Historian of Horror: Monogram Horror Movies 1940-1941

 

Moving along down Poverty Row, we find Monogram Pictures. Founded in the early 1930s specifically to make and distribute low-budget pictures, Monogram’s early output was heavy on mysteries, some with a Scooby-Doo twist. No real supernatural or outright horrific content, but with names like The Phantom Broadcast (1933, murder during a radio show); The Sphinx (also 1933, with horror stalwart Lionel Atwill); House of Mystery (1934); and Haunted House (1940), you’d think they were horror movies. You’d be mistaken, but not by much.

Monogram also had distribution deals with British producers, so they were able to offer the American public pictures like The Human Monster (1939, AKA The Dark Eyes of London) and Chamber of Horrors (1940 AKA The Door with Seven Locks), both based on novels by Edgar Wallace, who had been instrumental in the creation of a certain giant ape. Wallace deserves a long look in this space one of these days, so we’ll discuss those films at that time.

Monogram’s first actual horror film was a typical mad-scientist-doing-good-by-being-bad effort, the sort of role Boris Karloff had let himself get typecast in during this period. The Ape (1940) has him donning a gorilla skin to harvest spinal fluid from unwilling donors in order to find a cure for polio. Should have just waited for Dr. Salk and Dr. Sabin to work their wonders.

Although Bela Lugosi was the star of the abovementioned British film The Human Monster, it doesn’t count as one of the legendary Monogram Nine, a nonet of horror flicks he made at the studio during the following few years, due to it being an import. Invisible Ghost from 1941 is the first of that set. Lugosi is a doctor who is triggered to fall into a homicidal trance whenever he sees his ‘late’ wife wandering the grounds. Sounds like some marriage counseling might be in order.

King of the Zombies (1941) is an oddity, a Grade Z horror flick that actually got some attention from the Motion Picture Academy of Arts and Sciences. Dick Purcell, who three years later would become the first Marvel Cinematic Universe hero when he put on the tights and cowl for Republic Picture’s Captain America serial, gets stranded on a remote island with his African-American valet, played by Mantan Moreland in the cringe-worthy style typical of the period, and a fellow passenger played by John Archer, who would later lend his voice to The Shadow on the radio. They take refuge in the home of a mad doctor who is attempting to use voodoo to wrest American military secrets from a captured admiral. A ruckus ensues, and everything turns out just as expected.

Except for one thing. The score for King of the Zombies was nominated for an Oscar. I cannot think of a single other Grade Z horror movie of the period nominated for any award, in any category. There was Fredric March’s Best Actor co-win with Wallace Beery (The Champ) for Paramount’s 1931 production of Dr. Jekyll and Mister Hyde, and that film’s nominations for Best Adaptation Writing and Best Cinematography, and a few others for similarly classy pictures, but nothing for anything else down on Poverty Row.

I just took a listen and I’m honestly not sure why it was nominated, unless it was just to round out the slate of nominees. It was up against some seriously stiff competition, including Best Picture winner How Green Was My Valley, the actual Best Picture (of all time) Citizen Kane, Gary Cooper biopic Sergeant York and MGM’s remake of Dr. Jekyll and Mister Hyde starring Spencer Tracy. The Academy Award did go to a horror movie, RKO’s The Devil and Daniel Webster, but again, that was an A-Picture, not the bottom-of-the-barrel spookiness coming out of Monogram. Still, it is a curiosity of the genre, and one worthy of being noted.

I should point out that Mr. Purcell’s performance as Captain America had nothing to do with the character portrayed in more recent films, other than the costume. Instead of fighting against the Nazis in Europe as an American soldier, he is a ‘fighting district attorney’ going up against The Scarab, a standard Republic villain of their chapterplays. Without his shield, which is a bit of a disappointment. It does feature Frankenstein and Dracula alumnus Edward Van Sloan in a small role, as well as the skipper of the ship in King Kong and Song of Kong, Frank Reicher. It’s fun, but don’t expect it to tie into the Infinity War in any respect.    

 Come back around in a fortnight to look at the black and white comics magazines from Warren’s most successful competitor, Skywald Publications. You’ll be glad you did. Until then, I bid you to always, in every circumstance, be afraid…

            Be very afraid.

Book Birthday: The Wickeds: A Wicked Women Writers Anthology

HorrorAddicts.net presents thirteen horror tales from up-and-coming women writers. This diverse collection of revenge, torture, and macabre is sure to quench any horror addict’s thirst for blood. Between these covers reside werewolves, demons, ghosts, vampires, a voodoo priestess, headless horseman, Bloody Mary, and human monsters that are perhaps the most disturbing. With an exclusive interview of The Wickeds by Sapphire Neal. Lock your doors, bar your windows, and enjoy stories from: H. E. Roulo, Jeri Unselt, Linda Ciletti ,Emerian Rich, Marie Green Hollie Snider, Jennifer Rahn, Michele Roger, R. E. Chambliss, Arlene Radasky ,Kimberly Steele, Laurel Anne Hill, Rhonda R. Carpenter.  All proceeds will be donated to LitWorld, a non-profit organization that uses the power of story to cultivate literacy leaders around the globe.

https://www.amazon.com/Wickeds-Wicked-Women-Writers-Anthology/dp/1463612702

HorrorAddicts.net Press

Free Fiction Audio: The Tale of Terror: A Study of the Gothic Romance by Edith Birkhead

The Tale of Terror: A Study of the Gothic Romance

Edith Birkhead (1889 – 1951)

A seminal essay on the development of horror as a genre, highly influential on later writers. – Summary by Timothy Ferguson

Genre(s): *Non-fiction, Literary Criticism

Language: English

https://librivox.org/the-tale-of-terror-a-study-of-the-gothic-romance-by-edith-birkhead/

Logbook of Terror: Frozen Hands

Still shaking off the weirdness of the Valentine Wolfe show, Anna ambled into the dealer’s room in a haze. Thankfully, she knew where she was going: straight to the table of Jonathan Fortin, her favorite horror comic artist. She was hoping to score some signed comic books from him, including his newest, Requiem in Frost, originally a novella that told the tale of a black metal band whose members are ghosts that take human form. 

When Anna arrived at the table, the writer was seated on a black throne with burgundy velvet on the armrests, back, and seat. A tall, black top hat was pulled down snugly on his head. His long, dark hair spilled out of the hat and down his shoulders, over his gray Victorian jacket. As Anna approached, a wry grin crossed his lips. 

“We’ve been waiting for you,” the writer said in a low, menacing register. 

“Uh, thank you?” Anna replied.

“Don’t worry, he’s been saying that to everyone,” said a familiar voice beside her.

Anna’s eyes widened and a smile lit up her face. “Dad?”

“You enjoying the con so far?” He asked.

“How are you here?”

“Me? I’m surprised that you’re here considering, well, you know.”

“I thought of skipping out this year but then I felt that you’d want me to be here. I have so many good memories of us here together.”

“Yeah, this was always our place.” 

Anna’s eyes swelled with tears. “I miss you, dad.” 

“I miss you too, kid. I’m sorry I had to leave so soon.”

“It’s not your fault that you had a rare and unexplainable cardiac event on your way home from work.”

“That tree didn’t help things either.” 

Anna and her dad broke into a fit of laughter. A lone tear trickled down her cheek. 

From behind the table, Mr. Fortin glanced up to see Anna apparently sharing an inside joke with herself. Having been privy to more than his fair share of the weird, he shrugged, opened up his paperback copy of Haunts and Hellions, leaned back, and began reading. 

As Anna’s laughter subsided, a young goth girl beside her plucked a copy of Requiem in Frost off the table and opened it to the first page. 

The goth woman shrieked in terror as ice formed on her hands, her flesh turned blue, and the pages froze to her skin. 

“Dear God!” Jonathan Fortin shouted. “Someone, please, call the convention shaman!”

   A clockwork girl beside the table screamed, “Shaman!”

Seconds later, the convention’s shaman/witch doctor/horror historian, Mark Orr, appeared out of a ten-foot-high puff of smoke. 

   The multi-faceted medicine man assessed the situation. He turned to Jonathan. “Have your comics ever attacked anyone before?” 

  “No sir, never, and they’re always up to code!” Jonathan answered. 

“Please, help me!” The goth girl shrieked. 

Mark’s forehead creased and his eyebrows knitted. “It appears that your comics are possessed, Mr. Fortin.”

“Drat!” The artist screamed. 

“Only one other case of comic book possession has ever been reported.”

“How did they get rid of the possessing thingies?”

“I can’t remember, but I’ll do what I can!!” 

The shaman pulled a bottle of purple powder out of his long coat and sprinkled it on the girl’s frozen hands. The demons squealed and jumped out. Cursing unnecessarily, they flew over to the artist.

The demons screeched at Jonathan, “We did what you asked and made your comic book scary, now pay us so we may return to our dimension. And hurry up, we hate it here!” 

“But you hurt that poor goth girl!” Jonathan said.

“You were not specific enough in your request! It is not our fault that her frail human skin felt momentary discomfort!” The demons reasoned. 

Jonathan raised an eyebrow. He scratched his chin in the universal gesture that implies, “I’m thinking.” After a moment, he said, “Very well. I suppose you are right; I should have been more specific in my definition of ‘scary’. One moment, please.” 

World-renowned and beloved horror comic artist Jonathan Fortin rummaged in a tattered leather messenger bag and retrieved a tiny, rustic wooden box. He sat the box on the table. “There is your payment,” he said. “One thousand freeze-dried boll weevil eyes, as you required.” 

“Yaaaaay!” The demons cried. 

The small box floated off the table as if being carried away by invisible hands. 

“Goodbye, Mr. Fortin. Please feel free to summon us for any other evil endeavors for which you may require our services. And receive a twenty-five percent discount on any future orders by referring us to a new client!” 

Static and crackling filled the air and the tiny box disappeared with a pop. 

The artist turned to the goth girl. “Please accept my deepest and most sincere apologies, along with a free copy of each one of my many, many comic books.” 

The goth girl smiled and replied, “Thank you, but, all the comics are gone.”

“What?!” Jonathan shouted. 

“I said, ‘All the comics are gone’”.

“How??”

Mark Orr stepped in. “I deduce that they were accidentally sucked into the portal that the demons traveled through, or the demons stole them, which is probably the case, judging by this crudely written note on this cocktail napkin which reads: ‘We stole your comics. Haha, sucker!’ Signed, The Demons.” 

Jonathan Fortin sighed. “I’m going to the bar.”

Anna watched the much beloved and critically lauded writer shuffle away and told herself to remember to never hire demons to do a poltergeist’s job. She checked her convention program. It was almost time for the Asian Poets panel. With quick steps, she made her way to the Magenta room, hoping to see her dad along the way.

Movie Review: My Favorite Horror Movie: A Nightmare on Elm Street by PS King

My Favorite Horror Movie: A Nightmare on Elm Street

By PS King

This was a tough assignment, because it was hard to pick an absolute favorite out of every horror movie I’ve ever watched. But I finally decided that I would go with the movie I’ve watched the most, which is A Nightmare on Elm Street. Perhaps a fairly conventional pick, but, hey, I’m an 80’s and 90’s kid. Freddy, Michael, and Jason are kind of the holy trinity of bad guys for my generation.

I have no idea when I first saw the flick. I know that Halloween 1988, when my mom let me rent my first (officially sanctioned) horror movie, the video store was out of the first movie. So, I rented part two. I would have been eight at the time, and after that my mom was pretty liberal about my watching horror movies, so I’m sure I was either eight or nine when I finally saw the first Nightmare on Elm Street movie. It’s impossible to count the number of times I’ve seen the movie since. Whenever I watch Friday the 13th, it’s in preparation to watch the entire series. But I can watch Nightmare by itself without feeling the need to watch the rest of the franchise. It stands on its own. Hell, it might have been better on its own.

From the opening credits we see Freddy Krueger as this incredibly menacing figure. We watch as he builds his now-iconic glove, with knives attached to every finger but the thumb. This is not the goofy, wisecracking Freddy Krueger of later sequels, which is why he remains mostly in the shadows for the first act. He is burned, a satanic figure, very archetypal, yet unique in his particulars. He is someone you can really believe is going to invade your dreams, turning them into nightmares.

Nightmare sequences in live-action movies are a tricky thing. Dreams are such surreal things that interpreting them using real people and real-world scenery can often diminish their dreamlike quality. Director Wes Craven is able to sidestep this by setting some of the dream sequences in a boiler room, a space that is surreal, dark, and menacing enough that it transports us to some primal space in our minds. It’s the technique of using reality to separate us from reality. But there are other dreamlike touches. For instance, there’s the liquid nature of solid objects. Like when Freddy puts his head through a wall, bending it in an impossibly rubbery way, as if it were bubblegum.

It’s such a primal thing, this need for sleep and the way the body reacts without it. You can actually physically feel Nancy struggling against it. Sleep is often associated with comfort, safety even, but when it involves the possibility of literal death, it is something to be avoided, even though avoiding it is ultimately impossible.

It’s a genuinely emotional experience, brought to us by a master horror director. Besides
his ability to get us to feel whatever he wants, the move is also perfectly paced. There’s never a
dull minute. And there’s so many iconic scenes. There’s the glove coming Jaws-like toward Nancy as she takes a bath, there’s Johnny Depp’s character exploding into a volcano of blood that pours from his bed to his ceiling, Freddy cutting off his own finger, and so much more.

Speaking of Johnny Depp, Nightmare was his first screen performance, but you’d never know it. He already seems like a seasoned pro. Heck, all of the actors playing the teenagers are good, which is a miracle when you consider the acting quality in the typical 80’s teen slasher. Heather Langenkamp, who plays the main character Nancy, is a little on the melodramatic side, and actually probably the weakest performer of the bunch, but it’s not distracting enough to take you out of the film.

Part of what makes Nightmare so compelling is that Wes Craven is the anti-Spielberg. Whereas Spielberg romanticizes suburbia, for Craven suburbia is a place that hides terrible secrets underneath a civilized veneer. While the secrets hidden away in a typical suburban neighborhood don’t always involve the murder and immolation of a pedophile, the point is made: darkness lurks underneath. As well, Craven points out that the sins of the parents are often paid for by their children.

It’s the combination of all these things that makes A Nightmare on Elm Street so special. It’s surreal while being grounded. It’s a little weird and has important things to say about the nature of suburban American life in the 1980’s. And unlike later sequels, it has genuinely scary moments, with an actual scary antagonist. It deserves its reputation as a horror classic.


Pat King has had short stories, essays, and a novel published in various places online and in print. As P.S. King, he’s had two short film scripts produced. He’s also directed a handful of short documentaries and experimental films. Pat writes or has written film reviews and interviews for Dread Central, Brainwavestalk.com, The Daily Grindhouse, CC2Konline.com, TheRetroSet.com, Battleroyalewithcheese.com and Mugwumpcorporation.com. He is a former film section editor at Cultured Vultures.

Book Birthday: Once Upon a Scream

This book is edited by Dan Shaurette and it takes the classic fairy tales that you grew up with and gives them a horror twist.

Once Upon a Scream

OnceUponAScreamFront…there was a tradition of telling tales with elements of the fantastic along with the frightful. Adults and children alike took heed not to go into the deep, dark woods, treat a stranger poorly, or make a deal with someone-or something-without regard for the consequences. Be careful of what you wish for, you just might get it.

From wish-granting trolls, to plague curses, and evil enchantresses, these tales will have you hiding under the covers in hopes they don’t find you. So lock your doors, shutter your windows, and get ready to SCREAM.

A return to darker foreboding fairy tales not for children.
Not everyone lives happily ever after.

Stories include:

“The Black Undeath” by Shannon Lawrence: There was a plague no one speaks about, one much worse than the Black Death. “The Black Undeath” combines the ravages of the plague and leprosy with the tale of Rumpelstiltskin.

Shannon Lawrence is  a fan of all things fantastical and frightening, Shannon Lawrence writes primarily horror and fantasy,  You can find her at thewarriormuse.com

“Melody of Bones” by Nickie Jamison:  This is a delightful mashup of the German tales of the “Singing Bone” and “The Pied Piper of Hamlin.” Death can make beautiful music.

Nickie Jamison’s erotic fiction has been published in the Coming Together Among the Stars and the Coming Together Outside the Box anthologies.

“The Godmother’s Bargain” by Alison McBain: This story is based on Cinderella but instead of relying on a fairy godmother, Cinderella makes a deal with the devil.

Alison McBain  has over thirty publications in magazines and anthologies. You can read her blog at alisonmcbain.com

“Leila” by Dan Shaurette: This is a story about vampires and an old witch that lives in a haunted forest in a far away land.

Dan Shaurette is a goth-geek from Phoenix, AZ and he is the writer of Black Magic and
Black Jack.

“Nothing to Worry About” by Charles Frierman: Nothing killed Old Smelty, don’t let it kill you too.

Charles Frierman is  works as a children’s storyteller at the local library, but writing has always been
his passion.

“The Cursed Child” by C.S. Kane: Witches do what they must to save a child.

C.S. Kane’s debut horror novella, Shattered.

“The Healer’s Gift” by Lynn McSweeney: A pale boy with a whiff of the uncanny begs admission to a wounded healer’s cottage just before sunrise, conjuring her darkest fears of who – or what – he may be.

Lynn McSweeney writes mostly horror, fantasy, and science-fiction, or a blend of them, with an occasional foray into erotica.

“Briar” by K.L. Wallis: “Briar” is the story of a man who is lost deep in a mythical Black Forest, where he stumbles upon an abandoned fairy-tale palace with a forgotten sleeping beauty

K.L. Wallis writes gothic fiction, high fantasy, mythological fiction, and
contemporary folk-lore.

“Curse of the Elves” by Sara E. Lundberg: This story gives a horrifying spin on the old tale “The Shoemaker and the Elves.” What if the elves were grotesque murderers and you wanted them to go away.

Sara E. Lundberg writes and edits primarily fantasy and horror. She is also an editor and contributor for the Confabulator Cafe.

“Lake Tiveden” by MD Maurice: The modern retelling of the legend of Tiveden and the epic encounter between a fisherman, his daughter and the fearsome Nokken.

MD Maurice has been writing and publishing erotic, Dark Fantasy and mainstream fiction since early 2001. She has been previously published in several print anthologies

“Wax Shadow” by Emerian Rich: Horror fairytale modern retelling of “The Shadow” by Hans Christian Andersen.

Emerian Rich is the author of the vampire book series, Night’s Knights, and Artistic License. You can find her at: http://emzbox.com/

“Without Family Ties” by Chantal Boudreau: This is a modern horror tale based on the story of Pinocchio.

Chantal Boudreau is a  member of the Horror Writers Association, she writes and illustrates horror, dark fantasy and fantasy. You can find her at: http://chantellyb.wordpress.com

“Commanding the Stones” by Laurel Anne Hill: A murder, a troubled marriage, a mysterious benefactor and a Russian fairy tale add up to terror and redemption in the sewers of Paris.

Laurel Anne Hill’s award-winning novel, Heroes Arise, was published by KOMENAR in 2007. You can find her at: http://www.laurelannehill.com/

“Gollewon Ellee” by DJ Tyrer: Two young girls follow the Gollewon Ellee, Fairy Lights, and discover that not only are the Fair Folk real, they are stranger and more sinister than they imagined.

DJ Tyrer is the person behind Atlantean Publishing and has been widely published in anthologies and magazines in the UK, USA and elsewhere His website is: http://djtyrer.blogspot.co.uk/

“Mr. Shingles” by J. Malcolm Stewart: Bay Area boys meeting with a certain rhyming troll who may or may not still be living under the Carquinez Bridge.

J. Malcolm Stewart is a Northern California-based author, journalist and marketing professional. He is the author of several novels and short story collections. http://about.me/jaymal

“The Boy and His Teeth” by V. E. Battaglia: A cautionary tale against deceiving the Tooth Fairy.

V. E. Battaglia is primarily writes Science Fiction and Horror. His work can be found in the Zen of the Dead anthology from Popcorn Press and in the SNAFU: Hunters anthology.

“The Other Daughter” by Adam L. Bealby: It’s nice to see Hannah looking her old self, all bright-eyed and bushy-tailed. The problem is Hannah – the real Hannah – with her black nails and even blacker attitude, she’s already upstairs…

Adam L. Bealby writes weird fiction leaning heavily into fantasy, horror and arch satire. He dabbles in stories for children too. His short stories and comic work have been published in numerous anthologies. Find him at: @adamskilad

“Old and in the Way” by Wayne Faust: Atmospheric tale about an old man who can no longer do his duty.

Wayne Faust has been a full time music and comedy performer for over 40 years. While on the road performing he also writes fiction. You can find him at: www.waynefaust.com

HorrorAddicts.net Press

Band Interview: Synical

What horror-related themes have you found to be the most inspiring for your music?

A common theme that Synical gravitates towards is science accidents and war. The horror of nuclear radiation and concentration camps was featured in the video for the title album track “This Will All Happen Again” filmed in Germany. Nothing Hollywood has created could ever match the horrors that humans have done to each other.

What horror movie/TV show would you re-score if given the chance?

Synical founder Brian Haught has two answers to that question! Steven Kings Salem’s Lot from 1975 and the British TV show Space 1999.

What non-musical things inspire your music?

Great question! Synical’s music is the soundtrack to the downfall of civilization but in a goth dance club format. The sad state of world affairs, natural disasters, and man-made accidents all leave an impression musically.

What film/TV horror-related character would you most identify with? Why?

Brian Haught the singer of Synical relates mostly to Barnabas Collins from the TV series Dark Shadows. He is a 100+ year old creepy vampire who is still looking for his lost love while being a monster in the present modern day. You can love him, fear him, or hate him but it’s impossible to ignore him!

How do you handle fear as an artist?

The biggest fear in music is not being able to pull off the live concerts according to plan. The future’s uncertain and not everything is in the bands control. Live shows can really be scary but also very rewarding if successful.

What are your favorite horror movies?

Synical the band loves all the Phantasm movies, the original John Carpenters Halloween, The Fog, and The Thing, I Spit On Your Grave, most of the Hammer films from England, the Shining, Dawn of the Dead, and the Hellraiser movies.

What was the scariest night of your life?

Long ago in Macon, Georgia the band snuck into Rose Hill cemetery at night to find the dead Allman Brother’s graves. Everything was going great until the night watchman ran after us with a flashlight and shovel. We almost made it out by running across the railroad tracks when out of nowhere a speeding train came and almost killed us. It was terrifying.

If you could bring back greats who have passed on, who would be your undead opening band?

The band would consist of Stiv Bators from the Dead Boys on vocals, Dwayne Goettel from Skinny Puppy and James Wooley from NIN on keyboards, Randy Castillo from Red Square Black on drums, Andy Rourke from the Smiths on bass, and Keith Levene from the Clash/P.I.L. on guitar.

Final thoughts / Anything you want to tell the Horror Addicts?

Horror is in the eye of the beholder but it’s an interesting and fascinating pathway that perfectly blends with the goth and darkwave music of Synical. As horror movie and TV fans ourselves, Synical is excited to be interviewed and involved in this community.

(Fan contacts…)

Website/Twitter/Facebook/Instagram/Bandcamp?

You can check out our videos on our amazing record label Cleopatra Records you tube channel https://www.youtube.com/@CleopatraRecords

https://www.facebook.com/SYNICALFOREVER

https://twitter.com/SynicalBand   https://www.instagram.com/synicalmusic

Insert one of your video YouTube links:  https://www.youtube.com/watch?v=9vVj9lheNSE

Book birthday: Clockwork Wonderland


Clockwork Wonderland contains stories from authors that see Wonderland as a place of horror where anything can happen, and time runs amok. In this book you’ll find tales of murderous clockworks, insane creations, serial killers, zombies, and a bloodthirsty jabberclocky. Prepare to see Wonderland as a place where all your worst nightmares come true. You may never look at classic children’s literature the same way again.

Edited by Emerian Rich
Cover by Carmen Masloski

With Foreword by David Watson

Hatter’s Warning by Emerian Rich

Starting off with a poem from the Mad Hatter who warns us, our time is running out and Alice the queen of Wonderland is after our heads and our souls.

Jabberclocky by Jonathan Fortin

A drunken clock repair shop owner and his abused son receive a visit form the Mad Hatter who has an evil plan to bring a murderous Jaberclock to life. Only the Cheshire Cat can save the day or is he as mad as the Hatter?

Hands of Time by Stephanie Ellis

The Queen of Heart’s executioner and timekeeper are looking for an apprentice and a new set of hands to kill and kill again to run the queen’s clock.

Clockwork Justice by Trinity Adler

With only one day and two clues, a bloody torn card and carrot tarts, Alice fights to prove she’s innocent and avoid losing her head to the Red Queen’s executioner.

My Clockwork Valentine by Sumiko Saulson

Unlike the White Rabbit, Blanche Lapin does not carry her timepiece in her pocket, but in her chest. It’s a Victorian-era clockwork pacemaker and if it’s not wound every forty-eight hours, she will die. When the key is stolen, the thief who has it will let her die if she doesn’t declare her love and stay with him forever.

Blood will Have Blood by James Pyne

There are many Wonderlands and a young woman is trapped in one where she is expected to be the new Alice. It’s a place where the rivers are filled with corpses and that’s not even the worst of it. The only way out is by wearing a clock necklace that needs blood for fuel, but what happens if it runs out?

Midnight Dance by Emerian Rich

Wonderland is being overrun by zombies. Mr. Marsh and The Mad Hatter are in a race against time to jam up the clockmaker’s clock and stop the undead apocalypse. If they can’t the apocalypse will start over and over as the clock strikes one.

A Room for Alice by Ezra Barany

When Alice is locked in a blood-splattered room and poisoned by D, she must behead the Queen of Spades within fifteen minutes in order to get the antidote. Can Tweedle help, or is he part of the problem?

Frayed Ears by H.E. Roulo

Caught in a child’s fever-fueled dream, The White Rabbit, The Scarecrow, and other storybook characters soon discover that story time is coming to an end and maybe so are they.

King of Hearts by Dustin Coffman

A prequel story to Alice’s Adventures in Wonderland, this tale explains how the Queen became mad, and why she hates the name Alice so much, though it has nothing to do with the real one.

Riddle by N. McGuire

A steampunk take on the infamous tea party, with a killer twist.

Tick Tock by Jaap Boekestein

To hear him tell it, a heroic wild card fights against the usurper Alice and puts Mary—the true Queen Of Hearts—on Watch World’s throne. Is that what’s really going on?

Gone a’ Hunting by Laurel Anne Hill

Alease goes rabbit hunting, but she’s the one caught in a place where she will have plenty of time to think about what she’s done.

The Note by Jeremy Megargee

Cheshire Cat tells a story about the changing, horrifying world of Wonderland and why he has to leave it.

Half Past by K.L. Wallis

A woman follows a mysterious man though the subway and travels back in time to the late 1800s, where she finds that instead of the patriarchal norms of the past, she is in a Wonderland where women are the superior sex and moral boundaries cease to exist.

Ticking Heart by Michele Roger

A woman on a train goes to visit Alice in a war-torn steampunk Wonderland, which is very different than the one we know.

To read the full story and more Clock-inspired, Alice Horror, check out Clockwork Wonderland.

Free Fiction Audio: Weird Tales Presents: Dark Stories of Stark, Unreasoning Terror by Robert E. Howard

Weird Tales Presents: Dark Stories of Stark, Unreasoning Terror

Robert E. Howard (1906 – 1936)

Grandmaster of weird fiction Robert E. Howard is perhaps most well-known as the forefather of dark fantasy via creations like Conan the Barbarian and Solomon Kane. While not as well-known but no less strange and mesmerizing are his tales of agonizing horror found in Weird Tales Magazine, many of which take places in the grim and stark swamp lands and forests of the American South, showing us terrifying visions of the ghastly and grisly that may lurk, not in faraway lands of magic and mystery, but just around the corner. Join Mr. Howard on a journey through what may be his most heart-stopping, pulse-pounding stories of horror in this thrilling collection ripped from the pages of Weird Tales! – Summary by Ben Tucker

Genre(s): Horror & Supernatural Fiction

Language: English

LibriVox

Book Birthday: Dark Divinations

DarkDivBannerHorrorAddicts.net Press Presents:

Dark Divinations edited by Naching T. Kassa

Available now on Kindle!

It’s the height of Queen Victoria’s rule. Fog swirls in the gas-lit streets, while in the parlor, hands are linked. Pale and expectant faces gaze upon a woman, her eyes closed and shoulders slumped. The medium speaks, her tone hollow and inhuman. The séance has begun.

Can the reading of tea leaves influence the future? Can dreams keep a soldier from death in the Crimea? Can a pocket watch foretell a deadly family curse? From entrail reading and fortune-telling machines to prophetic spiders and voodoo spells, sometimes the future is better left unknown.

Choose your fate.

Choose your DARK DIVINATION.

Join us as we explore fourteen frightening tales of Victorian horror, each centered around a method of divination.


“Power and Shadow” by Hannah Hulbert / A young woman, with the power to manipulate the future using tea leaves, teaches her friend a lesson at her mother’s behest.

“Copper and Cordite” by Ash Hartwell / On the eve of her fiance’s departure for the Crimea, a young Englishwoman discovers the power which lies in dreams. Can she use it to save him?

“Damnation in Venice” by Joe L. Murr / When a roguish fortuneteller counsels an aging writer, he ends up in danger of damning his own soul.

“The Pocket Watch” by Emerian Rich / When a young American bride returns to her husband’s English estate, she receives a present from his deceased mother that can foretell a deadly family curse.

“They Wound Like Worms” by Naching T. Kassa / A man writes his sister concerning a method of divination which reveals his true love. But, as his obsession grows, the method grows bloodier.

“Miroir de Vaugnac” by Michael Fassbender / A widowed seer, augmenting her skills through an antique scrying bowl,  faces grim choices when she learns she is not fully in control of its power.

“The Bell” by Jon O’Bergh / A physical medium, who earned his fortune faking necromancy, finds he’s buried in a coffin and must call upon his powers to save himself.

“Romany Rose” by Stephanie Ellis / A penny gaff mysteriously appears outside a London shop, awaking a spirit with a terrible agenda.

“Miss Mae’s Prayers” by H.R.R. Gorman / A preacher seeks to rebuke an Appalachian witch for her use of the Bible to divine the future, but ignoring her warnings leads to dire consequences

“Broken Crystal” by Rie Sheridan Rose / A young, Irish fortuneteller discovers her true fate when she reads for a dangerous man who won’t accept her prophecy.

“Breaking Bread” by R.L. Merrill / A wife, suspecting her husband of infidelity, tests him with a magic loaf of bread, but her quest for knowledge might be more trouble than she asked for.

“The Ghost of St. John Lane” by Daphne Strasert / While conducting a seance to contact her dead husband, a woman discovers a girl with strange gifts and provokes a man who seeks to destroy her.

“The Moat House Cob” by Alan Fisher / In a tower of fortune-telling animals, a spider spins a web over London. What ominous force may be headed their way?

“Of Blood and Bones” by Jeremy Megargee / When a woman throws the bones in search of her sister’s murderer, she finds an unimaginable evil. Will she avenge her sister’s death? Or share her fate?

Dark Divinations 3d

Available now at Amazon.com

https://www.amazon.com/dp/B087LBPBNS

Logbook of Terror: Welcome to the Show

“Welcome to the Show”

Anna Bell had been waiting all year. The Horror Addicts Spooky Society Weekend of Horrors was finally here, her utopia where she could be surrounded by her tribe and celebrate her love for all things dark, spooky, and wonderful. As she entered the massive hotel that hosted the event each year, her heart raced with excitement and anticipation. But as Anna made her way through the crowds of cosplayers and fans, amid the joy and wonder, deep down, something didn’t feel quite right. 

A cosplayer dressed as Julien from Night’s Knights brushed past her, blending seamlessly into the sea of black t-shirts and costumes. A towering Bigfoot stomped through the lobby, most likely there for Lionel Ray Green’s panel. But something about that Sasquatch seemed too… real. And what about those vampire cosplayers lurking in the hallway coming up from the basement parking deck? They weren’t leering at her hungrily, were they? 

Pushing her paranoid thoughts aside, Anna checked her program and realized that Valentine Wolfe was set to perform in just fifteen minutes. With butterflies in her stomach and adrenaline in her veins, she rushed to the South Ballroom to see her favorite band take the stage.

As Anna Bell found a seat in the third row, the ballroom filled with spooky creatures. Then, the lights dimmed and a witch’s cackle echoed from the massive speakers on each side of the stage. Suddenly, the band appeared through a thick bank of fog, as if they had materialized out of the mist. Sarah, the lead singer, raised her right hand in a horned salute and Braxton, the bassist, drew his bow across the strings and began to play an eerie intro.

The drums kicked in, the band launched into Anna’s namesake song, “Annabel Lee”, and the audience roared excitedly. Anna clapped her hands over her ears. This was the loudest Valentine Wolfe crowd she’d ever seen, and the most intense; the energy in the room verged on hysterical. 

Anna glanced around. She saw something unsettling – two zombie nuns were attacking each other. What the…? Are they goofing around? 

She tried to focus on the stage, but even their things seemed off. Braxton’s eyes glowed red as he furiously drew the bow back and forth over his bass strings. Sarah’s feet rose off the stage as she hit an impossibly high note. The fans to Anna’s left cried out in pain and blood spewed from their ears. Chairs flew through the air and crashed against the walls. Screams and wails of agony and pleasure cut through the pulsing chamber metal music.

And then, Sarah’s eyes were on her, glowing bright yellow. 

Sarah reached out her hand towards Anna, pulling her closer to the stage. In the singer’s thrall, unable to resist, Anna reached out to her. Sarah smiled, revealing gleaming white fangs. Anna wanted to be near her. She had to be! She was so close. If she could just stretch a little bit more… 

The final note rang out. 

Anna’s eyes snapped open. She found herself back in her seat, struggling to catch her breath. Was it all that just a hallucination? She looked around to see if anyone else had experienced what she had, but everyone seemed to still be eagerly awaiting the show to begin, not shaken or disturbed in the least. A second later, the lights went down, and a witch’s cackle echoed through the ballroom. Cold chills crawled up Anna’s spine as thick fog floated across the stage. A deep dread pushed Anna’s excitement aside. She couldn’t help but feel that something sinister was lurking beneath the surface of what to her was the happiest place on earth. 

Free Fiction Audio: Annabel Lee by Edgar Allan Poe

Personal Poe Collection Compiled by EliseDee and Cavaet

Edgar Allan Poe (1809 – 1849)

We present here ten stories and poems from the master of horror, Mr. Edgar Allan Poe. They are our personal favorites. We hope you enjoy them as much as we enjoy presenting them to you. – Summary by cavaet

Genre(s): Horror & Supernatural Fiction, Literary Collections

Language: English

If you would like to listen to Annabel Lee:

#7 Annabel Lee

LibriVox

5 Vampire Tropes That Need to Be Staked by Brian McKinley

As a writer and avid reader of vampire fiction, I’ve seen a lot of different themes, styles, and clichés come in and out of popularity over the years. We call these things tropes, which is a more neutral term that has come to mean any sort of regularly occurring metaphor, symbol, or literary device. With that in mind, I decided to come up with a personal list of what I think are the top 5 vampire-related tropes that have become over-used recently and need to be put to rest.

5. Monsters, Monsters Everywhere!
This is the current vogue in Urban Fantasy and Paranormal Romance that owes its popularity to authors like Laurel K. Hamilton, Charlaine Harris, Jim Butcher, Kim Harrison, and others. The logic goes that, if vampires are real, so is every other damn mythological creature, horror archetype, folktale monster, and nursery rhyme character! Seriously, aside from comedic value, what do all of these creatures bring? Ask yourself if your series really needs the entire monster menagerie before you throw them in because “everyone else is doing it.” I’ve gotten to the point where I find it refreshing to read a story about vampires that doesn’t feel the need to include every other type of monster, too.

4. Putting on the Game Face
This is the idea that vampires alone aren’t scary enough, so they have to have a special “monster face” that they bring out for feeding or whenever they want to surprise someone into screaming and running away. A serial killer with super-human powers isn’t enough? I’m a bit of a nit-picker, I admit, so the idea that muscles re-arrange themselves in the vampire’s face all for the purpose of giving them a wicked Halloween look just doesn’t make any sense to me. Movies do it because their special effects guys get bored, but there’s no excuse for it in a novel. The reason vampires are fascinating and frightening is because they are the monster with the human face.

3. Playing with Your Food
A bunch of vampires get some humans together for dinner and, before you know it, there’s vampires laughing with blood smeared all over their faces, vampires tearing open jugular veins with gleeful abandon and spraying blood all over the wall, and vampires wearing entrails like Mardi Gras beads! Seriously, when’s the last time you and a bunch of friends had dinner and poured the soup down the front of your party clothes? Laughed and poured gravy all over your face? Scooped up half your mashed potatoes and threw them against the wall before shoving your face to the plate to lick up the rest? Even evil people can have table manners! When blood is your food supply, why slop it around like a three-year-old?

2. Romeo and Juliet … Again … and Again …
The first thought that comes to mind is Twilight, but this formula has been going far longer than She Who Must Not Be Named has been writing. Vampire Romeo and Human Juliet, Werewolf Romeo and Vampire Juliet, Werewolf Romeo and Human Juliet, Vampire Romeo and Vampire Juliet—it’s all been done. Several times. Now, I’m not saying get rid of romance in a vampire story, because that would kill an entire genre, but let’s try to do something just a little new! Elevate your star-crossed lovers above the stereotype with strong characterization and throw in some twists! Here’s another idea: Othello, Much Ado About Nothing, The Tempest, and many other Shakespeare plots are out there just waiting for a clever supernatural riff. Let Romeo and Juliet rest in peace for a while.

P.S. Does EVERY female heroine in EVERY paranormal series have to be loved/lusted after by EVERY male creature she encounters? Furthermore, do we have to put up with the same damn “love triangle” over and over again?

1. I’m Too Sexy to Be a Monster
Okay, here’s my least favorite trope in recent fiction: vampires who have been neutered so much for romance purposes that they hardly bear any resemblance to vampires anymore! We’ve all seen this, I’m sure: the super-rich, super sexy, super powerful vampire romance god who maybe has a problem with sunlight (but sometimes not even that) and really only needs, say, a wine glass’ worth of blood a night. Really? How convenient! He’s always a fantastic and considerate lover, just dark and mysterious enough to be attractive, but otherwise completely harmless. This is not a vampire. This is a male model with a blood fetish! The vampire should be given his due and there should always be real danger present or else you’re just contributing to the slow sterilization of the vampire genre. Let’s keep our vampires deserving of the name, okay?

So, that’s the list. I hope you enjoyed it. I’d love to hear any reactions or your personal
additions to the list in the comments! Stay thirsty, my friends!


Brian McKinley is a reader, a role-player, and a dreamer who lives in New Jersey. A fan and student of vampire lore, he’s the author of three vampire novels: Ancient Blood: A Novel of the Hegemony, its sequel Ancient Enemies, and Drawing Dead: A Faolan O’Connor Novel.

Book Birthday: Horror Addicts Guide to Life

 

 

Horror Addicts Guide to LifeHorror Addicts Guide to Life

Cover art by: Masloski Carmen

Editor: David Watson

Do you love the horror genre? Do you look at horror as a lifestyle? Do the “norms” not understand your love of the macabre?

Despair no longer, my friend, for within your grasp is a book written by those who look at horror as a way of life, just like you. This is your guide to living a horrifying existence. Featuring interviews with Midnight Syndicate, Valentine Wolfe, and The Gothic Tea Society.

Authors: Kristin Battestella, Mimielle, Emerian Rich, Dan Shaurette, Steven Rose Jr., Garth von Buchholz, H.E. Roulo, Sparky Lee Anderson, Mary Abshire, Chantal Boudreau, Jeff Carlson, Catt Dahman, Dean Farnell, Sandra Harris, Willo Hausman, Laurel Anne Hill, Sapphire Neal, James Newman, Loren Rhoads, Chris Ringler, Jessica Robinson, Eden Royce, Sumiko Saulson, Patricia Santos Marcantonio, J. Malcolm Stewart, Stoneslide Corrective, Mimi A.Williams, and Ron Vitale. With art by Carmen Masloski and Lnoir.

https://www.amazon.com/Horror-Addicts-Guide-Life-Emerian-ebook/dp/B00XNZGLSY

Band Interview: Elektrikill

 

  1. What horror-related themes have you found to be the most inspiring for your music?

Pino Donaggio’s music for Tourist Trap has always inspired me because of the non-musical elements he incorporated into the score. Angelo Badalamenti’s soundtrack for Twin Peaks: Fire Walk With Me is deeply dark and unsettling.

  1. What horror movie/TV show would you re-score if given the chance?

Probably something made in the 70’s that was supposed to be depicting the future but the technology at the time wasn’t quite there yet for a “futuristic” sound. Logan’s Run would be a fun one to re-score.

 

  1. What non-musical things inspire your music?

Machines, especially ones that operate in some kind of rhythm. The new album has all kinds of non-musical sounds in it including a creaky metal gate, Aztec Death Whistles, a squealing pig, phone static and more. I feel like the true nature of industrial music is using found sounds in a musical way.

 

  1. What film/TV horror-related character would you most identify with? Why?

Michael in Phantasm. I would totally get killed because I would be just as curious about the Tall Man’s funeral parlor. Plus Michael thinks outside the box, which I also do.

 

  1. How do you handle fear as an artist?

Fear honestly doesn’t occur to me. It really doesn’t. I don’t usually panic about my music until the album is completely finished and it’s too late to do anything about it anyway. Until then, I have all the confidence of a 5 year-old in a Batman costume.

 

  1. What are your favorite horror movies?

My all-time favorite horror film is Tourist Trap. I’ve probably seen it over 100 times. I also love Squirm, The Fourth Kind, Santa Sangre, Eraserhead, Twin Peaks: Fire Walk With Me, Tusk, Phantasm and The Seventh Sign.

 

  1. What was the scariest night of your life?

I was attacked by dogs once. That was pretty terrifying. Had to get rabies shots and everything.

 

  1. If you could bring back greats who have passed on, who would be your undead opening band?

Freddie Mercury and David Bowie with Andrew Fletcher on keyboards. But I would absolutely be opening for them.

 

  1. Final thoughts / Anything you want to tell the Horror Addicts?

There’s nothing scarier than the monster that’s already inside of you.

 

(Fan contacts…)

Elektrikill.bandcamp.com

https://www.instagram.com/svilelektrikill/

https://www.facebook.com/steven.vil.921

 

Insert one of your video YouTube links:

https://www.youtube.com/watch?v=T5L2uJxK1qM

 

 

Author Interview: Nick Roberts/Mean Spirited

What is your name and what are you known for?

My name is Nick Roberts, and I’m known for my horror novels, Anathema, The Exorcist’s House, Mean Spirited, and my short story collection, It Haunts the Mind and Other Stories. Anathema won the Horror Author’s Guild Award for Debut Novel of the Year, and The Exorcist’s House won the 2023 Books of Horror Indie Author Brawl and was on the Preliminary Ballot for the 2022 Bram Stoker Awards.

 

Tell us about one of your works and why we should read it.

Mean Spirited, available everywhere March 15th, is my latest release. After I wrote Anathema and The Exorcist’s House—both of which contain dogs—I realized how much certain readers were affected by fictional dogs. They would say that reading about horrible things happening to humans (even children) doesn’t bother them, but if something happened to a dog, they would be so triggered that they couldn’t handle it. As a father and an animal lover, this intrigued me. Meanwhile, I had no idea what I wanted my third novel to be about. I don’t outline my work. Normally, I just start with a creepy prologue and watch where it goes. My goal with the Mean Spirited prologue was to write a blend of The Strangers and Stolen Tongues. I figured if I could tap into the fear of a home invasion and tie it in with the supernatural creepiness that Felix Blackwell did perfectly in Stolen Tongues, I would be off to a good start. As soon as I started writing about this young lady who gets a mysterious midnight doorbell ring and her dog that started barking, something clicked, and I realized this was my chance to write a book that would take those “stay away from the dog!” readers on a philosophical journey that hopefully has them looking twice at the sweet rescue pup in the corner.

What places or things inspire your writing?

All of my novels thus far have taken place in my home state of West Virginia. I love describing the scenery and juxtaposing it with whatever horrors my mind conjures. Plus, when I write about the rural parts of the state, having isolated characters with no cell phone service comes in quite handy. Family dynamics also inspire my writing. I like to dig into the nuances of the relationships my characters have and make them as complex as possible. I want my readers to actually care about the fate of the characters.

What music do you listen to while creating?

I listen to movie soundtracks when I write. These are horror film scores for the most part. Some of my favorites include It Follows, 28 Days Later, Beetlejuice, The Devil’s Rejects, The Village, and Requiem for a Dream. I had this weird ritual when writing Mean Spirited where I would play the Requiem for a Dream soundtrack from beginning to end, but I had to stop when it was over. This made me write faster to make sure I hit my 1,000-word daily minimum and heightened the pacing of the narrative.

What is your favorite horror aesthetic?

I love a good, isolated chamber piece. If it involves the occult or folk horror, even better. Something about the power of belief in humans and what they’ll do in the name of it gets under my skin. It all ties back to that fear of being an outsider or that everyone is in on the joke but you.

Who is your favorite horror icon?

Leatherface from The Texas Chain Saw Massacre will always be my favorite horror icon. He has the best costume by far, and the chainsaw is my horror movie weapon of choice. I will say this, though, we are currently in the age of a new horror icon emerging, Art the Clown. What Damien Leone is doing with his Terrifier films is inspired, unapologetic lunacy, and I love it.

What was the scariest thing you’ve witnessed?

The scariest thing I ever witnessed was seeing my grandfather on my dad’s side of the family in his hospital bed at the end of his battle with Alzheimer’s disease. I was a little kid, and I remember being prepped in the hospital hall outside his room, being told that we were going in there to say our goodbyes. This setup had me freaked the fuck out before my dad even opened the door. I remember timidly walking in there and seeing his feet poking out from behind a curtain and dreading what he’d possibly look like. As my siblings and I all slowly packed into the small room, I caught a glimpse of his frozen face. That look has never left me. His eyes were fixed and staring through the ceiling at something none of us could see, and his jaw hung agape. I had to turn away because it made my stomach turn to knots. I somewhat revisited this scenario in my short story, “Grandma Ruth.”

If invited to dinner with your favorite (living or dead) horror creator, who would it be and what would you bring?

If I got to share a meal with any horror creator, it would be Alfred Hitchcock. First of all, the man is arguably the best technical filmmaker ever. Throw in the fact that he used his superpowers to shock and horrify, and you end up with classics like Psycho, Rear Window, The Birds, and Vertigo. I would pick his brain for as long as he’d let me, and it would probably take a few courses because dude talks slowwwww. To combat this in the interest of efficiency, I would bring some illicit stimulant with which to spike his brandy.

What’s a horror gem you think most horror addicts don’t know about? (book, movie, musician?)

With the ability to stream basically anything you want, hidden gems are becoming more difficult to find. Everyone seems to have seen or at least have heard about everything. I’ll take it back to my days of roaming the aisles of Blockbuster Video and say that if you haven’t seen the anthology horror film, Campfire Tales, you need to correct that egregious error ASAP. It’s a grown-up version of Are You Afraid of the Dark?, and it has a great cast of then-unknowns.

Have you ever been haunted or seen a ghost?

I don’t believe in anything paranormal, so no. It’s fun to engage in that and suspend disbelief, but so is pretending Santa Claus is real. The closest thing to ghosts that I could believe in would be aliens, and even then, it’s a stretch. I want to believe, but the skeptic in me simply won’t permit it.

What are some books that you feel should be in the library of every horror addict?

Every horror addict should have a vast Stephen King collection, and at least one book from the following authors: Edgar Allan Poe, Clive Barker, Bret Easton Ellis, William Peter Blatty, R.L. Stine, Shirley Jackson, Stephen Graham Jones, Richard Matheson, Catriona Ward, Grady Hendrix, Jack Ketchum, Dan Simmons, and Paul Tremblay.

What are you working on now?

I am currently writing a sequel/prequel hybrid called The Exorcist’s House: Genesis, which will be released by Crystal Lake Publishing in September of this year. I’m also wrapping up my Patreon-exclusive, serialized novella, Dead End Tunnel. It should be finished by April and available to the masses in June. I’m contracted to write the sequel, Anathema: Legacy and plan to start writing that in May with the goal of releasing it in early 2025. I’ll then get to work on my next novel, one that’s sure to be my darkest yet, My Corpse Has a Heartbeat, but that has no expected release date. It does, however, already have a wicked cover by Dusty Ray.

Where can readers find your work? (URL #1 place for them to go.)

Readers can find my work and links to my socials on my website: www.nickrobertsauthor.com.

Band Interview: Tragic Visions

What horror-related themes have you found to be the most inspiring for your music?

Jess Gibbs: The band itself and our name is a concept of media and influence. We try to portray how easily even a TV can influence, persuade or even convince people to do or think unbelievable things (especially in the 90s when the band name was created). Media control is our overall theme usually centered around the TV.

David Buyense: In our live performances we like to include gore and disturbing imagery. Our most recent live shows have included a life size crucified body with the head replaced by a television that plays synchronized video with our musical set and includes some clips of some classic horror scenes including psycho, reanimator, redneck zombies and dead alive amongst other things like eyeball surgeries and hypnosis wheels. I disembowel the thing midway through the show we have red painted noose in there some random organs and blood.

What horror movie/TV show would you re-score if given the chance?

Jess: Videodrome, not sure it’s legitimately a horror film, but the scenes and metaphors fit our ideas and sound so perfectly.

David: I agree with that, Videodrome would be a cool one to do. Not the question but I’d like to mention how much I love goblin’s music for Suspiria .

What non-musical things inspire your music?

Jess: Media influence/control and hive mind mentalities. We like to push people’s fears with lyrics about and images of blood, medical procedures, needles, psychotherapy procedures and corporal punishment.

What film/TV horror-related character would you most identify with? Why?

Jess: Lionel Cosgrove from Braindead (Dead Alive), he was a carefree innocent guy just trying to go about his life while the horrors are piling up. He eventually saves the world by taking care of his problems and doubts, mostly by killing his mom. I should probably call my therapist now. Besides he gets to mow down tons of zombies with a lawnmower.

How do you handle fear as an artist?

Jess: We shove it in your face and cause you to think on it. The things that scare you most you haven’t been exposed to yet or didn’t know you were exposed to currently.

What are your favorite horror movies?

Jess: I love all things Troma, the more shocking and gorier the better. Lloyd Kaufman is sadly not holding up well with newer generations. I’ve been infatuated with zombies my whole life so anything by George Romero especially Night and Dawn of the Living Dead. Not Romero but Return of the Living Dead is great, and my all-time favorite as made obvious above is Braindead (Dead Alive). I love the classics most Psycho, Suspiria, Nosferatu, The Shining, The Exorcist… I could go on and on. For our live sets we tend to have TVs playing images from several of these. The bloodier the better.

David: I mostly enjoy classics Vincent Price movies are my favorite, Alfred Hitchcock, Night of the living dead, Dracula and some other Bela Lugosi, Suspiria , Christopher Lee movies.

What was the scariest night of your life?

David-a home invasion at gunpoint

Jess: Well this is kind of an embarrassing story mostly because it was stupid of me on many levels, but we as kind of a band were out at a local dive bar in our home town one New Years Eve kinda waiting for the whole midnight celebration and I started talking the Doors with some clearly very wasted (in I’m sure more ways than 1 fan) and he wanted to buy me a drink. Of course, I say yeah, you’re buying I’m in. So, we walk up to the bar and it’s crazy packed and he asks if I want to go to the gas station across the street, sure why not. We get to the gas station and of course can’t drink there so he says he has a hotel which I declined immediately, but stupidly I was convinced with good conversation and what not. As soon as I got to this guy’s hotel room he immediately asks if I want to see something cool and points a loaded gun at my head. I calmly and reflexively pushed it away and said that wasn’t cool and asked if I could check it out. Around that time David calls me and asks where I am, and I came up with fake phone conversation about him having girls and meeting him out front while he has this weird wtf conversation on the otherwise of the line. Then I just hung up the phone threw the gun and ran like a MFer haha.

If you could bring back greats who have passed on, who would be your undead opening band?

David: go way back and bring Bach and Beethoven. Stiv Bators

Jess: Bill Reiflin , Jim Morrison, David Brockie

Final thoughts / Anything you want to tell the Horror Addicts?

David: We’ve got a new album coming this spring follow us on Instagram to keep an eye out for it

http://www.instagram.com/tragic_visions99

http://tragicvisions.bandcamp.com

Insert one of your video YouTube links:

https://youtu.be/NoCRUi6EtQA?si=Mwe3Aji-Xu-kdT5r

 

 

 

 

Book Birthday : #NGHW Editor’s Pick: New Publication and Blog Tour

HorrorAddicts.net continues our Horror Bites series with a bundle of new fiction by our Next Great Horror Writer Contestants.

Featuring work by:

Jonathan Fortin
Naching T. Kassa
Daphne Strasert
Jess Landry
Harry Husbands
Sumiko Saulson
Adele Marie Park
Feind Gottes
JC Martínez
Cat Voleur
Abi Kirk-Thomas
Timothy G. Huguenin
Riley Pierce
Quentin Norris

With an introduction by Emerian Rich.

HorrorAddicts.net is proud to present our top 14 contestants in the Next Great Horror Writer Contest. The included stories, scripts, and poems are the result of the hard work and dedication these fine writers put forth to win a book contract. Some learned they loved writing and want to pursue it as a career for the rest of their lives. Some discovered they should change careers either to a different genre of writing or to a new career entirely. Whatever lessons came along the way, they each learned something about themselves and grew as writers. We hope you enjoy the writing as much as we did.

Just 99 cents at Amazon.com

 HorrorAddicts.net

for Horror Addicts, by Horror Addicts

Listen to the HorrorAddicts.net podcast for the latest in horror news, reviews, music, and fiction.

HorrorAddicts.net Press

www.horroraddicts.net

The 5 Vampire Novels Every Aspiring Vampire Author Should Read

 

REQUIRED READING
The 5 Vampire Novels Every
Aspiring Vampire Author Should Read

There are many forms of vampire novels now, from steamy paranormal romances to old-school bloody horror and so the would-be vampire author has a nearly unlimited supply of reading material to choose from. Chances are, it’s because you love reading certain authors and their takes on vampires that you want to write one yourself. With that in mind, I’ve compiled a list of 5 vampire novels that, in my opinion, represent the basic building blocks.

The Vampire Lestat by Anne Rice – How could I compile a list like this and not include the
queen of modern vampire fiction? Rice weaves a fascinating, tragic, triumphant, and compelling
tale. No one does vivid, sprawling vampire biographies like Rice in her prime and this novel is
still the benchmark any historical/biographical vampire novel should be measured against.

The Queen of the Damned by Anne Rice – Why would you read Lestat and not finish the
story? With Lestat’s history out of the way, this sequel lets the Queen of Vampires take center
stage, dragging Lestat around on a globe-spanning spree of destruction, ecstasy, and a glimpse
into the very origins of their race. If Lestat was a bit light on the action, then this volume more
than makes up for it. This remains the super-powered vampire showdown to end them all and
Rice’s unique vampire mythology again set the standard for all that have followed.

The Hunger by Whitley Streiber – Streiber’s subtle, creepy, bisexual Miriam Blaylock is the
ultimate vampire femme fatale. A disturbing and unique take on the vampire legend, Steiber’s
creatures are a separate species rather than undead corpses, capable of the full range of emotion.
This is a vampire novel for adults, not because of any graphic content, but because the complex
emotional territory Streiber journeys into is best appreciated by those who have lived and loved
and lost.

I Am Legend by Richard Matheson – The grand-daddy of vampire apocalypse novels, and
maybe even zombie apocalypse stories, this grim, slow burning novel bears no resemblance to
the various movie adaptations that have been based on it (with the exception of Vincent Price’s
The Last Man on Earth, which comes close). Fans of The Walking Dead and similar fare will
appreciate the bleak atmosphere, but what will truly surprise readers is the profound
philosophical questions Matheson raises with masterful understatement.

The Dresden Files by Jim Butcher – Butcher has created a fully-realized and consistent fantasy world composed of everything you’ve ever heard of in a fairytale. The thing to read Butcher for is how approachable and sensible he makes the fantastic seem. The reason this series fits this list is because Butcher’s vampires have different “courts” each with distinct powers and weaknesses, which allows him to get mileage out of all the various vampire archetypes. The sustained quality and sales also prove that Butcher is doing something right and that’s always worth studying. What are your favorites? Let me know in the comments below!


Brian McKinley is a reader, a role-player, and a dreamer who lives in New Jersey. A fan and student of vampire lore, he’s the author of three vampire novels: Ancient Blood: A Novel of the Hegemony, its sequel Ancient Enemies, and Drawing Dead: A Faolan O’Connor Novel.

Author Interview: John Boden/The Bedmakers

What is your name and what are you known for?

John Boden, probably sad and strange stories.

Tell us about one of your works and why we should read it.

I’ll go with the most recent, SNARL. I think while the story is one that has been told before, I hopefully present some new angles and unexpected takes.

What places or things inspire your writing?

Mostly places I’ve been and people I’ve met. I just stow it away somewhere inside and recall bits and pieces when I start an idea.

What music do you listen to while creating?

Usually old country (1930-1990s) and heavy metal (most varieties)

What is your favorite horror aesthetic?

Weird and kinda quiet.

Who is your favorite horror icon?

Creature From The Black Lagoon

What was the scariest thing you’ve witnessed?

My father’s passing, which was also strangely beautiful on a spiritual level if that makes any sense.

If invited to dinner with your favorite (living or dead) horror creator, who would it be and what would you bring?

Ray Bradbury and I’d bring chicken salad sandwiches and my toy dinosaurs and robots.

What’s a horror gem you think most horror addicts don’t know about? (book, movie, musician?)

There are so many. I think Joan Samson’s THE AUCTIONEER has been cruelly ignored for many years but was recently reprinted so maybe that’s a remedy. It’s a brilliant slice of folk horror that is not what you think of usually.

Have you ever been haunted or seen a ghost?

Our house is haunted by a beautician named Darlene. When we moved in, we found old style bobby pins on the floor for a few weeks and stuff was relocated or missing only to reappear after a few days. Once we settled in those sorts of things stopped but we still see movement and shapes peripherally and the rug under the antique rocker in the basement rec room is always bunched up in the morning, so she must rock in the night.

What are some books that you feel should be in the library of every horror addict?

The Auctioneer by Joan Samson, Nocturnes by John Connolly, Tomato Cain by Nigel Kneale, Dark Demons by Kurt Newton…I could go for days.

What are you working on now?

A horror western called OUTEN THE LIGHT and what I hope will be my first novel.

Where can readers find your work? (URL #1 place for them to go.)

I don’t currently have a website but I’m a loiterer on most of the social platforms. Facebook is probably the easiest place to find me. 

  https://www.facebook.com/john.boden.33

Band Interview: 2 Forks

Where does the name, 2 Forks come from?

The name 2 Forks comes from a childhood nickname that some ladies in the neighborhood gave me. I was an ‘active’ kid and grew up in a neighborhood where the moms would invite you in after school and ask if you were hungry. I was lucky to be in a primarily Italian-American area, and I was always so hungry after school that I would gorge on pasta, pizza, meatballs, garlic bread, chicken parmesan – but always at a friend’s house. The mom’s would be together on the weekend and started talking to each other about my ability to clean out their refrigerators. One of them, sort of teasing me, came up with the name 2 Forks, due to my appetite. I wasn’t really ‘proud’ of the nickname, so I just laughed it off. For my 2 Forks persona, it just seemed to fit. I take on the persona as ‘Danny 2 Forks’ who has a more insatiable appetite about everything. The glove just seemed to fit.

What are examples of a movie, TV show and artist that inspired you growing up?

I really loved ‘Evil Dead 2’, ‘Texas Chainsaw Massacre’, ‘Repo Man’, ‘Nightmare on Elm Street’, ‘Liquid Sky’, and on TV I was addicted to ‘Three’s Company’.

What non-musical things inspire your music?

Sex, horror, latex, leather, flowers, the woods, dark nights.

What song on the new album, ‘Quanticode’ hits closest to home emotionally?

Probably ‘Rip My Hair’ – I’m afraid to think what would happen if I allowed some of these topics to be ‘close to home’. Some of my favorite actors employ the ‘method’ and I’m not sure how to come back. I’m not that good.

If you could re-score any horror soundtrack, which one would it be and why?

Return of the Living Dead – it was an awesome soundtrack and score, and it would be fun to give it a fresh coat of paint.

If you could present 2 Forks in a live event in any abandoned building or setting, where would you do so?

There are two that I’m interested in. One is Spahn Ranch, the other is the Hurst Castle. There are more, but these are on the list. I picked places in the USA, only because it was easy.

What TV or film horror character could you identify with and why?

Ash from Evil Dead 2 because he and I just want to have a good day, and everything around us has a different idea.

What was the scariest night of your life as an artist?

Getting shot at leaving the venue in Jacksonville.

If you could bring back greats who have passed on, who would be your undead opening band?

Marilyn Monroe

Anything you want to tell the Horror Addicts?

Demand more theatrical releases and attend them. When you hear good music in a horror film, talk about it. When you don’t hear good music in a horror film, talk about it. And finally, it is normal to want to douse yourself in fake blood.

One URL – Website/Twitter/Facebook/Instagram/Bandcamp?

2forksmusic.com

Insert one of your video YouTube links:

https://www.youtube.com/watch?v=xeJ-WbZfhxQ

 

Author Interview: Chad Lutzke/The Bedmakers

 

  1. What is your name and what are you known for?

I’m Chad Lutzke, and I write dark literary fiction. I’m most known for my heartfelt take on the dark side of humanity and everyday life. It’s not uncommon for me to pull at the heart strings and disturb the reader in the same book. Sometimes I even accomplish the same with humor.

  1. Tell us about one of your works and why we should read it.

Well, since I’m promoting my newest novel THE BEDMAKERS which I wrote with author John Boden, let’s get to that one. THE BEDMAKERS is a story that takes place in 1979 about two elderly homeless men who hop a train car to head out west in search of work. On the way, they run into some people who turn a bad situation unspeakably. By the time they reach their destination and leave the ugly behind, they find themselves in a quiet Colorado town, where dormant secrets are unveiled, graves are robbed, and people are murdered. All fingers point to them, so they set out to get answers and clear their name. For fans of Joe Lansdale and David Joy.

  1. What places or things inspire your writing?

Big cities, troubled people, oddball news articles, and staring sessions with the nearest wall or carpet.

  1. What music do you listen to while creating?

I don’t usually listen to music while I write, but if I do it’s film soundtracks, particularly ones from the 70s and 80s.

  1. What is your favorite horror aesthetic?

Anything with a retro feel.

  1. Who is your favorite horror icon?

Michael Myers and The Overlook Hotel.

  1. What was the scariest thing you’ve witnessed?

When I was very young, I thought I saw a ghost in the window at night. It traumatized me. I was in a room full of people, and nobody else saw it. They assured me it was a reflection, but I never believed them. Still don’t know what I saw. I just remember the petrifying fear.

  1. If invited to dinner with your favorite (living or dead) horror creator, who would it be and what would you bring?

I can think of a few writers I’d love to hang out with for the night. Jack Ketchum. I’d bring a bottle of Scotch (even though I don’t drink). And Josh Malerman. We’re friends, but I’ve yet to meet him in the real, despite having been invited to his house a few times. One day, Josh!

  1. What’s a horror gem you think most horror addicts don’t know about? (book, movie, musician?)

Book: The Painted Bird by Jerzy Kosinski. Movie: November. Musician: Patrick O’Hearn and Scowl.

  1. Have you ever been haunted or seen a ghost?

Despite my story above, I don’t think I’ve ever seen a ghost.

  1. What are some books that you feel should be in the library of every horror addict?

The Drive-In by Joe Lansdale, House of Leaves by Marc Z. Danielewski, Books of Blood by Clive Barker, Peaceable Kingdom by Jack Ketchum, Silver Scream edited by David J. Schow, Intensity by Dean Koontz.

  1. What are you working on now?

Way too many things to list here and not be embarrassed.

  1. Where can readers find your work? (URL #1 place for them to go.)

http://www.chadlutzke.com

Two Book Birthdays Today/Horrible Disasters and Plague Master Sanctuary Dome

Horrible Disasters

hahdfront-coverA Horror Disaster Anthology
Available now on Amazon.com

HorrorAddicts.net proudly presents Horrible Disasters. Thirteen authors from around the globe share their visions of terror set during real natural disasters throughout history. Travel back in time to earth shattering events like the eruption of Mount Vesuvius in 79 A.D., the San Francisco earthquake of 1906, and the Winter of Terror avalanches, 1950. What supernatural events went unnoticed? What creatures caused such destruction without remorse? Stock your emergency kit, hunker in your bunker, and prepare for… Horrible Disasters.

Cover Art by: Thierry Pouzergues

Edited by: Larraine Barnard

authors:
Emerian Rich
H. E. Roulo
Dan Shaurette
Steve Merrifield
Mark Eller
Laurel Anne Hill
Timothy Reynolds
Ed Pope
Jennifer Rahn
Chris Ringler
Philip Carroll
Mike McGee
Garth von Buchholz

Proceeds to benefit Disaster Relief by way of the non-profit agency, Rescue Task Force.

THE EVOLUTION OF THE MODERN VAMPIRE by Brian McKinley

THE EVOLUTION OF THE MODERN VAMPIRE

Anyone who has looked into the original folklore of vampires from various cultures knows that there’s a wide gulf between the shambling corpses in those stories to the suave, charismatic bloodsuckers we’ve become familiar with in today’s fiction. So how did that happen? What are the elements that carried over from folklore and what was originally invented by novelists and filmmakers?

The creation of our modern concept of the vampire begins in the 17th Century. The word “vampire” had already entered the popular vocabulary due to news stories and metaphorical use by poets, but it was that famous summer vacation hosted by Lord Byron in 1816, that gave us Frankenstein, which also gave birth to the first modern vampire novel. The Vampyre was published anonymously in 1818 and, while initially credited to Byron, was eventually discovered to have been written by John Polidori who had been Byron’s personal physician. It can’t really be overstated how important this novel is in the history of vampire fiction, since it literally transformed the vampire from a dirty peasant corpse rising from the grave into a refined, seductive aristocrat for the first time.

Notable is the fact that the vampire, Lord Ruthven (pronounced riv-en), has no difficulty passing for human, is wounded by a bullet before being revived by moonlight, and walks by day with no issue. He kills his victims by drinking their blood, but has no fangs and little in the way of overt supernatural powers. Much of that, ironically, is in keeping with some Eastern European folklore while at odds with others. Still, this novel was a sensation in its time and paved the way for much of what came afterward.

Another largely forgotten early vampire is Varney the Vampire (1847) whose author, Malcolm James Rymer, also helped give us the character of Sweeney Todd. Rymer’s novel is a massive, sprawling opus that’s not a particularly good read by modern standards, but it did give the vampire fangs, hypnotic power, and superhuman strength for the first time in the genre. Varney also introduces the idea of the self-loathing vampire who writes an account of his early life over 100 years before Anne Rice! This is really, in my opinion, where we part ways from the folkloric traditions of the vampire (in Eastern Europe, anyway, since the folklore is vastly different in various parts of the world) and start really creating the literary vampire as a distinct entity.

The next big milestone is Sheridan LeFanu’s novella Carmilla, whose title character is easily the most famous and influential female vampire in literature as well as being the first debatably lesbian vampire. Carmilla’s contributions to the vampire genre include shape-shifting (Carmilla turns into a cat and can make her body insubstantial), sleeping in a coffin, being decidedly nocturnal, and being dispatched by staking and decapitation. This story had a large influence on the next big novel, which is probably the most influential vampire novel in history. Bram Stoker’s 1889 novel, originally conceived as a stage play, gave us Count Dracula and eventually pushed the vampire into worldwide recognition. Surprisingly, the book was only a middling success upon its publication and didn’t attain its’ legendary status until decades later when Dracula and his imitators made their way into movies. Dracula brought with it the notion of vampires turning into bats, wolves, and mist, the most famous vampire hunter of all in Professor Van Helsing, and the use of crucifixes, host wafers, and holy water being weapons against the undead. It is the likely origin of the trope of vampires not casting a reflection and of their ability to control certain animals and effect the living by feeding them his blood. Dracula in the novel grows young as he continues to feed, is active during the day, and rapidly ages to dust upon being killed (by a Bowie knife rather than a stake to the heart).

Since the 20th Century, all of the other elements of the “traditional” vampire come directly from
movies: Nosferatu from 1922 brought back the vampire’s monstrousness and introduced sunlight
as a vampire-killer (apparently for financial rather than artistic reasons), and 1931’s Dracula
with Bela Lugosi cemented the popular image of the vampire in the minds of generations. After
Lugosi’s Dracula we’ve seen expansions, revisions, and inversions of most of the tropes that
were introduced by that film and its sequels, much as The Wolf Man did for the werewolf. What’s
interesting to me is how singularly influential the movies have been to the vampire genre,
especially when you consider how different the literary tradition was before them.

So, what do you think of all this? What are your favorite or least favorite vampire tropes?

Comment below!

____________________________________________________________________

Brian McKinley is a reader, a role-player, and a dreamer who lives in New Jersey. A fan and student of vampire lore, he’s the author of three vampire novels: Ancient Blood: A Novel of the Hegemony, its sequel Ancient Enemies, and Drawing Dead: A Faolan O’Connor Novel.

Band Interview: Lords of October

 

NOTE: These answers are a combo from band members! Thanks!

What singers or bands inspired you growing up?

KISS, IRON MAIDEN, GOBLIN. There are so many, but these are three that still inspire today.

Who are your favorite artists today?

ANTHRAX, ALKALINE TRIO, I GOT WORMS

What non-musical things inspire your music?

Halloween, the season itself, Ray Bradbury, pro wrestling, our families and cryptozoology!

What Album/Song/Tour are you excited about right now?

The KISS farewell tour, the new John Carpenter album and the current Goblin tour where they are performing the DEMONS soundtrack!

Where was the coolest place to play? Where did you enjoy yourselves the most?

We all love Punk Rock Night at the Melody Inn, loved playing Joe Bob Brigg’s Drive in Jamboree and always enjoy playing with Doyle from the Misfits. Lucifer has played with the Misfits and Gwar in the past and we hope that Lords will play with them, too!

What are your favorite horror movies?

We love the Conjuring universe and the classics like The Exorcist, along with anything that moves our love for the genre. Lately, X and Pearl were great, as is the Fall of the House of Usher series.

What was the scariest night of your life?

Uncle Salem: In terms of being spooky, had a very interesting night at a house I was watching when I was about 19. Several strange things happened that seemed to defy logical explanation. We even wrote a song about it (“Marshall’s Gully”) and I wrote a book with the same title detailing that night and the strange events leading up to it. I also grew up on what would be known as the worst side of the infamous sunny Flint, Michigan, so as far as flat out scary goes…I have some stories. Too many of them. If you could bring back greats who have passed on, who would be your undead opening band?

Lucifer Fulci: Years ago, I cannot recall the exact date, but my old band was shooting a music video in Charlie Chaplin’s old mansion in Los Angeles. It was there that I encountered things I cannot explain. And then had to stay the rest of the night, too, guarding equipment. It was terrifying. I also had some experiences up near dodger stadium around the same time. Not just once, but many times. Changed my life.

If you could bring back greats who have passed on, who would be your undead opening band? 

Aleister Kane: Eric Carr on drums, Lemmy on bass, EVH on guitar, Dio singing. That’d be pretty interesting.

Uncle Salem: Edward Van Halen, John Bonham…Phil Lynott seems interesting with them, and maybe the incredible Ray Gillen on vocals. Yeah. That band would kick ass.

Lucifer Fulci: Ronnie Dio on vocals, Dime and Eddie Van Halen on guitar, Cliff Burton on bass and Eric Carr on Drums.

Anything you want to tell the Horror Addicts?

This is what we do…who we are. This is no gimmick! It is a natural extension of our spirits, made into monster music. We appreciate the true believers and we are mutants! We write, direct and edit our own videos and albums and are strictly independent. Lucifer Fulci and Uncle Salem are both published authors and award winning directors of horror shorts. We are proud of what we do! We love our fans, we love horror and we love you!

One URL – Website/Twitter/Facebook/Instagram/Bandcamp?

www.LordsofOctober.com

We have links below for some of our videos, too. Our latest one is a performance video called “The Slithering.” The song is about Lake Monsters.

https://www.youtube.com/watch?v=WPf04QWMKEk

Insert one of your video YouTube links:Lords of October

Lucifer Fulci – Uncle Salem – Aleister Kane – October Phoenix
Manager: David Stashko – 810.288.1582
Facebook – Instagram– TikTok– CDbaby
 

February Theme: Fantasy/Medieval/Royal Horror

February – Fantasy/Medieval/Royal Horror.  Hey! You got your Fantasy in my Horror! Do you like sword and sorcery, but rout for the villain? Send us your reviews, history snapshots, and true-life adventures about evil knights, poisoned princesses, and wicked queens. Make us royally terrified dahling!

Submit your articles to: https://forms.gle/te9AHqKZ4sjLjfiV6

From The Vault : A Vampire’s Guide To New Orleans

The following was previously posted on December 2, 2013

A VAMPIRE’S GUIDE TO NEW ORLEANS

By

Steven P. Unger

 novamp1I wrote this article on New Orleans as an homage to one of my favorite cities, one still fresh in my mind and heart after a long-postponed revisit there as an invitee to the Vampire Film Festival’s Midsummer Nightmare last year.

All of the photos in this article are my own, except for the portrait of the Compte de St. Germain and the two pictures otherwise credited.  Most of the text is a compendium of others’ words and research.  With apologies to anyone I may have inadvertently left out, my online research for this chapter led me to articles from hubpages.com; Kalila K. Smith (whose Vampire Tour I can recommend from personal experience—see http://www.zoominfo.com/p/Kalila-Smith/178024410); New Orleans Ghosts.com; GO NOLA; Brian Harrison; Haunted Shreveport Bossier.com; and Frommers.com.  I’ve borrowed freely from all of these sources and recommend them highly to those who would like to delve more deeply into the secrets of this unique city.

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If you have ever walked the dark, rainy streets of the French Quarter at night, you have seen the voodoo shops selling their gris-gris and John-the-Conqueror Root.  You’ve seen the old woman in the French Market whose pointing finger foretells your death  And if you know the right person to ask and you ask in the right way, you’ll be shown to the vampire clubs.

I’ve been in those clubs and seen people who believe with their heart, body, and soul that they are real, live vampires.  And some of the people in those clubs are scared to death of a select group of vampires who have only appeared there a few times, and always in the darkest of night.

By day, of course, the vampire clubs are closed and locked or turned back into regular tourist bars . . .

–Crazy Horse’s Ghost

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St. Louis Cemetery (Photo Courtesy of David Yeagley)

Like the Spanish Moss that drapes the trees of the nearby bayous, mystery and the occult have shrouded New Orleans since its birth.  For hundreds of years, families there have practiced a custom called “sitting up with the dead.”  When a family member dies, a relative or close family friend stays with the body until it is placed into one of New Orleans’ above-ground tombs or is buried.  The body is never left unattended.

There are many reasons given for this practice today—the Old Families will tell you it’s simply respect for the dead—but this tradition actually dates back to the vampire folklore of medieval Eastern Europe.  First, the mirrors are covered and the clocks are stopped.  While sitting up with the deceased, the friend or family member is really watching for signs of paranormal activity, e.g.,. if a cat is seen to jump over, walk across, or stand on top of the coffin; if a dog barks or growls at the coffin; or if a horse shies from it, these are all signs of impending vampirism.  Likewise, if a shadow falls over the corpse.  At that point, steps are taken to prevent the corpse from returning from the dead.

Ways to stop a corpse—especially a suicide—from becoming a vampire include burying it face down at a crossroads.  Often family members place a sickle around the neck to keep the corpse from sitting up; stuff the mouth with garlic and sew it closed; or mutilate the body, usually by decapitating the head and placing it at the bottom of the feet.  But the most common remedy for impending vampirism is to drive a stake into the corpse, decapitate it, then burn the body to ashes.  This method is still believed to be the only sure way to truly destroy the undead.

THE CASKET GIRLS

Ask any member of the Old Families who the first vampires to come to New Orleans were, and they’ll tell you the same:  it was the Casket Girls.

Much of the population that found their way to New Orleans in the early 1700s were unwelcome anywhere else:  deported galley slaves and felons, trappers, gold-hunters and petty criminals.  People who wouldn’t be noticed if they went missing.

Sources vary on the specifics, but the basic story is that the city’s founders asked French officials to send over prospective wives for the colonists.  They obliged and after months at sea these young girls showed up on the docks, pale and gaunt, bearing only as many belongings as would fit inside a wooden chest or “casquette,” which appears to have been the 18th Century equivalent of an overnight bag.  They were taken to the Ursuline Convent, which still stands today, where the girls were said to have resided until the nuns could arrange for marriages.

Some accounts say they were fine young women, virgins brought up in church-run orphanages; some say they were prostitutes.  But there are many who swear they were vampires, vampires who continue to rise from their “casquettes” on the third floor to break through the windows and hurricane shutters—windows and shutters that always seem to need repairing after the calmest of nights—to feed upon the transient crowds that for centuries have filled the darkened alleys of the Quarter.

Finally in 1978, after centuries of rumors and stories, two amateur reporters demanded to see these coffins.  The archbishop, of course, denied them entrance.  Undaunted, the next night the two men climbed over the convent wall with their recording equipment and set up their workstation below. The next morning, the reporters’ equipment was found strewn about the lawn.  And on the front porch steps of the convent were found the almost decapitated bodies of these two men.  Eighty percent of their blood was gone.  To this day, no one has ever solved the murders.

LE COMPTE DE ST. GERMAIN

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Le Compte de St. Germain and the Balcony at Ursuline and Royal

If there is one person who encapsulates the lure and the danger of the vampire, it is the Compte de Saint Germain.  Making his first appearance in the court of Louis XV of France, the Comte de Saint Germain endeared himself to the aristocrats by regaling them with events from his past.  An alchemist by trade, he claimed to be in possession of the “elixir of life,” and to be more than 6,000 years old.

At other times the Count at claimed to be a son of Francis II Rakoczi, the Prince of Transylvania, born in 1712, possibly legitimate, possibly by Duchess Violante Beatrice of Bavaria. This would account for his wealth and fine education.  It also explains why kings would accept him as one of their own.

Contemporary accounts from the time record that despite being in the midst of many banquets and invited to the finest homes, he never ate at any of them.  He would, however, sip at a glass of red wine.  After a few years, he left the French court and moved to Germany, where he was reported to have died. However, people continued to spot him throughout Europe even after his death.

In 1903, a handsome and charismatic young Frenchman named Jacques Saint Germain, claiming to be a descendant of the Compte, arrived in New Orleans, taking residence in a house at the corner of Royal and Ursuline streets. Possessing an eye for beauty, Jacques was seen on the streets of the French Quarter with a different young woman on his arm every evening.  His excursions came to an abrupt end one cold December night when a woman’s piercing scream was heard coming from Jacques’ French Quarter home.  The scream was quickly followed by a woman who flung herself from the second story window to land on the street below.  As bystanders rushed to her aid, she told them how Saint Germain attacked and bit her, and that she jumped out of the window to escape.  She died later that evening at Charity Hospital in New Orleans.

By the time the New Orleans police kicked in the door of Saint Germain’s home, he had escaped.  However, what they did find was disturbing enough.  The stench of death greeted the nostrils of the policemen, who found not only large bloodstains in the wooden flooring but even wine bottles filled with human blood.  The house was declared a crime scene and sealed off.  From that evil night to the present day, no one has lived in that home in the French Quarter.  It is private property and all taxes have been paid to date, but no one has been able to contact the present owner or owners.  The only barriers between the valuable French Quarter property and the outside world are the boarded-up balcony windows and a small lock on the door.  Whispers of Jacques sightings are prevalent, and people still report seeing him in the French Quarter.  Could it be the enigmatic Compte checking up on his property?

 ANNE RICE AND THE VAMPIRE CHRONICLES

 There is no one who has done more to bring the vampire into the New Age than Anne Rice, born and bred in New Orleans, with her novel Interview with the Vampire and the films and books that followed.  Those who have profited mightily from the popularity of True Blood and Twilight owe her a great debt.

The ultra-retro St. Charles Avenue Streetcar will take you close to Lafayette Cemetery No. 1, the gravesite of Louis de Pointe du Lac’s (Lestat’s companion and fellow vampire in Rice’s The Vampire Chronicles) wife and child and where Louis was turned into a vampire by Lestat.

The Styrofoam tomb from the film Interview with the Vampire is gone now, but you can easily find the site where it stood, the wide empty space in the cemetery nearest the corner of Coliseum and Sixth Street.

During the filming of Interview with the Vampire, the blocks between 700 and 900 Royal Street in the French Quarter were used for exterior shots of the home of the vampires Louis, Lestat, and Claudia, trapped through time with an adult mind in the body of a six-year-old girl.  In fact, the streets there and around Jackson Square were covered in mud for the movie as they had been in the 1860s when the scenes took place.

The perfectly preserved Gallier House at 1132 Royal Street was Anne Rice’s inspiration for the vampires’ house, and very close to that is the Lalaurie House, at 1140 Royal Street.  Delphine Lalaurie, portrayed by Kathy Bates in American Horror Story:  Coven, was a real person who lived in that house and was indeed said to have tortured and bathed in the blood of her slaves—even the blood of a slave girl’s newborn baby—to preserve her youth.  She was never seen again in New Orleans after an angry mob partially destroyed her home on April 10, 1834.  There is a scene in American Horror Story where Delphine escapes from the coven’s mansion and sits dejectedly on the curb in front of her old home. A private residence now, some locals still swear that the Lalaurie House is haunted and that the clanking of chains can be heard through the night.

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Built in 1789, Madame John’s Legacy (632 Dumaine Street) is the oldest surviving residence in the Mississippi Valley.  In Interview with the Vampire, caskets are shown being carried out of the house as Louis’ (Brad Pitt) voice-over describes the handiwork of his housemates Claudia and Lestat:  “An infant prodigy with a lust for killing that matched his own.  Together, they finished off whole families.”

RESOURCES FOR VAMPIRES

 As a service to this most vampire-friendly city (http://www.vampirewebsite.net/vampirefriendlycities.html), the New Orleans Vampire Association describes itself as a “non-profit organization comprised of self-identifying vampires representing an alliance between Houses within the Community in the Greater New Orleans Area.  Founded in 2005, NOVA was established to provide support and structure for the vampire and other-kin subcultures and to provide educational and charitable outreach to those in need.”

Their Web site also points out that “every year since Hurricane Katrina, the founding members of NOVA have taken food out on Easter, Thanksgiving, and Christmas to those who are hungry and homeless.”  (See http://www.neworleansvampireassociation.org/index.html.)

FANGTASIA, named with permission from HBO after the club featured in True Blood, is an affiliation of New Orleans-based musicians and film and TV producers who for three years have presented a multi-day vampire-centric event of the same name, the first two years at 1135 Decatur and last year at the Howlin’ Wolf.  You can follow their plans and exploits via their blog athttp://www.fangtasiaevent.com/fangtasia-blog/.

Next year FANGTASIA hopes to create “the South by Southwest of Global Vampire Culture” at an as yet undisclosed location in Greater New Orleans.  As they describe it:

Moving beyond this third consecutive year, FANGTASIA is building a broader international draw that will bring fans to not only party at club nights but also attend conferences, elegant fashion shows, film & TV screenings, celebrity events as well as an international Halloween/party gear buyers’ market.

Participants will experience gourmet sensations, explore our sensuous city and haunted bayous… as well as epically celebrate the Global Vampire Culture in all its sultry, seductive, diverse and darkly divine incarnations.  Additionally, FANGTASIA is strategically poised months prior to Halloween to provide corporate sponsors and vendors a perfect window to connect with their core demographic.  This also allows FANGTASIA to actively support and promote existing major Halloween events in New Orleans and beyond.

On the subject of vampiric Halloween events, for 25 years the Anne Rice Vampire Lestat Fan Club has presented the annual Vampire Ball (http://arvlfc.com/ball.html), now as part of the four-day UndeadCon at the end of October; and on the weekend nearest Halloween Night (for example, November 1, 2014), the Endless Night Festival and New Orleans Vampire Ball takes place at the House of Blues.

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The Boutique du Vampyre (http://feelthebite.com/boutique2013.html) is a moveable (literally—they’re known to change locations on short notice) feast of vampire and Goth-related odds and ends, many of them locally made.  There are books as well—you may even find a copy of In the Footsteps of Dracula:  A Personal Journey and Travel Guide if they’re not sold out.  Their Web site itself holds a surprise treat:  a link to a free videocast of the first two seasons of Vampire Mob(http://vampiremob.com/Vampire_Mob/Vampire_Mob.html), which is just what the title implies.

Finally, no visit to the Crescent City would be complete, for Vampire and Mortal alike, without a taste of absinthe (http://www.piratesalleycafe.com/absinthe.html), or even more than a taste.  There is a ritual to the preparation and serving of absinthe that should not be missed; one of the sites that does this authentically is the Pirates Alley Café and Absinthe House at 622 Pirates Alley.

***

            Steven P. Unger is the best-selling author of In the Footsteps of Dracula:  A Personal Journey and Travel Guide, published and distributed by World Audience Publishers (http://www.amazon.com/Footsteps-Dracula-Personal-Journey-Travel/dp/1935444530/ref=sr_1_1?ie=UTF8&s=books&qid=1262485478&sr=1-1).

            In the Footsteps of Dracula can be ordered from your local bookstore or online atwww.amazon.com,. www.amazon.co.ukwww.barnesandnoble.comwww.amazon.fr,www.amazon.dewww.amazon.com/Kindle, or with free delivery worldwide fromwww.bookdepository.co.uk.

novamp10

https://www.amazon.com/author/steven_p._unger_wordworker

Author Interview: Jason Marc Harris/Master of Rods and Strings

What is your name and what are you known for?

Answer: Jason Marc Harris. I’ve been doing creative and academic writing the last couple of decades.  I have a weird horror novella emerging in January from Crystal Lake Publishing: Master of Rods and Strings. I’ve alsowritten two folklore books based on fieldwork—The Troll Tale and Other Scary Stories and Laugh Without Guilt (both collaborations with Birke Duncan)— and the critical book Folklore and the Fantastic in Nineteenth Century British Fiction (Routledge). I’ve done some screenwriting and writing for audio plays too, such as Union of the Snake (yes, title borrowed from Duran Duran!)

 

Tell us about one of your works and why we should read it.

Answer: Master of Rods and Strings is a compelling story about how a boy aggrieved by separation from his sister due to her prodigious skill at puppetry changes over time as he becomes a young man obsessed with achieving vengeance against his uncle and gaining mastery of puppetry through occult secrets, or as the back cover says,Jealous of the attention lavished upon the puppetry talents of his dear sister—and tormented by visions of her torture at the hands of the mysterious Uncle Pavan who recruited her for his arcane school—Elias is determined to learn the true nature of occult puppetry, no matter the hideous costs, in order to exact vengeance.”

 

What places or things inspire your writing?

Answer: Whatever offers glimpses at compelling images and ideas for the imagination.  For instance,  the Brothers Quay’s animation of “Street of Crocodiles,” and folk tales and legends, such as “Wanto and the Shapeless Thing” (Cameroun tale with a mysterious and sadistic gift-giver & taker, same tale-type as “The Fisherman and His Wife,” anthologized in Richard Dorson’s Folktales Told Around the World) and “Sennentuntschi” (Swiss legend of an exploited adult occult doll and the vengeance that follows, also found in Dorson. It’s been made into two horror films I need to watch one of these days too).

What music do you listen to while creating?

Answer: Varies, but Daft Punk, Pink Floyd, Mozart, the Handsome Family, Iron Maiden, Jean-Paul Albert, etc.

What is your favorite horror aesthetic?

Answer: Disconcerting weirdness that conveys there are impenetrable but evocative mysteries behind our recognition that can never be dispelled or fully understood—the uncanny spell that haunts your strange dreams and moments of solitude with unease. “The White People” by Arthur Machen. “The Clown Puppet” by Thomas Ligotti. “The Puppet Hotel” by Gemma Files.

Who is your favorite horror icon?  

Answer: Thomas Ligotti. A visionary with consummate craft, memorable style, ironic humor, and relentless darkness.

What was the scariest thing you’ve witnessed?

Answer: Once I was in line at a Halloween haunted house with my mother, a woman, carrying a large red cannister, approached a man with a little daughter who were in line behind me and my mother. I was a child, and I didn’t know much of what was said, but the man looked somber and focused as he listened, and he abruptly reached into his pocket and gave the woman something, and she looked at what he gave her and with a smirk she left with her red cannister. My mother explained to me later that the woman was carrying a gasoline dispenser, which I realized later was certainly true, and she insisted that the woman in a direct cheerful manner had told the man that she would pour the gasoline on his daughter and light her on fire if he didn’t give her money. So, I suppose that’s perhaps more about the scary thing I didn’t quite witness, but came close to witnessing. What might have been quite awful, though the narrated reality from my mother was disturbing enough. She was a fan of horror literature, though for me to say that now probably casts more doubt among the skeptics.

If invited to dinner with your favorite (living or dead) horror creator, who would it be and what would you bring?

Answer: I don’t think it’s possible to meet up with Thomas Ligotti in person, and I’m grateful for having corresponded via email, but as for in the living or dead flesh, better luck perhaps resuscitating the eldritch H. P. Lovecraft, and I would “endeavor to procure some liquid refreshment” and bring him Master of Rods and Strings to see what he thought and see what else he might have thought about writing but was cut short on the young side. I’d like to see Samuel Taylor Coleridge too; he was known to be a wonderful talker, and both Christabel and The Rime of the Ancient Mariner have that gothic horror vibe. 

What’s a horror gem you think most horror addicts don’t know about? (book, movie, musician?)

Answer: Let’s time-travel a bit into the past: The Monk (1796) by Matthew Gregory Lewis.  A frenzy of mad bloody obsessed fun. Also James Hogg’s The Confessions and Memoirs of a Justified Sinner (1824) by James Hogg: 19th century text of intriguing layers of narrative from editor to collector to narrator and possibly the devil himself enmeshed in the storytelling that tests the question whether the elect can lose their salvation if they murder someone. A bit of a Scottish take on Crime and Punishment (1866) but forty-two years earlier.

Have you ever been haunted or seen a ghost?

Answer: Possibly but probably not? When my mother died, I heard the slightest tap on the dresser next to my bed. If not a ghost, an interesting coincidence in time with when she had died that morning in hospice. I never heard such a sound prior or afterwards. She suggested that I should communicate with her spirit using the Ouija Board. I need to try that more one of these days perhaps, but I’m Ouija-jaded.

What are some books that you feel should be in the library of every horror addict? 

Answer: The Weird: A Compendium of Strange and Dark Stories edited by Ann and Jeff Vandemeer, Songs of a Dead Dreamer and Grimscribe by Thomas Ligotti. Through a Glass Darkly by Sheridan Le Fanu.

What are you working on now? 

Answer: Sequel to Master of Rods and Strings.

Where can readers find your work? (URL #1 place for them to go.)

Answer: “forthcoming” [Crystal Lake Publishing will be sending link when ready]

https://www.amazon.com/Master-Rods-Strings-Jason-Harris

Band Interview: Pas Musique Band

 

What singers or bands inspired you growing up?

Growing up I was inspired by Duran Duran, Alien Sex Fiend, Fad Gadget a.k.a. Frank Tovey, Coil, Zoviet France, Einstürzende Neubauten, just to name a few.

Who are your favorite artists today?

My favorite artists today are probably Sugar Candy Mountain, White Hills, Biosphere, A.M. Boys, Simona Zamboli, and Rapoon.

What non-musical things inspire your music?

Hermetic and esoteric philosophy. I really like Manly P. Hall, Krishnamurti, and Lon Milo Duquette. My music is very internal and meditative for me. Everytime I perform it’s like I am transforming built up energy into positive waves directed at the audience.

I am also inspired by art and painting. I am a part of Pictor Gallery here in New York City and when sitting at the gallery the new art and artists are inspired for my art and music.

Films also inspire me greatly. I love old Hammer Films and Italian Giallo films from Italy. They have amazing soundtracks!

 

If you had the chance to “re-score” a film, which film would it be and why?

And speaking of films…LOL. This is a hard one. I believe most soundtracks are already in stone for films I like. But if I had the chance, I’d love to score a Fellini film and maybe change the tone. Sound does amazing things for the direction films and I’d like to see a more edgy soundtrack for something like “La Dolce Vita”. It would be fun.

 

What are your favorite horror movies?

There are so maybe…I really love horror films. I have a huge collection. But here are a few.

  • Cemetery Man (1994) by Michele Soavi
  • The Exorcist by (1973) by William Friedkin
  • Don’t Be Afraid of the Dark (1973) by John Newland
  • The Creature from the Black Lagoon (1954) by Jack Arnold
  • Baron Blood (1972)
  • All the Colors of the Dark (1972) by Sergio Martino
  • Torso (1973) Sergio Martino
  • Horror of Dracula (1958) by Terence Fisher
  • The Crimson Cult (1968) Vernon Sewell
  • Mystics in Bali H. Tjut Djalil

 

What character in any horror movie or show could you identify with and why?

I always loved Rupert Everett’s character Francesco Dellamorte in Cemetery Man a.ka. Dellamorte dellamore. I just loved the way he dressed in a long-sleeved white shirt, black jeans, and engineer boots. He was kind of punk in a way. He also had a funny sense of sarcasm and took everything with humor even when zombies were chasing him. And I have to say I am a bit jealous about his intimacy with Anna Falchi as She. LOL

 

What was the scariest night of your life?

The scariest night that comes to mind was driving through the night looking for a hotel I booked after a show around 1am in Georgia. I had to drive in super thick fog and had to pull over a few times. Then when I got to the hotel no one was there to check me in. Then an undercover patrolman came out of his car while pulling out his gun. He asked what the hell I was doing here. I said I was trying to check in. Then he said I had to leave and call the office for a refund. When I eventually found another hotel, I searched on the internet for what happened. It appeared that some guy was stalking the hotel desk clerk and was threatening her and there was some altercation. So, I basically walked into a situation that was already tense.

 

If you could bring back greats who have passed on, who would be your undead opening band?

John Coltrane on sax, Lux Interior on vocals, Keith Moon on drums, Booty Collins on Bass, and Brian Jones on guitar.

Anything you want to tell the Horror Addicts?

Thanks for the interview. May Cthulhu and Maila Nurmi be with you!

One URL – Website/Twitter/Facebook/Instagram/Bandcamp?

www.pasmusique.net

Insert one of your video YouTube links:

Band Interview: Supernova 1006

What singers or bands inspired you growing up?

  • My main inspiration was the punk and hip-hop scene. The heyday of the 2000s… it was very cool. I admired rancid, dead boys, nofx, black flag, audio two, ultramagnetic MC’s, Paul wall, Jurassic 5, sonic youth and death from above 1979.

Who are your favorite artists today?

  • Well, I can listen to completely different music… but, mmmm, I would like to highlight most of all Tobias Bernstrup, Placebo, the early A Place To Bury Strangers, the late work of John Foxx with The Maths… and, perhaps, Salem!

What non-musical things inspire your music?

  • It always turned out that music was born when some shit was going on in life. Under the weight of stress and emotional unrest, I get something really cool! When everything in your life is calm and measured, it’s not the same…

What Album/Song/Tour are you excited about right now?

  • Chains is one of my most emotional and hardest works at the moment. We are very pleased with the result!

Have you performed outside of Russia? If so, what differences do you notice about the Russian audiences from those in other countries.

  • We haven’t traveled much…unfortunately. We performed in Germany in several cities, in the Czech Republic and Poland. The difference between the public is colossal! In Russia the public is generally a little appreciative and a little aggressive. But I don’t consider this a negative, hahaha. In Europe, people buy your merch at concerts, take pictures with you and thank you with the nicest words. I remember these days with warmth in my soul – some people wait late at night so that when leaving the concert hall they can simply shake your hand, hug you and sometimes even kiss you! I have never seen anything like this anywhere in Russia…we really hope to return to concert activities abroad as soon as the slightest opportunity arises!

What are your favorite horror movies?

  • Oooooh

In general, there are thousands of them, but you asked and I forgot everything hahaha

let me see…

Just last week I rewatched Sinister and two parts of Insidious. and god how awesome it is. I also like Doom..few people like this picture and many people criticize it, but not me! As a child, I was greatly influenced by Dracula 2000, Thing (1982) and Creature (1998). I also remember this movie, it was called something like Thanatomorphose, it’s incredibly nasty but surprisingly cool.

What was the scariest night of your life?

  • The worst night for me was when I was vaccinated against COVID19, and at night I suddenly woke up from the fact that I was shaking madly. I took my temperature and saw 41.2 on the thermometer; there wasn’t a single antipyretic tablet in the house. It was 2 o’clock in the morning. The phones of relatives and friends were silent. In a panic, I turned over all the cabinets and only found one paracetamol tablet in the depths of the drawer with dishes. It saved my life!

If you could re-write the music score for any horror movie, which one would it be?​

  • I think it would be The Purge

If you could bring back greats who have passed on, who would be your undead opening band?

  • Without a doubt it would be Jacob Thiele – The Faint

Anything you want to tell the Horror Addicts?

  • Love the classics haha! …..In general, I would advise not only watching horror films, but also playing horror games. Now, for example, I’m replaying Silent Hill Homecoming and Dead Space, this is my love!

https://www.facebook.com/sn1006band/

Book Birthday: Spooky Writer’s Planner NEWS! SLIM version!

Introducing the new “SLIM” Spooky Writer’s Planner.

Was our full version with week-by-week updates too much for you? Now we have a slim version that is only the month spreads plus all the other sheet goodies in the back. Need a thin version to carry with you? Don’t want to have to write in it everyday? This new SLIM version is for you!

 The quick-download version gives you a digital copy so you can print the pages you want, print multiples of those you think you’ll use the most, leave those you won’t use, and create your own Frankenstein’s Monster of a planner! These pages are designed to be printed on 8.5 x 11-inch paper. You can put them in a three-ring binder, bind them with disks, or a spiral, as you choose. You can print different sheets on different colors.

January Theme: Possessed Playthings

January theme: Possessed Playthings: Dummies, Dolls, Toys, Rhymes.
Bring out the child within you and creep us out with all your possessed playthings. Do you have memories of spooky childhood events? What was the big bad under your bed? Do you still have that doll or stuffed animal your grandmother gave you that creeps you out? Reviews of movies with possessed dolls, toys, or music boxes? Give us your best stab at bringing those possessed playthings to life.
Submit your articles to: https://forms.gle/te9AHqKZ4sjLjfiV6

Band Interview: Sonum Unum

 

What singers or bands have inspired Sonum Unum since its beginning?

Craig: Even though you may not exactly hear the influences in our music I was always heavily inspired by anything Mike Patton related, Enya, Thom Yorke, Trent Reznor, Liz Fraser.

Are there any “stories” behind the tracks on the new album that one might consider emotionally or psychologically “scary”?

Craig: Not really…hate to disappoint.

What non-musical things inspire your music? Literature, sculpture, painting, etc?

Craig: Overall the human experience and connection between our spirit and the physical realm.

Where do you think the next Sonum Unum album will take you?

Craig: I’d like to get a little darker… especially vocally… Possibly dive into something conceptual. I also feel like we got a good start with this debut but I’d like our future songs to become more structurally dynamic, atmospheric and spacious.

If you could “re-score” any horror movie soundtrack, what would it be?

Craig: Coil’s version of Hellraiser or Goblin’s Suspiria

What are your favorite horror movies?

Craig : Day of the Dead, Hellraiser, Nightbreed… Also in case no one has heard of it there’s a movie called The Ritual that came out a few years ago that’s terrifying. I can’t say much about new horror movies but this one blew my mind.

What was the scariest night of your life?

Craig: I used a Ouija board for over 2 hours with a friend and I had some crazy psychological experiences that I can barely explain.

If you could bring back musical “greats” who have passed on, who would be your undead opening band?

Craig: Elvis, Buddy Holly, Johnny Cash

Anything you want to tell the Horror Addicts?

Craig: Stay freaky and weird…even when you’re old.

One URL – www.sonumunum.bandcamp.com Website/Twitter/Facebook/Instagram/Bandcamp?

@sonumunum on all socials

Insert one of your video YouTube links: https://youtu.be/t6mVtBd0IW0?si=7ZrqDwt8cGpKY6z_

Book Birthday: Spooky Writer’s Planner

Are you spooky?

Do you write horror, speculative fiction, dark fantasy, paranormal romance, or fairy tales?

Are you a spooky blogger, macabre non-fiction columnist, or haunt travel vlogger?

Are you ready to stop dreaming and be a writer?

Are you an author who wants to take your career to the next level?

PLANNER INCLUDES

13 months of monthly and weekly spreads

Monthly goal and recap sheets

Weekly check-ins and note pages

Writing challenges, planners, and instructions

Submissions, published works, and contacts trackers

Marketing, newsletter, and blog planners

Check-off sheets for website maintenance, social media profiles, and expenses

Fun sheets to generate writing ideas, track your favorite TV series, or to be read and watched lists.

Authors Loren Rhoads and Emerian Rich share the tricks they’ve learned over the course of a combined 50 years in publishing, from working with traditional New York publishers, small presses, and as indie publishers themselves.

AVAILABLE NOW PRINT or DIGITAL

PRINT: The Spooky Writer’s Planner is perfect-bound with a glossy cover, printed on high-quality 8.5 x 11-inch paper. Everything you need is included in one handy book you can grab and go! Have book, will travel!

DIGITAL: The quick-download version gives you a digital copy so you can print the pages you want, print multiples of those you think you’ll use the most, leave those you won’t use, and create your own Frankenstein’s Monster of a planner! These pages are designed to be printed on 8.5 x 11-inch paper. You can put them in a three-ring binder, bind them with disks, or a spiral, as you choose. You can print different sheets on different colors.

Author Interview: Kevin Bachar/Dread

Name and Horror genre you write:

Hi, I’m Kevin Bachar. I write in numerous genres of horror. More of the traditional labels, such as ghosts, monsters, and hauntings. I also writer for the movies, my elevated horror film – The INHABITANT – was released through Lionsgate.

 

What was the first thing you ever wrote?

My first published work was in my 5th-grade story collection called Pocketful of Magic, my short story The Haunted House was one of the stories that made the cut! If you’re interested I can post on Twitter/X in its original ‘printing’…lol.

 

What inspires your writing?

Other writers inspire my writing. When I read what others are creating it pushes my writing. I get angry too – realizing I have to raise my game because what’s out there is so good.

 

What music inspires your creation?

I rarely listen to music when writing. I’m one of those who like to type in silence.

 

What Horror icon (living or dead) would you love to invite to dinner.

If fictional it would be Dracula, in real life Shirley Jackson. Ms. Jackson’s ‘The Lottery’ had me questioning ever living in a small town. Another short story of hers – ‘The Bus’ has an ending that knocked me for a loop.

 

What was the scariest thing you’ve witnessed?

Watching a great white shark gobble down something to eat while I was underwater. I kept on thinking – “Thank god I’m in a cage…thank god I’m in a cage…”

 

If invited to a haunted house party, what would you bring?

My cell phone; to call for help and record any videos. I want to call for help and also record some proof of the madness going on.

 

Do you have a Horror tip for us?

Build, build, build. Tension is highly underrated in horror. Everyone talks about the jump scares, but those moments where you have folks sitting on the edge of their seats, or all tensed up sitting in their chair reading your book is what great horror is all about.

 

Have you ever been haunted or seen a ghost?

As a documentary filmmaker who has been all over the world, I have seen quite a few things that have left me feeling disturbed.

 

What is your favorite Horror accessory?

Axes are always great. It was the primary method of dispatching victims in my horror film – The Inhabitant, which looked at the descendants of Lizzie Borden and how they can’t seem to escape their evil bloodline. There’s something about the heft and the brutal carnage an ax can cause that makes it especially perfect as a horror accessory.

 

What one book/story of yours should Horror Addicts read?

My new one – DREAD. It’s a short story collection focusing on the scary, horrific, and terrifying things we encounter in the natural world. Haunted forests, demonic trees, and monstrous entities all make an appearance. I don’t want to scare people from heading outside and experiencing nature, I just want you to look out at that stand of trees or ocean and wonder – What if?

 

What are you working on now?

The follow-up collection to DREAD entitled CREEP. Where DREAD looked at the merging between the supernatural world and the natural world, CREEP looks at how the mundane places and moments in our lives can suddenly transition into something terrifying.

 

Where can readers find your work?

On Amazon – https://www.amazon.com/gp/product/B0CLBR988H?ref_=dbs_m_mng_rwt_calw_tkin_0&storeType=ebooks&qid=1698172474&sr=1-2

and head to my website – www.kevinbachar.com

 

December Theme: Creepy Spaces

shining

This December we’ll be exploring:

Creepy Spaces

Asylums/Haunted Hospitals/Dumbwaiters/Closets/Attics/Crawlspaces. Give us your favorite creepy Asylum locations and poems about what’s in the attic. What is your favorite creepy space movie? Got a review of a book or movie that fits this theme? What about a historical person? Submit your articles to: https://forms.gle/te9AHqKZ4sjLjfiV6

Author Interview: Ryan Michael Hines/ Moonshineland

Name and Horror genre you write:

Hello, my name is Ryan Michael Hines and I write supernatural Appalachian folk horror.

 

What was the first thing you ever wrote?:

The first thing I remember was way back in elementary school. It was a sort of tall tale about a blacksmith who makes a deal with the Devil during the Civil War. I was a weird kid.

 

What inspires your writing?

Lately, I’ve been thinking a lot about the legends and tales old folks like my grandad used to tell us when we were kids. My father’s family are all from West Virginia, and there’s a long mountain tradition of telling stories about cryptids and devils and monsters. There’s a lot of story there to mine.

 

What music inspires your creation?

 I listen to a lot of soundtracks when I write. Anything with words has a tendency to distract me. Sometimes no music is best, honestly. That being said, I will occasionally fire up some particularly brooding tracks like “Ride With The Devil” by Dirk Powell or “Sleeping on the Blacktop” by Colter Wall if I’m writing a chase scene or shootout.

 

What Horror icon (living or dead) would you love to invite to dinner?

 I’d love to have dinner with Mike Flanagan. He went to the same film school I did, but graduated several years ahead of me, so I never met him. I’m a big fan of his work. The way he weaves authentic emotion into legitimate terror fascinates me.

 

What was the scariest thing you’ve witnessed?

I don’t want to talk about it.

 

If invited to a haunted house party, what would you bring?

Batteries and flashlights because the power is definitely going to go out.

 

Do you have a Horror tip for us?

If you’re into folk horror at all, the film “Witchfinder General” starring Vincent Price is a real gem. It’s not scary as much as it is disturbing. I highly recommend it.

 

Have you ever been haunted or seen a ghost?

When I was young, about four or five years old, when I was alone, I used to see a black, wolf-like creature. It would come and stare at me when no one was around. I don’t know if you’d call that being haunted, but it scared the hell out of me. Haven’t seen it since, except one time in my 20s when I was (and I don’t recommend this) doing drugs with some bandmates. The black wolf came to see me then, one more time. It was the only instance when I saw it and was not alone. That’s been years ago, now.

 

What is your favorite Horror accessory?:

A scary book.

What one book/story of yours should Horror Addicts read?

 Everyone should absolutely check out my new novel “MOONSHINELAND: A Tale of Haunted Appalachia.”

 

What are you working on now?

I’m currently working on a horror novel set in 1800s Appalachian where a young woman falls in love with the Angel of Death.

 

Where can readers find your work?

You can (and totally should) buy MOONSHINELAND on Amazon.com, Barnesandnoble.com, as well as WorldCastlePublishing.net. Also, check out my website Ryanmhines.com for more info about my work and other projects like the Moonshineland Podcast. And if you’re into crime and mystery fiction, my short story “Cousin Ronald and the Dead Man” appeared in this August’s edition of Mystery Magazine.

Book Birthday: Northanger

na4

Northanger  by Emmy Z. Madrigal

Kat is a horror fan. She loves to read, watch, and listen to ghostly, frightening things most people shy away from. When she meets her perfect match, Henry, she knows he’s made just for her, but finding out his father may be a murderer, puts a different spin on their relationship. Is Henry’s dad out for blood or just a misunderstood introvert who’s lost his wife? Only a trip to the famed murder house, Northanger, will reveal the truth.

Northanger is a contemporary rewrite of Jane Austen’s least rebooted classic novel, Northanger Abbey. The Clueless version, Northanger explores the fish out of water story of gothy teen Kat, as she’s introduced to the high-society scene of New York City. What would happen if Beetlejuice’s Lydia was plopped into Gossip Girl New York City?

“Emmy Z. Madrigal has crafted a delightful story based on Jane Austen’s classic, Northanger Abbey. She has spun it into a modern story that suits Miss Austen’s novel perfectly. Her modern heroine, Katherine Moorland (Kat), is a young girl who has lived a simple life on a farm, but has a vivid imagination that has been heavily influenced by the horror books she reads, the spooky music she listens to, and the macabre films she watches. It is a book that will appeal to both Jane Austen fans and lovers of the gothic novel, having fun elements of both.” ~ Kara Louise, author of Pirates and Prejudice a variation of Jane Austen’s novel, Pride and Prejudice.


Emmy Z. Madrigal’s love affair with Jane Austen may have started late, but her belief that true love can overcome prejudices, differences, and adversity started very early on. Northanger is her modern take on Jane Austen’s Northanger Abbey. Emmy lives in the San Francisco Bay Area with her husband and son.

Author Interview: Lee Murray/Despatches

Name and Horror genre you write: 

We’re pleased to welcome Lee Murray back to Horroraddicts. 

Lee is a multi-award-winning author-editor, essayist, poet, and screenwriter from Aotearoa-New Zealand. A USA Today Bestselling author, Shirley Jackson- and five-time Bram Stoker Awards® winner, she is an NZSA Honorary Literary Fellow, a Grimshaw Sargeson Fellow, and 2023 NZSA Laura Solomon Cuba Press Prize winner. She writes in several horror subgenres, including crime-noir, horror-thriller, horror-comedy, body horror, and dark fantasy, producing work in all formats, including for children and youth (only not the body horror). Welcome, Lee!

What was the first thing you ever wrote?

Lee: It was a book called All About Me, of around 50 words approx. and composed of simple sentences in the style of French novelist Albert Camus, which I wrote and illustrated when I was five. A primary school project, it had a print run of one copy (paperback, stapled) and was discontinued immediately after release, but my mother obtained the precious first edition and has since passed it on to me for my personal collection. While I hope my writing has developed beyond the simple sentences of that first publication, I’m afraid my illustration skills remain much the same.

 

What inspires your writing?

Lee: Everything. I’m an anxious piglet sort, and prone to depression, and there is so much about the world that frightens me. So I write to address those fears, to process them at a safe distance, and hopefully find some way through—ultimately to bring a sense of hope to the reader and for my own peace of mind. I tend to find my story ideas at the intersection of culture, myth, landscape, and generations. Recent themes include Asian diaspora horror, landscape, and isolation in the context of Kiwi horror, women’s rights, climate change, and the futility of war.

 

What music inspires your creation?

Lee: Once upon a time in the past, when I was a student, I could listen to music while I studied or read, but as I get older (moving towards 60 at lightspeed) I find it impossible to hear the voices of my characters, so I prefer to write in quietude. However, when watching horror narratives on screen, I think the musical soundtrack and the diegetic elements are crucial for creating mood and suspense, sometimes more important than what we see, so I try to be conscious of those aspects during my viewing in order to write them onto the page. Horror should be affective, specifically it should elicit fear or dread in the reader, and those things that go bump in the night, the strange rattles, thundering heartbeats, and the ominous music, are important tools for generating fear.

 

What Horror icon (living or dead) would you love to invite to dinner.

 Mary Shelley. Both Mary and I share a love of literature, count among our friends some wonderfully talented horror writers, and have an interest in science (I’m a research scientist by training), so I think we would have a lot to talk about. We both have pioneering mothers too, my own eschewing Chinese traditions by rejecting an arranged marriage to wed my father, a white man, in a marriage that lasted half a century. I’d serve Mary a dinner of roast New Zealand lamb with mint sauce and gravy, and while we eat I’ll tell her all about how New Zealand was the first country to give women suffrage, which I’m sure she’ll be pleased to know. I suspect she might be interested in our country’s extensive hydro, solar, and wind electricity projects, and the locations of our defibrillators, in popular holiday hotspots and shopping malls, and available for free use when reanimating heart attack victims. Then, over a dessert of pavlova and kiwifruit, I’ll listen quietly while Mary tells me about the summer of nightmares, about her dead poet husband, and all the beloved children she has buried.

 

What was the scariest thing you’ve witnessed?

Lee: Seeing my beloved grandmother being placed in the black bin liner to go to the morgue. It was an accident—my father pulling me from the room the instant he realised what was about to happen—but that tiny glimpse was horrifying because in that moment I understood she was truly gone, and I would never be able to hug her again. It was a terrifying turning point in my life.

Another time, I was on one of the numerous bridges that cross the Wellington motorway from the city’s CBD (central business district) to the suburbs, on my way to the Botanical Gardens to meet a New Zealand fantasy writer for lunch, and I was already musing on fantasy and flowers, when a man rushed onto the next bridge over, climbed over the rail, and leapt the 30 metres from the bridge into the traffic. The incident happened in a flash, and yet every moment is etched in my mind in slow-motion. I can see it still. I’m replaying it now. He was right there in front of me, climbing over the rail, but I was on another bridge, and all I could do was watch. I wanted to scream, to tell him to stop, but my mouth wouldn’t work and only a pitiful croak came out. I was shaking with shock. I felt so utterly helpless. The poor man plunged off the bridge. So fast. So slow. He hit the asphalt and didn’t move again. It haunts me still.

 

If invited to a haunted house party, what would you bring?

Lee: There isn’t much call for haunted house parties in New Zealand because our landscape is full of roaming ghosts—ancestral spirits—and they’re not limited to old houses. So the chances of being invited are few but should one of my friends be kind enough to ask me over, I’d bring iced zombie cupcakes topped with bloodshot eyes as I’ve had some practice already when my children’s novel Dawn of the Zombie Apocalypse was released.

 

Do you have a Horror tip for us?

Lee: Here is a tip I wrote for Tim Waggoner’s Bram Stoker Award®-winning nonfiction title Writing in the Dark (Raw Dog Screaming Press) p174:

Think of it like a Mad Hatter’s tea party. No room at the literature table? Sit down anyway. Take the rabbit hole to the underworld. Conjure shrink-grow monsters, evil queens, the perfidy of time, and lonely, spiralling madness. Choose chaos as a ruling principle. Ask the hard questions. Say what you mean. Talk when you want to. Debate the intricacies of language. Hide the bodies of your friends in teapots. Cut off their heads. Reference Poe. And drink more of the beverage of your choice.

What is your favorite Horror accessory?

Lee. It’s a pūrerehua, a bullroarer, a wooden musical instrument crafted for me by a friend of my son. The pūrerehua (which means butterfly in Māori) is a flattened lozenge-shaped blade, often decorated with intricate carved whorls and notched edges, and attached to a long string, and is sometimes worn as a pendant around a person’s neck (hence the fit with the horror accessory question). The musician whirls the instrument over their head to create the sound of an insect’s wings. The buzz is said to attract lizards. But in Māori culture, a pūrerehua can also be a conduit to the gods or to the wairua-spirits of one’s ancestors. It can conjure the spirit of a departed loved one, effectively inviting a haunting! In my Taine McKenna adventures (Into the Mist, Into the Sounds, and Into the Ashes) my hero is a matakite (seer) who uses his pūrerehua for both purposes: speaking across realms and attracting a kaiju lizard.

 

What one book/story of yours should Horror Addicts read?

Lee: Thank you for asking! I’d love it if readers would pick up a copy of my latest work, a cosmic horror novella called Despatches, which was released September 2023 from the UK’s PS Publishing under their Absinthe imprint. The story is told in an immersive epistolary format through newspaper articles and journal entries, and letters, examining private versus public narratives, and also what is truth versus propaganda or perspective. There is a kind of voyeurism involved in epistolary fiction, since we are reading someone’s personal accounts not always intended for public consumption. Here’s a quick glimpse at the premise:

Daily Star war correspondent Cassius Smythe is off to the Dardanelles to report on the Allied campaign. That is, if only the War Office will let him tell the truth. But after months in the trenches at Anzac Cove, Smythe learns that it isn’t just the Ottoman who wish to claim back the land, and the truth is as slippery as a serpent…

As I write this interview in October 2023, war has just broken out in the Gaza strip. Likewise, with Despatches, the war in Ukraine had just begun when I joined writing colleagues Angela Yuriko Smith and Maxwell Ian Gold for a zoom chat to discuss out current writing projects. Since the war was front and centre on the news, we were all doing our best to make sense of it through our writing, Smith using her Shimanchu-American heritage to examine colonization, diaspora, and changing identity in her novel Inujini: Battle of Okinawa, while Gold was taking a cosmic approach to the holocaust in a novella called, I am Someday (both forthcoming). Meanwhile, in my corner, Despatches addresses one of the bloodiest campaigns in New Zealand’s history and was inspired by and dedicated to my adopted grandfather, Len Nicklin, a member of the New Zealand Expeditionary Force who served at Anzac Cove and later on the Western Front at the Somme, France.

I was delighted when editor Marie O’Regan at Absinthe decided it was a perfect fit for the imprint, and even more excited to see the work get this gorgeous cover from artist Greg Chapman. Greg has produced covers for several of my works now, and it is always a pleasure to work with him. As a writer himself, he takes the time to really understand a writer’s intent and interpret notion in evocative and ominous ways. This might be my favorite cover to date. It’s already working hard for the novella because Despatches has received some wonderful reviews, for example.

“This is a tour de force that melds World War One action and supernatural intrigue into a page-turning narrative. Murray’s writing pulls readers into the heart of the story with vivid descriptions and finely tuned emotional depth.” —Ian Charles Douglas, author of the Zeke Hailey Adventure series.

“A brilliant novella that captures the sombre cruelty of war. Strongly recommend.” —Run Along the Shelves

Despite being set in the Dardanelles, and its British protagonist, I feel the story has a strong Kiwi flavor, exploring the understated stoic character of our New Zealand troops and the mana (prestige) of the Māori Battalion. I hope readers enjoy it. Please drop me a line via my website and let me know! And if you’re a book collector like me, Absinthe is doing a limited edition signed hardback, so check out the publisher’s website for those.

 

What are you working on now?

Lee: I’m just completing edits on a couple of short story commissions for some exciting anthology projects, and once those are off my desk, I’m about to embark on a science fiction novel. It’s a bit of a departure from horror, my first love, but I expect the final work will tend to the dark side because I can’t help myself! I have some general plot points drafted, but I’m a bit of a Pantzer, so it’s always an exploration. I’m excited to examine some unique Kiwi concepts in the context of a futuristic narrative, and to dive into a longer work again as it’s been some years since I’ve written a novel. Wish me luck!

 

Where can readers find your work?

Lee: Oh, let’s go with that old adage about finding my work wherever good books are sold. Please check out my website for the titles including some free reads) or ask for my books at your local library. https://www.leemurray.info/

Author Interview: Rosetta Yorke / Manor of Frights / Come Find Me, Mummy

What is your name and what genre of Horror do you usually write about?


Hello. My name is Rosetta Yorke. I usually write Time Travel and Gothic Romance stories.

What is the title of your story in Manor of Frights and what is it about?


My story is called, “Come Find Me, Mummy.”

In 1979, a single mum, accompanied by her three-year-old daughter, catalogues the contents of a haunted manor house to prove herself worthy of joining her misogynistic family’s Auctioneers, Valuers and Estate Agents firm, only to encounter horrors beyond her worst nightmare in the Nursery.

What inspired you to write your story for Manor of Frights?


Late one evening, I was quietly reading in the lounge of my son’s house whilst my little grandson, whom I was babysitting, was asleep upstairs. Suddenly, I heard the unmistakable sound of a ball bouncing across the nursery floor. I hurried to investigate, but my grandson was still fast asleep, and the only ball sat immobile in the toybox. I returned to the lounge. Again, a ball bounced across the floor followed, this time, by childish footsteps. I crept upstairs, intending to catch him out of bed. Still, he slept. I spent the rest of the night huddled in an armchair in the nursey but heard nothing more. Next morning, when carefully questioned, my grandson said he liked waking up at night because a boy always came to play with him and the ball from the toybox. An online search later revealed my son’s house had been built on the site of the nineteenth-century infectious fever hospital, next to the town’s Poorhouse (Workhouse). It proved impossible to identify this one little boy from amongst the many recorded children’s deaths, but his ghostly presence inspired my story.

 

What is your favorite Horror house story in fiction, movies, or TV and why?


General Tilney’s house, Northanger Abbey, in the book by Jane Austen. When I first read the story, aged eight, I’d never heard of a parody or read any Horror before. Catherine Morland’s passion for long damp passages, narrow cells and ruined chapels ignited my own lifelong enthusiasm for them. I loved her excitement at discovering an old chest, mysterious manuscript, and secret staircase in the Abbey, with the suspense heightened by her snuffed-out candle, only to have the cold light of day reveal none of them to be what they’d seemed. If it weren’t for Northanger Abbey, I wouldn’t later have read every Gothic Novel I could find, and my story for Manor of Frights would never have been written.

What music most inspires you to write Horror?


I’d turn to Iron Maiden’s songs, especially Empire of the Clouds about the ill-fated British airship, R10, that crashed in France in 1930 on its maiden overseas voyage. Whenever I listen to the climatic section’s dissonant percussion notes, I hear the doomed airship’s metal framework twisting and screaming as it plummets to the ground – perfect inspiration for any darker-themed writing.

Where can readers/listeners find your work? (URL #1 place for them to go.)

More information about my work, including links to anthologies containing my drabbles and short stories, can be found on my website:

https://rosettayorke.wordpress.com

 

 

Band Interview: ASHES FALLEN

What singers or bands inspired you growing up?

My first musical inspirations were my mother and father. My mom was very involved in church music and played classical guitar, and from boyhood I wanted to play the guitar. My father had once had dreams of being a classical composer and there was always classical music on the stereo in the living room, and all that musicality and grandeur has definitely influenced me as a musician from day one. Like most kids of my generation, when Michael Jackson’s “Thriller” came out in 1983, I was obsessed. I would run around the house with a toy microphone singing his songs! After I discovered that we got MTV on television I really started getting into music, got my first electric guitar, started a band, all that fun stuff. Through high school I was mostly into metal, it wasn’t until a little later that I discovered punk, then industrial, and finally goth and post-punk. I think all of those influences show up in what we do.

Who are your favorite artists today?

There’s so much great music out there, I don’t know where to begin. Michelle and I just love Gary Numan and we’re so inspired that even into his 60s, he’s putting out fresh, vital, current music, he’s NOT just playing the hits from 40+ years ago, and he’s an incredible performer. We’re not kids anymore ourselves, so seeing someone older than us doing what he’s doing is really inspiring.

We’ve gotten to share the stage with a lot of really great bands the last few years. Nox Novacula are just so powerful onstage. ACTORS are tremendous, such catchy tunes. Black Rose Burning just put out a killer album, and George Grant is such a great guy with a big strong voice, and I love that he’s just doing his own thing and absolutely not following trends.

What non-musical things inspire your music?

Life, really. And late-night conversations with Michelle. Almost everything on our new album “Walk Through Fire” is autobiographical or based on my observations of other people or the state of the world. For the most part, I write what’s real to me, what I experience, what I feel. It’s my way of working things out and sometimes making something beautiful out of something ugly.

There’s one song on the album that isn’t autobiographical at all, and that’s “The Blood is the Life”, about Count Dracula. Although it basically just sets the stage for Dracula as depicted by Bram Stoker, I was actually inspired to write it while reading “Incarnadine”, which is a very clever reimagining of the Dracula mythos as a first-person memoir of the few hundred years leading up to  his fateful meeting with Jonathan Harker, written by the filmmaker R. H. Greene (who also indirectly inspired our song “Vampira – The Ballad of Maila” with his documentary “Vampira And Me”!) It’s a shame that book isn’t better known, it’s really very clever, and very much based on Slavic vampire folklore, and it was so fun to read.

What Album/Song/Tour are you excited about right now?

We’re so excited about our new album. It is absolutely the best Ashes Fallen and the best album of my career. We’ve come such a long way and I’m so very proud. I think I’ve developed a lot as a singer, songwriter, lyricist, and producer, and the whole band just worked together so well on this album. Michelle had some great song ideas, delivered some great vocal performances, and always inspires me to be so much better. Jason knocked out of the park on the guitar in the studio too! We’ve got some live shows happening through the end of the year in California, Nevada, and Utah, including a few places we’ve never played before, and we can’t wait to keep showcasing our new songs.

Where was the coolest place to play? Where did you enjoy yourselves the most?

We just performed at New York City’s A Murder of Crows Goth and Post-Punk Festival, at the Bowery Ballroom, last September 1st. September 1st was also the release date of our new album, so we got to perform a lot of brand new material we’re very proud of for the very first time. It was a really great night for us, the best show we ever played, to an incredible crowd. There were music fans and DJs and promoters from all over the world, and most of them were seeing us live for the very first time. We love being in New York anyway, what an amazing city. If I could do it again tomorrow, I would!

What are your favorite horror movies?

Michelle and I watch a lot of vampire films (surprise, surprise!) I love a lot of the older classics, like Nosferatu, Frankenstein, Bride of Frankenstein… we actually just saw Nosferatu and The Cabinet of Doctor Caligari with a live score performed by the Invincible Czars, that was really cool! We’re not much for blood and gore, give us subtlety, give us the creepy psychological stuff that makes you think. The imagination can be much more terrifying than blood and guts.

What was the scariest night of your life?

For me, the scariest nights were times when I was frightened things might not work out. But you know what? I just got some really bad news and I’m not even that bothered by it, because I’ve got Michelle by my side, and I’ve been through a lot and come out on top, I know I’ll get through it!

If you could bring back greats who have passed on, who would be your undead opening band?

If I could bring back the greats who have passed on, we’d be the opening band, or in the audience! How about an undead festival: undead Ramones, undead Freddie Mercury, undead Rozz Williams, undead New York Dolls, undead Stiv Bators…

Anything you want to tell the Horror Addicts?

Thanks for reading! Keep it scary!

One URL – Website/Twitter/Facebook/Instagram/Bandcamp?

https://ashesfallenmusic.bandcamp.com

Insert one of your video YouTube links:

“New Normal” https://www.youtube.com/watch?v=jcFP94PgIC4

Historian of Horror: RKO Horror Movies 1929-1939

RKO Horror Movies 1929-1939

As the motion picture industry segued from silent to sound, David Sarnoff of the Radio Corporation of America needed theaters in which to display his new sound apparatus for films, RCA Photophone, and a distributor to spread the films he planned to make across the country. The Keith-Albee-Orpheum chain of movie houses satisfied the first need; future presidential father Joseph P. Kennedy’s Film Booking Offices of America supplied the second. Under the title Radio-Keith-Orpheum, RKO was born in 1929. Two years later, Kennedy contributed his ownership of the Pathé studio to the mix, providing a place in which to make said pictures.

During its first decade of existence, RKO relied on the musicals of Fred Astaire and Ginger Rogers for survival, with the monstrous assistance of the overwhelmingly successful King Kong in 1933. Prior to the advent of Kong, RKO produced the first of two adaptations of Seven Keys to Baldpate, a title you might recall from a previous entry. That first one, in 1929, starred silent western star Richard Dix, who during the 1940s starred in a series of films based on the creepy radio show, The Whistler, for Columbia. The second, released in 1935, featured Gene Raymond, who went on to a very long career in American television.

In 1932, RKO produced The Phantom of Crestwood, in which a blackmail scheme goes horrifically wrong, and Thirteen Women, starring Myrna Loy as a murderess who uses her supernatural powers to avenge having been ostracized at school. The latter was also the only film appearance of Peg Entwistle, who committed suicide by jumping off of the Hollywood Sign not long afterward.

The big film of that year, as far as horror fans are concerned, was the Merian C. Cooper and Ernest Schoedsack adaptation of Richard Connell’s 1924 short story, The Most Dangerous Game. Why, you might ask? Because it was the practice run for King Kong. Cooper and Schoedsack took all the special effects tricks they learned while making it, handed them off to the brilliant animator Willis O’Brien, and set him to work bringing Kong and his dinosaur friends to life. They also found their leading lady, Fay Wray. Leslie Banks played the Russian exile who found sport in hunting humans on his private island.

Kong was very much the proverbial 8000-pound gorilla, the biggest horror film of 1933, and for many years to come. It scored a financial success that was unmatched until Gone with the Wind six years later, and set the standard for special effects for decades. The familiar story zips along at a well-considered pace, leaving the viewer continually enthralled and never bored. Can’t say the same for the remakes, alas.

The gigantic wall that separated the Skull Islanders from the threats posed by the island’s other, gargantuan inhabitants was destroyed, by the way, during the burning of Atlanta scene in GWtW, a cinematic crime that truly was the greatest horror of them all.

A sequel, Son of Kong, was rushed into production and out to a less-than-enthusiastic public by the end of 1933. It’s not a bad picture, at all, but Junior just isn’t a patch on the Old Man.

A lost version of W.W. Jacobs’ short story, The Monkeys Paw, rounded out the year.

Cooper and Schoedsack tried to recapture the old magic with a 1935 adaptation of the 1886 H. Rider Haggard supernatural adventure novel, She, the first sound version after at least five silents. It starred future western super-star Randolph Scott, and future California Congresswoman Helen Gahagan. Alas, moving the setting from Darkest Africa to Coldest Alaska didn’t impress audiences. A properly-located Hammer version made thirty years later might or might not be a better adaptation, depending on who you ask. I rank them about equal.

The 1984 version with Sandahl Bergman is best forgotten. Let’s just pretend it was never made.

In 1936, RKO began a twenty-year span of distributing cartoons and feature films by the Walt Disney studio, beginning with 1937’s Snow White and the Seven Dwarves. Which will be covered in a future installment.

The last great RKO horror film of the decade was the 1939 adaptation of the Victor Hugo novel, The Hunchback of Notre Dame, starring the redoubtable Charles Laughton and the stunning Irish redhead, Maureen O’Hara. The supporting cast included Cedric Hardwicke (1942’s The Ghost of Frankenstein) and Fritz Leiber, father of the great horror-fantasy-science-fiction writer, Fritz Leiber, Jr. Leiber père also appeared as Franz Liszt in Universal’s 1943 color remake of The Phantom of the Opera.

When next we gather together, we’ll take a look at the last hurrah of three giants of horror in a 1962 television show about a pair of bachelors tooling along America’s Highway in a Chevy Corvette.

Until then, be afraid.

Be very afraid.

PR: The Horror at Pleasant Brook

The Horror at Pleasant BrookAnnouncing: The Horror at Pleasant Brook by Kevin Lucia from Crystal Lake Publishing

This Halloween, a malevolent, creeping horror invades a small, isolated town nestled deep in the Adirondacks. It cares nothing for this town’s secrets, prejudices, or flaws. Its only desires are to consume everything in its path and spread, until nothing else remains. It is ancient, pitiless, and unstoppable. It is the horror at Pleasant Brook.

“Kevin Lucia is this generation’s answer to Charles L. Grant.” – Horror Grandmaster, Bram Stoker Award-Winning Author, Brian Keene

“Kevin Lucia’s writing is both scary and smart, a lethal cocktail that makes for mesmerizing storytelling.” -Tosca Lee, New York Times Bestselling Author of Demon: A Memoir

“Lucia is a true craftsman of the horror story, with a fine sense of the genre’s best traditions.” – Norman Prentiss, Bram Stoker Award-winning author of In the Porches of My Ears

Author Bio:
Kevin Lucia is the eBook and trade paperback editor at Cemetery Dance Publications. His short fiction
has been published in many venues, most notably with Neil Gaiman, Clive Barker, David Morell, Peter
Straub, Bentley Little, and Robert McCammon. His first novel, The Horror at Pleasant Brook, is
forthcoming from Crystal Lake Publishing, October 2023.

Author Interview: Michael Fassbender / Manor of Frights / Withered Bindings

AuthorInterview

What is your name and what genre of Horror do you usually write about?

My name is Michael Fassbender, and I prefer to write supernatural horror stories. That covers a lot of ground, though, and my fiction ranges from ghost stories to cosmic horror.

What is the title of your story in Manor of Frights and what is it about?

“Withered Bindings” tells the tale of a maid cleaning up the study in anticipation of the master’s return from a safari, only to find that a block of books on one of the shelves has fallen victim to rapid and noisome decay. She tries to clear up the mess and determine the source of the rot, but only spreads it around and raises more questions.

 

What inspired you to write your story for Manor of Frights?

A year or so ago, I was passing one of my bookshelves, and I was struck by the notion of what might happen if one of my books harbored great, malevolent power. I imagined it causing the physical decay of all of the books adjacent to it, and I might only discover the change after a half dozen books had been reduced to rotten pulp.

 

What is your favorite Horror house story in fiction, movies, or TV and why?

If a hotel counts, it would have to be the Kubrick version of The Shining. The vivid, multilateral manifestations of malevolence resonate so strongly for me. Otherwise, I’d pick Shirley Jackson’s The Haunting of Hill House. It’s a wonderful example of the power of suggestion to create an enduring haunted narrative.

What music most inspires you to write Horror?

I’m a diehard headbanger, and I love many different forms of Heavy Metal, from classic bands to niche sub-subgenres like Symphonic Black Metal and Melodic Death Metal. Much of the Metal scene feeds into horror imagery.

Where can readers/listeners find your work? (URL #1 place for them to go.)

I maintain a website at michaeltfassbender.com and I update the Fiction page as new stories are published. Each story gets a page of its own with its corresponding links.

 

 

BOOK BIRTHDAY! Campfire Tales from HorrorAddicts.net Press

BookbirthdayHorror Bites: Campfire Tales

Dear Reader,

You’ve been invited to a very special night of Campfire Tales, hosted by HorrorAddicts.net. Meet us at Old Bear Creek, just past Dead Man’s Curve. Dress warm. We’ll be waiting.

Four scary tales told by Next Great Horror Writer finalists and woven together by a trek through the woods you’ll never forget.

“Cabin Twelve” by Daphne Strasert
When a camp counselor goes on patrol, she finds an extra cabin in the woods that no one knows about…or do they?

“The Face” by Naching T. Kassa
An ailing mother and her daughter are terrorized by a disembodied face.

“When the Wind Leaves a Whisper” by Jess Landry
Girl Scouts in the 40s experience a frightening occurrence in the woods.

“Goose Meadows” by Harry Husbands
Two friends out drinking at night discover the real horrors of Goose Meadows.

Author Interview: Holly Payne-Strange/Gothic and Supernatural Horror

 

 

What was the first thing you ever wrote?

 

You know, I can’t remember the first thing I ever wrote! I’ve just been doing it for too long. I used to write a lot of fanfiction, I think its a great way for authors to practice. It really lets you focus on mood and character development, without having any pressure to create an entire world. Having that ability to focus on smaller details really helps.

 

What inspires your writing?

 

I find that truth is often stranger than fiction. I love non-fiction books, for instance I read a biography of Elenor of Arbeoa once, this lesser known judge/Queen (it’s complicated!) from Sardinia in the middle ages. I couldn’t get her out of my mind, so I ended up writing a podcast episode about what her life might have been like. That’s pretty easy to imagine, since it was a biography, but it applies to maths and sciences as well. I once wrote a horror episode of a podcast in which people became slowly encased in amber, just because I read an article about how precious stones were created. That was a lot of fun!

 

What music inspires your creation?

 

Oh, I love this question! I almost always listen to music while I write, and especially while I brainstorm the overall plot. When I’m writing, I like general haunted house sounds, they help me establish a certain mindset without being distracting.

 

When I’m brainstorming plot points, I like more upbeat things, like’ Kill Kill Kill’ or ‘secret’  by the Pericers. Things that make me feel excited to create.

 

However, there is one song in particular that inspired me with Strange and Twisted Things, Infinity by James Young. It’s a very sweet love song in a lot of ways. But the thing about love songs is that they can be really quite creepy, if seen in the right light. There’s an almost manic obsessiveness that’s great if the feelings are reciprocated, but if they are not…things can get dark. 

 

What Horror Icon would you love to invite to dinner?

Daphne du Maurier! She was the first author to really make me fall in love with horror. There’s a gentleness to a lot of her work, but that doesn’t stop it from being dark as well, and I’m very attracted to that combination. I think that they bring out the best in each other, make each other richer and deeper.

 

What’s the scariest thing you’ve ever witnessed?

 

 I’ve been very lucky that I haven’t witnessed a lot of truly scary things. But it was probably during my trip to Uganda. First of all, I want to say that Uganda was a very welcoming country, and I’m so lucky to have gone. Truly beautiful, and overall the people were very kind.

 

However, our tour company was not. We thought we had vetted them thoroughly (we even had friends who had used them before!) but it turns out they were scam artists. They abandoned us in the middle of Queen Elizabeth National Park, which is right in the middle of the country, so very, very remote, with a ton of lions! Thankfully, we were able to contact a hotel there, who picked us up. However, seeing as we had genuinely been scammed, we bought charges against the first company (the police were very helpful and kind). Obviously, that did not go down well with the tour group, so we kept getting harassing calls from them, trying to figure out where we were and what we were doing, trying to scare us off. They followed us around the country, basically, It was a bit hair-raising!

 

However, I have to admit that I did enjoy it. It was quite the adventure.

 

If you were invited to a haunted house party, what would you bring?

Well, I have been invited to a very exciting one for Halloween, and personally I am bringing snacks! My wife and I love to cook together and even better when there is a theme. We want to make an edible hand, spider cupcakes and a sugar skeleton. Delicious. I’m already excited!

 

Do you have a horror tip for us?

 

You mean a writing horror tip? Confusion is the enemy. I think it’s particularly hard in horror, because we can’t ‘show the monster’ too much. There has to be a subtleness to it, there have to be things that lurk in the shadows, some unknown monster stalking you… But if your reader just doesn’t know what’s going on, they can’t be afraid. It’s almost impossible to be immersed in a book if you are scratching your head wondering what’s going on.

 

Have you ever been haunted or seen a ghost?

Unfortunately no, I have smelled them though. My grandmother always had a very distinct perfume, one you could only get in England, so I’m sure it can’t be coming from anywhere else. I often smell her actually. Usually in good times, like when we are having a family dinner or I’m celebrating something. It’s very pleasant, I’m not scared at all. I also sometimes smell my grandfather although not as much.

 

What is  your favorite horror accessory?

 

I’m not sure if this counts as an accessory, but I have this really amazing raven lamp that I found at a yard sale. I like it because it has this beautiful Georgian text on it (which is the most beautiful script, if you ask me) that makes it look very aileen-esque.

 

What book/story of yours should Horror Addicts read?

I am very proud of my work on Strange And Twisted Things! It was published last month, and so far I’m really pleased with the reception. Let me share the blurb with you.

 “In a quiet village nestled deep within the heart of Italy, an elderly woman finds herself abandoned by her family, the depth of her loneliness almost overwhelming. Seeking solace in a decaying house, Greta clings onto the memories of her estranged husband, whose absence haunts her every waking moment.

As she steps over the threshold of her new home, the house awakens with an ominous energy, enveloping her in its unsettling embrace. Strange occurrences plague Greta’s days, while chilling whispers echo through its dilapidated hallways. Only one fact cheers her- she is clearly not alone.

Caught between the longing for companionship and the terrifying consequences of embracing darkness, Greta must make a harrowing choice. Will she succumb to the allure of the house’s sinister inhabitants, finally gaining the company she so desperately craves, or will she break free from their clutches and confront the horrors that lurk within?

“Strange and Twisted Things” is a chilling tale set against the scenic backdrop of Italy, where Greta’s unwavering love battles against the very essence of evil itself.”

 

What are you working on right now?

 

Right now I’m working on a horror/sci-fi novel, I just finished the second draft and I’m really thrilled with it! It follows a family of aliens who have crash landed on earth. Their ship is badly damaged, leaving them with no choice but to try and survive on earth. But the US military is after them, and the threat of experimentation looms ever closer. To break free and finally get back into space, they must sacrifice everything they’ve ever known.

 

I am also working on the next season of my podcast, Echoes!  Echoes delves into the question: “What would the world look like if reincarnation were scientifically proven to be real?” and has a stellar cast of actors including Broadway stars and Emmy Award winners. 

 

Where can readers find your work?

 

Right now on amazon,  and my podcast website.

Book Birthday: Horror Addicts Guide to Life

Horror Addicts Guide to Life

Available now!Horror Addicts Guide to Life

Cover art by: Masloski Carmen

Editor: David Watson

Do you love the horror genre? Do you look at horror as a lifestyle? Do the “norms” not understand your love of the macabre?

Despair no longer, my friend, for within your grasp is a book written by those who look at horror as a way of life, just like you. This is your guide to living a horrifying existence. Featuring interviews with Midnight Syndicate, Valentine Wolfe, and The Gothic Tea Society.

Authors: Kristin Battestella, Mimielle, Emerian Rich, Dan Shaurette, Steven Rose Jr., Garth von Buchholz, H.E. Roulo, Sparky Lee Anderson, Mary Abshire, Chantal Boudreau, Jeff Carlson, Catt Dahman, Dean Farnell, Sandra Harris, Willo Hausman, Laurel Anne Hill, Sapphire Neal, James Newman, Loren Rhoads, Chris Ringler, Jessica Robinson, Eden Royce, Sumiko Saulson, Patricia Santos Marcantonio, J. Malcolm Stewart, Stoneslide Corrective, Mimi A.Williams, and Ron Vitale. With art by Carmen Masloski and Lnoir.

Author Interview: Ollie Fox / Manor of Frights / Storage

AuthorInterview

What is your name and what genre of Horror do you usually write about?


I’m Ollie Fox, and this is honestly my first proper Horror story! Most of my fiction is queer erotica, although to be fair, it does sometimes veer into horror-adjacent territory. (Are tentacles a genre?)

What is the title of your story in Manor of Frights and what is it about?


My story is called “Storage.” A servant usually sleeps in the nice, warm kitchen, but has to wait until it’s empty. In the meantime, she’s trapped in the storage room, which is not a friendly place at night…

 

What inspired you to write your story for Manor of Frights?


When I was thinking about a spooky old house, the class disparity seemed like a good place to start…and, of course, the less glamorous parts of an old house, the ones you don’t see on a historic tour but are just as necessary as the rest. Bill Bryson’s At Home, in a section talking about private domestic servants in Victorian society, mentioned a servant who, like Anna, slept in the kitchen, but whose inconsiderate employer liked to sit in the warm kitchen at night to read without any thought to his servant’s comfort, while said servant was stuck trying to get some rest in the storeroom until he finally went to bed. That concept has been stuck in my mind for a decade, so I ran with it.

What is your favorite Horror house story in fiction, movies, or TV and why?


The Haunting of Hill House by Shirley Jackson. The uncertainty, the exploration of the characters, the eerie energy. I also love the 50s take on a scientific approach to paranormal investigations, long before that became a serious thing with YouTube channels devoted to it. I also love Crimson Peak, which also has a slow, uneasy dread.

What music most inspires you to write Horror?


Nothing in particular! I think I listened to a lot of piano-heavy instrumentals when I was writing “Storage.”

Where can readers/listeners find your work? (URL #1 place for them to go.)

QueerEarthling.com! Please be advised that my work is generally very adult-centric (read: sexy), not for under 18, and it’s definitely not a good one to check out while slacking off at work. Well, depends on where you work, I guess, but I wouldn’t advise it.