Historian of Horror : The Best Scrooge

Too often we confuse ‘best’ with ‘favorite’. And vice versa. I contend frequently with folks on social media who insist that their favorite movie (or song or book) is the best ever, despite the probability that they’ve never experienced any of the recognized classics that routinely top the lists compiled by prestigious bodies such as the American Film Institute, and therefore have no reasonable basis for comparison. I mean, really. The Shawshank Redemption is a very good film, true, but is it actually better than Citizen Kane? Lawrence of Arabia? Tokyo Story? Le Grande Illusion?

Pardon me while I laugh myself into a terminal case of hiccups. 

Likewise, everyone seems to have their own personal favorite film version of Charles Dickens’ classic novella, A Christmas Carol. Okay, so Muppets are all very nice, and musicals, as well, and certainly Mr. Magoo’s interpretation of Ebenezer Scrooge cannot be discounted. Legitimate favorites, all, but let’s be serious about this. None are THE best. 

A Christmas Carol is first and foremost a ghost story; a horror tale that, properly presented, chills the blood as much as it warms the cockles of the heart. It is also a commentary on the depraved heartlessness of unrestrained capitalism, and it is the combination of all these aspects that makes the version starring Alastair Sim far and away the best interpretation ever captured on celluloid.

I will fight you on this.

I have to admit that the 1962 telefilm, Mr. Magoo’s Christmas Carol, is my personal favorite and has been since I was a small child, but no, it is not the best. The acme, the absolute pinnacle of cinematic scroogismus, is the 1951 British film, Scrooge

Firstly, it’s in glorious black & white. I know we have entire generations suffering under the delusion that movies must be in color, but color is the enemy of filmcraft in so many ways. There is no special effect so overused as color. 

You simply cannot create the required deep shadows and existential angst needed to tell this story perfectly without high contrast blacks and whites. With them, Scrooge drips with nigh unto film noir levels of expressionism. I’ve never seen a color version that truly brought out the painful darkness of Scrooge’s soul, and this interpretation does it better than any other black & white version. It benefits greatly from being made in the midst of the Age of Noir, drawing heavily upon the stylistic and thematic tropes of that genre. Until the moment of Scrooge’s redemption, just as is the case of George Bailey in that other great holiday film noir, It’s a Wonderful Life, the object of the narrative is a lost and desperate man, sunken into a despair that is palpable. The tragedy here is that it is of his own making and that he knows it.

Sim shows this better than any other actor. His wonderfully expressive eyes and staccato yet graceful physical reactions show that the Scrooge he was at the beginning of that Christmas Eve wasn’t gratuitously mean or cruel. He was a deeply wounded man, disappointed in the turns he felt compelled to take along his pathway to wealth. Sim’s Scrooge isn’t a villain. He’s a victim of his own designs. Sim plays that so much better than any other movie Scrooge. And I’ve seen damn near all of them.

The kicker for me is the scene at the end of the Spirit of Christmas Present’s time when he opens his robes and shows the twin children of hopelessness, both society’s and Scrooge’s:

“This boy is Ignorance, this girl is Want,” he tells the nearly repentant miser. “Beware them both, but most of all, beware this boy!”

“But have they no refuge, no resource?” Scrooge asks.

The Spirit throws Scrooge’s words from early in the story back at him: “Are there no prisons? Are there no workhouses?”

Bam! With that, he accuses Scrooge, and us, of depraved indifference to the suffering of our fellow beings. Following that indictment, the Spirit of Christmas Yet to Come seals the deal, and Ebenezer Scrooge awakens on Christmas Day fully “Woke”. 

There. I said, and I meant it. 

The supporting cast is also excellent, with Michael Hordern smarmily excellent as Marley. Mervyn Johns as Cratchett, Hermoine Baddeley as his good wife, and Ernest Thesiger as the undertaker are all outstanding, as is the rest of the stellar cast.

Scrooge is available on YouTube year-round, and will no doubt be shown on Turner Classics and other movie channels, or streaming all over the bandwidth, during the Christmas season. I urge the populace to indulge in its pleasures, and its agonies, wherever possible. You’ll thank me the longest day of your life.

Until we meet again, my Yuletide Yetis, as always, be afraid.

Be very afraid.

FRIGHTENING FLIX BY KBATZ: A Christmas Carol (2019)

Thought Provoking and Mature A Christmas Carol (2019)

by Kristin Battestella

To allow himself rest in the afterlife, the deceased Jacob Marley (Stephen Graham) aides The Ghosts of Christmas Past (Andy Serkis), Present (Charlotte Reily), and Future (Jason Flemyng) in orchestrated a change for good in his soulless, corrupt business partner Ebenezer Scrooge (Guy Pearce). Scrooge’s bitter ways effect the health, happiness, and welfare of his clerk Bob Cratchit (Joe Alwyn) and his wife Mary (Vinette Robinson), but confronting Scrooge’s horrible life may not be enough to redeem the miser…

The 2019 BBC miniseries A Christmas Carol produced by Ridley Scott (Prometheus) and Tom Hardy (Venom) is a darker imagining of the perennial Charles Dickens tale with episodic chapters originally called “The Human Beast,” “The Human Heart,” and “A Bag of Gravel” airing stateside on FX as one three hour event. Director Nick Murphy (The Last Kingdom) and writer Stephen Knight (Peaky Blinders) obviously have more time to fill than the more traditional, idyllic, paired-down tellings. Rather than the same old saccharin “God bless us, everyone!” these days viewers expect television to bring on the relatable Victorian bitterness. We often glorify the past, but this A Christmas Carol doesn’t underestimate an audience intimately familiar with weighing every action by gain mentalities and who you know and how much money you have getting you anywhere in life uphill struggles, abuses, and humiliation. Urination, grave desecration, bastards, and F-bombs immediately set this adult tone before ominous winds, crows, eerie graveyards, and a frosty ethereal London 1843. Church bells, purgatory supernatural, and almost Shakespearean asides accent the six feet under coins on the eyes, and no rest in peace as hellish forges, chains, and swinging coffins invoke a much more grim penance. Phantom sleighs dragging the chained behind lead to echoes between the counting-house and the spirit realm. Rattling in the fireplace and cutaways to the point of view from an empty chair realistically lay the forthcoming between worlds – embracing the Victorian off-kilter faerie parallel rather than just a sudden, mere holiday intervention as is often portrayed. Time is taken in A Christmas Carol with handwashing a la Lady Macbeth and ghostly versus guilt-ticking clocks. Hypocritical analysis digs deeper than humbug archetypes, and great horror imagery sets off the familiar but transposed text delivered deftly and naturally without any try-hard ye oldeth. Villainous silhouettes grow darker when we get the famous workhouses, prisons, and let them die disturbing. Shadows and black horses take the place of the locomotive on the stairs as other animal kindnesses born out of cruelty and hopeful lantern flashes contrast the creaking gate and ghostly door knocker. While most adaptations have a quick start or only run eighty minutes themselves, here it takes an hour before we even get to the Scrooge and Marley encounter. This A Christmas Carol simmers and broods, for these apparitions have been a long time coming with thumps in the night, groaning houses, clicking locks, and guilty consequences. Chilling reasons for that scarf usually around Marley’s jaw become macabre shocks as A Christmas Carol takes the hallmarks of a story that’s tough to do wrong and runs with the one-on-one encounters, twofer deliveries, and fiery flashbacks. Faulty subcontracts and bribing officials led to bloody workhouse disasters, gas explosions, and coal mine collapses while Scrooge passed the blame and forged those symbolic chains.

The refreshing script simplifies the Dickensian wordiness yet we do get some of the sardonic undigested beef quips amid self-aware glances at the camera and eternity spent in a forest of abandoned Christmas trees and forgotten childhood memories. An act of kindness said to be given to someone in pain is rejected as the abused perpetuate abuse, dealing in greed and people as commodities. Those scarred mentally and physically by the cruel, cost-cutting overseers rightfully call upon revenge like a reverse It’s A Wonderful Life orchestrating this spiritual comeuppance. Snowfall and ash in the air mix as other realms and childhood fears merge with violent canes, creepy singsongs, and pets caught in the chilling crossfire in a house that can’t afford another mouth to feed. Hiding behind the bed curtains is used to frightful effect as A Christmas Carol shows what the book implies yet leaves nasty suggestions to the shadows. Hope, however, can be found small as a mouse, big as a camel, or even in fanciful book illustrations come to life to save a boy’s mind from his torturous reality. Unfortunately, people are only worried about themselves. Gifts are just unwritten debts and unprofitable affections. These spirits force us to relive the darkest moments of the picture we paint so we may unlearn the ills that have shaped who we are. Here A Christmas Carol feels timely and modern, layering the past with disturbing familiar faces and real-world terrors that harden a boy’s heart and break our Christmas spirit. Magical deflections, pleas to go home, and facing the horrors combine for superb duality and visualizations as children may or may not see spirits and two of the same character appear in the same place at once. Loom factories become massive calculators in an industrial fantasy hitting home the cold hard numbers. Tragedy for many is opportunity for the few, and that’s just good business to see pounds instead of people and exploit their weaknesses accordingly. Shameful humiliations done on Christmas Day are born not out of desire, but agonizing experiments testing the solemn limits of what good people will do for money. Viewers contemplate how far A Christmas Carol will go in examining the the value of human virtue, and Merry Christmas greetings are said for all the wrong reasons – justifying the prayers, warnings, and curses that one day the truth will look us in the mirror. Mining survivors unite in memorial choirs, and the poor make up the difference with happiness and love instead of itemizing priceless intangibles. Halos at the altar suggest salvation, but admitting regret or that love came too late to stop hatred isn’t enough against chilling figures in the dark, haunting drownings, cracking ice, and death shrouds. Tolling bells and heartbeats announce the fatal consequences as we accept our deserved fate. For all the spirited meddling, it is up to us to change and act for the benefit of others without expectation of reward as A Christmas Carol concludes in full Dickensian compassion.

The First Chapter of A Christmas Carol is excellent as is the second. However, when expanding such a short novella, the balance is bound to be uneven. Here Christmas Past is featured for almost an hour and a half – leaving twenty minutes for The Ghost of Christmas Present and only ten minutes for The Future. After such depth with The Past, viewers wonder why Andy Serkis just didn’t play one composite spirit? Upon moving on from him with only forty-five minutes left, suddenly this A Christmas Carol is rushed, running out of time, and on the same pace as any other adaptation. Onscreen Christmas Eve 1843 openings don’t match Marley’s 1842 grave marker and the supposed seven years since his passing, but nor do the 1851 death dates. The melancholy focus will tiresome audiences, yet the quick finale feels like this should have been longer – a four-hour, two-night event. All that Past just opened Scrooge up so The Present can show warmth by making him wear a scarf and tinge his heart in a third of the time? The often excised Ali Babi brings a dash of childhood wonder into such grim, but making The Ghost of Christmas Present a woman to soften up Scrooge negates the progressive gender change and defeats the purpose of ditching young Scrooge’s for love or money choice. While losing the seemingly essential festive Fezziwig works wonders, the exclusion of eavesdropping on Nephew Fred’s is a missed opportunity when you’ve made his mother The Ghost of Christmas Present. The Past repeatedly tells Scrooge this is not a game – long after Scrooge stops making passive-aggressive asides – but Fred’s mocking his uncle and Scrooge’s family resentment would have fit in well with this bitter A Christmas Carol. Viewers begin to notice famous wording and elements missing. Did we skip an episode? Did the editor lose a reel? My favorite moment with Ignorance and Want is also excised when the decrepit child motifs would have fit these acerbic themes, and the casting lots on the bedclothes bargaining is another profiting on death horror that is surprisingly absent as if the writers simply didn’t finish adapting the fourth stave of the book or the production plum ran out of time and money. At times A Christmas Carol doesn’t seem to trust what it has in these exceptional performances and the timeless source material, adding in extra dialogue when looking at the camera directly implies the fourth wall is already broken and the spiritual work is coming for us next. Some truly good or innocent and in tune characters are said to see the usually invisible Scrooge and company – a haunting provocation wonderfully bringing this seeming radical A Christmas Carol right back to Dickens, for “I am standing in the spirit at your elbow.”

Occasionally Guy Pearce (Brimstone) looks top hat debonair as Ebenezer Scrooge, but the greased hair, liver spots, curled lip, and scratchy voice are looking foul decrepit to match the black ink said to run through his veins. According to Scrooge, gifts are falsely sought and dressed in ribbons to create artificial happiness and fake grins. No one really means their tidings of joy, and the December 25 dates, wise men, and snow in Palestine “facts” are just more perpetuated lies revealing who we presume to be and who we really are on Christmas or any other day. If such yule transformations were true, then why aren’t we such lambs every day with one day of misery to say what we really mean? Scrooge remains isolated in his office, looking out his window on the noisy world as time is taken for his extrapolated soliloquies on pretense and humbug. However, even the camera pulls back when he approaches, recoiling at his despicable holiday honesty. Scrooge is obsessed with counting, an OCD itemizing when he’s frustrated by poor fools and pesky specters. After talking to himself and almost missing Marley, Scrooge is angry at the deceased’s appearance, defiant, and regrets nothing. Although put in his place early with scary past confrontations, he uses his history to justify why he is this way but not that he needs to change. Shrewd Scrooge buys liquidating businesses under price before selling them at true value and smiles at the wheeling and dealing done in his prime. He even tells The Ghost of Christmas Past to write off a new coat as a business expense if subjects keep clawing and crying on his robe. Repeatedly rationalizing every profit over human cost and exploiting all opportunities despite any anguish, Scrooge revels in dangling the keys to his safe before the desperate. Once defensive and refusing to look, he grows ashamed of his actively cruel behavior in an excellent dual performance contrasting past and presents Scrooge side by side. Scrooge practices positive greetings in the mirror but looks more creepy doing so. He doesn’t know how to change even if he admits he may do things differently if given the chance, for it was his own innocence sold that spurred this solidarity with money. Scrooge regrets and apologizes, trying to break the spirit rules and interfere yet he refuses redemption. He accepts he was wrong and deserves to not be forgiven as softer hair and nicer skin suggest his revitalization. Scrooge runs through the street like George Bailey, closing his business and giving away money. Payoffs won’t make everything right but he has to start being a better person somewhere. Don’t we all? Although I wish we heard some of the traditional wording from him – and I want to make his long dress coat – once again I ask where the awards are for Guy Pearce. Sometimes, he also looks like Sean Bean here. I hadn’t noticed this before and now I demand they play brothers in future yearly gothic holiday adaptations. Van Helsing, Jekyll and Hyde, yes please. Please please please please!

Instead of just saying he sat beside Scrooge and tried to reach him, Stephen Graham’s (This is England) restless Jacob Marley has much more to do. Marley anchors the transitions between counting-house and underworld as the realms bleed through like a double negative. He wants his own absolution and needs Scrooge to get him such Clarence-esque wings, deepening the potential penance via his own encounters with the Ghost of Christmas Past. Anguished Marley thinks he’ll be stuck in purgatory forever if his redemption hinges on Scrooge. He believes their reality was a choice, also appearing after the spirits to admit how wrong they were in life, and it’s fascinating to see his realization as the culmination rather than the impetus of A Christmas Carol. Andy Serkis (Lord of the Rings) looks like an undead, ancient Santa as the Ghost of Christmas Past – a cranky minder of souls perpetually burning forgotten holiday hopes. The character also appears as the evil Scrooge Senior in pure horror torment as well as the literary friend Ali Baba in bittersweet moments. His eerie hood is not the sentimental sprite we expect, and the dried wreath on his head carries a crown of thorns, Christ-like innocence lost. Instead of the distinguishing cap, a zoetrope hat casts past shadows on the wall in an excellent visualization of the then-new to see the old. Weary over Scrooge’s excuses, The Past sends progressive Ghost of Christmas Present Charlotte Riley (The Take) in the guise of sister Lottie Scrooge in a lovely change again deserving of much more than repetitive family exposition and narrating already seen actions from characters that could have said everything themselves. Logical Lottie understands Scrooge’s past pain, combining the scientific and sensitive to confront Scrooge before the mouth sewn shut, grave digger-esque Jason Flemyng (X-Men: First Class) as The Ghost of Christmas Future enters tolling a broken bell. He’s said to be the most terrifying of the spirits and the one who ultimately decides Scrooge’s fate, but unfortunately, he doesn’t really appear to do anything but provide the disturbing Tiny Tim fate. The Past had equally frightening moments, and The Future merely disappears as Scrooge ultimately amends on his own.

 

Joe Alwyn (also in Mary Queen of Scots with Pearce) doesn’t really stand out for me among the numerous lookalike blonde boy band-type actors abound these days. His Bob Cratchit seems somewhat young, weak, and ineffectual, but that is fitting for an overworked father trying to keep his meager family together. Scrooge thinks four lumps of coal is more than reasonable despite his clerk’s frozen ink and continues to rag on him for a word misspelled once five years ago. Exasperated Bob insists he doesn’t get angry and does his work perfectly to spite Scrooge. He doesn’t hate his employer and remains kinds to Scrooge, asking if he is himself when they have such surprisingly frank conversations on this peculiar Christmas Eve. Bob has to toe the line between passive-aggressive asides and really talking back or standing up to his boss. He tells Scrooge he knows indeed how precarious his situation is, making us wonder why “situation” as synonymous with “job” fell out of terminology when the family to feed or ill health reasons that one toils should be paramount. Vinette Robinson’s (Sherlock) Mary Cratchit is frazzled and snippy, making excuses to her husband and sketching stories for Tiny Tim because they have no money for books. Only having two little Cratchits and a relative aptly named Martha tightens the familial focus, and Mary resorts to terrible secrets and forgoes her pride in a desperate need to save her son. She prays to be forgiven for what she has to do and asks Jesus to turn his head over such blackmail and lies. The holiday means Mary has to revisit one terrible Christmas every year, repeatedly going outdoors rather than face the congested weight and manifested guilt as the spiritual influences come full circle. Rather than the usual poor but happy brevity, A Christmas Carol develops The Cratchits as conflicted people, embodying how the one who has to power to alleviate their suffering can cause more oppression without having to lay a creepy hand on anyone.

The titular icicle script ekes out the ghostly etching with a cold nib to match the frosted windows and meager candle flame frigid. Snow abounds alongside carriages, street lamps, sleighs, ice skating, and crowded streets. However, there are precious little signs of Christmas in A Christmas Carol. No holly, few wreaths or plain garlands, no old fashioned merry, and the only jolly comes in brief carol notes and fiddle melodies cut short. While the night time blue tint is easier to see, the over-saturation may be intentionally noticeable and otherworldly. There are also some unnecessary swooping pans over the cobblestone streets but fortunately, these are only used early on to set the Londontown bustle versus the paranormal underbelly. Stage-like blocking, lighting schemes, and careful attention to detail visualize characterizations with gleams of light shining through the windows as natural, hopeful rays or framing dark silhouettes as needed. The counting-house office is divided between a brighter front and a darker back office with a wall of ledgers between rooms that the clerk must repeatedly go around to talk to Scrooge. Intercut foreshadowing between worlds leaves onscreen space for characters on another plane, subtly establishing Scrooge and Marley’s partnership even if the men are technically not together in the same scene. Echoing footsteps, bells, chimes, and creaking invoke period as well as horror amid hellish red fireplaces and disturbing imagery. Pox marks and sullen pallors match the tattered gloves and shabby bonnets on the poor while slightly more refined styles set the wealthy apart with top hats, ascots, waistcoats, pocket watches, and frock coats. A Christmas Carol looks at the early Victorian part without relying on the expected women’s silhouette thanks to fantastical cloaks, steampunk touches, and choose special effects. Dark upon dark schemes set off the horror visuals and cave-ins as the fog and frigid grow inside as well as out in the largely empty interiors. Groaning walls and a growing bed are ominous without being overbearing. The optical tricks are simple with slow zooms or camera cuts to where a spirit might be, leaving the chill up the spine carried by one’s looking over his shoulder and frightful reaction shots – as the scares should be.

Certainly, there are more genteel family-friendly adaptations of A Christmas Carol, and this decidedly darker spin won’t be for those seeking any lighthearted Dickensian comforts. It also takes planning to settle in for the whole three-hour block stateside. Although the chapter title cards are retained and once we’re on this retrospective journey it’s tough to stop, having had the original UK episodic format would solve the dreary, dragging complaints. I watched this multiple times to pause and take notes, and there are more insights the more you watch. Despite an uneven weakness rushed in the latter half, the redemption arc fits this darker tone. Here there’s no overnight exuberance, and it makes the viewer consider how fast and superficial other interpretations now seem when the longer television format allows for such grim, thought-provoking extrapolation. It leaves one wanting more of this A Christmas Carol, and its unabashed look in the mirror is watchable beyond the holiday season – paralleling the words herein to be the best person we can be daily rather than just faking it at Christmas.

Read on for more Holiday Horror:

Tales from the Darkside 1 2 3 4

Bell Book and Candle

Krampus (2015)

FRIGHTENING FLIX BY KBATZ: Tales from the Darkside Season 4

Still Enough Gems in Tales from the Darkside Season Four

by Kristin Battestella

The 1987-88 Fourth season of the George Romero produced Tales from the Darkside provides a darker horror bizarre in its final twenty episodes beginning with the smuggled artifacts, Egyptian statues, and golden sarcophagus in writer Robert Bloch’s “Beetles.” Although the premise is familiar, the petrified corpse, gem eyes, and eponymous scarabs create a great atmosphere and ominous warnings – return the mummy to its tomb or suffer the cursed consequences. The unheeded desecration leads to more hysteria, insects, and death throws, setting the mood for the season alongside the dolls, mannequins, and stuffed animals of “Mary, Mary.” These are our lovely photographer’s friends, and the photoshoot trickery for the video dating service calls is weird, pathetic, and sad. A real-life friendly neighbor is too scary – she can’t hide behind any facade and live vicariously in this orchestrated illusion. However, the warped horror escalates once the dummies start talking back. The new owner of an infamous haunted townhouse in “The Spirit Photographer” also intends to use rare technology and mysticism to prove the paranormal to his rational friend. They’ve spent their lives seeking evidence or to debunk, obsessing over life after death and paranormal explanations in an interesting two-hander mixing real science, ectoplasm gadgets, and ghostly images. Some of the supposedly irrefutable photos and phantom wails are laughable, but the eerie messages, stakeout suspense, and deceased drain on the living provide great ambiance. “The Moth,” by contrast, is brimming with rural mood thanks to a humble cabin and spellbooks that won’t burn. Debbie Harry’s (Videodrome) stabbed by a jealous wife and her angry mother thinks she is a wicked girl for the water rituals, broken clocks, branches, and circles in blood. Our daughter intends to come back – so long as her mother captures the moth that comes out with her dying breath. The religion versus the devil, who’s right and sinister, is well-done thanks to counting the sand to keep out evil, creepy conversations, and deadly twists. Writer Clive Barker (Hellraiser) adds holiday melodies, trees, and presents to the underlying menace in “The Yattering and Jack” with angry apparitions, cracked mirrors, and apparent poltergeists. Unexpected family visits escalate the supernatural and pleas to Beelzebub as carols turn to fiery smoke and devilish demons debate the rules found in Job regarding tormenting a good man into admitting evil exists. Tales from the Darkside presents another disturbing December demented–possessed turkey dinner and all.

A horror writer dad videotapes his scary movie adaptation for his squabbling kids while mom’s on a long-distance call in Stephen King’s (Creepshow) “Sorry, Right Number.” Flashing call waiting buttons and desperate pleas for help, unfortunately, leave mom worried. She knows the voice but it isn’t their collegiate daughter nor sisters or grandma. Our husband thinks it was a prank or wrong number, and the family dynamics change thanks to the understandable apprehension. The bad feeling continues in the night with damaged door locks and well-developed suspense that keeps viewers invested right up to the twist. A passive-aggressive bill collector in “Payment Overdue” threatens unpaid folks and enjoys scaring kids who answer the phone with how their parents are going to jail – getting the job done with no exceptions until she receives a raspy call from a supposedly dead claim. It turns out she doesn’t like being on the receiving end of the harassment, and the fearful frustration phone acting isn’t phoned in like today’s television with abrupt smartphone conveniences. A mysterious man delivers the payment from the deceased dialer – an avenging angel forcing our overly confident go-getter to face the chilling pleas before it’s too late. Tales from the Darkside has several similar stories in a row here with devils and telephones, but the excellent turnabouts make for a strong mid-season before a plump lady who’s tried all the guaranteed weight loss gimmicks in “Love Hungry.” Amid talking to her plants and crumbs everywhere, she spots an ad for ‘your weight is over.’ Soon a small earpiece arrives allowing her to hear the painful screams of the foods being ingested. It’s both an amusing and disturbing way to ruin dinner, and it’s amazing no one else has thought of the horror of considering body, environmental, and self-worth statements from the fruit pleading not to be eaten. Now that she has a pair of glasses revealing the food in question, it would be murder to eat them but she has to eat something – leading to hunger, paranoia, guilt, and a bitter finale. Period clothing, spinning wheels, and old-fashioned décor belie the 1692 Colonial Village in “The Apprentice” as a contemporary student applies for a re-enacting job. The magistrate insists on no sign of the twentieth century allowed, but our coed doesn’t take her apprenticeship seriously. Smoking, flirting and telling the puritans to lighten up and not have a cow lead to stocks, hangings, and debates on using so-called witches as a scapegoat to bind a struggling society together. Horror viewers know where this has to go, but it’s a real treat in getting there.

“The Cutty Black Sow” continues Tales from the Darkside’s late superb with trick or treating, fireside vigils, and an ill grandma who doesn’t want to die on All Hallows’ Even. Scottish roots and Samhain lore combine for deathbed delirium about the titular beast and warnings to stay safe inside the stone circle. The young grandson is left to make sense of the ravings, trying to finish protection rites he doesn’t understand in this unique mix of candy, masks, and contemporary Halloween fun alongside old word spells, rattling windows, glowing eyes at the door, and home alone frights. The spooky darkness and chilling what you don’t see is dang creepy even for adults! However, a cranky old wife is unhappy with her husband’s junk in director Jodie Foster’s (Flightplan) “Do Not Open This Box.” She wants new things – including the titular package that a strange mailman says was delivered by mistake. He insists he’ll pay anything for the unopened box’s return, and our browbeating lady sees an opportunity for a reward. While she shows up her friends with ostentatious jewels, her husband only asks to invent something useful to others. Our carrier also has a midnight deadline and a limit to his gifts, and his repossession notice exacts a fiery turnabout. In returning director, Tom Savini’s “Family Reunion” dad Stephen McHattie (Deep Space Nine) does whatever it takes to find a cure for his son – taking the boy from his mother and remaining on the move as chains, snarling, shadows, and howls handle the surprise. Prior torn shirts and accidents send mom to child services; and despite nightmares, pain, and the urge to run free, the boy wants to be with his mother, leading to wild confrontations, hairy threats, and superb revelations even if you already know what’s what. Barking dogs, parakeets, kitchen timers, coughing, and ominous toys also foreshadow the noisy horrors for the babysitter in “Hush.” Her charge has been experimenting in his father’s workshop – creating a noise-eating robot with one freaky suction-like hose. Initially, the primitive gadgets seem hammy and the premise simple, but the accidental activation and broken controller lead to heavy breathing, beating hearts, and some quite disturbing, slightly sexual imagery.

 

Of course, it wouldn’t be Tales from the Darkside without a few awkward entries including the impromptu champagne and sensitive puppeteer forced into a private performance for a hammy gangster in “No Strings.” Cliché accents, vendettas, dumb shootouts, and sexism litter an already silly premise, and the supposedly scary pantomime is just dull. Yuppies also get what they deserve in “The Grave Robber” – another Egyptian piece with hieroglyphs, explosives, a creaking mummy, and yes, strip poker. It’s laughable in all the wrong ways, and Divine (Hairspray) likewise can’t save the corny jokes, offensive portrayals, and stereotypical visions seeking the obnoxious titular leader of “Seymourlama.” Will these terrible parents sell their indulged son for shiny trinkets? Although disturbing, the attempted mix of satire and sinister misses the mark. Downtrodden scriptwriter Bradley Whitford (The West Wing) also doesn’t believe his innocuous neighbor with a dog named ‘Diablo’ can help him achieve movie-making power in “The Deal.” Hellish quips contribute to the deja vu, for we’ve seen this plot previously on Tales from the Darkside as well as in other horror anthologies. This isn’t bad in itself, just derivative. The shutter clicks and outsider point of view trying to solve humanity’s mystery in “Going Native” is stilted and drab, too. Our photographer regrets joining this bizarre reverse therapy group with dark robes, rage, aggression, and creepy innuendo. It’s all trying to be lofty about the human condition with on-the-nose debates about why we let advertising dictate what we value, obsess with wish-fulfilling television, and use sex to alleviate solitude but everything falls flat. For its time maybe this was provocative, however, it’s run of the mill after better Tales from the Darkside episodes, and the steamy, alienated analysis could have been better explored on Tales from the Crypt. Unfortunately, from Nicky and Ruthie to the bad accents and red hair, the I Love Lucy spoof in“Barter” is just plain bad. A rambling, ammonia-drinking alien salesman gives mom a gadget to freeze her son – providing some peace and quiet amid all her good gollies and household hints. Of course, everything goes wrong, and the attempted parody completely drops the ball as Tales from the Darkside ends with two clunkers. Likewise contending for worst in the series is “Basher Malone.” Its gritty music, seedy crowd, and wrestling cliches are terribly dated alongside some macho, blue lasers, and a masked man coming out of a portal behind the soda machine?

Fortunately, that Tales from the Darkside introduction is as creepy as ever, and the crawling bugs, icky corpses, gory faces, choice monster effects, and ghostly overlays remain effective. Hellish red lighting, dark silhouettes, nighttime eerie, fog, and thunder invoke horror despite small-scale sets and one-room storytelling. There are often only a few players per episode, too, but the acts flow as conversations rather than relying on flashing editing or visuals over substance. Through the frame views, mirrors, reflective shots, and basic camera ruses accent good old-fashioned corded phones, big cordless phones with those giant antennas, answering machines, long distance calls, operators, and Ma Bell references. There’s big old computers, tape decks, record players, radio reports, boob tubes, and the rush to find a blank VHS for the VCR amid nostalgic antiques, retro lamps, classic tunes, and period piece clutter. The obligatory eighties cool with big hair, excessive make-up, lots of pinks, and terribly glam fashions, on the other hand, woof! Strangely, the Tales from the Darkside DVD Special Features includes two more episodes – odd spin-offs or backdoor pilots that sadly went no further. Wills and flirtations mix with black roses and exotic pursuits in “Akhbar’s Daughter,” for sheer near nudity, steamy silhouettes, and threats about what happen to the last suitor add to the sense of forbidden danger. By day, the tantalizing lady is not what she seems at night – leading to ominous portraits and gross consequences. Instead of wasting time on silly entries, it would have been interesting to see Tales from the Darkside grow into this more mature vein, and “Attic Suite” has a desperate paycheck to paycheck couple contemplating how to get rid of their elderly, costly aunt and gain her insurance policy. Auntie herself wishes she could starve herself to death for them, and we believe how sad and bitter the options are as the dire needs escalate in another serious, demented, and twisted plot. These two extra entries should have replaced the last two clunker episodes, which send an otherwise fine season and overall perfectly demented series out on a cheesy note. Compared to timeless horror series before like The Twilight Zone or upping the saucy Tales from the Crypt after, Tales from the Darkside is steeped in low-budget eighties sinister. Season Four’s eerie goods live up to the series name, and Tales from the Darkside remains watchable with memorable if bizarre vignettes and frightful storytelling.

For More Scary Television, check out:

Tales from the Darkside 1 2 3

Penny Dreadful 1 2 3

Tales from the Crypt 1 2 3 4

The Munsters 1 2

It Came From the Vault: Traditions by Stephen Kozeniewski

vault

TRADITIONS

by Stephen Kozeniewski 

Granny clattered on the counter with a wooden spoon until the children stopped squabbling. When they finally turned to pay attention, she smiled, baring each and every bright white denture with joy.

“All right, little nuggets,” she said, “Now granny is going to show you what to do. Come up here.”

She lifted two-year-old Benji and planted him on the counter beside the sheer metal stockpot that was almost as tall as him.

“Now, Benji, this wax is very hot so don’t put your fingers in it and don’t splash.”

“Yes, grandma.”

“Now start to feed the coil in slowly and let me know when you run out of length.”

Giggling, Benji did as he was told.

“Granny, why do we wax the decorations?” little Suzie asked, her pinky hooked into the corner of her mouth.

“So that they last, my dear.”

“And why do we want them to last?”

Granny crouched down to Suzie’s level, even though it pained her ankles.

“Because it’s a tradition, my dear.”

Little Suzie’s eyes lit up with the wonder of excitement and recognition.

“A t’adition?”

Granny nodded.

“Like when we invite a homeless person in for Christmas?”

“That’s right.”

“All done!” Benji announced, clinging to the last link of this year’s holiday visitor’s small intestine.

Together, as they did every year, they draped the wax-dipped organ around their tree of horrors. The attic was starting to overflow with their collection of decorations.

“God bless us every one,” Benji said joyously.

******************

Kozeniewski Author PhotoStephen Kozeniewski (pronounced “causin’ ooze key”) lives with his wife and two cats in Pennsylvania, the birthplace of the modern zombie. During his time as a Field Artillery officer, he served for three years in Oklahoma and one in Iraq, where due to what he assumes was a clerical error, he was awarded the Bronze Star. He is also a classically trained linguist, which sounds much more impressive than saying his bachelor’s degree is in German. Find out more at: www.amazon.com/author/kozeniewski

Live Action Reviews! by Crystal Connor: I Trapped the Devil

Plotline: A man descends into paranoia after trapping what he believes to be the devil in his basement, but things take a dark turn when his family unexpectedly arrive for Christmas.

Who would like it: People who love dark, unsettling films about family, the supernatural, alternative views about religion and WTF films.

High Points: The ending! Even though I was hoping for something different there was absolutely no other way for this movie to end. No. Other. Way!

Complaints: Absolutely none! 

Overall: It was a hell of a ride, lol see what I did there? =D

Stars: 5 Stars

Where I watched it: Amazon Prime

 

***

Master Imaginationist and Instagram photographer Crystal Connor is the Chief Imagineer working for the Department of Sleep Prevention’s Nightmare Division. A Washington State native she loves anything to do with monsters, bad guys (as in evil-geniuses & super-villains.  Not ‘those’ kind her mother warned her about), rogue scientific experiments, jewelry, sky-high high-heeled shoes & unreasonably priced handbags.

When she’s not terrorizing her fans and racking up frequent flyers miles by gallivanting all over the country attending fan conventions and writer’s conferences she reviews indie horror and science fiction films for both her personal blog and HorrorAddicts.net

She is also considering changing her professional title to dramatization specialist because it so much more theatrical than being a mere drama queen.

http://wordsmithcrystalconnor.com

http://www.facebook.com/notesfromtheauthor

Download your free copy of …And They All Lived Happily Ever After! from Podiobooks.com and see why the name Crystal Connor has become “A Trusted Name in Terror!” 

http://podiobooks.com/title/and-they-all-lived-happily-ever-after

From the Vault REPLAY! The Ghost of Father Christmas by Dean Farnell

Originally posted on HorrorAddicts.net December, 2014

The Ghost of Father Christmas

by DEAN FARNELL

Santa Claus Is just a ghost I’ve waited every year

I stay up every Christmas eve and shed a little tear

He never comes to our house I’d know if he had been

I see him in my mind sometimes it must have been a dream.

The spirits placed my presents around the Christmas tree

Or It’s my imagination playing tricks on me.

My Mother tells me Santa’s been, my Father said It’s true

They said he comes when you’re asleep just like they always do.

Every bloody year this happens I get this same old tale

I decided Santa is a ghost I’m not even sure he’s male

I’ll stay awake this Christmas eve just like I’ve done before

Please Santa show your face this year as I’m touching 54.

*************************

deanDean Farnell writes quirky songs, & poetry, mainly paranormal / horror themed as a bit of fun. The songs are recorded in one single take so are raw demos in affect but have still been played on over 600 various radio stations and podcasts all over the world. He currently has 8 tracks In the TuneVibe Top 1000 Indie Chart top 10 including a number one record which has been there for over a year. His poems have been published in Paranormal /Horror mags which include: SCREAM MAGAZINE, TREMBLES MAGAZINE, THE WHITE CROW MAGAZINE, SNM POETRY, DAILY DOSE OF HORROR, SPOOK CITY, GHOST VOICES MAGAZINE, HEARSE-SAY MAGAZINE, BLACK PETAL, and DEAD OF NIGHT TALES. One of his songs titled “Ghost On The Stairs” is mentioned in the book “Rock & Roll Ghost Stories”. One Track “Friday The 13th” has been played on BBC Radio. Angie Bowie (David Bowies Wife) , & Karl Beattie of Living TV & Most Haunted , have all commented how much they have enjoyed his songs. The songs are available on itunes, Tesco, amazon, and Songcast.

From the Vault Replay! A Very Special Christmas Eve by A.D. Vick

Originally posted on HorrorAddicts.net December, 2015

Johnny and his little sister Stacy went to bed earlier than usual that night, but they didn’t mind. It was Christmas Eve after all, and what child isn’t willing to sacrifice a bit of play time when he or she knows that turning in early might just hasten the arrival of Saint Nick? The last thing they did before retiring to their rooms was to watch their mom place a cup of hot tea and a small plate of chocolate cookies on the counter for Santa. “The jolly old elf travels all over the world through the cold and snow every Christmas Eve to deliver toys to good little girls and boys,” she would often tell them. Both children took her at her word because…well, didn’t they receive the toys they asked for the last couple of years?

During the year Mom would often warn her children that Santa only brought presents to youngsters who behaved. Stacy generally tried her best to do what was right, never forgetting her mother’s warning. She felt confident that, after having asked Santa for some new dolls, that he would deliver the goods as he always had. The one thing she couldn’t understand though is why her marionettes would disappear during the weeks and months that followed Christmas. She knew that she loved them and took good care of them; yet, they would sometimes simply vanish from her room. Whenever she complained about these events to her parents, they generally brushed off her concerns dismissively, telling her that she simply needed to stop leaving her things outside where other kids or the neighborhood dogs could run off with them.

krampus2

Johnny, being a couple of years older than his sister, really didn’t buy into his mother’s warnings that Santa only brought toys to children who behaved. Johnny had a secret. He knew what was happening to Stacy’s dolls because he would sometimes sneak into her room while she was out in the yard playing with her girlfriends. He would then take them out to the nearby creek; and after pretending to drown them, would gouge their eyes out with his pocket knife before cutting off their heads and tossing them into a nearby trash can. Upon his return home from these occasional escapades, he delighted in hearing his parents chastise his teary-eyed sister for once again neglecting to take care of her things.

The boy had a mean streak when it came to girls and his sweet sister Stacy was not exempt from his hurtful machinations. Still, he felt confidant that Santa would once again bring him toys this Christmas Eve.

Stacy climbed under the covers of her comfortable bed; and with visions of sugar plums and new dollies dancing in her head, she fell into a peaceful slumber. Johnny on the other hand, decided to remain awake. He would listen until he could be sure that his parents had gone to bed. Then, he’d lie in wait for Santa, determined to catch a glimpse of him.

Within an hour the sounds from the TV ceased and Johnny heard, amid his parent’s playful banter, the door to their bedroom close shut. He quietly climbed out of bed and gazed out the window, searching for any signs of Santa’s sleigh or his reindeer. The snow, still falling on a gentle breeze, made the neighbor’s colorful light display across the street seem all the more authentic. It’s really Christmas, he thought to himself. Santa should be here with my presents any time now! 

His thoughts were distracted by a sudden pitter-patter on the roof followed by the sound of footsteps. Johnny could barely contain his excitement as he stole quietly toward the living room, which contained both the family tree and the fireplace. That’s where he knew he would find Santa. Reaching the end of the hallway, he poked his head around the corner for a first peak.

Krampus1

Without warning, a dark, hairy, claw-like hand grabbed him by the shoulders, pulling him around the corner in one fluid motion. The boy gasped, but before he could even utter a sound one of the hands covered his mouth, making any cries for help impossible. Johnny struggled, but it was to no avail. Still, he couldn’t see just who or what was holding him fast.

He heard a hissing sound just before his captor spun him around without removing the hand from his mouth. His blood ran cold as he gazed at the creature holding him in place. No, this wasn’t Santa Claus, whom he’d been hoping to spy upon just moments before. Instead, he found himself staring into the face of a most hideous thing. The creature before him was tall and furry with a long snake-like tongue dangling from its mouth. Its ears were large and pointed; two curved horns grew out of its head. Attached to the body’s backside was a long, pointed tail. Overall, the monster’s body appeared somewhat man-like, but Johnny knew this was no man. The creature holding him seemed more like the Devil than any man he’d ever seen.

Pure terror gripped at him as the creature opened the top of a large wooden basket before placing Johnny inside and once again closing the lid. The boy screamed at the top of his lungs, calling to his parents for help– calling to Santa, but it seemed that no one could hear his anguished cries.

His abductor strapped the basket to his shoulders before ascending the chimney to the roof where a sled awaited him. He gave a push with his left foot and the sled lifted off on the snow-laden breeze toward a destination only known to him.

Some hours later, the mysterious being approached a shadowy, misty castle that stood upon a mountaintop populated by twisted, deformed trees. The large door at its entrance creaked open at his approach and closed shut again once he was safely inside. After disembarking from the sled, the creature removed the basket from his shoulders and opened the lid, allowing Johnny to climb out.

The boy’s eyes opened wide in disbelief as he looked around the large, gloomy, torch-lit hall. He could hear the cries of other children, both male and female. Their moans seemed pained and anguished.

“Where have you taken me?” Johnny asked, crying. “I want to go home.”

“Home, so you can steal your sister’s dolls?” The creature asked. “Home, where you delight in her pain and her tears? I think not. This is your home now, and as you can hear, there are lots of other children here to play with. We’re going to have lots of fun watching you learn what meanness really is.”

The frightening being’s tongue dripped saliva as he hissed once again while continuing to look down at the terrified boy.

“Merry Christmas, Johnny! Welcome to your new home: The Castle of Gruss Vom Krampus!”

FRIGHTENING FLIX BY KBATZ: Bell, Book, and Candle

Bell Book and Candle is still Great, Witchy Fun

By Kristin Battestella

 

We may think all the young adult fantasy books, Potter-esque films, and shows like Charmed have cornered the magic market onscreen, but classics like 1958’s Bell Book and Candle have kept the kooky comedy and witchy situations innocent and fun all along.

Over Christmas, good natured New York witch Gillian Holroyd (Kim Novak) grows a little tired of her witchy ways and Aunt Queenie’s (Elsa Lanchester) magical games. When Gil falls in love with publisher and upstairs neighbor Shep Henderson (James Stewart), she uses her cat Pyewacket to cast a spell. Shep must fall in love with Gil and thus not marry her former rival and college classmate Merle Kittridge (Janice Rule, 3 Women). While all the love blossoms, Gil’s warlock brother Nicky (Jack Lemmon) assists writer Sidney Redlitch (Ernie Kovacs) in his new book ‘Magic in Manhattan’. Will Shep’s publication of the book expose the Holroyds’ witchy ways and ruin Gil’s romance with Shep?

Based upon the play by John Van Druten (Gaslight, Cabaret), director Richard Quine (Sunny Side of the Street) and screenwriter Daniel Taradash (From Here to Eternity) craft a charming look at the power and hijinks of magic and love. We often allude to love being like a bewitching spell in lyrics and poetry. Even though a spell is cast in Bell Book and Candle, we’re never quite sure where the magic ends and the true love begins. The fanciful and fun take on possible love from socially at odds groups-humans and witches-is lighthearted and still enjoyable today. We can make all the modern and hefty allusions we want about mixed romances or stereotypes about practitioners of witchcraft, but it’s nice to just take in a sweet movie with none of those pretenses. There are a few lighting effects, camera tricks, and the proverbial smoke and mirrors, but more than anything Bell Book and Candle allows its players the time and space to show the magical fun.

Yes, Jimmy Stewart (Harvey, It’s A Wonderful Life, Mr. Smith Goes to Washington, Rear Window, Anatomy of a Murder, need I go on?) is a little too old to be a leading man here against Kim Novak, but he’s still delightful as the straight man publisher caught in the magical mix of spells and romance. We believe a charming witch could get Shep all flustered, confused, and tongue-tied due to Stewart’s loveable slip-ups. His mix of enchantment and clueless nonsense when confronted with the world of witchcraft must have been great fun then-as it still is now to the modern viewer. Stewart’s old, and perhaps his performance is a bit Capra-esque old fashioned, but it’s a fun turn nonetheless. As wonderfully fooled as Shep is, Jack Lemmon’s Nicky is wickedly slick. His magic is all in good fun, too, but he can’t resist the spotlight. Nicky’s ill-attempted exposé writing collaborations mix the crazy ambition with the sardonic blend of wit and drama contemporary audiences expect from the late star of Grumpy Old Men and The Odd Couple. In a way, there is a touch of passing the torch between the graying Stewart and energetic Lemmon. Both men handled the romance, seriousness, and comedy of their roles before and after Bell Book and Candle with a style and class not often found in today’s young acting crowd.

Though not as famous as her male counterparts, its fun to see Kim Novak paired with Jimmy Stewart again after Alfred Hitchcock’s suspense filled Vertigo the same year. Novak’s good witch longing for love does take some getting used to after her deceptive dame in Vertigo, but her husky voice and dynamite eyes adhere to the femme and witchy vibe we expect. Her costumes are hip, with mostly spooky black or eye-catching reds- but what’s with the high, almost white hair? There’s not many close ups of Novak for some reason, but the ones we’re given are breathtaking. Fun effects and cat motifs add to Gil’s already enchanting ways, too. We believe her when she says she has the power to get things done, yet we feel for her wishes for normalcy. Likewise, Elsa Lanchester’s (The Private Life of Henry VIII, Bride of Frankenstein, Witness for the Prosecution) Aunt Queenie is great fun as the elder, kooky and mischievous sprite helping with some good natured interference and match making. Comedy maven Ernie Kovacs (Our Man in Havana, North to Alaska) is also a delight as author Sidney Redlitch – an ‘expert’ of modern witches among us who fails to see the warlocks right under his nose.

Part of Bell Book and Candle’s charm is its fun fifties color and style: the cigarettes, quirky music, Oscar nominated high-end fashion and nonchalant, cute effects. The high life of mid century New York is a delightful time capsule, and the pillow talk approach to witchcraft is in a way modern but no less sweet. However, part of this charm also irrevocably dates the portrayal. It’s 1958- the innocence of the post war years would soon be lost. Some of the whirlwind two-week romance is a little too innocent with no innuendo before the quick marriage talk, and even the colorful styles and titled fedoras would be on the fashion outs in a few years’ time. It’s as if the onscreen attitudes and styles are a final fifties hurrah before the turmoil and realizations of the sixties.

Now I’m sorry to say that I don’t know anything about current Wiccan and religious practices; but naturally modern pagans and witches looking for some seriousness and accuracy won’t find it in Bell Book and Candle. While not deliberately offensive, the clean cut fifties stylings goes for the traditional broomstick stereotypes. It’s great if you like films with some witchy fun, but there’s no realistic portrayal here. Classic film fans, however, can also enjoy the similar I Married A Witch (1942) starring Veronica Lake- both films are often attributed as the inspiration for the beloved television series Bewitched. Modern romantic fans tired of the same inane plots over and over will be charmed, too. Youthful audiences who still enjoy enchanting tales like Bewitched or Hocus Pocus can take in Bell Book and Candle at Halloween, Christmas, or any time of year.

Winternight Whisperings Valentine Wolfe

Darklings, Listen!

 

Winternight Whisperings is upon us! The newest Valentine Wolfe album, Winternight Whisperings, is here in digital format and on it’s way in physical form. And what’s more, we’ve got THREE shows coming up to share our version on holiday music with you all.

 

The idea is simple: we’re inspired by the 19th century tradition of telling ghost stories on Christmas Eve. We felt we weren’t the only ones wanting to revive that celebration. After The Ghosts of Christmas Past in 2015, we started thinking about ways to play this music live and, of course, create more music for a haunted December.

 

The result is Winternight Whisperings: 8 ghost songs, one ghost story featuring Tally Johnson, and two metal songs to make your spirit bright.

 

 

You can also buy digital copies there if you can’t bear to wait.
Our local Greenville fiends can join us on Tuesday, December 18 at Hughes Main Library. We’ll be telling ghost stories with Tally Johnson. 6:30-8:30, No cover, all ages, too! Details are here: https://www.facebook.com/events/578057502664712/

 

And finally, we’ll celebrate on January 5 with a final Christmas Haunting: We’ll be bringing Tally down to the Wynne-Russell House in Lilburn, GA for an evening of dark ambient music and ghost stories celebrating Twelfth Night! Tickets are VERY limited, get yours here: https://timetravel.events/tickets/

Most of the music we’ll be playing at the shows are dark ambient/soundscape songs. We may play some metal at the Poe House; the other shows will be more…brooding.

 

Make your plans to join us now, and we can’t wait to celebrate this holiday season in our own way with you all. And we would love to know your favorite tracks from Winternight Whisperings…please let us know?

 

Marley was dead, to begin with…
Braxton and Sarah

HorrorAddicts.net 150, Cure for the Holidaze Special

Horror Addicts Episode# 150
Cure for the Holidaze Special!

Hosted by Emerian Rich

Guests: Dan Shaurette, Ariel DaWintre, Camellia Rains

Intro Music by: Valentine Wolfe

———————

Cure for the Holidaze

http://traffic.libsyn.com/horroraddicts/HorrorAddicts150s.mp3

Find all articles and interviews at: http://www.horroraddicts.net

Music this episode by Midnight Syndicate from Christmas: A Ghostly Gathering

https://www.amazon.com/Christmas-Ghostly-Gathering-Midnight-Syndicate/dp/B014JP8EOU

“Dance of the Sugar Plums”
“Night of the Krampus”
“Coventry Carol”
“Winter Storm”
“Up on the Rooftop”

 

Russell asked, he received.

 

holiday shopping ugliness, relative madness, horrible family experiences, helping the needy – what about me? best horror gifts, snowglobes, nightmare before christmas, vampire gifts, buffy the vampire slayer board game, walking dead glasses, they live, walking dead yahtzee, firefly yahtzee, horror gift guide, movie tickets, ulta, paxton gate, skeletons, taxidermy, bones, pirate store, diy, craft store, etsy.com, evil dead, regretsy, homemade gifts, amazon gift certificate, midnight syndicate, frankenstein salt and pepper shakers, forever knight season 3, monster fluxx, booooopoly, take friend out, chat about horror, loren rhoads, 199 cemeteries to see before you die, ipso facto, goth show, morbid curiosity, highgate cemetery in london, cremation, honoring the dead, morbid meals, zombie cookbooks, the walking dead cookbook and survival guide, flesh burgers, brains, theme song band, game, guess the thing, courtney mroch, haunt jaunts, haunted shops, restaurants, castles,  crazy skeleton lady, wax works, jekyll island in georgia, spooky holiday events, escape games, serial killer in your mailbox, hellraiser, evil dead, nightmare on elm street, underworld, scream, phil rickman, dickens, king, woman in black, lucy blue the last winter night, dead mail, jeff, IT, exorcist, pennywise, stranger things, amanda, midnight texas, karysa, krampus, a christmas horror story, silent night, deadly night, jack frost, russell, post halloween depression, vincent price cookbook, danny elfman, night of the comet, ginger snaps back, the thing, snowglobe, herbig brown eyes, dead like me, reaper, new movies coming, another wolfcop, shape in the water, guillermo del toro, insidious the last key, cloverfield, winchester the house that ghosts built, strangers prey at night, ready player one, a quiet place, slenderman, the purge, hotel transylvania 3, the nun, predator, meg, cadaver, the little stranger, goosebumps horrorland, the house with the clock in the wall, edward gorey, john bellaires, Halloween H40 and more… have a great spooky holiday!

 

“Broken Pieces” by Valentine Wolfe

http://valentinewolfe.bandcamp.com/track/broken-pieces

HorrorAddicts.net blog Kindle syndicated

http://www.amazon.com/HorrorAddicts-net/dp/B004IEA48W/ref=sr_1_1?ie=UTF8&qid=1431022701&sr=8-1&keywords=horroraddicts.net

HorrorAddicts.net Facebook group.
https://www.facebook.com/groups/208379245861499

 

———————–

Write in re: ideas, questions, opinions, horror cartoons, favorite movies, etc…

horroraddicts@gmail.com

————————

h o s t e s s

Emerian Rich

s t a f f

David Watson, Stacy Rich, Dan Shaurette, KBatz (Kristin Battestella), Mimielle, D.J. Pitsiladis, Jesse Orr, Crystal Connor, Lisa Vasquez, Adelise M. Cullens, Kenzie Kordic.

Want to be a part of the HA staff? Email horroraddicts@gmail.com

b l o g  / c o n t a c t / s h o w . n o t e s

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It Came From the Vault: Traditions by Stephen Kozeniewski

vault

TRADITIONS

by Stephen Kozeniewski 

Granny clattered on the counter with a wooden spoon until the children stopped squabbling. When they finally turned to pay attention, she smiled, baring each and every bright white denture with joy.

“All right, little nuggets,” she said, “Now granny is going to show you what to do. Come up here.”

She lifted two-year-old Benji and planted him on the counter beside the sheer metal stockpot that was almost as tall as him.

“Now, Benji, this wax is very hot so don’t put your fingers in it and don’t splash.”

“Yes, grandma.”

“Now start to feed the coil in slowly and let me know when you run out of length.”

Giggling, Benji did as he was told.

“Granny, why do we wax the decorations?” little Suzie asked, her pinky hooked into the corner of her mouth.

“So that they last, my dear.”

“And why do we want them to last?”

Granny crouched down to Suzie’s level, even though it pained her ankles.

“Because it’s a tradition, my dear.”

Little Suzie’s eyes lit up with the wonder of excitement and recognition.

“A t’adition?”

Granny nodded.

“Like when we invite a homeless person in for Christmas?”

“That’s right.”

“All done!” Benji announced, clinging to the last link of this year’s holiday visitor’s small intestine.

Together, as they did every year, they draped the wax-dipped organ around their tree of horrors. The attic was starting to overflow with their collection of decorations.

“God bless us every one,” Benji said joyously.

******************

Kozeniewski Author PhotoStephen Kozeniewski (pronounced “causin’ ooze key”) lives with his wife and two cats in Pennsylvania, the birthplace of the modern zombie. During his time as a Field Artillery officer, he served for three years in Oklahoma and one in Iraq, where due to what he assumes was a clerical error, he was awarded the Bronze Star. He is also a classically trained linguist, which sounds much more impressive than saying his bachelor’s degree is in German. Find out more at: www.amazon.com/author/kozeniewski

Pat-a-pan, a Spooky Holiday Carol?

Pat-a-pan, a Spooky Holiday Carol?
by Emerian Rich

My favorite holiday song is a French Christmas Carol called “Pat-a-pan” written by Bernard de La Monnoye and first published in 1720. Written way before “The Little Drummer Boy” (circa 1941) it has the same sort of concept. A young boy playing a drum in celebration of the birth of Christ.

“Willie, bring your little drum, Robin bring your fife and come!
And be merry while you play, ture-lure-lu, pata-pata-pan,
Come be merry while you play for the joy of Christmas day.”

Often played as an instrumental due to the awesome drum and flute parts that can be highlighted without vocals, “Pat-a-pan” is most well known by the Mannheim Steamroller version here:

I fell in love with this song in high school choir where we learned the French lyrics which meant nothing to me. Its haunting melody and renaissancy sound always made me feel as if there were some underlying tale, like it spoke of a story without using words. Very few songs can evoke feelings in just the music – without lyrics.

You might be wondering what this has to do with horror. It’s hard to imagine such a benign song conjuring evil images, but one year when playing it around my husband I found out. The ultimate scrooge when it comes to Christmas music, my husband quirked a brow and said, “I kind of like this one. It’s spooky.”

I had to know more!

You see, his vision of “Pat-a-pan” plays out a bit differently than the “Willie, bring your drum” message that La Monnoye thought up. Instead of little Willie and Robin rallying the town into Christmas spirit by playing their drum and fife, his version features another little boy.spooky

Patapan is a little ghost or demon boy who runs around up in the attic. I’m not sure of the extent of evil he perpetrates (hubby wasn’t clear on the deets) but he was sure nothing good could come from it. The thought of the evil minion “pat-a-panning” around up in the attic makes my husband happy (as it would any self-respecting horror addict).

So, I play this shared favorite faithfully every year and grin at my husband’s dark imaginings. I’ll never share the actual lyrics with him and burst his happy twisted bubble—ever.

Now, listen to the instrumental version again and conjure the image of a pasty-skinned, shadow-eyed boy in an old school uniform, haunting your attic.

For those of you curious about the English lyrics, my favorite vocal version is by Mindy Gledhill below.

Have a spooky connection to a holiday carol? Tell us! We can’t wait to share it.

Press Release: Austin Crawley releases A Halloween Tale

A Halloween Tale by Austin Crawley

THUMBNAIL_IMAGEFew Christmas stories hold as much fascination as the story, A Christmas Carol by Charles Dickens.

Inspired by the classic tale, three young women decide to hold a séance to raise the spirits of Christmas Past, Present and Future. They don’t expect a result, considering that the ghosts are fictional, but what they call out of the aethyr gives them a creepy holiday they will never forget, if they live to tell the tale!

Austin Crawley has always had an interest in the supernatural and macabre. He has a particular interest in real life ghost stories and spends his holidays visiting places that are reported to be haunted. When he isn’t dealing in spooks, he deals in the buying, selling and cutting of gemstones. On odd Tuesdays he convinces himself that it’s because he was reincarnated from a pirate. Twitter: https://twitter.com/austinocrawley

Free Fiction Tuesday?: A Christmassacre Carol by Alex S. Johnson

A Christmassacre Carol

by Alex S. Johnson

(inspired by the album Slashing Through the Snow by Venus de Vilo and with apologies to Dickens)

Morley was dead. He had been tending this way for a long time, but now that winter snows swirled around his tombstone, the general report was that if he weren’t dead, he would be, at best, some kind of slavering, rotting ghoul to frighten little children already terrified by the advent of Christmassacre. Excepting, naturally, those fiendish tykes for whom the slaughter of their parents was a consummation devoutly to be wished and, indeed, prayed for.

Meanwhile, Urbangeezer Screwed was counting his money. Thanks to his miserly character, or so he believed, the money was more plentiful than ever in the year ________ in which our tale occurs. He had just dismissed his churlish assistant, Fob Crutchhead, who no doubt would waste Christmassacre in the foolish expenditure of glad tidings to all, yadda yadda. As far as Screwed was concerned, Christmassacre was a crumbug phonier than the holiday it had replaced.

“Bah,” said Screwed to the empty office, which echoed the word in a manner foreshadowing the specters that would shortly enter his life and change him forever.

“Whoo!” came a shivery voice from behind the curtains.

“Stop trying to scare me, Crutchhead. I’m not buying it and it won’t work. Go sell crazy elsewhere. And for the record, you can keep Christmassacre in your way, and I will keep it in mine, by ignoring its baneful existence and counting paper.”

“It is I, Morley,” the voice continued.

“Like hell it is. Come out, come out, wherever you are, and I’ll bite your bloody face off! I have no time for your foolish shenanigans.”

Screwed pulled his cap down over his bristly eyebrows and sighed. Every year it was the same nonsense, and if Crutchhead thought his silly annual prank would soften Screwed’s blackened old heart to the plight of Little Tomby, he had another thing coming. Plus, he suspected that Tomby wasn’t even Crutchhead’s real child, but an orphan he had plucked from the streets to earn sympathy.

“Seriously, mate, wake up and smell the moldy Christmassacre pudding!”

“All right, that’s it.” Screwed threw down his ledger and headed towards the window, which was fake and opened on nothing more than the sub-office where he kept the jewels and important papers.

“That’s the last mess you’ve made that I have to clean up!” shouted Screwed at the window. “Disrespecting the employer that’s kept you in geese for the past decade, defying my desire not to celebrate the worst idea for a holiday since the Yanks foisted Thanksgoony upon us, and…you are so freaking fired.”

Screwed pursed his lips in a refinement upon the fowl’s sphincter Crutchhead would not be enjoying this Christmassacre, or any to come.

Suddenly the air grew cold, and Screwed shivered, wondering at the sheer gall of his soon-to-be-ex-employee. “That tears it,” he roared. “Do you know how much hot air costs? Do you have any idea how much I have scrimped and saved and sweated over a hot ledger simply to sustain your reeking carcass, long may it burn in Hell?”

“I’m afraid you are late for that particular pity party,” said Morley.

The excrement was about to manifest in a most tangible way.

Screwed rubbed his eyes at the apparition that suddenly appeared before him, all clanking chains and a white sheet that Screwed was fairly sure had been stolen from his bed a fortnight ago.

“Are you taking the piss?” Screwed ejaculated. The ghost smirked at the author’s deliberately ambiguous use of an antique synonym for “quick verbal utterance.” And even supposing another meaning was intended, the ghost had no physical form and thus would be spared any bothersome stains upon his person.

“Seriously, though, it’s you, Crutchhead, innit.”

Morley removed his jaw and placed it on Screwed’s desk.

“Okay then, maybe you are a haunt come to address my so-called wrongdoings,” Screwed sputtered. “Well, get on with it. I don’t have all night.”

“I am the ghost of Christmassacre past, passing and to come,” said Morley.

“What, all three?”

“I thought you would appreciate the economy of it.”

“So…you’ve finally taken a cue from the old man. Ha ha, I get it. Very amusing. Well, do you have any other tricks up your sleeve?”

“I’m so glad you asked,” said Morley. “Fortunately for you, my sleeves are empty.” To demonstrate, Morley rolled the sheet past his skeletal forearms.

“And now to the meat of the thing. So to speak. First, I must warn you that anything you say in your own defense will be turned against you on the final Day of Reckoning.

“Second, you don’t want to traipse down the primrose path that led me to these”–Morley shook his chains–“and these”–he rattled his skull-faced manacles–and this“–but decorum forbids more explicit description of the latter horror lodged in Morley’s rear; or what might have been his posterior had he flesh.

Which he didn’t, being a ghost.

You get the idea.

“I’ll shorthand this. Change your wicked ways and stop being such an infernal ass hat, or you will suffer the same fate as me, only worse, because compared to you I’m a bloody angel. Excuse me.” Morley shrugged off the bedsheet; in its place was a pair of fiery wings.”

“Now that’s impressive. Not. Can you tell I’m being sarcastic?”

“Fine. Now hear this: if you maintain your attitude toward Christmassacre and all the joys it represents, you will spend eternity in Hades. Some blokes like to dub it Hell; I much prefer…”

Pommes du terre frites?”

“Mmm-hmmm.” The ghost shook himself and pounded his skeletal hand against the wall in frustration. In life, he had enjoyed more than anything else this French delicacy. Now, he didn’t have the literal stomach for it.

“In conclusion, I present to you the most dreadful sight imaginable. Hold on.” Morley’s wings vanished. Suddenly he stood encased in a cube of gelatin.

“You’re a self-righteous, money-grubbing slimebag of the first water, and for your crimes you will be held prisoner in the jellied hooves of those nags you rode to death in life. And I am so out of here.”

With those words, the ghost disappeared.

“That’s it?” said Screwed. But even as he uttered these syllables, he felt the moist grip of death upon him.

“Wait…wait. Hold on a second.”

“You are Screwed, old man,” came Morley’s voice from the ceiling.

“Don’t I get another chance at redemption? I can change my ways any time. ‘Satan bless Christmassacre and Little Tomby, every one.'”

Morley sighed. He was duty bound to reward sincere contrition with a stern rap on the knuckles and a Get out of Hades Free card.

“Your repentance isn’t credible, but what do I know? I’m just a book-keeper.”

“Crutchhead?”

“Before I came into your employ, I spent some time as a magician’s assistant.” Crutchhead emerged from the closet, his hand extended. “No hard feelings?”

“Yeah, well, you had me going there,” said Screwed feebly. “I give up. Maybe Christmassacre is a good thing. I don’t know. You wouldn’t happen to have some gin on you, by any chance?”

“Would laudanum serve?” Crutchhead produced a test tube full of a brownish liquid.

“Oh Hades yeah. Let’s get polluted and view Stereopticon pictures of unclad damsels.”

 

Music Review: Slashing Through the Snow by Venus De Vilo

Music Review:  Slashing Through the Snow by Venus De Vilo

by Alex S. Johnson

"SLASHING THROUGH THE SNOW" ALBUM, COMIC BOOK AND "KILLENDAR 2016" cover artartwork copyright (c) Venus De Vilo 2015. All rights reserved.

Venus de Vilo’s Slashing Through the Snow is a three-song monsterpiece that should appeal to fans of Gothic singer/songwriter/cartoonist Voltaire, whose sinister snark makes him De Vilo’s twin when it comes to tuneage. The Dublin native plays her own instruments accompanying a voice that’s a bit like Lydia Lunch meets Jello Biafra with Nick Cave lurking somewhere in the shadows.

The only problem with this release is that it’s three songs. One of the many upsides is that the songs–“Santa’s Slay,” “Mistletoetag” and “The Night Before Christmassacre”–are such deliriously wrong and madly delicious ear candy they will burrow into your brain folds faster than a maggot on the Swedish biker crank.

De Vilo has been described as “the love child of Marilyn Manson and Amanda Palmer,” and the blurb is dead on, if the greying matter on display here is any bloody indication. I would add Edward Gorey and Tim Burton, among other artists who combine dark wit with horrific themes; one is reminded that H.P. Lovecraft’s first published story, “Herbert West, Reanimator,” was intended to be funny and appeared in a humor magazine (Little Known Fact Department).

If you ever wondered about the predatory character of Santa Claus, “Santa’s Slay” will set the record straight. Anybody who spends Christmas night breaking and entering into the homes of complete strangers with a “naughty and nice children” list pasted against his jelly belly should by all rights be listed on some kind of international Most Wanted list. Not to mention that Claus had done this once(?) a year for centuries before he began to sport the Coca-Cola corporate colors, and we have a big, bad, red and white problem on our hands.

De Vilo’s version strikes me as the more accurate–in her take on the legend, Santa takes a sharp weapon along with his gifts. And why not? Why stop at home invasion and stalking kids when you can add serial killer to your credits?

Preparatory to “The Night Before Christmassacre,” “Mistletoetag” tells the grisly yet hauntingly beautiful story of a bad romance. And then we have the sizzling giblets of the thing…

Santa’s slayride sets the stage for the unholy blessings of “Christmassacre,” where everything dreadful lurking beneath this beloved holiday worms to the surface and takes heads. Eerie keyboards echoing Keith Emerson’s score for Dario Argento’s film Inferno lead into the secret history of Yuletide. Yup, folks, “fresh from his spree,” it’s “f**king Saint Nick!” His hair soaked in gore, looking like Leatherface merrily dolled up in seasonal department store drag, the better to sit you on his lap and ask what you really want for Xmas…

De Vilo spares no institution, person, place or thing with her caustic, hilarious songs. If you’re easily offended, this download is probably not for you. But if you like brilliantly funny, razor sharp songwriting, Slashing Through the Snow is well worth the Euro.

Just a taste of De Vilo’s lyrical gifts, from “Mistletoetag”:

A mince pie for one and a bottle of wine,
This time last year, he was all mine,
under mistletoe, in our paper hats,
Now all that he wears,
A MISTLETOETAG…

On Bludgeon, On Shitsen…

For more information, go to: https://venusdevilo.bandcamp.com/album/slashing-through-the-snow-album-comic-book-and-killendar-2016

 

Free Fiction Friday: A Very Special Christmas Eve by A.D. Vick

krampus2

Johnny and his little sister Stacy went to bed earlier than usual that night, but they didn’t mind. It was Christmas Eve after all, and what child isn’t willing to sacrifice a bit of play time when he or she knows that turning in early might just hasten the arrival of Saint Nick? The last thing they did before retiring to their rooms was to watch their mom place a cup of hot tea and a small plate of chocolate cookies on the counter for Santa. “The jolly old elf travels all over the world through the cold and snow every Christmas Eve to deliver toys to good little girls and boys,” she would often tell them. Both children took her at her word because…well, didn’t they receive the toys they asked for the last couple of years?

During the year Mom would often warn her children that Santa only brought presents to youngsters who behaved. Stacy generally tried her best to do what was right, never forgetting her mother’s warning. She felt confidant that, after having asked Santa for some new dolls, that he would deliver the goods as he always had. The one thing she couldn’t understand though, is why her marionettes would disappear during the weeks and months that followed Christmas. She knew that she loved them and took good care of them; yet, they would sometimes simply vanish from her room. Whenever she complained about these events to her parents, they generally brushed off her concerns dismissively, telling her that she simply needed to stop leaving her things outside where other kids or the neighborhood dogs could run off with them.

Johnny, being a couple of years older than his sister, really didn’t buy into his mother’s warnings that Santa only brought toys to children who behaved. Johnny had a secret. He knew what was happening to Stacy’s dolls because he would sometimes sneak into her room while she was out in the yard playing with her girlfriends. He would then take them out to the nearby creek; and after pretending to drown them, would gouge their eyes out with his pocket knife before cutting off their heads and tossing them into a nearby trash can. Upon his return home from these occasional escapades, he delighted in hearing his parents chastise his teary-eyed sister for once again neglecting to take care of her things.

The boy had a mean streak when it came to girls and his sweet sister Stacy was not exempt from his hurtful machinations. Still, he felt confidant that Santa would once again bring him toys this Christmas Eve.

Stacy climbed under the covers of her comfortable bed; and with visions of sugar plums and new dollies dancing in her head, she fell into a peaceful slumber. Johnny on the other hand, decided to remain awake. He would listen until he could be sure that his parents had gone to bed. Then, he’d lie in wait for Santa, determined to catch a glimpse of him.

Within an hour the sounds from the TV ceased and Johnny heard, amid his parent’s playful banter, the door to their bedroom close shut. He quietly climbed out of bed and gazed out the window, searching for any signs of Santa’s sleigh or his reindeer. The snow, still falling on a gentle breeze, made the neighbor’s colorful light display across the street seem all the more authentic. It’s really Christmas, he thought to himself. Santa should be here with my presents any time now! 

His thoughts were distracted by a sudden pitter patter on the roof followed by the sound of footsteps. Johnny could barely contain his excitement as he stole quietly toward the living room, which contained both the family tree and the fireplace. That’s where he knew he would find Santa. Reaching the end of the hallway, he poked his head around the corner for a first peak.

Krampus1

Without warning, a dark, hairy, claw-like hand  grabbed him by the shoulders, pulling him around the corner in one fluid motion. The boy gasped, but before he could even utter a sound one of the hands covered his mouth, making any cries for help impossible. Johnny struggled, but it was to no avail. Still, he couldn’t see just who or what was holding him fast.

He heard a hissing sound just before his captor spun him around without removing the hand from his mouth. His blood ran cold as he gazed at the creature holding him in place. No, this wasn’t Santa Claus, whom he’d been hoping to spy upon just moments before. Instead, he found himself staring into the face of a most hideous thing. The creature before him was tall and furry with a long snake-like tongue dangling from its mouth. Its ears were large and pointed; two curved horns grew out of its head. Attached to the body’s backside was a long, pointed tail. Overall, the monster’s body appeared somewhat man-like, but Johnny knew this was no man. The creature holding him seemed more like the Devil than any man he’d ever seen.

Pure terror gripped at him as the creature opened the top of a large wooden basket before placing Johnny inside and once again closing the lid. The boy screamed at the top of his lungs, calling to his parents for help– calling to Santa, but it seemed that no one could hear his anguished cries.

His abductor strapped the basket to his shoulders before ascending the chimney to the roof where a sled awaited him. He gave a push with his left foot and the sled lifted off on the snow-laden breeze toward a destination only known to him.

Some hours later, the mysterious being approached a shadowy, misty castle that stood upon a mountain top populated by twisted, deformed trees. The large door at its entrance creaked open at his approach and closed shut again once he was safely inside. After disembarking from the sled, the creature removed the basket from his shoulders and opened the lid, allowing Johnny to climb out.

The boy’s eyes opened wide in disbelief as he looked around the large, gloomy, torch-lit hall. He could hear the cries of other children, both male and female. Their moans seemed pained and anguished.

“Where have you taken me?” Johnny asked, crying. “I want to go home.”

“Home, so you can steal your sister’s dolls?” The creature asked. “Home, where you delight in her pain and her tears? I think not. This is your home now, and as you can hear, there are lots of other children here to play with. We’re going to have lots of fun watching you learn what meanness really is.”

The frightening being’s tongue dripped saliva as he hissed once again while continuing to look down at the terrified boy.

“Merry Christmas, Johnny! Welcome to your new home: The Castle of Gruss Vom Krampus!”

Review: Christmas, A Ghostly Gathering by Midnight Syndicate

by Alex S. Johnson

Midnight Syndicate has been a favorite of dark instrumental music fans for over 18 years, and now the Cleveland-based duo of Edward Douglas and Gavin Goszka have wrought their monsterpiece.

Christmas: A Ghostly Gathering revisits those aspects of the Yuletide season familiar to Charles Dickens buffs, specifically the spooky and ooky parts. “A Christmas Overture” by Douglas sets the stage for the Syndicate’s magical ride, and you can practically see Jack Skellington whipping on the horses of his pumpkin carriage as they wind through the streets of a sleeping New England village, spreading the gift of grim.

Next up is a version of Tchaikovsky’s “The Sugar Plum Fairy” from the Nutcracker as one might imagine Italo-horror soundtrack greats Goblin playing it. Goosebumps galore ensue. This is followed by “Carol of the Bells,” composed by Mykola Leontovych, a holiday favorite haunted by choirs of lost angels.

Now we descend into “Night of the Krampus” courtesy of an original composition by Douglas. You’d better not shout, you’d better not cry, although you might want to scream and run for your life if this creature of German folklore, a sort of anti-Claus, spies you being naughty. This tune would make a fine accompaniment to a reboot of the old Hammer Films franchise–big breasted maidens hollering in terror, menaced by the Krampus, who is easily scarier than Frankenstein, Dracula, the Golem and the Wolf Man all stitched together in Peter Cushing’s laboratory.

And just when you think Christmas has become too genuinely frightening to serve as a context for hearthside cheer, “Angels We Have Heard on High” sing gently o’er the plains. But with the suspense built up from the previous songs, you might be wary of something dreadful hidden beneath their wings. Which is probably not “Greensleeves,” beautifully rendered here. Which is definitely “Up on the Housetop,” and whatever that might be, it means no good.

Fortunately, this chilling episode is succeeded by “God Rest Ye Merry Gentlemen,” although with the Danny Elfman treatment given this Christmas standard, they sound more like the League of Distinguished Gentlemen, gathered in a safe house somewhere in Victorian London as they work against time to foil a dastardly plot that threatens Western Civilization.

Midnight Syndicate 2015

Midnight Syndicate 2015

What’s this “Coventry Carol?” A thing to make the hairs on the back of your neck stand to attention. A song that could easily be titled “O Little Town of Deathlehem,” with none the wiser. Whatever is being born this day, it’s probably awful and best avoided for one’s mental health.

Similarly, “Little Helpers,” in another Douglas original, sound like nasty sprites with sharp claws and glowing red eyes, hopping up and down like psychedelic toads with deadly intent. They should be held at arm’s length if you can’t find a steel mesh net and some holy water. Seriously.

Ah, “Sing We Now of Christmas.” Nothing sinister here, right? A sweet, dark and somber rendition of the 15th Century French carol. So far, so not Satan’s coming round the bend. Yet. Suddenly we find ourselves swept into the heart of a “Winter Storm” (a Goszka original this time), and from there “Into the Stillness,” just shy of peaceful, a bit ominous actually…ok, something’s coming to turn the stillness into an abattoir. Could it be “The Parade of the Tin Soldiers?” For sweet little toys, they sound awfully like Stormtroopers from Hell. When, oh when, will it be “Everywhere, Everywhere, Christmas Tonight?”

At last, it’s “Christmas at Midnight.” The chimney has been stoppered up to keep out the Krampus, with pots of boiling oil handy just in case he breaks through the barbed wire and armed guards. The children are shivering in their beds, wracked by nightmares, visions of big black spiders and rotting zombies dancing in their heads. Mom and Dad are with a therapist. And yet, despite all the horror and fear and creeping flesh, it seems we have all survived.

Just in time for the New Year’s Evil.

 

 

The Ghost of Father Christmas by Dean Farnell

The Ghost of Father Christmas

by DEAN FARNELL

Santa Claus Is just a ghost I’ve waited every year

I stay up every Christmas eve and shed a little tear

He never comes to our house I’d know if he had been

I see him in my mind sometimes it must have been a dream.

The spirits placed my presents around the Christmas tree

Or It’s my imagination playing tricks on me.

My Mother tells me Santa’s been, my Father said It’s true

They said he comes when you’re asleep just like they always do.

Every bloody year this happens I get this same old tale

I decided Santa is a ghost I’m not even sure he’s male

I’ll stay awake this Christmas eve just like I’ve done before

Please Santa show your face this year as I’m touching 54.

*************************

deanDean Farnell writes quirky songs, & poetry, mainly paranormal / horror themed as a bit of fun. The songs are recorded in one single take so are raw demos in affect but have still been played on over 600 various radio stations and podcasts all over the world. He currently has 8 tracks In the TuneVibe Top 1000 Indie Chart top 10 including a number one record which has been there for over a year. His poems have been published in Paranormal /Horror mags which include: SCREAM MAGAZINE, TREMBLES MAGAZINE, THE WHITE CROW MAGAZINE, SNM POETRY, DAILY DOSE OF HORROR, SPOOK CITY, GHOST VOICES MAGAZINE, HEARSE-SAY MAGAZINE, BLACK PETAL, and DEAD OF NIGHT TALES. One of his songs titled “Ghost On The Stairs” is mentioned in the book “Rock & Roll Ghost Stories”. One Track “Friday The 13th” has been played on BBC Radio. Angie Bowie (David Bowies Wife) , & Karl Beattie of Living TV & Most Haunted , have all commented how much they have enjoyed his songs. The songs are available on itunes, Tesco, amazon, and Songcast.

All I Want for Christmas by Chantal Boudreau

All I Want for Christmas

by Chantal Boudreau

“Chris – did you eat any of these Christmas cookies?  I told you they were for a work function and that you absolutely were not to touch them.”

“I didn’t touch them.”  Christena tried not to sound indignant, but she hated being accused of something she hadn’t done and Ben did that to her all the time.

“Well then explain why there are three missing.  I brought home two full dozen from the bakery, but I’m short three.”

“Are you sure the bakery didn’t short you?”  The moment the words escaped Christena’s lips she regretted them.  Ben never would have left the bakery without counting and double counting them, obsessive compulsive as he was.  Even suggesting otherwise was new cause for strife.  He gave her a harsh glare.

“Do I even have to answer that? How could you do this to me?  I had one for every person at the office party.  I could have forgiven one – I would have foregone my own, but three?  Now what am I supposed to do?”

“Buy a box of doughnuts on the way in to make up the difference?”

That response was met by a disgruntled huff and the slamming of their front door as Ben stormed out.

Christena slumped into the couch.  It was her day off, even though her husband had to work.  Unlike Ben she was never guaranteed that her free time would fall on a weekend.  As a personal caregiver, she couldn’t keep regular Monday to Friday office hours because people needed care seven days a week.  Ben had often belittled her for it, suggesting a real job would pay more and offer set hours – as if somehow crunching numbers the way he did was more valuable than caring for the sick and elderly.

As soon as she was sure Ben was long gone. Christena spoke out.

“Peeve? Peeve – come on out.  I know you stole those cookies.”

Two beady eyes peered at her overtop one of the branches of the Christmas tree.  Peeve, or that was what Christena had taken to calling the gremlin-like creature, had started appearing shortly after Ben had completed his internship and had gotten his current job.  Since then, every time Ben treated Christena with any disdain or talked down to her as if he were more important than her, Peeve would exact some sort of revenge.  It was getting worse, as was Ben’s treatment of her.

“You have to stop doing these things.  I end up getting the blame for them and he leaves here irate.  When he gets home later, he’ll be a grouch for the entire evening.”

Peeve blinked at her and grinned, as if he enjoyed being the instigator of Ben’s foul moods.

Christena heaved a gargantuan sigh.  Things were bad enough between her and Ben without Peeve complicating them – not a welcome intrusion at all.

Life had been different while Ben and Christena were in college. He had been more relaxed then.  After setting his sights on her, he had broken out the charm that he now saved only for networking.  He had romanced her very diligently, with promises of a family and a pleasant future and he had kept it up until she had agreed to marry him.  She realized now that his courting had all been a calculated ploy to get himself the pretty, docile wife he saw as a requirement for a successful businessman.  She was just another notch in the post where he marked his achievements in life.

Since then, Ben had been constantly pressuring her to give up her job and find one that would better support his work hours – office work perhaps.  She had actually suggested the night before that she would do that if they finally started trying to conceive the first of their planned children, offering him a trade-off, something he wanted in exchange for something she felt she needed.  That was when Ben had dropped the startling bomb on her.  He had changed his mind.  He no longer wanted children because he expected they would interfere with his career.  He had already scheduled a vasectomy that was to take place first week in January.  Christena had been heartbroken.  She wanted children more than anything else and she didn’t believe in divorce.  It was another reason he had chosen her.  Ben considered divorce scandalous, another form of failure.

“Just stop it – alright?” she told Peeve.  “Unless you can fix what he’s about to do to me, you may as well just go away.  I’m the one who has to live with him.”

For the first time since he had begun causing trouble, Peeve emerged from the shadows.  His impish form dropped down from the tree, where it began to grow and change.  By the time he was done, the only recognizable difference between Peeve and Ben were those beady little eyes.  The monster in the shape of Christena’s husband walked over to their bedroom and paused in the doorway, gesturing for her to follow before proceeding into the room.

Christena hesitated for a moment before following, but only long enough to consider the potential consequences.  Ben would never request an abortion – that was beneath him – and as long as the child was conceived prior to his operation, he would never try to suggest it wasn’t his, especially if it looked like him.  Condoms weren’t 100% effective, and he knew it.  She told herself she would be doing this as a gift for herself… much better than the practical, emotionless, although expensive, gift she no doubt would be receiving from Ben.

“Merry Christmas,” she said, visions of a rounded belly followed by baby smells, sights and sounds filling her head.

Peeve was about to provide Christena with the best act of revenge in the face of Ben’s heartlessness yet.  And she would enjoy every minute of it.

*********

Snapshot_20140802_2Chantal Boudreau is an accountant by day and an author/illustrator during evenings and weekends, who lives by the ocean in beautiful Nova Scotia, Canada with her husband and two children. She writes and illustrates horror, dark fantasy and fantasy and along with her Fervor Series and her Masters and Renegades series, she has had many of her stories published in a variety of horror anthologies, online journals and magazines.  Find out more at: http://chantellyb.wordpress.com

The Elf by Christine Morgan

THE ELF

by Christine Morgan

It started last Christmas, that must have been it. Weirdest thing that ever happened to me in my life – or so I thought at the time.

Now, this Christmas, I know a little better.

My name’s Belle, Clayton Belle, and I always hated this time of year.

I blame it on my folks. Sure, everybody blames their problems on their folks, but you should have seen mine.

My dad’s name was Jim Belle, but from after Halloween until round about New Year’s, he told everyone to call him Jingle. Dressed in red and green every chance he got. Decorated the house like you wouldn’t believe. My mom was just as bad, and she had no excuse … her given name was Carol.

They wanted me to swap “Clay” for, can you guess? Sleigh. No joke. I tell you, it was enough to drive a kid crazy. Here I was trying to be normal …

That was why, as soon as I was old enough to get out on my own, I gave up on Christmas. No, that’s putting it too lightly … I went out of my way to avoid the whole thing.

Maybe that’s why it happened. Maybe it was some strange message, some sort of off-the-wall Christmas revenge. Like in the story about Scrooge, except I didn’t get three ghosts. Didn’t even get one.

What’d I get? Some little freak with rabies …

I’d done pretty good at getting away from it all. I’d finally saved up enough to move out of the apartment into a house, tiny but my own. I had a telecommuting job, which spared me the yearly hassle of office parties, Secret Santas, holiday music over the intercom, and all that.

So, for the first time in years, I was expecting a nice, stress-free December.

Then it happened. Christmas Eve.

That was when I heard the bells.

Jingle-jingle-jingle, clanging and grating on my nerves, bringing back all my tension like it had never been away.

I shot to my feet, fists curled. If this was the preface to a spontaneous outbreak of “God Rest Ye Merry Gentlemen” from trespassing carolers, I was going to blast them with the hose and 20-degree temperatures be damned!

Stalking to the door, I yanked it open. But already, the sound was receding, dwindling into the distance … and even then I remember thinking that it almost seemed to be receding upward … but of course I didn’t give that idea a moment’s serious consideration.

Not then.

The people across the street were the Jaimesons. I’d seen them come home a week or so ago with a tree

lashed to the roof of their car, but they were good about it, and kept their stuff private. If they wanted to be as looney as my parents in the privacy of their own home, that was their business, and they didn’t try to inflict it on the rest of us.

But now, something was hanging on their door. Even at midnight, every house on the street dark and sleeping, I couldn’t miss it. The full moon and the snow conspired to make it almost as bright as day, and the wreath that now hung on the Jaimeson’s door was twinkling with tiny red and white bulbs, like holly berries amid the shiny green leaves.

And there was something on the porch … from here, it was a bump of scarlet and white in an uncertain shape.

I couldn’t help it … anger set in. Some nerve the Jaimesons had, sneaking out in the night to put up that wreath, thinking no one would notice. Before I fully knew I meant to, I was striding down my walk, slippers crunching through the crust of the snow. I crossed the icy street and marched up their lawn, driving deep tracks. They’d see, they’d know, but I didn’t care.

The crumpled shape was recognizable now, a stocking. A plush cranberry-red velvet stocking with a ruff of white fur. It was lumpy … it was moving.

A nasty spear of fright jumped through me before I realized that the movement was due to nothing more than a toy, a child’s wind-up toy that had been jogged by the fall to the porch.

I could see it easily in my mind – Hank Jaimeson in full Santa regalia, smuggling in the sacks of goodies he’d had hidden in the garage, but dropping a stocking as he paused to put the wreath on the door.

My intent was to pull it down and pitch it, maybe onto the roof, maybe into the bushes, I don’t know. But as I reached for it, I heard a high mewling sound from inside the stocking.

My first thought was that it was a kitten, that old Hank had gotten his daughters a kitty but didn’t notice when it fell from his bag.

My second thought was that it would serve them right, a nice gruesome Christmas surprise to find frozen solid on the stoop.

But I may have been a Scrooge, I may have been a Grinch, I may have been a sour old jerk, but I wasn’t a total bastard. Couldn’t leave an innocent kitten to freeze to death in the night.

I bent down and scooped up the stocking. It squirmed in my grasp, and yes, there was something warm, something alive, in there.

“Hey, kitty-kitty,” I said.

I reached in, meaning to pet the soft bundle of fur.

Instead, my fingers found skin.

And an unbelievable explosion of pain.

It was like a spring-loaded beartrap of needles, sinking into the tender web between my thumb and index finger.

I screamed or cursed, or both mingled, and flung the stocking away from me. It flew off into the snow, but the biter held on, dangling at the end of my arm. My flailing motions made it clamp down tighter, and now rockets of pain were shooting up my arm to my head, where they burst like the Fourth of July – a holiday I’ve never had a problem with.

But I did have a problem with what I was seeing. A major one.

An elf was battened onto my hand.

An elf, yes, that’s what I said.

He was about eighteen inches high, maybe two feet, it was hard to tell. Built like one of those pudgy little gnome you sometimes see on the lawns of people who should know better, but light as a feather. He was wearing short pants (winter-white), a red vest, and those dorky curled-up shoes with bells on the toes. If he’d had a hat, it had fallen off, because his pine-green hair was blowing free around a set of ears that would have made Mr. Spock blush.

His eyes were the huge winsome adorable eyes of a cartoon character, but no cartoon character’s eyes had ever glittered with such a hard and flat hatred. A snarl, muffled by his mouthful of my hand, issued from the back of his throat.

I screamed again, this time more in horror than pain, though there was still pain, plenty of it. With my other hand, I grabbed him around his potbellied middle and tried to tear him loose.

It didn’t work. Those fangs were embedded like a snake’s. But abruptly, the elf let go of his own accord. He scrambled up my arm, headed for my face.

My third scream broke decibel records. I reeled and staggered, trying to knock this deranged thing off of me. The backs of my legs hit the Jaimesons’ planter and I toppled over backward, feet flying. My breath was jarred out of me in a huge frosty cloud.

The crazed elf skittered onto my chest, his impish face twisted in pure madness. I didn’t know what he was going to do, and suddenly had a bizarre vision, one that might have been funny if it hadn’t been so hideous – my disembodied head impaled on the top of a Christmas tree in place of a star.

The Jaimesons’ door banged open, throwing a fan of light onto the snow. The elf hissed and was gone, springing from my chest in a bound that carried him into the concealing bushes.

The next thing I knew, Hank Jaimeson was there, in a robe, his eyes puffed from sleep and wide with shock. His wife and kids crowded into the doorway, all babbling at once.

Calls were made, to the police and to an ambulance. I was taken to the hospital because they thought I was having some sort of a breakdown. They had to think that, because I wasn’t wounded. The bite-mark on my hand was gone, except for a semi-circle of tiny white scars that almost looked like snowflakes.

I did some time under observation, and more time in court-ordered therapy. The consensus was that I must have snapped under the holiday strain. When I finally got home, the neighbors treated me with caution and even more distance than before.

The Jaimesons moved out that spring, the whole turn of events having been so traumatizing for their kids – waking to my panicked screams on Christmas gave little Amber Jaimeson nightmares for weeks.

But eventually, things got back to normal. Or so I thought.

I was fine until around October.

That was when I started to feel restless. Itchy, almost. Impatient, dissatisfied. I didn’t know what I wanted, but something was missing. Something I needed.

A few days after Halloween, as I was lugging the shells of my jack-o-lanterns out to the trash, I caught myself humming.

Humming a Christmas carol.

Appalled, I stopped then and there with my feet buried in a drift of leaves and a slightly mushy pumpkin sagging in my grip. I silently asked myself if I’d really been doing that, but I’d heard me. I could even Name That Tune – it had been “Santa Claus is Coming to Town.”

About a week later, I saw that they’d stocked the shelves in the dairy section of the local market with the first eggnog of the season, and my heart took an unprecedented and distinctly unwelcome leap of joy.

When I got home from my errands and started unloading my groceries, I found a carton of eggnog.

I wasted no time but raced right back to the market. The cashier who’d checked out my purchases was still there, and I stormed up to her, not sure if I meant to apologize for taking the eggnog by mistake or to berate her for mixing it in with my order.

But she told me that I had bought it, and had even remarked on how glad I was that they finally had some in the store. And that when she had replied with something to the effect of how it seemed the holiday season started earlier and earlier every year, I’d said ‘good!’

Good!

I had no recollection of that at all, and would have never said such a thing! Not me! Not Clayton Belle!

I decided she must have been having fun at my expense, and put it out of my mind. I planned to dump the eggnog down the sink and forget the whole matter.

I drank it instead.

I didn’t mean to … I just took the carton out of the fridge – and only then did it occur to me to wonder why I hadn’t returned it to the store and gotten my money back – and opened it.

And the scent hit me in a great rolling wave of creamy, nutmeggy temptation … and before I knew what was happening, I was guzzling it straight from the carton with such gulping greed that overflows were running in rills down my chin.

I leaned over the sink, nauseated and afraid, wondering if I was going to bring it back up. But it stayed, a thick liquid weight in my stomach, and I imagined I could feel it spreading out in there, sending out tendrils of itself, into my veins, coating my organs, being carried to every cell of my body.

Another week passed, and I was cranky all the time, missing something, needing something, not knowing what it was. Little things kept happening, distressing little things. Nothing big, nothing like the Great Eggnog Experience, but upsetting ones all the same.

Being at the drugstore, having to walk down the seasonal aisle to reach the pharmacy, and lingering over the cards and garlands that had begun to creep in among the turkeys and harvest decorations.

Shopping a catalog for some new clothes and only realizing when my order arrived that some of the things I’d bought were eerily familiar – winter-white pants, a red cardigan vest. And a green knitted cap, where had that come from?

Waking in the middle of the night with the most terrible craving for cookies, not just any cookies but specific kinds. I had to have the butter-shortbread ones crusted with colored sugar … I had to have gingerbread.

Then things started getting worse.

I bought a box of candy canes and ate them all in the car, the entire sticky red-and-white dozen of them, until my tongue and lips were bright pink and the taste of sweet mint seemed to permeate my entire being.

I found myself taking long aimless drives around town to look at the holiday lights and decorations … I even went to the mall and stood amid a smiling crowd as little kids waited for their turns on Santa’s lap.

I was humming again, and then singing low, and finally singing aloud, whenever I heard the carols … and I knew every single word.

I had been flipping channels and happened across a Christmas movie, the one about the boy who wanted a BB-gun. And, telling myself that nothing else good was on, wound up watching it. And then, worst of all, realizing it was a marathon, 24 hours of that same movie, and I stayed up all night watching it and fell asleep in my chair and woke up and kept watching it, until noon the next day.

The day it all came crashing down on me, I was at the park. It was December 22nd and I’d gone for a long brisk walk, hoping that the cold air and exercise would snap me out of this constant state of alternating trance and terror.

A woman said ‘Merry Christmas!’ to me, and I said it right back at her.

She passed without looking back, which was good, because my expression would have horrified her. It horrified me and I didn’t even have to see it; I could feel it. That was the first time those words had passed my lips in almost twenty years, but I hadn’t just been saying them.

I’d meant them!

I uttered a rusty screech and ran for home. Something was happening to me … I had to get help … there had to be something they could do …

I reached my yard and the strength ran right out of me like water through a sieve.

Lights sparkled along the eaves and around the windows of my house. More lights, string after string of them, wrapped the fence and the tree in the front yard. A red ribbon had been wound around the post that supported the mailbox, giving it an effect that could be construed as barber-pole but I knew better! A plastic reindeer with a red lightbulb for a nose stood beside the walk, and a wreath hung on the door.

It was the wreath that pushed me over, because it was practically identical to the one that had been on the Jaimesons’ door last year. Their house had sold but the current owners were spending the winter in Arizona with their grandkids, and thus hadn’t seen the terrible thing that had taken place across the street.

Someone had decorated my house!

No … I had done it. And couldn’t remember doing it.

Haltingly, scared to death of what I might find inside, I went up to the door. The wreath seemed to stare at me like a big round eye, laugh at me like a big round mouth.

I wanted to rip it down, rip all of it down. What would people think if they saw this? What would they say?

I steeled myself and plunged inside.

If I could have drawn breath, it would have been last year’s business all over again, for I would have screamed and screamed until the neighbors called 911. But my breath was stolen from me by the sight of the interior of my house.

It was a nightmare made real. That’s all I’ll say. I can’t bear to describe how tall the tree was, how many garlands festooned the stairway banister, what horrors awaited me on the mantle. I can’t stand to think of the candles, the presents, the three-tiered tray of cookies and fudge and divinity.

Even the bathroom wasn’t safe, because the shower curtain, the towels, even the toilet-lid cover, had been replaced by new ones in a poinsettia pattern. But despite that, the bathroom was still the least objectionable place in the house, and it was there that I collapsed in a dead faint.

I woke over twenty-four hours later to unbelievable pain in my hand and arm. Dimly sure that I must have been laying on them, I pushed myself up and looked.

The scars … the tiny semicircle of snowflake-shaped scars … they had faded nearly to invisibility over the year but now they were back. Standing out in vivid relief, almost seeming to wax and wane in time with the throbbing I felt in every nerve.

And yet, even with the throbbing, even with an ache that seemed to burrow into my bones, I felt full of a hectic, wild energy. Mania, almost. No, not almost … it was mania. I wanted to do something, had to get up and get moving, but I didn’t know what.

I tried to rise, shakily got as far as the sink, and caught a glimpse of myself in the bathroom mirror.

But at first, I didn’t know it was me … I had never in my life worn a silly little pointy cap with a bell on the end.

I cried out, thinking it was a stranger, an intruder, that I’d surprised in my home. My reflection reacted along with me and then I knew, but that knowing was untempered with relief.

I looked … different. It wasn’t just because of the cap.

My hair looked wrong. Longer.

My eyes were huge, but I attributed that to shock and fear.

My ears …

I didn’t want to see any more, and fell back onto the bathmat.

The ache intensified. I could hear the radio playing in the other room, tuned to the nonstop holiday music station.

I felt as if I was being crushed, slowly crushed under an impossible weight. I imagined I could hear my bones crunching, feel myself being squashed, compressed. An appalling, stretchy sensation tugged at my ears.

A dark corner of my mind knew then what was happening to me, but the rest of my mind rejected it. Ignoring the pain and the horrendous things that were going on in my body, I got up to splash cold water on my face …

And couldn’t reach the sink.

I was standing, but I was on eye-level with the cabinet where I kept the cleanser and spare rolls of tissue.

Very, very slowly and very much against my will, I looked down at myself.

Yes, I was standing … assuming those were my feet in the curly-toed shoes about eighteen inches below my head. Assuming that was my torso I was seeing, pooching out into a potbelly.

A wavery, uncertain noise came from my throat. I started to bring up my hands, to explore my head, but paused and let them drop. I had to see.

With strenuous effort, I clambered onto the toilet, and from there onto the counter. I edged out around the basin, keeping my eyes on my shoes – my horrible curly-toed shoes – until I was there.

Then I looked.

An elf looked back at me.

It had my blond hair, only grown long and silky. My brown eyes, cartoon-character cute. My features … changed and made sharper, fairer, more … elfin.

I opened my mouth to finally voice the scream that would rouse the neighborhood, maybe even the town. But before I could finish drawing my breath, my gaze fell on what was also shown in the mirror, the reflection of my dining room beyond the half-open bathroom door.

The table was covered with things. With tools, and paint-pots, and lengths of wood, and stuffing, and wheels. Half-finished toys were scattered all over the table, and a box of finished ones rested underneath. The mania that had been surging in me now came roaring up full-force.

Because time was short! Time was so very short! Tomorrow was Christmas Eve!

Tomorrow was Christmas Eve and I was behind in my work!

I yipped in alarm, sprang down from the sink in a sprightly hop, and rushed to my workbench.

And I knew, as I picked up my paintbrush to apply rouge-spots to the cheeks of a dolly, what I was. I knew what would happen to me this time every year, not ruled by the phases of the moon but by the seasons, when the change would set in.

Helpless to resist, caught in the grips of the dreadful transformation, compelled by my hungers and driven to do unspeakable things … with no folklore, no gypsy woman, no one to help me or tell me how to break the curse …

The terrible curse of the were-elf!

*******************

christChristine Morgan works the overnight shift in a psychiatric facility, which plays havoc with her sleep schedule but allows her a lot of writing time. A lifelong reader, she also reviews, beta-reads, occasionally edits and dabbles in self-publishing. Her other interests include gaming, history, superheroes, crafts, cheesy disaster movies and training to be a crazy cat lady. She can be found online at https://www.facebook.com/christinemorganauthor

Morbid Meals – Holiday Spirits

When it comes to the holiday spirits, I’m not talking about the Ghost of Christmas Past, or that chain-rattling spectre of Jacob Marley. No, I speak of something even more frightening: Holiday Hooch!

As the song goes, “Baby, it’s cold outside.” One sure way to stay warm is with a little nightcap. It’s no surprise that many drinks this time of year are heated up. Hot buttered rum, egg nog, mulled wine, just to name a few. Hot apple cider and hot cocoa shouldn’t be missed either.

So in keeping with the intoxicating tradition, I am sharing three of my favorite drinks that will make the season, and your nose, bright. Just stay safe, my fellow Horror Addicts. We want to see you have a prosperous new year.
Continue reading

Horror Christmas Tales – Staff Picks!

Hope all of you Addicts are surviving the holiday season.

Some of the staff here at HorrorAddicts.net have given us suggestions for horror holiday reading/listening!

Dan-  One of my favorite Christmas horror stories is from my man Jack Mangan, which made it’s way to Horror Addicts #52, called “Santa Thing”. What a great, creepy, and exciting twist! Click below to listen.

David- I liked Michele Roger’s Santa Claws which was on HorrorAddicts.net #13 and has recently been printed in a new anthology called Ain’t No Sanity Clause. You can buy it now on Kindle.

Emz- My favorite holiday horror story- and most won’t think this is horror – is a story I read when I was little called Christmas Every Day by William Dean Howells. A little kid wants Christmas every day… but it all goes horribly wrong as presents keep showing up and are so many in number they block the door to the house and cause all sorts of problems! It was written in 1892 and can be read here at project gutenberg http://www.gutenberg.org/ebooks/22519

Looking for more holiday horror? How about listening to the Wicked Women Writers Challenge show again? “The Secret Ingredient” by Rebecca Snow is a tale that will give you chills, even if you aren’t out shoveling snow.

Do you have a favorite Christmas horror tale? Please share in the comments.

And if you’re in the mood for some Christmas Quiz-y fun! Check out Mike Bennett’s fun Christmas Quiz on Youtube.

HorrorAddictsCon: Michele Roger Evil Holidays 3

The Christmas Eve Monster

by Michele Roger

A short holiday story about a young girl who doesn’t want pink guitars or ballet lessons for Christmas.  Instead, she would rather have a monster to call her very own.  Here is what happens when Christmas wishes come true….

Having trouble with the clickable player? Here is the direct link:
http://www.micheleroger.com/Podcasts/TheChristmasEveMonster.mp3

Michele Roger is the author of “Dark Matter” and “The Conservatory”; both horror novels.  She also hosts her own podcast of short stories called “Something Wicked This Way Strums”.  When Michele isn’t writing, she is performing as a solo harpist as well as in the ensemble “Bellissima Musica”.  You can find both her writing and her music at www.micheleroger.com

Horror Addicts Holiday Gift Ideas

Horror Addicts musicians, authors, and others have special offers for you! Cash in now!

Horror Addicts Hostess Emerian Rich
Night’s Knights eBook for $.99

Night’s Knights is on sale from now until the end of 2010 for just $.99 for Android and iPhone users. Search apps on your phone for Night’s Knights or Emerian Rich.

Kirk Warrington & Podioracket
DarkAge FREE book contest

You could win a copy of DarkAge from Podioracket and Kirk Warrington!
Kirk Warrington’s release of DarkAge in Print comes with a BTR-PR contest. Listen to the 15 minute BTR-PR interview and email your answer before Dec 31st at midnight to contact@podioracket.com and you could win one of 3 signed copies of the DarkAge paperback. Check out Kirk on his site at http://www.kirkcast.com.

Emerian Rich & 16 other authors
in Just in Time FREE PDF offer

Books make terrific holiday gifts, but finding the perfect book is always a challenge. If only we could flip through the books on our schedule. If only if the bookstore could come to us. That’s the idea behind “Just in Time for the Holidays.” In this PDF we’ve included multi-chapter excerpts from some of the greatest books you’ll be able to find this holiday season. You will find books that will take you on an epic adventure across magical lands, step into the future, or journey to the past. See the world through the eyes of a teenager living on the streets of Cambridge. Journey into a land of dreams, and much more. “Just in Time for the Holiday” has something for everyone on your list.

Each excerpt is prefaced by information about the book and its author. At the end of every excerpt in this PDF you’ll find links to retailers where you can get your own copies of the books.We hope you enjoy these excerpts and wish you a happy holiday season.

Alex White from Episode #46
Gearheart Soundtrack $6.99

Looking for that perfect gift for the adventure fan?  Be sure and check out the soundtrack to Alex White’s podcast, Maiden Flight of the Avenger, on sale 12/11/10 on CDBaby, iTunes and many other fine mp3 outlets.

 Cal Miller from Episode #53
The ZOMBIE’S Survival Guide book 15% discount

The Zombie Apocalypse is coming and unfortunately the odds are highly in favor of you becoming one of the Undead.  Yes, a ZOMBIE. But don’t worry, there’s hope. There are ways for you to “live” a very rewarding “life” AFTER you turn. “The ZOMBIE’S Survival Guide, Thrive In The Zombie Apocalypse AFTER You Turn”, with over 40 illustrations, will show you how. Get yours today at: https://www.createspace.com/3485621 before it’s too late! If you enter the discount code 7EG3EXDW you’ll get a special Horror Addicts 15% discount off the $8.95 cover price! eBook available on Amazon.com and Smashwords.com for $2.99.
www.CalvinALMillerII.com

R. E. Chamblis from Episode #49
Dreaming of Deliverance book $9.99

Give the gift of captivating, romantic, thrilling fiction! The print version of the highly-rated podcast novel Dreaming of Deliverance, by R.E. Chambliss, is only $9.99. And if you’d like it signed, email your address to renee@rechambliss.com to receive a personalized book plate! Order your copy at Amazon.com. “Chambliss does an excellent job developing her characters, unfolding the plot, and keeping this story moving forward at a breakneck pace. Once I started, I just couldn’t stop. Chambliss is one of the many undiscovered gems! Give her work a try. You won’t regret it.” ~ Nathan Lowell, Creator of the Golden Age of the Solar Clipper

Veronique Chevalier from Episode#36
Polka Haunt Us CD – $5.00 off

Horrific music is NOT just for HELLoween anymore! Add “Polka Haunt Us: A Spook-tacular Compilation” to your playlist for the HORRORdaze! Give the CD to yourself, or to the top fiends’ on your “chopping” list! Regularly $13, mention HORROR ADDICTS for $5 off- only $8, including shipping! (All tracks also available on iTunes, but discount applies only to the CD) Learn more about “Polka Haunt Us here”: http://PolkaHaunt.Us Put HORROR ADDICTS in the subject line to get the secret discount promo link by emailing: PolkaHauntUs AT gmail DOT com

Arlene Radasky from Episode #8
FREE BOOK!

The Fox by Arlene Radasky is FREE FREE FREE! This book is not discounted, it is free! Over 25,000 downloads worldwide! Arlene Radasky is a contributor to HorrorAddicts.net. Here are some words about her novel, The Fox : “I finished The Fox last night. It was such a bittersweet moment because I didn’t want it to end. The last time I felt this connected to the characters and the story was when I read a book by Jonathan Carroll called The Bones of the Moon. I think it is quite a feat to have this ability write such a vivid story. My friend started reading it yesterday and she said she is hooked.” Get to know Arlene Radasky and how to download a FREE copy of The Fox at www.radasky.com 

Mach FoX from Episode #27
FREE Mp3 downloads!

Mach FoX – The Sky Is Falling released 12/07/2010 by afmusic and available as FREE mp3 download from websites or wav version at digital retailers. Enjoy darkly. http://www.machfox.com http://www.af-music.de Like a DeLorean time machine, Mach FoX’s sleek, sci-fi, horror, doom-pop exists simultaneously in the electropunk future and the retro-gothrock past. Twitchy computer beats, jittery synthesizers, and etheral, Cure-inspired guitars interweave in Mach FoX’s hall of mirrors,with Mach’s soaring, mournful vocals serving as a guide through the labyrinth. While plenty of current bands cop the flash and glitter of 80’s electronic tinged gothrock, Mach FoX is one of the few to capture a bit of its soul.

Rhonda Carpenter from Episode#37
The Mark of a Druid book $.99

The Mark of a Druid coupon from Smashwords for eBook .99 cents  KK77F Or go to Amazon http://www.amazon.com/gp/product/B002T44W8G it is .99 there too. http://www.smashwords.com/books/view/3787 Ebook Description: When twenty-six-year-old Eve McCormick awakes, the images from her nightmare are indelible. The dream feels so real she must force herself to get a grip. This experience is just the beginning for Eve, a Los Angeles clinical hypnotherapist and researcher investigating whether reincarnation is fact or fiction. A Celtic lifetime as a druidess and a strange shape shifter must join or die!

Ruckus Productions from Episode #23
“Trilogy of Blood” movie $10

SEE the BLOOD! FEEL the TERROR! HEAR the PSYCHOBILLY SICKNESS! TRILOGY OF BLOOD! 
When a trio of sexy city gals picks up a broken-down hillbilly in the backwoods of Virginia – the three kittens get A LOT more than they bargained for when they accept the drifter’s invitation to a down-home barbecue. What these lovely ladies don’t know just may hurt ‘em – when they find that the menu of this hayseed hoe-down isn’t the standard ‘burgers and dogs’…
 http://ruckusproductions.com/?page_id=219

Gloria Oliver friend of Horror Addicts
FREE: Short Stories and Flash Fiction

Come to Gloria’s site to enjoy FREE Short Stories and Flash Fiction and to learn about her novel, In the Service of Samurai, An epic adventure set in a fictional Japan where magic, spirits, and demons are real. Toshi, a mapmaker’s apprentice, is unwillingly drawn into the realm of the supernatural when forcibly taken from his home by an undead samurai. With him lies the key for completing a nine year old mission which must be fulfilled before the clan’s souls can be laid to rest. Yet the path to this end won’t easy, for there are those who don’t want them to succeed—among them ninja assassins. Toshi will have to face many obstacles in the service of samurai.
www.gloriaoliver.com