Hunting Bigfoot by North Carolina author Eric S. Brown is a good old-fashioned creature feature packed with enough cryptid action to make Arnold Schwarzenegger say, “Run! Go! Get to the chopper!” Of course, Schwarzenegger isn’t in Hunting Bigfoot, but Brown’s book oozes the 1980s vibes of movies like Predator – breathlessly paced with plenty of intense action scenes.
Released in February and published by Severed Press, Hunting Bigfoot is vintage Brown, who’s written well over 100 books in the action-horror genre about all kinds of creatures but mostly Bigfoot.
Hunting Bigfoot starts quick and bloody as a boy’s father and brother are slaughtered by a Bigfoot right before his eyes. The boy named Danny survives but no one believes his account.
And that’s your backstory. If Brown was a movie director, this is where he’d say, “Cut! Now let’s get to the real action.”
The next scene shows Danny as a grown man and military soldier waking up from a nightmare in his hometown of Clinton, North Carolina. He’s returned for revenge on the beast that killed his family. And he won’t be alone. Four of his military friends are joining him on the hunt.
That’s the tip of the iceberg, though, because Sheriff Stanton is on the scene of a couple of campers who were butchered – a scene surrounded by strange footprints. Now, the sheriff’s gathering his deputies for a hunt.
Oh, and there’s Danny’s former high school sweetheart, Hannah, who’s guiding a group of amateur filmmakers into the woods so they can shoot a documentary about the “Clinton Monster.”
All three groups enter the forest of Bigfoot, and all three will find themselves in desperate situations at every turn as that 1980s action vibe I mentioned earlier kicks into full gear. Even Schwarzenegger would have a tough time surviving this one.
After finishing the 109-page novella, my first thought was: “Nobody is safe in an Eric S. Brown book.”
In an exclusive interview with The Bigfoot Files, Brown discusses his process, explains why he writes cryptid fiction, and shares his opinion on the “real” Bigfoot phenomenon.
I asked Brown how he determines who lives and dies in his books.
“For most of my books, I don’t outline,” he says. “I just go with the flow and let the characters themselves sort of decide who lives and dies. And yes, it is very true that no character is safe in my books. I’ve been known to kill someone who appears to be the main character and switch off to someone else more than once. A good number of my books end like the 2004 Dawn of the Dead with everyone dying as I personally enjoy that style of ending. But in later years, I’ve started trying to keep someone alive a bit more.
“As to a process, I get an idea, then come up with the characters as I start writing it. And then like I said, I let them lead me to where I want to go in the book. When I was younger, I was pretty fearless just throwing words onto a page, hoping something stuck, and knowing I could fix everything in edits if it didn’t. That was how I have been able to write so many books over the years. Now, as I approach the end of my forties, I have slowed down some and think about each sentence a lot more. We’ll see if that’s a good thing or not, I guess.”
As I read Hunting Bigfoot, I thought the “man versus nature” aspect of the story included themes relating to man’s arrogance about their intellectual superiority and how revenge can ruin lives. Brown says themes like that are incidental to his storytelling.
“I have never thought of myself as an artist,” Brown says. “Entertainer is likely a great term for me. I grew up loving horror, military sci-fi, and B movies. For me, I am just creating the things I would have loved to see as a fan myself. I am sure on an unconscious level some of my own beliefs are likely slipping into my work but overall, they’re just meant to be fun, gory, and scary. My biggest hope is that my work will be an experience like sitting down with a big bowl of chips, a nice drink, and watching a creature feature on the TV. There aren’t enough true monster movies these days, and my books are hopefully a way of finding that type of horror again.”
Brown’s earliest works are out of print, including his 2005 debut novel Cobble. His first mass-market release was 2010’s The War of the Worlds, Plus Blood, Guts, and Zombies, published by Gallery Books, a Simon & Schuster imprint. His latest title, Stomping Ground, was released April 13.
Brown’s first Bigfoot book was 2010’s Bigfoot War, which was later adapted into the 2014 film Bigfoot Wars.
“I’ve been writing Bigfoot horror ever since,” he says.
Childhood nightmares sparked Brown’s journey into Bigfoot fiction.
“Growing up in the rural South and loving horror films, I had a lot of nightmares about Bigfoot,” Brown says. “They scared the crap out of me. At a certain point in my career when I had been writing about zombies for a long, long time, I decided to use those nightmares and childhood fears to write Bigfoot War, and thus my career in cryptid horror began. I’ve written a lot of Bigfoot books over the years, including the novelization of the 2010 Boggy Creek film, but I’d say that the original Bigfoot War and Manhunt are my best two. And you’re right on the ’80s action vibe. I grew up reading David Drake’s Hammer’s Slammers and David Robbins’ Endworld series. Reading action giants like those two, I couldn’t help but put a lot of action into my own work.”
Brown has also written books about killer crocodiles, lycanthropes, the Loch Ness Monster, megalodon, kaiju, and witches. Surprisingly, Bigfoot is not his favorite monster.
“I do love Bigfoot but honestly, vampires are my favorite monsters,” he says. “I took a stab at writing them with a trilogy called The Dark War. The first book in that series, Psi-Mechs, Inc., is my personal favorite thing I have ever written.”
As for his best-known work Bigfoot War, Brown expressed disappointment in the 2014 film adaptation, which featured actors Judd Nelson and C. Thomas Howell.
“In the beginning, it was great,” Brown says. “The check for the rights was amazing, and there was press about it happening everywhere. I was living the dream right up until the moment the movie came out, then everything went sideways. I hated the movie. Couldn’t stand it. Somehow my female sheriff, the main character, had morphed into a bald guy. My dormant zombie virus in the Sasquatch blood was replaced by a voodoo curse, and the movie even opened with cliché Friday the 13th teens-in-the-woods-style scenes.”
Finally, I asked Brown why Bigfoot remains so popular in American pop culture.
“Bigfoot is a mystery and people like mysteries,” he says. “Also, Bigfoot is or at least can be a monster. A really, really bloody scary one, too. Combine those two things and you’ve certainly got something with lasting appeal.”
Does he believe Bigfoot is real?
“As a kid, having brutal nightmares about Bigfoot tearing into my house to kill me, I one hundred percent did,” Brown says. “As an adult, I’d say the odds are greatly in favor of it, but not having a personal experience in real life myself, I couldn’t say for sure.”
NEXT UP: Chapter Seventy-Two: Faith of Dawn. I review the 2024 novel by Kristin Dearborn.