve been steeped in the continuing legacy of the Civil War and reconstruction in the South; though the war is long over, its effects still linger in many devious and dark corners of Southern society. I have enjoyed studying the war itself, the politics surrounding it, the cruelty that fomented it, and the devastation of its results. You don’t often think of things like Gone with the Wind as being Victorian, but they are.

What is your favorite Victorian horror story?

Ambrose Bierce’s “An Occurrence at Owl Creek Bridge” has long been an inspiration when I write Southern gothic fiction (though Bierce himself was, bless his heart, not a Southerner). Written in 1890, it’s a story about a plantation owner awaiting his execution over an Alabama bridge, rope already around his neck. What happens next I’ll leave for you to find out – the story is in the public domain and can be found on Project Gutenberg for free.

Do you have a favorite Victorian horror movie? What attracted you to this film?

I don’t think I have a favorite Victorian horror movie. However, I must say I enjoyed the Jonathan Strange and Mr. Norrell series on BBC, which has a spine-tingling feel and is set during the Napoleonic wars. It’s not quite Victorian because the industrial revolution wasn’t in full force, but it’s got a lot of similarities to steampunk or later 19th-century stories.

Are your characters based on real people?

Some of them are. In the story found here, for instance, Miss Mae was based on a real person. She was my neighbor growing up and died at 102. People respected her health advice (she pretty much saved my own mother when she had the flu sometime in the 1980’s), but many community members were scared of her because she was an atheist. “Godlessness” was unheard of for someone in our community. I changed her character a little bit for the story, such as making her a little witchy instead of an atheist, but much of her character still remains substantially the same as the person I knew.

Do you use an outline to write? Or do you write by the seat of your pants?

I never outline anything, but I know in my head what kind of plot will happen. I make characters and a problem to solve, and most of the time I have an idea how to solve the problem, but I allow the story from beginning to end to take its own natural course. It’s like playing Dungeons and Dragons, but just in my head.

Do your characters have free will? Or do you decide their fate?

A little of both – I give them free will, but oftentimes I write myself into a corner where I don’t like where it’s going. In those cases, I tend to delete everything back to where I believe the disastrous decision was made and try to force them into choosing something else.

What are you most afraid of?

It’s a tie between Ebola, rabies, Ebola rabies, tetanus, tooth decay, polio, cancer, Hell, and septic shock.

What is your favorite form of divination?

I’m not much of one to believe in divination, but I am intrigued by cold reading.

Who is your favorite horror author?

Southern Gothic has always been near and dear to my heart, so probably Faulkner. His short “A Rose for Emily,” is probably the single-most inspiring story for any of my writing. I’m more into softer, creepy horror than the stabby jump-scare horror.

Other than that, I will admit I have a soft spot for Rod Serling…

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

Dark Divinations is the first anthology I’ve appeared in, but I’m just revving my engines and hoping to participate in more anthologies.

In the meantime, I post fairly regularly on my WordPress blog and am offering a free Southern gothic sci-fi novel called American Chimera. It’s being posted serially through the end of 2020 or can be downloaded immediately as a PDF.

Chilling Chat: Dark Divinations – Stephanie Ellis

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Stephanie Ellis writes dark speculative prose and poetry and has been published in a variety of magazines and anthologies. Her latest work includes the novella, Bottled, stephanie ellispublished by Silver Shamrock, who will also be publishing her novel, The Five Turns of the Wheel, in October. She has recently been published in Flame Tree Press’ A Dying Planet anthology with “Milking Time” and is included in Silver Shamrock’s upcoming Midnight in the Pentagram anthology with “Family Reunion”. She has collected a number of her published, and some unpublished, short stories in The Reckoning, her dark verse in Dark is my Playground, and flash in The Dark Bites, all available on amazon. She is co-editor of Trembling With Fear, HorrorTree.com’s online magazine. She is an affiliate member of the HWA. 

How did you become interested in the Victorian era?

This actually began when I studied for my degree some years back with the Open University. Some of the history modules I worked on dwelt on the Victorian era and I found it fascinating how it was such a time of contradiction. Public morality vs. personal morality, position of women in society, the advance of science vs. religion. So much went on beneath the surface of Victorian life which was regarded as its ‘dirty little secret’ because of this veneer of respectability which took precedence.

What is your favorite Victorian horror story?

“Masque of the Red Death” by Edgar Allan Poe – and pretty much a number of others of his: “Fall of the House of Usher,” “Pit and the Pendulum.” He was a master of the macabre.

Do you have a favorite Victorian horror movie? What attracted you to this film?

I’m not sure you would call this horror but it does have horrific elements and that is The Elephant Man based on the story of Joseph Merrick. The way he was treated as a freak and how he had to hide his face in public was heartbreaking, yet he retained his humanity and showed it was those who mocked and condemned him who were the monsters. I think that’s what I was trying to get at, it asks the question of what makes a monster? The emotion in this film really pulled me in. As a result of this movie, I actually did a study of neurofibromatosis as a result of seeing this film for my biology A-level!

Are your characters based on real people?

Yes. When I was studying with the OU, I loved reading primary sources, real accounts from those alive at the time. One of these was London Characters and Crooks by Henry Mayhew which talked about the penny gaffs and costermongers who attended them, as well as their owners. This led me to Tom Norman who really did operate a penny gaff opposite the London Hospital. He was the man who actually ‘exhibited’ Joseph Merrick. If you want authenticity, read Mayhew’s accounts, they are real interviews with real people. It is one of my go-to source books – and it’s a lovely Folio Society edition!

Do you use an outline to write? Or do you write by the seat of your pants?

Seat of my pants. I can’t plan. I have a character or a situation and I start to write it and I just let it take me where it will. I have tried to plan because some swear by it but I found every single time my characters would not walk the path I’d set out for them.

Do your characters have free will? Or do you decide their fate?

They write their own stories.

What are you most afraid of?

On a ridiculous level, Daddy Longlegs – I can’t stand things fluttering around my head, moths aren’t too far behind that. Silly really, as I don’t mind butterflies. On a more serious level? The same things as most people – death, my own and that of those close to me. I’m also scared of the sheer scale of intolerance in society and the way thought police, trolling and abuse has destroyed free speech.

What is your favorite form of divination?

The Fortune Teller’s head was actually based on one I saw in operation at a local museum. I quite like the idea of the Tarot. I do have a pack of cards now which I am using to inform a new work of poetry and flash in conjunction with author friend, Alyson Faye. That is an ongoing thing with no fixed timescale but it is something I want to see through.

Who is your favorite horror author?

Aagh, it depends on my mood so I’m going to name a few: Adam Nevill, John Ajvide Lindqvist, Shirley Jackson, Amy Lukavics. I’m not going to mention Stephen King because it goes without saying.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to? 

Publications for this year have pretty much happened already (My novella, Bottled, and my short story, Milking Time, in Flame Tree Publishing’s Dying Planet anthology) so now I am working for future publication.

I have been extremely lucky to have been signed by Silver Shamrock Publishing this year. In January they published my gothic novella Bottled.  And soon, they will be publishing an anthology, Midnight in the Pentagram which features my story, ‘Family Reunion’ AND in October they will be bringing out my folk horror/dark fantasy novel, The Five Turns of the Wheel.

I have just finished a post-apocalyptic horror novel which is currently with beta-readers, I have a folk horror/psychological horror novel to finish and a post-apocalyptic/horror/sci-fi novel to find a home for.

I’ve a couple of short stories I want to turn into novellas, both post-apocalyptic/horror/sci-fi – sensing a trend here?

I’m building a collection of short stories set in the world of The Five Turns of the Wheel and which people would’ve got a taste of in my short stories, ‘The Way of the Mother’ (The Fiends in the Furrows, Nosetouch Press) and ‘The Dance’ (CalenDark from the Infernal Clock). I would also LOVE to write the story of how Betty came to be ‘Betty’ and can see that as a novella too. You’d have to read ‘The Dance’ and ‘The Way of the Mother’ to discover more about this character although I did publish a bit of flash on my website about him, here.

Having finished the novel for beta-reading, I am now giving time to another love of mine, dark poetry. I’m working on both my collection and the collaboration with Alyson Faye.

So, the future is busy. Fingers-crossed all of the above sees the light of day but whatever happens, I’ll keep on writing. I can’t not.

Addicts, you can find Stephanie on Twitter.

Dark Divinations: The Bell

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The Inspiration Behind “The Bell.”

By Jon O’Bergh

During the nineteenth century, epidemics like cholera periodically swept through the population and brought reports of premature burial. Although most of these reports were undoubtedly fake news, the resulting fear of being buried alive fueled a demand for “safety coffins.” I initially wrote a story about one such burial, told by an omniscient narrator but focused on the graveyard watchman, in which a wife deliberately buries her sick husband before he is dead.

When I saw the Dark Divinations call for submissions, I realized my story had the seeds of something ideal for the anthology. I’ve always loved the Victorian style of writing: the fancy turns of phrase, the old-fashioned word choices, the heightened emotionalism. I thought it would be fun to craft a story using that kind of voice—a Poe-esque story told from the perspective of the person trapped in the coffin. What would he experience? What thoughts would go through his mind? How would he deal with the situation?

Of course, that meant writing the story in the first person and completely re-working it. I decided it would be even more interesting to invest the character with occult abilities, another fascination of the nineteenth century. Not an outright charlatan (although there were plenty of those), but a flawed yet sympathetic character with some amount of real ability. The transformed story now had only a superficial resemblance to the original. Dark Divinations had inspired me to write an even better tale, one I hope is worthy of comparison with Edgar Allan Poe.

 Jon O’Bergh is an author and musician who loves a good scare. He grew up in Southern California, where he received a Bachelor of Arts in Music from the University of California at Irvine. A fan of ghost stories and horror movies, Jon came up with the idea for his horror novel “The Shatter Point” after watching a documentary about extreme haunts. He has published four books and released over a dozen albums in a variety of styles, including the album “Ghost Story.” After many years living in San Francisco and Washington, D.C., he now spends his time in Toronto.

Chilling Chat: Dark Divinations – Jon O’Bergh

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Jon O’Bergh is an author and musician who loves a good scare. He grew up in Southern California, where he received a Bachelor of Arts in Music from the University of California obergh-authorat Irvine. A fan of ghost stories and horror movies, Jon came up with the idea for his horror novel, The Shatter Point, after watching a documentary about extreme haunts. He has published four books and released over a dozen albums in a variety of styles, including the album “Ghost Story.” After many years living in San Francisco and Washington, D.C., he now spends his time in Toronto.

How did you become interested in the Victorian era?

So many of my favorite authors were active during that era, from Charles Dickens to Mark Twain. The era also provided many of the classic trappings of horror we’re familiar with: the image of the haunted house, the decor we associate with funerals, the rise of spirit mediums, etc.

What is your favorite Victorian horror story? 

Poe’s “The Masque of the Red Death.” Something to turn to during plague-haunted times.

Do you have a favorite Victorian horror movie? What attracted you to this film?

The Innocents is quite well done—based on the short story by Henry James, The Turn of the Screw. The film strikes just the right balance, never getting too absurd or bogged down in explanatory mumbo-jumbo.

Are your characters based on real people?

Sometimes I incorporate aspects of behavior I’ve observed, but in “The Bell” the characters are completely fictional.

Do you use an outline to write? Or do you write by the seat of your pants?

I start with a plan on where I want to go, but the characters and the plot always take me on an unexpected journey, so things evolve and change as I write.

Do your characters have free will? Or do you decide their fate?

I can’t say they have free will, because I need them to act in a certain way to further the plot and support my premise.

What are you most afraid of?

The irrational impulse in human beings. It causes all manner of unnecessary trouble for humanity. That and wasps!

What is your favorite form of divination? 

As someone who appreciates a good laugh, I would say geloscopy, which is divination based on interpreting the sound or manner of laughter.

Who is your favorite horror author?

Among contemporary authors, it would be Paul Tremblay. I appreciate how he plays with ambiguity, so you’re not quite sure what is real and what is imagined. I believe we experience much in life that way, uncertain about things we’re told, about people’s true motivations, about what lies beneath the surface. He writes horror fiction that feels real to me.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I’ve completed a second horror novel about a drag queen and his best friend who share a passion for art, fashion, and horror. When they learn that their apartment building might be haunted, they envision an entertaining episode for their horror podcast and begin investigating with the help of their quirky neighbors. But they uncover something far more sinister that threatens them all. It’s a tale with a message for our modern times. I’m currently seeking a publisher. I’ve also created an album of horror-themed music by one of the characters, titled Box of Bones, that may precede or accompany the novel. Until then, readers can check out my horror novel The Shatter Point. And I periodically write a blog with musings on music and horror, called Song of Fire.

Addicts, you can find Jon on Facebook, Instagram, and Twitter.

 

 

Dark Divinations: Miroir de Vaugnac

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The Inspiration Behind “Miroir de Vaugnac.”

By Michael Fassbender

To a certain extent, I think I fell back on my experience with my D&D game as I was brainstorming this story. I liked the idea of a seer who acquires a powerful but malign device, and once I set upon that path, I approached it like the creation of a unique magical item in my game. My players know that I enjoy throwing nonstandard magical items at them, ones that not only have unique game effects but also possess a definite history, even if only a fraction of that history ever comes out in the game. I approached my thoughts in this story in the same space, and the result was a scrying bowl with a dangerous spirit attached to it.

I connected this bowl to the Languedoc region in France because of its history of separatism and religious nonconformity. I imagined that fifteenth-century sorcerers would have an easier time operating there.

It was only then that I created my seer, Beatrice. I gave her a family background in Wales to offer access to the rich folklore of that region, even if that proved in part to be a red herring in the story. I also provided her with troublesome family connections on her late husband’s side to prod her out of any danger of complacency.

The ending developed organically as I wrote the story, but I always knew that the ne’er-do-well brother-in-law was going to provoke Beatrice into a drastic response.

M. FassbenderMichael Fassbender is a part-time writer in the Chicago area. His first literary love is supernatural horror: Poe and Lovecraft inspired him to begin writing in high school, but 2016 marked his first appearance in print media apart from a few college journals. His story “Inmate” appeared in Sanitarium Magazine, and “The Cold Girl” appeared in Hypnos Magazine. A number of non-fiction articles are now available on his website,  and there is also a short story in the tradition of Poe on the fiction page.

Chilling Chat: Dark Divinations – Michael Fassbender

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Michael Fassbender is a part-time writer in the Chicago area. His first literary love is supernatural horror. Poe and Lovecraft inspired him to begin writing in high school, but M. Fassbender2016 marked his first appearance in print media apart from a few college journals. His story “Inmate” appeared in Sanitarium Magazine, and “The Cold Girl” appeared in Hypnos Magazine. A number of non-fiction articles are now available on his website, and there is also a short story in the tradition of Poe on the fiction page.

How did you become interested in the Victorian era?

There are two separate answers to this question. As an historian, I think I found the most interest in the realm of military history. If we frame it in terms of the Crimean War to the outbreak of World War I, we are looking at a period of profound technological and organizational changes. We see the widespread adoption of rifles, the development of smokeless powder and repeating firearms, the emergence of the machine gun, and the advancement of artillery from a line-of-sight threat to a more distant danger. Armies are growing larger and employ more sophisticated logistics, and enhancements to the lethality of Victorian weapons inspires a more defensive mindset. The trench warfare that characterizes World War I has its antecedents in the Crimea.

Then we have my reactions as a horror maven. The look of the Victorian era is wonderful in horror, whether we have a haunted house tale or a vampire story. No matter how bright and cozy (or should I write, cosy) they may be by day, by night those houses look like a proper haunt. The characteristic funerary culture of the period is wonderful for horror fans, and I made substantial use of this in my story “Tisiphone.” And finally, it is in the Victorian era that the occult ceased to be a matter for locked rooms and became activity for parlors. While I am not a practitioner of the occult myself, it is a major feature of horror fiction, and this brings a unique flavor to Victorian horror stories.

Both of these elements contributed substantially to my story, “Miroir de Vaugnac.”

What is your favorite Victorian horror story?

If we include Poe, then it would have to be “The Masque of the Red Death” (1842).

Should we set that master aside, I would probably pick J. Sheridan Le Fanu’s Carmilla right now. For me, I think it’s the questions that this story suggested that make it stand out. Specifically, the last time I read the story, I found myself wondering about the long-term effects of the vampire’s attention after it was destroyed. Would the human victim be relieved, or would she perceive it as a kind of loss? Those questions inspired a flash fiction story of my own.

Do you have a favorite Victorian horror movie? What attracted you to this film?

This proved harder than I expected. So many of the classic Victorian stories have been updated to a more contemporary timeframe when they are adapted for film. Oddly enough, the film I’d choose had the reverse effect: the filmmakers of the 2009 adaptation of The Wolfman grounded that version in the nineteenth century, and I thought it was a successful adaptation. I think it reinvigorated a story that had become a bit formulaic, and I always enjoy seeing Sir Anthony Hopkins in a horror film, whether he’s the monster or the monster-hunter.

Are your characters based on real people?

None of the main characters are real, but I did incorporate two historical figures to ground the story further in reality. I draw reference to Col. Arthur Fremantle of the Coldstream Guards, who undertook a private trip to observe the American Civil War from the vantage point of the Army of Northern Virginia. He is most famous for observing day three of the Battle of Gettysburg from the headquarters of Pickett’s command. Agnes is really his mother’s name, and I thought it reasonable that she might know Beatrice because of their shared experience of being Army wives. It is Agnes’ concern for her son that gives Beatrice her first chance to use the Miroir, and at the same time, the use of a known historical figure allows me to present an accurate reading without having to state that the reading was accurate. After all, Beatrice had no way of cross-checking what she’d learned.

Do you use an outline to write? Or do you write by the seat of your pants?

I usually err on the side of spontaneity. I begin a story with a general idea of where it is meant to go, but as I write and come to know my characters better, the course they take will often shift, and once in a while I revise my plans for the story substantially by the time I reach the end.

Do your characters have free will? Or do you decide their fate?

I try to give my characters a sense of agency, even if the final scene was actually the first thing that I planned. The choices they make need to be consistent with who they’ve shown themselves to be all along. Sometimes this means that I need to tweak the character to fit the result better, other times I tweak the result to better reflect the character I’ve created.

What are you most afraid of?

This would probably involve catching some highly lethal disease, like rabies, or else contracting a really nasty form of cancer.

What is your favorite form of divination?

I don’t practice any forms of divination, so I have no practical preferences. From an outsider’s perspective, I find Tarot cards to be much more picturesque than astrology or numerology. What I liked about scrying is that it offered me the opportunity to describe scenes. I thought that would be more rewarding for me as a writer, and more entertaining for the reader.

Who is your favorite horror author?

For the number one slot, I’d still need to name my aged grandsire from Providence. H.P. Lovecraft is the reason why I began writing when I was in high school. As a writer, I’ve tried to grow past his limitations, but I’m still working on learning from his strengths.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I have a couple of other stories nearing publication. In one case, the final list of authors is not yet public, but for the other, I can say that my short story “Old Growth” will appear in the volume Scary Stuff, published by Oddity Prodigies.

 

Dark Divinations Watch Party & Facebook Party

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Horror Addicts, in honor of the new book release, Dark Divinations, HorrorAddicts.net cordially invites you to:

THE DARK DIVINATIONS WATCH PARTY

Followed by

THE DARK DIVINATIONS FACEBOOK PARTY

Join us for an hour of charming videos celebrating the release of DARK DIVINATIONS. Then, stay with us for a Facebook Party of epic proportions. There will be virtual refreshments, games, and prizes!

The Watch Party will begin at 1 pm on May 23rd. The Facebook Party follows at 2 pm.

Who: HorrorAddicts.net

When: May 23rd

Time: Watch Party – 1:00 PM PST

Time: Facebook Party – 2:00 PM PST

How: Watch Party

Facebook Party

RSVP

Stay Spooky!

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Dark Divinations – They Wound Like Worms

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The Inspiration Behind “They Wound Like Worms.”

By Naching T. Kassa

Inspiration is the spark which ignites the fire of imagination. It comes in a myriad of forms and from many different places. The inspiration for “They Wound Like Worms,” came in two forms, one from a book and the other from a BBC documentary. The book is Dracula by Bram Stoker. The documentary is The Diary of Jack the Ripper.

Dracula is written in Epistolary Style. This means every chapter is a letter or journal entry written by one of the characters. When I first read Dracula, I’d never seen anything like it. The reader sees Dracula, the other characters, and the scenes in the story from many points of view and attitudes. This got me thinking. What if I wrote a story from my main character’s point of view? What if I wrote it through letters he had written his sister? The idea was an intriguing one and I decided to go for it.

Now that I had my main character and style, I began to wonder who the story would be about. Who could make such a story interesting? The journal entries in Dracula led me to think of diaries and a documentary I’d seen as a teen. The Diary of Jack the Ripper was narrated by Tom Baker—of Dr. Who fame—and concerned the controversial book by Shirley Harris. The show claimed the diary of the Ripper had been discovered in 1992. It also claimed the author was James Maybrick, a cotton merchant from Liverpool. True or untrue, it was a fascinating take on the Ripper legend.

A second spark lit my imagination. I decided to create my own Ripper, someone with a different motivation for killing. My Ripper doesn’t kill for pleasure. He kills women because he needs to read their entrails and see the future.

And so, two sparks became an inferno and a fun story entered the world. I hope you enjoy “They Wound Like Worms,” and all the stories in Dark Divinations.

Nachingwriterpic2019Naching T. Kassa is a wife, mother, and horror writer. She’s created short stories, novellas, poems, and co-created three children. She lives in Eastern Washington State with Dan Kassa, her husband and biggest supporter. Naching is a member of the Horror Writers Association, Head of Publishing and Interviewer for HorrorAddicts.net, and an assistant at Crystal Lake Publishing.

Chilling Chat: Episode #180 – Paul Lubaczewski

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Before deciding to take writing seriously Paul Lubaczewski had done many things–printer, caving, the SCA, Brew-master, punk singer, music critic etc. Since then he has appeared in95410396_1224073921261535_933279110472400896_n numerous science fiction, and horror magazines and anthologies. Born in Philadelphia, Pennsylvania, he moved to Appalachia in his 30s. He has three children, two who live in his native Pennsylvania, and one at home. Married to his lovely wife Leslie for twenty years, they live in a fairy tale town nestled in a valley by a river. Author of over 50 published stories, his Amazon Best Seller debut novel, I Never Eat…Cheesesteak, is available from Barnes and Noble, Amazon, and fine stores everywhere. 

Paul is a man of wit and imagination. We spoke of horror, writing, and the fine art of Kaiju comedy.
NTK: Welcome to Chilling Chat, Paul! Thank you for joining me tonight.

PL: Thanks for having me. 

NTK: How old were you when you discovered horror?

PL: Very young. When I was a little kid, for Halloween every year, my Mom would read the original Washington Irving “Legend of Sleepy Hollow” and we’d watch the Lugosi version of Dracula.

NTK:  Did this inspire you to write?

PL: I’ve read like a sponge, more or less, all my life. So, creating my own worlds was only a matter of time I suppose.

NTK: Do you have a favorite horror novel? Or short story?

PL: As of this exact moment, right now, today, I really loved Jeff Strand’s Pressure. Short will probably always be a tie between Lovecraft’s “The Rats in The Wall” and Poe’s “The Tell-Tale Heart.”

NTK: Who is your favorite horror writer?

PL: I think Horror is such a many faceted thing, it’s hard to pick one. Right now, I’m on a McCammon tear, all time would probably still be Poe. I had a copy of Tales of Mystery and Imagination when I was a kid. My next tattoo is going to be Arthur Rackham’s illustration for “Metzengerstein.”

NTK: Do you have many horror inspired tattoos?

PL: That’s the first piece I’ve gotten that’s directly tied to something, but I’ve wanted it for a very long time.

NTK: Do you enjoy comedy and horror?

PL: I’d better, I write it. Horror-Comedy is probably one of the most popular but most poorly served by the industry. Maybe it’s because it’s hard to write, and it is, but it seems to sell well, so people enjoy reading it. I tend to think it’s lack of enthusiasm on the industries part, they don’t know where to pigeon hole it, and that makes bean counters nervous.

NTK: You said it’s hard to write. Which is more difficult? Scaring people or making them laugh?

PL: Knowing when to turn on one fountain and when to turn on the other. You have to have some horror, but if you turn it on too hard, well nothing seems particularly funny now. And if you play everything for yucks, it makes it hard to slide back in to scary. It’s a balancing act. I find that generally it’s better to stay towards funny but have your scenes where you crack the coffin open wide.

NTK: What did you think of the old Roger Corman movies, particularly the ones with Vincent Price and Peter Lorre? Did they tread that fine line between horror and comedy for you?

PL: Well it helped that he had some absolute hams working for him and gave them a ton of free reign. Price was really a master of playing for yucks in the middle of a horror movie. The end scenes in House of Long Shadows are classic funny. I think my favorite from that era was Fearless Vampire Killers, I even have one of the original theater posters, which is huge.

NTK: What inspired Wild Witches of West Bygod?

PL: Witches is just a “where you live” book. Granny Witches are popular lore here.

NTK: Can you tell us a little about Cult of the Gator God? And what is Kaiju comedy? Are we talking about Kong and Godzilla here?

PL: Cult of the Gator God is a fish out of water comedy mixed with giant creatures who are also worshipped as gods by the locals. But yes, full-blown, old school kaiju in America, with jokes. I lived in Florida for a year, so, being from the North East, I could readily empathize with my main character Bob.

NTK:  Do you outline your plots or fly by the seat of your pants?

PL: Total pantser. It’s like the line from the Dark Tower books where King is yelled at by a fan for killing off a character and he says something along the lines of, “Lady, you found out it was going to happen right after I did.”

NTK: Do your characters have free will, then? Do they often take over your story?

PL: Let me put it this way, I have an upcoming collection, there’s a novelette in there called “The Lost Saga” It was supposed to be a gag piece at around 3000 words, after I had been worked over by the characters it was an eleven-thousand word, proper Norse Saga, with a full blown horror ending because…hey what do I know, I’m only the writer here.

NTK: Do you have a favorite horror movie? 

PL: You’d have to narrow that down to genre. I was the kid in school who took out all the tabletop books about horror movies out from the school library and the town library. I can go anything from silent, Caligari, to Hammer, Dracula Prince of Darkness, to slasher, currently Terrifier. Horror gets a bad rap, but it has WAY more range and depth as a film genre than anyone gives it credit for. 

NTK: Let’s narrow it down to scariest.

PL: I rarely get officially scared. I think the last one that made me really freaked out, like “We have to watch something really light so I can sleep tonight.” was probably Henry Portrait of a Serial Killer. The director knew all the rules of a movie, how things are supposed to go, and played them all against the audience.

NTK: Do you have a favorite horror TV show?

PL: If you’re including the Kolchak movies, them hands down. Night Gallery is something I’ve seen creep in to my short story writing though. That whole, “Your main character is scum, and he/she is going to get theirs all right” vibe. At this point I’m still watching the Walking Dead out of obstinance to see how it ends. 

NTK: What’s your favorite curse?

PL: Well my least favorite is definitely “May you live in interesting times” since we seem to be doing it, and it’s no fun. But let’s go back to The Wolf Man and it being treated like a curse, with it’s own cool couplet and everything, “Even a man whose pure of heart…”

NTK: What’s your favorite curse word?

PL: The f-bomb is the most versatile, you can use it from adjective to noun in any way shape and form. But gosh, I sure do say prick a LOT

NTK: (Laughs.) Paul, what does the future hold for you? Do we have more Kaiju to look forward to? What’s next on the book release agenda?

PL: Next off will be a collection with Dreaming Big Publications called A Spoonful of Sugar. After that, I’ll probably have something short again with St. Rooster. Wild Witches of West Bygod is all written and just waiting to be put into a release schedule so probably next year. There’s more after that, but a lot of it I’m still writing and editing.

NTK: Thank you for chatting with me, Paul! It’s been fun!

PL: Thank you, and it has been fun, thanks for that!

Addicts, you can find Paul on Facebook and Twitter.

 

Chilling Chat: Dark Divinations – Naching T. Kassa

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Naching T. Kassa is a wife, mother, and horror writer. She’s created short stories, novellas, poems, and co-created three children. She lives in Eastern Washington State with Dan Nachingwriterpic2019Kassa, her husband and biggest supporter. Naching is a member of the Horror Writers Association, Head of Publishing and Interviewer for HorrorAddicts.net, and an assistant at Crystal Lake Publishing.

How did you become interested in the Victorian era?

My interest began in 1985 with the Granada TV series, The Adventures of Sherlock Holmes for the BBC. I’d seen westerns and other period dramas, and I had always loved mysteries, but this was the first one which resonated with me. I became obsessed with Sherlock Holmes and all things Victorian.

What is your favorite Victorian horror story?

My favorite is The Hound of the Baskervilles. And even though Sherlock Holmes doesn’t appear in most of the story, it’s still a masterful tale. I love how Sir Arthur Conan Doyle took a legend he’d heard from one of his friends and turned it into a great horror story. 

Do you have a favorite Victorian horror movie? What attracted you to this film?

Bram Stoker’s Dracula directed by Francis Ford Coppola is my favorite. Not only are the visuals sumptuous and beautiful, but the script is also close to the book. No other movie or television show I’m aware of has adopted the epistolary style. You also see Dracula as an old man with hairy palms, the scarring of Mina with the sacred host, and the ship Demeter which brings Dracula to England. Some liberties are taken with the story, and some of the actors are a bit wooden, but it is a fairly faithful adaptation of the story.

Are your characters based on real people?

My character, Jacob, is based on a real person. There have been many theories as to this person’s true identity, but I don’t think anyone really knows who he is.

What are you most afraid of?

Horrible things happening to those I love.

Dark Divinations is the first anthology you’ve every edited for HorrorAddicts.net. What part of the process did you find the most difficult?

The hardest part of editing this anthology was choosing from all the wonderful submissions we had. There were so many good ones, so many I wish we could’ve included. Unfortunately, a major reason why these stories didn’t make the grade was failure to include all three elements of the theme. There had to be an element of horror, a method of divination, and it had to take place in the Victorian era. If a story contained these elements, it made it to the next phase where I checked to see if the voice was true to the period. I also checked for historical accuracy.

It was difficult letting some of these stories go and I want to thank all the authors who subbed and didn’t make it. Your stories were good. They just didn’t fit the vision of the anthology. I think this is something we authors fail to take into account. We automatically assume we’re no good when we receive a rejection. And that’s not the case at all.

What’s the best part of editing an anthology?

Showcasing wonderful talents. The people who’ve written stories for this anthology are terrific writers, and their takes on the theme were diverse and imaginative. I loved that they did their research and came up with such exciting methods of divination. We have tea leaf reading, dreaming, scrying, stichomancy, entrail reading, crystal balls, seances, throwing the bones, and even arachnomancy. (Arachnomancy is the use of a spider to tell the future, in this case, the spider’s web.) These writers are so creative! I hope the readers will enjoy their work as much as I have.

You’ve mentioned all the elements you looked for in the story. Was there anything else which served as the deciding factor in your choices?

Yes, the story had to be fun. I don’t know about how others read, but I tend to cherry-pick the anthologies I read. I don’t read them in order from first to last. I pick what looks most interesting to me and go from there. All the stories in here are fun to read, no matter what order you decide to read them in.

What is your favorite form of divination?

The Ouija board! I’ve had some weird experiences with that particular divination device. It’s predicted some things which actually came true. Several had to do with stories I would write and jobs I would hold.

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I have a Sherlock Holmes story called, “The Adventure of Marylebone Manor,” coming out this year. It’s in Sherlock Holmes and the Occult Detectives, edited by John Linwood Grant and published by Belanger Books. And on April 3, my story, “The Darker Side of Grief,” was published in Arterial Bloom. The anthology was edited by Mercedes M. Yardley and published by Crystal Lake Publishing. I’m really excited about this story.

I’m also a staff writer for Crystal Lake Publishing’s new fiction series, Still Water Bay. The series debuted April 27th.

Addicts, you can find Naching on Twitter and Facebook.

 

 

 

Chilling Chat: Dark Divinations – Emerian Rich

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Emerian Rich is the author of the vampire book series, Night’s Knights, and writes romance under the name Emmy Z. Madrigal. Her romance/horror cross over, Artistic License, is emz1smallabout a woman who inherits a house where anything she paints on the walls comes alive. She’s been published in a handful of anthologies by publishers such as Dragon Moon Press, Hidden Thoughts Press, Hazardous Press, and White Wolf Press. She is the podcast Horror Hostess of HorrorAddicts.net. 

How did you become interested in the Victorian era?

My first love of the Victorian Era started with the fashion and decor. Beautifully gilded and over the top, I just love their eclectic design and the colors they put together that shouldn’t work, but do.

What is your favorite Victorian horror story?

Either The Turn of the Screw by Henry James or The Woman in White by Wilkie Collins.

Do you have a favorite Victorian horror movie? What attracted you to this film?

The Woman in Black is so creepy, scary, and has the classic mood I enjoy in films. I also read the book and loved the creepy almost Cthulu-like draw the house and bogs have in it that was missing a bit from the movie. 

Are your characters based on real people?

Only as they exist in my imagination, which can be more real than reality sometimes.

Do you use an outline to write? Or do you write by the seat of your pants?

Pantser all the way, baby!

Do your characters have free will? Or do you decide their fate?

They always tell me which way they are going, whether I like it or not.

What are you most afraid of?

Monkeys freak me the hell out. They aren’t cute or cuddly. They are terrifying, scratch your face off and juggle your eyeballs monsters.

What is your favorite form of divination?

I used to read tarot cards for clients, but I never read for myself. I’d rather leave the future up to fate.

Who is your favorite horror author?

Anne Rice, Andrew Neiderman, Wilkie Collins

What does the future hold for you? What books, short stories, or works do Horror Addicts have to look forward to?

I am currently working on the third book in my vampire series, Night’s Knights. It’s titled Day’s Children and although I do have a cover, the book is as of yet unfinished.