HorrorAddicts.net 150, Cure for the Holidaze Special

Horror Addicts Episode# 150
Cure for the Holidaze Special!

Hosted by Emerian Rich

Guests: Dan Shaurette, Ariel DaWintre, Camellia Rains

Intro Music by: Valentine Wolfe

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Cure for the Holidaze

http://traffic.libsyn.com/horroraddicts/HorrorAddicts150s.mp3

Find all articles and interviews at: http://www.horroraddicts.net

Music this episode by Midnight Syndicate from Christmas: A Ghostly Gathering

https://www.amazon.com/Christmas-Ghostly-Gathering-Midnight-Syndicate/dp/B014JP8EOU

“Dance of the Sugar Plums”
“Night of the Krampus”
“Coventry Carol”
“Winter Storm”
“Up on the Rooftop”

 

Russell asked, he received.

 

holiday shopping ugliness, relative madness, horrible family experiences, helping the needy – what about me? best horror gifts, snowglobes, nightmare before christmas, vampire gifts, buffy the vampire slayer board game, walking dead glasses, they live, walking dead yahtzee, firefly yahtzee, horror gift guide, movie tickets, ulta, paxton gate, skeletons, taxidermy, bones, pirate store, diy, craft store, etsy.com, evil dead, regretsy, homemade gifts, amazon gift certificate, midnight syndicate, frankenstein salt and pepper shakers, forever knight season 3, monster fluxx, booooopoly, take friend out, chat about horror, loren rhoads, 199 cemeteries to see before you die, ipso facto, goth show, morbid curiosity, highgate cemetery in london, cremation, honoring the dead, morbid meals, zombie cookbooks, the walking dead cookbook and survival guide, flesh burgers, brains, theme song band, game, guess the thing, courtney mroch, haunt jaunts, haunted shops, restaurants, castles,  crazy skeleton lady, wax works, jekyll island in georgia, spooky holiday events, escape games, serial killer in your mailbox, hellraiser, evil dead, nightmare on elm street, underworld, scream, phil rickman, dickens, king, woman in black, lucy blue the last winter night, dead mail, jeff, IT, exorcist, pennywise, stranger things, amanda, midnight texas, karysa, krampus, a christmas horror story, silent night, deadly night, jack frost, russell, post halloween depression, vincent price cookbook, danny elfman, night of the comet, ginger snaps back, the thing, snowglobe, herbig brown eyes, dead like me, reaper, new movies coming, another wolfcop, shape in the water, guillermo del toro, insidious the last key, cloverfield, winchester the house that ghosts built, strangers prey at night, ready player one, a quiet place, slenderman, the purge, hotel transylvania 3, the nun, predator, meg, cadaver, the little stranger, goosebumps horrorland, the house with the clock in the wall, edward gorey, john bellaires, Halloween H40 and more… have a great spooky holiday!

 

“Broken Pieces” by Valentine Wolfe

http://valentinewolfe.bandcamp.com/track/broken-pieces

HorrorAddicts.net blog Kindle syndicated

http://www.amazon.com/HorrorAddicts-net/dp/B004IEA48W/ref=sr_1_1?ie=UTF8&qid=1431022701&sr=8-1&keywords=horroraddicts.net

HorrorAddicts.net Facebook group.
https://www.facebook.com/groups/208379245861499

 

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Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc…

horroraddicts@gmail.com

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h o s t e s s

Emerian Rich

s t a f f

David Watson, Stacy Rich, Dan Shaurette, KBatz (Kristin Battestella), Mimielle, D.J. Pitsiladis, Jesse Orr, Crystal Connor, Lisa Vasquez, Adelise M. Cullens, Kenzie Kordic.

Want to be a part of the HA staff? Email horroraddicts@gmail.com

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It Came From the Vault: Traditions by Stephen Kozeniewski

vault

TRADITIONS

by Stephen Kozeniewski 

Granny clattered on the counter with a wooden spoon until the children stopped squabbling. When they finally turned to pay attention, she smiled, baring each and every bright white denture with joy.

“All right, little nuggets,” she said, “Now granny is going to show you what to do. Come up here.”

She lifted two-year-old Benji and planted him on the counter beside the sheer metal stockpot that was almost as tall as him.

“Now, Benji, this wax is very hot so don’t put your fingers in it and don’t splash.”

“Yes, grandma.”

“Now start to feed the coil in slowly and let me know when you run out of length.”

Giggling, Benji did as he was told.

“Granny, why do we wax the decorations?” little Suzie asked, her pinky hooked into the corner of her mouth.

“So that they last, my dear.”

“And why do we want them to last?”

Granny crouched down to Suzie’s level, even though it pained her ankles.

“Because it’s a tradition, my dear.”

Little Suzie’s eyes lit up with the wonder of excitement and recognition.

“A t’adition?”

Granny nodded.

“Like when we invite a homeless person in for Christmas?”

“That’s right.”

“All done!” Benji announced, clinging to the last link of this year’s holiday visitor’s small intestine.

Together, as they did every year, they draped the wax-dipped organ around their tree of horrors. The attic was starting to overflow with their collection of decorations.

“God bless us every one,” Benji said joyously.

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Kozeniewski Author PhotoStephen Kozeniewski (pronounced “causin’ ooze key”) lives with his wife and two cats in Pennsylvania, the birthplace of the modern zombie. During his time as a Field Artillery officer, he served for three years in Oklahoma and one in Iraq, where due to what he assumes was a clerical error, he was awarded the Bronze Star. He is also a classically trained linguist, which sounds much more impressive than saying his bachelor’s degree is in German. Find out more at: www.amazon.com/author/kozeniewski

Pat-a-pan, a Spooky Holiday Carol?

Pat-a-pan, a Spooky Holiday Carol?
by Emerian Rich

My favorite holiday song is a French Christmas Carol called “Pat-a-pan” written by Bernard de La Monnoye and first published in 1720. Written way before “The Little Drummer Boy” (circa 1941) it has the same sort of concept. A young boy playing a drum in celebration of the birth of Christ.

“Willie, bring your little drum, Robin bring your fife and come!
And be merry while you play, ture-lure-lu, pata-pata-pan,
Come be merry while you play for the joy of Christmas day.”

Often played as an instrumental due to the awesome drum and flute parts that can be highlighted without vocals, “Pat-a-pan” is most well known by the Mannheim Steamroller version here:

I fell in love with this song in high school choir where we learned the French lyrics which meant nothing to me. Its haunting melody and renaissancy sound always made me feel as if there were some underlying tale, like it spoke of a story without using words. Very few songs can evoke feelings in just the music – without lyrics.

You might be wondering what this has to do with horror. It’s hard to imagine such a benign song conjuring evil images, but one year when playing it around my husband I found out. The ultimate scrooge when it comes to Christmas music, my husband quirked a brow and said, “I kind of like this one. It’s spooky.”

I had to know more!

You see, his vision of “Pat-a-pan” plays out a bit differently than the “Willie, bring your drum” message that La Monnoye thought up. Instead of little Willie and Robin rallying the town into Christmas spirit by playing their drum and fife, his version features another little boy.spooky

Patapan is a little ghost or demon boy who runs around up in the attic. I’m not sure of the extent of evil he perpetrates, hubby wasn’t clear on the deeds, but he was sure nothing good could come from it. The thought of the evil minion “pat-a-panning” around up in the attic makes my husband happy (as it would any self-respecting horror addict).

So, I play this shared favorite faithfully every year and grin at my husband’s dark imaginings. I’ll never share the actual lyrics with him and burst his happy twisted bubble—ever.

Now, listen to the instrumental version again and conjure the image of a pasty-skinned, shadow-eyed boy in an old school uniform, haunting your attic.

For those of you curious about the English lyrics, my favorite vocal version is by Mindy Gledhill below.

Have a spooky connection to a holiday carol? Tell us! We can’t wait to share it.

Press Release: Austin Crawley releases A Halloween Tale

A Halloween Tale by Austin Crawley

THUMBNAIL_IMAGEFew Christmas stories hold as much fascination as the story, A Christmas Carol by Charles Dickens.

Inspired by the classic tale, three young women decide to hold a séance to raise the spirits of Christmas Past, Present and Future. They don’t expect a result, considering that the ghosts are fictional, but what they call out of the aethyr gives them a creepy holiday they will never forget, if they live to tell the tale!

Austin Crawley has always had an interest in the supernatural and macabre. He has a particular interest in real life ghost stories and spends his holidays visiting places that are reported to be haunted. When he isn’t dealing in spooks, he deals in the buying, selling and cutting of gemstones. On odd Tuesdays he convinces himself that it’s because he was reincarnated from a pirate. Twitter: https://twitter.com/austinocrawley

Free Fiction Tuesday?: A Christmassacre Carol by Alex S. Johnson

A Christmassacre Carol

by Alex S. Johnson

(inspired by the album Slashing Through the Snow by Venus de Vilo and with apologies to Dickens)

Morley was dead. He had been tending this way for a long time, but now that winter snows swirled around his tombstone, the general report was that if he weren’t dead, he would be, at best, some kind of slavering, rotting ghoul to frighten little children already terrified by the advent of Christmassacre. Excepting, naturally, those fiendish tykes for whom the slaughter of their parents was a consummation devoutly to be wished and, indeed, prayed for.

Meanwhile, Urbangeezer Screwed was counting his money. Thanks to his miserly character, or so he believed, the money was more plentiful than ever in the year ________ in which our tale occurs. He had just dismissed his churlish assistant, Fob Crutchhead, who no doubt would waste Christmassacre in the foolish expenditure of glad tidings to all, yadda yadda. As far as Screwed was concerned, Christmassacre was a crumbug phonier than the holiday it had replaced.

“Bah,” said Screwed to the empty office, which echoed the word in a manner foreshadowing the specters that would shortly enter his life and change him forever.

“Whoo!” came a shivery voice from behind the curtains.

“Stop trying to scare me, Crutchhead. I’m not buying it and it won’t work. Go sell crazy elsewhere. And for the record, you can keep Christmassacre in your way, and I will keep it in mine, by ignoring its baneful existence and counting paper.”

“It is I, Morley,” the voice continued.

“Like hell it is. Come out, come out, wherever you are, and I’ll bite your bloody face off! I have no time for your foolish shenanigans.”

Screwed pulled his cap down over his bristly eyebrows and sighed. Every year it was the same nonsense, and if Crutchhead thought his silly annual prank would soften Screwed’s blackened old heart to the plight of Little Tomby, he had another thing coming. Plus, he suspected that Tomby wasn’t even Crutchhead’s real child, but an orphan he had plucked from the streets to earn sympathy.

“Seriously, mate, wake up and smell the moldy Christmassacre pudding!”

“All right, that’s it.” Screwed threw down his ledger and headed towards the window, which was fake and opened on nothing more than the sub-office where he kept the jewels and important papers.

“That’s the last mess you’ve made that I have to clean up!” shouted Screwed at the window. “Disrespecting the employer that’s kept you in geese for the past decade, defying my desire not to celebrate the worst idea for a holiday since the Yanks foisted Thanksgoony upon us, and…you are so freaking fired.”

Screwed pursed his lips in a refinement upon the fowl’s sphincter Crutchhead would not be enjoying this Christmassacre, or any to come.

Suddenly the air grew cold, and Screwed shivered, wondering at the sheer gall of his soon-to-be-ex-employee. “That tears it,” he roared. “Do you know how much hot air costs? Do you have any idea how much I have scrimped and saved and sweated over a hot ledger simply to sustain your reeking carcass, long may it burn in Hell?”

“I’m afraid you are late for that particular pity party,” said Morley.

The excrement was about to manifest in a most tangible way.

Screwed rubbed his eyes at the apparition that suddenly appeared before him, all clanking chains and a white sheet that Screwed was fairly sure had been stolen from his bed a fortnight ago.

“Are you taking the piss?” Screwed ejaculated. The ghost smirked at the author’s deliberately ambiguous use of an antique synonym for “quick verbal utterance.” And even supposing another meaning was intended, the ghost had no physical form and thus would be spared any bothersome stains upon his person.

“Seriously, though, it’s you, Crutchhead, innit.”

Morley removed his jaw and placed it on Screwed’s desk.

“Okay then, maybe you are a haunt come to address my so-called wrongdoings,” Screwed sputtered. “Well, get on with it. I don’t have all night.”

“I am the ghost of Christmassacre past, passing and to come,” said Morley.

“What, all three?”

“I thought you would appreciate the economy of it.”

“So…you’ve finally taken a cue from the old man. Ha ha, I get it. Very amusing. Well, do you have any other tricks up your sleeve?”

“I’m so glad you asked,” said Morley. “Fortunately for you, my sleeves are empty.” To demonstrate, Morley rolled the sheet past his skeletal forearms.

“And now to the meat of the thing. So to speak. First, I must warn you that anything you say in your own defense will be turned against you on the final Day of Reckoning.

“Second, you don’t want to traipse down the primrose path that led me to these”–Morley shook his chains–“and these”–he rattled his skull-faced manacles–and this“–but decorum forbids more explicit description of the latter horror lodged in Morley’s rear; or what might have been his posterior had he flesh.

Which he didn’t, being a ghost.

You get the idea.

“I’ll shorthand this. Change your wicked ways and stop being such an infernal ass hat, or you will suffer the same fate as me, only worse, because compared to you I’m a bloody angel. Excuse me.” Morley shrugged off the bedsheet; in its place was a pair of fiery wings.”

“Now that’s impressive. Not. Can you tell I’m being sarcastic?”

“Fine. Now hear this: if you maintain your attitude toward Christmassacre and all the joys it represents, you will spend eternity in Hades. Some blokes like to dub it Hell; I much prefer…”

Pommes du terre frites?”

“Mmm-hmmm.” The ghost shook himself and pounded his skeletal hand against the wall in frustration. In life, he had enjoyed more than anything else this French delicacy. Now, he didn’t have the literal stomach for it.

“In conclusion, I present to you the most dreadful sight imaginable. Hold on.” Morley’s wings vanished. Suddenly he stood encased in a cube of gelatin.

“You’re a self-righteous, money-grubbing slimebag of the first water, and for your crimes you will be held prisoner in the jellied hooves of those nags you rode to death in life. And I am so out of here.”

With those words, the ghost disappeared.

“That’s it?” said Screwed. But even as he uttered these syllables, he felt the moist grip of death upon him.

“Wait…wait. Hold on a second.”

“You are Screwed, old man,” came Morley’s voice from the ceiling.

“Don’t I get another chance at redemption? I can change my ways any time. ‘Satan bless Christmassacre and Little Tomby, every one.'”

Morley sighed. He was duty bound to reward sincere contrition with a stern rap on the knuckles and a Get out of Hades Free card.

“Your repentance isn’t credible, but what do I know? I’m just a book-keeper.”

“Crutchhead?”

“Before I came into your employ, I spent some time as a magician’s assistant.” Crutchhead emerged from the closet, his hand extended. “No hard feelings?”

“Yeah, well, you had me going there,” said Screwed feebly. “I give up. Maybe Christmassacre is a good thing. I don’t know. You wouldn’t happen to have some gin on you, by any chance?”

“Would laudanum serve?” Crutchhead produced a test tube full of a brownish liquid.

“Oh Hades yeah. Let’s get polluted and view Stereopticon pictures of unclad damsels.”

 

Music Review: Slashing Through the Snow by Venus De Vilo

Music Review:  Slashing Through the Snow by Venus De Vilo

by Alex S. Johnson

"SLASHING THROUGH THE SNOW" ALBUM, COMIC BOOK AND "KILLENDAR 2016" cover artartwork copyright (c) Venus De Vilo 2015. All rights reserved.

Venus de Vilo’s Slashing Through the Snow is a three-song monsterpiece that should appeal to fans of Gothic singer/songwriter/cartoonist Voltaire, whose sinister snark makes him De Vilo’s twin when it comes to tuneage. The Dublin native plays her own instruments accompanying a voice that’s a bit like Lydia Lunch meets Jello Biafra with Nick Cave lurking somewhere in the shadows.

The only problem with this release is that it’s three songs. One of the many upsides is that the songs–“Santa’s Slay,” “Mistletoetag” and “The Night Before Christmassacre”–are such deliriously wrong and madly delicious ear candy they will burrow into your brain folds faster than a maggot on the Swedish biker crank.

De Vilo has been described as “the love child of Marilyn Manson and Amanda Palmer,” and the blurb is dead on, if the greying matter on display here is any bloody indication. I would add Edward Gorey and Tim Burton, among other artists who combine dark wit with horrific themes; one is reminded that H.P. Lovecraft’s first published story, “Herbert West, Reanimator,” was intended to be funny and appeared in a humor magazine (Little Known Fact Department).

If you ever wondered about the predatory character of Santa Claus, “Santa’s Slay” will set the record straight. Anybody who spends Christmas night breaking and entering into the homes of complete strangers with a “naughty and nice children” list pasted against his jelly belly should by all rights be listed on some kind of international Most Wanted list. Not to mention that Claus had done this once(?) a year for centuries before he began to sport the Coca-Cola corporate colors, and we have a big, bad, red and white problem on our hands.

De Vilo’s version strikes me as the more accurate–in her take on the legend, Santa takes a sharp weapon along with his gifts. And why not? Why stop at home invasion and stalking kids when you can add serial killer to your credits?

Preparatory to “The Night Before Christmassacre,” “Mistletoetag” tells the grisly yet hauntingly beautiful story of a bad romance. And then we have the sizzling giblets of the thing…

Santa’s slayride sets the stage for the unholy blessings of “Christmassacre,” where everything dreadful lurking beneath this beloved holiday worms to the surface and takes heads. Eerie keyboards echoing Keith Emerson’s score for Dario Argento’s film Inferno lead into the secret history of Yuletide. Yup, folks, “fresh from his spree,” it’s “f**king Saint Nick!” His hair soaked in gore, looking like Leatherface merrily dolled up in seasonal department store drag, the better to sit you on his lap and ask what you really want for Xmas…

De Vilo spares no institution, person, place or thing with her caustic, hilarious songs. If you’re easily offended, this download is probably not for you. But if you like brilliantly funny, razor sharp songwriting, Slashing Through the Snow is well worth the Euro.

Just a taste of De Vilo’s lyrical gifts, from “Mistletoetag”:

A mince pie for one and a bottle of wine,
This time last year, he was all mine,
under mistletoe, in our paper hats,
Now all that he wears,
A MISTLETOETAG…

On Bludgeon, On Shitsen…

For more information, go to: https://venusdevilo.bandcamp.com/album/slashing-through-the-snow-album-comic-book-and-killendar-2016